#so yeah I gotta do playlist editing basically because I lose my mind

[rotisseries]

omg guys my narines playlist fucks so hard

[ziracona]

Dwight/Jake wedding headcanons maybe? They deserve it.

For sure!

It’s a couple years down the road. They’ve been living in the Indiana house with Adam, while the others orbit in and out from Springwood and Lockport and Haddonfield and Indianapolis and Bloomington and New Jersey and Missouri and New York and such every few days. It’s peaceful and fun there for them. Woods, big house, familiar smells and people and memorobelia and Ron’s grave and markers added nearby for Vigo and Alex and Lisa and Sujan and the person from the lab with no name and the survivors who came before them and never got to be buried. It’s home. They’re just chilling, Dwight and Jake talking with intent but also very relaxed about something while Adam edits a sequel in his easy chair, deep in edit mode, when Jake calls over, “Hey Adam, do you want to be a best man, or do you want to marry us?”

Which Adam hears the wrong homophone for for a second and almost takes him out before he realizes they meant the other version of ‘marry’ and remembers how to breathe again.

He stutters out a, “Well, I, uh—I mean, I can do whichever you’d prefer, but I’m not ordained. In. Anything. I know I did Min and Nea’s, but—”

“—Yeah, we know, but we just need it to be legal,” Jake shrugs, “and we don’t want a stranger at the wedding period, so someone’s getting ordained.”

“I think you can get ordained online in like an hour,” adds Dwight helpfully, “and we’re not religious either, but—and now that I’m saying this it was Meg so that means I should make sure becuase sometimes her memory for numbers is uhhh bad, but she told me like a week ago you only need ten people to officially get your new religion recognized. And we could be ‘the survivors’ or something. I don’t know I believe in much, but I believe in that.”

Jake nods. “Whatever is true, this group of people can rip a hole in the fabric of the universe for each other. I’d ascribe to that.”

“I kind of like that,” says Adam, “I would too. But if we have a spiritual ‘leader’, wouldn’t Ace be a better choice than me? Or Jane?”

This is considered a good point and they debate between Adam, Jeff, Tapp, Jane, and Ace for a bit, [Philip is also briefly considered, but they realize just as fast he’d be overwhelmed and stressed by having to do it & mercifully swap him to another role], then decide on Ace, who’s always been the kind of...not exactly dad, not exactly uncle, but not not those things, and certainly some kind of an early spiritual or morale core for them, parentish figure, and a comfort and hope leader for them all. Also, they know he’ll get a fkn kick out of being ordained for this.

Dwight takes Quentin as his Best Man, Claudette his Maid of Honor, and Jake takes Nea as Matron of Honor, Andrew as Best Man, and Meg as Maid of Honor. They decide fuck it, and it’s kinda Parks & Rec (an argument used by and against Jake many times the next few weeks) anyway, and also both take Adam and Philip as Best Men because fuck it, it’s too hard and also wedding rules are arbitrary and made to be broken, and so then Jake adds Kate as a bridesmaid, Dwight adds Laurie, they realize the number of survivors is dwindling dangerously and decide fuck it, our wedding is for us might as well be fkn weird and cool, and add David, Min, Tapp, Jane, Jeff, and Laurie as groomsmen and bridesmaids too. This still leaves Michael, Anna, Sally, Benedict, Susie, Jeff’s three Legion kids, and everyone’s families which is like fkn a lot of people, to be audience party (sans Nancy, who is pleaded with to be wedding party and run the music pre-reception because the number of people that they want involved /and/ who won’t give in to or be tricked by Meg into some kind of terrible flash mob stunt is very small, and in fact, basically is just Nancy. She is happy to do it and thinks their desperate reasoning is hilarious).

