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❨1❩ ❛ They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. ❜
 ❨2❩ ❛ Sometimes human places create inhuman monsters. ❜ ❨3❩ ❛ I'm not gonna hurt ya. I'm just going to bash your brains in. ❜ ❨4❩ ❛ Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win. ❜ ❨5❩ ❛ The world's a hard place. It doesn't care. It doesn't hate you and me, but it doesn't love us, either. ❜ ❨6❩ ❛ The tears that heal are also the tears that scald and scourge. ❜ ❨7❩ ❛ Pull your act together and just go on. ❜ ❨8❩ ❛ I had never dreamed there could be so much pain in a life when there is nothing physically wrong. I hurt all the time. ❜ ❨9❩ ❛ Tough old world, baby. If you're not bolted together tightly, you're gonna shake, rattle, and roll before you turn thirty. ❜ ❨10❩ ❛ Are you sure self-pity is a luxury you can afford? ❜ ❨11❩ ❛ Truth comes out. In the end it always comes out. ❜ ❨12❩ ❛ Living by your wits is always knowing where the wasps are. ❜ ❨13❩ ❛ No matter where you go, the same asshole gets off the plane. ❜ ❨14❩ ❛ We sometimes need to create unreal monsters and bogies to stand in for all the things we fear in our real lives. ❜ ❨15❩ ❛ That’s your job in this hard world, to keep your love alive and see that you get on, no matter what. ❜ ❨16❩ ❛ Human nature, baby. Grab it and growl. ❜ ❨17❩ ❛ God wiped snot out of his nose and that was you. ❜ ❨18❩ ❛ Run away. Quick. And remember how much I love you. ❜ ❨19❩ ❛ How many times, over how many years, have I—a grown adult—asked for the mercy of another chance? ❜ ❨20❩ ❛ I was suddenly so sick of myself, so revolted. ❜ ❨21❩ ❛ You listen to me. I’m going to talk to you about it this once and never again this same way. ❜ ❨22❩ ❛ But those pieces, they’ll never fit just the same way again. Never in this world. ❜ ❨23❩ ❛ Dying is a part of living. You have to keep tuning in to that if you expect to be a whole person. ❜ ❨24❩ ❛ Officious little prick. ❜ ❨25❩ ❛ I’ve been sleepwalking again, my dear. — The plants are moving under the rug. ❜ ❨26❩ ❛ How I wish you were fear. ❜ ❨27❩ ❛ But it was a dreadful kind of curiosity, the kind that makes you peek through your fingers during the scariest parts of a scary movie. ❜ ❨28❩ ❛ All we have is time, you know. An eternity of time. Or shall we end it? Might as well. After all, we're missing the party. ❜ ❨29❩ ❛ We all remember our pleasant dreams more clearly than the scary ones. ❜ ❨30❩ ❛ The way things should be and the way things are hardly ever get together. ❜ ❨31❩ ❛ Got to be regular if you want to be happy. ❜ ❨32❩ ❛ But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. ❜ ❨33❩ ❛ He showed me his scars, and in return he let me pretend that I had none. ❜ ❨34❩ ❛ Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep. ❜ ❨35❩ ❛ It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness.  ❜ ❨36❩ ❛ If I had ever believed it, I no longer do. ❜ ❨37❩ ❛ I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands. ❜ ❨38❩ ❛ I cannot bear this world a moment longer. ❜ ❨39❩ ❛ I have a better idea. I will do as I please. ❜ ❨40❩ ❛ All my life has been murk and depths, but I am not a part of that dark water. I am a creature within it. ❜ ❨41❩ ❛ You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see. ❜ ❨42❩ ❛ When we are young, we think ourselves the first to have each feeling in the world. ❜ ❨43❩ ❛ When I was born, the word for what I was did not exist. ❜ ❨44❩ ❛ But perhaps no parent can truly see their child. When we look we see only the mirror of our own faults. ❜ ❨45❩ ❛ I will not be like a bird bred in a cage, too dull to fly even when the door stands open. ❜ ❨46❩ ❛ This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive. ❜ ❨47❩ ❛ You threw me to the crows, but it turns out I prefer them to you. ❜ ❨48❩ ❛ Yet because I knew nothing, nothing was beneath me. ❜ ❨49❩ ❛ If now I am wise, it is only because I have been fool enough for a hundred lifetimes. ❜ ❨50❩ ❛ You can teach a viper to eat from your hands, but you cannot take away how much it likes to bite. ❜ ❨51❩ ❛ Give me the blade. Some things are worth spilling blood for. ❜ ❨52❩ ❛ I have been old and stern for so long, carved with regrets and years like a monolith. But that is only a shape I’ve been poured into. I do not have to keep it. ❜ ❨53❩ ❛ I wake sometimes in the dark terrified by my life's precariousness, its thready breath. ❜ ❨54❩ ❛ Understanding the world is a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves. ❜ ❨55❩ ❛ Beneath the smooth, familiar face of things is another that waits to tear the world in two. ❜ ❨56❩ ❛ The truth is, men make terrible pigs. ❜ ❨57❩ ❛ My father has never been able to imagine the world without himself in it. ❜ ❨58❩ ❛ This is the grief that makes our kind choose to be stones and trees rather than flesh. ❜ ❨59❩ ❛ Witches are not so delicate. ❜ ❨60❩ ❛ Those who fight against prophecy only draw it more tightly around their throats. ❜ ❨61❩ ❛ I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such power in my hands. ❜ ❨62❩ ❛ There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too. ❜ ❨63❩ ❛ The best way of being kind to bears is not to be very close to them. ❜ ❨64❩ ❛ Life is warped. I'm just in sync. ❜ ❨65❩ ❛ Now it's a whisper from the past. ❜ ❨66❩ ❛ But hatred and viciousness are addictive. You can get high on them. Once you've had a little, you start shaking if you don't get more. ❜ ❨67❩ ❛ Why is it always such a surprise? The moon. Even though we know it's coming. Every time we see it, it makes us pause, and hush. ❜ ❨68❩ ❛ Perfection exacts a price, but it's the imperfect who pay it. ❜ ❨69❩ ❛ What is 'belief' but a willingness to suspend the negatives?  ❜ ❨70❩ ❛ I have scars, inside me. ❜ ❨71❩ ❛ The dead are not entirely dead but are alive in a different way; a paler way admittedly, and somewhat darker. ❜ ❨72❩ ❛ However dark, a darkness with voices in it is better than a silent void. ❜ ❨73❩ ❛ Amazing how quickly the past becomes idyllic. ❜ ❨74❩ ❛ It is another way of saying tough luck. To people you aren’t going to help out. ❜ ❨75❩ ❛ I'm waiting, far off in the future. ❜ ❨76❩ ❛ The only sure camouflage is unpredictability. ❜ ❨77❩ ❛ There are so many of them, and each one of them is doing part of the killing, whether they know it or not. ❜ ❨78❩ ❛ First rule: limit bloodshed by making sure that none of your own gets spilled. ❜ ❨79❩ ❛ I long to swim in liquid moonlight. ❜ ❨80❩ ❛ That's right, I don’t like to be summoned on trivial matters. ❜ ❨81❩ ❛ The part that really made me happy was that you wanted me to be happy. ❜ ❨82❩ ❛ Cut that part out of us: the grinning, elemental malice. Begin us anew. ❜ ❨83❩ ❛ Where there are wars, there will be crows, the carrion-fanciers. And ravens too, the warbirds, the eyeball gourmands. And vultures, the holy birds of yore, old connoisseurs of rot. ❜ ❨84❩ ❛ At last. It's you. ❜ ❨85❩ ❛ No, you will not be cooked on a fire when you die. Because you are not a fish. ❜ ❨86❩ ❛ Take what the moment offers. Don’t close doors. Be thankful. ❜ ❨87❩ ❛ How many others have stood in this place? Left behind, with all gone, all swept away. ❜ ❨88❩ ❛ Is it disapproval or extreme lust? With some men it’s hard to tell the difference. ❜ ❨89❩ ❛ My hair was driving me crazy, but then … I died. ❜ ❨90❩ ❛ Seek and ye shall find, eventually. And you found. You’re right, I don’t dispute that. Sorry. ❜ ❨91❩ ❛ Everything digests, and is digested. ❜ ❨92❩ ❛ My head was once a filing cabinet. Now it’s a flurry of papers, floating on a draft. ❜ ❨93❩ ❛ You cannot keep bumping your head against reality and saying it is not there. ❜ ❨94❩ ❛ I have a feeling that inside you somewhere, there’s something nobody knows about. ❜ ❨95❩ ❛ And if I don’t want to die, I’ve got to start living. ❜ ❨96❩ ❛ The world is a beautiful place. Don’t forget that. And don’t miss it. ❜ ❨97❩ ❛ I was fighting for my life. So I must not want to die. ❜ ❨98❩ ❛ Something’s happening to me, through me, something dangerous and new. ❜ ❨99❩ ❛ It’s taken root, a poison tree; it’s grown, fanning out, vines winding round my gut, my lungs, my heart. ❜ ❨100❩ ❛ We’re interpreters. We’re translators. ❜ ❨101❩ ❛ You’ll notice I’m not asking what made you this way. ❜ ❨102❩ ❛ No family, happy or unhappy, is quite like any other. Tolstoy was chock-fullo’shit. Remember that. ❜ ❨103❩ ❛ We lived in monochrome those nights. ❜ ❨104❩ ❛ You live in a dream. You’re a sleepwalker, blind. How do you know what the world is like? ❜ ❨105❩ ❛ Do you know, if you rip off the fronts of houses, you’d find swine? ❜ ❨106❩ ❛ I stand here in the dark: cold, utterly alone, full of fear and something that feels like longing. ❜ ❨107❩ ❛ The definition of insanity is doing the same thing again and again and expecting different results. ❜ ❨108❩ ❛ Not to warm the flesh, but solely to please the eye. ❜ ❨109❩ ❛ Selective emotional detachment. ❜ ❨110❩ ❛ Not for me, or at least not today. ❜ ❨111❩ ❛ Dead but not gone, watching life surge forward around me, powerless to intervene. ❜ ❨112❩ ❛ Do I sound like a hillbilly saying that? ❜ ❨113❩ ❛ Remember, you’ve got your secret weapon. ❜ ❨114❩ ❛ The dream drains away like water. The memory, really. I try to scoop it up in my palms, but it’s gone. ❜ ❨115❩ ❛ My shadow stretches along the carpet, as though trying to detach itself from me. ❜ ❨116❩ ❛ It curls away from me, like blood in water. ❜ ❨117❩ ❛ It’s been so long since I felt the rain. Or wind—the caress of wind. ❜ ❨118❩ ❛ But snow I never want to feel again. ❜ ❨119❩ ❛ Through adversity to the stars. ❜ ❨120❩ ❛ No hero. No sleuth. I am locked in. I am locked out. ❜ ❨121❩ ❛ Thinking hasn't gotten me anywhere so far. ❜ ❨122❩ ❛ The face you give the world tells the world how to treat you. ❜ ❨123❩ ❛ Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. ❜ ❨124❩ ❛ Women get consumed. ❜ ❨125❩ ❛ Sometimes if you let people do things to you, you're really doing it to them. ❜ ❨126❩ ❛ A child weaned on poison considers harm a comfort. ❜ ❨127❩ ❛ Safer to be feared than loved. ❜ ❨128❩ ❛ I ached once, hard, like a period typed at the end of a sentence. ❜ ❨129❩ ❛ It's impossible to compete with the dead. I wish I could stop trying. ❜ ❨130❩ ❛ I always feel sad for the girl that I was. ❜ ❨131❩ ❛ Every time people said I was pretty, I thought of everything ugly swarming beneath my clothes. ❜ ❨132❩ ❛ How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. ❜ ❨133❩ ❛ See, there I am. I told you I lived. I told you I was. ❜ ❨134❩ ❛ Sometimes I think I won't ever feel safe until I can count my last days on one hand. ❜ ❨135❩ ❛ To refuse has so many more consequences than submitting. ❜ ❨136❩ ❛ I'm here. I don't usually feel that I am. ❜ ❨137❩ ❛ I'm tired of dying. ❜ ❨138❩ ❛ What if you hurt because it feels so good? ❜ ❨139❩ ❛ How confusing to live in the shadow of a shadow. ❜ ❨140❩ ❛ Do you ever feel like bad things are going to happen, and you can’t stop them? You can’t do anything, you just have to wait? ❜ ❨141❩ ❛ Sometimes my scars have a mind of their own. ❜ ❨142❩ ❛ Everyone has their own version of a memory. ❜ ❨143❩ ❛ Isn’t a smile a girl’s best weapon? ❜ ❨144❩ ❛ My sense of weightlessness, I think, comes from the fact that I know so little about my past. ❜ ❨145❩ ❛ Do what I want; I might like you. ❜ ❨146❩ ❛ I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been. ❜ ❨147❩ ❛ She has never told me she loved me, and I never assumed she did. ❜ ❨148❩ ❛ The sight of it actually does something to you, makes you less human. ❜ ❨149❩ ❛ It infects you. It ruined me. ❜ ❨150❩ ❛ Your health is not a debt you just cancel. The body collects. ❜ ❨151❩ ❛ Men love to put things inside women, don’t they? ❜ ❨152❩ ❛ We can know only that we know nothing. And that is the highest degree of human wisdom. ❜ ❨153❩ ❛ Nothing is so necessary for a young man as the company of intelligent women. ❜ ❨154❩ ❛ The strongest of all warriors are these two — time and patience. ❜ ❨155❩ ❛ If everyone fought for their own convictions there would be no war. ❜ ❨156❩ ❛ There is no greatness where there is not simplicity, goodness, and truth. ❜ ❨157❩ ❛ The whole world is divided for me into two parts: one is she, and there is all happiness, hope, light; the other is where she is not, and there is dejection and darkness. ❜ ❨158❩ ❛ Let the dead bury the dead, but while I'm alive, I must live and be happy. ❜ ❨159❩ ❛ It's not given to people to judge what's right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more than in what they consider right and wrong. ❜ ❨160❩ ❛ You can love a person dear to you with a human love, but an enemy can only be loved with divine love. ❜ ❨161❩ ❛ If we admit that human life can be ruled by reason, then all possibility of life is destroyed. ❜ ❨162❩ ❛ We are asleep until we fall in love! ❜ ❨163❩ ❛ I simply want to live; to cause no evil to anyone but myself. ❜ ❨164❩ ❛ Everything I know, I know because of love. ❜ ❨165❩ ❛ Man cannot possess anything as long as he fears death. But to him who does not fear it, everything belongs. ❜ ❨166❩ ❛ If there was no suffering, man would not know his limits, would not know himself. ❜ ❨167❩ ❛ Yes, love, but not the love that loves for something, to gain something, or because of something, but that love that I felt for the first time, when dying, I saw my enemy and yet loved him. ❜ ❨168❩ ❛ How can one be well...when one suffers morally? ❜ ❨169❩ ❛ Kings are the slaves of history. ❜ ❨170❩ ❛ God is the same everywhere. ❜ ❨171❩ ❛ Pure and complete sorrow is as impossible as pure and complete joy. ❜ ❨172❩ ❛ One must be cunning and wicked in this world. ❜ ❨173❩ ❛ We love people not so much for the good they've done us, as for the good we've done them. ❜ ❨174❩ ❛ When one's head is gone one doesn't weep over one's hair! ❜ ❨175❩ ❛ For what, for whom, must I kill and be killed? ❜ ❨176❩ ❛ He did what heroes do after their work is accomplished; he died. ❜ ❨177❩ ❛ Life is too long to say anything definitely; always say perhaps. ❜ ❨178❩ ❛ Everything ends in death, everything. Death is terrible. ❜ ❨179❩ ❛ The distant and impossible suddenly became near, possible, and inevitable. ❜ ❨180❩ ❛ How often we sin, how much we deceive, and all for what? ❜ ❨181❩ ❛ The wolves should be fed and the sheep kept safe. ❜ ❨182❩ ❛ When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. ❜ ❨183❩ ❛ My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: the parts I remember, I remember precisely, whilst other sections seem to have vanished completely. ❜ ❨184❩ ❛ Would it be worse to love someone who is no longer there, or not to love someone who is? ❜ ❨185❩ ❛ Like mirrors stories prepare us for the day to come. They distract us from the things in darkness. ❜ ❨186❩ ❛ It is not that I was credulous, simply that I believed in all things dark and dangerous. ❜ ❨187❩ ❛ Sometimes you do things you regret, but there's nothing you can do about them. Times change. Doors close behind you. You move on. ❜ ❨188❩ ❛ Love will be an impulse that will inspire and ruin in equal measure. ❜ ❨189❩ ❛ He died alone. It don't matter a rat's ass whether there was anyone with him or not. He died alone. ❜ ❨190❩ ❛ It was love, I knew, and it tasted like champagne in my mind. ❜ ❨191❩ ❛ The end of the world is a strange concept. The world is always ending, and the end is always being averted, by love or foolishness or just plain old dumb luck. ❜ ❨192❩ ❛ She was my dream; and if you touch a dream it vanishes, like a soap bubble. ❜ ❨193❩ ❛ Daylight is always safe. ❜ ❨194❩ ❛ If not for death, they'd be content to simply exist, but with death, well, their lives will have meaning. ❜ ❨195❩ ❛ You want to know the future, love? Then wait. ❜ ❨196❩ ❛ There are things in the darkness beneath us that wish us harm. ❜ ❨197❩ ❛ Fairy tales are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated ❜ ❨198❩ ❛ But sometimes you leave blood on your instruments. ❜ ❨199❩ ❛ I'd like to be a wolf. Not all the time. Just sometimes. In the dark. I would run through the forests. ❜ ❨200❩ ❛ You've seen them. They have mouths that twitch, and eyes that stare, and they babble and they mewl and they whimper. ❜ ❨201❩ ❛ They are not mad, or rather, the loss of their sanity is the lesser of their problems. ❜ ❨202❩ ❛ Good a reason for writing as I know: releasing demons, letting them fly. ❜ ❨203❩ ❛ That miserable state in which everything seems flat and of equal importance; when nothing matters, and in which reality seems scraped thin and threadbare. ❜ ❨204❩ ❛ Someone had scrawled graffiti in black marker on the metal: JUST DIE, it said. Like it is easy. ❜ ❨205❩ ❛ Winter started today. The sky turned grey and the snow began to fall and it did not stop falling until well after dark. ❜ ❨206❩ ❛ Memory is the great deceiver. ❜ ❨207❩ ❛ Silly things do cease to be silly if they are done by sensible people in an impudent way. ❜ ❨208❩ ❛ I may have lost my heart, but not my self-control.  ❜ ❨209❩ ❛ If I loved you less, I might be able to talk about it more. ❜ ❨210❩ ❛ I always deserve the best treatment because I never put up with any other. ❜ ❨211❩ ❛ But you know what I am. You hear nothing but truth from me. ❜ ❨212❩ ❛ I have blamed you, and lectured you, and you have borne it as no other would have borne it. ❜ ❨213❩ ❛ There are people, who the more you do for them, the less they will do for themselves. ❜ ❨214❩ ❛ One half of the world cannot understand the pleasures of the other. ❜ ❨215❩ ❛ Better be without sense than misapply it as you do. ❜ ❨216❩ ❛ You must be the best judge of your own happiness. ❜ ❨217❩ ❛ Were I to fall in love, indeed, it would be a different thing ; but I have never been in love ; it is not my way, or my nature ; and I do not think I ever shall. ❜ ❨218❩ ❛ Indeed, I am very sorry to be right in this instance. I would much rather have been merry than wise. ❜ ❨219❩ ❛ If I have not spoken, it is because I am afraid I will awaken myself from this dream. ❜ ❨220❩ ❛ If a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. ❜ ❨221❩ ❛ Faultless in spite of all her faults. ❜ ❨222❩ ❛ A heroine whom no one but myself will much like. ❜ ❨223❩ ❛ There is no charm equal to tenderness of heart. ❜ ❨224❩ ❛ Full many a flower is born to blush unseen, and waste its fragrance on the desert air. ❜ ❨225❩ ❛ I pity you. I thought you cleverer. ❜ ❨226❩ ❛ Evil to some is always good to others. ❜ ❨227❩ ❛ I certainly will not persuade myself to feel more than I do. ❜ ❨228❩ ❛ She is loveliness itself. ❜ ❨229❩ ❛ Time does not compose me. ❜ ❨230❩ ❛ A man always imagines a woman to be ready for anybody who asks her. ❜ ❨231❩ ❛ I do not find myself making any use of the word sacrifice. ❜ ❨232❩ ❛ I am quite enough in love. I should be sorry to be any more. ❜ ❨233❩ ❛ I must tell you what you will not ask, though I may wish it unsaid the next moment. ❜ ❨234❩ ❛ I examined my own heart. And there you were. Never, I fear, to be removed. ❜ ❨235❩ ❛ With all your little faults, you are an excellent creature. ❜ ❨236❩ ❛ You have another long walk before you. ❜ ❨237❩ ❛ The child's laughter is pure until he first laughs at a clown. ❜ ❨238❩ ❛ What is marriage but prostitution to one man instead of many? ❜ ❨239❩ ❛ Out of the frying pan into the fire! ❜ ❨240❩ ❛ We must all make do with the rags of love we find flapping on the scarecrow of humanity. ❜ ❨241❩ ❛ She sleeps. And now she wakes each day a little less. ❜ ❨242❩ ❛ And, oh, God . . . how frequently I weep! ❜ ❨243❩ ❛ From the coffin of your madness there is no escape. ❜ ❨244❩ ❛ I am feeling supernatural tonight. I want to eat diamonds. ❜ ❨245❩ ❛ All the same there is a chance that if we keep on shaking our chains, one day, some day, the clasps upon the shackles will part. ❜ ❨246❩ ❛ It was sad music fit to make you cut your throat. ❜ ❨247❩ ❛ Nothing is more boring than being forced to play. ❜ ❨248❩ ❛ Amongst the monsters, I am well hidden; who looks for a leaf in a forest? ❜ ❨249❩ ❛ Wherein does a woman’s honour reside? In her vagina or in her spirit? ❜ ❨250❩ ❛ Perhaps...I could not be content with mere contentment! ❜ ❨251❩ ❛ Have you ever stared stark failure in the face? The trick is to outstare it. ❜ ❨252❩ ❛ Sometimes it seems that the faces exist of themselves, in a disembodied somewhere, waiting for the one who will wear them, who will bring them to life. ❜ ❨253❩ ❛ I have the febrile gaiety of a being without a past, without a present, yet I exist. ❜ ❨254❩ ❛ I felt myself turning, willy-nilly, from a woman into an idea. ❜ ❨255❩ ❛ She looks wonderful, but she doesn't look right. ❜ ❨256❩ ❛ The one-eyed man will be King in the country of the blind. ❜ ❨257❩ ❛ I raised you up to fly to the heavens, not to brood over a clutch of eggs! ❜ ❨258❩ ❛ I love to hear my bones rattle. That’s how I know I’m alive. ❜ ❨259❩ ❛ I learnt, first, as the birds do, from the birds. ❜ ❨260❩ ❛ Inside and outside match exactly, but both are badly wrong. ❜ ❨261❩ ❛ During the less-than-blink of time it took the last chime to die, there came a vertiginous sensation. ❜ ❨262❩ ❛ I fear a wound not of the body but the soul, an irreconcilable division between myself and the rest of humankind. ❜ ❨263❩ ❛ I fear the proof of my own singularity. ❜ ❨264❩ ❛ Still nothing could calm the fearful storm in my erupting skin. ❜ ❨265❩ ❛ Petersburg, loveliest of all hallucinations. ❜ ❨266❩ ❛ A breathless second between black forest and the frozen sea. ❜ ❨267❩ ❛ I'm beginning to feel totally cut off from the world. ❜ ❨268❩ ❛ What does this all mean? Where are we? ❜ ❨269❩ ❛ Sometimes I bleed. ❜ ❨270❩ ❛ If you see a ghost, you say "hello". ❜ ❨271❩ ❛ The war is not over. ❜ ❨272❩ ❛ You're not going. You left us once already. ❜ ❨273❩ ❛ You can’t go! ❜ ❨274❩ ❛ I loved you, but that wasn't enough, was it? ❜ ❨275❩ ❛ If you're dead, then leave me in peace. ❜ ❨276❩ ❛ The only thing that moves here is the light, but it changes everything. ❜ ❨277❩ ❛ I won't ask for forgiveness for something I didn't do! ❜ ❨278❩ ❛ Sometimes the world of the living gets mixed up with the world of the dead. ❜ ❨279❩ ❛ Death of a loved one can lead people to do the strangest things. ❜ ❨280❩ ❛ Sooner or later, they will find you. ❜ ❨281❩ ❛ They're everywhere - they say this house is theirs. ❜ ❨282❩ ❛ You're always teasing me, and telling lies. I'm sick of it. ❜ ❨283❩ ❛ Others will come. Sometimes we'll sense them. Other times, we won't. ❜ ❨284❩ ❛ No crying now. No crying. Stop that. Here. Look what an awful face you've got when you cry. ❜ ❨285❩ ❛ You listen to me. I've seen them too. ❜ ❨286❩ ❛ You'll see. There are going to be some big surprises. There are going to be... changes. ❜ ❨287❩ ❛ Why did you go and fight that stupid war that had nothing to do with us? Why didn't you stay like the others did? ❜ ❨288❩ ❛ Your place was here with your family. ❜ ❨289❩ ❛ So you say you know this house well? ❜ ❨290❩ ❛ I wasn't expecting you so soon. ❜ ❨291❩ ❛ What's the matter? Has the cat got your tongue? ❜ ❨292❩ ❛ You mean they just vanished? Into thin air? ❜ ❨293❩ ❛ No door must be opened without the previous one being closed first. ❜ ❨294❩ ❛ Here, most of the time, you can hardly see your way. ❜ ❨295❩ ❛ Whatever you do, don't open the curtains. ❜ ❨296❩ ❛ Now, come on. Eyes closed. ❜ ❨297❩ ❛ We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. ❜ ❨298❩ ❛ By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨299❩ ❛ I chose not to choose life. I chose somethin’ else. ❜ ❨300❩ ❛ And the reasons? There are no reasons. ❜ ❨301❩ ❛ Love does not exist, it's like religion, made to control you. ❜ ❨302❩ ❛ After all, we're not fucking stupid. At least, we're not that fucking stupid. ❜ ❨303❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨304❩ ❛ Everything in the street today seems soft focus. ❜ ❨305❩ ❛ What does that make us? The lowest of the low. ❜ ❨306❩ ❛ Take your best orgasm, multiply the feeling by twenty, and you're still fuckin’ miles off the pace. ❜ ❨307❩ ❛ It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the way things are in a dream. ❜ ❨308❩ ❛ It’s all okay, it’s all beautiful; but I fear that this internal sea is going to subside soon, leaving this poisonous shite washed up, stranded up in my body. ❜ ❨309❩ ❛ It cuts me up. It confuses me. ❜ ❨310❩ ❛ It's not funny laughter. This is lynch mob laughter. ❜ ❨311❩ ❛ Protect me from those who wish to help us. ❜ ❨312❩ ❛ They mean well, and they mean well to me, but there's no way under the sun that they can appreciate what I feel, what I need. ❜ ❨313❩ ❛ The pit of melancholy is a bottomless one, and I am descending fast. ❜ ❨314❩ ❛ Living like this is a full-time business. ❜ ❨315❩ ❛ I’ll stand or fall alone. ❜ ❨316❩ ❛ We are no wiser now than at the start. ❜ ❨317❩ ❛ This is pathetic, and fucking boring. ❜ ❨318❩ ❛ Death is usually a process, rather than an event. ❜ ❨319❩ ❛ We're ruled by effete arseholes. What does that make us? ❜ ❨320❩ ❛ We are all acquaintances now. ❜ ❨321❩ ❛ The problem is that this beautiful ocean carries with it loads of poisonous flotsam and jetsam. ❜ ❨322❩ ❛ Life is beautiful. I'm going to enjoy it, and I'm going to have a long life. ❜ ❨323❩ ❛ The grim reality of impending death can be talked away by trying to invest in the present reality of life. ❜ ❨324❩ ❛ There must be more to life than this. ❜ ❨325❩ ❛ We all see what we want to see. ❜ ❨326❩ ❛ Statistically speaking, you're more likely to be killed by a member of your own family or a close friend, than by anyone else. ❜ ❨327❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨328❩ ❛ Maybe that's what love is: it's being pissed off. ❜ ❨329❩ ❛ You can forget who you are if you're alone too much. ❜ ❨330❩ ❛ Any religion is a shadow of God. But the shadows of God are not God. ❜ ❨331❩ ❛ Human understanding is fallible, and we see through a glass, darkly.  ❜ ❨332❩ ❛ We must be a beacon of hope, because if you tell people there's nothing they can do, they will do worse than nothing. ❜ ❨333❩ ❛ Everyone wants to feel like a princess, and princesses are selfish and overbearing. ❜ ❨334❩ ❛ We shouldn't have been so scornful; we should have had compassion. But compassion takes work, and we were young. ❜ ❨335❩ ❛ How easy it is, treachery. You just slide into it. ❜ ���336❩ ❛ Amazing how the heart clutches at anything familiar, whimpering: Mine! Mine! ❜ ❨337❩ ❛ All creatures know that some must die ; that all the rest may take and eat. ❜ ❨338❩ ❛ Is this the image of a god? My tooth for yours, your eye for mine? ❜ ❨339❩ ❛ Without the light, no chance; without the dark, no dance. ❜ ❨340❩ ❛ Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy? ❜ ❨341❩ ❛ Love is useless, it leads you into dumb exchanges in which you give too much away, and then you get bitter and mean. ❜ ❨342❩ ❛ Maybe sadness is a kind of hunger. Maybe the two go together. ❜ ❨343❩ ❛ Now I can see how that can happen. You can fall in love with anybody -- a fool, a criminal, a nothing. There are no good rules. ❜ ❨344❩ ❛ If you really want to stay the same age you are now forever and ever, try jumping off the roof: death's a sure-fire method for stopping time. ❜ ❨345❩ ❛ You couldn’t leave words lying around where our enemies might find them. ❜ ❨346❩ ❛ I'm fine, for the moment. And the moment is the only time we can be fine in. ❜ ❨347❩ ❛ Because if you can't wish, why bother? ❜ ❨348❩ ❛ It's better to hope than mope! ❜ ❨349❩ ❛ Reality has too much darkness in it. Too many crows. ❜ ❨350❩ ❛ In any case, time is not a thing that passes, it’s a sea on which you float. ❜ ❨351❩ ❛ I know I’m deceiving myself, but I prefer to deceive myself. I desperately need to believe such pure joy is still possible. ❜ ❨352❩ ❛ Too much God and you overdose. God needs to be filtered. ❜ ❨353❩ ❛ Behind my eyelids I saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned. ❜ ❨354❩ ❛ ‘Why can't I believe?’ I asked the darkness. ❜ ❨355❩ ❛ Everyone’s too sad for everything. ❜ ❨356❩ ❛ If you can’t stop the waves, go sailing. ❜ ❨357❩ ❛ I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary. ❜ ❨358❩ ❛ Men are afraid that women will laugh at them. Women are afraid that men will kill them. ❜ ❨359❩ ❛ In the end, we'll all become stories. ❜ ❨360❩ ❛ I am inadequate and stupid, without worth. I might as well be dead. ❜ ❨361❩ ❛ If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. ❜ ❨362❩ ❛ If you can't go through an obstacle, go around it. ❜ ❨363❩ ❛ Stupidity is the same as evil if you judge by the results. ❜ ❨364❩ ❛ Time in dreams is frozen. You can never get away from where you've been. ❜ ❨365❩ ❛ Male fantasies, male fantasies, is everything run by male fantasies? ❜ ❨366❩ ❛ We still think of a powerful man as a born leader and a powerful woman as an anomaly. ❜ ❨367❩ ❛ If I love you, is that a fact or a weapon? ❜ ❨368❩ ❛ You fit into me like a hook into an eye. ❜ ❨369❩ ❛ Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened. ❜ ❨370❩ ❛ Farewells can be shattering, but returns are surely worse. ❜ ❨371❩ ❛ Women have curious ways of hurting someone else. ❜ ❨372❩ ❛ This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons. ❜ ❨373❩ ❛ Get rid of death. Make it be spring. ❜ ❨374❩ ❛ You are innocent as a bathtub full of bullets. ❜ ❨375❩ ❛ I am the space you desecrate as you pass through. ❜ ❨376❩ ❛ Favour me and give me riches, destroy my enemies. Save me from death. ❜ ❨377❩ ❛ She is a raw voice loose in the rooms beneath me. ❜ ❨378❩ ❛ Isn't the moon warm enough for you, why do you need the blanket of another body? ❜ ❨379❩ ❛ This is a torch song. Touch me and you'll burn. ❜ ❨380❩ ❛ If you look long enough eventually you will see me. ❜ ❨381❩ ❛ I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. ❜ ❨382❩ ❛ I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief. ❜ ❨383❩ ❛ But some people can't tell where it hurts. They can't calm down. They can't ever stop howling. ❜ ❨384❩ ❛ How else can we live, these days, except in the midst of ruin? ❜ ❨385❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨386❩ ❛ Gods always come in handy, they justify almost anything. ❜ ❨387❩ ❛ We loved with a love that was more than love. ❜ ❨388❩ ❛ Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before. ❜ ❨389❩ ❛ The boundaries which divide life from death are at best shadowy and vague. Who shall say where the one ends, and where the other begins? ❜ ❨390❩ ❛ There is no exquisite beauty without some strangeness in the proportion. ❜ ❨391❩ ❛ Never to suffer would never to have been blessed. ❜ ❨392❩ ❛ Believe only half of what you see and nothing that you hear. ❜ ❨393❩ ❛ And all I loved, I loved alone. ❜ ❨394❩ ❛ Years of love have been forgot, in the hatred of a minute. ❜ ❨395❩ ❛ The best things in life make you sweaty. ❜ ❨396❩ ❛ There are some secrets which do not permit themselves to be told. ❜ ❨397❩ ❛ Anything is better than this agony. ❜ ❨398❩ ❛ You fancy me mad. ❜ ❨399❩ ❛ I hear all things in the heaven and in the earth. ❜ ❨400❩ ❛ Who dares insult us with this blasphemous mockery? ❜ ❨401❩ ❛ Leave my loneliness unbroken! ❜ ❨402❩ ❛ A more than fiendish malevolence, gin-nurtured, thrills every fibre of my frame. ❜ ❨403❩ ❛ The fury of a demon instantly possessed me. I knew myself no longer. ❜ ❨404❩ ❛ Let my heart be still a moment. ❜ ❨405❩ ❛ You call it hope —  It is but agony of desire. ❜ ❨406❩ ❛ Who has not, a hundred times, found himself committing a vile or silly action for no other reason than because he knows he should not? ❜ ❨407❩ ❛ To die laughing must be the most glorious of all glorious deaths! ❜ ❨408❩ ❛ The beating of a drum stimulates the soldier into courage. ❜ ❨409❩ ❛ Oh what a tangled web we weave when first we practise to deceive. ❜ ❨410❩ ❛ I have been happy, though in a dream. ❜ ❨411❩ ❛ Nevermore. ❜ ❨412❩ ❛ The truth is, I am heartily sick of this life. ❜ ❨413❩ ❛ I am convinced that every thing is going wrong. ❜ ❨414❩ ❛ The scariest monsters are the ones that lurk within our souls. ❜ ❨415❩ ❛ And if I died, at least I will have died for you! ❜ ❨416❩ ❛ It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. ❜ ❨417❩ ❛ Hurt and humiliation — But this, I can not take. ❜ ❨418❩ ❛ The walls in there have ears. ❜ ❨419❩ ❛ This is for your ears only. ❜ ❨420❩ ❛ What is it? You have me scared. ❜ ❨421❩ ❛ Whoever isn’t for us, is against us. ❜ ❨422❩ ❛ You are just a body; to be dumped, disposed of like a carcass, left out for the birds to feed on. ❜ ❨423❩ ❛ The dead will have to forgive me. ❜ ❨424❩ ❛ From now on and no matter how your mind may I change, I will not accept your help. ❜ ❨425❩ ❛ If death comes, so be it. There will be glory in it. ❜ ❨426❩ ❛ Live, then; and live with your choice. ❜ ❨427❩ ❛ I am doing what has to be done. ❜ ❨428❩ ❛ Nothing is going to stop the ones that love you from keeping on loving you. ❜ ❨429❩ ❛ Worst is the man who has all the good advice, and then because his nerve fails, fails to act in accordance with it, as a leader should. ❜ ❨430❩ ❛ Only a loony would walk himself into this. ❜ ❨431❩ ❛ Why do you need such fences and defences? ❜ ❨432❩ ❛ Enough. Do not anger me. ❜ ❨433❩ ❛ The gods, you think, will side with the likes of him? ❜ ❨434❩ ❛ Watch it. You are over stepping. ❜ ❨435❩ ❛ I warn you. You should keep a civil tongue. ❜ ❨436❩ ❛ There is no such thing as an oath the can not be broken. ❜ ❨437❩ ❛ Every now and then, the things you’d hardly let yourself imagine, actually happen. ❜ ❨438❩ ❛ And you stand over this? This is the truth? ❜ ❨439❩ ❛ The bigger the resistance, the bigger the collapse. ❜ ❨440❩ ❛ Iron that’s forged the hardest, snaps the quickest. ❜ ❨441❩ ❛ Even the wildest horses come to heel when they are reined & bitted right. ❜ ❨442❩ ❛ That’s how guilt affects some people. They break and everything comes out. ❜ ❨443❩ ❛ Will it be enough for you? To see me executed? ❜ ❨444❩ ❛ So you know something no one else knows? ❜ ❨445❩ ❛ They know it too. They are just too afraid to say it. ❜ ❨446❩ ❛ If you die, how will I keep on living? ❜ ❨447❩ ❛ There was a star riding through clouds one night, & I said to the star, 'Consume me'. ❜ ❨448❩ ❛ How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. ❜ ❨449❩ ❛ Alone, I often fall down into nothingness. I have to bang my head against some hard door to call myself back to the body. ❜ ❨450❩ ❛ I am made and remade continually. Different people draw different words from me. ❜ ❨451❩ ❛ For this moment, this one moment, we are together.  ❜ ❨452❩ ❛ Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. ❜ ❨453❩ ❛ I am as neat as a cat in my habits. ❜ ❨454❩ ❛ Everything falls in a tremendous shower, dissolving me. ❜ ❨455❩ ❛ I am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; I am also a girl, here in this room. ❜ ❨456❩ ❛ We are cut, we are fallen. We are become part of that unfeeling universe ❨457❩ that sleeps when we are at our quickest and burns red when we lie ❨458❩ asleep. ❜ ❨459❩ ❛ These moments of escape are not to be despised. They come too seldom. ❜ ❨460❩ ❛ Up here my eyes are green leaves, unseeing. ❜ ❨461❩ ❛ The moment is all; the moment is enough. ❜ ❨462❩ ❛ I do not want to be admired. I want to give, to be given. ❜ ❨463❩ ❛ I am not one and simple, but complex and many. ❜ ❨464❩ ❛ And if you are dead, I shall weep. ❜ ❨465❩ ❛ But beauty must be broken daily to remain beautiful. ❜ ❨466❩ ❛ But our hatred is almost indistinguishable from our love. ❜ ❨467❩ ❛ I desired always to stretch the night and fill it fuller and fuller with dreams. ❜ ❨468❩ ❛ Life is a dream surely. ❜ ❨469❩ ❛ I think sometimes I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. ❜ ❨470❩ ❛ Oh, I am in love with life! ❜ ❨471❩ ❛ I have been knotted; I have been torn apart. ❜ ❨472❩ ❛ There was no freedom in life, and certainly there was none in death. ❜ ❨473❩ ❛ I do not know. I do not know myself sometimes, or how to measure and name and count out the grains that make me what I am. ❜ ❨474❩ ❛ I ride rough waters, and shall sink with no one to save me. ❜ ❨475❩ ❛ I am above the earth now. I am no longer upright, to be knocked against and damaged. ❜ ❨476❩ ❛ I see it all. I feel it all. ❜ ❨477❩ ❛ Death is woven in with the violets. Death and again death. ❜ ❨478❩ ❛ We have been walking for hours it seems. But where? I cannot remember. ❜ ❨479❩ ❛ If we were all on trial for our thoughts, we would all be hanged. ❜ ❨480❩ ❛ When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass. ❜ ❨481❩ ❛ Murderess is a strong word to have attached to you. It has a smell to it, that word; - musky and oppressive, like dead flowers in a vase.  ❜ ❨482❩ ❛ Sometimes at night I whisper it over to myself: Murderess, murderess. It rustles, like a taffeta skirt across the floor. ❜ ❨483❩ ❛ If the world treats you well, you come to believe you are deserving of it. ❜ ❨484❩ ❛ If I am good enough and quiet enough, perhaps after all they will let me go. ❜ ❨485❩ ❛ It’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength. ❜ ❨486❩ ❛ There is no fool like an educated fool. ❜ ❨487❩ ❛ There are many dangerous things that may take place in a bed. ❜ ❨488❩ ❛ I am afraid of falling into hopeless despair, over my wasted life, and I am still not sure how it happened. ❜ ❨489❩ ❛ Underneath it all is another feeling, a feeling of being wide-eyed awake and watchful. ❜ ❨490❩ ❛ And underneath all that is another feeling still, a feeling like being torn open; not like a body of flesh, it is not painful as such, but like a peach; and not even torn open, but ripe and splitting open of its own accord.  ❜ ❨491❩ ❛ The small details of life often hide a great significance. ❜ ❨492❩ ❛ Guilt comes to you not from the things you've done, but from the things that others have done to you. ❜ ❨493❩ ❛ I wonder, how can I be all of these different things at once? ❜ ❨494❩ ❛ It is always a mistake to curse back openly at those who are stronger than you unless there is a fence between. ❜ ❨495❩ ❛ Some call this "Eve's curse," but I think that is stupid because the real curse of Eve was having to put up with the nonsense of Adam. ❜ ❨496❩ ❛ I don't know why they are all so eager to be remembered. What good will it do them? There are some things that should be forgotten by everyone, and never spoken of again. ❜ ❨497❩ ❛ I would never blame a human creature for feeling lonely. ❜ ❨498❩ ❛ If they want a monster so badly they ought to be provided by one. ❜ ❨499❩ ❛ It’s as if I never existed, because no trace of me remains, I have left no marks. And that way I cannot be followed. It is almost the same as being innocent. ❜ ❨500❩ ❛ Today you wear your habitual expression of strained anxiety; you smell of violets. ❜ ❨501❩ ❛ Of course you have always been an idealist, and filled with your optimistic dreams; but reality must at some time obtrude. ❜ ❨502❩ ❛ I wonder what would become of me, and comfort myself that in a hundred years I will be dead and at peace. ❜ ❨503❩ ❛ For it is not always the one that strikes the blow that is the actual murderer. ❜ ❨504❩ ❛ There is a “do this” or “do that” with God, but not any “because”. ❜ ❨505❩ ❛ If you have a need and they find it out, they will use it against you. The best way is to stop from wanting anything. ❜ ❨506❩ ❛ They say, why don’t you ever smile or laugh, we never see you smiling, and I say I suppose I have gotten out of the way of it, my face won’t bend in that direction any more. ❜ ❨507❩ ❛ I was shut up inside that doll of myself, and my true voice could not get out. ❜ ❨508❩ ❛ I see what you’re after. You are a collector. You think all you have to do is give me an apple, and then you can collect me. ❜ ❨509❩ ❛ If you want to be an asshole, it's a free country. Millions before you have made the same life choice. ❜ ❨510❩ ❛ Then there's the future. Sheer vertigo. ❜ ❨511❩ ❛ Nature is to zoos as God is to churches. ❜ ❨512❩ ❛ After everything that's happened, how can the world still be so beautiful? ❜ ❨513❩ ❛ There's something to be said for hunger: at least it lets you know you're still alive. ❜ ❨514❩ ❛ These things sneak up on me for no reason, these flashes of irrational happiness. It's probably a vitamin deficiency. ❜ ❨515❩ ❛ Toast cannot be explained by any rational means. Toast is me. I am toast. ❜ ❨516❩ ❛ You can’t buy it, but it has a price. Everything has a price. ❜ ❨517❩ ❛ As a species were doomed by hope, then? You could call it hope. That, or desperation. ❜ ❨518❩ ❛ I am not my childhood. ❜ ❨519❩ ❛ Human beings hope they can stick their souls into someone else and live on forever. ❜ ❨520❩ ❛ “I'll make you mine”, lovers said in old books. They never said, “I'll make you me.” ❜ ❨521❩ ❛ How much is too much, how far is too far? ❜ ❨522❩ ❛ Expectation isn't the same as desire. ❜ ❨523❩ ❛ Why not cut to the chase? ❜ ❨524❩ ❛ Maybe there aren't any solutions. Human society, corpses and rubble. ❜ ❨525❩ ❛ I thought you didn’t believe in God. ❜ ❨526❩ ❛ I need at least the illusion of being understood. ❜ ❨527❩ ❛ What change would have altered the course of events? In the big picture, nothing. In the small picture, so much. ❜ ❨528❩ ❛ You are only looking at the dirt under your feet. It's not good for you. ❜ ❨529❩ ❛ I like to keep only the bright side of myself turned towards you.  ❜ ❨530❩ ❛ Grief in the face of inevitable death. The wish to stop time. The human condition. ❜ ❨531❩ ❛ So many crucial events take place behind people’s backs, when they aren’t in a position to watch: birth and death, for instance. ❜ ❨532❩ ❛ Would you kill someone you loved to spare them pain? ❜ ❨533❩ ❛ When the water’s moving faster than the boat, you can’t control a thing. ❜ ❨534❩ ❛ Don't be so fucking sentimental. ❜ ❨535❩ ❛ Wrong, as usual. ❜ ❨536❩ ❛ Why do you want to talk about ugly things? ❜ ❨537❩ ❛ I understand why serial killers send helpful clues to the police. ❜ ❨538❩ ❛ Take your time, leave mine alone. ❜ ❨539❩ ❛ You will hear thunder and remember me. ❜ ❨540❩ ❛ If you were music, I would listen to you ceaselessly. ❜ ❨541❩ ❛ I seem to myself an accidental guest in this dreadful body. ❜ ❨542❩ ❛ Call me a sinner, mock me maliciously. ❜ ❨543❩ ❛ I, from the very beginning, seemed to myself like someone's dream or delirium. Or a reflection in someone else's mirror. Without flesh, without meaning, without a name. ❜ ❨544❩ ❛ I knew the list of crimes that I was destined to commit. ❜ ❨545❩ ❛ The future ripens in the past, so the past rots in the future. ❜ ❨546❩ ❛ You are untranslatable into any one tongue. ❜ ❨547❩ ❛ I was hoping my silence would fit yours. ❜ ❨548❩ ❛ See, we were never about butterflies. All about us is unearthly and radiant. ❜ ❨549❩ ❛ You do not know just what you've been forgiven. ❜ ❨550❩ ❛ I need to slaughter my memory.  ❜ ❨551❩ ❛ Forgive me that I appeared to you in waking dreams. ❜ ❨552❩ ❛ I will condemn, I will forget, I will give comfort to the enemy. ❜ ❨553❩ ❛ I know beginnings, I know endings too, and life-in-death. ❜ ❨554❩ ❛ Wild honey smells of freedom. But gold smells of nothing. ❜ ❨555❩ ❛ You are three times more beautiful than angels. ❜ ❨556❩ ❛ I will kill you without spilling your blood on the ground, not touching you with my hand, not giving you one glance. ❜ ❨557❩ ❛ You invented me. There is no such earthly being. ❜ ❨558❩ ❛ You’re late. Way too late. I’m glad to see you, nonetheless. ❜ ❨559❩ ❛ Forgive me that I felt forsaken. Forgive me that I kept mistaking too many others for you. ❜ ❨560❩ ❛ Real tenderness can’t be confused, it’s quiet and can’t be heard. ❜ ❨561❩ ❛ What else lived in that house besides us? ❜ ❨562❩ ❛ How unhappy we are together! ❜ ❨563❩ ❛ I defend not my voice, but my silence. ❜ ❨564❩ ❛ Without love, I'm more at ease, I'm sure. ❜ ❨565❩ ❛ I've got no more tears or explanations. ❜ ❨566❩ ❛ I’m not complaining. Happiness is not for me. ❜ ❨567❩ ❛ Are you not the only tie between good and evil, earthly pits and paradise? ❜ ❨568❩ ❛ In the morning we shall find out who has died in the night. ❜ ❨569❩ ❛ I was not a lovable child, and I've grown into a deeply unlovable adult. ❜ ❨570❩ ❛ The truly frightening flaw in humanity is our capacity for cruelty - we all have it. ❜ ❨571❩ ❛ I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark. ❜ ❨572❩ ❛ I am not angry or sad or happy to see you. I could not give a shit. You don't even ripple. ❜ ❨573❩ ❛ I was raised feral, and I mostly stayed that way. ❜ ❨574❩ ❛ I can feel a better version of me somewhere in there - hidden behind a liver or attached to a bit of spleen. But the meanness usually wins out. ❜ ❨575❩ ❛ I felt something loosen in me, that shouldn't have loosened. A stitch come undone. ❜ ❨576❩ ❛ Everyone who keeps a secret, itches to tell it. ❜ ❨577❩ ❛ Coffee goes great with sudden death. ❜ ❨578❩ ❛ I should just listen to my gut and then do the opposite. ❜ ❨579❩ ❛ “Smile, it can't be that bad!” Yeah, actually, it can, jackwad. ❜ ❨580❩ ❛ Everything bad in the world already did happen. ❜ ❨581❩ ❛ You’re going to find peace? Like knowing is somehow going to fix you? ❜ ❨582❩ ❛ Instead of asking yourself what happened, just accept that it happened. ❜ ❨583❩ ❛ Homesick for a place I've never been. ❜ ❨584❩ ❛ Worries find you easily enough without inviting them. ❜ ❨585❩ ❛ It is always consoling to think of suicide. It's what gets one through many a bad night. ❜ ❨586❩ ❛ Do you understand this is serious? ❜ ❨587❩ ❛ Sometimes it feels good to fuck with something. Instead of always being fucked with. ❜ ❨588❩ ❛ How could you kill something you cared enough to name? ❜ ❨589❩ ❛ Draw a picture of my soul, and it’d be a scribble with fangs. ❜ ❨590❩ ❛ We have the same chemicals in our blood: shame, anger, greed. Unjustified nostalgia. ❜ ❨591❩ ❛ I appreciate a straightforward apology the way a tone-deaf person enjoys a fine piece of music. ❜ ❨592❩ ❛ The phrase fuck you may not rest on the tip of my tongue, but it’s near. Midtongue. ❜ ❨593❩ ❛ Nothing to it but to do it. ❜ ❨594❩ ❛ There are a lot of people who deserve a lesson, deserve to really understand, that nothing comes easy, that most things are going to go sour. ❜ ❨595❩ ❛ If ifs and buts were candies and nuts we’d all have a very Merry Christmas. ❜ ❨596❩ ❛ Grant me the serenity to accept the things I cannot change. ❜ ❨597❩ ❛ What does it do to a girl who knows her mother is a murderer? ❜ ❨598❩ ❛ That mean old bitch across the street bit it. ❜ ❨599❩ ❛ Survival is a talent. ❜ ❨600❩ ❛ Crazy isn't being broken or swallowing a dark secret. It’s you or me amplified. If you ever told a lie and enjoyed it. If you ever wished you could be a child forever. ❜ ❨601❩ ❛ Who has the courage to burn themselves? ❜ ❨602❩ ❛ Is insanity just a matter of dropping the act? ❜ ❨603❩ ❛ Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? ❜ ❨604❩ ❛ You need to be well fed, clothed, and housed to have time for this much self-pity. ❜ ❨605❩ ❛ When I am supposed to be awake, I am asleep; when I am supposed to speak, I am silent. When a pleasure offers itself to me, I avoid it. ❜ ❨606❩ ❛ There is thought, and then there is thinking about thoughts, and they don't feel the same. ❜ ❨607❩ ❛ In a strange way we are free. We've reached the end of the line. We have nothing more to lose. ❜ ❨608❩ ❛ The world won’t stop because we aren’t in it anymore. ❜ ❨609❩ ❛ I can't answer the real question. All I can tell you is, it's easy. ❜ ❨610❩ ❛ I am lighter, airier than I’ve been in years. ❜ ❨611❩ ❛ I am not dead, yet something in me definitely is. ❜ ❨612❩ ❛ You meant that as an insult but I am taking it as a compliment. ❜ ❨613❩ ❛ What life can recover from that? ❜ ❨614❩ ❛ It's a fairly accurate portrait of me. It's accurate but it isn't profound. ❜ ❨615❩ ❛ Pull yourself together! There's nothing wrong with you. ❜ ❨616❩ ❛ It's quiet. It's like― I don't know. It's like falling off a cliff. ❜ ❨617❩ ❛ Once you start parsing a face, it's a peculiar item: squishy, pointy, with lots of air vents and wet spots. ❜ ❨618❩ ❛ I lost him. I did it on purpose. ❜ ❨619❩ ❛ It’s a mean world. There’s nobody to take care of you out there. ❜ ❨620❩ ❛ Reality is getting too dense. ❜ ❨621❩ ❛ I'm ambivalent. In fact that's my new favourite word. ❜ ❨622❩ ❛ I can't come up with reassuring answers to the terrible questions you raise. ❜ ❨623❩ ❛ A spring day, the sort that gives people hope: all soft winds and delicate smells of warm earth. Suicide weather. ❜ ❨624❩ ❛ Twenty-five chocolate chip cookies would be the perfect dinner. ❜ ❨625❩ ❛ A thought is a hard thing to control. ❜ ❨626❩ ❛ Life demands skills I don’t have. ❜ ❨627❩ ❛ Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful. Most of all, we wish that everyone we knew could be brightened simply by our looking at them. ❜ ❨628❩ ❛ It never stops, even at night, it’s my lullaby. ❜ ❨629❩ ❛ Love blurs your vision; but after it recedes, you can see more clearly than ever. ❜ ❨630❩ ❛ This is the kind of thing you see if you sit in the darkness with open eyes. ❜ ❨631❩ ❛ I have done something wrong, something so huge I can't even see it, something that's drowning me. ❜ ❨632❩ ❛ Whatever is happening to me is my own fault. ❜ ❨633❩ ❛ Hatred is easier. Hatred is clear, metallic, one-handed, unwavering; unlike love. ❜ ❨634❩ ❛ Potential has a shelf life. ❜ ❨635❩ ❛ Don’t move. Stay like that, let me have that. ❜ ❨636❩ ❛ I have come to the edge, of the land. I could get pushed over. ❜ ❨637❩ ❛ Never pray for justice, because you might get some. ❜ ❨638❩ ❛ It disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional. ❜ ❨639❩ ❛ We have been shark to one another, but also lifeboat. That counts for something. ❜ ❨640❩ ❛ This is what I miss, not something that’s gone, but something that will never happen. ❜ ❨641❩ ❛ I am not good. I know too much to be good. I know myself. I know myself to be vengeful, greedy, secretive and sly. ❜ ❨642❩ ❛ You are amazing. Amazing and agonising and almost lethal. ❜ ❨643❩ ❛ In my dreams of this city I am always lost. ❜ ❨644❩ ❛ I don't know where these feelings have come from, I don’t know what I've done. ❜ ❨645❩ ❛ I am not the centre of your story, you are.  ❜ ❨646❩ ❛ I’m mad because you’re an asshole. ❜ ❨647❩ ❛ It's enormously pleasing to me, walking away. It's like being able to make people appear and vanish, at will. ❜ ❨648❩ ❛ There is never only one of anyone. ❜ ❨649❩ ❛ I can't do this without feeling I'm acting. ❜ ❨650❩ ❛ I am prepared for almost anything; except absence, except silence. ❜ ❨651❩ ❛ I’m losing my appetite for strangers. ❜ ❨652❩ ❛ You wear your cravings on the outside, like the suckers on a squid. You want it all. ❜ ❨653❩ ❛ Knowing too much about other people weakens you. You are forced to understand their reasons for doing things. ❜ ❨654❩ ❛ I have lost confidence: perhaps all I will ever be is what I am now. ❜ ❨655❩ ❛ Echoes of light, shining out of the midst of nothing. It's old light, and there's not much of it. But it's enough to see by. ❜ ❨656❩ ❛ Whoever cares the most will lose. ❜ ❨657❩ ❛ Young women need unfairness, it’s one of their few defences.  ❜ ❨658❩ ❛ Time has gone on without you. ❜ ❨659❩ ❛ Don't let the bastards grind you down. ❜ ❨660❩ ❛ Who can remember pain, once it’s over? Pain marks you, but too deep to see. Out of sight, out of mind. ❜ ❨661❩ ❛ Better never means better for everyone. It always means worse, for some. ❜ ❨662❩ ❛ There is more than one kind of freedom. Freedom to and freedom from. ❜ ❨663❩ ❛ Remember that forgiveness too is a power. ❜ ❨664❩ ❛ I am not your justification for existence. ❜ ❨665❩ ❛ I want to be valued, in ways that I am not; I want to be more than valuable. ❜ ❨666❩ ❛ If it's a story I'm telling, then I have control over the ending. ❜ ❨667❩ ❛ All you have to do is keep your mouth shut and look stupid. It shouldn't be that hard. ❜ ❨668❩ ❛ Truly amazing, what people can get used to, as long as there are a few compensations. ❜ ❨669❩ ❛ I want everything back, the way it was. ❜ ❨670❩ ❛ You can't help what you feel, but you can help how you behave. ❜ ❨671❩ ❛ Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it. ❜ ❨672❩ ❛ To want is to have a weakness. ❜ ❨673❩ ❛ There isn't even an enemy you could put your finger on. ❜ ❨674❩ ❛ The past is a great darkness, filled with echoes. ❜ ❨675❩ ❛ Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary. ❜ ❨676❩ ❛ I wish this story were different. I wish it were more civilised. I wish it showed me in a better light. ❜ ❨677❩ ❛ The night is mine, my own time, to do with it as I will, as long as I am quiet. As long as I don't move. As long as I lie still. ❜ ❨678❩ ❛ By telling you anything at all I'm at least believing in you. ❜ ❨679❩ ❛ Whatever is silenced will clamour to be heard. ❜ ❨680❩ ❛ Don't worry about forgiving me right now. There are more important things. ❜ ❨681❩ ❛ Keep the others safe. Don't let them suffer too much. If they have to die, let it be fast. ❜ ❨682❩ ❛ The body is so easily damaged, so easily disposed of, water and chemicals is all it is, hardly more to it than a jellyfish, drying on sand. ❜ ❨683❩ ❛ The world is full of weapons if you're looking for them. ❜ ❨684❩ ❛ Nobody's heart is perfect. ❜ ❨685❩ ❛ One false move and I'm dead. ❜ ❨686❩ ❛ Watch out. I've got my eye on you. ❜ ❨687❩ ❛ Fear is a powerful stimulant. ❜ ❨688❩ ❛ I couldn't afford to lose you. ❜ ❨689❩ ❛ Name one hero who was happy. ---- You can’t. ❜ ❨690❩ ❛ I feel like I could eat the world raw. ❜ ❨691❩ ❛ We are like gods at the dawning of the world. ❜ ❨692❩ ❛ I could recognise him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world. ❜ ❨693❩ ❛ There are no bargains between lion and men. I will kill you and eat you raw. ❜ ❨694❩ ❛ You can use a spear as a walking stick, but that will not change its nature. ❜ ❨695❩ ❛ He is a weapon, a killer. Do not forget it. ❜ ❨696❩ ❛ Some men gain glory after they die, others fade. ❜ ❨697❩ ❛ I am made of memories. ❜ ❨698❩ ❛ Will you come with me? ❜ ❨699❩ ❛ I wish I had let you all die. ❜ ❨700❩ ❛ It is right to seek peace for the dead. You and I both know there is no peace for those who live after. ❜ ❨701❩ ❛ Bury us. Let us be free. ❜ ❨702❩ ❛ Go. He waits for you. ❜ ❨703❩ ❛ Nothing could eclipse the stain of this dirty, mortal mediocrity. ❜ ❨704❩ ❛ I know I have told you of this. ❜ ❨705❩ ❛ I don't know how you remember them all. I swear they look the same to me. ❜ ❨706❩ ❛ Perhaps you should get some new stories, so I don’t fucking kill myself of boredom. ❜ ❨707❩ ❛ I yearn for the darkness and silence of the underworld, where I can rest. ❜ ❨708❩ ❛ There is no honour in betraying your friends. ❜ ❨709❩ ❛ There is no answer. Whichever you choose, you are wrong. ❜ ❨710❩ ❛ Divine blood flows differently. ❜ ❨711❩ ❛ How is there glory in taking life? We die so easily. ❜ ❨712❩ ❛ This is what I will miss, I think. I will kill myself rather than miss it. ❜ ❨713❩ ❛ How long do we have? ❜ ❨714❩ ❛ Do you think we fight hopeless wars? ❜ ❨715❩ ❛ There is no law that gods must be fair. ❜ ❨716❩ ❛ I do not fear ridicule. I never have. ❜ ❨717❩ ❛ You were always better with words than I. ❜ ❨718❩ ❛ Who can be ashamed to lose to such beauty? ❜ ❨719❩ ❛ When you see beauty in desolation it changes something inside you. ❜ ❨720❩ ❛ That's how the madness of the world tries to colonise you: from the outside in, forcing you to live in its reality. ❜ ❨721❩ ❛ The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear. ❜ ❨722❩ ❛ Silence creates violence. ❜ ❨723❩ ❛ Some questions will ruin you if you are denied the answer long enough. ❜ ❨724❩ ❛ There are certain kinds of connections that are so deep that when broken you feel the snap of it inside you. ❜ ❨725❩ ❛ Nothing that ever lived and breathed was truly objective—even in a vacuum, even if all that possessed the brain was a self-immolating desire for the truth. ❜ ❨726❩ ❛ We all live in a kind of continuous dream. ❜ ❨727❩ ❛ You can either waste time worrying about a death that might not come or concentrate on what’s left to you. ❜ ❨728❩ ❛ What can you do when your five senses are not enough? ❜ ❨729❩ ❛ We will neither be what we had been nor what we would become once we reach our destination. ❜ ❨730❩ ❛ Perhaps my only real expertise, my only talent, is to endure beyond the endurable. ❜ ❨731❩ ❛ When you are too close to the centre of a mystery there is no way to pull back. ❜ ❨732❩ ❛ I long ago stopped believing in promises. Biological imperatives, yes. Environmental factors, yes. Promises, no. ❜ ❨733❩ ❛ I look not for shooting stars but for fixed ones, and I try to imagine what kind of life lives in those celestial tidal pools so far from us. ❜ ❨734❩ ❛ I hesitated for just a moment. Some part of me wanted to see the creature, I think. If so, it was a very small part. I ran. ❜ ❨735❩ ❛ I don’t require any of this to have a deeper meaning. ❜ ❨736❩ ❛ All of this speculation is incomplete, inexact, inaccurate, useless. ❜ ❨737❩ ❛ We don’t have real answers, because we still don’t know what questions to ask. Our instruments are useless, our methodology broken, our motivations selfish. ❜ ❨738❩ ❛ This part I will do alone. Don’t follow. ❜ ❨739❩ ❛ People my entire life have told me I am too much in control, but that has never been the case. I have never truly been in control. ❜ ❨740❩ ❛ Has there always been someone like me to bury the bodies, to have regrets, to carry on after everyone else was dead? ❜ ❨741❩ ❛ I loved them, but I didn’t need them, and I thought that was the way it was supposed to be. ❜ ❨742❩ ❛ Places can impress themselves upon me, and I can become part of them with ease. ❜ ❨743❩ ❛ There is no one with me. I am all by myself. ❜ ❨744❩ ❛ Pretending often leads to becoming a reasonable facsimile of what you mimic. ❜ ❨745❩ ❛ I think you're confusing suicide with self-destruction, and they're very different. Almost none of us commit suicide, whereas almost all of us self-destruct. ❜ ❨746❩ ❛ What did you eat? You had rations for only two weeks. You were there for nearly four months. ❜ ❨747❩ ❛ Something here is making giant waves in the gene pool. ❜ ❨748❩ ❛ I need to know what’s inside. ❜ ❨749❩ ❛ These aren't decisions. They're impulses ❜ ❨750❩ ❛ What do you think I do when you’re away? Do you think I’m out in the garden pinning, looking up at the sky? ❜ ❨751❩ ❛ If I know what’s happened I can save their life. ❜ ❨752❩ ❛ They either went crazy or something in here killed them. ❜ ❨753❩ ❛ Something is coming through the fence! ❜ ❨754❩ ❛ Nothing is written in the stars. Not these stars, nor any others. No one controls your destiny. ❜ ❨755❩ ❛ People who claim that they're evil are usually no worse than the rest of us. ❜ ❨756❩ ❛ Happy endings are still endings. ❜ ❨757❩ ❛ We believe in all sorts of things that aren't true; -- we call it history. ❜ ❨758❩ ❛ Does the devil ever struggle to be good again, or if so is he not a devil? ❜ ❨759❩ ❛ In the lives of children, pumpkins turn into coaches, mice and rats turn into men. When we grow up, we realise it is far more common for men to turn into rats. ❜ ❨760❩ ❛ Girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the side stepping of compromise.  ❜ ❨761❩ ❛ Love makes hunters of us all. ❜ ❨762❩ ❛ There is much to hate in this world and way too much to love. ❜ ❨763❩ ❛ You confuse not speaking with not listening. ❜ ❨764❩ ❛ As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention. ❜ ❨765❩ ❛ The eye is always caught by light, but shadows have more to say. ❜ ❨766❩ ❛ Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. ❜ ❨767❩ ❛ We are a fountain of shimmering contradictions, most of us. ❜ ❨768❩ ❛ The wickedness of men is that their power breeds stupidity and blindness. ❜ ❨769❩ ❛ I know you don't want to hear this but someone has to say it! You are out of control! ❜ ❨770❩ ❛ Even at the very worst - there is always choice. ❜ ❨771❩ ❛ Maybe the definition of home is the place where you are never forgiven. So you may always belong there, bound by guilt. And maybe the cost of belonging is worth it. ❜ ❨772❩ ❛ Cross a man and you struggle, one of you wins, you adjust and go on -- or you lie there dead. Cross a woman and the entire universe is changed. ❜ ❨773❩ ❛ That was such a wonderful time, even in its strangeness and sadness. Life isn't the same now. It's wonderful, but it isn't the same. ❜ ❨774❩ ❛ I don't care for approval, and I don't mind doing without. ❜ ❨775❩ ❛ It's where I live. A permanent state of bereavement. This is nothing new. ❜ ❨776❩ ❛ Always the bridesmaid, never the bride. Always the godfather, never the god. ❜ ❨777❩ ❛ The world unwraps itself to you, again and again as soon as you are ready to see it anew. ❜ ❨778❩ ❛ Evil is an act, not an appetite. Everyone has the appetite. If you give in to it, that act is evil. The appetite is normal. ❜ ❨779❩ ❛ How many haven't wanted to slash the throat of some boor across the dining room table?  ❜ ❨780❩ ❛ Even God used silence as a strategy. ❜ ❨781❩ ❛ I learned failure early and mastered it. ❜ ❨782❩ ❛ It isn't whether you do it well or ill, it's that you do it all. ❜ ❨783❩ ❛ This is why you shouldn't fall in love, it blinds you. Love is a very wicked distraction. ❜ ❨784❩ ❛ Wisdom is not the understanding of mystery. Wisdom is accepting that mystery is beyond understanding. That's what makes it mystery. ❜ ❨785❩ ❛ Wrong takes an awful long time to be proven, in my experience. ❜ ❨786❩ ❛ Such brightness, as you know, decays brilliantly. ❜ ❨787❩ ❛ I take responsibility only for the future, not the past. The past can't hurt you the way the future can. ❜ ❨788❩ ❛ Tell me to mind my own business, tell me to go fuck myself, to piss off, go on, say it, but don’t tell me nothing’s wrong. ❜ ❨789❩ ❛ The truth isn't a thing of fact or reason. It is simply what everyone agrees on. ❜ ❨790❩ ❛ One can't make peace with another by force. ❜ ❨791❩ ❛ I am a forgettable leaf on a tree. ❜ ❨792❩ ❛ That's all I want; --- to do no harm. ❜ ❨793❩ ❛ I only believe in the opposite of luck, whatever that is. ❜ ❨794❩ ❛ Human beings are not born once and for all on the day their mothers give birth to them, life obliges them over and over again to give birth to themselves. ❜ ❨795❩ ❛ You’re too young to know that the heart's memory eliminates the bad and magnifies the good, and thanks to that we manage to endure the burden of the past. ❜ ❨796❩ ❛ Love, no matter what else it might be, is a natural talent. You are either born knowing how, or you never know. ❜ ❨797❩ ❛ Whatever you do, you will be sorry all the rest of your life. ❜ ❨798❩ ❛ There is no God worth worrying about. ❜ ❨799❩ ❛ The only regret I will have in dying is if it is not for love. ❜ ❨800❩ ❛ Wisdom comes to us when it can no longer do any good. ❜ ❨801❩ ❛ Think of love as a state of grace, not the means to anything, but the very end in itself. ❜ ❨802❩ ❛ Only God knows how much I love you. ❜ ❨803❩ ❛ There is no greater glory than to die for love. ❜ ❨804❩ ❛ Nothing resembles a person as much as the way he dies. ❜ ❨805❩ ❛ Take advantage of it now, while you are young, and suffer all you can, because these things don't last your whole life. ❜ ❨806❩ ❛ Today, when I saw you, I realised that what is between us is nothing more than an illusion. ❜ ❨807❩ ❛ I have waited for this opportunity for more than half a century. ❜ ❨808❩ ❛ I want to be myself again, to recover all that I was obliged to give up. ❜ ❨809❩ ❛ The only thing worse than bad health is a bad name. ❜ ❨810❩ ❛ This soup tastes like windows. ❜ ❨811❩ ❛ Why do you insist on talking about what does not exist? ❜ ❨812❩ ❛ One has to live a long time to know a man's true nature. ❜ ❨813❩ ❛ No, not rich, I am a poor man with money, which is not the same thing. ❜ ❨814❩ ❛ My heart has more rooms than a whorehouse. ❜ ❨815❩ ❛ That may be the reason he does so many things, so that he will not have to think. ❜ ❨816❩ ❛ Love if it exists, is something separate: another life. ❜ ❨817❩ ❛ Things did not go as badly for me as they would for you. ❜ ❨818❩ ❛ There are things you do only for love. ❜ ❨819❩ ❛ I’ll have plenty of time to rest when I die. ❜ ❨820❩ ❛ There is no innocence more dangerous than the innocence of age. ❜ ❨821❩ ❛ You treat me as if I were just anybody. ❜ ❨822❩ ❛ The symptoms of love are the same as those of cholera. ❜ ❨823❩ ❛ There is no law, human or divine, that you have not ignored. ❜ ❨824❩ ❛ Why is it that I feel I've known you so many years? ❜ ❨825❩ ❛ Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. ❜ ❨826❩ ❛ It doesn't matter what you do, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. ❜ ❨827❩ ❛ We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? ❜ ❨828❩ ❛ There must be something, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing. ❜ ❨829❩ ❛ If you hide your ignorance, no one will hit you and you'll never learn. ❜ ❨830❩ ❛ If you drown, at least die knowing you were heading for shore. ❜ ❨831❩ ❛ You can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. ❜ ❨832❩ ❛ It was a pleasure to burn. ❜ ❨833❩ ❛ I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? ❜ ❨834❩ ❛ Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? ❜ ❨835❩ ❛ Do you notice how people hurt each other nowadays? ❜ ❨836❩ ❛ Who knows who might be the target of the well-read man? ❜ ❨837❩ ❛ I don't talk things. I talk the meaning of things. ❜ ❨838❩ ❛ I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning. ❜ ❨839❩ ❛ I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. ❜ ❨840❩ ❛ That's the good part of dying; when you've nothing to lose, you run any risk you want. ❜ ❨841❩ ❛ Someday we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up. ❜ ❨842❩ ❛ You're not like the others. I've seen a few; I know. When I talk, you look at me. ❜ ❨843❩ ❛ You're afraid of making mistakes. Don't be. Mistakes can be profited by. ❜ ❨844❩ ❛ When they give you lined paper, write the other way. ❜ ❨845❩ ❛ The sun burnt every day. It burnt time. ❜ ❨846❩ ❛ We have everything we need to be happy but we aren't happy. Something is missing. ❜ ❨847❩ ❛ I feel I'm doing what I should've done a lifetime ago. ❜ ❨848❩ ❛ I'm not afraid. Maybe it's because I'm doing the right thing at last. Maybe it's because I've done a rash thing and don't want to look the coward to you. ❜ ❨849❩ ❛ Good God, who were those men? I never saw them before in my life! ❜ ❨850❩ ❛ How do you get so empty? Who takes it out of you? ❜ ❨851❩ ❛ It must be right. It seems so right. ❜ ❨852❩ ❛ To everything there is a season. Yes. A time to break down, and a time to build up. A time to keep silence and a time to speak. ❜ ❨853❩ ❛ It's my game. And no one can help me. Not even you. ❜ ❨854❩ ❛ What makes earth feel like hell is our expectation that it should feel like heaven. Earth is earth. Dead is dead. You’ll find out for yourself soon enough. ❜ ❨855❩ ❛ Death is a long process. Your body is just the first part of you that croaks. Beyond that, your dreams have to die. Then your expectations. Your anger and memories must die. Your ego. Your pride and shame and ambition and hope. ❜ ❨856❩ ❛ Help me give up my addiction to hope. ❜ ❨857❩ ❛ Life is short, death is forever. ❜ ❨858❩ ❛ Hope is something really tough and tenacious you have to give up. It’s an addiction to break. ❜ ❨859❩ ❛ If the living are haunted by the dead, then the dead are haunted by their own mistakes. ❜ ❨860❩ ❛ We all wish to be pursued. We all long to be desired. ❜ ❨861❩ ❛ All the demons of hell formerly reigned as gods in previous cultures. No it's not fair, but one man's god is another man's devil. ❜ ❨862❩ ❛ I can become someone else, not out of pressure and desperation, but merely because a new life sounds fun or interesting or joyful. ❜ ❨863❩ ❛ It's my petty fear of personal rejection that allows so many true evils to exist. My cowardice enables atrocities. ❜ ❨864❩ ❛ You fucked up. Game over. So just relax. ❜ ❨865❩ ❛ The greatest weapon any warrior can carry into battle is absolute certainty of her eternal soul. ❜ ❨866❩ ❛ If killing you will end my existence as well, be it. Small loss. Such a life, as your puppet, is not worth living. ❜ ❨867❩ ❛ I might be a touch of a sadist and a little bit jejune but at least I'm not a victim, not any longer. I hope. ❜ ❨868❩ ❛ Dying seems like the greatest weakness, and in a world where people say you're lazy for not shaving your legs, then being dead seems like the ultimate character flaw. ❜ ❨869❩ ❛ Any concept of right versus wrong, is merely a cultural construct relative to one specific time and place. ❜ ❨870❩ ❛ To prove that I exist I must kill you. ❜ ❨871❩ ❛ I'd say that my life has been a way-too-long case history of chasing rainbows. ❜ ❨872❩ ❛ The world is a battle for attention, a war to be heard. ❜ ❨873❩ ❛ Every garden looks beautiful in May. ❜ ❨874❩ ❛ When we neglect to fear such brittle monstrosity, we render it powerless. ❜ ❨875❩ ❛ My taste for power continues to grow, as does my ability to accrue it. ❜ ❨876❩ ❛ Such language! Why don't you just take a dump in my ears? ❜ ❨877❩ ❛ You’d be foolish to count on people displaying high standards of honesty. ❜ ❨878❩ ❛ Depending on her mood, she can be more frightening than any demon or devil you might ever run across. ❜ ❨879❩ ❛ Cross your fingers! Maybe death won't happen to you. ❜ ❨880❩ ❛ Do not die while wearing cheap shoes. ❜ ❨881❩ ❛ Old habits die hard. ❜ ❨882❩ ❛ It's our attachments to a fixed identity that torture us. ❜ ❨883❩ ❛ What do I think I am? In a thousand words; I don't have a clue. ❨884❩ ❛ If I am to be saved it is because your love redeems me. ❜ ❨885❩ ❛ All I wanted was to be loved for myself. ❜ ❨886❩ ❛ I have tasted all the happiness the world can offer. ❜ ❨887❩ ❛ Shall we pity him? Shall we curse him? ❜ ❨888❩ ❛ You have a heart that can hold the entire empire of the world. ❜ ❨889❩ ❛ Look, I am not laughing now, crying, crying for you. ❜ ❨890❩ ❛ Tonight I gave you my soul, and I am dead. ❜ ❨891❩ ❛ You are afraid of me! And yet I am not really wicked. Love me and you shall see! ❜ ❨892❩ ❛ Are people so unhappy when they love? --- Yes, when they love and are not sure of being loved. ❜ ❨893❩ ❛ Your soul is a beautiful thing. No emperor received so fair a gift. The angels wept tonight. ❜ ❨894❩ ❛ Blood!...Blood!... That's a good thing! ❜ ❨895❩ ❛ Now I want to live like everybody else. I want to have a life like everybody else. ❜ ❨896❩ ❛ You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. ❜ ❨897❩ ❛ I should be as gentle as a lamb; and you could do anything with me that you pleased. ❜ ❨898❩ ❛ I am going to die of love, I am dying of love. That's how it is. I loved you so. I still love you so. ❜ ❨899❩ ❛ I am dying of love for her, I tell you! If only you knew how beautiful she was when she let me kiss her. ❜ ❨900❩ ❛ He fills me with horror but I do not hate him. How can I hate him? ❜ ❨901❩ ❛ Holy angel, in Heaven blessed, my spirit longs with thee to rest. ❜ ❨902❩ ❛ Nothing is colder or more dead than my heart. ❜ ❨903❩ ❛ I had loved an angel and now I despise a woman. ❜ ❨904❩ ❛ Our lives are one masked ball. ❜ ❨905❩ ❛ Why do you condemn a man whom you have never met, whom no one knows and about whom even you yourself know nothing? ❜ ❨906❩ ❛ He would commit murder for me. ❜ ❨907❩ ❛ If I don't save her from the hands of that humbug, she is lost. But I shall save her. ❜ ❨908❩ ❛ We will go from here together or die together. ❜ ❨909❩ ❛ Your fear, your terror, all of that is just love and love of the most exquisite kind, the kind which people do not admit even to themselves. The kind that gives you a thrill, when you think of it. ❜ ❨910❩ ❛ Destiny has chained you to me forever. ❜ ❨911❩ ❛ You must never ask me that. ❜ ❨912❩ ❛ Are you afraid that you will change your mind? ❜ ❨913❩ ❛ You must come and fetch me in my dressing room at midnight exactly. ❜ ❨914❩ ❛ The holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mould yourself through the gaps. ❜ ❨915❩ ❛ I have never understood how people can blithely disregard the damage they do by following their hearts. ❜ ❨916❩ ❛ There’s something comforting about the sight of strangers safe at home. ❜ ❨917❩ ❛ I have lost control over everything, even the places in my head. ❜ ❨918❩ ❛ It’s possible to miss what you’ve never had, to even mourn for it. ❜ ❨919❩ ❛ There’s nothing so painful, so corrosive, as suspicion. ❜ ❨920❩ ❛ When did you become so weak? ❜ ❨921❩ ❛ I don’t know where that strength went, I don’t remember losing it. I think that over time it got chipped away, bit by bit, by life, by the living of it. ❜ ❨922❩ ❛ Let’s be honest: women are still only really valued for two things—their looks and their role as mothers. ❜ ❨923❩ ❛ Sadness gets boring after a while, for the sad person and for everyone around them. ❜ ❨924❩ ❛ I’m playing at real life instead of actually living it. ❜ ❨925❩ ❛ I’ve just got to let myself feel the pain, because if I don’t, if I keep numbing it, it’ll never really go away. ❜ ❨926❩ ❛ I am not the girl I used to be. I am no longer desirable, I’m off-putting in some way. It’s as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move. ❜ ❨927❩ ❛ Who was it that said following your heart is a good thing? It is pure egotism, a selfishness to conquer all. ❜ ❨928❩ ❛ It’s impossible to resist the kindness of strangers. ❜ ❨929❩ ❛ Sometimes I catch myself trying to remember the last time I had meaningful physical contact with another person, just a hug or a heartfelt squeeze of my hand, and my heart twitches. ❜ ❨930❩ ❛ I have to find a way of making myself happy, I have to stop looking for happiness elsewhere. ❜ ❨931❩ ❛ How did I find myself here? I wonder where it started, my decline; I wonder at what point I could have halted it. Where did I take the wrong turn? ❜ ❨932❩ ❛ Now look -- Now look what you made me do. ❜ ❨933❩ ❛ It’s okay, whatever you did, whatever you’ve done: you suffered, you hurt, you deserve forgiveness. ❜ ❨934❩ ❛ They’re what I lost, they’re everything I want to be. ❜ ❨935❩ ❛ You broke me and I broke us. ❜ ❨936❩ ❛ I’ve been the fool. If he does it with you, he’ll do it to you. ❜ ❨937❩ ❛ I’d never realised, not until now, how shameful it is to be pitied. ❜ ❨938❩ ❛ Sometimes, I don’t want to go anywhere, I think I’ll be happy if I never have to set foot outside the house again. ❜ ❨939❩ ❛ I don’t believe in soul mates, but there’s an understanding between us that I just haven’t felt before, or at least, not for a long time. ❜ ❨940❩ ❛ There can be no greater agony, nothing can be more painful than the not knowing, which will never end. ❜ ❨941❩ ❛ Being the other woman is a huge turn-on, there’s no point in denying it: you’re the one he can’t help but betray his wife for, even though he loves her. That’s just how irresistible you are. ❜ ❨942❩ ❛ I feel a rush of gratitude so strong, it feels almost like love. ❜ ❨943❩ ❛ You don’t know how determined I can be. Once I’ve made my mind up, I’m a force to be reckoned with. ❜ ❨944❩ ❛ The more I want to be oblivious, the less I can be. Life and light will not let me be. ❜ ❨945❩ ❛ You don’t have to be afraid of being alone. It’s not the worst thing, is it? ❜ ❨946❩ ❛ I have felt this way before. On a larger scale, to a more intense degree, of course, but I remember the quality of the pain. You don’t forget it. ❜ ❨947❩ ❛ If he thinks I’m going to sit around crying, he’s got another thing coming. ❜ ❨948❩ ❛ I don’t like to lose. It’s not like me. None of this is like me. I don’t get rejected. I’m the one who walks away. ❜ ❨949❩ ❛ I don’t remember anger, raging fury. I remember fear. ❜ ❨950❩ ❛ I can’t sleep. I haven’t slept in days. I hate it, hate insomnia more than anything, just lying there, brain going round, tick, tick, tick, tick. ❜ ❨951❩ ❛ Maybe the courage I need has nothing to do with telling the truth and everything to do with walking away. ❜ ❨952❩ ❛ I’m not beautiful, and I can’t have kids, so what does that make me? Worthless. ❜ ❨953❩ ❛ Failure cloaked me like a mantle, it overwhelmed me, dragged me under and I gave up hope. ❜ ❨954❩ ❛ It’s an odd thing to say, but I think this all the time; I don’t feel bad enough. ❜ ❨955❩ ❛ Some battles aren’t worth fighting. ❜ ❨956❩ ❛ I never felt guilty. I pretended I did. I had to. ❜ ❨957❩ ❛ I never meant for any of this to happen, we fell in love, what could we do? ❜ ❨958❩ ❛ What bothers me most is that I haven’t got to the end of my story, and I can’t start over with someone else, it’s too hard. ❜ ❨959❩ ❛ A person is, among all else, a material thing, easily torn and not easily mended. ❜ ❨960❩ ❛ It isn’t only wickedness and scheming that make people unhappy, it is confusion and misunderstanding. ❜ ❨961❩ ❛ Falling in love can be achieved in a single word—a glance. ❜ ❨962❩ ❛ Though you think the world is at your feet, it can rise up and tread on you. ❜ ❨963❩ ❛ I’ve never had a moment’s doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. ❜ ❨964❩ ❛ It might hurt, it is horribly inconvenient, no good might come of it, but it is what it is to be in love. ❜ ❨965❩ ❛ It was always an impossible task, and that was precisely the point. ❜ ❨966❩ ❛ Come back, come back to me. ❜ ❨967❩ ❛ In my thoughts I make love to you all day long. ❜ ❨968❩ ❛ The truth is I feel rather light headed and foolish in your presence and I don’t think I can blame the heat. ❜ ❨969❩ ❛ Beauty occupies a narrow band. Ugliness, on the other hand, has infinite variation. ❜ ❨970❩ ❛ Is there any meaning in my life that the inevitable death awaiting me does not destroy? ❜ ❨971❩ ❛ However, withered, I still feel myself to be exactly the same person I’ve always been. ❜ ❨972❩ ❛ Hate is a feeling as pure as love, but dispassionate and icily rational. ❜ ❨973❩ ❛ I’m going mad. Let me not be mad. ❜ ❨974❩ ❛ Is everyone really as alive as I am? ❜ ❨975❩ ❛ Every now and then, quite unintentionally, someone teaches you something about yourself. ❜ ❨976❩ ❛ Something has happened, hasn’t it? ❜ ❨977❩ ❛ I like to think that it isn’t weakness or evasion, but a final act of kindness. ❜ ❨978❩ ❛ Is it possible that I am, in the modern term, in denial? ❜ ❨979❩ ❛ How could anyone presume to know the world through the eyes of an insect? ❜ ❨980❩ ❛ Not everything has a cause. Some things are simply so. ❜ ❨981❩ ❛ I’ll be quite honest with you. I’m torn between breaking your neck here and throwing you down the stairs. ❜ ❨982❩ ❛ How old do you have to be before you know the difference between right and wrong? ❜ ❨983❩ ❛ It was never meant to be read. ❜ ❨984❩ ❛ If I fell in the river, would you save me? ❜ ❨985❩ ❛ That was an incredibly bloody stupid thing to do. ❜ ❨986❩ ❛ I want to thank you for saving my life. I’ll be eternally grateful to you. ❜ ❨987❩ ❛ I’m very, very sorry for the terrible distress that I have caused. I’m very, very sorry. ❜ ❨988❩ ❛ Don’t call me that! – Please don’t call me that. ❜ ❨989❩ ❛ It may be the wrong decision, but fuck it, it’s mine. ❜ ❨990❩ ❛ Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer. ❜ ❨991❩ ❛ No one ever really gets used to nightmares. ❜ ❨992❩ ❛ I still get nightmares. In fact, I get them so often I should be used to them by now. I’m not. ❜ ❨993❩ ❛ Sublime is something you choke on after a shot of tequila. ❜ ❨994❩ ❛ Some people reflect light, some deflect it, you by some miracle, seem to collect it. ❜ ❨995❩ ❛ Beautiful women are always drawn to men they think will keep them beautiful. ❜ ❨996❩ ❛ The ruminations are mine, let the world be yours. ❜ ❨997❩ ❛ You will fulfil a promise I made years ago but failed to keep. ❜ ❨998❩ ❛ Darkness never satisfies. Especially if it takes something away which it almost always invariably does. ❜ ❨999❩ ❛ I want something else. I’m not even sure what to call it anymore. ❜ ❨1000❩ ❛ What can I say, I’m a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff. ❜ ❨1001❩ ❛ Is it possible to love something so much, you imagine it wants to destroy you only because it has denied you? ❜ ❨1002❩ ❛ It’s just silent, no sound at all. It’s like something’s waiting. ❜ ❨1003❩ ❛ I guess I’m hoping the weapons will make me feel better, grant me some kind of fucking control. ❜ ❨1004❩ ❛ Oh and something else: – Fuck you. ❜ ❨1005❩ ❛ God I’ve never been afraid like this. ❜ ❨1006❩ ❛ I miss you. I love you. There’s no second I’ve lived that you can’t call your own. ❜ ❨1007❩ ❛ I’m so tired. Sleep’s been stalking me for too long to remember. Inevitable I suppose. ❜ ❨1008❩ ❛ Not seeing the rip doesn’t mean you automatically get to keep clear of the Hey-I’m-Bleeding part. ❜ ❨1009❩ ❛ These days fantasies flourish and die like summer flies. ❜ ❨1010❩ ❛ Yeah I know, I know. This shit’s getting ridiculous. ❜ ❨1011❩ ❛ ‘Fuck’ and 'fall for’ have very different meanings. The first one you do as much as you can. The second one you never ever, ever do. ❜ ❨1012❩ ❛ It’s a nice idea but it reeks of hope. False hope. ❜ ❨1013❩ ❛ It’s, well…one thing in two words: fucked up…very fucked up. Okay three words, four words, who the hell cares…very very fucked up. ❜ ❨1014❩ ❛ Do you think I could spend the night at your place?  ❜ ❨1015❩ ❛ Any fool can pray. ❜ ❨1016❩ ❛ I feel like I haven’t slept in months. My neighbours are scared of me. ❜ ❨1017❩ ❛ I’ve lost my mind? Maybe, maybe, maybe. Maybe I’m just really drunk. ❜ ❨1018❩ ❛ Perhaps by cleaning out my system I’ll come to a clearing where I can ease myself into peace. ❜ ❨1019❩ ❛ I should be dead. Why am I still here? ❜ ❨1020❩ ❛ Fuck if I know. Your guess is as good as mine. ❜ ❨1021❩ ❛ You are my flesh. You are my bones. I know you too well. I read you too perfectly. ❜ ❨1022❩ ❛ Not all complex problems have easy solutions. ❜ ❨1023❩ ❛ Do you believe in God? I don’t think I ever asked you that one. ❜ ❨1024❩ ❛ We all create stories to protect ourselves. ❜ ❨1025❩ ❛ Are you kidding me? This place is scary. ❜ ❨1026❩ ❛ These days the only thing that gets me outside is when I say: Fuck. Fuck. Fuck. Fuck you. Fuck me. Fuck this. Fuck. Fuck. Fuck. ❜ ❨1027❩ ❛ You like that crap because it reminds you of you. ❜ ❨1028❩ ❛ You may suddenly realise things are not how you perceived them to be at all. ❜ ❨1029❩ ❛ The two hardest tests are the patience to wait for the right moment and the courage not to be disappointed with what we encounter. ❜ ❨1030❩ ❛ People never learn anything by being told, they have to find out for themselves. ❜ ❨1031❩ ❛ Be crazy! But learn how to be crazy without being the center of attention. Be brave enough to live different. ❜ ❨1032❩ ❛ You are someone who is different, but who wants to be the same as everyone else. And that in my view is a serious illness. ❜ ❨1033❩ ❛ God chose you to be different. ❜ ❨1034❩ ❛ Why are you disappointing God with this kind of attitude? �� ❨1035❩ ❛ You have two choices, to control your mind or to let your mind control you. ❜ ❨1036❩ ❛ Everyone is indeed crazy, but the craziest are the ones who don't know they're crazy; they just keep repeating what others tell them to. ❜ ❨1037❩ ❛ Haven't you learned anything, not even with the approach of death?  ❜ ❨1038❩ ❛ If people don't like it, they can complain. And if they don't have the courage to complain, that's their problem. ❜ ❨1039❩ ❛ Nothing in this world happens by chance. ❜ ❨1040❩ ❛ I want to continue living my life the way I dream it, and not the way the other people want it to be. ❜ ❨1041❩ ❛ Be like the fountain that overflows, not like the cistern that merely contains. ❜ ❨1042❩ ❛ Collective madness is called sanity. ❜ ❨1043❩ ❛ Consider each day a miracle - which indeed it is, when you consider the number of unexpected things that could happen in each second of our fragile existences. ❜ ❨1044❩ ❛ You say they create their own reality, but what is reality? ❜ ❨1045❩ ❛ Many people don't allow themselves to love because there are a lot of things at risk. A lot of future and a lot of past. ❜ ❨1046❩ ❛ Death frees from the fear of dying. ❜ ❨1047❩ ❛ The danger of an adventure is worth a thousand days of ease and comfort. ❜ ❨1048❩ ❛ The happier people can be, the unhappier they are. ❜ ❨1049❩ ❛ Life is always a matter of waiting for the right moment to act. ❜ ❨1050❩ ❛ It's best to accept life as it really is and not as you imagined it to be. ❜ ❨1051❩ ❛ You don't seem mad at all. ❜ ❨1052❩ ❛ We’re allowed to make a lot of mistakes in our lives, except the mistake that destroys us. ❜ ❨1053❩ ❛ You’re what you are, not what others make of you. ❜ ❨1054❩ ❛ Am I cured? ❜ ❨1055❩ ❛ Real love changes and grows with time and discovers new ways of expressing itself. ❜ ❨1056❩ ❛ A lot of people think something is right, and so that thing becomes right. Is that it? ❜ ❨1057❩ ❛ They think they're normal, because they all do the same thing. ❜ ❨1058❩ ❛ I didn't know that other ‘me’s existed inside me, ‘Me’s that I could love. ❜ ❨1059❩ ❛ I have no idea what's awaiting me. ❜ ❨1060❩ ❛ What will happen when this all ends? ❜ ❨1061❩ ❛ I know that you are capable of great deeds. ❜ ❨1062❩ ❛ A loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one's work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart. ❜ ❨1063❩ ❛ The truth is that everyone is bored. ❜ ❨1064❩ ❛ I feel more fellowship with the defeated than with saints. Heroism and sanctity don't really appeal to me, I imagine. ❜ ❨1065❩ ❛ If there is one thing one can always yearn for, and sometimes attain, it is human love. ❜ ❨1066❩ ❛ Who would dare to assert that eternal happiness can compensate for even a single moment's suffering? ❜ ❨1067❩ ❛ It's not easy. I've been thinking it over for years. ❜ ❨1068❩ ❛ While we loved each other we didn't need words to make ourselves understood. ❜ ❨1069❩ ❛ People are more often bad than good. ❜ ❨1070❩ ❛ I don't believe in heroism; I know it's easy and I've learned that it can be murderous. ❜ ❨1071❩ ❛ What interests me is living and dying for what one loves. ❜ ❨1072❩ ❛ In fact, nobody is capable of really thinking about anyone, even in the worst calamity. ❜ ❨1073❩ ❛ Nothing in the world is worth turning one's back on what one loves. ❜ ❨1074❩ ❛ Again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. ❜ ❨1075❩ ❛ There are more things to admire in men then to despise. ❜ ❨1076❩ ❛ It is in the thick of calamity that one gets hardened to the truth - in other words, to silence. ❜ ❨1077❩ ❛ What on earth prompted you to take a hand in this? ❜ ❨1078❩ ❛ Your code of morals? What code, if I may ask? ❜ ❨1079❩ ❛ I'm fumbling in the dark, struggling to make something out. But I've long ceased finding anything. ❜ ❨1080❩ ❛ No doubt our love is still there, but quite simply it is unusable, heavy to carry, inert inside of us, sterile as crime or condemnation. ❜ ❨1081❩ ❛ I’m not happy to go, but one needn't be happy to make another start. ❜ ❨1082❩ ❛ I am incapable of suffering for a long time, or being happy for a long time. Which means that I am incapable of anything really worth while. ❜ ❨1083❩ ❛ I should have found the words to keep her with me. ❜ ❨1084❩ ❛ We can't stir a finger in this world without the risk of bringing death to somebody. ❜ ❨1085❩ ❛ The evil that is in the world comes out of ignorance, and good intentions may do as much harm as malevolence, if they lack understanding. ❜ ❨1086❩ ❛ There are always flies and itches. That’s why life is difficult to live. ❜ ❨1087❩ ❛ The best protection against anything is a good bottle of wine. ❜ ❨1088❩ ❛ There is no peace without hope. ❜ ❨1089❩ ❛ It's enough for me to be sure that you and I exist at this moment. ❜ ❨1090❩ ❛ There is always something left to love. ❜ ❨1091❩ ❛ A person doesn’t die when he should but when he can. ❜ ❨1092❩ ❛ Things have a life of their own. It's simply a matter of waking up their souls. ❜ ❨1093❩ ❛ Tell me something: why are you fighting? ❜ ❨1094❩ ❛ I've come to realise only just now that I'm fighting because of pride. ❜ ❨1095❩ ❛ One minute of reconciliation is worth more than a whole life of friendship. ❜ ❨1096❩ ❛ It's better than not knowing why you're fighting. Or fighting, like you, for something that doesn't have any meaning for anyone. ❜ ❨1097❩ ❛ Holy Mother of God! ❜ ❨1098❩ ❛ A person does not belong to a place until there is someone dead under the ground. ❜ ❨1099❩ ❛ I was born a son of a bitch and I'm going to die a son of a bitch. ❜ ❨1100❩ ❛ Bad luck doesn't have any chinks in it. ❜ ❨1101❩ ❛ I plead youth as a mitigating circumstance. ❜ ❨1102❩ ❛ Get those bad thoughts out of your head. You're going to be happy. ❜ ❨1103❩ ❛ Children inherit their parents' madness. ❜ ❨1104❩ ❛ I'll turn to ashes in here but I won't give this miserable town the pleasure of seeing me weep. ❜ ❨1105❩ ❛ You would be good in a war. Where you put your eye, you put your bullet. ❜ ❨1106❩ ❛ Men demand much more than you think. ❜ ❨1107❩ ❛ Even the craziest and most persistent love is just a temporary truth. ❜ ❨1108❩ ❛ If we’re alone you can whisper in my ear any crap you can think of. ❜ ❨1109❩ ❛ You have taken this horrible game very seriously and you have done well because you are doing your duty. ❜ ❨1110❩ ❛ We have the right to pull down your pants and give you a whipping at the first sign of disrespect. ❜ ❨1111❩ ❛ What worries me is not your shooting me, because after all, for people like us it's a natural death. ❜ ❨1112❩ ❛ What worries me is that you've ended up as bad as they are. ❜ ❨1113❩ ❛ It is characteristic of men to deny hunger once their appetites are satisfied. ❜ ❨1114❩ ❛ Dying is much more difficult than one imagines. ❜ ❨1115❩ ❛ If you have to go crazy, please go crazy all by yourself! ❜ ❨1116❩ ❛ We have still not had a death. ❜ ❨1117❩ ❛ How awful, the way time passes. ❜ ❨1118❩ ❛ You may be in command of your war, but I'm in command of my house. ❜ ❨1119❩ ❛ I missed you every hour. ❜ ❨1120❩ ❛ You know what the worst part was? It caught me completely by surprise. ❜ ❨1121❩ ❛ I’ve risked my life for you. ❜ ❨1122❩ ❛ The problem with wanting is that it makes us weak. ❜ ❨1123❩ ❛ I love you, even the part of you that loved him. ❜ ❨1124❩ ❛ I’m sorry it took me so long to see you. ❜ ❨1125❩ ❛ I never really belonged anywhere. ❜ ❨1126❩ ❛ Thanks for being my best friend and making my life bearable.  ❜ ❨1127❩ ❛ Thanks for finding me. ❜ ❨1128❩ ❛ You and I are going to change the world. ❜ ❨1129❩ ❛ I’ve been waiting for you a long time. ❜ ❨1130❩ ❛ I’m not used to people trying to kill me. ❜ ❨1131❩ ❛ You’re shaking. ❜ ❨1132❩ ❛ There's nothing wrong with being a lizard. Unless you were born to be a hawk. ❜ ❨1133❩ ❛ Make me your villain. ❜ ❨1134❩ ❛ Just you and me. It’s always just you and me. ❜ ❨1135❩ ❛ Do you blame me for every mistake I made? For every dumb thing I’ve said? ❜ ❨1136❩ ❛ Well, if it gets too bad, give me a signal. ❜ ❨1137❩ ❛ Did you tell him what I showed you in the dark? ❜ ❨1138❩ ❛ Did you miss me when you were gone? ❜ ❨1139❩ ❛ What is infinite? The universe and the greed of men. ❜ ❨1140❩ ❛ You’re interfering with my plan. ❜ ❨1141❩ ❛ Too much champagne? ❜ ❨1142❩ ❛ I hope you don’t expect fairness from me. It isn’t one of my specialties. ❜ ❨1143❩ ❛ There is something more powerful than any army. Something strong enough to topple kings. Faith. ❜ ❨1144❩ ❛ All you said was that I had to kill you. You didn’t say how. ❜ ❨1145❩ ❛ What is she? She’s everything, you dumb son of a bitch. ❜ ❨1146❩ ❛ She’s an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that’s turned. ❜ ❨1147❩ ❛ I wouldn’t make that mistake again. ❜ ❨1148❩ ❛ It’s a great honor, to save a life. You saved many. ❜ ❨1149❩ ❛ In this world, there are things you can only do alone. ❜ ❨1150❩ ❛ What seems like a reasonable distance to one person might feel too far to somebody else. ❜ ❨1151❩ ❛ If you really want to know something, you have to be willing to pay the price. ❜ ❨1152❩ ❛ Why should you be interested in me? ❜ ❨1153❩ ❛ I have been told I've got a darkish personality. A few times. ❜ ❨1154❩ ❛ It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. ❜ ❨1155❩ ❛ I'll write to you. A super-long letter, like in an old-fashioned novel. ❜ ❨1156❩ ❛ The spotlight doesn't suit me. I'm more of a side dish. ❜ ❨1157❩ ❛ The ground we stand on looks solid enough, but if something happens it can drop right out from under you.  ❜ ❨1158❩ ❛ So once you're dead there's just nothing? ❜ ❨1159❩ ❛ If only I could fall sound asleep and wake up in my old reality. ❜ ❨1160❩ ❛ Is action merely the incidental product of thought, or is thought the consequential product of action? ❜ ❨1161❩ ❛ Nobody can shake off their own shadow. ❜ ❨1162❩ ❛ The silence is so deep it hurts. ❜ ❨1163❩ ❛ I may not look it, but I can be a very patient guy. ❜ ❨1164❩ ❛ Killing time is one of my specialities. ❜ ❨1165❩ ❛ You can't fight it. ❜ ❨1166❩ ❛ Tell me something,—do you believe in reincarnation? ❜ ❨1167❩ ❛ I can’t understand nothingness. I can’t understand it and I can’t imagine it. ❜ ❨1168❩ ❛ I can hardly breathe, and my whole body wants to shrink into a corner.  ❜ ❨1169❩ ❛ I do have a few things wrong with me, but those are strictly problems I keep inside. ❜ ❨1170❩ ❛ I can't take it any more, I can't go on any more. ❜ ❨1171❩ ❛ You don't really have it together. ❜ ❨1172❩ ❛ Is it against the law for me to know it? ❜ ❨1173❩ ❛ I keep having the same dream. ❜ ❨1174❩ ❛ Are you asking because you really want an answer? ❜ ❨1175❩ ❛ I hate this! I don't want to be changed this way! ❜ ❨1176❩ ❛ No contradictions, no irony. They do everything according to numerical formulas. ❜ ❨1177❩ ❛ Want to hear the rest? If you’re not interested, I can stop. ❜ ❨1178❩ ❛ If I didn’t have these memories inside me, I would’ve snapped a long time ago. I would’ve curled up in a ditch somewhere and died. ❜ ❨1179❩ ❛ I don’t know what you’re feeling. I won’t even pretend. ❜ ❨1180❩ ❛ What are you doing here, honey? ❜ ❨1181❩ ❛ You're not even old enough to know how bad life gets. ❜ ❨1182❩ ❛ You don't understand me. ❜ ❨1183❩ ❛ All wisdom ends in paradox. ❜ ❨1184❩ ❛ It is love that overthrows empire. Love that binds two hearts together, come hellfire & brimstone. ❜ ❨1185❩ ❛ I have lost my gift. ❜ ❨1186❩ ❛ Winter is the season of alcoholism and despair. ❜ ❨1187❩ ❛ The seeds of death get lost in the mess that God made us. ❜ ❨1188❩ ❛ They're just memories now. It’s time to forget. ❜ ❨1189❩ ❛ The time has to be right and the heart willing. ❜ ❨1190❩ ❛ The world, a tired performer, offers us another half-assed season. ❜ ❨1191❩ ❛ Capitalism has resulted in material well-being but spiritual bankruptcy. ❜ ❨1192❩ ❛ Grief is natural, overcoming it is a matter of choice. ❜ ❨1193❩ ❛ I want out of that decorating scheme. ❜ ❨1194❩ ❛ With most people suicide is like Russian roulette. Only one chamber has a bullet. ❜ ❨1195❩ ❛ You never get over it but you get where it doesn't bother you so much. ❜ ❨1196❩ ❛ Don't waste your time on life. ❜ ❨1197❩ ❛ I'm a teenager. I've got problems! ❜ ❨1198❩ ❛ Adolescents tend to seek love where they can find it. ❜ ❨1199❩ ❛ Obviously, you've never been a thirteen-year-old girl. ❜ ❨1200❩ ❛ It was a mistake. ❜ ❨1201❩ ❛ It seemed like we were supposed to feel sorry for everything that ever happened, ever. ❜ ❨1202❩ ❛ Buffeted but not broken. ❜ ❨1203❩ ❛ Shit. What have kids got to be worried about now? ❜ ❨1204❩ ❛ If they want trouble, they should go live in Bangladesh. ❜ ❨1205❩ ❛ I can't wait until I get out of here. ❜ ❨1206❩ ❛ When she jumped she probably thought she’d fly. ❜ ❨1207❩ ❛ I do not think the patient truly meant to end her life. Her act was a cry for help. ❜ ❨1208❩ ❛ You're a stone fox. ❜ ❨1209❩ ❛ It was love at first sight, at last sight, at ever and ever sight. ❜ ❨1210❩ ❛ Light of my life, fire of my loins. My sin, my soul. ❜ ❨1211❩ ❛ He broke my heart. You merely broke my life. ❜ ❨1212❩ ❛ I'm sorry to have deceived you so much, but that's how life is. ❜ ❨1213❩ ❛ Words without experience are meaningless. ❜ ❨1214❩ ❛ I loved you. I was a monster, but I loved you. ❜ ❨1215❩ ❛ Come just as you are. ❜ ❨1216❩ ❛ If a violin string could ache, i would be that string. ❜ ❨1217❩ ❛ Perhaps, somewhere, some day, at a less miserable time, we may see each other again. ❜ ❨1218❩ ❛ What's so dreadful about dying is that you are completely on your own. ❜ ❨1219❩ ❛ Don't touch me; I'll die if you touch me. ❜ ❨1220❩ ❛ You took advantage of my disadvantage. ❜ ❨1221❩ ❛ I walk in a maze I cannot get out of. ❜ ❨1222❩ ❛ Life is just one small piece of light between two eternal darknesses. ❜ ❨1223❩ ❛ Imagine me; I shall not exist if you do not imagine me. ❜ ❨1224❩ ❛ There is no harm in smiling. ❜ ❨1225❩ ❛ There is no point in staying here. There is no point in staying anywhere. ❜ ❨1226❩ ❛ There is nothing more atrociously cruel than an adored child. ❜ ❨1227❩ ❛ I am so tired of being cynical. ❜ ❨1228❩ ❛ Come to live with me, and die with me, and everything with me. ❜ ❨1229❩ ❛ This is the only immortality that you and I may share. ❜ ❨1230❩ ❛ I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. ❜ ❨1231❩ ❛ I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais! ❜ ❨1232❩ ❛ Years of secret suffering has taught me superhuman self-control. ❜ ❨1233�� ❛ Solitude is corrupting me. I need company and care. ❜ ❨1234❩ ❛ I've missed you terribly. ❜ ❨1235❩ ❛ I've been revoltingly unfaithful to you. ❜ ❨1236❩ ❛ It doesn't matter a bit, because you've stopped caring anyway. ❜ ❨1237❩ ❛ What makes you say I've stopped caring for you? ❜ ❨1238❩ ❛ Nowadays you have to be a scientist if you want to be a killer. ❜ ❨1239❩ ❛ The sun climbs high in the sky, then starts down. People come, then go. ❜ ❨1240❩ ❛ Tell me, have you ever thought of killing me? ❜ ❨1241❩ ❛ I can not believe you are the same human being. ❜ ❨1242❩ ❛ Just how urgent is it? ❜ ❨1243❩ ❛ It is time for you to be going. ❜ ❨1244❩ ❛ How is it you know something like that? ❜ ❨1245❩ ❛ I don’t mind. Your mess is my mess. ❜ ❨1246❩ ❛ Everybody has one thing they do not want to lose. ❜ ❨1247❩ ❛ I’ll be late tonight, so don’t wait up for me. ❜ ❨1248❩ ❛ Nothing I’ve tried to do by myself has ever come off. ❜ ❨1249❩ ❛ I am not catching you in the middle of anything important, am I? ❜ ❨1250❩ ❛ Some things are forgotten, some things disappear, some things die. ❜ ❨1251❩ ❛ My biggest fault is that the faults I was born with grow bigger each year. ❜ ❨1252❩ ❛ To get irritated is to lose our way in life. ❜ ❨1253❩ ❛ A friend to kill time is a friend sublime. ❜ ❨1254❩ ❛ I don't really know if it's the right thing to do. ❜ ❨1255❩ ❛ Faster cars and more cats run over? Who needs it? ❜ ❨1256❩ ❛ Most of everything you think you know about me is nothing more than memories. ❜ ❨1257❩ ❛ Your fate is and will always be the fate of a dreamer. ❜ ❨1258❩ ❛ You’re loads better than you think you are. ❜ ❨1259❩ ❛ You’re only half-living, the other half is still untapped somewhere. ❜ ❨1260❩ ❛ The song is over. But the melody lingers on. ❜ ❨1261❩ ❛ You are extraordinary. ❜ ❨1262❩ ❛ We tend to fool ourselves into thinking that time is our size, but it really goes on and on. ❜ ❨1263❩ ❛ It could be five years or ten years or one month. It's all the same. ❜ ❨1264❩ ❛ I’m forever realising things too late. ❜ ❨1265❩ ❛ I’m not complaining when I say my life is boring. ❜ ❨1266❩ ❛ Weakness is something that rots in the body. ❜ ❨1267❩ ❛ Coming from your mouth, it has the ring of truth, but I doubt anyone would believe me if I told them. ❜ ❨1268❩ ❛ You can't expect something unreal to last anyway, can you? ❜ ❨1269❩ ❛ A wise man does not step betwixt the beast and his meat. ❜ ❨1270❩ ❛ So, kill me. Tell the others I attacked you so you killed me. ❜ ❨1271❩ ❛ Should never have come here. ❜ ❨1272❩ ❛ Hard to guess my tastes. ❜ ❨1273❩ ❛ Can’t it wait until the morning? ❜ ❨1274❩ ❛ You’ll find temper tantrums won’t help you here. ❜ ❨1275❩ ❛ It must have taken courage to return. ❜ ❨1276❩ ❛ It all sounds grimly dystopian. ❜ ❨1277❩ ❛ I am not afraid of you! ❜ ❨1278❩ ❛ All this could be avoided! ❜ ❨1279❩ ❛ You consider me a murderer? ❜ ❨1280❩ ❛ Gross way to die. ❜ ❨1281❩ ❛ What sparks wars? The will to power, the backbone of human nature. ❜ ❨1282❩ ❛ My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops? ❜ ❨1283❩ ❛ Our lives are not our own. We are bound to others. ❜ ❨1284❩ ❛ I believe there is another world waiting for us. A better world. And I'll be waiting for you there. ❜ ❨1285❩ ❛ You are allowed to feel messed up and inside out. It doesn't mean you're defective - it just means you're human. ❜ ❨1286❩ ❛ Power, time, gravity, love. The forces that really kick ass are all invisible. ❜ ❨1287❩ ❛ Unlimited power in the hands of limited people always leads to cruelty. ❜ ❨1288❩ ❛ Truth is singular. Its 'versions' are mistruths. ❜ ❨1289❩ ❛ Dreams are all I have ever truly owned. ❜ ❨1290❩ ❛ Your version of the truth is the only thing that matters. ❜ ❨1291❩ ❛ I believe death is only a door. One closes, and another opens. ❜ ❨1292❩ ❛ By each crime and every kindness, we birth our future. ❜ ❨1293❩ ❛ The healthy can't understand the emptied, the broken. ❜ ❨1294❩ ❛ Lying's wrong, but when the world spins backwards, a small wrong may be a big right. ❜ ❨1295❩ ❛ The weak are meat the strong do eat. ❜ ❨1296❩ ❛ Do whatever you can't not do. ❜ ❨1297❩ ❛ What precipitates outcomes? Vicious acts & virtuous acts. ❜ ❨1298❩ ❛ I remain thankful to God for all his mercies. ❜ ❨1299❩ ❛ You can maintain power over people, as long as you give them something. Rob a man of everything, and that man will no longer be in your power. ❜ ❨1300❩ ❛ Power. The ability to determine another man's luck. ❜ ❨1301❩ ❛ Pain is strong, aye - but friends' eyes, more strong. ❜ ❨1302❩ ❛ Perhaps those deprived of beauty perceive it most instinctively. ❜ ❨1303❩ ❛ Why ask a question whose answer would demand ten more questions? ❜ ❨1304❩ ❛ You can’t lie to your soul. ❜ ❨1305❩ ❛ Why would I want to do a thing like that? ❜ ❨1306❩ ❛ We start off with high hopes, then we bottle it. ❜ ❨1307❩ ❛ Better to make life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨1308❩ ❛ I’m not running away, I’m moving on. ❜ ❨1309❩ ❛ The reasons? There are no reasons. ❜ ❨1310❩ ❛ Some people are easier to love when you don’t have to be around them. ❜ ❨1311❩ ❛ Love does not exist. ❜ ❨1312❩ ❛ Fuck that ‘regrets’ bullshit. ❜ ❨1313❩ ❛ How does it make you feel? ❜ ❨1314❩ ❛ It’s horrible how we always die alone, but no worse than living alone. ❜ ❨1315❩ ❛ Choose us. Choose life. ❜ ❨1316❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨1317❩ ❛ I’m more of a warrior than you’ll ever be. ❜ ❨1318❩ ❛ What does that make us? The lowest of the low, the scum of the earth. ❜ ❨1319❩ ❛ You don’t have to run away.  ❜ ❨1320❩ ❛ I tried to stop because it was only causing pain. I couldn’t. ❜ ❨1321❩ ❛ I’m not going to get crushed. ❜ ❨1322❩ ❛ I love doubt in a woman. It’s nearly as sexy as determination. ❜ ❨1323❩ ❛ Take your best orgasm, multiply the feeling by twenty. ❜ ❨1324❩ ❛ You’re a mess. ❜ ❨1325❩ ❛ I know that it’s never left you alone. ❜ ❨1326❩ ❛ Are you asking me or telling me? ❜ ❨1327❩ ❛ You just get used to all the shit. ❜ ❨1328❩ ❛ You can’t afford a conscience in this life. ❜ ❨1329❩ ❛ None of us are saints and scapegoats are always handy. ❜ ❨1330❩ ❛ Doing things doesn’t hurt you; you get hurt by avoiding them. ❜ ❨1331❩ ❛ What was that? ❜ ❨1332❩ ❛ Protect me from those who wish to help us. ❜ ❨1333❩ ❛ You can’t love yourself if you want to hurt things like that. ❜ ❨1334❩ ❛ What happens when people open their hearts? ❜ ❨1335❩ ❛ Nobody likes being alone that much. ❜ ❨1336❩ ❛ I don’t go out of my way to make friends, that’s all. It just leads to disappointment.” ❨1337❩ ❛ Don’t feel sorry for yourself. Only assholes do that. ❜ ❨1338❩ ❛ You need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. ❜ ❨1339❩ ❛ I want you always to remember me. ❜ ❨1340❩ ❛ Despite your best efforts, people are going to be hurt when it’s time for them to be hurt. ❜ ❨1341❩ ❛ What stays in your heart will stay; keep them, and what vanishes will vanish. ❜ ❨1342❩ ❛ All I want in this world is you. ❜ ❨1343❩ ❛ I want the two of us to begin everything from the beginning. ❜ ❨1344❩ ❛ No truth can cure the sorrow we feel from losing a loved one. ❜ ❨1345❩ ❛ What a terrible thing it is to wound someone you really care for and to do it so unconsciously. ❜ ❨1346❩ ❛ If you’re in pitch blackness, all you can do is sit tight until your eyes get used to the dark. ❜ ❨1347❩ ❛ I’ve had enough hurt already in my life. More than enough. Now I want to be happy. ❜ ❨1348❩ ❛ People leave strange little memories of themselves behind when they die. ❜ ❨1349❩ ❛ Stop eating yourself up alive. Things will go where they’re supposed to go if you just let them take their natural course. ❜ ❨1350❩ ❛ When your feelings build up and harden and die inside, then you’re in big trouble. ❜ ❨1351❩ ❛ When you fall in love, the natural thing to do is give yourself to it. ❜ ❨1352❩ ❛ If I have left a wound inside you, it is not just your wound but mine as well. ❜ ❨1353❩ ❛ Hey, what is it with you? Why are you so spaced out? You still haven’t answered me. ❜ ❨1354❩ ❛ People are strange when you’re a stranger. ❜ ❨1355❩ ❛ The dead will always be dead, but we have to go on living. ❜ ❨1356❩ ❛ You don’t get it, do you? ❜ ❨1357❩ ❛ I am a flawed human being - a far more flawed human being than you ❨1358❩ realise. ❜ ❨1359❩ ❛ At least let me know whether or not I hurt you. ❜ ❨1360❩ ❛ All of us are imperfect human beings living in an imperfect world. ❜ ❨1361❩ ❛ I’ve never once thought about how I was going to die. ❜ ❨1362❩ ❛ So I’m not crazy after all! ❜ ❨1363❩ ❛ I miss you terribly sometimes, but in general I go on living with all the energy I can muster. ❜ ❨1364❩ ❛ Will you wait for me forever? ❜ ❨1365❩ ❛ I don’t want our relationship to end like this. ❜ ❨1366❩ ❛ When am I going to be able to talk to you? I want you to tell me that much, at least. ❜ ❨1367❩ ❛ It hurts not being able to see you. ❜ ❨1368❩ ❛ I’m not totally mad at you. I’m just sad. ❜ ❨1369❩ ❛ The world is an inherently unfair place. ❜ ❨1370❩ ❛ Life frightens me sometimes. I don’t happen to take that as the premise for everything else though. ❜ ❨1371❩ ❛ I’m a real bargain, don’t you think? If you don’t take me, I’ll end up going somewhere else. ❜ ❨1372❩ ❛ We’re all kind of weird and twisted and drowning. ❜ ❨1373❩ ❛ Don’t you think it would be wonderful to get rid of everything and everybody and just go some place where you don’t know a soul? ❜ ❨1374❩ ❛ You’re not telling me anything I don’t know already. ❜ ❨1375❩ ❛ He who controls the past controls the future. He who controls the present controls the past. ❜ ❨1376❩ ❛ If you want to keep a secret, you must also hide it from yourself. ❜ ❨1377❩ ❛ We shall meet in the place where there is no darkness. ❜ ❨1378❩ ❛ Until they become conscious they will never rebel. ❜ ❨1379❩ ❛ Power is not a means; it is an end. ❜ ❨1380❩ ❛ They are not interested in the good of others; they are interested solely in power, pure power. ❜ ❨1381❩ ❛ Now you begin to understand me. ❜ ❨1382❩ ❛ In the face of pain there are no heroes. ❜ ❨1383❩ ❛ Big Brother is watching you. ❜ ❨1384❩ ❛ Power is tearing human minds to pieces and putting them together again in new shapes of your own choosing. ❜ ❨1385❩ ❛ It’s a beautiful thing, the destruction of words. ❜ ❨1386❩ ❛ The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better. ❜ ❨1387❩ ❛ Your mind appeals to me. It resembles my own mind. ❜ ❨1388❩ ❛ Reality exists in the human mind, and nowhere else. ❜ ❨1389❩ ❛ We do not merely destroy our enemies; we change them. ❜ ❨1390❩ ❛ How can I help it? How can I help but see what is in front of my eyes? ❜ ❨1391❩ ❛ You must try harder. ❜ ❨1392❩ ❛ Confession is not betrayal. ❜ ❨1393❩ ❛ What you say or do doesn’t matter; only feelings matter. ❜ ❨1394❩ ❛ If they could make me stop loving you —- that would be the real betrayal. ❜ ❨1395❩ ❛ Of pain you can wish only one thing: that it should stop. ❜ ❨1396❩ ❛ To die hating them, that will be freedom. ❜ ❨1397❩ ❛ No one ever seizes power with the intention of relinquishing it. ❜ ❨1398❩ ❛ What can you do against the lunatic who is more intelligent than yourself? ❜ ❨1399❩ ❛ To keep them in control is not difficult. ❜ ❨1400❩ ❛ So long as they are not permitted to have standards of comparison, they never even become aware that they are oppressed. ❜ ❨1401❩ ❛ The consequences of every act are included in the act itself. ❜ ❨1402❩ ❛ The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. ❜ ❨1403❩ ❛ Stupidity is as necessary as intelligence, and as difficult to attain. ❜ ❨1404❩ ❛ I hate purity, I hate goodness! I don’t want virtue to exist anywhere. I want everyone to be corrupt to the bones. ❜ ❨1405❩ ❛ The past is dead, the future is unimaginable. ❜ ❨1406❩ ❛ You know the answer already. Everyone knows it. ❜ ❨1407❩ ❛ You don’t give a damn what they suffer. All you care is yourself. ❜ ❨1408❩ ❛ It is not easy to become sane. ❜ ❨1409❩ ❛ No emotion is pure anymore, because everything is mixed up with fear and hatred. ❜ ❨1410❩ ❛ They say that time heals all things —- they say you can always forget. ❜ ❨1411❩ ❛ The object of waging a war is always to be in a better position in which to wage another war. ❜ ❨1412❩ ❛ I sold you and you sold me. ❜ ❨1413❩ ❛ You do not exist. ❜ ❨1414❩ ❛ How does one man assert his power over another? By making him suffer. ❜ ❨1415❩ ❛ Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? ❜ ❨1416❩ ❛ Everything else we shall destroy – everything. ❜ ❨1417❩ ❛ Two and two makes five. ❜ ❨1418❩ ❛ Facts, at any rate, can not be kept hidden. ❜ ❨1419❩ ❛ The past is whatever the records and the memories agree upon. ❜ ❨1420❩ ❛ So long as human beings stay human, death and life are the same thing. ❜ ❨1421❩ ❛ If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then? ❜ ❨1422❩ ❛ The lie became the truth. ❜ ❨1423❩ ❛ It is like swimming against a current that sweeps you backwards however hard you struggle. ❜ ❨1424❩ ❛ Turn round and go with the current instead of opposing it. ❜ ❨1425❩ ❛ It’s only after we’ve lost everything that we’re free to do anything. ❜ ❨1426❩ ❛ I don’t want to die without any scars. ❜ ❨1427❩ ❛ This is your life and it’s ending one moment at a time. ❜ ❨1428❩ ❛ You know how they say you only hurt the ones you love? Well, it works both ways. ❜ ❨1429❩ ❛ You are not your job, you’re not how much money you have in the bank. You are not the car you drive. You’re not the contents of your wallet. ❜ ❨1430❩ ❛ You are not special. ❜ ❨1431❩ ❛ You’re not a beautiful and unique snowflake. You’re the same decaying organic matter as everything else. ❜ ❨1432❩ ❛ The things you used to own, now they own you. ❜ ❨1433❩ ❛ Today is the sort of day where the sun only comes up to humiliate you. ❜ ❨1434❩ ❛ Maybe we have to break everything to make something better out of ourselves. ❜ ❨1435❩ ❛ Only after disaster can we be resurrected. ❜ ❨1436❩ ❛ Everything is evolving, everything is falling apart. ❜ ❨1437❩ ❛ We’ve all been raised believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. ❜ ❨1438❩ ❛ Don’t you have other things to do? ❜ ❨1439❩ ❛ Prove you’re alive. If you don’t claim your humanity you will become a statistic. ❜ ❨1440❩ ❛ You have been warned. ❜ ❨1441❩ ❛ If you don’t know what you want, you end up with a lot you don’t. ❜ ❨1442❩ ❛ It’s not love or anything, but I think I like you, too. ❜ ❨1443❩ ❛ If I could wake up in a different place, at a different time, could I wake up as a different person? ❜ ❨1444❩ ❛ Why did I cause so much pain? ❜ ❨1445❩ ❛ The lower you fall, the higher you’ll fly. ❜ ❨1446❩ ❛ Maybe self-improvement isn’t the answer, maybe self-destruction is the answer. ❜ ❨1447❩ ❛ May I never be complete. May I never be content. May I never be perfect. ❜ ❨1448❩ ❛ Everyone smiles with that invisible gun to their head. ❜ ❨1449❩ ❛ We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. ❜ ❨1450❩ ❛ The girl is infectious human waste. ❜ ❨1451❩ ❛ I want to destroy everything beautiful I’ll never have. ❜ ❨1452❩ ❛ On a long enough time line, the survival rate for everyone drops to zero. ❜ ❨1453❩ ❛ If you could be either God’s worst enemy or nothing, which would you choose? ❜ ❨1454❩ ❛ It is like you’re never really awake; but you’re never really asleep. ❜ ❨1455❩ ❛ Worker bees can leave. Even drones can fly away. The Queen is their slave. ❜ ❨1456❩ ❛ A moment is the most you could ever expect from perfection. ❜ ❨1457❩ ❛ The people you’re trying to step on, we’re everyone you depend on. ❜ ❨1458❩ ❛ You have to give up! ❜ ❨1459❩ ❛ Reject the basic assumptions of civilisation, especially the importance of material possessions. ❜ ❨1460❩ ❛ Without pain, without sacrifice we would have nothing. ❜ ❨1461❩ ❛ You have to realise that someday you will die, Until you know that, you are useless. ❜ ❨1462❩ ❛ A tiger can smile. A snake will say it loves you. ❜ ❨1463❩ ❛ Lies make us evil. ❜ ❨1464❩ ❛ If you died right now, how would you feel about your life? ❜ ❨1465❩ ❛ You always kill the one you love. ❜ ❨1466❩ ❛ Maybe we should always assume the worst. ❜ ❨1467❩ ❛ Put a gun to my head and paint the wall with my brains. ❜ ❨1468❩ ❛ Which is worse? Hell or nothing? ❜ ❨1469❩ ❛ A minute of perfection is worth the effort. ❜ ❨1470❩ ❛ You’re going to die, tonight. You might die in one second or in one hour, you decide. ❜ ❨1471❩ ❛ Lie to me. Tell me the first thing off the top of your head. Make something up. ❜ ❨1472❩ ❛ I don’t give a shit. I have a gun. ❜ ❨1473❩ ❛ I know who you are. I know where you live. ❜ ❨1474❩ ❛ Tomorrow will be the most beautiful day of your life. ❜ ❨1475❩ ❛ My philosophy of life is that I can die at any moment. And the tragedy of my life is that I do not. ❜ ❨1476❩ ❛ Everything is so far away, a copy of a copy of a copy. You can’t touch anything and nothing can touch you. ❜ ❨1477❩ ❛ There are a lot of things we don’t want to know about the people we love. ❜ ❨1478❩ ❛ We just had a near-life experience. ❜ ❨1479❩ ❛ If people think you are dying, they give you their full attention. They listen instead of just waiting for their turn to speak. ❜ ❨1480❩ ❛ I am nothing, and not even that. ❜ ❨1481❩ ❛ This isn’t really death. —- We’ll be legends. We won’t grow old. ❜ ❨1482❩ ❛ Stop trying to control everything and just let go. Let go. ❜ ❨1483❩ ❛ The amazing miracle of death, when one second you’re walking and talking, and the next second you’re an object. ❜ ❨1484❩ ❛ Only if we’re caught and punished can we be saved. ❜ ❨1485❩ ❛ I never thought about how important the sky was until I didn't have one. ❜ ❨1486❩ ❛ Dreams are like that: they go in and out of memories and scenes, but they're never real. They're never real, and I hate them because they aren't. ❜ ❨1487❩ ❛ Power isn’t control at all — power is strength, and giving that strength to others. ❜ ❨1488❩ ❛ A leader isn’t someone who forces others to make him stronger. ❜ ❨1489❩ ❛ A leader is someone willing to give his strength to others that they may have the strength to stand on their own. ❜ ❨1490❩ ❛ In the end, we are alone. ❜ ❨1491❩ ❛ It is like a piece of my soul is lost, empty. ❜ ❨1492❩ ❛ If my life on Earth must end, let it end with a promise. Let it end with hope. ❜ ❨1493❩ ❛ Sorry? Sorry isn't enough. ❜ ❨1494❩ ❛ Every single thing I ever loved is beyond my reach now. Everything I ever wanted. Everything I ever was. ❜ ❨1495❩ ❛ Will you stay with me? ❜ ❨1496❩ ❛ A leader doesn't make pawns - he makes people. ❜ ❨1497❩ ❛ Do you hear that? The pulse of life from your heart, the slow in-and-out from your lungs? Even when you are silent, even when you block out all noise, your body is still a cacophony of life. Mine is not. ❜ ❨1498❩ ❛ It is the silence that drives me mad. The silence that drives the nightmares to me. ❜ ❨1499❩ ❛ There is nothing between us but rain. There is nothing between us at all. ❜ ❨1500❩ ❛ I like a little chaos. ❜

