#someone give thomas newman the oscar already goddamn

[nateascendingskies]

The Personal Experiences of Pixar and Elemental

Leaving a showing of the crew at Pixar and director Peter Sohn's latest film, Elemental, I was struck by how personal and certifiably unique the film was - no, not necessarily because of its story or even its characters (though the latter felt like a great inverse and even echo of the similar Zootopia), but because of how its themes of the immigrant experience, the duties and expectations of familial traditions, and even the feeling of multicultural love were conveyed or explored.

Much like how I have felt and seen myself in classic Disney and DreamWorks characters like Nick Wilde, WALL-E, and Hiccup Haddock, Ember and Wade spoke to me in ways I wasn't necessarily expecting or even considering walking into the theater some 2 hours earlier.

Like the literal flaming young woman that is Ember, I find myself in an interesting position in my life. While I have not necessarily found myself in the burden of following in family footsteps, I related very much to the idea of having to control one's temper in stressful situations. In the retail environment I have found myself in, I too have been overwhelmed by the constant hustle, bustle and flow of customers - all with their own wacky, weird and wild requests I probably wouldn't have even considered had I not stepped foot in a Home Depot for 8 hours every day. Oftentimes, I need a softer, creative, and often free-spirited side to awaken and comfort me when things get rough or tough sometimes. And, of course, that's where someone like a Wade comes in.

Like Wade, I do find myself easily crying at the most emotional of things - I do happily and readily admit. Yet, like the big ol' blob of water he is, I also find myself finding some clever solutions to problems I never once considered encountering. In addition, I do have a family and a creative community around me who have gone their own wacky and unusual ways, pursuing their own computer science or radiological techniques while I still try to find my own way around the world - living the dream as a writer for a film or motorsport publication or an archivist for a studio like Pixar, perhaps (funny, ain't it?).

Even then, it wasn't just the personal connections that I found in myself that drew me in. For the longest time, I had been longing for a Pixar film that felt like a true back to basics approach - the product of one voice guiding a similar creative team of thousands. Much like 2021's Luca, this was it - but on a big screen scale I didn't even think I wanted to see again. It felt refreshingly simple, pared back, even - which let the visuals carry the story even more than usual.

I didn't need any dialogue about butterflies, car windshields, code violations, blunt yet hard hitting racial allegories, games about making others cry, or depressed clouds trying to play visually trippy basketball equivalents (trust me, it all makes sense when you see the film) to keep me invested - all it took was a kaleidoscopic trip through a flooded old train station to find a flower that could survive in water and fire, some literal crowd waves at a sports stadium, and a literal familial flame to guide me through this weird world of living elements that Sohn and his team had created, showing more than saying what he had seen as a member of an immigrant family and perhaps even as a smitten romantic himself. Besides, as someone who spent a year in Oregon watching some of the best glassblowers in the world practice their craft, I couldn't help but smile watching that all come into play as a gift that Ember realized she had.

If anything, the flaws and traditional story beats the film had only served to draw attention more to what made it work - as a romantic comedy about literal opposites attracting, an unexpected tonal blender of comedy, drama and romance, and as a beautiful reflection of never really giving up on the dreams you discover and find as your life changes. I mean, if you told me I'd find a home at a Home Depot as a job I loved 5 or 10 years ago, I'd call you nuts! If you told me I'd come out of a film as mismarketed as Elemental listening to its beautiful score from Thomas Newman and admiring it mere hours after seeing it in a way that even Across the Spider-Verse couldn't match, I'd call you insane! And, perhaps most importantly of all, if you told me that I'd have a renewed hope, admiration and appreciation for the team at Pixar after how critical I was about their position in my last post - well, then you'd probably call me an unbelievable hypocrite with something stuck in my head. But that's just the way things work - and I couldn't be any happier to be wrong.

Plus, it made me more determined than ever to chase my own animated dreams. Now, if you don't mind, I'm gonna see what I should doodle next…