They break the news to Meg and Claudette and Ace first (after Adam), ask Ace to marry them, and tell Meg she can run post-weddding/reception music however she wants, except the songs for a couples dance & parent dances. She is /thrilled/. Claudette is very happy and cries. They call up Quentin & Nea to add to the conversation and Jake says Nea and Meg and Susie are in charge of setting up the wedding because he knows they’re gonna fight him for the role anyway, but they have to throw whatever they can together with only the stuff they own already and $50, they want only family & the other survivors/their families at the wedding, the service short and sweet, and to have it at the cabin, by the river. Meg loses her mind with indignance and joy together, and goes buckwild. They hit thrift shops for fairy lights and streamers and more.

Everyone is thrilled to be asked, Jane says “about time,” and Philip can’t think of anything to say and gets overwhelmed emotionally and taken off guard to be asked to be a groomsman. It’s sweet. Everyone with fashion sense takes everyone else shopping or through their wardrobes for fun wedding clothes and to at least have accent pieces that match a color theme. (Complimentary blues, yellow/gold, and pinks to the grooms’. More on that). It’s super fun & they make a fashion show of it. There’s no matching in form, just color, which is just the best version anyway there’s really no goddamn reason to spend thousands of bucks on a wedding when you could just have a funky cute good time with the people who love you & no stress.

Jake picks a deep blue hanbok (bc the hottest Jake I’ve ever seen is the one @eggchef did for lunar new year & the note in the tags about an actual hanbok has been banging around in my head ever since), and when they’re going through stuff for Dwight, he comments a pink one is surprisingly nice because it’s not the color he’d expected to think about, and Jake remarks offhand that if they do deep blue and pink they’ll be stealing their girls’ looks, and the second he says that, they both know there’s no other choice now. Dwight gets a light pink suit and a tie that matches Jake’s blue. They’re adorable and both look exceedingly handsome.

The wedding is short and perfect. Ace does a great job, it’s a nice day, and Meg works wonders with her $50 budget and (notably obscenely large) preexisting store of party supplies, + help from her mom who is passing down the legacy of being the best tiny budget party planner on earth. It’s very open, but with near arches and dangling glass and prisims that cast rainbows everywhere, lots of meaningfully chosen for their blessings and symbolism flowers and flower chains from Claudette. It’s a little reminiscent of the birthday decorations Min and Nea did plus the prisims, and that accidentally makes all the survivors super emotional like 1 minute in.

Only the moms get to speak in the wedding (besides Ace and the grooms), and Andrew and Meg and Nea and Quentin and such all gotta save their roasts for the reception. It’s sweet. Ace knows them super well and it shows in the best way. The grooms write their own vows, and both echo their statements in the hatch tunnel without knowing the other was going to do so too. Jake starts with an “I am deeply, unendingly, ridiculously in love with you,” and Dwight brings in a, “I wouldn’t be who I am without you.” They end it with Dwight saying, “Will you still stay with me, now that it’s all over? Through whatever we’re thrown to next?” And Jake replying, “Wherever you go, I’ll always follow.”

I cry.

The reception is a party by the house. It’s just a huge prepared buffet made by the family who can cook, so no one has to sit and wait. Meg starts the music with Cascada’s Evacuate the Dance Floor because she doesn’t “want to see people dragging their feet like a bunch of fuckin weenies, I want asses on that dance floor!” There’s a lot of 90s and early 2000s pop, but also many many classic dance songs. Lots of ABBA. Lots of it. Everyone has great fun. Min, Nea, Susie, and Meg made the playlist, except for a few of the specific dances. Muriel Fairfield’s mother-son dance with Dwight is to Song For Ten by Neil Hannon because he knows she’s a sweet big emotional nerd and it’s the song she wants, and he’s willing to do it, and she sobs and is a mess but also the happiest she’s been since the day she got the call he was alive.

They have literally zero idea where they’re going when they drive off for a honeymoon. They’re like “Uhh so I’ve been looking at our complete and utter lack of wedding structure and planning as a good thing? But we might have overstepped that a little here....”

