#sometimes it's good to read stuff you don't like so you learn what you do like | Explore Tumblr posts and blogs

michaellangdonswhore · 1 year ago

Text

warnings: again, smut. put me in a fucking hospital.

word count: 5.5k

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You were, by far, Jonathan Crane's least favorite student.

You knew it, and it was complete bullshit. You were always on time, always in every class, and always completed the work. You had always had such good grades in every class, but not with him.

While not giving you the worst grade imaginable, you were never able to get over an A-, which pissed you the fuck off. Obviously, to any other normal student studying psychology, they'd take the A-, but not you.

And again, nothing over an A-. There was the frequent B+, sometimes B, and when you really pissed him off he would go as low as a B-.

You've done everything you could to get him to like you. You would ask questions, clearly put extra effort into the homework, and even applied to laboratory studies that he ran. You hated not being liked.

However, at this point in the year, you had given up on trying. You still did everything you were supposed to do, because you wanted a good grade, but you hadn't bothered participating or showing any interest anymore. You had decided to focus more on your other classes. Due to this, you had been working late into the night, causing you to be exhausted for your 8 AM lectures with Crane.

You were exhausted, trying to pay attention. Your head hurt so much for looking at a screen for so long last night.

Crane is flipping through a slideshow, and you find yourself dozing. It's not that this stuff bored you, you had just already learned it back when you took AP Psych your sophomore year of high school.

You snap back into reality when you hear your name being called.

Crane is singling you out with an annoyed expression on his face. You turn red because everyone, all 400 other people in the class, are staring at you.

"I'm sorry. Is this boring you?" He puts his hands on his hips.

"No-" You begin.

You're stammering. You normally don't have such a rough time with public speaking, but being downright exhausted and being singled out for nearly falling asleep in class is extremely embarrassing.

He pauses for a moment and stares you down.

You feel as if you were naked, as if you were completely exposed to him. You didn't like him looking at you like that, like he was taking into account every imperfection.

"As I was saying..."

Thank god.

He resumes to what he was talking about before and you're more alert, heart pumping full of humiliation. You're taking notes now, typing quickly and probably annoyingly loud (you can tell because he keeps shooting you small glares every time you hit the spacebar).

Finally, the hour is up and he reminds everyone about the homework due that Friday. You collect your stuff and head out the door. You don't realize, but he watches you leave.

Everything you do irks him.

Maybe it was because your first paper challenged his psychological beliefs, or because your intelligence challenged him in general. But literally everything about you pisses him off.

Your loud typing, your questions that challenges his lectures, how you turn everything in on time, how you flawlessly converse with the other students. He is so desperately waiting for you to slip up.

As previously stated, you were putting less effort than before into his class. He picked up on this. You were turning your papers and chapter readings in the last minute, you weren't asking questions, and you were even falling asleep.

You had three days to complete a portion of the assignments given. You completely forgot about it.

Due to your tiredness and your weakening desire to try for the class, you had forgotten to write down the homework in a planner that you always checked daily.

Crane is a quick grader, and usually he always grades your homework first; more specifically, as soon as you turn it in.

You realized you didn't do the work as soon as you woke up that morning for your 8 AM class. You had never ever missed an assignment. Ever. And you had no time to do it and make it to his class on time. You were freaking the fuck out.

It's okay. Maybe he hasn't graded it yet.

But no. He was such a strict grader. He was harsh.

Whatever. You may as well hope for the best.

To distract yourself from your predicament, you talk to the boy who sits next to you in the class. It's just smalltalk about the workload and about an upcoming test.

You stop talking when Crane clears his throat. You shift back in your seat and open your laptop.

"It's a Friday. It's 8 AM," Crane begins. You think this is going to be the introduction of a psychological speech. "For all 399 of you that did your homework last night, go enjoy your Friday morning."

People being looking around and whispering, not sure if this is a trick, but you know it's not.

You're freaking out. Your heart is racing and you cannot believe that he would actually do this to you. Usually teachers will just give you a bad grade and call it that, but to single you out and have the entire class leave except for you is an all time low.

"I'm not messing with you," Crane continues. "Go. You know who you are."

He's looking at you dead in the eye and you stay put as people slowly get up to leave, looking around to make sure others are doing the same. You avoid his gaze, looking at your computer screen.

Soon enough, everyone is out of the large lecture room, some looking back to see the one person who didn't do their work.

Once the door is shut, and everyone is completely out of sight, Crane locks both of the doors and looks up at you.

"Are you deliberately trying to fail my class?" He questions. "I thought you wanted to be outstanding."

You can't find words to say. He scoffs and moves to his desk, shuffling through papers and bringing out a decently large stack to over to you. It feels like hours pass by as he walks up the steps to you and drops them onto your desk.

You look at them, confused.

"This is the homework that was due at midnight." He explains.

"It's never so much..." You stammer. You can feel his hatred burning into your skin.

"It's what's due next Wednesday, Friday, and the following week too. Let's see if you can get this done by.... hm," He checks his watch. "By the end of the period?"

"All of this?" Your eyes widen.

"When's your next class?" He asks.

"You're my only one today." You continue to avoid his eye contact.

"Then you can stay." He says. "Until you finish all the work."

"But-"

"I can't trust that you'll do it." Crane says, taking a step back from you. "You need to complete it. In front of me."

"Please, Professor," You try to defend yourself. "I've been-"

"I can assume what you've been doing, you've almost fallen asleep in my class." He scoffs.

You feel your cheeks heat up with embarrassment over him getting the wrong impression. Does he really think that low of you?

You take a deep breath. You'll just have to deal with this.

"Do you have a pencil?"

He grabs a black pen from his desk and looks up to you, motioning to sit in the front row. Close enough. You swallow your pride and grab your things and the stack of paper, walking down to the seats in the front.

The class itself is an hour, but it took you almost five to complete the amount of homework he gave you. The readings were long, and the quality of work was demanding. You were eager to do well, to prove yourself.

You hate that he hated you.

His eyes were on you the entire time you did your work. The silence was loud, but you pushed through it. You got three weeks of homework done, and proudly put the stack back onto his desk.

"I'll see you Monday, Professor," you smile, then walk away.

After that, you tried harder; harder than you tried compared to every other class you took. You did this, not to get him to like you- but to get back at him with the fact that you knew your shit; you were a good student. You sat in the front, did side research, and spent nights studying for his endless quizzes. And he wanted to fail you to make you stop what you were doing, but you were getting all the answers right and you both knew that. He wouldn't want you taking anything to the next level.

With you in the front, it made it harder for him to not be distracted by you. Mid speech he would find himself locking eyes with you, disrupting his words and leaving him stammering for a brief moment. Ever since you've upped the eye contact, you've gained more control of the situation.

You arrived in class that Wednesday; the situation in which Crane forced you to stay and do two weeks worth of work in front of him occurred around three weeks ago. You're sitting in the front in between two empty seats; no one likes to sit in the front in Crane's class. It's usually only filled with around three to four people. Crane isn't in class yet, which is weird considering he's always there early, before anyone else even gets there. The class is almost about to begin and he's never been late.

Soon enough, it's one minute after the class is supposed to start and he's still not there. You start feeling antsy, wondering where he is.

Finally, he walks in; two minutes after class is supposed to start. So unlike him.

He places his briefcase on the desk and begins setting up his computer while everyone takes out something to take notes with.

"Now, you all know what I specialize in, I hope," He states, not breaking eye contact with his computer.

He specialized in phobias. Apart from dedicating his time to teaching you, he was a therapist mainly for fears.

"I'm sure we all know what exposure therapy is, correct?" He asks. Pretty much the whole class nods in unison. "Good. For those of you not on the same page, it's the type of therapy which someone is exposed to their fear or trauma."

He begins flipping through his slideshow, giving more and more information and lecturing about it, but you can't help but notice it's an almost bias review.

You're left with homework to write a review on some boring documentary on the history of exposure therapy and a pretty long excerpt of the textbook you all were reading.

So, you did your work and followed all of the instructions. You wrote a review on exposure therapy.

The next Monday, you get to class and you sit in the front row. There's a big stack of paper on Crane's desk, and you assuming that you're getting a pop-quiz, but no, that's not the case.

Crane's waiting for everyone with his shoulder rested on the large stack of papers. Once the time hits 8, he begins.

"I printed out all of your outlines," He begins. "I've made some comments and given some feedback. We'll spend the class working on them."

He starts calling out names and one by one, people receive their papers. You're sort of anxious- you left a pretty negative review on exposure therapy, something that he seemed so passionate about.

"Y/N Y/L/N." He says, saying your voice with more of an annoyed tone than the other students. You get up and grab your paper from his hands, tugging harder due to his firm grip. Clearing his throat, he continues calling out the following names. You go back to your seat, nervous to look at the paper. When you sit and look at it, your stomach dropped.

There's nothing on the front page. Then you look at the second.

See me after class.

There is literally nothing but a see me after class.

Oh my god.

What did I do?

Was he offended at all by what was written? Surely, that wasn't your intention... yes, you wanted to piss him off, but you had some respect for him. You didn't want to actually maybe- make him insecure about his work?

