#so they’d be walking around named Wolf and Polar Bear and stuff
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im thinking of changing my name again because im cursing at my 14 year old self who picked this random white name for me to live with now so ive been researching traditional Sakha names to get it right and apparently before the russians came and fucked up all our shit with their taxes and christianity, it was the norm for every Sakha person to change their name in their lifetime if not twice, then three times, and who knows if maybe more
basically, the newborn Sakha in the pre-christianity era would be given a name right away after birth like all kids, but once they grew up and started exhibiting individual traits they would be given a descriptive nickname which could describe pretty much anything about a person - positive characteristics, negative characteristics, physical quirks, facial features, body type, age, etc etc. one of my faves i found was Бэлтэкэ (Belteke) with means ‘round face’. would fit me ngl
anyways this is awesome news for me and i just wanted to share because learning that changing names throughout your life is historically super normal for our people makes me feel better about changing it for the second time, yknow? especially with the fact that those names were an individual’s descriptor. almost kind of like being trans and changing your name to one that suits you as a person better so you don’t walk around with the one that had nothing to do with who you really are on a personal level for your whole life
#also#apparently we had the practice of naming our kids ugly names to wart off demons too#i wonder if there’s ever been a Sakha kid named after the word hiccup#mostly from what ive read it was names based on nature like scary animals or gross insec#so they’d be walking around named Wolf and Polar Bear and stuff#sick as hell no?????#gene talks#sakha#yakut
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Blacksad: Arctic Nation Review: Digging Two Graves
Welcome you beautiful technicolor rainbow. And today I continue my black History Month coverage, this time with one that was suggested by Kev, my patreon on patreon and the blog’s biggest supporter, who sent me a bunch of things I could review for Black History month and, loving this comic and feeling given the events of last year with George Floyd that have had rightful shockwaves ever since, it was perfect.
For those needing a refresher Blacksad is a spanish produced french released comic series about John Blacksad, a grim private detective in a 1950′s set world full of anthromphized animals. It has gorgeous art, endless atmosphere and utterly captivating stories. Last month I covered the first story, Somewhere in the Shadows, since this one was only number two and I could track the series evolution better, and I loved the series and could make room on the schedule so there was no real reason NOT to do it. And since i covered most of the series background that time, I can dive in quicker to this one. So join me under the cut to see how the series evolves and to see a black cat take on white supremacists with the help of a smelly weasel.
First things first.. the cover, which is from the original version and was lovingly reprinted in my copy, is goregous and simple: John grimly and camly carrying a scared child through a bilzzard past the wreckage of a plane. It’s instantly eye catching, our black furred hero in a bilzzard of white.. and also serves as a great metaphor for a story dealing with white suprmacy as well as our hero trying to find the child he’s trying to keep safe on the cover. It’s just perfect.
We open in the Line, a city in the arctic, with Blacksad morosely narrating how one day he’ll write his memoirs, as he figures they’ll sell well given the public’s grim fascination with murder. We soon find out why tha’ts on his mind as the comic “pans out”... to show a black bird with a long neck horrifcally and publicly hung in a hate crime. It’s an utterly ghastly sight I will not be sharing, but needless to say it sets the tone and the setting in one horrific image.
John’s interuptted though by the introduction of Weekly. Weekly is a local journalist who true to his name, only takes a bath once a week and immidetly pisses off john by being nosey, assuming john is also a journalist and casually remaking about this horror show being a hate crime. Despite this terrible first impression.. Weekly goes on to be John’s best friend and sidekick, providing some levity in his grim world for the audience, while as we’ll soon see being FAR more useful and competent than his demeanor and lack of hygine lets on.
For now though, John has to go meet his client: Miss Grey, a schoolteacher whose hired John to find a missing girl, Kaylie, one of her students. Those around the neighborhood are relcutant to look into it, including Kayle and the police, who as we’ll learn very soon are white suprmacists, simply blame it on the Local Black Claws gang. Miss Grey also fills us in on the line’s backstory: it was once a propserous suburban place.. until the local plane plant closed down, leading to a rise in crime and unemployment with the place slowly but surely falling into decay. Despite this she’s determined to stay and fight.. and John is touched by her noblility and tells her he will do everything he can. And while that’s a natural thing to tell your client.. it feels genuine, that John senses this woman’s deep resolute will to keep going, and feels for her as the ONE PERSON who cares a small child went missing and isn’t either ignoring it or simply being a racist dickhead about it. John may hide it under lairs of cynsim and grumpus... but he’s good man and as we see he’ll go to hell and back to do the right thing.
We soon properly meet the titular Arctic Nation... who are as you would expect, a white suprmacist group, calling yesterday’s lynching a necssary thing and spouting your usual horrifying rhetoric about a white world and stuff. The Arctic Nation are also made up almost entirely of Arctic Animals.. and honeslty that’s a way to do a white supermacy metaphor I never thought of, simply having the fur be black and white, and using the fact most arctic animals are by nature predators to give us some naturally intimdating looking antagonists. One of them also is clealry not Happy John’s around, nor that John rather than be afraid or look nervous in the slightest... is simply pissed as he should be and simply dosen’t give a shit.. and given assholes like this love attention and pissing people off, it probably makes him even madder. Good.
