#something like drama or interpersonal or slice of life etc

[lord-squiggletits]

Starting to realize that the reason I beef with Transformers canon and fanon is because it feels as if a lot of people involved either haven't read war stories as a genre or they haven't paid attention to real-life wars so their takes on "necessary evils" or "hypocrisy" or "pacifism" come off as overly simplistic

[best-underrated-anime]

Best Underrated Anime Group H Round 1: #H3 vs #H6

#H3: Two guys time-travel through photos. Depression ensues.

Best friends, roommates, and business partners Cheng Xiaoshi and Lu Guang run a photo studio, developing pictures and the like. But that’s not all they do. The Shiguang Photo Studio has a secret extra service—they can deliver messages you never got to send and find information you never got to learn, so long as you bring a photograph, or maybe several.

Their method? A clap of the hands, and Cheng Xiaoshi dives into the past and into the body of the photographer. Guided by Lu Guang, he has twelve hours to achieve his goal, whether that is finding a secret, saying goodbye, or winning a fight.

Assisted by their friend and landlady Qiao Ling, the duo navigates a gallery of corporate lies, interpersonal drama, old regrets, and crime. The recently released second season continues threads that begin in the first episode of season one, showcasing the same level of brilliant writing and even higher stakes for our beloved characters.

#H6: Cozy slice of life about a high school girl with a camera

In her last year of middle school, Fuu Sawatari had trouble dealing with her emotions following the sudden death of her father. Through the help of her brother and childhood friend, she rediscovered her love for photography, an activity she and her father often did together. In addition, she decided to attend high school in Takehara, her father's hometown and a place they often visited when she was younger.

It has been one month now since Fuu moved to Takehara and became close with her current group of friends: carefree Kaoru Hanawa, excitable Norie Okazaki, and quiet Maon Sakurada. Together with them and several acquaintances around town and abroad, Fuu continues her mission of capturing the joys of everyday life using her father's camera, while also helping her friends discover their own passions.

Titles, propagandas, trailers, and poll under the cut!

#H3: Link Click (Shiguang Dailiren)

Propaganda:

(Admin: Five people submitted different propagandas for this. Instead of posting each of them as they are and making this post even longer, I merged them altogether for coherence and brevity.)

Link Click is a show that is criminally underrated outside of China that it’s become a running meme in the fandom (i.e. Link Click fans to everyone they know: WATCH LINK CLICK!!!). Some people are just so resistant to watching anything Chinese that even others in the Link Click subreddit prefer its Japanese dub—which is sad because they don’t get to hear certain nuances in the original audio. It’s also just really frustrating how xenophobic people can get.

Anyways, the beauty of Link Click lies in its simplicity. For a time-travel show, you’d expect our characters to tackle on tasks that involve the fate of the world or something, but no. In Link Click, it’s all about the ordinary person. All the people Cheng Xiaoshi dived into have been your everyday person—an office woman who gets harassed at work, a restaurant owner who’s grown estranged from her best friend, a man who misses his first love and his old friends, a man who wants to gain the approval of his girlfriend’s family, etc. Even when the stakes go high in season 2, the core of the conflicts still lie in the personal problems that the characters face—which may seem small in the grand scheme of things, but they are not any less important.

And I think that’s beautiful. It’s hard to relate to grand plots of saving the world or facing an apocalypse and whatnot, but it’s easy to relate to the day-to-day struggles that humans face. 

But it’s also depressing, in a way. Link Click is very adamant that the past remain unchanged. Cheng Xiaoshi has to go there, do his mission, and then leave the past as it is—which is difficult when he gets to feel the emotions of the person he’s possessing. Many times he wants to change things for the better, but Lu Guang always pulls him back. 

Cheng Xiaoshi and Lu Guang’s relationship is also really nice. Cheng Xiaoshi is the empathic and reckless type, while Lu Guang is the rational and cold (but inwardly a dork) type. They balance each other out, and when they have conflicts, they face it maturely. They also care for each other so so much that the moment the other is in danger, all their personal philosophies get thrown out the window just to ensure the other person’s safety.

The male characters also cry without getting emasculated. They have mental breakdowns that are done so well and feel like a real reaction instead of just the solitary tear down one’s cheek. 

Link Click… is not a gentle show. It will strongly grab your heartstrings and make you cry several times. It doesn’t pull its punches, and it’s always happy to hit you with the “past or future, just let them be” beam. It is cruel, but we wouldn’t have it any other way.

Lastly, Link Click is really about friends being there for each other in hard times, and knowing that while it’s impossible to take all those painful memories back, it is possible to take them with you in the future and turn them into something beautiful.