[defiantdreemurrs]

kismesissitude is actually good

i just saw a garbage take about how having a kismesis is apparently "incredibly unhealthy" and never before have i so quickly into someones garbage little essay realized that they have absolutely no idea what theyre talking about. as someone in a genuine kismesissitude i figure i should set the record straight. lets dive into why kismesissitudes are actually pretty healthy and good to have.

for starters, what even *is* a kismesissitude? the very first comparison were given to human relationships is "an especially potent arch-rivalry" (p. 2395). in fact this is basically the *only* explanation of it were actually given aside from an example of a kismesissitude in the form of jack noir and the black queen in their various incarnations across timelines and universes. over time it would be compared to "hate-dating" with caliginous sex often being referred to as just "hate-fucking", but arguably the fanbase has focused primarily on the "hate" aspect.

thats a valid thing to attach to as its the simplest way to explain it to humans. the red quadrants are like love and the black quadrants are like hate. the problem is, the simplest explanation isnt always the most accurate. this is especially so when the very first explanation of it within the text explicitly states that its more akin to an arch-rivalry, without any real mention of just plain hatred, unless you count the initial acknowledgement on page 2393 explaining the quadrant system as a whole expressing that blackrom is "rooted in the strongly negative [feelings]".

so then, if the spades quadrant *isnt* about just hate-fucking and hate-dating, what is it about?

i dont think i need to say it a third time, but i probably should: its a rivalry. your kismesis is not your enemy. they are your rival. they are not just someone you direct all of your negative feelings and emotions towards. they are someone you might *hate* but someone you also *respect* (p. 7490).

this is why gamzee <3< terezi is expressly described as an unhealthy example of blackrom. gamzee doesnt respect terezi. his actions in their relationship are not an example of a healthy kismesissitude but rather a deeply abusive one. in contrast though, vriska <3< tavros is also *not* a good case study of why kismesissitude as a concept is unhealthy but rather just yet another example of an unhealthy spades relationship, though one less due to a lack of respect and more due to karkats likely accurate diagnosis of tavros as being unable to actually summon enough hate for a kismesissitude to even work.

so let me properly explain what a kismesis is. a kismesis is a romantic partner who you in some capacity harbor negative feelings towards who you see as a rival. and what does a rival do? a rival challenges you. a caliginous relationship doesnt have to be particularly hateful even, just focused on challenging each other thru your negative feelings of each other. having a kismesis is about committing to mutual improvement, both of yourselves and each other, by continually providing a challenge for the other to overcome.

this is even supported by the text. look at karkats explanation to june about how having a kismesis who *didnt* "possess any qualities you [admire] on some level" is both boring and wouldnt work. the "essence of black romance" is in how you would honestly really like and get along with your kismesis if it werent for all their "infuriating flaws, and the incredible sense of frustration that causes" (p. 7490).

implying that blackrom is inherently unhealthy and pointing to the literal actual examples of *bad* spades relationships as your evidence is as flawed as pointing to an abusive human relationship and therefore deciding that all human romance is inherently unhealthy and abusive. it betrays a fundamental misunderstanding of what youre even talking about. its factually incorrect on a level beyond just being wrong about something. hell its honestly kind of insulting.

kismesissitude is beautiful and healthy as long as you understand what youre getting into and dont rush headfirst into something you genuinely dont even get. its not enough to just hate someone. its not even *about* hating someone. its about *why* you hate them. *why* you feel so strongly negative about them. its about *daring* each other to rise above your faults and learn from them so you can be a stronger, better, healthier person (or non-person if you are not in fact a person).

[shrimpmandan]

I’m getting to a point where I genuinely do not trust people who blindly defend Steven Universe Future’s portrayal of mental health, particularly PTSD, barring the fact that a person I knew who did so ended up being a raging ableist about PTSD triggers.

Outside of SU:F itself, a lot of the characters in the show with PTSD were just... raging assholes for no reason? And I think the only time they did this right was with Pearl. Pearl was deeply insecure, traumatized, and angry, and she ended up taking it out on Amethyst throughout season 1. For starters, the buildup to her and Amethyst actually fighting isn’t sprung about in a single episode (cough cough Lapis and Peridot, but I’ll get to them later), and Pearl actually apologizes! She comforts Amethyst and apologizes for hurting her, and begins to treat her better, and I really like that. It portrays how PTSD may induce behavioral issues without excusing those behavioral issues or refusing to acknowledge them.

And then the crewniverse completely fucking forgot this by season 2.

I love most of seasons 1-3 of SU but good god they did not handle Lapis well in season 2, at all. Lapis is similar to Pearl in some ways -- insecure, angry. Except Lapis doesn’t have anything where she apologizes and tries to do better. She just saves Peridot for a reason that... isn’t really explained. We don’t see her have some sort of realization about how Peridot is really trying and that maybe she should be a little nicer or something like that, she just. Does. And then they act like best buds after that. I think they end up having a cute dynamic and all, but the set up to it is extremely confusing and half-baked. You can’t even make the “oh it had to be rushed” argument like for season 5 and Future either, this was season 2. 

You could make the argument that Lapis didn’t trust Peridot because of her time spent on the ship, which would be fair... if we actually saw how Peridot treated Lapis. Peridot was not the one threatening and manipulating Lapis. Jasper was. Alllll throughout Barn Mates, Peridot was doing nothing but trying to make Lapis feel welcome, and Lapis responded with nothing but scorn beyond a level that was reasonable. And Peridot gets no apology or explanation for this whatsoever.

Additionally, when it’s revealed that Lapis was also abusive/toxic in the Malachite fusion, there’s this very, very heavy bias towards her that doesn’t sit right with me. I’m not saying Jasper WASN’T abusive, she was, but it feels like Jasper wasn’t even given a chance to get better or to have possible healthier relationships expanded upon. Was it because she’s more butch than Lapis..? I dunno. It really doesn’t sit right with me, but I’ll avoid rambling about it for too long. TL;DR, Lapis just kinda did what Pearl did but worse. Moving on.

Steven. Good fucking christ on a pike Steven. Where to begin. I’m gonna preface this by saying that I have PTSD, and violent ideations, and anger issues, and all that. On some fronts, I can understand and relate to Steven. What I hate is how he was written. You seriously expect me to believe that the staunch pacifist and diplomat, would attempt to murder his father, White Diamond, and Jasper? The same Steven that tried to talk things out with genocidal dictators? THAT Steven? If the only reason you have is “oh he’s traumatized”, then that’s a fucking disgusting and ableist sentiment that is derived solely from mental health stigma. I GET having homicidal ideations. I GET having low impulse control. But when you set up a character as being nothing but compassionate and diplomatic throughout an entire 5 seasons and a movie, and then you suddenly have him become a murderer because “oh he’s mentally ill now”, you can see why that might rub some people the wrong way! People don’t just become murderers due to mental illness! It’s usually a combination of factors, such as environment and personality and social influence. If you think being mentally ill makes someone automatically become violent and dangerous, you are actively contributing to negative stigma about mental health. And the fact that Steven’s actual recovery is skipped over like it isn’t important is not helping.

Look, I know the show had to be rushed towards the end due to CN cancelling it, but there’s quite a line between “we couldn’t tie up all the loose ends”, and “let’s make our pacifistic protag out to be a literal fucking monster just because he’s mentally ill now!”

I know hating on SU is/was this ~edgy thing~ or whatever, but I genuinely loved the show throughout its main run even with all the writing flaws. But this awful portrayal of mental illness just makes me feel genuinely upset, especially with the amount of people defending it or otherwise acting like there’s absolutely no issues with how the show handles mental health at all.

[lumelton]

Alright, I feel like discussion and memeing has calmed down enough. By which I mean I kept putting off doing this while it was relevant and, nearly three months after the initial outcry, I’m finally doing it. So that’s something right? Anyways, let’s talk about Archive 81.

(spoilers for season 1 of the Netflix adaptation and season 1 and 2 of the podcast, light spoilers for season 3) (also this one is really long, I think it’s good but just keep that in mind)

I was not a fan of Archive 81 when the Netflix series was released but through the online discourse I quickly determined “podcast good, adaptation bad” and added the podcast to my listen later pile. My family, around the time floated the idea of watching the series, I quickly explained why thing bad based off of what I’d gathered online and left it at that. Two months later they started watching it anyway while I was out of the house. Determined to prove that the adaptation had both straightwashed the lead and failed to adapt its proclaimed source material I decided to finally listen to the podcast. 

I listened to the first season in a day, probably not the intended way of consuming the show but I did anyway. It was fantastic, I was taken by the world and the ideas being presented in the work. I watched the first two episodes that night and let me tell you, what? A huge part of the original show was the idea of layers of story, my interpretation of the first season hinged heavily on this. On the top layer was yourself, the listener, then Mark’s story of releasing the audio, then Dan’s of cleaning the audio, then Melody’s of recording it, then the people of the Visser building, and finally, the Song. Each layer gets weirder, more abstract, the people of the Visser blatantly discuss the overarching themes of the show and are weird actualizations of them. The final abstraction is just a melody, a song that speaks of such powerful ideas that it has the power to reshape the world, this song is being pulled out of a realm of truly abstract concepts by the Visser building itself and the stories told within. Every layer is trapped inside the story once they start to consume it because it speaks to them so deeply. 

Let’s talk about the Netflix show. For starters the audience isn’t so involved, that’s fine, that’s even something that later seasons mostly drop. Second, the themes of the original have all been changed to the point where this isn’t the same story. Lastly, half the characters are unrecognizable and some have different names for no reason. What was wrong with Liam Davenport, I thought that was a perfectly good name. Why’s he Virgil now? Alexa is now Annabelle, which I do actually understand, it’s Amazon’s fault. I’ll talk more extensively about the changes to them and the rest of the cast after I quickly touch on the changes of theme.

(the following paragraph is the only time I will resort to swearing in this essay so that the true depths of my anger directed at the following change can be felt)

WHO THE FUCK IS KALEGO OR WHATEVER THE FUCK. They grounded it in demonology and witchcraft for no reason, the metaphor of story and art was beautiful but James Wan loves his Christian devils, demons, and ghosts, oh my! So much of the theme is lost in the clusterfuck of lore and history that’s entirely pointless. Why is all this bloated dog shit being stuffed inside of a tight story? I’ll tell you why, it’s because they had to make a 2.5hr podcast into an 8hr TV show because that’s what makes good bingeable content. That’s what all TV shows have to be now if they want to be popular, fuck making good art. Also Dan can just fucking leave now, just waltz right out of those big intimidating mental gates and have a nice little chat in a coffee shop away from Melody and all that drama. It would be one thing if he was talking with Davenport but he’s talking with Mark another level headed person who can give him serious advice. 

On many other levels the adaptation fails to understand the very blatantly displayed themes from the show. The show doesn’t shy away from talking about themes almost directly with the audience, in what is admittedly my least favourite moment of the show the podcast addresses that audience, condescending on theories deemed stupid and generally dishing shit on some people, but this is blatant, barely hidden, and most importantly it’s doing something. Here’s a quick quote from the second episode “I’m interested the totality of human experience, and how difficult that is to stuff into a narrative. The ideas that can’t be expressed in language, how something greater than a story can shift the way we see the world, like, like calling someone by a wrong name so many times that it becomes the right name. So that they believe it.. The idea of the piece is to create music that can demolish barriers. And to get people to build their houses with the debris.” That’s it, that is a core component of the podcast, that’s what makes it what it is and it’s completely absent from the Netflix show. Added in are themes of family legacy which are over there in season 3 of the podcast but have no place here in season 1. The Baldung Witches are more of this theme of legacy and they’re replacing of the Cult of Purity removes yet more themes of no one really being good. Alright, now we can talk about what’s left of the characters from the podcast.

Melody, aside from being straight washed, which don’t worry, I’ll get to, is now an uncaring asshole for no reason who turns on her friends and barely cares about anyone in the Visser. Podcast Melody grew attached to the people of the Visser, she wanted to fight for them even though she was getting no material gain from it. And when she fought she was cunning, she outsmarted Samuel in their final confrontation and defeated an eldritch Leviathan, leading her to becoming a fearful and powerful force in the Unexplored Territory. To really put the cherry on the cake Netflix Melody becomes the antithesis to who she was in the podcast by becoming a damsel in distress, trapped in the Otherworld cradling her childhood memory of being abandoned by her mother. This moment resulted in the following comment from my mother; “Oh she’s like Will in Stranger Things now.”

I suppose Melody disliking the residents is reasonably justified because the people of the Visser are for the most part completely different, which is to say that they’re all members of Samuel’s cult now for no real reason. Jesse is Jessica now because a young black girl living in poverty is less threatening than a teenage black boy living in poverty. She’s also a sacrificial lamb instead of someone who Melody unnecessarily brings into this and ends up getting killed. Chris is really depressed and gets pushed off the building by a member of the cult, Chris who, while going through withdrawal was still cracking jokes and being at least interesting. Chris and his other nameless, lineless druggie friends are way creepier, made insane by the power of the mold in the Visser building. All around Chris is a lot less fun which is annoying because he was such a Character in the podcast, like what a guy. All the other interesting people in the Visser are gone except for Tamara who is the same but is now part of the cult and gets sacrificed by Samuel in Jessica’s place. 

Speaking of Samuel he’s now just openly lying to people and whining and sniveling like a kicked puppy, instead of cleverly avoiding people by using the building’s free flowing architecture and knowing how stories work and that this is a story so certain things are going to happen. The final confrontation between Melody and Samuel is one of the coolest in the podcast but in the show I can neither hate Samuel for his villainy or really feel like I can cheer for Melody because now they both suck. I don’t care about Samuel’s big evil plan because Samuel doesn’t know what he’s doing and not in the cool podcast way of “he can just barely begin to truly understand the implications of his actions” but in the “he’s an idiot who is trying too hard to act manipulative. 

Dan has a tragic backstory tying him to the Visser building now. Why? (because they hired a popular actor and needed to beef up his role) He was just an unfortunate guy with the skills Davenport needed in the podcast, none of this family legacy bullshit, same goes for Melody really. I’ve already touched on the Baldung Witches aspect of this but it bears repeating, the Cult of Purity which they replace was explicitly villainous, they are one of the main antagonists of season 3 and are consistently described as extremists. In the Netflix show, the witches burned down Dan’s house killing everyone in his family but him. This is barely a twist and doesn’t play any real role in whether or not Dan trusts them because now they’re out of time and they need to wrap it all up with a nice cliffhanger. 

I’m not going to talk about Alexa/Annabelle, her remaining gay, her character “arc”, or the fact that she does nothing for 30 years but paint in a mental hospital while seemingly having full mental function, because that would take up a whole new essay. 