John runs into Weekly again, and while still not happy to see him, Weekly is nothing but friendly and offers peace and a warm drink in a cold land.. and John takes him up on it noting in narration that since they are clear outsiders here... why not? Any port in a storm and given the blizzard of white supramcey just outside, John can’t help but take refuge in a diner. There’s also a really nice touch in their drinks with John having a simple .. alchohol ( I don’t drink sue me) and Weekly having something called a burobon mlikshake . Weekly outlines that the Line is about to explode with racial tension with two diffrent suprmacist groups: The arctic nation , who he freely and rightly mocks and the aformentioned black claws.
Before they can continue though two of the goons from outside come in and harass an old black bird at the counter, saying can’t he read the sign.. before he’s revealed to be blind. They confront John next... who gloriously takes NONE of thier shit, wirly pointing to his patch of white fur, which indicates him as mixed race in this unverse and says does this count.
The racist asshole dosen’t take the hint that maybe this isn’t going to work and tries provoking john by threatning ot turn him into a coat.. and john insults his, and his whiteness and we cut over to the head of the white suprmacist rally asking the owner to call the police, the owner only relcutantly agreeing when we see the supremacist asshole fly into the bar.
So naturally we next see our heroes in the office of Karup, the local police chief, polar bear and not even hiding it white suprmacist who talks proudly about his confederate saber on the wall and asks if John knows who it belonged to. His response is priceless.
Damn.. it takes balls of fucking platinum, on both of them, to be called into an unapolgetic white suprmacists office and roast him to his fucking face. It’s what we should all do granted but still, props to both of htem. it also shows Weekly, desipte being kinda sketchy.. is every bit as brave as his friend, and takes these fuckers every bit as seriously. That is to say they both KNOW their in danger.. they just don’t CARE, feeling rightly that simply cowtowing to Karup like he wants is not worth thieir damn time, and that he deserves no fear, no respect and nothing he wants. Just mockery for clinging to an outdated and horrific set of ideals like all white supremacists then and now. Karup is forced to let htem off with a warning as his wife shows up.. and Weekly wolf whistles at her because awesome he may be he is not a class act and this is still the 1950′s where that was okay for some reason.
We next catch up to John that night where he’s taking in a driving movie involving giant ants.
He’s naturally here not to take in a good b movie, nor is he being forced to watch it by mad scientests, but here to find Kaylie’s mother Dinah, who agrees to talk to him after her shift.. and John grabs a peak at her ass while she walks away.
Dinah has good reason for not calling the cops though... as she puts it, she has no faith in white justice, and given the police chief had a fucking confderate flag in his office, and many STILL do today, yeah fair point. We also find out she used to work for Karup, so she knows damn well he won’t be helpful at best or use looking for as an excuse to lynch more innocent black men at worse. Of course John, while symaptehtic brings up something about Oldsmill, and gets rightfully slapped for it.
We next see John talking to weekly, who he’s just kind of accepted is his sidekick now. Their grocery trip is interupted by the claws, who show up, beat up the racist shopkeep.. and then harass our heroes, beating up weekly to get him to say their innocnet of the kidnapping. This however.. shows that while not AS bad as Karup, clearly.. their still not good people. Weekly GLADLY would’ve printed what they asked if they’d actually asked, and instead they beat him up to do so, and the person who did so dosen’t endear himself further by asking john “What happened to your snout brother?”. As with last time, his response is fucking perfect
He wisely backs off though is still confrontational about it. Weekly wonders if john really was going to shoot him, and my response is...
He absolutley would’ve. John asks if he’s really going to print that crap.. and of course Weekly is. That’s where the story is, and he points out he’ sa star reporter and his name apparently comes from coming in with a big story once a week. John isn’t amused.. but could use Weekly’s help and tell shim to keep an eye on Karup’s household for him since he can sneak in there and be far less notecable. And he agrees. I’ll go ahead and say it.. weekly was an invaluable addition to the story and a missing peace for Blacksad they needed: like robin to batman, he provides someone for him to talk to, a bit of badly needed levity, an dprovides blacksad an ally no matter the case or situation, and one who has every reason to help both because hteir friends.. and because it’ll get him a good story, and his background as a reporter gives good reason as to why he’s good at this.
Something else to note is John has also taken on more of a sarcastic streak as you can tell and I love it: instead of being grim all the time it gives a human touch to him.. while still making him utterly badass as he usually uses it to disarm an asshole flexing their power over him. It simply adds some shades to his already wonderful personality.
