My Pride is weird bc the gore for shock value is really the only thing "adult" about it. As far as plot and characters and themes it fits right in with YA xenofiction - yes, even "mature themes" like abuse and oppression are often covered in children's media like Wings of Fire and AtLA, that's not exclusive to adults. I feel like MP was actually intended for the same type of audience, but they added the unserious bobblehead disclaimers at the last minute bc they realized angry parents might come after them if their kids watched a Lion King-style YouTube video that turned out to be super violent and bloody.
Its really hard to tell who the audience for MP was outside of "people who were already fans of Tribble's warrior cat/cotw content". Can't be for children, cuz there's warnings (well "warnings" in the form of cute widdle bobbleheads with little fun quips from the characters)
Like is this for teens? I mean I know teens like a lot of crappy stuff (not me tho, I've always had impeccable taste /sarcasm)
Is this for adults? Cuz the messaging and writing is almost unfathomably immature. The messaging was so bad, people still don't understand what's so "problematic" about it. They think RJ and I are just mad because ableism and homophobia is in it. Like why do we have to keep explaining things to people. If people used their brains, or consumed literally anything else, they'd arrive to the conclusion themselves. After all a ton of the opinions we expressed in our video were already expressed by lots of other people beforehand and they didn't need us to tell them what to think lol
Even the violence was immature, which I can say because I love me some creative violence in my movies/shows. There's science behind violence, so you'd think a show that prides itself as being a "more mature Lion King" and believing itself to have a more realistic portrayal of lions, it would have realistic violence, but nope.
The violence in this show is sometimes hilariously censored, like for some reason Barkmane's body was completely blurred out when they had no qualms about showing Starmane and Quickmane's body, their injuries were not even indicative to anything based in reality
Karabi's throat was slashed open and her voice actor was just groaning (not the voice actor's fault, this is the fault of the director) and I dunno, I feel like I've seen enough slasher films to know a convincing dying noise when I hear one, but I don't expect people working for me to know what that sounds like so as a director it would be my responsibility to... you know... direct.
And Sharptongue's death, like I still don't know what was supposed to even be wrong with her. She just started having a coughing fit and died off-screen.
AND YET MP somehow manages to be really fucked up in its mediocrity?? Because it just shrugs off child death like the characters do.
It's not like resources aren't out there, people have been posting videos of lions killing each other on youtube for years lol
"Adult shows" that are easily outshined by kids shows in maturity are fascinating to me, and they're more commonplace and I don't know why. At least two other "adult shows" have so little respect for the intelligence of their audience that they put in a shit ton of information that adults get mad when they have to think about things. And/or they are so embarrassingly safe it's almost like they're made specifically to cater to kids.
I mean the fuckin Lion King straight-to-video sequel had an effective abusive family dynamic, so what's the excuse here exactly. (I mean I know the answer, it's because Tribble pulled heavily from Warrior Cats and didn't improve upon it.) - Cat
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Pet peeves that reader does that makes them mad or annoyed
Art gets annoyed when people cancel last minute. He just finds it rude and annoying. It's the principle of the thing for him. If you cancel last moment (and unless for good reason) it pisses him off. But beside that, I think Art is pretty good at accepting people for all of their traits. He is just very selective with the people he accepts in the first place. There may be small things you do which annoy him, but he chooses to overlook them. If he ever fully blows up at you (think “GET TF OUT PATRICK”) it is because something you do has irked him for some time until he can’t hold it in anymore.
If you're the type of person who isn't direct with what you're thinking/feeling, it annoys Tashi. She doesn't like it when you (or anyone for that matter) is beating around the bush, especially if you're talking about something which is important to her. Just think about the dining hall scene with her and Art. When you're direct, she knows exactly what you're feeling and knows exactly how to handle it, but when you're not she only has a vague idea of something being wrong. She starts to overthink it, and even though it's a natural reaction to the vagueness she hates it. She feels the time spent overthinking, could be better used elsewhere. So yeah, she hates it when you're being vague. For small things she hates when someone chews with their mouth open. The sound is just disturbing to her and she’ll tell you if you’re doing it.