Class seemed to take hours to go by; you didn't even know what to do about your paper. He gave no other feedback other than to see him after class. How were you supposed to work with that?

You looked around at your classmates typing away. You're annoyed that he actually helped them.

See me after class.

At least give me feedback on my fucking paper.

Everyone then realized the time and began to pack up. Crane stood up from his desk and took his glasses off.

"Remember, papers are due Friday!" He manages to get out before people start heading out the door.

You put your things in your bag, trying to act out to your classmates as if you were leaving. You felt so embarrassed. You hated how he kept embarrassing you and how he had the power to do that. It was infuriating. You felt him staring at you as you packed your stuff up, moving slower, nervous that he would call you out.

You took your time, though, waiting till everyone was out of the room.

With everyone else there, you felt so confident. You were one of the smart ones and you at least had witnesses, but alone with him? You were completely inferior. He could quite literally ruin your life with a bad grade and could easily tarnish your image, being the head of Arkham and all that.

"I found your paper quite interesting," He says, emphasizing quite.

"I'm sorry-" you begin. "I didn't mean to offend you."

"Offend me?" He scoffs. "You think you offended me?"

"I just- I know this is what you do, right?" You stammer.

"I'm interested in your point of view." He says. "About the pain, how it's long term. I'm interested as to why you seem so against it."

You shrug.

"What's your biggest fear, Y/N?" He asks you. "What is it? Failure?"

"I'm not trying to fail."

"Oh, yes, you've proven that." He clicks his tongue. "Sitting in the front, turning things in quickly, wearing shorter skirts. Don't think I don't notice what you're doing."

"What?"

"You write intensely about the struggle that people with PTSD-"

"Wait," you interrupt him. "What did you say?"

"I'm trying to discuss with you what you've written."

"Professor, my clothing choices have nothing to do with me wanting to do well in this class," you say. Now you're offended.

Instead of apologizing, which is what you think any decent person would do, he looks you up and down and scoffs.

"You're wearing tights."

"What?"

"Surely, those must be uncomfortable. You're not wearing those to satisfy yourself," he says.

You grow red, and angry.

He keeps humiliating you.

"Who are you trying to impress?"

"Will you stop?" you groan in frustration. "Why don't you just let me get by like you let everyone else get by? I do everything you ask!"

"I want to know who you're trying to impress."

"I'm not trying to impress anyone," you hiss, finally looking up at his crystal eyes.

You know it's disrespectful, but you turn to walk away and to leave.

"No, no. We're not done."

You ignore him, walking towards the door, but he quickly beats you to it, shutting it and locking you in.

"I said we're not done." He said, completely composed. "Sit."

"I want to leave."

"Your biggest fear is failure, yes?" He questions. You don't nod or shake your head, but it is pretty much true; you hate failing. You need to succeed and be good at everything you do. "Sit. I can very much make that fear come true."

"I do everything," you repeat. "Everything. I do it on time, I'm here always, I'm prepared for everything."

"Can you just fucking-" He pushes you down onto the seat next to his desk. "Sit?"

You weren't expecting him to physically force you to sit down, but you could pick up on the pent up frustration he had with you.

"The off the cut sweater, no bra-" He points out.

You weren't wearing a bra. You were surprised he had picked up on the fact- you could've been wearing a strapless, but no. He was right.

"Are you even wearing underwear?" He whispers.

You're flushed.

What the fuck was going on?

You thought he hated you.

And yeah, you knew he was an attractive man, that's what made this whole thing pretty exciting, but you never thought you would be sat down with him leaning over you saying things like this.

"Let me see."

"Professor?"

He grabs you off the chair and pushes you onto his desk, spreading your legs for you. Everything was moving too quickly; this all felt like a fever dream.

He tugs at the middle of your tights, ripping them open to expose your- and he was right- bare pussy. He lets out a chuckle.

"You're not trying to impress anyone?" He questions, again, peering up at you.

You try moving your thigh to cover yourself, but he forcefully keeps them open.

"Who was that boy you used to sit next to... Tim, is it?"

To be honest, you really didn't know that kids name. He was just someone you sat next to out of habit since you had picked that seat the first day of classes. But you hadn't been sitting with him for weeks at that point.

"Is Tim who you're trying to impress?"

"No!" You argue, still trying to fight the grip of his hand off your thigh. "I told you... I'm not trying to impress anyone."

"Hm." He says, placing two fingers on exactly the right spot of your clit, slowly rubbing in circles. . "You're not even trying to impress me?"

You stay silent, for a brief moment.

"Not in this way..."

But it's past that point now. He's already touching you, rubbing faster, and your exposed pussy is laid out right in front of his face. You're embarrassed and self conscious. He's too close for comfort.

"Yeah?"

The fingers once on your clit are now entering you. You still can't comprehend the situation.

But for him, he was putting you in your place. It was enough of the looks in class, the semi sexual and revealing clothing, the obvious need for his approval and to show him she was as smart- maybe even smarter than him himself.

"Is that why you're letting me touch you like this?" He asks, using the two fingers to pump your pussy.

It's out of your control but you're getting wetter the longer and faster he fingers you. It's beginning to show, beginning to drip down his fingers and onto his wrists. He notices this, then stops and looks.

"Disgusting," He huffs before licking his fingers clean.

"That's disgusting," You repeat at him, glaring a little, but you can't help but want his finger- more of him back inside you. You feel empty, desperate for his hands back on you.

"I don't see you asking me to stop."

You're silent, again.

He smiles, kneeling back down and spreading your legs open again, this time with a more forceful grip. He doesn't use his fingers this time, devouring you with his hot mouth and basically digging in.

He was really good at this. To be fair, no one had ever actually eaten you out, but you had never felt anything like it. He moves his fingers towards you again and fucks you with them as he sucks and licks at your clit. He was freakishly good. You felt something drip down your thigh; you didn't know if you were sweating or if you were fucking leaking. By the sound of it, probably the second one.

He removes his fingers and dives deep into your pussy more, making obscure sounds as he does so. He stops and looks up at you.

"Take your shirt off. I want to see your tits," he demands.

You comply; he's already seen a lot.

"Fuck, they're perfect." He says, now standing over you, playing with them and poking and twisting at your hardened nipple. He's pushing his hardened clothed dick into your bare pussy, giving you some friction has he sucks on your neck and plays with your nipples.

He grabs your hips and flips you over, putting you on your stomach and leaning you over the desk.

He kneels back down, eating your pussy again; he can't get enough of it. He can't get enough of the small whines escaping your throat and the way you leak and how you shake when it feels good- or when the pleasure becomes too much.

He adds his fingers in again, this time three, and you let out a louder, but not too loud, moan than usual.

"Professor-"

"You can take it." He assures you. "You better take it. If you can't take this how can you take my cock?"

You just weren't used to it- you had been fucked, but not for so long. He keeps licking and devouring your clit while pumping in and out of you. You feel so full- on the brink. You feel hot, and god you feel good. You don't even realize it, but you're riding his mouth and his fingers.

"You know, I wasn't going to let you come," Crane begins between breaths, keeping his face close to your pussy so you could still feel him. "But now that I think about it... I want you cum drunk on my dick. I wanna make you cum over and over again until you're a fucking mess."

He goes back to sloppily and messily eating you out again. It was so dirty; the noise, what was leaking out of you. You then felt that familiar feeling and you couldn't stop it; no matter how wrong this felt or how humiliated and exposed you felt, you couldn't stop yourself from moaning like a mess and cumming all over his mouth.

You needed a second to recover, but he stood up and grinded his clothed dick against you. You weren't ready for the friction, wincing over the contact with you sensitive clit. He grabbed your neck and pulls your back to him, kissing you, continuing to grind.

He unbuttons his pants and undoes his boxers, his large thick cock springing out, begging to be touched. He pushes one of your legs up onto the desk to give him better access to you.

"You're fucking soaked," He says as he teases himself some more, collecting what's came out of you as some lubricant.

He keeps rubbing your clit and the outside with his dick, back and forth. It feels good, but it's not enough. He pushes harder with his dick on your clit, continuing to hump you.

"Professor, please," you look back at him, trying to guilt him into giving in and fucking you, but it's not that easy.

"Shut up, and let me take my time." He says. He continues this for a little, before getting a new idea. "I want you to cum on my cock without me fucking you."

"What?"

He pulls you towards him then on his lap on the chair next to his desk.

"Grind on it." He demands, holding you in place by your hips. "Get it soaked."

You hesitate, but he's impatient. He pushes you down and moves your hips for you until you begin to do it with him. You grind your pussy against his cock, stimulating your clit once more. It didn't feel as good as his mouth, and god it probably didn't feel as good as his dick would feel inside you, but it felt good. And you were so fucking horny, you were on the brink of cumming again.

"Yeah, yeah, you got it," he praised you, rocking your hips back and forth. He digs his nails into your hips, definitely leaving some cuts in your skin, but you didn't care. You were so close. He begins to bounce up, pretending to thrust into you, adding to your pleasure. "That's it, you- oh fuck, yes, cum on my fucking dick."