On Soundtrack: The soundtrack of this show is just amazing. The s1 opening song may seem all fun and games with the finger-tutting, but after s2, you’ll realize how meaningful the lyrics are. The s1 ending is also iconic for us fans. It starts playing before the episode ends, and the ominous start of the song always sends chills down our spines because it signals that something has gone wrong.

The s2 soundtrack gets even better. The s2 opening’s second chorus is basically just the first chorus played in reverse. The director specifically requested for a song that would sound good even when played in reverse, and it’s amazing how the band managed to pull off something so difficult. The s2 ending, like the s1 ed, continues the Link Click style of playing before the episode actually ends, making the last few moments of the episode even more emotional.

Trigger Warnings:

S1: Flashing lights in the opening, attempted and implied sexual harassment, slight panic attack, death, kidnapping, drugging, suicide, blood. Complete list of TW’s for s1 can be found here (it may be spoilery)

S2: Fast-changing images in the opening, domestic abuse, child abuse, emotional abuse, violence, blood, murder.

#H6: Tamayura: Hitotose

Propaganda:

No stakes, only warmth. Tamayura: Hitotose is the single coziest anime I have ever watched. It is like Moomins or Studio Ghibli (without all the excitement), in that after watching it you feel like the greatest magic the world has ever known is a home-made bowl of soup, a trip to the mountains, a photograph of a memory. Which is all true. Animes like this teach you to live right, and that's why we need them. Also to teach us to be "more aggressivu!" If you ever have a really rough day/week/month/year/decade, let your soul be soothed and watch Tamayura: Hitotose.

Trigger Warnings: Unknown.

If you’re reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

[daddymothxxx]

🗒 — what is/are your favorite genre(s)/theme(s) to write? 🤔 — what genre(s)/theme(s) do you struggle to write the most?

🗒 — what is/are your favorite genre(s)/theme(s) to write?

Arms up. Action, adventure, conflict, interpersonal drama, EMOTIONS, change! Development!

You can see most of that in the way I RP/write here, probably. Lol. Given how I picked up Valentino and rattled him around into what he is now.

I've got a lot of investment in themes of...The Human Condition in that awful people are still people--capable of awfulness, but also capable of growth and change into 'better' people. Just like in the world around us. It's too often that we see a person doing something problematic and just label them as 'other' or a 'monster' or 'inhuman'. And I'm not about to stop those terms from being used (or pushing for babygirl-fication or even forgiveness towards people who commit heinous activities), but it is important to realize that the worst of us come from Us. Not some mysterious alien egg with no connection to Humanity as a Whole. They aren't Others. A symptom and not a species.

Anyway, I also like POST-APOC so fucking much. Gobble up that shit all the time. Sci-fi Fantasy, too. Particularly the urban variety. Give me supernatural shadow populations and wizards that think magic is a science not yet understood that use their knowledge to teach math in a local university.

And, I don't know--I love culture and sociology and psychology so...When that shit breaks down and builds back up? Chef kiss.

That goes for people individually, too. Heh.

Hurt/comfort is a form of that. Really enjoy that cycle. Angst and then the rebuild and change that comes from it when the dust settles and people huddle together to get through the aftermath. Yeah...

🤔 — what genre(s)/theme(s) do you struggle to write the most?

I feel that I struggle most with like...slice-of-life stuff. And not specifically some 'down time' and life activities so much as the...

Like if nothing is happening except that. A general lack of growth or conflict going on in the writing??? I don't know if I'm making sense on that. I hope I am.

There's a difference between every RP/story being about slice-of-life where nothing of important happens except domestic living and a little bit of cute breathing room between characters.

At that point I feel like there's all to do about nothing and it sucks my inspiration away. There has to be something developing, happening, challenging, provoking, etc. going on.

I also know that people say I focus a lot on the external representation of a character like their mannerisms, but refrain from laying out their thoughts or emotions in the narrative elements. (I guess because I want people to read into things and interact in a realistic way.) However, I think I've also come a little ways from that. c:

[heckyeahponyscans]

The 2012 Littlest Pet Shop cartoon is really cute and fun--underrated cartoon IMO.  It also stuck me how it handled its characters compared to the MLP Core 7 era.

“Core 7″ was when Hasbro rebranded MLP at the end of G3 +  during G3.5.  They focused on seven characters, each with their own talent to make little girls relate to ponies: singer, painter, fashionista, etc.

Similarly, all the LPS pets had their own specific hobby.  They aren’t identical to Core 7 MLP--like LPS has a comedian character and a magician character--but some are similar.  Like Rainbow Dash and Zoe the dog are both fashionistas, Toola Roola and Minka the monkey are both artists, etc.