That leaves us with one last thing to talk about. Melody Pendras and her straight washing. Like so many of the other changes I’ve discussed this comes from an attempt to appeal to the general public with a nice straight relationship between the two leads. Dan falling in love with Melody serves as essentially his only motivator for doing the ritual and venturing into the Otherworld to rescue her. Their relationship bends space and time and while yes, time travel does briefly feature in the podcast this just comes across as a failed attempt to make the plot seem so confusing that you can’t understand it, let alone find any holes. This fails rather spectacularly and just become annoying. Enough said about the weird time mechanics of the show. Of course, I’d be remised not to mention the brief plotline where Samuel attempts to woo Melody, though this is so quickly dropped it seems like the writers must have had at least some self awareness. 

So there you have it, the issue with the Netflix adaptation of Archive 81 is that it attempts to appeal to a large audience like the directors other projects do. This is something that the source material never does, as it always tries to find new and interesting stories to tell in a narrative that remains malleable and tonally distinct between seasons. Netflix tried to take a bunch of their most popular shows and weld them into a cohesive series but ended up with project that has an artistic sheen but no real core. It’s almost funny looking at season three of the podcast as a commentary on the Netflix adaptation, especially the finale, though I’ll give no further spoilers. Netflix also rather hilariously represents LMG which might be another reason why they failed in adapting so many themes.

Thanks everyone for sticking with me through this rant. I hope you enjoyed.

[helliontherapscallion]

Catching Up (Adrenaline Junkie Part 9)

Part 1     Part 2     Part 3     Part 4     Part 5     Part 6     Part 7     Part 8     Part 10     Part 11     Part 12     Part 13     Part 14     Part 15     Part 16     Part 17

Spotify Playlist (collaborative)

Warnings: swearing

Word count: 2,156         

“Did you kidnap a child?”

“I can ex- wait what? Of course I didn’t! Why would you think that?”

“Well, for starters, you just came home with a random kid! What were-”

“Dad. I didn’t kidnap anybody, especially Arthur,” you said exasperated. “It started when I was leaving the village.”

And so, you told your dad about how you met Arthur. Needless to say, he was furious. “(Y/n) (m/n) Minecraft, you yelled at a child? Not just a child, but an orphan that was so clearly in need of help?! I raised you better than that.”

“Dad, I know that yelling at kids is wrong. Just-just let me finish.”

He gave you a wicked side eye and nodded at you to continue. “So then he told me that he was alone. That he had no family. I couldn’t just leave him out there Dad. He would’ve been alone in the city. Hell, he’s been alone for god knows how long already” you ran a stressed hand through your already messy hair. “I’m sorry I didn’t ask you if he could crash here-”

“(Y/n).”

“-but he could’ve got hurt! The village’s dangerous at night-”

“(Y/n).”

“Do you know how many people get mugged there just in a day? God, I can’t imagine him getting hurt, he’s so young and-”

“(Y/n) (m/n) Minecraft.” Your hand froze in your hair. “...Yeah?”

“It was a good idea to bring him here. But there’s gotta be someone out there looking for him.”

“I really don’t think so Dad. You saw him when I brought him here, he looked like he didn’t get a proper bath in months! Even if he did have someone, I’d rather him be here instead of with the bastards that left him like that.”

He sighed. “You’re right. I remember when I found you when you were a baby. Your biological parents were awful, they ignored you. I found you on the porch, they must’ve left you there overnight. You were filthy and you were so small and fragile. I remember being so pissed that they treated you like that, but they never gave me their names.”

You squinted at him. “You’ve never told me that. You told me that you found me in an alleyway.”

“I didn’t want to tell you how I actually found you, it was never important for you to know.”

“What do you mean it’s not impor-” you stopped yourself. That’s not important right now. “We’re going to talk about this later. Right now, we need to talk about Arthur before he gets out of the shower.”

Glancing at the clock, you felt worry engulf your being. “Speaking of, he’s been in there a while, do you think he’s okay?” You felt your heart drop. “What if he slipped!” You stood up in a panic. Philza pulled you back onto the bed giving you a knowing look.

“He’s okay hun. Remember, he’s probably just enjoying the shower.”

You bounced your leg. “You’re right, you’re right… What’s with that look?”

“What look?”

“That look.”

“I just think-”

You heard a knock on your door and a small voice calling your name. Immediately jumping up and forgetting about the conversation, you opened your door. 

“Hey buddy, have a good shower?”

He yawned, rubbing at his eye with a closed fist. The pajamas he wore were slightly too big, but he would grow into them. His auburn hair that he came in the house with was now a brilliant copper color and you could now make out freckles dotting his pale cheeks.

“Mhm.”

You softly smiled at him and grabbed his hand leading him to Wilbur’s old room since it had the comfiest bed. You helped the small-statured boy into the large bed and he flopped down without pulling the covers over himself. You huffed in amusement, pulling the soft blankets out from under him and tucking him in.

You spoke in a calm voice, not wanting to disrupt the peace that engulfed the room. You gently brushed the hair out of his face. “Sleep well, Artie.”

As you stood up and turned to walk away, he grabbed the back of your shirt. Glancing back, you saw that he had his eyes groggily half-open and he stared at you blearily. “Stay?”

Oh, you couldn’t say no to that. Feeling your heart melt, you whispered “of course buddy.” You pulled up an old chair and sat next to the bedside holding his small hand in your larger one. He was out like a light. 

He was so small for his age. It was probably because of the malnutrition from being homeless, and that broke your heart. Your poor, poor baby.

…Wait.

Wait.

Your poor baby? What the fuck were you thinking? This child doesn’t even know you, you only met him earlier in the day. And yet, you already felt affectionate towards him. You wanted to protect him from danger. Why were you feeling like this?

You heard the door creak open and a small sliver of light streamed into the room. Philza poked his head through the small crack in the door. He smiled at you when he saw you sitting next to Arthur holding his hand as he slept. Reaching in an arm, he gestured for you to follow him before slipping out and closing the door.

Reluctantly, you slowly let go of the boy’s slender hand and quietly opened the nightstand drawer. You pulled out a pen and paper and wrote a quick note for him in the morning in your messy handwriting.

“Arthur, when you wake up, Philza and I’ll be downstairs making breakfast. Hope you like bacon and eggs : )

-(Y/n)”

You placed the paper on the nightstand where you hoped that Arthur would see when he woke up and quietly left the room. Philza leaning against the wall greeted you. He was smiling softly at you. He once again gestured for you to follow him downstairs.

Philza felt ecstatic that you were going to give him another grandson. Even if you would inevitably deny being a parental figure to Arthur, he knew that you were going to accept it sooner or later. He raised you, so he should know when you deeply care for someone. Arthur and you both shared a love for innovation and creativity, so he knew that you two would bond over that. He felt like soaring high in the sky. He was so happy that there’s going to be another addition to the family soon. 

He sat you down onto the couch and disappeared into the kitchen. A few moments later, he came back with two steaming mugs of hot chocolate. Your favorite.

“Thanks.”

“Anytime hun.”

You both sat in a comfortable silence on the couch and stared into the crackling flame in the fireplace. The fire swirled with various reds, oranges, and yellows illuminating the living room. You closed your eyes for a brief moment, savoring the flavor of the chocolate and the smell of smoke with the fire popping in the background. You felt relaxed.

“So, how’s Tommy and Wilbur? Are they adjusting well to L’manberg?”

“Oh, they’re thriving. Wilbur’s a natural leader so he’s in his element and Tommy’s always exploring with Tubbo. They get into trouble sometimes, but they always come back in one piece, so I’m not worried about them. They’re having fun.”

“And you?”

“I set up my new workshop next to the capitol building. I think I’m gonna start selling some of the stuff I make, I think it’d make a decent profit.”

“I think that’s a great idea. Ya know that the people in the village are crazy about you, right?”

You groaned, dragging your hand down your face tiredly. “How could I not? I hate it.”

“Why would you hate it? They really admire your work, you should appreciate that.”

“Dad, I do appreciate that they admire my work, but do you remember how they treated me when I first went there after I lost my wing? They treated me like a fucking outcast. And now they’re acting like they actually know me and that they were always friends with me. I know everybody deserves a second chance, but I can’t help but feel like they’re on thin ice.” 

“People change hun. Maybe they realize that how they treated you was wrong and they want to make amends?”

“That’s the thing. They’re only treating me like this only because of my inventions. I can only tolerate it for so long. I don’t even know why they’re treating me like this, I’m not special. I’m just another person.”

“...You aren’t gonna let a few two-faced people ruin your vacation, right?”

“No.”

His cheeks slowly stretched into a smile. “Why? Who are you?”

“I’m (y/n)?”

“I said who. Are. You?”

You spoke up a little more confidently, but kept your voice down. “I’m (y/n) (m/n) Minecraft.”

He quietly laughed. “Damn right you are. You’re ‘(Y/n) Minecraft, Conqueror of the Unknown’. You’re (y/n) goddamn Minecraft and don’t you forget it.”

You chuckled. “You read that book? ‘(Y/n) Minecraft, Conqueror of the Unknown’ was a bit too dramatic for my taste.”

“Why wouldn’t I read something all about my precious little inventor?” He drug out with an overly sweet tone.

“Dad, I’m 20 years old. I’m not little anymore.”

He slung an arm across your shoulders and pulled you into his side. “I know, I know, but you’ll always be my child.”

You sighed and leaned into him. You haven’t spent any time with him since you left the house to help Wilbur and Tommy fight for independence, so this felt nice. “I missed you Dad.”

“Not a day goes by where I don’t miss you or your brothers. It’s way too quiet around here without you four.”

“Do you remember when Tommy put green dye in the shampoo to try and prank me?”

An almost silent laugh reverberated throughout his chest, sounding slightly muffled. “Of course I do. It took at least a few weeks to get it off my skin and a full month after that to get it out of my hair.”

“You should’ve seen his face when I walked into the kitchen in the morning,” you deepen your voice. “‘If you’re not in the shower, then who is?’ Aaaannd then you walked into the kitchen looking like you lost a fight with a witch.” You snorted. “You didn’t know why everyone was staring at you.”

He huffed. “You guys didn’t even tell me until after breakfast.”

“Have you seen yourself in the mornings? You’re literally so grumpy. We didn’t have a death wish.”

“Hey, I’m not that bad in the morning, Mx. I-can’t-function-without-eight-hours-of-sleep.”

“At least I’m fully awake in the morning.”

“Oh, wow, what a zinger,” he said in a monotone voice.

You reached up to playfully slap his arm. “Shuddup.”

You both quietly laughed before the room fell back into a comfortable silence. You took a deep breath. “Arthur knows about The Warden. What it did to me”

You felt him tense up and heard his heart start to beat a little faster. He moved his arm away and leaned back to look you in the eyes.

“Are you sure?”

“Yes. He said that he knew what happened and he needed my help. He… he said that The Warden took someone important to him.”

“Was it his paren-”

“I don’t know. I’m going to talk to him about it tomorrow.”

“Do you want me to talk to him with you?”

“I don’t know if Arthur’s comfortable with that yet. I’m not even sure if he trusts me enough to tell me.”

You grabbed your’s and Philza’s empty mugs and took them to the kitchen. You ran your hands down your face. You felt very drained after everything that happened today. You weren’t used to so much human interaction, let alone people staring at you like you were some kind of deity when you weren’t. You leaned against the sink and closed your eyes. 

“(Y/n), I’m turning in for the night. Is there anything you need before I go to bed?”

“No, thank you Dad.”

“Alright, goodnight. Love you.”

“Love you too.”

You heard his retreating footsteps gradually fade out and the room was thick with silence yet again. The darkness in the room was cut by the moonlight streaming in through the window. Your mind was racing as you remembered that you were going to have to talk to Arthur about The Warden soon. 

You hadn’t talked about The Warden for years and now you were being forced into it. You didn’t think you were ready. You wanted to move on with your life, but The Warden was inevitable. It was everywhere around you. It won’t ever leave you alone, will it?

You didn’t think you were going to get much sleep tonight.

Taglist (comment if you want to be added):

@acecarddraws  @goldenstarofthunderclan  @ravennightingaleandavatempus  @dirtydiavolo  @yeiras-world  @immadatmostthings  @hee-hee-haw  @jackalopedoodles  @m1lkmandan  @vanhakirja  @im-a-depressed-gay  @coolleviauchihadreamerlove  @questioning-sanity  @camisascam

@bongwaterflavoredgatorade  @kakamiissad  @jayistrash4  @lifestylesleep  @speedymaximoff  @sun-shark-tooth  @appetiteofapeoplepleaser  @lestrangenymph  @kinismanditory  @dragons-lurk-here  @rinzyx05  @the-wandering-pan-ace  @sparkling-gayyyy  @angelic-scent  @shinipii  @dont-hug-me-im-a-fander  @izzydimensional  @used-avocado  @laura--444  @wing-non

[ssajemilyprentiss]

Loving you is a losing game

Pairing: Emily Prentiss x reader

Warnings: Angst, arguing, tears, mentions of death/dead body, mentions of throwing up, a curse word, no happy ending let me know if i forgot something

Summary: Emily has been acting off and no matter how many times you ask her she doesn’t tell you anything and just push you away. 

A/N: Set during the Lauren arc (majority of the things have already happened lol) just so you know where we are, this is in the storyline where Emily and Derek are where Tsia is found, but it’s Y/N instead of Derek. i just added the car ride before lol. Just for the sake of the plot here, the scene where Emily walks out of the BAU never happens, i replaced that one with what happens last in this lol

This was also requested for my 200 follower celebration from Iv @sweetprentiss​ this time “oooo and one more! emily x reader “please just tell the truth for once!” So since I kinda got free hands on this one I decided to use that fully, i hope you like this one too Iv and thank you for this request too <3 

☽ My masterlist here

☽ Want to request something from me? Take a look here

Emily had left once again out of nowhere, not saying where she was going. She just got out of your apartment and closed the door, not even saying goodbye. You look at the time, 10.26 pm and wonder if she’ll go to her place or come back. You send her a new text asing where she is and when she’s coming home. You barely get the chance to put it down before it vibrates, you pick it up and see a new text from Emily saying:

i’m out for a walk. sleeping at my place tonight, goodnight love you

You just stare at the screen and raise an eyebrow, a walk? Why couldn’t she just tell you that? You want to believe her but you get this gutting feeling in your stomach telling you she’s lying - and you know she is. You unlock your phone and reply:

okay, be safe. let me know when you’re home, love you too

You get ready for bed and as you lay down and try to sleep your mind starts racing, what is she really up to? Could she be seeing someone behind your back? You shake the thought away fast, she never would and you know that. As you close your eyes and try to sleep the feeling that something is really wrong is constant in the back of your mind. 

You wake up the next morning from a text from Penelope, you pick up your phone and read:

New updates on the case, come to Quantico ASAP!

You get out of bed and get ready as soon as you can, exit the apartment and enter your car. The drive to Quantico going a little faster than usual, but the tone of Penelope’s text made it sound urgent. You couldn’t wrap your head around this case, whole families were being murdered but the unsubs covered it up to make it look like accidents. And when Emily and Derek went to visit a potential victim they ended up in the middle of a shootout with them. You sigh as you pull up to the parking lot, the bad feeling in your stomach still not gone. 

You enter the bullpen and drop your bag on your desk and as you do Hotch walks up to you 

“Y/N DC metro has been held up, there’s been a double murder on K-street and 9. They want someone from us to take a look ” he says but before you can answer Emily comes up to you

“K-street and 9th?” she asks and Hotch nods

“I’m going with you” she tells you sternly and starts walking to the car 

“Okay” you reply even though she’s already left 

As you sit in the car you notice how tense Emily is, she keeps looking out the rearview mirror on her side and she seems distressed. 

“Emily how are you?” you ask 

“I’m good, why wouldn’t I be?” she replies

“Well for starters you look like you could jump out of your seat because how tense you are” and as your say that she straightens her posture, trying to look more relaxed but you see right through her

“And secondly your “walks” and other nightly adventures make me worried” you continue

“Why?” 

“Emily you have never as long as I have known you gone for a walk willingly, and at night also” 

“What can’t I pick up a new hobby?” she asks and you hear the annoyance lacing her tone

“That’s not what I’m saying-” you start 

“Good, then we’ll drop this” she interrupts you and looks out the window again and you get the feeling again, you just know she’s not telling the truth.

“I’m sorry” you say after a while

“I’m sorry too” she replies but keeps looking out the window

 “I love you”

But Emily stays quiet, didn’t she hear you? You feel how her silence breaks you, but you stay quiet too - still with that gutting feeling in your stomach, there is something she isn’t telling you. 

As you get to the scene you walk into the apartment and see a man dead in there, you notice Emily standing outside the door keeping her eyes on the woman that’s lying there. 

“He took two in the chest, went quickly” you say and walk out to her but she doesn’t reply

“One straight in her forehead” you say directed at the woman on the floor in front of you, and Emily keeps quiet 

“She comes to the door and he shoots her there, she didn’t stand a chance” you continue and you notice how Emily once again is tensing up, and she looks visibly shaken at the sight of the woman. Just as you’re about to ask her what’s wrong she speaks:

���I need some air” and she walks away quickly, leaving you behind 

You follow her and as you get out you see her by a fence, coughing and you see vomit on the ground by her shoes. 

“Emily, what's going on with you?” 

“I’m fine” she says 

“No you’re not” you blurt at her “You just threw up here, are you sick?” 

“No, let’s just go back to the BAU but swing by my place first so I can change” she says and walk away from you, you sigh deeply and walk after her 

When you pull up outside Emily’s apartment and you’re about unbuckle your seatbelt she stops you 

“Stay in the car, I’ll be quick” she says and get out before you get the chance to protest 

You sit back in your seat and once again let out a deep sigh, why couldn’t you come up with her to the apartment? You lay your head to the side and you feel how tiredness hits you, this case and the whole Emily situation is really tearing on you. You hear your phone going off, pick it up and see that it’s Hotch texting. 

Go home and rest for a couple of hours, you’ve done enough for the day. We’ll meet at Quantico again at 9pm when other leads have been checked

You reply with a quick ‘okay’ and just as you put your phone down Emily comes back to the car. 

“Hotch just texted” you say and show her your phone 

“Okay, can we go to your place? Mine is a mess” 

“Sure” you reply and drive off to your apartment. 

You wake in your bed at 8pm by your alarm, and notice that Emily isn’t next to you. You get out of bed quickly and look for her and just as you get out of your bedroom you see her by the front door. She looks like a kid caught with their hand in the cookie jar - you weren’t supposed to know she left. 

“Aren’t you coming back to Quantico?” you ask, crossing your arms

“I am” she replies turning away from you “I just need to run an errand first” she places her hand on the doorknob and is about to open the door but you stop her. 

“Emily I’m done with this” you blurt at her, louder than intended “that’s bullshit and we both know it” 

“I don’t know what you want me to say Y/N” 

“Emily please just tell me the truth for once!” you yell and grab her hand, stopping her from leaving once again

She pulls away and turns around “You want the truth?” she asks “The truth is that I don’t love you anymore Y/N”

Her words feels like a knife through your heart, and you feel tears burning in your eyes “You don’t mean that” you choke out 

She swallows thickly and it looks like she’s blinking away tears of her own “I do” she starts “I don’t love you anymore so we’re over, goodbye Y/N” and before you get a chance to reply she’s out the door and shuts it with a loud bang. And as the door slams you fall down to your knees, sobbing loudly.

-------------------------------------------------------------------------------------------

Taglist: @originalvampireslut​ / @ssa-sapphic​  / @sweetprentiss​ / @alexbllake​ / @emilyprsntiss /  @sapphic-stress​ / @sleep-deprived-athlete​ / @jemilyssecretlover​ /  @star-stuff-in-the-cosmos​ / @cmslvtt​ / @phatcrackdad​

[jayjaymorgan]

REXWALKER PROMPTS LIST

I noticed that most of the fics I post are angsty and sad, but lately I have been struggling with writing anything, also I’ve been busy with school. So I created this prompt list. You can request a short, fluffy story by choosing a couple of these dialogue starters, just enter the numbers and letters in the asks, you can choose up to five of them per fic. The story will be ranging from 500 words up to 3000, all depending on my motivation. You can also request for it to be a modern day au or normal, Star Wars au. If it’s not specified, I will choose which one suits the story. Once a prompt is used, I will cross it out. If you have any ideas for the list which you want me to ad, feel free to message me. There’s no limit, so you can request as many stories as you want.

A) Fluff prompts :

1. “you’re staring again.” 2. “you can’t banish me! this is my bed too!” 3. “you look really good in my sweater.” 4 “can you stop playing connect the dots with my freckles?” 5. “soulmate shit. it’s hardcore as hell.” 6. “if you poke me one more time, you won’t get a kiss for a week... TWO!” 7. “can i hold your hand?” 8. “i don’t want to be alone.” 9. “put me down! i can walk you buffoon!” 10. “you’re mine. i don’t share.” 11. “you’re lucky you’re cute.” 12. “are you warm enough?” 13. “god, you’re so pretty.” 14. “i love your voice.” 15. “well i think it’s beautiful.” “you think everything’s beautiful.” 16. “the moon is high tonight. it frames you well.” “that makes no sense.” 17. “i would trade the world to see you smile for the first time again.” 18. “my life missed yours forever.” 19. “everything about you is amazing.” 20. “i promised to love you forever.”

B) Random Prompts :

1. “it’s six o’clock in the morning. you are not having vodka.” 2. “could you not suck for five minutes, please?” 3. “i’m too sober for this.” 4. “welcome back, now fucking help me.” 5. “i think you’re actually satan.” 6. “is there a human boy/girl/person in there? or are you just a robot?” 7. “not to toot my own horn or anything, but the dog obviously likes me more.” 8. “define normal.” 9. “sorry, i don’t speak skank.” 10. “excuse me, i have to go make a scene.” 11. “wow, somebody needs a happy meal.” 12. “come on. you can help me come up with conspiracy theories. if you come up with a good one, i’ll pay for dinner.” 13. “would you reconsider if i was sober?” 14. “please, never have children.” 15. “don’t take this the wrong way, but please die.” 16. “this is weird.” “life is weird. get used to it.” 17. “you killed me!” “don’t take it personally, i killed everyone!” 18. “this is hell. this is actual hell.” “well, there’s no place like home.”

  C) Romantic Confession Prompts : 

1. "i can't pretend anymore." 2. "you need to know that i have grown to care for you. deeply." 3. "i've loved you since the moment i first laid my eyes on you." 4. "you deserve to know." 5. "it's you. it's always been you." 6. "are you really so oblivious?" 7. "there isn't anything that i wouldn't do for you." 8. "i was made to love you." 9. "i cannot bare to be apart from you anymore." 10. "please. please just listen to me." 11. "don't make me say it. i can't say the words." 12. "you are all i can think about." 13. "i can't fathom the idea of my life without you in it." 14. "i dream of you. all i do, is dream of you." 15. "i am so very in love with you." 16. "is it so obvious how infatuated i am?" 17. "for years i have yearned for you, in secrecy and silence." 18. "we have just met and yet it feels like i have known you for a lifetime." 19. "you are everything. everything." 20. "it hurts me, just how much i ache for you." 21. "i don't know if i can't bring myself to speak it." 22. "i know that this is not what you want to hear..." 23. "after everything you've done, i still love you. with all i am." 24. "it's true." 25. "i cannot stand you, and yet i also cannot stand to be away from you." 26. "please...say something." 27. "i feel your absence in everything that i do alone, in every place i go without you." 28. "your smile brings me so much joy." 29. "i'm falling for you." 30. "i am sorry that you found out this way."

[night-unfurls-its-splendour]

Every Emma Woodhouse Ranked and Rated

With all my reviews of all the period-set adaptations now finished, I'm beginning my series in which I rate and rank each interpretation of all the principle characters, starting with our girl Emma!

Now I wanna be clear--I am not rating the actresses that played Emma. I am rating how the character was handled in general in each adaptation. The actresses are a factor, but they're not the sole factor, since the writer and director have as much, if not more, to do with how the character ends up in the finished product. So without futher ado, let's rank...

“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her….

“The real evils indeed of Emma’s situation were the power of having rather too much of her own way, and a disposition to think a little too well of herself; these were the disadvantages that threatened alloy to her many enjoyments.”

NUMBER 5: 1972

Portrayed by: Doran Godwin

Age at time of filming: 28

Clocking in as the oldest actress to play Austen’s famously TWENTY-ONE year old heroine (at the ripe age of 28), Doran Godwin also snags the coveted position as inhabiting the worst portrayal of the character (in my personal estimation) to date.

Just about everything about this interpretation of Emma Woodhouse is bad, from her seemingly automated recital of her lines to her all-too-intense, wide-eyed, hypnotic stare. The 1972 portrayal of Emma highlights all the character’s worst qualities while also failing to convincingly communicate her good qualities, such as her caring nature. The script is equally to blame for the awfulness of this interpretation, adding unnecessarily cruel and condescending lines, including one where she negs Harriet for being sad after Elton’s marriage, and then forces Harriet to come with her to meet the new Mrs. Elton, when Emma in the book did her best to shield Harriet from exactly that kind of situation.

Godwin couldn’t pass for 21 if her life had depended on it, and the worst part is that the script actually states Emma’s age, so she seems like a bit of a crazy spinster, preying on the naïve Harriet. Whether it’s her intent to bathe in Harriet’s blood to keep herself young, or to bake her into a pie is up for debate.

Rating: 1/5 Half-finished portraits

NUMBER 4: 2020

Portrayed by: Anya Taylor Joy

Age at time of filming: 23

I thought long and hard about this. This movie is a modern period drama phenomenon. It’s gotten so many people into Jane Austen and satisfied long-time Austen fans by giving them an interpretation they never dared hope to see. It’s a gorgeous film.

But I don’t like this interpretation of Emma Woodhouse. Though Anya Taylor Joy is one of the youngest actresses to play Emma (only two years older than the character) she’s played with a careful stiffness that perhaps shows us a glimpse of the Lady Catherine she might turn into without swift intervention. That’s not necessarily a bad thing, and this isn’t a commentary on Anya Taylor Joy either—her appearance or her acting ability—but I just don’t like her as Emma. And she’s not the sole problem, she turns in a solid performance, she’s a good actress, but something about this characterization is just off-color to me. Anya Taylor Joy plays a great mean-girl; but I think that’s one of the reasons why they thought she’d be a good choice for this role, and it’s one of the prime reasons I don’t think she wasright for it. Emma is a deeply flawed character and, of course, the biggest turning point in her story comes as a result of a thoughtlessly mean remark to someone who has only ever shown her deference, hospitality and gratitude.

All that said, Emma is not, at her core, a cruel person. Emma has gone all her life thinking condescending things about Miss Bates but it’s only when Frank comes along and validates her less kind commentaries that she actually starts to voice them in search of validation from a peer.

The problem with this in the context of 2020’s Emma Woodhouse is that Frank hardly gets a look-in in this adaptation. Emma’s relationship with him is severely underdeveloped and the actors don’t have enough chemistry to pull it off in the limited time they’re given. The result is that Emma appears to cross a line just to cross it, and it pushes Emma’s character from thoughtless to out-and-out frigid.

Still better than Doran Godwin, since she's identifiably human.

Rating: 2 1/2 / 5 Half-finished portraits

NUMBER 3: 1996 (MIRAMAX)

Portrayed by: Gwyneth Paltrow

Age at time of filming: 24

Despite the fact that Gwyneth Paltrow was an appalling casing choice for Emma Woodhouse (I will be forever salty that they passed over Joely Richardson), and I know there are some who will think me, at best, crazy (sacrilegious, at worst) for ranking 1996’s interpretation of Emma higher than 2020, I actually feel that solidly in the middle is right where this version of the character belongs.

There’s so much wrong with this Emma: she swings from mature to bizarrely infantile at the drop of a hat, much of her script is genuinely tragic, Gwyneth can’t convincingly portray Emma's social naiveté, her accent is overwhelmingly nasal and impossible to listen to, just for starters.

And yet… I don’t hate her. I don’t like her particularly either, but even though much of the dialogue re-working butchered Austen’s prose, there are a lot of things McGrath seems to have gotten right about Emma’s character. Her relationship with Knightley feels comfortable and playful, and, while Emma of the book probably doesn’t really care for Harriet Smith in the spirit of true bosom friendship, I believe she does care about her and wishes to spare her (further) pain. She shows exasperation with Harriet while still being patient with her, which is very much in the spirit of the book. Her concern for Harriet at the ball feels real, and her contrition at Box Hill following Knightley’s rebuke, while not profound, at least feels like contrition and not self-pity.

Perhaps, given the soft-take that the Miramax version is, it shouldn’t be surprising that the biggest faults in characterization rest on awkward writing and the biggest triumphs highlight Emma’s better side. It’s not a very in-depth take on the character, but it at least, is an adequate one.

Rating: 3/5 Half-finished portraits

NUMBER 2: 1996/97 (ITV)

Portrayed by: Kate Beckinsale

Age at time of filming: 23

Those who’ve read my reviews of each adaptation of Emma might be surprised to see ITV’s portrayal of the title character sitting so high on my list. To be frank, it’s a distant second, and she may have stolen the number two spot only because she’s played by Kate Beckinsale and not Gwyneth Paltrow.