You're dripping onto him as you ride out your high, clenching around nothing. It seems to last for a while, wrapped up in all the pleasure combined with his dirty talk.

He angles his cock towards your entrance and pushes into you- he feels hot and he's sensitive due to teasing himself. But no- he doesn't want to cum yet. He wants to put you in your fucking place. And even if he does cum, he has no issue continuing and even fucking a baby into you. Then, you'd have to walk around with the shame.

He gently picks you up, but then harshly slams you up and down repeatedly onto his cock. You've had no time to readjust after cumming a second time, and you were extremely sensitive.

"Slower, professor, please," You cry, burying your face into his shoulder. "It hurts..."

"Shut the fuck up."

He grabs you by the neck and pounds up into you, rubbing your clit as well to add to the sensation.

Yes, it feels good, but it's so overwhelming you can't help but tear up. Crane notices this and it goes straight to his head.

"Are you fucking crying?" He scoffs. "Fucking crying for me?"

He picks you up, keeping you firmly attached to his dick, and throws you over the desk again. He's fucking you deeper and at an animalistic pace; like he fucking needs this.

"Keep crying for me. Keep fucking crying."

He harshly grips your tits, twisting your nipple in the process.

"Fucking perfect tits, perfect pussy, perfect everything. You fucking strive for perfection- but you're letting me fucking ruin you. Is this how far you'd go for a good grade?" He laughs, fingers deep in your clit.

You can only moan in response, but this doesn't satisfy him.

"Fucking answer me."

"Yes," you cry out.

"Yeah, you're just a fucking whore who'd sleep her way to the top if that's what it took." He says, tugging your hair back, your sweaty bodies pressed closer together.

His words are filthy, but you're fucking cumming again.

He's laughing, mocking you for doing so.

"You fucking like being treated like a bitch, don't you?" He says, fucking you through your third orgasm. You don't know how he's not tired. As you expect, he doesn't give you a fucking break. You're worn out at this point; almost numb.

"Professor, I don't know-"

"You don't know if you can keep going?" He questions. "Yeah, you can. I'll fucking make you keep going. What was that... your third orgasm? Let me see if I can double that."

"Professor..."

"I'll stop when you give me three more."

You feel like you're going to pass out; the pleasure had become too much, but you were so fucking sensitive that a fourth one had come quickly. Your pussy was so swollen and red, but he had not gotten off of you.

"You're fucking..." He brings you back to the chair and places you on top of him. "You're fucking leaking all over me, fucking hell. So wet... do you hear yourself?"

You could hear yourself. It was disgusting. It was filthy.

"Aren't you embarrassed?" He asks. He slows down his pace, and you know he's teasing you. "Embarrassed that you're whoring yourself out to me like this? To a professor that so clearly disliked you? This is what you do for my approval."

He slows his pace some more.

"Would you do this for any other professor, Y/N? Let them fuck your pussy till you have nothing left to give? Bounce on their cock the way you do for me?"

"No, professor," you shake your head, trying to bounce faster but he keeps your hips in place, restricting you. He had succeeded- made you cum drunk and fucked you stupid, but this wasn't enough. He needed more. "No, no, only you. I'd only do this for you."

You're squirming around on his dick. He's stopped moving at this point, just staying in you.

"Stop fucking moving around. Don't you want to impress me?"

"Have I not?" You begin to regain some of your strength with this somewhat of a break he was giving you. "Have I not impressed you, professor?"

You give him puppy eyes as you gain some control of the situation, his grip loosing and you bouncing on his cock at a pace you like.

"I want to impress you, professor," you say seductively. "I want to- fuck!"

You start chasing your high again, you didn't even realize that you'd ever be able to cum this many times.

"Fuck!" You repeat. Crane is letting you take control, enjoying the show of you riding his cock, using him for your pleasure. "Do you like this, professor? Do you like when I fucking bounce on your dick like this?"

You had never heard yourself like this, or ever expected to talk like this. You had never felt so confident.

"Have you imagined this professor?" You continue. He's obviously at a loss for words, not expecting this side of you. "Have you imagined fucking me? Have you imagined bending me over your desk and eating me out till I came all over your face? My tits? Putting me in my fucking place?"

His hands found your hips again and he's helping you ride his cock. He's loving the words coming from your mouth.

"God, I think you wanted this more than I did," you laugh. You're so close. You wanted him to talk, but his reactions to your words were enough for you. "Make me cum again, professor, please. I- fuck!"

He's pushing into you and bouncing you up and down quickly and you're riding out your fifth orgasm.

He pulls you off of him and lays you out on the desk again, licking up your sore pussy. He hums while doing this, telling you how you taste so good. You're so- so sensitive, though, and you can't help but cumming on his tongue again not even seconds later, letting out a string of incoherent words.

That's six.

You look at him, but he's positioning himself in you.

"You said six-"

"I say a lot of things. I want you to cum on my cock again." He says, kissing your neck. "Last time. I promise."

He pumps into you, at a softer, but still quick pace. You feel so incredibly numb, but he still manages to work you up quickly while fondling your breasts and pressing hot kisses into your neck.

"Ah- fuck." He pants, fucking himself into you. "Fuck... gonna cum in you. Want you to fucking carry me around for the rest of the fucking day."

You don't object- your hearing was probably a little impaired at this point.

"Yeah, you want that, don't you. It's like a fucking award to you."

He's holding you closer now. You both are so sweaty and sticky.

You're about to cum again, but he grabs your throat tightly.

"Fucking wait for me. Don't be impatient."

As hard as it is, you listen to him. He speeds up, becoming sloppy before he cries, "Fuck, cum! Cum all over my fucking- ahhh, yes, fuck."

He shoots hot loads into you as you clench around him, milking more out of him. He doesn't stop, continuing to fuck you until every last bit of his seed has marked you. Even after he's done, he gets a few more strokes in before he pulls out, showing the combination of you and him leaking out of your pussy. He pushes you onto the floor and presents his dick in front of him.

"Clean it."

You obey, wrapping your mouth on his cock and licking away the filth that the two of you made. He groans and pulls you off of him.

"You'll get me hard again." He says.

He puts all his clothes back on and hands you your sweater. Your nipples are hard, poking through them now.

"I look forward to your next draft of your review." Crane says calmly, as if what just happened didn't happen.

"You- um..." you stammer, brushing your fingers through your hair. "You didn't give me any notes."

"I didn't?" He questioned. You shook your head. "Well, stay again after class next session. I'll go over it, personally, with you."

"Oh." You blush. "This wasn't a one time thing?"

"Y/N..." Crane looks at the floor. "I'm your professor."

You felt awkward. Of course it was a one time thing; how could it not be?

But then he looks back up at you.

"You don't want to fail my class, do you?"

#jonathan crane #dc scarecrow #scarecrow #the scarecrow #batman imagine #the batman #batman #the dark knight #cillian x reader #cillian murphy #cillian x fem!reader #cillian x y/n #cillain murphy #jonathan crane smut

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keeksandgigz · 1 year ago

Text

the love witch

modern!eddie munson x fem!witchy!reader

summary: Eddie Munson is obsessed with his girlfriend. Hell, he's not even sure how he was able to get you interested in him in the first place. Despite him not really believing in your witchy practices, he's incredibly supportive, but that doesn't come without his cheeky digs. He agrees to a tarot reading for shits and giggles. You don't like that he doesn't take it seriously.

cw: no y/n, reader's nickname is 'witchy' , talk of the occult, wiccan practices, description of r's clothing, but no body description, reader has female anatomy, oral (F receiving), face sitting, sub!Eddie, dom!Reader, choking, slight biting, dirty talk, honorifics, unprotected piv (pls don't do that), ending leans towards the whole witchy vibe

word count: 4.8k

this and all my works are 18+ minors do NOT interact

Eddie Munson is one lucky motherfucker.

Living in a small studio apartment in the Haight-Ashbury of San Francisco, which he got a damn good price on.

He works at one of the many vintage record stores in the neighborhood, which pulsates with raw musical energy, almost as if he steps in the 70s every time he gets out of the front door of his apartment building.

Sometimes he just sits on his fire escape to fuck around with his guitar, inspired by the smells of incense coming from the crystal shops, the music coming from the vintage clothing stores and the pungent smell of lingering weed at all hours of the day.

And with the shaggy, long, brown curls, bullet belt and chains, his black cutoff band t- shirts and heavy lace up boots, he seems to fit right in- for the first time in his life.

Next to his record store there is one of the many crystal shops on the high street, a tiny little nook he always walks by on the way to work and snickers to himself. There’s no way people believe in all that.

He stops doing that once he meets you.

Eddie Munson is one lucky motherfucker because he crosses paths with you.

He meets you while he is on his lunch break, using those thirty minutes of peace to walk around and usually pick up some prerolls from the dispensary a couple buildings down, or he lingers in front of the guitar store on the other side of the street, ogling at a B.C. Rich or an Ibanez, spending his break in there, fucking around with a cool amp.

He meets you on an off day. A day where he doesn't feel like walking around, so he just stands in front of his store smoking a cigarette. You're walking a longtime client out of the crystal shop next door.