If you're the type of person to give someone the silent treatment when you're upset, Patrick literally looses his mind. He would rather you insult, yell, or even hit him, than just straight up ignore him. He hates the quiet, and this is just a form of quiet to him. He doesn't know what will happen next when you do this and that is what specifically stresses him out. This uncertainty. He will come to you and ends up picking another fight to get you to speak. Also as someone who rarely ever feels sorry for the things, he gets annoyed when you constantly apologize for little things. He really sees no reason for you to feel that way and just wants you to stop.
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🎐 Wind Breaker CH.155: Oath
💭 Thoughts & Analysis
⚠️ SPOILERS ⚠️
Note: Sorry for the late post. I posted way ahead on twitter on the same day the chapter dropped.
Yeah I am…ecstatic about this chapter. It’s like the anime was playing in my head and for some reason Yuki Hayashi’s MHA OST was playing at the background during the turning point of the chapter lol. So yes this is added to my fave chap list 🙂↕️
We finally got a POV of Chika Takiishi! I am not sure if this means that Chika has Face Blindnesss. A condition where you struggle to recognize faces or can’t interpret facial expressions and cues. It can explain the push for him not to connect with people. Or it’s just solely, like he said, he has no interest in people.
But then people like Ume and Endo came along and kept shoving themselves in Chika’s path. Ume was seen as a nobody at first, a common boulder in his path. But with how they constantly insisting being in their path, Umemiya eventually became a goal to reach; a challenge to overcome. And Chika found enjoyment in that.
The fact Chika says “these THINGS called HUMANS” He completely disassociates himself as that. It also explains why he held this stoic face for most of his pages, not a single different emotion until he faces Ume. I guess he really does see himself as what Endo does—A god.
But I think it's not only because he chooses to be this way. If he really has a condition, he is sort of forced to choose not to care, and not to give so much effort in connecting with people.
Chika looks sad that the fight is over. Before all this started, he was walking around with Endo in search of enjoyment for the past 2 years. His world has shifted ever since he met Umemiya…or since Ume kept bothering him.
Now the leader is down. What now?
You don't even need to understand Endo's reaction alone. As someone who chose to disconnect from any human interaction, Chika finally said Umemiya’s name!
Callback to what Kotoha said: "Calling someone’s name is looking at someone properly and accepting them" Chika acknowledges Ume; thankful even that he had this much fun after a long time. He even surely respects him.
This was an unexpected reaction from Sakura. When we thought he had retracted from Ume, he actually held onto the hope of the leader he knew & the words he embedded in him. Ume didn’t do anything horrific yet that makes Sakura completely lose trust. He continues to believe, not taking Endo’s previous words of past Umemiya completely to heart (last chapter).
Perhaps Sakura and Umemiya will have a chat about that after all of this is over.
Sakura echoed the words Umemiya told him that day at the Ori rooftop (what is it with Wind Breaker and rooftops?). The words that Umemiya swore by.
The same words that snapped Sakura back into shape when fighting Endo. The same thing that’ll happen back to Umemiya.
AND HERE'S THE FREAKIN' CALLBACK!! FULL CIRCLE MOMENT!!! I’M SCREAMING.
We got our Umemiya back!
The facial expressions say a lot of things. Sakura's face is saying it's about time Umemiya is in his senses. He knew their leader wouldn't be defeated that easily. While Umemiya's face is saying how could he forget the words he swore by in front of his kouhai? And now, he is throwing those words back to him in the face. At the same time, he's glad Sakura is there and believes in him.
Imagine though Sakura said all that and Ume didn’t move. That’ll be funny. I actually thought Sakura would be mad when he said those words. I expected anger because he would have Endo's chitchat of Umemiya to his head, and would be internally conflicted. So he would want Umemiya to prove him wrong; that he's not like that.
But I guess calm was chosen to show how much faith Sakura has for the leader. That he was not easily swayed by Endo's words.
Y’all…Umemiya really freakin prettified the heck out of Chika. He first cutiefied Choji and now this? Look at how Chika's eyes are lit up. He looks more HUMAN. Less stoic. We’re getting more emotions out of him. It’s like he’s been set free.
(Not gonna lie, Umemiya looks pretty good despite all the blood, cuts, dirt and sweat.)
Umemiya admitted Chika truly got to him; he triggered his rage and blinded him, which led to his initial downfall. Since there never was a clear winner in their fights, Umemiya reminds himself that Chika was doing this just so he can finally be defeated.