In truth, I see a lot of parallels between 1997’s Emma and 2020’s. Both actresses were 23 (or thereabouts) when they played the role, both have extremely childish moments, and both crumple down and burst into tears that don’t feel entirely genuine after Box Hill.

So why is 1997 on the good side of the number 3 spot and 2020 isn’t? I’m not precisely sure. I think it may be because Andrew Davies (and/or Diarmuid Lawrence) at least understood the scale of Emma Woodhouse’s wealth and status. This Emma feels sufficiently self-important, a bit haughty, sure—but she’s also believably naïve. You feel her isolation, you understand her caring relationship with her father, and she’s not as patently rude to Robert Martin compared to the 2020 version (she at least acknowledges his presence when he meets Emma and Harriet in the lane).

Grudging though this favorable placement may be, I can at least acknowledge that Emma herself is the least of my problems with this version, and even though Beckinsale’s acting is a bit sketchy at certain points, she also has some truly great moments, especially her interaction with Robert Martin at the end of the film. This portrayal is consistent, and Emma’s better qualities aren’t overpowered by her negative ones.

Rating: 4/5 Half-finished portraits

Number 1: 2009

Portrayed by: Romola Garai

Age at time of filming: 26

And in a shocking twist—I’m kidding this is neither shocking nor unexpected to anyone who knows me or has read my blog/reviews of the Emma adaptations. Am I totally biased? Probably. I don’t care, this is a completely subjective list. Here, finally—my first and true love as Emma Woodhouse—is Romola Garai. I suppose it’s also not surprising that the first actress I ever saw in the role would still be my favorite a decade on. I just love everything about this interpretation of the character. She rides the very difficult line of being bright, caring and intelligent, while also being completely naïve and lacking in social savvy (in her own age-group at least), coddled, and painfully sure of her own self-importance.

Even though Garai was 25 or 26 at the time (far too old for the character—almost as old as Doran Godwin) her energy and charisma are enough that she’s able to carry it off convincingly. Everything about this Emma screams youth, and when Emma’s child-like social ignorance is her most prominent characteristic, it feels authentic and natural. Equally authentic are her emotions—her love for her family, her dynamic with Knightley, he exasperation, patience, and concern with Harriet. Most of all though, this Emma seems to experience the most maturation in the last quarter of the story. Box Hill really feels like a turning point—not just a chastened young woman, but a true coming-of-age moment. Emma faces a reckoning here that begins a chain reaction culminating in her realization of her feelings for Knightley, and everything from the writing to Garai’s performance conveys the magnitude of this shift in Emma’s life.

This version of the character seems the most… complete to me. Somehow, between Romola Garai’s vibrancy, Sandy Welch’s screenplay and Jim O’Hanlon’s direction, this interpretation takes an extremely divisive character and helps the viewer understand just why everyone in Highbury loves Emma Woodhouse.

Rating: 5/5 Half-finished portraits

~~~~

If you liked this, check out my rankings of Mr. and Mrs. Weston

[intheticklecloset]

Haikyuu!! Sentence Starters #1-10

A collection of the Haikyuu sentence starters I've done, compiled for the sake of ease. These are all stand-alone stories.

~~~

1) Lee Noya, Ler Hinata

“Not such a tough little libero now, huh?”

The tease slipped out of Hinata’s mouth with ease as he grinned down at his friend, who was curled up in a giggling ball on the floor.

“S-Shuhuhuhut up, Hinata!” Noya protested, his face bright pink as he tried to hold back the flood that threatened to burst at any moment.

“I think you’re even more ticklish than me, Noya, and that’s saying something!” Hinata giggled along with his upperclassman, easily able to keep up with his squirmy movements. This was way easier than trying to tickle Kageyama. At least in this situation, he had a whole inch of height to his advantage!

Noya squealed and arched his back when the redhead found his lower ribs, crawling up from his sides. “N-Nohohohoho, nononono – Hinata, stahahahahap!”

Hinata beamed. “Why? I like seeing you smile and laugh like this!”

“T-Tickles – it f-frihihihihihicking tickles, Hinatahahahahaha!”

“Oh, really?” Hinata started dragging his fingers up and down the libero’s ribs, thrilled when Noya couldn’t hold back anymore and started squealing with high-pitched laughter. “I would never have guessed.”

“Hinata!” Noya managed before giving up the fight and laying back to take it, shockwave after shockwave of ticklish sensations lighting up his nervous system and making him laugh and squirm involuntarily. But – if he was honest with himself – he really didn’t mind the distraction.

*

2) Lee Noya, Ler Kageyama

“What’s wrong?” Kageyama smirked, holding Noya’s feet in his lap and trailing his fingers lazily up and down the soles. “I thought touch was your love language.”

Noya blushed furiously. “Y-Yeah, but not that kind of touch. Jeez…”

Kageyama replied by scratching his fingernail in the center of the libero’s left sole. “No? Really?”

“S-Stohohohop,” Noya giggled, covering his face with his hands and tugging at his feet half-heartedly.

In the spirit of keeping up the playfulness, Kageyama wrapped one arm around both of Noya’s ankles and held him tighter, scribbling his free hand over both feet at once.

Noya bucked his hips and tried to roll over but quickly wound up on his back again, too weak with laughter to do anything more than protest. “Nohohohohohoho!”

“I don’t know, Yuu, you do seem to be loving this just as much as if I were kissing you.”

“I ahahahahahaham not!”

“You are.” Kageyama grabbed his toes and dug in fiercely. “You should be punished for lying to my face like that.”

Noya tossed his head back and finally started laughing, gripping his stomach as if it would save him somehow. Through screechy giggles he pleaded, “Stohohohohohohop, that s-seheheheheriously tihihihihickles, Kageyama!”

The setter merely chuckled. “I know it does.”

*

3) Lee Hinata, Ler Suga

“No, I’m not giggling!”

Suga grinned. “You sure? It sounds like you are.”

“Well, I’m not!” Hinata insisted indignantly, trying desperately to reach the beetle that was crawling on his lower back, exactly where he couldn’t reach it. Another chuckle escaped him, making him blush. “Get it off of me, Suga! Why are you just standing there?”

“Because it’s cute that a bug is tickling you and you’re giggling,” Suga replied, taking out his phone. “I’ve got to show the guys.”

“H-Hey! Wait!” Hinata whirled to stop him, but his sudden movement caused the beetle to skitter a little further up his back, even more where he couldn’t reach it, and he arched his body and definitely, absolutely giggled. “S-Stohohop! Get it off of mehehehe!”

Suga laughed, holding his phone steady for the sake of his video. “Oh my god, just when I thought you couldn’t get any more fun to be around, Hinata. You’re getting tickled by a beetle.”

“Shut up, Suga!” Hinata felt the heat of his embarrassment on his cheeks, pouting as he crossed his arms, struggling to stay still as the bug crawled up towards his shoulder blades. “P-Please just get it off. Please?”

“All right, all right.” Suga stopped his recording, pocketed his phone, and went to shoo the beetle away. It flew off, unbothered, having no idea the cute scene it had just caused. “There. It’s gone.”

“You’re so mean. Are you really going to show that video?”

“Of course I am.” The silver-haired setter smirked, scribbling his fingers up and down Hinata’s spine quickly, making the redhead shriek and jolt away from him. “How can I resist?”

*

4) Lee Daichi, Ler Suga

“I told you, you didn’t have to try that,” Suga said in exasperation. “Now your arms are all red.”

“But Noya made it look so cool; I wanted to give it a go.” Daichi gave him a look. “You can’t seriously tell me you’ve never wanted to do rolling thunder before.”

Suga pressed his lips together. “Well, since you didn’t want to hear my warning, you’ll have to learn a lesson for not listening to me.”

“Isn’t nearly breaking my arms enough of a lesson learned?” The captain retorted, eyes widening when he saw wiggling fingers approaching him. He took a step back. “Suga, you wouldn’t.”

“I would.”

The setter lunged after his friend, and the two ran around the gym together, sprinting at top speeds to try and catch up to and evade each other. Eventually Suga tricked Daichi into going around the net while he ducked under it, and that finally closed the gap between them.

“No, nohohohoho, wait!” Daichi burst into giggles the instant the silver-haired setter grabbed his sides. “Dohohohohon’t do thahahahat!”

“You deserve it,” Suga shot back, grinning, “for failing to heed my oh-so-sage advice, captain. If you really want to learn rolling thunder, I’m sure Noya would be willing to teach you.”

“G-Gehehehet – get ohohohohoff! Suga!” Daichi twisted and writhed in the setter’s surprisingly strong grip, but he wasn’t going anywhere. “Stohohohohohop!”

Suga only held him closer. “Nope. This is what you get.”

*

5) Lee Daichi, Ler Ennoshita

“Leave me be!” Daichi snapped, turning his back and striding away.

Ennoshita blinked, surprised. He’d been watching the captain a lot more as of late, knowing his fellow second-years were looking to make him Daichi’s replacement once he graduated. He’d of course noticed how hard his upperclassman worked to remain a levelheaded, fair leader to the team – something he wished to do as well. But in the midst of his observations he’d also noticed that Daichi worked himself almost too hard trying to be the perfect example, and when he’d decided to suggest that he take it easy, “leave me be!” was the response he got.

“You don’t have to be a jerk about it,” he muttered. “I’m just trying to help.”

Daichi paused, then let out a sigh and looked back at him. “You’re right. I’m sorry, Ennoshita.”

The second-year smiled and put a hand on his captain’s shoulder. “It’s all right. I know you’re stressed. But that’s exactly why you should take it easy.” Then, inspired by something he’d seen Hinata doing quite a lot lately, he reached out to grab Daichi’s side and squeeze. “To start, you could smile a little more, you know?”

“Ah! W-Whahahahahahat?” Daichi sputtered, helpless against the wide smile that took over his features. He tried to squirm away, but Ennoshita gripped his shoulder even tighter.

“There you go, just like that! Next, you can laugh.” The younger boy grabbed both of his sides then, digging in deep, and Daichi shrieked before doubling over, loud giggles pouring from his mouth.

“Ennoshihihihihihita!”

“That’s my name,” Ennoshita confirmed, grinning, and kept tickling his upperclassman.

*

6) Lee Hinata, Ler Tanaka

“Come on! I see that smile! Give me the smile!”

“Stohohohohohohop! Tanakahahahahahaha!” Hinata squealed, trying his best to double over and fall to the floor. Tanaka wasn’t having it, holding onto him firmly with one arm and digging into his side with the other.

“Come on, Hinata! Stop being so mopey. We all know you’re sad and depressed because Kageyama’s sick today—”

“I’m nohohohohoohohot sahahahahad and deprehehehessed!” Hinata protested, his cheeks flaming red as tomatoes at the callout.

“—but don’t you think he’d want you to be happy and smiling with us instead of pouting all day?”

“I’m nohohohohohohot pouting!”

“Well, not anymore, you’re not!” Tanaka grinned devilishly, scribbling up to Hinata’s underarm. “Tickle, tickle, little lovebird~”

“Stahahahahahahahap!”

“Daichi!” Tanaka turned his head to his upperclassman. “You getting this?”

“Already done,” replied the captain, storing his phone away.

And Kageyama – sick in bed – opened up the video sent to him via text message and smiled, seeing his boyfriend giggling hysterically and already feeling leagues better for it.

*

7) Lee Yamaguchi, Ler Tsukishima

“Stop laughing, this is serious!”

Tsukishima’s harsh words only made Yamaguchi laugh even harder, gripping his stomach as he doubled over. “I-I cahahahahan’t hehelp it…t-thehehehehehey’re r-right – pfffhahahahaha!”

Tsukki growled in irritation. He could barely see Tadashi, having lost his sports glasses and his normal ones stowed away in his duffel bag. “They’re right where? If you see them then tell me where they are! I’m getting impatient.”

Yamaguchi finally regained enough breath to manage, “T-They’re…right there, Tsukki. Around your neck. They just fell, that’s all.”

Blinking, Tsukki looked down and felt around his neck for his spectacles, and sure enough, that’s exactly what had happened. He let out a sigh and put them back on, adjusting them so he could see his friend’s face, pink from laughing and with a wide smile still in place.

“You think this is funny?” Tsukki sauntered up to him. “I’ll give you something to laugh about.”

“Huh? W-Wait!” Tadashi tried getting away, but his blonde friend was taller and stronger and way more intimidating, and it wasn’t long at all before he felt fingers in his ribs, tickling deeply, precisely, drawing out unintentional giggles and squeaks. “Nohohohohoho! I’m sohohohohorry – plehehehehehehease! Tsukkiehehehehehehehe!”

*

8) Lee Tanaka, Ler Daichi

“Dude, you’re way too soft on them,” Daichi said, shaking his head as he watched their two wild first-years sprint out of the gym, no doubt racing to the lockers as though their lives depended on it.

Tanaka shrugged. “Eh, so they’re a little nuts. So was I, when I first started. You were easy on me then.”

“I wasn’t the captain then.”

“And I’m not their captain now. Hopefully ever, dear god.” Tanaka laughed, clapping Daichi on the shoulder. “Relax, dude, they’ll turn out fine. I did, didn’t I?”

Daichi looked at him, and his expression softened. “Yeah, I suppose you did. Still…” He reached for his underclassman’s sides, digging in deep and enjoying the surprised yell he got in return. “I think you could use a lesson yourself, knucklehead.”

“Ack! N-No, ha-hahahahang on a second, I d-dohohon’t need – god, Daichi! Stahahahahap!” Tanaka sputtered and finally broke down into giggles, trying to worm his way out of the older boy’s grip. “Cahahahan’t you lehehehet me d-defehehehend myself for f-fihihihihive seheheheconds?!”

“Mmm…no,” Daichi decided, grinning, tickling even harder. Tanaka finally began to laugh, doubling over and trying to bat the captain’s hands away. “No, I don’t think I can, my friend.”

*

9) Lee Suga, Ler Daichi

“Okay but look, guys – it’s so deep!” Daichi exclaimed, drilling his finger even deeper into Suga’s navel.

Suga was lying on the floor, back arched, head tossed back with throes of laughter, hands pushing weakly at Daichi’s while the captain straddled him, pinning him in place for this ticklish torture.

“STAHAHAHAHAHAHAHAP!!” Suga screamed, laughing louder and harder than anyone on the team had ever heard before. He kicked his legs uselessly, face turning red. “PLEHEHEHEHEASE!!”

“Holy crap, dude,” Tanaka laughed, kneeling down a few paces away to get a better look while the others simply stared on from behind him. “Are you kidding me with that laugh? You sound like a hyena!”

“I DOHOHOHOHOHOHO NOHOHOHOHOHOHOT!!” Suga cried, but he knew he did. He let out a loud squeal, then a snort, and his laughter turned so hysterical it was practically wild.

The others started laughing with him, catching his infectious giggles.

Daichi finally let up after another few moments, scribbling over his belly lightly to bring him gently back down from his tickle-high, and then at last easing up completely. “Your hyena laugh is the best, Suga.”

The silver-haired setter gasped for breath and let out a few residual giggles. “I’m glad you like it, you bully,” he groaned, but he was smiling.

*

10) Lee Tanaka, Ler Hinata

“Don’t poke me!”

Hinata grinned, proceeding to poke Tanaka again anyway. “Why? Does it tickle?”

“You little—!” Tanaka tried to grab him and tickle him first, but Hinata had always had speed on his side, and the redhead had scrambled behind his upperclassman and latched onto him, drilling into his ribs and sides. The second-year let out a yelp, trying to keep from laughing. “Gah! Get off! Hinata, this isn’t funny!”

“I think it’s funny,” Hinata replied, giggling as though to prove his point. He reached up even further into Tanaka’s underarm, and that’s when the upperclassman finally broke and started cackling.

“Nohohohohohoho! You lihihihihihittle jeheheheheheherk!”

“Aw, you’re ticklish, Tanaka!”

“I knohohohohow that! You dohohohohon’t need to tehehehehehell me!”

The redhead beamed, tickling under both arms now. “Tickle, tickle, tickle!”

“Stahahahahap it, you fihihihihihirst-year brahahahahat!”

Hinata laughed. “You sound like Tsukki.”

“I sohohohohohohound nothing lihihihihike that stuck-up – ahahahahahahaha nohohohohoho!” Tanaka tried to wiggle away from Hinata’s fingers along his neck and shoulders but found he was attached quite firmly and couldn’t be shaken off. “Hinata, stahahahahahap already!”

“Okay, fine…” Hinata relented, finally letting him go, grinning. But when Tanaka whirled on him, evil smirk in place, the redhead knew he’d made a mistake in conceding so quickly. He turned on his heel and ran.

[piratewithvigor]

Romance Isn't Dead (Just Buried Alive) - Chapter 1

When faced with one of the most frightening emotions of all time, Undertaker turns to Goldust for assistance

(I have literally had this title yelling at me since like June without a plot to go with it. Have finally plotted it for the most part. Figure it'll be like 3 chapters or so. Beats the hell out of me when they'll go up. For now, enjoy some good old-fashioned sweet crack)

The star on the door is glittering almost offensively brightly. ‘Goldust’ is scrawled through the middle with an obscenely elegant script. It’s as bright and cheerful and dazzling as the man himself.

Undertaker feels sick to his stomach to be standing in front of the door.

It’s not fear. He doesn’t think it’s fear, anyway. Fear sits heavy when he does feel it, and it isn’t often. Paul’s reminded him time and time again that there’s not a single thing in the company more scary than he. But Paul doesn’t know he’s here. Maybe it’s the idea that he finds out that scares Taker. But he’s faced Paul’s ire before. It’s deeply shameful, but not scary.

And yet, something grabs his arm and keeps him from lifting it to knock at the door. Some invisible force he isn’t familiar with. Paul’s trained him long and hard in recognizing and overcoming any force, visible or not, mortal or otherwise. He’s not sure he’s breathing as he rereads the name on the door over and over. It’s something to focus on. Something to keep his mind occupied as he works to lift his arm.

Maybe he ought to just walk away. Could be for the best. It’s probably not a good idea anyway. Paul does the better thinking. Everyone says so. Ever since the fire, it’s always been easier to just listen to what Paul says and not make a mistake by disobeying him. He’ll walk away and forget the whole idea. He’s able to turn his head to leave before a voice comes from inside the room.

“Didn’t know zombies needed to be invited in. Thought that was just vampires.”

Words die in Taker’s throat. He didn’t know he had any in the first place. All he has is finally the willpower to knock. There’s a quiet groan from inside and a little shuffling the door opens. Goldust stands there, wearing a shimmering robe that nearly brushes the floor and most of his face paint. The rest was just about to be applied, judging by the brush in his hand.

“It was an invitation, dear. I doubt the door would be too heavy for you.”

“Didn’t want to be rude.”

It’s a flimsy excuse, but Taker’s looking for any reason to stall why he’s here. Maybe it is fear. He’s familiar with the emotion after all; having caused it plenty. Was this how his enemies felt? Frozen in place, hearts racing, breath a struggle to pull in?

“Are you alright? You look like you’ve seen a ghost. Almost as pale as your Mr. Bearer.”

“Can I speak with you in private?”

The request is strange enough to wipe the expression of eternal confidence off Goldust’s face. Taker hardly ever speaks to begin with. Paul does most of that for him. To speak in private with Paul nowhere to be seen? Unheard of.

Wordlessly, Goldust takes a step back to let Taker past him into the room. The whole place maintains the flair of Goldust himself, with garments hung up that Taker almost feels he needs to cover his eyes a little to look at. He doesn’t, of course. His mind is far elsewhere.

Goldust closes the door behind them, wringing his hands a little to quell the questions. He figures he’s not the one in trouble, else he’d have been decked on the spot when he opened the door, if not, chokeslammed or even tombstonned. But none of that had happened. Taker looked far more pale than usual. And he’d stood outside the door for 7 minutes and 15 seconds (not that Goldust was counting) completely motionless.

“Need a seat?” He offers, sitting back down in front of the mirror. Taker may need to speak, but Goldust is on in less than an hour and still needs to paint in all the black on his face and adjust his wig.

“No, thank you. I may need to leave in a hurry.” He keeps glancing back at the door, double- and triple-checking that it is most certainly closed and that there’s no way Paul can possibly see him from the hallway.

“Then maybe a glass of water? Honestly, Taker, dear, if I didn’t know any better, I’d say you weren’t supposed to be here.”

“I’m not.”

“It can’t be against your Mr. Bearer’s rules to speak with a colleague. Especially if we’re going on together tonight.”

“It is.”

“Seems overly harsh.”

To that, Taker doesn’t answer. He’s watching Goldust apply the makeup with a skilled hand in the mirror. Perhaps it is a little harsh of Paul to keep him away from the other wrestlers, but Paul is taking his pre-show nap. Sneaking away was easier than Taker expected. All in the name of necessity.

“I need your help.”

“With what?”

Taker isn’t exactly sure. It all seemed to simple before that moment. As he snuck away from his own dressing room where Paul was sleeping. He’d request Goldust’s help and after a couple more steps in his brilliant plan, the burning persistent desire in the back of his mind would be fulfilled. What could go wrong?

Not knowing what exactly he was desiring, for starters. The thoughts and feelings had begun months ago and he was fairly certain he knew what they were, but there was always the chance he’d been completely wrong and would get laughed out of Goldust’s dressing room. From there, the laughter would spread and Paul would find some kind of way to punish him.

He’d been told to forget these feelings. Forget the fantasies of touching, perhaps even without his gloves on. They weren’t beneficial. They weakened him instead of strengthened him. But maybe Paul was wrong this time. It hadn’t happened yet, but it still could.

“I think I’m in love.”

Of all the things Goldust had guessed Taker might say, a declaration of love certainly isn’t one of them. The shock causes him to nearly gouge out his eye with the brush, but he stops short, only causing a few stray tears to leak out before grabbing a tissue to salvage the makeup and turning around to face his guest.

“I’m certainly glad to hear it. I wasn’t sure if you were able to feel anything besides anger.”

“I’m not supposed to.”

“That’s just foolishness. No one can make you stop feeling things. Especially love. Now, I want you to sit down and relax and tell me all about whoever captured your heart.”

Taker hesitates a little, but follows Goldust’s instructions. Most of them, anyway. He doesn’t relax. His heart is still racing with the worry of being caught. The worry of trying to explain his heart when he isn’t sure he still has one.

“He’s… another wrestler.”

“Do I know him?”

“Yes.”

“Is he here tonight?”

“Of course.”

“Who is he?”

Taker grows bright pink and turns away. Underneath his makeup, Goldust can feel the same happening to him. Words nearly fail him.

“Well, Taker… I’m… I’m flattered, but you know as well as I do that so much of what we say in the ring is… exaggerated. I suppose I would be willing to try-”

“It’s Shawn,” Taker blurts out, his skin almost as red as his beard.

“Shawn Michaels?”

Taker nods and Goldust breathes out a sigh of relief. His tastes may be a little out of the ordinary, but the idea of trying to be in a loving, committed relationship with someone who’s at least very peculiar and at most not human is a little too much. But dancing with the devil in the pale moonlight wasn’t exactly off the table.

“Does he have any idea?”

“I don’t think so.”

“But you want him to know?”

“I… I don’t… I’ve never really…” Taker stammers over his words before finally finding the right ones after a deep breath. “Yes. And I want him to love me back.”

It’ll be a challenge, doubtless. But Taker came to him with it. Some might argue that he isn’t the locker room’s authority on matters of the heart, but he’s been trusted with Taker’s.

“You’ve got a lot to learn, my dear Deadman. Shawn’s driven around the block a few times, but it’ll be hard to get him to find a place to park,” Goldust muses, then notes Taker’s deeply confused expression. “It’ll be hard to get him to settle down with just one man,” he corrects himself.

“But you can make it happen, right?”

“You wouldn’t have come to me if you doubted I could. Anyone can win anyone’s heart if you employ the right techniques.”

“And you can teach me?”

“Undertaker, dear, if there’s anyone in the world who can teach a zombie the art of romance to woo the man he fancies, it’s yours truly.”

[rp-meme-central]

Critical Role - Percy de Rolo - sentence starters

1. “I’ve known a lot of people with money, and they are definitely not worth you.” 

2. “You were never ______’s favorite. She/he/they told me.” 

3. “Your secrets is safe with my indifference.” 

4. “You’re the face I saw when murder entered my heart. This is your doing.” 

5. “We’ll be keeping your weapons, your armor, and I believe your pride.” 

6. “Your soul is forfeit! DIE! DIE!” 

7. “I am going to take a leap of faith and believe, contrary to all evidence, that you are a smart ______.” 

8. “You are, at the moment, the luckiest person in ______. Do you know why? Because you’re at the bottom of my list.” 

9. “Screw you, I want my final words with you to be indignant and irritated.” 

10. “I’m sorry! I’m a genius! I’m sorry, I’m sorry! Oh god, I’m clever...” 

11. “This is for ______. And let me say, you were the one I was least looking forward to.” 

12. “This is good we do here. This is great good.” 

13. “Did it choose me because I was broken, or did it break me?” 

14. “I want it to die before anybody sees it. Can you help?” 

15. “I will try and keep _____ safe, and I will try not to be the thing that kills them, either.” 

16. “I hate magic! I hate magic!” 

17. “Honestly, ______, you’re too happy to look like you come from money.” 

18. “If you feel the need to deeply bullshit, I’d be happy to help you. It’s not hard.” 

19. “It is easy to pretend you come from money. You just have to be a little bit of a shit and wear what everybody else is wearing.” 

20. “If they have something nice that makes you feel inferior, we can just take it.” 

21. “Life needs things to live.”

22. “I forgive you, but I cannot let you leave.” 

23. “There is nothing that I could have done to save ______, and yet I still sold my soul in search of vengeance.” 

24. “You often remind me of myself, and yes, I am aware that that is a bit of an insult.” 

25. “I traded away the world’s safety for the belief that I could murder my way to peace. That if I could be a greater horror, it would bring ______ back.” 

26. “You often remind me of myself, and that is the highest of compliments.” 

27. “What is wrong with you? Don’t you see there is nothing here for you? Run away before you die! There is no option!”

28. “I’ve met the Devil, that’s not him.” 

29. “We have been given mighty deeds. We will rise. Or, if we fail, no one will ever know.” 

30. “It’s a thing I’ve been working on, but apparently somebody else has done it first, so never mind.” 

31. “This is an evening of unbridled guilt. Come here, let me show you.” 

32. “The terrible _____ may have a point.” 

[adrianicsea]

hacksaw + detective! hiii pls know you're one of my coolest muts

HELLO!! and thank you very much, that means a lot to me... i just come on here and post my bullshit and leave so i'm glad you're enjoying it :')

for the questions:

hacksaw- one change you'd make to the plot (overarching or to one movie) if you could? -- god there's so many, but the first ones i thought of while reading this were either "split 3d's story back into a full 7 and 8 like was originally intended," or "have 3 be about alison and lawrence like originally intended." i know that the lawrence cut of saw 3 would have been VASTLY different and had far reaching implications for the rest of the series, but also like... idk it's just very sad to me that cary had such a hand in starting the franchise and then got screwed out of it for so long. the lawrence cut is equally sad to think about (it means no lynn for starters, and also i'm pretty sure lawrence would have died), but i also think that it would have been interesting to see how leigh ORIGINALLY intended for his story to end.

detective- hoffman or strahm fan? -- i know this is asking me to pick one but the way it's phrased almost sounds like a yes or no question. imagine if i was like "no, not really! :)" and just left it at that. ANYWAYS of these two, i definitely like strahm more-- he's a really interesting and complicated guy and i just think there's something deeply wrong with him. also canon hoffman has no redeeming qualities whatsoever imo, and while i respect and admire the fandom legwork that has gone into interpreting his character into something more worthwhile and interesting, i just don't think hoffman as he appears in the movies has much of anything to offer. society if they hadn't cast a guy who couldn't even manage to fake getting hit by a car

[thequietmanno1]

Thelreads, MHA 252, Replies Part 2

1) “I like how Bakugo is all “I don`t care about this family drama bullshit” looking away while still clearly paying the uttermost attention to what`s going on. Fucking Tsundere.”- Bakugou has never made any actual input or moving speech to Shoto’s family drama like Izuku has, but he’s deeply and perpetually involved in it nonetheless simply because he cares that much about somebody he considers a friend and rival, even if he’s never say it and would bite their windpipes out if they tried saying it for him 2) “That`s great right there, it`s a far cry from how other characters in other stories got away just by saying they had changed”- Endeavour’s character is a fascinating contrast to paragons like Izuku and Yagi. A man muddied by the mistakes of his past, who is not a natural-born hero but can still fulfil the role of the country’s best through diligent effort and unrelenting willpower, a man flawed and contemptable, but also strikingly noble and selfless at times when you least expect it. He really comes across as a human character, one that doesn’t have some great destiny or monumental charge placed upon him, yet nonetheless struggles because of his own hubris and past failures. Izuku is the ultimate cinnamon roll, but guys like him are one in a million, acting as paragons of what we wish we could be all the time, whereas somebody like Endeavour reflects the myriad mistakes that everybody makes going through life- the part of ourselves we’re not proud of, and wish we could take back now we’re older and wiser- and at the same time, also showcases the parts of ourselves that make up our best qualities, that allow us to be our best selves without forgetting where we went wrong before and must never do so again.