“Thank you for that dried lavender, Janice! I’ll set aside some of that incense for you when we get the shipment” he hears you say. He turns around, snickers at your words while Janice passes in front of him, disappearing in the Saturday afternoon crowd.

“Something funny?” you ask. Your voice feels smooth like honey wine. He turns around, and suddenly he doesn't feel like snickering anymore.

You look so pretty, the kind of pretty that is almost otherworldly. Like you could’ve come up in his head while planning a DnD campaign. Purple bell sleeve top, a long, black, flowy skirt and lace- up boots. Dressed like his own elven high priestess.

He realizes he’d been staring at you for a good silent minute. He nervously breaks eye contact to put out his cigarette on the sole of his Docs.

“Sorry– heh, just don’t really believe in all that stuff” he says, shrugging. In doing that, his evidently too- short shirt rides up, exposing a sliver of the skin of his tummy, which doesn’t go unnoticed to you.

You lean on the doorframe of the store “What’s your name again?” you ask, a feline smile creeping on your lips.

He swallows ��I um- haven’t told you my- It’s Edward- Eddie!” he corrects himself, you got him flustered “Nobody calls me Edward” he remarks.

His stammer makes you smile, like he's a wounded puppy dog.

“Alright Edward Eddie, see you around” and with that you disappear back into the store.

It takes Eddie a week to learn your name, asking the owner of the crystal shop you work at with no luck, then running into Janice a week later, who kindly tells him your name and then raves about you for a good ten minutes. Quite the hypewoman.

It takes Eddie another two weeks to ask you out on a date. You're wearing a long mauvish dress under a white cardigan when he sees you walk into the store. Your hair is pulled back from your face and he swears he sees stars in your eyes.

You say yes and agree to meet at a coffee shop, and by the end of the day, he asks you for a second date. And then a third, and a fourth, and by the arrival of fall, Eddie Munson has a girlfriend.

Eddie Munson is obsessed with his girlfriend.

He even jokes with his friends that his witch girlfriend put a spell on him. Made him drink a love potion, because he can't justify him being so obsessed with you.

Another thing he can't justify is you actually liking him. Sometimes he still needs to pinch himself to make sure it's not all a joke.

A pretty girl that looks like she's straight out of his DnD fantasies is dating him? There's no way shit like that happens to Edward Munson.

Although his apartment is right above the record shop, which means sneaking away for a quickie whenever you guys have matched up work schedules, he loves your apartment.

Twenty minutes away from Haight- Ashbury, in Twin Peaks, there lies your apartment. In an old building from the sixties or seventies, you have it decorated with tapestries and sun- catchers and rugs and pillows and cushions. It's a joy for Eddie's senses.

And with dating you, came Circe, your black cat who seems to have taken an almost immediate liking to Eddie.

Your apartment always smells like incense and candles, a smell you bring with you wherever you go. A smell Eddie loves. There are plants hanging from the ceiling and a big purple couch in the living room.

Everything is antique, lucky finds from thrift stores or flea markets. The table, chairs. The bookcases that hold your witchy books and your crystals.

The first time he comes over he picks one up. A carnelian.

"So, these pretty rocks are supposed to... what?" he asks, toying with every bit and bob on your bookshelf.

"They're crystals, Eddie. And each different one has a purpose. That one you're holding is a carnelian" you say, pouring him a cup of loose- leaf herbal tea, and pointing at the crystal with your nose.

"Okay, and what's it do?" he asks, toying with the smooth surface and going to sit on the ground next to you. He blows on his tea and takes a sip. He isn't a tea enjoyer, but for you he could be.

"Well, a lot of things, but primarily carnelians help boost sexual energy-" you get interrupted by Eddie sputtering out his tea. Some of it lands on you, which causes you to let out a shriek.

The ridiculousness of the situation is both endearing and hilarious. The poor guy probably didn't expect you being so blunt about your use of crystals to aid your sex life.

A giggle escapes you while Eddie tinges a deep shade of crimson from the embarrassment. He shakily sets down the teacup and saucer.

"Shi-shit sorry, lemme help you clean it up" he says, scrambling for the napkins on the coffee table to clean his mess up.

"You got some on me, Eddie" you say as you move your hair from your face to let him clean up the spit- out tea from your cheek.

"Oh my god, sorry lemme get that" he repeats, flushed.

He's shaky in reaching for the napkin to wipe your skin, afraid that he might have ruined his shot at dating you just because he cannot keep his mouth shut.

"It's honestly not a big deal, Ed. It was just funny for the most part" you smile at him, reaching your hand to lay his head on your shoulder. He breathes again.

Once he's calmed down he continues his curious interview.

"So what, do you put it up your pussy or something?" The idea of it makes Eddie's blood run slightly hotter. You laugh.

He blushes at your reaction, feeling slightly embarrassed once he registers what he had just said.

A sheepish "sorry" escapes his lips.

"No, no it's fine" you chuckle "not exactly. You just kinda charge them and set intentions. Then you can take it with you on, like, a date, if you wanna hope for something more" you say. He becomes very aware of his hard- on when you say that.

There is a thick sense of expectation in the air once those words leave your mouth. It could be the thick incense smoke floating around the room, or it could be the way you're looking at him like you want to eat him whole. Your faces get closer.

"I brought one with me today, actually" you admit. And he has never taken his shirt off so fast in his life.

So every time you hang out, he carries a piece if carnelian in his pocket, in hopes to repeat what happened at your apartment.

With time, he learns to carry a rose quartz with him, too.

Soon after, you begin gifting him crystals and bracelets to carry with him. He likes his black tourmaline beaded bracelet the best.

"It's for protection" you had said. It's just very metal to him.

He never really believes in it, but it's sweet, seeing you show up to his apartment with little colorful rocks to put on his windowsill. You teach him how to recharge them and set intentions, but after the second or third time he just can't be bothered.

He quickly learns it's not just pretty rocks you're interested in. You're, like, a full- fledged witch. Hence, the nickname 'witchy' he'd given you.

You ask him for the time and place of his birth. He scrambles to text his uncle Wayne to ask if he remembers what time he's born.

After a couple days of searching, Wayne comes across Elizabeth Munson's old diary. Indianapolis, Indiana, December 21st, 1997 at 3:47 AM.

Eddie Munson has a birth chart.

Sagittarius sun, Scorpio moon, Aries rising.

Whatever that means.

You try to explain it to him, but to no avail. He doesn't really care much for the stars. Except the ones in your eyes.

He swears he can see them twinkle every time you're laying on your brocade rug in the candle lit living room. He learns you don't really use your couch, rather, you just lay on the floor, among a pile of pillows.

Sometimes you're watching TV together. You're sat in between his legs, leaning against his chest, while Circe lays on your lap. And you look at his palms, tracing the fine lines and ridges of his calloused hands.

"You have lines on the top of your hand" you whisper, kissing his fingers.

He blows the cigarette smoke out the open window, careful not to make your house smell.

"Yeah, no shit. We all have 'em, witchy" he places a kiss to the crown of your head.

"No, look right here" you say, tracing the faint lines right where his callouses are "lines like this means you're gonna have a long life" you kiss that spot on his hand. Coarse, but warm.

"Thank fuck, imagine if i just got hit by a cable car tomorrow?" he chuckles, going back to watching TV.

You trace a deep line that goes across the palm of his hand, you smile to yourself.

"Whatcha smilin' about, witchy?" he says, eyes still glued on the TV.

"You have a double heart line. Means you love a lot" you turn and give him a smile. One of those that make your eyes sparkle in the candlelight.

"If I have a double heart line, does that mean I love you more?" he asks, sickly sweet. He cringes at himself for swearing he wasn't going to be that guy, but when you look at him like he just hung the moon for you, he can allow himself to be disgustingly sappy.

You think about it, because he does have a point, but you don't want to make him win this two- month long game you've been playing, so instead you take his palm once more.

"Look, Ed" you say, pointing at a random prominent line "this line tells me you're an asshole" you laugh, as he pinches your sides and you try to squirm away, but his hands are holding you firmly while planting sloppy kisses everywhere he could reach.

Cheek, neck, shoulder. He inhales the curve between your neck and shoulder, and you swear your feel a bit of tongue poke out between his lips. Then he stops.

And you feel it. Deeply seated at the bottom of your back, pressing against the exposed skin between your shirt and pants.

Eddie loves the way you smell, intoxicated by the smell of lavender incense and some kind of berry perfume you wear.

He's convinced that perfume is actually just a pheromone concentrate, because he cannot stop the blood rushing to his dick everytime he catches a whiff of the sweet berries, nestled in the crook of your neck, behind your ear.

"And where's the line that tells me I'm gonna get a kiss?" Eddie asks, voice low and gravelly, a voice that fills you with need, makes your breath falter from your lungs, replacing it with water. But you kiss him nonetheless, and maybe him getting a kiss is written in the stars, after all.

He softly grabs your hair as he slips his tongue in your mouth. Honey- wine whimpers falling from your lips, as you try and get Circe off your lap and in literally any other room. The cat seems to be unbothered.

"Ed... she doesn't want to move" you whine, high pitched voice expressing annoyance, but also overwhelmed at how cute your cat is.