Littlest Pet Shop handles its characters better, though.  With Core 7, each pony’s personality WAS her hobby and their only other personality trait was “generically nice.”  (This was especially noticeable with Rainbow Dash, because they undid the aspects that had previously made G3 Rainbow Dash something of a diva.)

But Littlest Pet Shop gave its pets different personalities and let them bounce off each other.  Zoe the dog, the fashionista / singer, is a diva.  Sunil the mongoose isn’t just a magician, he’s a glass-half-empty type of guy. Russel the hedgehog, like Pinkie Pie, is a planner, but unlike Pinkie Pie his friends get fed up with him from time to time and are like: hey stop.

It’s too bad Hasbro didn’t have the guts for more conflict in the Core 7 era because it’s not hobbies that make kids interested in a slice-of-life show, it’s the interpersonal drama.  The hobbies are just there to make the interpersonal drama happen, like the diva accidentally ruining the artist’s painting and trying to frame someone else, or whatever.

[casually-inlove]

Hello. In one of your responses, you wrote: "I also have things that I don't necessarily agree with." Can you tell us about it? I am very interested in your representation of this manhua. What do you think is written well in the story, and what is not? What would you add or remove? What is missing and what is too much in history? I would very much like to know your TianShan headcanon. I have too many "wants". I'm sorry if I was rude.

Dear anon, this was not rude at all. Indeed, you have many questions, so much as I try to be concise in my posts, this one is going to be very lengthy. Let me start with a little disclaimer. Everything below is entirely subjective. It is in no way meant to undermine anyone's enjoyment of the series, nor is it supposed to be an attack against the author. I value the comic's episodic nature and light-heartedness myself, otherwise, I would not have stuck around. It is also true that for the past half a year my interest in it waxes and wanes. Besides, I am well aware that certain groups of fans grow dissatisfied with the manhua direction. That said, I must state once again, OX has every right to write the story as they please, while the fans, no matter how displeased they may be, do not have the room to make demands of the author. So then, without further ado, some of my quibblings follow below. Beware of the wall-of-text.

1) The plot and characters get stagnant at times — these two go hand in hand. I suppose it is a prevalent gripe with 19 Days, and I am sure everyone has experienced it at least once. Some of it stems from the very way the story is told: the manhua timeline moves slowly in comparison with the readers' timeline. It works for depicting slow-burn relationships and subtle changes in the characters' outlooks. The problem is, more often than not, the latest chapters are inconsequential to either plot or character growth. They do not have the substance or the conflict to them. When OX had introduced the characters, while undoubtedly charming and loveable, they were practically walking tropes. Jian Yi, the bubbly airhead. ZZX, the stoic childhood friend. HT, Mr Popular. As time passed, OX did the clever (and the right) thing — they have subverted these stereotypes, by showing us that the characters are not who they appear to be. Thus, we learned that Jian Yi is a lonesome, affection deprived kid who on occasion dreads going back home because it's empty; his bright grin is there to hide his sadness.  We also learned that HT had a dysfunctional family and had been exposed to violence since a tender age; we also learned that he used to lead an empty life devoid of close interpersonal connections and passions, etc. I am not going to write about Mo because it is obvious and self-explanatory.

That sudden change in the perspective is what made those characters fascinating. A few of these developments co-occur with the addition of the “darker” mafia/gangster subplot. Indeed, the introduction of the criminal legacy theme (which is true for Jian Yi, He Tian, and Mo to an extent) allowed to show the wounds and troubles these characters had to face. It also dangled the prospect of an intriguing plot direction — a mafia-related story that is disguised as a school-themed slice-of-life. It was the underlying gangster plot-line that hooked me up; I kept asking myself: Are they connected (the Jian family, the He family)? Were they responsible for what happened with the Mo family restaurant? Will their backgrounds converge at some point? How does Jia Yi's kidnapping fit into all this? That sort of stuff. Alas, right now that subplot seems to be put on a backburner, which is a shame because this is the plot-line that leads to future events, such as Jian Yi's disappearance. The kidnapping is still going to happen and the threat looming over Jian Yi is still real, yet OX does very little to explain anything about it. Naturally, revealing everything at once is out of the question, but if it were me, I would have opted for unveiling bits and pieces now and then. To start with, it would have propelled the plot forward. Apart from that, it would have given the readers some food for thought and kept the intrigue fresh — they would have been cracking their heads to piece the puzzle. Finally, the characters' darker backgrounds provide the opportunity to give them development. For instance, how would Mo's view of He Tian change, if he learned that the latter had to face his warped father to save Mo (ch. 245 and further on)? Or how would Mo react, if he learned that He Tian lost his mother (presumably) due to his family shady dealings? Would it make him understand the other boy, relate to him on some level? Etc. 