(MHA ch 250)

3) “Let`s learn how many more kids Endeavor ended up killing, on Chapter 250: Ending.

…

Huh. Interesting tittle…”- Well, he certainly was the ‘ending’ of something. That something being Endeavour’s futile wish of being part of his family’s life again.  Probably for the best he nearly killed Natsuo after all.

4) “Oh right, we were smack in the middle of the Todoroki hurricane, and my god is it being a complete mess. Well, Natsuo put it on the open as well, he wants his family to be happy, he wanted to be able to do the same as his siblings, but he just can`t, and that`s fine.”- Natsuo knows the dream of his family being happy together is the correct one to wish for, but he also knows that it’s right that Endeavour’s sins should not be glossed over by them all, no matter how miserable it makes them to remember, and thus he’s caught between two opposing ‘rights’, uncertain of which one to choose, whether to make his family happy, or take the moral route and stick to his guns about hating Endeavour for his mistreatment of them, even if it upsets the rest of his family.

5) “Well Natsuo, for starters, the usual sense of the situation implies that he will try to atone, which means he`ll be spending the rest of his life trying to make up for his sins, until the day he dies. So, in a way he can`t tell what he`s going to do, but rest assured he intends to do it forever.”- Endeavour has no way to know what tomorrow will bring, or even where he’ll be years from now. He just knows that wherever he is, he’ll never forget the lessons he learned far too late to fix his family, and that’s really all he can promise Natsuo at this point.

6) “fuck`s sake, I forgot Ending was there- Dude please, let the Todoroki`s do their thing right now, your contribution is over, kindly shut the fuck up I want to see the angst going up on this shit”- Ending’s got plenty of Angst going on himself over his second failed suicide attempt- sadly his has no way to stack up against the mountain of angst that is the Todoroki family, and all the assembled parties present frankly couldn’t give a toss about him one way or another. Not even Izuku’s gonna try and reach out to help a guy who’s so blatantly selfish about his decision to off himself and make himself the centre of somebody’s world for a moment before he shuffles off the mortal coil. If he wanted some help with his life and to get better, then maybe Izuku would try, but Ending has no interest in being ‘saved’, he just wants to get his excuse to bow out of the stage of life, and thus not even the smol cinnamon roll has any interest in trying to give this villain some much-needed therapy.

7) “Midoriya: IT`S THE COPS, SCATTER!

Bakugo: The fuck are you on about?

Midoriya, shaking away the memories of Hosu: Sorry, force of habit.

Bakugo: What the- Wait a moment, where`s the half-half fucker?

Cue to both of them looking back and seeing that todoroki is already two blocks away, still running like hell.”- That’s twice now that Todoroki’s taken down a villain with his father nearby and the old man is likely the one that the public will attribute to stopping the crazy lunatic, regardless of the actual facts. Sure, this time there were witnesses, but the kids were operating under Endeavour’s supervision, so they’ll likely assume they moved based on how he ordered them to.

8) “Mostly out of the streets, eh? Interesting… Almost like some sort of crawling Vigilante spent  a long time battling against the drug dealers that sold it, until he tragically died taking down the last Trigger factory, unknown to society, and the last few remnants of the drug were later taken down alongside the Yakuza, right? Right?”- Just because you stop them making more drugs, doesn’t mean there aren’t any still in circulation and storage by criminals who’re saving the power boost for a rainy day. Koichi’s likely fully wiped out the trigger factory by this point in the timeline, but him removing every single vial of trigger already on the market by himself is simply too tall an order. The only thing that can be done is to wait it out, as said drugs gradually dry up or turn up in related police/hero busts on villains.

9) “OH WAIT WE`RE GONNA HEAR BAKUGO`S HERO NAME?

DEADASS?

NO I MEAN, NOT THAT I THINK IT`S GONNA BE DEADASS- NEVERMIND THAT, IT`S GONNA BE KACHAN, RIGHT?”- That’s ‘Massacre Count Deadass’ with Bakugou’s naming sensibilities if so.

10) “WELL FUCK YOU TOO BAKUGO, I DIDN`T EVEN WANTED TO HEAR IT ANYWAY

AND DOUBLE FUCK YOU FOR NOT LETTING YOUR OL` BUDDY PAL-PAL SHOTO HEAR IT, HOW DARE YOU, I THOUGHT HIS FRIENDSHIP WAS MORE IMPORTANT THAN THIS”- So, the one thing we know with absolute certainty from watching Bakugou this far throughout the story is that he is one stubborn and dedicated punk. If he says he’s going to do something, no matter how impossible, then he’ll push himself to the limits and beyond to achieve that goal like he claimed, turning his arrogant bravado into a badass statement of intent. Therefore, we can guarantee that we won’t be hearing his hero name for a ‘long’ time, given he’s sworn to tell Best Jeanist it first before anybody else, and he’s not gonna find out Jeanest’s fate for at least 3 months’ worth of time, given how Hawks has to keep what he did a secret whilst infiltrating the PLF to preserve both his public image as a hero and his true status as the mole. Either way, there’s going to be some awkward confrontations happening once Hawks finally spills the beans, because you can tell the Icarus analogue is burning up inside from the guilt of having to keep the truth about Jeanest a mystery around those who care about him.

11) “Oh? We`re already done with the training? No, Endeavor said they would keep coming regularly, right?”- I think either Endeavour’s getting his affairs in order to move his family out of the house, and thus can’t devote too much time to their training, or he’s judged that by meeting his challenge, they’ve proved they’re now at the level where they won’t be a burden others during this war, but rather valuable assets. Even without him supervising them, they’ll still be training the skills they developed under him in their own time, so he feels justified in letting them go so he can turn his attention to more personal matters.

12) “And now, another hit of drama, it`s time for him to tell her that he`s leaving. Or at the very least that she also doesn`t need to forgive him, because he already came to terms that he shouldn`t be forgiven. Either one is fine.”- Actually, she’s leaving along with the rest of the family, whilst he stays behind with the family’s personal baggage in their house. Try as she might, that home simply has too many painful memories for the Todorokis as a whole for Fuyumi to turn it into a family home, so it’s simply better for them to move to a new place and start afresh, without any lingering memories getting in their way. This does mean that Endeavour will spend his days living with the ghosts of his family’s past in that house, and being tormented by his regret for what he destroyed, but again, it’s the very least he can do for them.

13) “HOLY SHIT HORIKOSHI DID A MASTER STROKE WITH THIS ONE, HE REALLY WENT THERE AND MY GOD AM I GLAD FOR THAT”- It really is a tasteful resolution to the whole mess- not a permanent solution to their problems, but the foundation upon which the family as a whole can start to really move forward from their past.

14) “Endeavor is still a monster, but holy shit must I say how much more I respect Horikoshi on this particular case. He had a lot of missteps and fuckups writing this series, sure, but I think that on this particular case he got shit right. Truly wonderful to see it being handled like this.”- When he sticks the landing, Horikoshi really makes an impactful statement, and its themes like this in a popular mainstream manga series that make me interested in how Horikoshi’s work is affecting public opinion in places with closed and rigid mind-sets like Japan. Obviously, he won’t cause a complete shift in the way the majority handle similar cases, but young people reading his story will grow up leering the lessons he preaches and challenging opinions that their elders take at face value, which will have a knock-on effect down the line-and he’s far from the only manga writer to be doing stuff like this. Truly, storytellers have more power than most people realise. @thelreads

[underkita-archive]

cotton

miya atsumu | w.c 1.3k

a/n: hesitant to call this x reader as well so i won’t </3 but this is the companion piece to polyester and it’s more of just atsumu’s perspective! it felt necessary ffksjdfh and i listened to a lot of feelings are fatal by mxmtoon while writing this <//3 sorry </3

set post time-skip

warnings: unrequited feelings/love, miki trying to use past tense, again, angst

Miya Atsumu fell in love in his first year of high school on Valentine’s Day. 

His brother would argue that it had happened long before that, but what does he really know? 

He fell in love the second your hands brushed against his with a shy smile as you placed homemade chocolates on his desk before running out of the classroom to chase after your friends.

They shouldn’t have been special, the entire team received the exact same treats from you, although Kita’s box had a few more pieces, which you argued was due to him being the most helpful before and after practice. But that was neither here nor there, because Miya Atsumu was head over heels, pitifully, in love. 

And he wouldn’t shut up about it.

Night after night he lamented to Osamu about their pretty little manager with her kind smile and strong presence. How she was the smartest girl he’d ever met, the way she didn’t flinch when he was too loud and occasionally laughed at his lame jokes. The only thing that he had kept to himself was the way there was a fire in your eyes that made his heart pound, that every second where your gaze would hold his only sent him further towards the edge. 

“Then tell her, and more importantly shut up.” Osamu had hissed in the darkness of their room. 

It was easy for Osamu to say. He didn’t know what Atsumu did, he didn’t see what Atsumu saw. And for someone who was always a little too consumed by his sport, when it came to you, it was the first time he could clearly see outside of it. 

The way you looked at Kita Shinsuke held no secrets, for the way you looked at Kita Shinsuke was surely the way he looked at you. 

It had been a bitter realization that had left him pouting and glaring at his teammate in that special petulant way that he had perfected with Osamu. It hadn’t made an inkling of sense. Kita wasn’t the best on the court, he wasn’t even a starter nor did he ever really play in games.

The adoring look in your eyes spoke volumes, it made Atsumu’s head spin with envy and confusion and he wanted to hate Kita more than anything. 

But how could he? As time went on he couldn’t help but feel the pain in your heart was his own. There was something profoundly sad in the way you held yourself when Kita was around, stricken so deeply with something far too intense for a high schooler to truly grasp. 

Despite the pang in his own chest, he had found himself supporting you in your feelings, hoping you would find the courage to confess, hoping that you would gain the happiness you had deserved. Even if it wasn’t with him.

He held onto his feelings tightly, careful not to let any lingering touches or stern commands throughout the years mean anything more than the concerns of a caring team manager.

If he let himself be selfish he found himself consumed, tormented by the possibilities of if you could ever look at him the way you looked at Kita. 

After Kita graduated he had fooled himself into thinking he had a chance, strolling up to you at the end of practice with his chest puffed and the title of captain tacked onto his name instead. The distant look in your eyes had stopped him dead in his tracks, your eyes had moved over the players searching for someone who wouldn’t step foot in that gym again, not like before.

He resigned himself after that, officially dashing away any thought of a confession or returned sentiment. Watched in silence as your final year together ticked by a little too fast, keeping his second button tucked in his jacket pocket as you parted ways.

-

The text detailing an invitation to an engagement celebration doesn’t come as a surprise to Atsumu. He had already heard from Osamu, who heard from Suna, from Gin, from Aran that Kita has been planning on proposing to his girlfriend. 

His thoughts immediately drift to you. Since graduation there had been sparse communication, consistent birthday and happy holiday wishes, along with the occasional emojis thrown back and forth and the one time you had found a picture of him sleeping with Suna and Osamu scribbling furiously on his face. 

He’s gotten over you, he swears it. And he’s sure you’re over Kita at this point, preparing himself to see you stroll in with someone of your own. So he gets ready for the night, texts Osamu at least three maybe twenty times to hurry up. 

He walks in with his brother in tow, head held high and his people winning —shit-eating according to Osamu—grin on his face. The second he sees you it hits him like one of Kageyama’s serves to the face. Three years later you look just different enough to show growth, just enough to be a little wiser, a little bolder but not enough to hide that what you feel for Kita really hasn’t changed.

It makes him feel nostalgic, bitter, yet nostalgic.  

Throughout the night his eyes keep sliding back over you, watching as you smile so easily without a hint of joy, how you laugh and joke and avert your eyes from the ring sparkling on the fourth finger of the woman cuddled up next to Kita. He sees it all and says nothing as he downs another beer. 

It’s by the time there’s practically a rain cloud hanging over your head and a look of utter defeat in your eyes that he finally takes pity on you. Opening his mouth to spew whatever comes to mind first and grabbing at your wrist, hauling you out of your seat. 

When you protest he barely makes note of it, keeping his eye on the door of the restaurant as he pulls you along. You shaking out of his hold was something he was prepared for, about to snatch your wrist once more when the determined look in your eyes stops him in his tracks. 

“Congratulations Kita-san. I wish you both... I wish you both unending happiness.”

It’s such a genuine statement, it hurts him to hear it. He can barely fathom the pain that uttering it brings you as you twist around on your heel and stalk past him. 

He knows there’s no point in calling after you or in telling you to slow down when he’ll easily catch up in seconds. You don’t jump when his hand lands on your shoulder, simply stopping the second he makes contact. He braces himself for the fallout, for you to tell him to shove off and disappear.

“It hurts.”

And he holds back a wry chuckle as you fall apart before him. Because yeah, it does.

There’s a part of him that feels vindicated as you touch your forehead to his chest, sobs wracking through your body as he shifts his hand to press between your shoulder blades. He should feel guilty, he should feel pity maybe, but the cruel part of him feels like he’s won. 

Won against you, won against Kita. 

The feeling fades quick, because he’s lost more than he’s ever gained in the past six years.

It’s not the right time or the right place, but Miya Atsumu was never patient, in fact it had always amazed him that he was able to hold back for so long.

“Could you… consider me?”

His voice comes out softer than he intended, his words far more unsure. He watches with his heart in his throat as a wave of emotions shifts through your expression.

There’s a few more words passed back and forth, and he knows he sounds desperate, only reminded of just how wrong the timing is. But he can see it, that slight shift, a lifting of a veil, a door cracking open and it gives him hope. 

For once in his life when it comes to you, he lets himself hope.

[amwritingmeta]

15x20: Oh fuck it’s actually really good. Dammit Dabb.

So I slept. And waking up the first thought in my head was... but there is this open ending with them all in Heaven and Cas not a stated angel even, just a helper to Jack...

And then I felt the need to watch the episode again. Because of how I’ve said, perhaps not for always, but often enough, that this show of ours was never about Destiel, was never about Dean and Cas’ love story, and beginning to hope that the ending would be focused on them... it wasn’t fair. Not really. And I remembered reading somewhere that a big chunk of the internet accepted Cas’ death as final, and seeing posts to that effect and thinking LUDICROUS and NO WAY and knowing all along that it could all be denial on my part.

And oh boy was it. 

I know there were plenty of us who kept that hope alive, and I’m thankful for you, but I made myself believe that he’d be back because I couldn’t imagine he’d die like that, or that the love story would end unreciprocated like that. And I guess, in a way, it still did, BUT... in another way, it really didn’t. 

It’s not enough. Subtext is not the representation I’ve always hoped for, but it wasn’t just erased either. And we got as much as we could get, because obviously Dean being textually bi and us getting an I Love You out of him was just never going to get green lit by the studio.

I’ve always believed the writers would’ve gone there if allowed. I think Cas’ love declaration underlines that they would’ve. But they weren’t given the opportunity, and I’ll lament it until the end of time, but it is what is.

What we did get, though, is quite beautiful. No, listen, IT IS.

There’s the emotional substitute Miracle Dog, getting so much LOVE from Dean, which I know most of us all went the big awwww at, no matter what we thought of the rest of the ep. 

There’s the healthy way Dean is dealing with the loss of Cas, and of Jack, knowing that pain will never go away, and accepting it. Accepting it because he’s feeling worthy of moving on without them. He’s no longer attaching his self-image to the perceived failure of protecting others. He’s letting them go, believing that they may meet somewhere further down the road.

But looking at the finale for what it is, rather than for what I wanted it to be (cardinal sin omfg my emotions really ran away with me and I wish I could’ve been more level headed and come on here with this positivity and calm) (but) (no dice) (anyway) it’s just beautiful how Cas is in the background, not waiting, not really, because he’s busy preparing Heaven and fixing his home in ways that will actually mean peace AND freedom when the brothers are done.

Something Cas would not have been able to do if he’d not fallen in love with Dean. If he’d not gone through his journey. I mean. Those implications are highly satisfying. 

Last night all I could think, ALL I could think, was that it’s not ENOUGH.

But it has to be. Because it’s not dismissive. It’s not erasing anything. It’s the same subtextual thread we’ve always been pulling on, and it’s there for us to continue to pull on, and that’s a goddamn gift.

I wish that 15x18 hadn’t been quite so in our face “kill your gays” buuuuuuuut that’s if you’re surface watching, yeah? Cas isn’t dead, for starters, and everyone was, obviously, brought back when Jack took Chuck’s power, so even if it wasn’t visually established that Stevie and Charlie are back and thriving, it’s narrative fact that they must be. What it is, more than anything else, is what I read it as to begin with: a love letter to the love story, where we get the subtext of couples loosing each other so strongly stated that there’s no way we’re not meant to understand that Dean losing Cas is within that exact same context.

We didn’t get textual Destiel, but we did get the love story textually confirmed through Cas’ declaration, and we did get it subtextually confirmed, not hinted, subtextually confirmed through all those other couples losing each other, that the love story EXISTS there, on that level, for us. 

Oh guys I feel so sad that I was so SAD yesterday. Why didn’t I just take a breath?? Guys, guys, guys, there’s such BEAUTY.

And Jensen.

Jensen in how he played that death scene. Jensen who kept it so even, so gentle, so... brotherly. These brothers have been through hell. Dean ending this way... it’s a travesty, but it also means he meant to go to the place where he doesn’t have to hope to see Cas again--because he will see Cas again.

And why didn’t Cas come right back to Dean once he was out of the Empty, why did he go off with Jack to fix Heaven?

I would say that it’s another underlining of Cas’ independence, and this his entire focus isn’t Dean, but, of course, I would assume the thought of Dean is ever present, and the rearranging of Heaven is as much about making sure Dean gets that freedom, as well as that peace, once he’s done as it is about Cas simply not being able to stand for souls being trapped in their memories anymore. Cas knows how to fix Heaven. I mean... that’s a fucking gorgeous and highly satisfying ending to his individual arc. And he’s with Jack!

Like. I mean. That implication that Cas is fixing Heaven with Dean at the back of his mind is quite head-exploding to me. And yeah, sure, that’s how I’m interpreting it, but all the ingredients for that delicious pie is left right there for us in this ending.

What about the legacy issue? What about found family? What about Dean finding happiness in death? What about Dean opening himself up to love?

Yeah, it’s not without issues, depending on how we interpret these things. Do I believe Dabb set out to write an offensive, horrifying, deeply problematic ending to this show and pretty much hand it over to the side of this fandom that has always been the... well, shall we say, less stabile? 

No. I kept saying yesterday that I just didn’t understand what happened, I didn’t understand why our writers room would choose THIS ending, I couldn’t fit the pieces together. That was on me, not on them. Get me?

Interpretation is deeply subjective. It’s personal. And it’s tainted. Always tainted, guys, and there’s no way around that. It’s not perfect and it’s not absolute and all the writers can hope for is that their core message will get across strongly enough to avoid misunderstanding.

I misunderstood the intention yesterday because my interpretation was tainted by what I wanted and felt I needed from this narrative.

For years I’ve refused to put expectation on the story because I know what that does to one’s perspective. It’s futile to engage with hopes and wishes on a deeper level because the show will never deliver exactly what you want. It’s delivered stuff in the ballpark enough times for me to dance alongside it, but to place so much expectation on this finale was just... oh man. Bad. 

I take full responsibility. :)

What about the legacy issue?

The legacy is that you live the best life you can and you end up in happiness, with the people you care about. You LIVE. Nothing about Dean’s death is prescribing dying to get what you want. We have it established that Dean is not suicidal in any way, that he’s mentally stabile and that he’s carrying on without Cas, even though he thinks about him. Not living would make the sacrifice pointless.

What about found family?

Found family was meant to be a part of this ending, but due to COVID (I’m assuming along with everyone) we didn’t get a collection of oldies and goodies at the Roadhouse. We got a father figure to signal the father/son thread that this finale was pulling on, a thread always tied so tightly around Dean and Sam and underlined for us in this episode. The codependency finally broken because they were ready to let each other go. Not forever, because that would’ve been tragic, but for now.

What about Dean finding happiness in death?

The implications of Dean having to die to be happy are quite dark, I know that, but he was never going to hang it up. Not entirely, right? He would never be able to rest on Earth. And he’s always afraid. So instead of spending a lifetime alone, growing into a crusty Bobby (who lost the love of his life too early too), Dean got to go to the place where his happiness actually is. He got to go where Cas is.

I mean, that’s my interpretation here, but rather than set both brothers up with a love life and families and all that, we got a Dean who’s lost the love of his life and is dealing with that loss as best as he can, but who is also ready to go when it’s his time. He wasn’t expecting it to be right then, that day, and he says as much, but he’s ready. As long as Sam is ready to let him go. And Sam isn’t, but he does, and Sam deals with that loss, and finds his way into life and living and loving and happiness in a way that Dean simply wouldn’t have been able to. Because he lost the love of his life.

And Dean waited for Sam to show because of course he would. Sam was the only thing missing: Cas, and Jack, and everyone else Dean has ever loved and cared about, were already in Heaven. For the show to go on, Sam had to return too.

Hope.

That hopeful ending that I, and so many, many of us, have always wanted. Sure, everyone’s DEAD, which, you know, bummer, but they are at peace, they are together, and they are done sacrificing, bleeding and dying. Isn’t that remarkable? Isn’t that the greatest reward? Love and happiness and togetherness. Forever!

And for this fandom, we got what we hoped we’d get, right? An ending open enough for us to keep returning to this narrative over and over and over.

Let me formally apologise for the despair of yesterday. For all of you still feeling it, I send you so much love. Know I understand, I honestly do, but I hope, perhaps, some of these words will offer a sliver of comfort.

So, this is first impression based on second watch of 15x20 positivity. Let me know if anything hits right or hits wrong and let’s talk. <3

[mashi-sims]

6 Popular tropes that fit #Cooliver

1. Friends to Lovers. Duh

This is the most obvious one, and I wanted to start with this one because if Cooper and Oliver ever become canon, this is what their relationship would be.

In my head, Friends to Lovers is always problematic because it’s easy to lose a beautiful friendship to a mediocre romantic relationship, as has happened to many LGBT couples on TV, but if done correctly, it warms my heart and makes sparks of joy fly all around.

The journey of their friendship not only as a partnership but as a mutual beneficence that helps them both grow and develop as their individual selves, helping each other find their own path, confidence in themselves, inspiration and motivation to fulfill their dreams, ultimately becoming better individuals aiming to transform into the best versions of themselves they can be, *voice intensifies* all while being together and offering each other’s company and support, becoming accustomed to being next to one and other and not being able to imagine a life without the other, slowly developing emotional ties that make them consider if a different kind of love exists, and them exploring it and realizing that, in fact, THERE IS. That type of slow build that transforms into a romantic relationship because they both agree they are each other’s most treasured person and they want to stay in each other’s lives forever, that’s some GOOD STUFF.

2. Fake Dating

The reason why I believe a good fake dating au can get so popular, is because it can offer a pretty natural transition between “Not having any kind of feelings”/”Being unaware of their feelings” to “Oh, my gosh I am in love with this person what do I do”, and it can be so heart-wrenching it’s addictive.

In a beautiful world, Oliver is totally in love with Cooper and he just doesn’t know it yet, and there’s where this trope comes in handy.

There’s a number of reasons why two characters may start fake dating; getting someone off their backs, making someone jealous/angry, needing a date for a special occasion, or getting some odd financial benefit from it, if you’re willing to take it as far as getting married and having to pretend to be actually married so nobody know their marriage is a scam.

They agree to start fake dating or to start introducing each other to other people as their boyfriends, because Cooper wants these interested girls (and boys) in his money to go away, or because Oliver is the only single one at his ballet and he doesn’t want to go to after-show celebration alone, and after one or many fake dating moments, they start realizing they don’t need to act or pretend to act a certain way at all, because there’s stuff they’d normally do with or say to each other, or at least the trust or the reliance is already there. 

Think about the inevitable time where they do have to stop acting like fake boyfriends and they start missing it, or when they mid-date realize there’s something real between all that pretending and now they don’t know what to do about it, imagine the conversation they’d have when they realize they can’t go back to being friends anymore.

3. N Things

This one is more like a writing strategy than an actual trope, but it still works. We’ve all read the “4 times they almost kissed, and one time they did” or the “3 times they said I love you to someone else, and one time they said it to each other”

Okay, now hear me out- how about, “3 times Oliver said Cooper wasn’t his boyfriend, and one he didn’t have to”, or “5 times Oliver said he wasn’t gay, and one time he couldn’t”? I’m down for that.

The heart of this trope is the repeatability of a certain joke, a comment or an unfortunate event and that’s obvious it’ll turn itself around, and it’s that one moment that finally comes which makes you want to dance under the rain.

To me, the amount of times Oliver’s had to tell other people that he isn’t gay or that Cooper’s not his bf (Cooper also said it once) is the perfect starter to this “n things” strategy.

Come on, American Housewife! You’re making it too easy for me to expect that one moment when it all turns around!

4. Babysitters

Neither of these boys is ever shown to be a kid-person nor to have a soft spot for babies, or anything like that! Like, at all! Their whole characters are based around the facts that they are both money-driven, superficial, and self-absorbed (although in the process of becoming better than that), and we barely ever get to see them pouring their hearts out or letting their guard down.

Therefore, imagine a day where Oliver is forced to babysit Violet (or another baby if there comes to be another one), and he’d undeniably be annoyed at the situation because this baby/toddler has ruined his plans, but Cooper obviously stays and helps him out because where else would he be?

It’s the times driving them both crazy when they don’t know how to make a baby stop crying, or when they’re deciding who should change the diaper because neither of them wants to; it’s the time when they’re both a mess because some chaos happened with the food or the paint while they were trying to come up with an activity.

Then it’s Oliver slowly coming down with baby fever as he’s trying make them laugh or when he’s walking around the room trying to make them fall asleep, and Cooper is in awe because he had never seen that side of his friend, and he had never expected it to look so damn cute, and Oliver had never expected Cooper to stay with him for a whole day just taking care of a baby.

It’s at the end of the day when they’re tired as hell but they agree that they had fun and that they’re glad they had each other to help out, and although they don’t say it, maybe it wasn’t so bad their original plans didn’t end up working out.

5. Hurt/Comfort

This is not a trope for everyone, you may love it, you may hate it, you may be indifferent, or you may be like me; somewhere in the middle but with some strong opinions. If done right, it can be a beautiful addition to the story of two characters in process of falling in love. If done wrong, it can victimize the characters in unnecessary ways or show them in a light that doesn’t suit them, thus making them feel out of character, which is every true fan’s worst nightmare.

Although, let’s focus on the small things; like characters holding on to their emotions for too long until they really can’t do it anymore, and they need somebody to help them out, even if they resist it, because in the end they’ll acknowledge they’re thankful for having them, and it also makes their relationship inevitably grow and develop, because there’s something really special about having someone you can truly be yourself with and knowing that they’ll stay, and they’ll help you through everything and make you feel like you’re going to be okay, even (and especially) during your worst moments.

(Although really toned down,) we’ve already seen this kind of comfort between the two; like when Cooper found out Oliver lied about his vacations, and he told him he didn’t need to lie to him out of all people, and that he could come on vacation with him whenever he wanted, or when Cooper’s parents ditched him and he confided in Oliver, who believed he had become tired of hanging out with him, and Cooper had to reassure him that wasn’t the case; those were small moments where we got to see them somewhat upset and being comforted by the other, and that’s when it feels like their friendship is strong and real.

The reason why I believe this trope fits them so much is because they are barely shown in a vulnerable state that allows them to have a sad plot where they’d need to be comforted, and it’s during times like these where you can really see their relationship grow.

Also, I want to point out that it’s not about romanticizing or sexualizing sadness, at all! It’s about using these moments to slowly build and give consistency to the relationship- don’t even get me started on how much I hate seeing and reading characters making out after having a breakdown.

6. Mutual Pining

Some people like to suffer, okay? Some of us like a good tragedy, and there’s nothing more tragic than two characters who are deeply in love with each other, but they’ve resigned to keeping it hidden deep down because they’re convinced the other doesn’t feel the same and they don’t want to lose them nor their friendship, even if it means having to live with a painful secret for the rest of their lives.

When you start having feelings for another person, you may be brave enough to let them now or try and see where things go, because you have nothing to lose, right? But what happens when it’s your best friend you have feelings for? There’s a lot there to lose if do things go wrong, and there’s no certainty that they won’t, so you might as well leave things as they are, because nothing would be more painful than to lose the person you love the most for making things weird because they don’t feel the same way...

And it’s completely frustrating to see two characters with the same internal monologue, because you know what IT COULD BE, but THEY don’t know that- and I love it.

There’s a million different ways this trope can play out, and it’s always so interesting to see where things go after both characters have resigned to never let the other one know how they feel, and then we get to see these destructive actions like dating other people because they think their feelings are unrequited, but they have no idea the other is in deep pain because of seeing the person they love with someone else... yes, a good tragedy!

Anyway, thank you for reading this rant and feel free to add to the list or make any of these come to life.