Dwight drives while Jake searches the web for LGBT safe honeymoon locations because there’s nothing that would ruin a trip more than that not working out, and reads off a list and Dwight is like, “Wait wait holy fuck, I though you meant what US cities or maybe Canada. Switzerland? Do we even have cash for the plane fare somewhere like that?” And Jake just looks at the page silently for a few seconds, shuts the laptop, and without expression says, “...I really hate this, but I’m gonna let myself be a rich boy, just once.”

They take Andrew’s jet to New Zealand (Jake calls him and listens for 2 minutes then just monotone goes “Okay but you owe me for being a dipshit for fifteen years,” and they get the ride). Jake picks a relaxed pace and some scuba diving, some hikes, but no overnight camping. Lots of just seeing the world and holding hands and grinning at how absolutely breathless and shocked Dwight is at every chunk of nature like nothing he’s seen before. They are disgustingly, blissfully happy.

[johannesviii]

Top 10 Personal Favorite Hit Songs from 2017

Not a very good year for hit songs. Still better than the next one, though.

And a very satisfying #1 that launched an entire infodump about a specific band. I’m not even sorry.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will be stuff in French. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

2017 might not sound super distant, but it’s already distant enough to analyse what started to happen to me that year with some clarity. This is when I started to lose some of my energy and motivation. A lot, in fact. Everything suddenly felt exhausting and this whole “what’s even the point of anything” mentality started to fall on my shoulders. And you know what, at first, while making these recaps, I had no idea what started it all. Was it that super rare infection I caught in early 2018 and almost made me lose a part of a finger? Was it both my grandfathers dying in mid 2018? Was it the general state of the world? But no, I did some digging and noticed this general exhaustion actually started right during summer 2017 and I was like what the f█ck happened in summer 2017? That summer was fine?

And then it clicked. I know exactly what kickstarted my spiral into about 18 months of depression, and it’s got nothing to do with health or family. It’s something that shouldn’t have affected my life in any way, and that I kinda tried to ignore at the time, and some of you might even find me overdramatic or cringy for letting it affect my life. But yeah, as I’ve realised while making these lists, Linkin Park was actually a super important part of my life, so it makes perfect sense: what started it all was Chester Bennington killing himself. Clearly, someone who had contributed so much to convince me that life was worth living and who suddenly decided it wasn’t worth it, that had a huge impact on me, whether I wanted it or not.

Aaaand now I’m crying again. Great.

Anyway. Uh. Important albums that year! Yeah so uh. Depeche Mode made Spirit and it wasn’t good, and so I kinda lost faith they would ever make a great album again, but I did realise one of my teenage dreams and saw them in concert in the Stade de France in July 2017 (it was huge. Going home after that felt like waking up from some sort of hypnotic trance. They even played Walking In My Shoes, one of my absolute favorite songs from them, along with a video featuring a trans person going to work and I started to bawl my eyes out in the middle of the f█cking crowd). Nine Inch Nails also made Add Violence and continued to be super good, and Indochine made 13, and while it wasn’t nearly as good as Black City Parade, it was also better than La République des Météors, so I was pretty happy about that. EDIT: Forgot about Under Your Spell by The Birthday Massacre, which blew my goddamn mind, but still not as much as the next album I'm gonna talk about.

But the defining album of the year, to me, was Mike Oldfield making a sequel to my favorite album from him, with Return to Ommadawn. Of course it’s not as good as Ommadawn. But still. If Ommadawn felt like discovering a new strange country full of weird folklore and forests and mysterious buildings, Return to Ommadawn feels like going back there half a century later and seeing things in ruins and wounded people, but still trying to seek beauty and joy in a partly destroyed landscape. It makes perfect sense considering the circumstances that surround the making of this thing, and it was the only way to make a good sequel to such a legendary album.

Unelligible songs that piss me off... uh, actually there’s only Cut to the Feeling by Carly Rae Jepsen. Why wasn’t it a huge hit. Come to think of it, why hasn’t any Carly Rae song been a huge hit since Good Times. This feels unfair.

Time for some honorable mentions, then.