"She's the biggest cockblocker in history" he mutters annoyed, you laugh. A groan leaves his mouth.

"Leave her alone she's just a baby! Us having sex tonight just wasn't in the stars" you shrug, light and airy as you go back to leaning on his chest and petting Circe.

Fuck the stars. He huffs, accepting his fate

He waits for you outside of the shop when he's not working. Guitar case slung around his shoulders, so he can practice at yours, he picks you up and you take the train to your apartment.

"How was work today, witchy?" he asks, roping a hand around your shoulders and giving you a tender kiss on your head.

"Meh, a. bunch of wannabe Tiktok witches, a bunch of old ladies booking tarot readings and threatening to leave bad reviews because I told them their husband is cheating on them or something" you shrug getting on the bus "Janice came, though, she brought me some jasmine flowers so I can make love tea" you say, sitting down. He sits next to you.

You take out the small satchel of dried jasmine flowers, taking in the sweet scent of citrusy flowers.

"Love tea?" he asks "that what you give me when I come over to your apartment every time?" he dips his nose in the satchel, giving it a sniff.

"Yeah, you wish" you laugh "just peppermint tea. Don't want you accusing me I put a love spell on you" Eddie smiles and lays your head on his shoulder while you play with the tassels of your bag, letting you close your eyes for the twenty minutes of the train ride.

Once you're home he slings the guitar case off his shoulders and takes it out, sitting at the stools of your breakfast counter, while you empty the contents of your bag.

Herbs, oils and a new card deck.

"So, what do you need to do now?" he asks, pulling out his phone, looking for guitar tabs to practice on.

"'kay, so" you begin "I need to make tea blend, then putting stuff together for this new project I'm working on, and then break out this new deck I got from work" you say, lost in the mysticism of your to- do list.

Sometimes he finds it funny that the stuff you have to worry about is totally otherworldly to what he usually worries about.

He watches you break out the mortar and pestle while you measure a teaspoon of dried rosebuds, a teaspoon of dried lavender buds, a teaspoon of jasmine and a pinch of cinnamon. He mindlessly plays a couple chords from a song he heard at the record shop.

"What's the cinnamon for?" he asks, pointing at the jar.

"Spicing things up? Cinnamon is a spice, so could be. I'm trying out this new recipe" you say, grinding the flowers together.

"So what you're saying" he begins, looking up from his guitar "is that you're making sex tea" and the feline grin plastered on your face is enough to make you wanna smack him in the head.

"This is not sex tea, Edward" you interject sternly while pouring the contents of the mortar in a new jar.

You light an incense stick, a rose infused one, to set your intentions for this batch, then putting it to rest on your windowsill for the night.

"What are you doing, witchy?" he asks, following your gaze as you set down the jar.

"It's for the moon. Charges the tea" you say, nonchalantly "can you pass me that deck on the counter, please?" you sit on the carpet legs crossed, while Eddie reaches for the card deck and tosses it at you. You catch it.

He sets down his guitar against the counter to goes to stand in front of you as you take the tarot cards out of the deck and start shuffling them.

"What's that baby?" he asks, he swears he can never stop learning from you.

"My new tarot deck, I need to break it out. Want me to give you a reading?" you ask, hoping he'll say yes.

He truly thinks about it, because he doesn't believe in any of this stuff, but saying no to you and watching your eyes darken with sadness is something he doesn't want to put himself through.

He is a weak, weak man.

He shrugs. "Alright then" he says, sitting down on one of the cushy pink pillows on the floor of your apartment "gimme a reading, you little witch"

Your ringed hands shuffle the gold filigree cards.

"I'm gonna do a regular spread, 'kay? Just past, present, future" you look at him, and he swears he sees your eyes twinkling again in the light of the glass lamp on the side table.

You fan out the cards on the carpet and let him pick three cards.

He's reluctant about this, all he really wants is to cook dinner together and spend the evening with you.

You spread the three cards out and unveil the first one.

"Okay, so that's The Empress. Means you have a significant female figure in your life. It usually represents feminine beauty, abundance" you say, explaining it to him.

"You got some abundance, alright" he huffs a laugh, quickly silenced by a deathly stare. You didn't like it when he made fun of what you liked. You roll your eyes at him.

"Sorry, witchy. Keep going" he smiles, like he's about to crack another joke.

"Yeah, okay." you flip the middle card "what luck. You got the lovers" you say, unenthusiastically.

Eddie's eyes light up at the possibility of a joke "Is that the card that tells me I'm getting some sick pussy in the next five minutes?" he asks, his tone makes you want to throw the empty box of cards at his head.

"It looks like you're not taking it seriously, so what's the point" you go to stand up, but he stops you.

"Sorry, baby, please don't leave. I'm enjoying this, Sorry, I won't make any more jokes, I promise" he pleads, and a wicked idea sparks in your head. He sounds really pretty when he begs.

You let out an annoyed groan as you sit back down and you unveil the last card, his future.

Ace of wands. Sex really was in his cards tonight.

"What's that, baby?" he asks.

"Ace of wands. Looks like you're gonna get some 'sick pussy' after all, Munson. Lie down." You command.

He flushes red. "Huh?" you reach under your long skirt to remove your panties.

"I said lie down, I'm giving you what the cards said" you stare at him, expectation in your eyes as he lays down on the brocade carpet, unsure if he should feel afraid or like the luckiest motherfucker alive.

"Better put in the work, pretty boy" you say, crawling on top of him, he looks at you, eyes blown as you lift your skirt, climbing the length of his body. You reach a resting place right on top of his mouth.

It takes him a second to register that you're sitting on his face, and his tongue darts out of his open mouth, to shyly have a taste.

"C'mon now, Eddie, where is the passion? You seemed really passionate about cracking jokes earlier, didn't you?" you cooed, holding up your shirt to look at his eyes, twinkling and darkened as his tongue begins to lap up the length of your pussy.

He gets the hang of it as your hips begin to grind on his face, his tongue darting in and out of your hole as his nose bumps deliciously against your clit.

"Mmm fuck" you gasp as you raise your hips to let him breathe, but he just pulls you down harder. A gasp escapes your mouth as the sound of your moans and Eddie's slurping fills the room.

Even he hears it, because you can see his eyes roll to the back of his head as a resounding hum escapes his lips, vibrating against you, wet and sensitive.

A whine leaves your mouth as you begin to get more desperate, grabbing a handful of his hair, grinding your hips harder against his tongue.

"Doing so good for me, Ed." you say in a feeble attempt to keep the reins controlled, but his tongue works magic on you, making your brain turn to mush.

"There you go don't stop, don't you dare fucking stop" you command, and his tongue flicks against your clit, catching it between his teeth to begin to suck at it.

A mewl leaves your lips, feeling the familiar warmth in your belly begin to form as you pull harder on his hair, moans becoming more high pitched and strained as Eddie makes quick work of his tongue on you.

"'mgonna cum on your face, you want that?" you ask, a rhetorical question, because of course he wants you to gush all over him.

And so you do. You come with a silent scream, riding the orgasm out with the last few snaps of your hips, as your breathing stills and your vision goes white.

Eddie's also panting like a dog under you, aching in his pants for you to make him cum.

You get off his mouth, his chin coated with your fluids as he gathers them on his fingers and sticks them in his mouth. You can't help but mutter a "good boy" as you reach for the belt of his pants.

"Sit up" you command, as he goes to straighten his back and lean against your purple couch.

You take off his shirt "I'm gonna ride you, yeah?" he looks at you like you've just discovered that aliens are real.

"God, yes please, please" he says, looking up at you as you unzip your top off, and you swear his eyes grow bigger at the sight of your chest, your bra still on. A longing sigh leaves his mouth.

You unbutton his jeans and lower them to his mid thigh along with his boxers as his cock slaps against his tummy. He hisses at the feeling as he watches you align yourself on top of it.

"You want it, Ed?" you question, an aura of cool, calm control exuding from you.

He whines. "Please, I want it so bad. Please put it in" he begs, and you've never realized how pretty his voice sounded when begging. Whiny and high pitched, nasal, almost as if he were about to cry. A prayer for you to fulfill him, make him whole.

Like he is nothing without you.

Is that what it felt like for him to see you crying on his cock every night? A rush of power washes over you, as you motion to sink down on him, but quickly going back up.

He lets out a whiny cry, a bratty child without his candy.

"Uh- huh. Beg me to fuck you, Ed" you say. You swear you can feel him shiver, his cock jumping from underneath your skirt.

"F-fuck, please. Please fuck me. Please my love, my witch, my high priestess" he rambles, your hand creeps up his thick neck, wrapping around it "fuck mmm please, I'll do anything. I'll give you everything" a frenzied speech, his words speed up at the feeling of your nails scratching the skin of his neck.

He'd let you sacrifice him to the devil if you asked him.

Feeling his pulse point with your nails as you begin to squeeze the sides of it, a needy gasp escapes the pretty boy's mouth.

Flushed a pretty red, sweat clinging to the base of his neck and forehead, hair curling and sticking to his feverish skin as you begin to sink down on him.