The comedy and fun, light moments are precious, but I miss those moments when the manhua challenged my impression of the characters. Right now, the plot stagnates in the sense that we know that someone is threatening Jian Yi, but we aren't being given any clues or updates on the matter, as if the whole thing wasn't important. So, in response to your question “what would I have removed”, I would say that I would probably drop quite a few school-centric chapters in favour of “criminal” subplot. Just a bit: maybe show Mr Jian's messages, or Jian Yi's mother discussing the situation with him, or He Cheng receiving some reports on the situation.  

The character recent portrayal also disappoints me on occasion. They started as stereotypical manga characters, then they were given some depth, and now they are close to becoming yet another set of stereotypes. Yeah, I get that Mo is a tsundere and enamoured He Tian is an idiot in love — OX has been depicting them as such for the past year. It would be cool to take a look at other facets of their personalities now and then too. While it’s understandable that only a few weeks have passed since the beginning of the story, OX should remember that years have passed for the readers; keeping the audience engaged should be among their priorities.

I suppose I do have a bias here because as an adult I have little interest in all things school-related, and in general, I am not too fond of slice-of-life (I typically avoid reading it).19 Days attracted me because it had some universal themes, like dealing with past and legacy, finding your path, healing from the old scars, learning to handle difficult relationships within a family, and of course its low-key “mafia” subplot. It could be that OX truly doesn't have a meticulously chapter-to-chapter thought-out plot, hence why the manhua meanders at times, or it could have something to do with Mosspaca's internal agenda. Perhaps, it is the latter and the company somehow insists its artists stick with simplistic plots for the sake of keeping their target audience. Even so, there's a catch here, which was brought to the attention by @agapaic: the original reader audience has aged up already so to keep them hooked it would be wise of OX to “mature up” the comic as well. Not in the sense of 18+ content, but in the sense of introducing more mature subjects alongside the comedy and slice of life. Perhaps, they are not looking to keep the fans but to attract the new, younger ones. Who knows.

2) Drama and comedy imbalance. It is a pet peeve of mine which I consider to be one of the prominent manhua flaws: there is lots of slapstick comedy which ends up being out of place on occasion. I do realize the comic is humorous, however, there is no denying that OX introduced themes and topics that are no laughing matters. Jian Yi's and He Tian's loneliness, bullying and ostracizing, extortion racket, absentee parents, youth gangs and violence — just to name a few. There is a lot more, but you get the picture.

It is also obvious that three out of four main characters carry the remnants of childhood trauma with them, which directly affects their present selves. All the same, these topics practically fizzle out as soon as they get introduced, or get swept under the rug with comedy. Considering the humorous nature of the comic, it is given that dispersing some grimmer topics with playfulness will be used now and then. To my mind, however, OX relies on that abrupt drama-to-comedy switch too heavily, which makes the transition steep and often out of place. At times, it creates an impression that the author does not take these issues seriously. There have been numerous episodes when emotional moments were subverted and then dropped, without gaining climax and closure. For instance, the moment that sticks out to me the most is when He Tian attempted to tell Mo why he liked him. The visuals made it clear that it wasn't easy for He Tian to say out loud, yet OX never gave the intense moment the needed closure.

Mo brushed He Tian off and the latter just rolled with it, as if it never took him any courage to say those words, and then everything was swiftly engulfed by slapstick humour (the ball-slapping scene). A panel showing a glimpse of He Tian's face sinking to indicate he was somewhat let down by Mo's nonchalant response would have been appropriate — in fact, it would be natural for someone to get hurt when their confession is taken lightly. Likewise, I half-expected OX to show a bit more of He Tian's reaction towards Mo's story about his meeting with She Li. We got to see his expression darkening when he learned that She Li gave Mo the ear piercings, yet this time — mind you, when Mo suggested that She Li might have murdered someone — we never see He Tian react much. For the record, it was He Tian who asked She Li a rhetorical question about being able to take responsibility for taking a life.

Furthermore, I believe that someone romantically invested in another human being would have naturally shown more inquisitiveness upon hearing a story like that. Sure enough, some would say that Mo would not have liked talking about a traumatizing event, and that is fine as well — just show it. A single panel of He Tian being concerned and trying to inquire further and Mo refusing to talk would have been a very neat detail that could have potentially smoothed the transition into humour, while keeping our heroes in character.