Feels and also Slide (Calvin Harris and a lot of other people) - Got nothing to say about either of these songs, but they’re both pretty good.

Katchi (Ofenbach) - Nice little earworm.

No Roots (Alice Merton) - Super surprised this was a hit. Good.

OK (Robin Schulz ft James Blunt) - That’s a James Blunt song in the year of our lord 2017 and it sounds actually good??

What About Us (Pink) - Really caught my attention and made me wonder if I should listen to Pink again after a long streak of mediocre Pink songs.

Congratulations (Post Malone) - I find the song mostly boring but the guest verse ending with “uh, Malone... I gotta play on my phone...” is the stuff of legends and that got a chuckle out of me every time I heard it.

Glorious (Macklemore) - I’m glad this was a hit here but at the same time it’s not my favorite song from him. The music video is adorable, though.

Fly (Odyssey) - Nothing to say about that one.

XO Tour Life (Lil Uzi Vert) - The fact that I was regularly humming this is either a sign of quality or yet another sign I was depressed as shit.

Devil in Me (Purple Disco Machine) - What a great artist name.

Symphony (Clean Bandit) - Nothing to say here either, just good sound all around.

Attention (Charlie Puth) - 2017: The Year Charlie Puth Made A Great Song.

All Stars (Martin Solveig & Alma) - The last cut. It was on the list at some point. I really like it a lot, though.

And now, the list. The stuff I genuinely love starts at #6 and things that are still on my mp3 player to this day start at #4.

10 - Chained to the Rhythm (Katy Perry)

US: #73 / FR: #10

I just love the concept of a Katy Perry song about how Katy Perry songs are happy nonsense distracting you from actual issues. What can I say, I’m a sucker for meta stuff.

9 - Water Under The Bridge (Adele)

US: #88 / FR: Not on the list

An Adele song projecting actual positive energy!? That automatically goes on the list.

8 - Praying (Kesha)

US: #67 / FR: Not on the list

You know I mostly dislike slow emotional songs regardless of how good they actually are. I will, however, make an exception for this one even though I very rarely listen to it considering how emotionally taxing it is. That’s definitely a fantastic song, though.

7 - Viens On S’aime (Slimane)

US: Not on the list / FR: #53

“Listen, we love each other, f█ck it, f█ck their words and their decorum, listen, we love each other, f█ck it, f█ck their ideas and what they’re saying”. Well said, dude, well said.

6 - There’s Nothing Holding Me Back (Shawn Mendes)

US: #23 / FR: #91

That’s a very good song for running and that is becoming increasingly rarer, so I’ll take what I can get.

5 - Paris (The Chainsmokers)

US: #42 / FR: Not on the list (that’s irony for you)

Unlike Closer this is an unrelatable song about rich young people that can afford to live in Paris just “to get away from [their] parents” but honestly that’s the only negative thing I have to say against it. It sounds fantastic.

4 - Castle On The Hill (Ed Sheeran)

US: #40 / FR: #50

We’ve now entered the realm of songs that are still on my mp3 player to this day. This is the only Ed Sheeran song I’ve ever liked, and I love it. It sounds like a lost U2 song. Maybe from a strange dimension where U2 became more fragile and emotional instead of more pretentious.

I have no idea why this guy keeps making such boring stuff when he’s got that kind of song in him. I have no clue.

3 - Something Just Like This (Coldplay & The Chainsmokers)

US: #5 / FR: #19

Hey so Coldplay is still on my lists, apparently. It’s a bit too slow, some lyrics about superheros don’t make much sense, and the drop isn’t super good, but my god, that guitar near the end makes everything worth it. Just amazing colors and textures all around.

It’s not even my favorite song on that EP! I think Miracles (Someone Special) is even better, but eh, this one is a close second.