Inch by inch, slowly feeling him fill you up, as a quiet "oh" escapes you once you've taken all of him.

His breath is quick and labored, quiet pleas rolling out of the sweetness of his tongue, where the taste of you lingers. The love potion you'd been administering him all along.

Eddie Munson is not a religious guy, but if he needs to pray to his goddess to get you to fuck him he'll do it.

But you start moving. A slow, feline movement of your back, almost as if you and Circe were the same creature, a shapeshifter from another world. A goddess, an empress of his body and mind. He was wrapped around your finger.

Your hands tighten around his neck as you grind yourself down on him, he whimpers.

"Mmmm, so big" you mutter against his ear, biting his lobe. And everything you do makes him whine and buck himself deeper inside you, hitting the spongy walls deep inside you, needing more of you. Needing you to swallow him whole.

And you comply, raising your hips and lowering them, bouncing yourself on him as if you were only using him to chase your own pleasure. The thought of it makes Eddie shiver and moan, a strangled sound coming out of his constricted throat.

He hopes your hand leaves a mark on his neck, so people know he's yours. So people know that the witch next door spelled him and he is now in love with her. He never wants to get away from her.

"You- you're so good" he whispers, hips rising and falling on his cock, head lolling as you feel yourself get close again.

"Yeah, baby? Thank me, then. Thank your goddess for making you feel so good" you command, and his hands travel through every inch of your body, feeling every ridge and crease and bump. Wanting to feel you, wanting to worship you.

"F-fuck, thank you, thank you, thank you." a prayer to his goddess, for making him feel so good. "Please more, I- I'm so-"

"You're close aren't you?" you coo, cradling the back of his head with your free hand. Making him look at you.

"'M so close, please let me let me let me please" he begins to chant, too far gone from the feeling of your nails digging on the sides of his neck, scratching his sweaty scalp, tongue tracing the outline of his lips as quick and labored breaths escape him.

"C'mon, cum for me" you whisper in his ear, letting go of his neck and latching your lips onto him, leaving a few purple bruises on his milky skin.

You feel him spill inside you with a whine, shivering, while you ride him for all he is, chasing your own release.

You follow him soon after, biting down on his shoulder. The taste of his sweaty skin lingering on your tongue.

You stay clung to him for a few minutes after, quiet and panting as he revels in the post- orgasmic feeling you've just given him.

"Never thought I would've been the submissive type" he huffs out with a laugh as you climb off of him.

"Well, you're welcome. Gonna go have a milk bath, be right back" you stand, reveling in the feeling of his spent spilling out of you.

He hears the shower turn on and as he's getting dressed, Circe comes to nuzzle on his lap.

He raises an eyebrow.

Where has she been the whole time? The rooms of your apartment were all open when you got back. She was probably just taking a nap in your bed.

He shrugs as he delivers a couple pets to her head.

Meanwhile in the bathroom, a spell book is suspended mid air as you look a spell to get rid of a hickey that Eddie had left on your neck.

mini taglist: @strangerstilinski, @stuckonthefiction, @elegantkoalapaper, @gravedigginbbydoll, @eddiesxangel, @reidsbtch, @bangaveragewhitewine, @chaoticharrington, @hideoutside, @monstxrteeth, @the-local-pendeja, @thornsnvultures, @strangerfreaks, @unverifiedmeatsuit, @strangerfreaks, @starlitlakes, @thebejeweledwatercat, @aphrogeneias, @chrrymunson, @amira0303, @paradise-summertime, @onegirlmanytales, @piecsesrising, @feralamdtiredrat, @m0llygunn , @angel-upon, @lavendermunson, @cowboylikemunson

#eddie munson #eddie munson x reader #stranger things #eddie munson fanfiction #eddie munson imagine #eddie munson smut #eddie munson x you #eddie munson fluff #eddie munson fan fiction #eddie x fem!reader #eddie munson x witchy!reader #modern!eddie x witchy!reader #modern!eddie munson #stranger things fan fiction #stranger things fanfiction #stranger things au #eddie munson au

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neroushalvaus · 1 year ago

Text

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

#phew. maybe that's enough salt for one day.#james somerton #hbomberguy #todd in the shadows #edit:// embarrassingly many mistakes in the original post. in my defence i have a fever and english isn't my first language. forgive me #edit2:// made the text bigger!

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little-hermit-crab56 · 1 year ago

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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

#writing tips #nanowrimo #story writing #writers on tumblr #writeblr #writerscommunity #writing #writer

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samsno1 · 1 year ago

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Flowers

Castiel x GN!Reader

i love his eyes. that's it, that's the tweet. guys...this is very sweet but i don't know if i'm satisfied?? tell me what you think, writing castiel is very hard, lawd

Summary: In a hunt, a flower appears over your pillow after you come back to the motel room at night. Who left it there?

Warnings: FLUFF, TOOTH-ROTTING FLUFF, i pictured s4/5 cas in this, use of y/n, sweet confession, NOT PROOF READ, that's it? english isn't my first language

WC: 2.5k

You can learn how to change Y/N for your actual name here

enjoy!

When you started hunting with Sam and Dean one of the last things you expected to encounter was an Angel, especially after discovering they aren't “harps and halos" like in the books you read as a kid, but instead soldiers and sometimes assholes.

Castiel was an exception to the “asshole” part, he was actually very sweet when it came to you and the boys. Helped you, saved you and cared for you. In that sense, Cas was just like the Angel stories, a guardian of the humans he was in charge of.

And for you, it was fun teaching Cas about humans and how they behaved, helped him when he didn't understand Dean's pop culture references, got him to watch classic movies and listen to music and he was always very keen into doing so, curious and intrigued in what you explained to him.

Those big blue eyes always gave you his full attention, sometimes with that little frown that you started to call “The Angel Frown” while he questioned you about something that, to you, was basic knowledge. You were always as patient as possible with him, always clarifying what you could in words he could understand and that ended up always making him come to you for help.

In conclusion, you and Cas got closer and you started to catch yourself staring when he wasn't looking, admiring his smiles, drowning into his sapphire eyes and wishing that he had just more doubts about how people acted so you could spend more time with him.

You knew, from what Castiel told you, that Angels and feelings, human feelings at least, weren't compatible and that things such as love and romance weren't truly a reality for him and his siblings, they were warriors after all, created to serve their Father and that was it.

Even when Castiel rebelled for the Winchesters, letting go of the “I don't serve men” mindset was difficult but you, Dean and Sam were there for him. You were more understandable then the brothers because you knew Cas was trying his best.

And because you fell for the Angel, but nobody needed to know that.

One night you arrived at the motel room you were staying at, after waving goodnight to Sam and Dean, them going to their separate room.

You opened the door and sighed deeply in exhaustion. It had been a long day of questioning and more questions appearing then those answered. At first you guys thought of a vengeful spirit, then cursed object, then witch. All of those possibilities were still up and it was driving you three insane. People were dying and you felt useless.

Once you closed the door and threw your stuff in the closest table you turned to your bed, where your bag was placed to get some clothes to take a well deserved shower. But, when you looked at your pillow, you noticed a single pink flower sitting over it and you furrowed your eyebrows.

You approached the flower slowly, skeptical about it, your hunter instincts telling you this wasn't good news. You slowly reached for it, as if it could bite your hand off, and picked it up. You analyzed the plant, very confused and grabbed your laptop.

You searched until you found a flower similar to the one you were holding and learned it was a Camellia. You looked between the screen and the flower and you searched up what a pink Camellia meant because, as much as you knew, flowers weren't really something you looked into.

What you found was shocking. According to the internet, a pink Camellia represents admiration and appreciation and Camellias and general represent love and affection. You widen your eyes at the flower in your hands, looking around your empty room as if someone would pop up and explain what this was doing at your bed. Wrong room?

You couldn't think of anybody that could give you this willingly. It definitely wasn't Sam or Dean because, first, they spent the whole day by your side and, second, unless they meant it platonically, the boys didn't see you like that. You loved them and they loved you, of course, but, to them, you were like a sister Dean loves you like he loves Sam, the same way Sam loves you like he loves Dean and vice-versa.

The only person that came to your mind was…No, it couldn't be, he said himself, love for him was basically unachievable but you couldn't help but wonder, even if your rational brain said it was stupid to think Cas would mean that. You smiled at the flower, that tinge of hope lightning inside you.

You looked around the room to look for something you could fill up with water and found an empty beer bottle. That'll do.

You washed the bottle to get the smell of alcohol off and filled it up with water, placing the little flower inside.

The pink color of the petals clashed with the transparent green of the bottle and you smiled at that. It looked cute in a way. You thought, even if this didn't come from someone you knew, you were keeping it, at least the flower.

You left the makeshift vase in your nightstand and took your stuff to the shower, peeling off your suit and your tie on the way, leaving it on the ground as you locked yourself inside the bathroom.

In these moments, Cas thanked his abilities of becoming unseen because you arrived just as he was leaving the Camellia over your pillow. He spent the day researching flowers, finding an interest in how humans always gave them to the people they cared about or to the ones who passed. He wanted to give you one to show you that he cared for you and also as a thank you for being patient with him for a long time.