3) Sometimes there is too much focus on the couples. The manhua has introduced several reoccurring supporting characters which are directly linked to our main quartet. For example, Mo had bonds before meeting our boys: his henchmen, the Buzzcut. Likewise, He Cheng was the one to raise He Tian; he shaped the boy's outlook on life.  These characters all played important roles in making our boys the people they are today, and yet we know so little of their bonds. Maybe the Buzzcut is unimportant in the larger scheme of things, He Cheng, however, is not only linked to He Tian, but he also plays a part in the underlying mafia/gangster subplot. It would have made sense if he was the one to shed some light on the situation with Jian Yi and He Tian's traumatic past. I would have loved to see our boys interact with other people as well — it would have served to show the variety of relationships out there: friendships, familial bonds, mutual respect between the leader and underlings, etc.

Anyway, I am going to stop now. I could name a few more, but this text is already more than 2000 words long. I have made some posts with my nitpicking before, so if you wish you can read them here.  

link & link 

Once again, this is all entirely subjective and it is not meant to be perceived as me saying that the manhua is poorly written and no one should enjoy it. Writing and creating compelling plots is a tough job, especially when it comes to long pieces. It also goes without saying that the author should keep their target audience and marketing goals in mind. 19 Days appeals to a great number of people of all ages and that means that OX succeeded in creating something compelling. Their writing is indeed flawed at times, but there is no way around it. It is impossible to excel both at being a great artist and a good writer. While there may be things that each of us would want to change (when comes to characters or the plot), it is still important to remember that it is not our creation. We can only decide whether to keep reading and enjoy what we get or move along. There is no point in attacking the author or generating constant pessimism.

[hawkland]

Dear Fandom5k Author

My AO3 account (sidewinder)

Hello and thank you for writing for me! I’m excited to give this exchange a try for the first time and cannot wait to read what you can come up with for one of my requests. Please note I’d love any of them equally, no matter if I have more prompt ideas for one or the other. Some I seriously would love just about anything about since they are so rare, others I have more specific requests to scratch itches I haven’t seen written before (or that much.)

General Likes:

Soumates with a twist. I love soulmate/soulbond AUs, as long as it’s just not a shortcut to happily-ever, no-conflict fluff. I want there to be some difficulties or angst involved. For instance, I’d love seeing any fusion/inspired-by fics based off the concept of the AMC Soumates series - where there’s a newly-developed scientific test a person can choose to take to find their soulmate (if the other person out there has also taken the test). That way it’s a choice to find out or not. Would an already established couple want to take the test to find out if they’re really “meant” to be together or not? What if they find out other people are their “soulmates”? What about the possibility of platonic soulmates vs romantic? Discussions for the future if/when one partner dies before the other? I’d love to see these questions played out with one of my fave ships in either a  happy or somewhat angsty/dark way.

Vacation/travel stories. Being unable to travel this past year+ thanks to covid-19 has me desperate to explore and live vicariously through my favorite characters! So I’d love a story involving travel to somewhere new (to them). It could be a romantic getaway/honeymoon trip to somewhere special - and I love it when an author “takes me” to a favorite city/place of their own. Or two friends just going on an escapade together, maybe one sensing the other needs some time away from a stressful situation or workplace.

Smutty likes: I love extended kissing scenes, frottage, light restraint play, sharing-one-bed-for-~reasons~-ooops-how-did-we-wake-up-cuddling, bathing/caretaking an injured partner-turns-erotic, desperate/reunion sex.

Canon-divergent AUs - I’m always good with fix-its, shifts in canon that only change one thing and see what happens next or instead.

Do Not Wants:

A/B/O dynamics, mating heats. (I do like Supernatural fics that explore Castiel and the angels having bird-like behaviors and instincts, however.)

animal abuse/death

anything related to pregnancy/childbirth/kidfic (except for Jack in SPN)

formalized BDSM relationships

scat/watersports

unrequested alternative-universe scenarios such as high school/mundane/genderswap/coffee shop/fantasy/etc. There are a few ships/groups where I would enjoy specific AUs, and those are outlined below.

Completely sad endings/permanent character death or injury that isn’t part of canon

Rape/non-con between requested characters. Dubious consent is fine in situations like magic spells/possession/fuck-or-die, however.

Supernatural

AU - Canon Divergence, Character Development, Established Relationship, Getting Together, Fix-it fic, Interpersonal Drama, Smut, Angst, Canon-Style Plot - Freeform, Hurt/Comfort, Mystery/Procedural, Slice of Life, Worldbuilding, Horror

In general for SPN, I love canon-divergence AUs at pretty much any point in time (especially as they kept having so many dumb reasons in canon to keep Dean & Cas apart just when one or the other seriously needed support or TLC!) I’m okay with post-series Heaven fics as well as canon fix-its/completely ignoring the finale, and I like exploring both human!Cas as endgame or Cas keeping/getting his full angelic grace back (which is a slight preference to me, as he repeatedly seemed to genuinely value/want to be an angel? But exploring all possibilities in fic is cool for me.)