I think Umemiya is not only saying this to clarify with Chika, but also to himself. He won't be blinded by his emotional impulses again.
If Ume and Chika were left alone on the rooftop, Ume would lose.
As a leader, Ume has always carried on his own this weight of protecting his beloved town and found family. He makes sure everyone is happy. Because of that, he would suffer under that weight and lose his strength.
With Sakura there in that rooftop, at the top, Umemiya is reminded that he’s not alone in carrying this weight.
It doesn’t surprise me that Umemiya would ask that of Chika. It’s so him. He’s all about connecting through conversations. Whether through fights or sitting down & eating together. I believe for the longest time Ume wanted to get to know Chika more, other than have him join them in the first place.
Chika finally accepting a deal with Umemiya is huge. He never took any interest in the so called “humans”. With the way Chika LOOKS at Ume, he has already acknowledged, respects, and is thankful to Ume. And I’m sure he wants to have fun fighting him again.
Oh the way Umemiya says those words so confidently. We’re gonna have one hell of an amazing fight in the next chapters. This last page I believe has already told us who’ll win.
--
I believe we will have that talk of Chika and Ume; Chika will talk more about himself. And Ume and Sakura will have a chat as well later on when it's all over; more details of how Bofurin came to be.
Someone in twitter hopes the BBQ party is still on. And I imagine that Chika and Endo will be there. Wouldn't that be a spectacle? 😆 I don't think it's impossible, given how the manga is so far.
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An argument over whether or not Dan Heng is Dan Feng seems to have begun getting sparked again in certain parts of the Fandom and it does nothing but hurt my head to no end
Both sides cherrypicking or treating it like a strange situation, making false equivalents. "Yknow governments don't consider people who've lost their memories to be separate people" that's a flawed argument to use in favorite of DH = DF because it's not just he lost his memories. He literally grew up, experienced his own childhood, had a whole identity cultivated based on those experiences and that life and continues to live his own life. To treat the situation like it's just him getting a bit of amnesia is wild to me
But also I hate when people continue to insist he's running from Dan Feng and his past and how he's miserable and shouldn't ever confront the past and deal with it as if his and Blade's whole stories aren't centered around rebirth and karma, paying for your past life's karma. He needed to confront the past to ensure a freer future! He literally has!! And he will continue to do so because he realizes this, DH isn't dumb and he's grown since we first saw him. He understands
But yeah uh I'm so tired
This whole thing feels very Ship of Theseus. What makes the ship what it is, the physical aspects of its planks, its sailing history, or both?
For him, the question is what makes someone who they are? Is it the body that makes them up and any inherent genetic factors (like traits)? Is it their experiences, how they've grown up, and the identity they've developed in that time? Or is it both factors mixed together?
Personally in the case of Dan Heng, I think it's both! Yeah he has a lot of traits from Dan Feng. There's a lot inherently there. But we can't disregard his own experiences and the identity that has formed based on his history and what he's seen.
Again I can't stress this enough... It is a false equivalent to compare him to people who lose their memories or get amnesia, he didn't just lose those memories. He started life from the beginning, a whole different kind of life. And even then, the amnesia topic comes with its own debates. Isn't there a whole other thought experiment regarding someone put to trial who ends up with amnesia and what their verdict should be?
I guess in the end, it's all up to people's own philosophical beliefs after what constitutes a person. My personal belief that DH and DF will always be connect but the separation between them is also meaningful is something based on my own ideas of what consisitutes a person and their individual identity, similar situation with how I see Rukkhadevata and Nahida as connected but still not the same person exactly. At the end of the day again, it's personal beliefs
But what I can't stand and can't stand by, is someone acting all high and mighty like they're perfectly right and everyone else is wrong, especially when they're cherrypicking or not holding all their evidence to the same standard. According to some ppl, apparently it's better in the CN fandom where instead of treating it like "I'm right you're wrong" people have divided themselves into "DF and DH one person" and "DF and DH two people" groups and most importantly of all, they treat both like theories and just keep to their space and tag which they believe when it's relevant. Why can't we just do that? Why can't we follow in their footsteps instead of bringing up this argument every so often with the same tired flaws from both sides?
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there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭
like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)
i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.
our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.
like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.
to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.
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