He always felt happier around you, a warm feeling inside him always seemed to bloom. He felt the need to be close to you, like you were a human magnet. Everytime you looked at him he felt a weird feeling in his stomach, your smile was always something he felt the need to chase, he wanted to see it always in your face. He admired the way your eyes would shine when you were talking about something you liked.

When he saw you placing the flower on the nightstand with a smile he felt that weird feeling in his stomach again. He would do anything to see that look on your face again.

That hunt lasted a week, taking you three too long to figure out it was a witch and even longer to find said witch and to say you guys were fed up was an understatement.

For that long week you dared to say you missed the Angel, you thought about calling him, praying to him, multiple times but what were you going to say when he arrived? Missed you? I just wanted to see you?

Everything you thought sounded too intimate so you discarded the idea of calling him.

But two more flowers appeared on your pillow after that pink Camellia. A Peony that you learned meant for the Chinese something along the lines of “the most beautiful” and a stunning Carnation in a light red shade that represented admiration. At this point you were very intrigued about who was the one giving you the flowers, Castiel still on your mind. You didn't want to get your hopes too high, you were probably overthinking it anyways, making your heart speak louder than your brain.

You were lying on your bed, staring at the tiny bouquet of three flowers given piece by piece to you. It was your last night in that room, Dean having insisted he needed the sleep so as to not crash the Impala from tiredness. You had offered to drive as you weren't as bad as he was but, of course, that was an immediate no from the older brother so all of you settled for one more night.

As you close your eyes and start to fall asleep, a sudden flutter of wings gets your attention. It's dark in the room so you take a peek and for sure it's Cas. You hold back a smile and close your eyes, pretending to be sleeping.

You feel the Angel approaching the bed, his presence making your heart quicken in your chest. From what it sounds like, he's just standing, watching you and you start to feel very nervous.

Castiel on the other hand arrived to see your sleeping form and couldn't help but watch. You looked peaceful, your breathing was calm and you looked…pretty. Cas thought all his father's creations were wonderful but he felt like you could top them all, literally, in your sleep.

He had another little flower in his hand which, to him, had a very self-explanatory name, a Forget-Me-Not.

He spun the blue flower on his fingers, debating if he should leave it inside the vase or besides you, over your pillow.

He approached you and while he was placing the flower next to your head he felt a gentle hand wrap around his wrist and instantly froze on the spot.

You opened your eyes and looked at his near-horrified face. You smiled at him.

“Got you” You said, a little above a whisper and looked at the flower he was holding. That one you knew the name and what it meant and you felt warmth spreading through your cheeks, not just at that one flower, but knowing now that all those flowers you received came from Cas.

“I'm sorry for disturbing you” He said as he retreated his hand and you held the Forget-Me-Not. He was tense, not looking at you.

“So you were the secret admirer leaving me these flowers?” You asked as you slowly sat up on the bed and placed the blue flower inside the bottle with the three others. You placed both your hands over your lap, fidgeting nervously with your fingers. “Why?”

He looked around. What was he supposed to say? Himself barely knew why he was doing this but it felt right so he kept going with it. He noticed that the flower meanings resembled things that he felt or thought of you and he enjoyed collecting them for you, especially after you kept them.

“These flowers all have a meaning behind them” He started “Take them as a thank you for…being helpful with my understanding of human behaviors”

You smiled stupidly at that. The way he said it sounded like something he had rehearsed before coming to you to say it, the words too polite. But yet, that's one of the things you liked about him.

“You didn't have to Cas…They are beautiful, thank you” You said and looked at the flowers again, biting your lip. You felt his eyes on you, it was always intimidating. You knew that it was just the way he was, look right into your eyes while you talk to show you had his full attention, his beautiful blue orbs hypnotizing.

Cas analyzed every aspect of yours as you sat in front of him, his eyes wondering over your figure and his hands moved faster than his thoughts and he reached for your shoulder, his palm traveling from your shoulder blade to the end of your upper arm and back up, tracing a pattern over your skin. He longed to touch you and be closer to you in a way he couldn’t explain so, in this moment, you both alone, he decided to fulfill this wish.

You widened your eyes and looked up at Castiel who was entranced by the movement of his hand, goosebumps flaring up on your skin.

“Cas?” You said and acknowledged your call with a hum “What are you…?”

He finally looked at you, his hand steadied on your shoulder.

“When I’m around you I always feel this need to touch you, be closer and this…” He shakes his head, finding a word to define how he felt. “Warmth comes over me everytime you smile”

His eyes bore through yours and you could only stare back at him, shocked.

“Cas, you’re saying–”

“I think I might love you, Y/N” He interrupted. The way he said it sounded like a confusion, a slight approach, as if he was tiptoeing around the thought, not sure if he wanted to grasp it or just keep his distance.

You were dumbfounded. He sounded so sincere and your heart started to beat faster, his hand over your shoulder felt like it was burning through your skin. It all made sense, the flowers, the way he was always keen on talking to you even when you did most of the talking and he just listened with a faint smile and pure interest, he just didn’t know because he never felt like this before, he didn’t know what loving was like.

You landed a hand over his cheek, your eyes practically watering with an emotional overload at his words. You thumb rubbed the light stubble on his cheek and you pulled him in for a hug. You wanted to kiss him so bad but you were on a baby steps basis with the Angel.

You hugged him tightly, his hands hesitantly wrapping around your frame as you let out a deep breath. When you pulled back, you didn’t pull away completely from him looking between his eyes and his mouth, a giddy smile on your face.

“I think I might love you too Castiel” You said and he widened his own eyes, a light chuckle coming out of you at his reaction.

Your chuckles were cut off by his lips on yours and you gasped in surprise. His mouth was as soft as you expected, his lips moving against your in perfect sync. He was impressively a good kisser, one of his hands gently holding at the back of your neck while the other slid down to your waist.

You felt like a bomb had exploded inside you, a foreign feeling of happiness spreading to every single cell on your body as your arms wrapped around his neck to hold yourself when he sat on the bed, pulling you over his lap, making you yelp.

You both pulled away, your arms still wrapped around each other and he had a light smile on his face. You one hundred per cent had a shocked look on yours, your cheeks hot and breathing heavy.

“Where’d you learn that?” You asked, absolutely knocked by the kiss.

“Dean told me a thing or two” He said and you couldn’t help but laugh, your body shaking against his as he also chuckled. “It seems like I did great?”

You stopped your laughs and looked in his eyes, drowning in their ocean blue. You gave a peck to the corner of his mouth.

“You did amazing” You said as one of your hands played with the hair at the nape of his neck and he pulled you in, the warmth spreading through both of you yet again, never wanting to let go.

A/N: Notes and reblogs encourage me to keep writing, feedback helps me make those writing better. Thank you for reading, XoXo.

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yestrnight · 2 years ago

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˚₊· ͟͟͞͞➳❥ POCKET SLIME !

FROM: kaveh, alhaitham / gn! slime! reader

SUBJECT: you used to be a docile, little thing. a blob of extraordinary cuteness that just follows them around wherever they go. but how in the world did the pet slime they took in turn to be some sort of cum-hungry demon?

( this shit reads like a doujinshi, so don’t even bother using braincells; feels like im committing some sort of crime against the cute widdle slimes of genshin; unhygienic slime usage; reader has a diçk AND a pússy, reader also has a humanoid form don't worry; best of both worlds; urethra play (kaveh); dubcon; nipple play (alhaitham), throat fucking (haitham); they’re ALL on their receiving end; ahégao; )

✧.* KAVEH

KAVEH who takes you in while you were plopping sadly around in the rain, sad little rumbles and bleps from your jelly body. he’s not so heartless that he’d kill some poor slime who doesn’t even have any interest in attacking him, only nudging its pudgy body against his shoes and looking pleadingly at him.

he likes to watch you eat the treats he brings home. it’s a stress reliever to see you munch on some sumeru roses he brought home, and he pats your blob figure fondly while you squeal in delight at his treats. you’re not a very picky eater, he finds out, but you’re more delighted whenever he feeds you something with elemental energy. once he learns of this, he brings home more and more elemental energy stuff, just to be on the receiving end of your cute lil snuggies.

KAVEH who lets you sit on his head whenever he’s working on his projects. while he sketches and measures, your cool jiggly body feels so comforting on his hair. sometimes he even falls asleep with you on him, and you slowly make your way to his cheek so you can protect him from the hard wood of his desk.

he genuinely brought you in because he thought you were cute, nothing more than that. he’s gotten fonder of you ever since the days pass by, and you thought of him the same. however…

KAVEH who wakes up to something warm and gooey sucking on him down there. as he squirms under the blankets, tiny little moans and whines escape his pretty little lips. the pink blush on his cheeks seems to brighten when he slowly opens his bleary eyes and sees his adorable slime sucking on the tip of his pretty cock. imagine the shock of seeing the pet he was so fond of doing nasty things to him!

“nnh–! [y-your name]! what are you– ahh ♡!” he tries his best to cover up and pull you away, but with no such luck. in fact, you suck even harder, the wet noises of his cum and your squishy body echoing throughout the room. you suck even harder, and the pleasure makes kaveh’s body jilt and shake every rhythm and pulse.