I’m a sucker for Castiel Whump/hurt!Cas in general, so long as the author remembers Cas is a bad ass and not just a baby in a trenchcoat. If he’s going to suffer, I want him to suffer stoically until he just cannot keep up the facade any longer.  

SPN-specific DNWs: mentions/implications of Wincest, past or present; extreme bashing/characterization of John and Mary Winchester, or Jimmy Nowak, as homophobic. 

Group: Castiel/Dean Winchester Group: Castiel/Dean Winchester & Sam Winchester

Give me all the finale fix-it fics - no I’m still not over it, I’m still happy to read any new twist on how Cas got out of the Empty and got back together with Dean (and Sam). If Dean still dies early/ends up in Heaven, I’d like a story that explores what happens when one gets bored of peace-and-happiness-ever-after. (Yes, I’m a big fan of The Good Place and as such it makes me wonder if eternity with no conflict and everything you could ever want would just melt your brain and identity after a few millennia.) So what then?

I’m also stealing a Tumblr rant as a prompt I’d love to read, if you want to get into some good dirty smut:

ive had it up to here with fictional gays being like “i love you and if all i can ever have is that knowledge it’s enough for me” we need more “i have been struck down by horny insanity and i beg you to fuck me once. i’ve had three smirnoff ices and i’m gonna be crazy now. we can pretend it didn’t happen i don’t give a shit just gimme daddy’s blunt instrument” it’s more realistic [x]

Um so yeah. I’d love an au where, anywhere along the line when it’s been their/someone’s/the universe’s life on the life, Cas takes the initiative decides they’re gonna have crazy sex even if it’s just once before the end of the world/we die. But then, oops, we’ve survived, now we have to deal with it. ...Please?

For something different, maybe more romantic/fluffy, I’d really love a vacation/getaway story here, since they never really got anything like that of substance on the show. I want to see Cas take Dean somewhere beautiful and amazing in the world he’s never gotten to see before. Show him there’s more than just greasy diners and the landscape of America to enjoy and experience. If you want, they could stumble on a case/haunting/monster from another part of the world while they’re at it...but I just really want to see Dean having some mind-opening and expanding experiences beyond what’s he’s known and seen so far in life.

In specific with Cas/Dean + Sam, I love another tumblr idea I saw recently where Sam totally keeps bringing up the idea of “Sastiel” as a fun joke between him and Cas, and Cas plays along, and it drives Dean up the wall. Cas has to just keep re-assuring Dean that no, he doesn’t see Sam that way...but why does it bother Dean so much? A.k.a. Dean has to finally own up to the fact that it bothers him because he wants Cas to feel that way about him.

Castiel (Supernatural)

I just love Cas, period, end of story, he’s my One True Character of SPN. I love any stories that try to explore him more fully—be it his relationships in the past with other angels and being a BAMF commander/warrior of Heaven, or what specifically it is that keeps him so tied to the Winchesters. I love stories that feature his true-form in some fashion or try to dig into the alien/different nature of angels vs. humans.

Also, another Tumblr-musing-turned-prompt (I lost who posted it, sorry!) I'd love to see explored in a canon divergence fic focused on Cas. Specifically: 

"I would have loved an arc for Cas (after he got his grace back) where he wanted to help people, like he was helped. Spending time in soup kitchens or healing people, and through that developing a sense of self purpose, leading to his grace replenishing unexpectedly. Sort of fulfilling the traditional angel role (as we know it nowadays) by replacing his faith in heaven/dean with faith in himself, to redefine himself as a protector of humanity instead of heaven's soldier."

Group: Castiel/Dean Winchester & Jimmy Novak Group: Castiel & Jimmy Novak

We know Cas carried a lot of guilt for what happened to Jimmy and his whole family. So I'm interested in a post-finale, canon-compliant (I guess?) fic where Cas tries to reconcile things with Jimmy in Heaven. Maybe Jimmy & Amelia were one of his first "projects" or test cases in trying to build a new and better Heaven with Jack? (And it's what he was so busy with while Dean was still alive.) Or, is it weird in Heaven with Cas and Jimmy looking so similar? Does Cas still fight doubts as to whether Dean really loves him, or just desires this body/form that isn’t his own?