2 - 24k Magic (Bruno Mars)

US: #16 / FR: Not on the list (#13 in 2016 but I put it on the 2017 list instead)

Am I the only one to like this more than Uptown Funk? It’s so much fun to sing along to it. And unlike Uptown Funk, it’s making me feel nostalgic for an era I actually (vaguely) knew, the super colorful and ridiculous early 90s. My s.o loves it too and when it comes up on the radio or on our playlists you can bet we’re both going PUT YOUR. PINKY. RINGS UP. TO THE. MOOOOOOOON like two idiots.

This is the song I could have put on the previous list but elected to put on this list instead since it was elligible for both years, by the way! Since 2017 was less good than 2016, I thought it would be more interesting to save such a great song for later.

It would have topped the list too, if it wasn’t for something I didn’t expect to be elligible before reading the French year-end list.

Strap yourselves in, because I had no real opportunity to talk about this band at length in the posts made for the years when it was the most relevant in my life, so this is going to be quite long.

1 - La Vie Est Belle (Indochine)

US: Not on the list / FR: #44

As you already know if you remember some of my previous lists, Indochine is a band I started to love right in the middle of the absolute worst years of my life. These guys had been around since the 80s as a super successful new wave band, then became very unpopular and went underground for about twelve years in the entire 90s, then one of them died, then every member except the singer basically rotated, and then they suddenly re-emerged in 2002-2003 with Paradize, a monster of an album, full of energy, sinister themes and weird provocative songs, and an entire generation of angsty teenagers (me included as you can guess) embraced it wholeheartedly.

And all of a sudden Indochine was the favorite French mainstream band of local young punk/goths! So many kids with the Indochine logo in highschool. Nowadays the band is mocked and well-loved in equal doses by just about everyone, but I suspect it’s just because we’ve all grown up.

Placebo, Linkin Park and Indochine were the bands that ruled my entire world in 2003/2004. My mother hated all three of them, because of course she did, but especially Indochine, because according to her it was partly their fault if I was gender non-conforming. See, she used to say, they had put all kinds of bad ideas in my head and now I was all messed up.

...Holy shit, that’s a lot of blame to put on a ridiculous new wave band who’s first hit song from 1983 is just a long nonsensical list of shitty old Bob Morane pulp novels.

But here’s the problem. Even if Indochine kept having hit song after hit song, those were never the best songs on their albums. Here I am, 31, making these top ten lists since last December, and becoming more and more frustrated to see none of my favorite modern Indochine songs are elligible. My favorite Paradize singles were Mao Boy, Popstitute and especially Marilyn (god, this song rocked my entire year alongside Placebo’s The Bitter End. 2003 was such a fantastic year for dark energetic hit songs)? Too bad, the biggest hits were J’ai demandé à la lune and Le Grand Secret. Alice & June had four fantastic singles? Too bad, none of them is elligible! Same thing for the entirety of Black City Parade. Oh, but that song I hate from La Republique des Météors is elligible, I guess!

So we’re in summer 2017, and my life is completely different now, and Indochine releases La Vie Est Belle (I’m linking the album version and not the music video because it has some violent themes in it). I’m in my car doing some errands and the local radio goes “hey new song from Indochine” and I’m like “oh shit, gotta hear this” and then two minutes later “oh wow, that is super good. Won’t be a hit though”.

And yet, it was a hit! It became huge, even! And at that point I was already loving that song even though I thought it was just a super good but tragic love song about a significant other dying too young.

And then, about a month later, the wordplay of the first line finally hit me with the force of a semitruck. It’s not a love song. It’s a song about the singer’s dead twin. Who died in 1999.

It’s such a devastating, beautiful song, and yet it’s full of energy. I. adore. it. It’s exactly the kind of song you need to continue to fight and to live and to help other people in this day and age. “Life is beautiful and cruel, it looks like us sometimes” indeed. And it’s one of the best on the album, too!

So yes, 15 years after I first fell in love with this band and after they helped me during super dark times, finally, I can put one of their songs at the top of one of these lists, hands down, no debate whatsoever.

That probably sounds ridiculous but it’s genuinely making me feel extremely emotional.

Next up: I thought music sucked that year because I was depressed but I relistened to it and no it wasn’t just me