“angh… t- too much…!” he sobs and pushes you away, but his hands only sink into the slime. it’s only around this time he suddenly realizes the slow expansion of your blob body, slowly morphing into something familiar… something humanoid… something… cuter.

your wobbly smile looks so innocent even as you tongue the veins across his dick, and it sends blood to his head until he feels like he’ll pass out from a nosebleed. you gurgle something that sounds faintly like ‘master’ and ‘kaveh’... and gods does that make his dick hard.

“a s-slime turning into a human?” he gasps, sitting himself. “i must be going– ngH! c-crazyYY ♡ stop! s-stop!” using the dexterity and fluidity of a slime, your tongue compresses into something thinner. you ooze your way in into his urethra, the slimy thing bumping against the edges and leaves his toes curling and fingers gripping the sheets.

“ughk, mmh~!” he throws his head back, dick humping into your slimy mouth. “m-more ♡ k-keep going~! agh, ah, ah~!” your delighted gurgle sounds faint in his ringing ears, but he still manages to smile fondly. “g- good slime ♡ s-sucking on your master’s dick so h-ha-hARD! fuck!” he hisses when your tongue presses against his prostate. he pats your hair with one shaky hand and you nuzzle into it. “so ♡ cute ♡ you got even cuter ♡”

“‘m gonna blow! [your name]! ggh [your name]!” he whines and desperately grasps on the hair-like jelly. “s-slow down~♡! gh, nwah!” he wants to attribute your lack of understanding to your inability of comprehending human languages, but he swears he sees the shadow of a devilish smirk on your cute face before you griiiind your tongue right against his prostate.

as his climax hits him, KAVEH’s eyes roll and his back arches into the air as he shoots his seed into your mouth. the tears blur his vision, but he can see his white seed spurt into the jelly. satisfied with your meal, you finally pull out your tongue– getting some pretty screams from your master at the added simulation– and his body falls limp. you smile and giggle at him, kissing away the tears from his eyes, and slumping your cool body against him.

“th– thanks, [your name],” he smiles at you, kissing you briefly before sleep takes him away again. “do that for me again, ‘kay?”

✧.* AL-HAITHAM

HAITHAM who is skeptical of the slime his fool of a roommate brought home. he raised an eyebrow when kaveh came home wet with a pudgy slime in his hands. “you know that can dissolve you, right?” he points out, ever the smartass.

kaveh snaps back. “of course i know, idiot. but look at them! don’t you feel bad for them?” he raises you high and you give a warbly greeting, but alhaitham is far from impressed. his dramatic roommate rolls his eyes at him and kaveh carefully tucks you away. “let’s go, [your name]! this callous idiot isn��t worth your time!”

HAITHAM who didn’t pay you much attention, only ever seeing you while you drape off kaveh’s head when he enters for breakfast. you were well-behaved for a slime, anyway, so he shouldn’t concern himself much with you. but his interest is piqued when one day he hears devilish noises from kaveh’s room, sounds of slurping and sucking while kaveh whines pathetically muffled behind the door. clearly, it’s not kaveh doing the sucking and slurping, but…

HAITHAM who sees you again the next day at breakfast, draping off kaveh’s head as usual. he greets kaveh with his usual coolness, but kaveh, for lack of a proper word, looks completely fucked out. his legs shake as he pulls his chair, and when their hands touch while reaching for the food, he pulls back with a lip-bitten yelp. all the while, you garble incomprehensibly on him.

yeah, no. his roommate is definitely fucking his pet slime. haitham’s not chatty, but he’s got a million words for how fucked up the entire situation is. once kaveh is out of the house, he corners poor little you and stares down into your vacant little slime eyes. he won’t admit that he actually cares for his… once friend, so getting rid of the thing that has tempted him into immoral acts will be the best next thing.

“mm- mmgh?!” haitham doesn’t know how he ended up like this, gagged and bound by your slimy tendrils. while he tries to break free, he stares in astonishment as the blob slowly expands. the torso starts first, before extending into limbs, until the head takes shape and a very, very pretty smile is smiling innocently into haitham’s face.

“☆♡♡?” your gurgles continue to be incomprehensible, despite the humanoid form. slowly, your cool hand caresses his face, holding his chin while your tendrils lift him ever so slightly up the ground. you kiss him, like how a lover would, the slightest bit of tongue swiping over his lips, but then you pull away— and he catches the devilish smirk before you lean in again and start fucking his mouth.

he thrashes in your slimy hold, slipping away only for the slime to thicken and tighten their hold on him. he glares at you with look of indignation as he tries his best to keep his mouth shut, only for you to slip your tongue between his lips and curl around his tongue. he shakes as you bring him closer to you so you can properly fuck him in his throat. you curiously watch as he gags and splutters on the length of the tendril, his glare never ceasing even though he looks like a proper slut with that dark red blush on him.

replacing your pseudo tongue for another tendril, you pull away from his face and eye his thin shirt. your curious hands roam over the expanse of his chest, and you delight in the softness of his pecs. feeling a bit too eager to get your hands under his shirt, you dissolve the cloth away and quickly reach up to rub his two pretty nipples. you roll them around in your fingers, giving each one a tight squeeze before going back to massaging them.

HAITHAM, behind the slime gagging him, yelps when you lean in and bite one. you run a tongue over his wide areolas, studying his expressions to make sure you’re pleasing your master’s best friend properly. his glare is more subdued, the wriggling has lessened, and there’s an… anticipation in his eyes as he stares down at you. you’re more than delighted at the progress. this means he likes you, right? you always felt a little sad when haitham would glare at you, but now you can feel getting closer to him! best friends, even, just like him and your master!

and like every best friend does, you should make him feel happy too! lowering one gloopy hand down to his pants, you waste no time melting away his pants and underwear and morphing your hand into something akin to a suction cup. little tentacles line the inside of the cup, and a muffled groan from haitham convinces you to finally ungag him. he gasps for breath, staring at you with wide eyes and a fucked out look. “what… what are you waiting for?” haitham grits his teeth, trying to hide the desperation he’s feeling when you’re so, so close to finally giving him the relief he wants. “put that on me. now.” a pause when you don’t do anything, and the last left of his dignity leave him as he gives you a pleading look and buck his hips up. “please.”

you know from experience that that one syllable is the go ahead, and with enthusiasm and vigor, you put the cup on him and start sucking. “mmm! ngh, ah, too much! ah!” you think his moans are pretty. huskier and deeper than your master’s soft and light whines, and that only makes you sucke even harder. the stimulation forces him to bend his back as he dangles in mid-air, forcing his fat cock deeper into your suction-hand. the dizziness of the upside down world makes the blood rush to his head, and he feels his eyes rolling to the back of his head when you tickle the throbbing vein running the downside of his cock.

“ah, sh-shit, you’re taking me all in ♡” sweat makes his skin glisten, highlighting even more his soft pecs and his abs. tendrils reach out from your back as they glide themselves around his waist and guide him back up. he’s positively shivering as you continue pounding his cock in and out of your hand, and his tongue is shivering when you pull him in for another kiss.

somewhere in the back of his mind, haitham swears he’ll make a research paper on you– on how intoxicating and aphrodisiacal you can be.

✧.* IT’S A THREESOME!

KAVEH bounces himself on your dick, your squishy body serving as his cushion as he lets his limp body get absolutely wrecked by a thick and veiny cock you fashioned from your ever-morphing body. his pretty dick slaps HAITHAM’s muscled torso as the younger one slaps his heavy balls against the pussy just underneath your balls.

your slime encases the both of them flicking haitham’s nubs up and down and fucking kaveh’s urethra open, just the way they like it. it should be humiliating, the two roommates who could barely stand each other now open and so vulnerable to each other. but kaveh’s face is contorted in a lewd expression, eyes crossed and tongue hanging out of his mouth as he gets his ass destroyed, and haitham can’t find the energy to even insult him.

well, maybe a little bit. “you– ngh! – you really brought a beast into my home, huh?” he pants out, grabbing kaveh’s waist for stability as he thrusts his dick into you like a beast in rut. “you really couldn’t resist the chance to get yourself fucked silly, huh, my dear senior?”

kaveh whines when he feels haitham going even faster on you, and he tries to cover his face with his arm. “sh– shut up, okay?! i– a-ah ♡ i didn’t knooow! i thought they were a c-cute l-little thing ♡ but now they’re–” a sob escapes him as you abuse his prostate. “they’re just bullying me e-everydayyy ♡”

haitham locks eyes with you, innocent and vacant, not a single thought behind them. but it’s hard to see you as anything but innocent when you’re offering up both your cock and pussy to your two masters.

“you’re one crafty thing,” haitham bites out. but all you offer to him is a happy little noise when you think that you’ve made your two masters happy and fulfilled. just like how that man taught you to.

#ੈ✩‧₊˚ next stop! tighnari & cyno #genshin impact #genshin smut #alhaitham smut #kaveh smut #genshin x reader #genshin alhaitham #genshin kaveh #genshin impact x reader #alhaitham #kaveh #nite.writes

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fatesundress · 2 years ago

Text

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

��Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

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