Otherwise, I've been thinking about Endverse!Cas, who had lost his grace/powers as the angels have all left and abandoned humankind. What happened to/where is Jimmy in all of that? (If we go by the canon that Jimmy was not killed, nor went to Heaven, until the end of Season 5, when Lucifer blew up that vessel and Cas was resurrected by Chuck.) Are they now two "mortal men"/souls trapped sharing one body? Is that why Cas is so messed up/always seeking an escape through drugs and sex? (Besides of course Dean having changed so much.) This is one prompt where I don’t mind a very dark/not-so-happily-ever-after ending.

The Police

Angst, Character Development, Established Relationship, Getting Together, Humor, Interpersonal Drama, Smut

Group: Sting/Stewart Copeland

Yeah I’ll always request these two together even though I know it’s a long shot to find anyone else as obsessed about them as I am. Really anything at all whatsoever would make me happy for this ship: Reunion Tour-era fic, early punk days before they grew successful, soulmate AUs...

I’d also love a spooky story where they’re on tour/on the road somewhere and end up in a haunted hotel. Or their tour bus/van breaks down in the middle of nowhere and they have to seek shelter in an abandoned house or farm or something...and supernatural weirdness ends up affecting them or bringing them together.

If you want to go the crack route: it wasn’t enough for Miles to take them all around the world to tour in “exotic” locations back in the day. He’s arranged for them now to go on the ultimate tour...of outer space and alien worlds.

Crossover Fandom

Action/Adventure, Character Development, Interpersonal Drama, Angst, Canon-Style Plot - Freeform, Hurt/Comfort, Mystery/Procedural

Group: Abe Morgan (Forever TV) & John Munch (L&O: SVU)

I’ve had a long running headcanon that these two could have been friends back in their respective 60s/early 70s hippie days. I’d love either a story set back then, “pre-canon”, or them running into each other in NYC later in life. Munch ending up in Abe’s antique shop, for instance, while on an investigation?  

Group: Dean Winchester (Supernatural) & Ezekiel Stone (Brimstone) Group: Castiel (Supernatural) & Ezekiel Stone (Brimstone)

I’m fascinated by the idea of crossing over these two canons. Even if there’s some conflict in their approach to Hell/Lucifer/demons, there’s still a lot in common. Dean & Ezekiel having both put in their time in Hell and being demon hunters, for instance, and their complicated relationships with (fallen) angels. I’d love to see them bonding over their experiences (Maybe they even meet in Hell? Time DOES work differently there…) Maybe somehow after Ezekiel completed his mission for the Devil, he did get his second chance at “life on Earth”…but the devil’s trick is that it’s not HIS Earth, it’s in a different dimension (Supernatural’s). I’m also curious how Ezekiel might respond to Castiel as an angel–perhaps he mistakes Cas for a demon at first, with his powers, but then they realize they are in fact hunting the same demon? Cas is stuck in an alternative dimension and recognizes Ezekiel as a similar soul to Dean’s, and seeks out his help?

Basically I’d love some kind of casefic/demon hunt here, with the characters bonding over their shared/similar past traumas, taking care of each other when/if injured on a hunt, and/or perhaps helping them sort out their complicated feelings for another (ie, background Cas/Dean and/or Zeke/the Devil are TOTALLY welcome here, as I ship both of those ships.)

Law & Order: SVU

Group: John Munch/Odafin "Fin" Tutuola

Character Development, Established Relationship, Humor, Getting Together, Interpersonal Drama, Canon-Style Plot - Freeform, Angst, Hurt/Comfort, Mystery/Procedural, Slice of Life, AU-Genre shift

Munch/Fin is one of my eternal OTPs so I’m always happy to see something new featuring them! I’m always good for procedural/case-fics. And this is one request where I’d love to read some AU-Genre or setting shift, reimagining the two in some other situations besides police work. I’ve always loved the idea of John hosting a conspiracy/weird news radio show or podcast, and Fin as someone completely skeptical but who gets wrapped up in one of John’s mysteries. Or John as the owner of a bar somewhere that Fin is one of his regulars, and over time their friendship develops/deepens into something more.

Supernatural RPF

Misha Collins/Jensen Ackles Established Relationship, Getting Together, Smut, Fluff, Slice of Life, Humor

It’s odd for me to be into an actor RPF fandom (I usually only fall for music/band-related ones), but what can I say...these two just make it almost impossible not to see the possibilities!

I was thinking I’d love something set post-Supernatural...their first time seeing each other again after a long time apart? (What with the show ending, covid, Misha’s surgery, etc etc.) Could be at a convention or maybe they get to go off on a getaway together somewhere private/romantic and it’s...kind of tense and maybe nervous/angsty at first? Like with doubts about whether they can/should go back to the way things were before.

Or: putting tin-hatty speculation about the “secret/real identity” of Alma Perpetua aside, I love their poetry and I’d love any “Cockles” fic using one of their poems as inspiration.

[yokasaris]

RP Themes

[BOLD what you WILL, italic what you will CONSIDER, strike what you typically do not]

I ROLE-PLAY (WITH) THE FOLLOWING THEMES / GENRE / STYLES :

ALL RP! | Combat | Injury | Violence | Military | Fluff | Mature | Casual Social | Adventure | Slice of Life | Political | Romance | Conflict | Poetic | Villainous | Plotting | Humor | Excessive Vulgar Language | Mild Substance Abuse | Racism | Action | Mystery | Erotic | Descriptive | Event | Time Skip | Horror | Drama | Pre-Established | Murder | Specific Scene | One-time | Angst | Short-term | Long-term | Tragedy | Past Scene | Torture | Perma-Death | Temp Death | Sexually suggestive themes | Training / Skill | Story Telling | Macabre | Paragraph | Multi-para | Mirror | One-line | Flex | Monogamy | Polyromance | Script Speak | Older Characters | Crime | Business | Non-Humanoid Characters | Platonic Affection/Intimacy It mostly depends on the character? There's really only one major constant between all of them, and it's that I'm not interested in ERP of any kind. Romance I can kinda tolerate, but it's not something I actively look or care for (and my characters are all cold fish romantically anyway, so meh). Slice of life kinda bores me, but I can get some fun out of it with most of my characters except Rae. He's my awful angst cat. This is where I want my drama, the tragedy, the villains, the mysteries, all the heavy topics, etc. All the epic adventuring and significant combat is on this character. Awful at humor and I don't like bringing him to events or social gatherings because he's just a wet blanket. Zhan'a is half and half on drama and comedy. Crime shenanigans and always causing problems, but on a much more grounded scale than Rae. He's an every day man, and I prefer to keep him out of the more fantastical RPs, with a few exceptions. Most of his conflict comes from interpersonal situations. Deer is wholesome chaos. Used mostly for combat tourneys and light hearted event RP. No drama for my popoto, pls. Overall I'm pretty open to working with most themes, though. tagged by: @eligos-venator and @roleplay-aficionado

[paralianprince]

🍐🍊

🍐 - How many ships have you considered but rejected for your muse?

if we’re talking ships in general, basically all of them bc i have AT LEAST one bone to pick with every (popular) depiction of every ship sealand is involved in.

which is hilarious bc in my time playing sea, he gets the dokis stupid easily (but then, it’s also obviously not going to play out like the mainstream portrayals that i have problems with, so i like them just fine!)

i have no clue how interested anybody is in my ocean of pure salt but if you want, we can play a game where you send me a ship with sea in it and i complain about it for a minute 

🍊 - What are your favourite genres of threads? Fluff? Angst? Etc

this is a total cop-out answer, but i’m really fond of threads which start out as one genre and become another, or meld through multiple genres as they continue.  i like threads that can go through different moods! 

to give an actual answer though, i like comedy, and fluff so long as it’s relatively grounded in something. 

same with angst and drama, like, i dont like doing threads where x character is suffering Just Because–  like, hey i got hit by a car come take me to the hospital please while having internal monologues abt how worried you are–  BUT if it calls back to previous interactions between their characters or elaborates on new angles of their dynamic then im ALL ABOUT that.  especially if the source of the angst itself is interpersonal, or comes from one or both characters’ personality flaws, i LIVE for this !!  so like, dialogue-drama i guess i could call it, is A HUGE fave of mine. 

slice of life is really nice!  sometimes its nice to just to let the characters chat for a while, and occasionally it develops into a plotline all by itself! 

i like high fantasy and some mystery, i only have one thread like that right now but im LIVING FOR IT my Former Dm almonds are SO activated 

i’ve never done sci-fi, it doesn’t seem super appealing to me personally BUT i’d be willing to try it anyway !! 

i don’t actually know if i like horror or not!  the only threads i can think of that were even horror-adjacent were a plotline based on the game loved by alexander ocias, and a thread about sea getting lost in an enchanted fey garden, but that second one never progressed far enough to actually reach the horror, unfortunately, though it did contain a LOT of foreboding foreshadowing that i enjoyed.

but most importantly i LOVE, ADORE, LIVE FOR multiple-thread and/or multiple-character plotline continuity!!!!!!!!  i love when we can mention other characters or past events in threads, it makes everything feel cohesive and gives interactions between those characters a sort of, spiderweb-like quality that stitches their dynamic all together rather than a series of isolated relationships all quarantined off from each other.