We finally meet Oldsmill who denies having anything to do with it, as the rumor is his heavily inbred son is Kaylee’s father and Oldsmill belivies it was karup since he was apparnetly married to a black woman once. Oldsmill is also a racist ass blaming the downturn in things on black people instead of you know, the plant closing. John has what he needed.. and has a good shot at oldsmill pointing out if he actually mixed races his son might of turne dout okay instead of a braindead inbred moron.
Weekly hides in the bushes at karups.. and soon finds his wife plowing the head of the arctic nation we met earlier, huk, behind his back. “I love this job!”.... dude.. no just.. no. Don’t watch people have rough sex that’s just.. no. But he found out more as tailing them afterwords, he found them at a table with Kaylee’s mom, clearly wanting her to keep quite for some reason with Dinah not wanting her to suffer. Naturally she’s John’s next stop.. but instead he finds her brutally murdered, her body twisted and him lamenting that someone so full of life.. has lost hers and even if he achieves his goal now.. Kaylee lost her mother. And involved in whatevers’ going on or not.. she clearly loved her kid and whatever she got caught up in she died.. simply for proioritzing her daughte’rs own saftey and wellbeing over it. She was also stabbed with what John suspects to be.. a saber. Hmmmm.
John has no proof.. but decides fuck it, and goes to confront Karup anyway. His wife speaks up against him as does Huk... but given Weekly told john about her taking Huk in through the back door yeah... that dosen’t go great. And after Choir practice, Karup beats the every loving piss out of Huk for it, and tells him before that that, now weekly's’ actually printed the story he said he was going to, it’s open season on him and blacksad.
So unsuprisingly, Blacksad suspects he’s been kidnapped when we catch up with John and interogrates the blind bird from earlier, whose trying to sell weekly’s camera, and successfully batman’s him into taking him to where Weekly is. Menawhile Karup confronts his wife.. who mocks him and has no sympathy and accuses him of being a pedophile like everyone else has. He takes it badly and tells her to get out and to no one’s suprise.. has an arctic nation flag in his drawer. I do not get what this was supposed to prove as we know he’s a white suprmacist piece of shit and that previous scene with Huk showed that he’s directing the nation from beihind the scenes.
While the Bird brings john through and John laments his time as a vetran, we find their headed for a nation meeting, complete with Klan style robes.. and Karup getting ambusehd. someone having put bloody children’s clothes in his trunk. Karup is hunt and while he clearly IS innocent, given Huk both presented the evidence and let’s face it it was either him or Karup’s wife jezebel, and I have no sympahty because not being a pedophile does not make him any less of a horrible abusive piece of shit.
Someone we DO actually care if they live or die next is weekly, whose terrified, the defiance from earlier gone.. which is fair as he knows he’s about ot die and dosen’t know John.. is right there, revealed via his paws as he prepares weekly to escape and has infilrated the nation in the robes. John’s next action is also utterly badass as he SWINGS FROM THE NOOSE, KICKS OVER THE BURNING CROSS THE NATION SET UP.
Huk escapes and unsuprisingly is behind the kidnapping.. and the Magpie from earlier knew it and tires to stop him and gets shot. John kills one of the white suprmiacists and makes his wya out, finding Weekly, who escaped as john instructed and the two find the bird man.. is not dead and he takes htem to Kaylee. He dies in a really tearjerking scene, clearly senile and clearly talked into this.
Naturally the next day, John reveals via narration that the Line’s remaining police didn’t give a shit about what happened, a racist paper actively comended it as “how justice should go” and that Huk escaped... and naturally John isn’t going to let that shit slide down the glass. Huk however is dead when he finds him having gotten his but clealry this dosen’t quite satisfy john.
John listens to the song “Strange Fruit” while dressing up all fancy and looking damn good I must say. He’s preparing for a funeral and Weekly tries to help his pain.. by offering him the shots of Huk and Jeezebel.. only John spots something and tells weekly to get all he can on Karups first wife.
Turns out the funeral is Karups... and John confronts the widow who tries to brush him off.. before tearing her shirt open to reveal a black spot.. which while a neat reveal.. GOD that’s fucking creeptastic. Seriously while this story is moving, brilliant and all sorts of things i’ll gush about.. it has some REALLY creepy undertones at times with John’s treatment of Dinah, Weekly taking pornographic pictures of two people without their consent, and now this.. I mean it’s not exactly unsuual for the time but you may want to not make your heroes look like sex monsters is all i’m saying.
We finally get the full story: Dinah and Jezebel are Karups children the product of his first marriage that was geninely loving.. until Karup turned bitter and racist and upon finding out she was pregnant drove his wife out to the middle of nowhere in the middle of winter and left her to die. ...... sorry I was just fondly remembering him getting his neck snapped by the noose. Anywyays their mom did surivive long enough to give birth but the sheer pain of well.. everything collapsed on her and she eventually passed when they were young. Both sisters wanted revenge and since Jeez could pass for white, she married her own dad, and got some satstifactoin over not letting him touch her, and got Kaylee into the house. So she seduced Huk, even if clearly by the panel sleeping with that piece of shit greatly hurt Jez to do, and used him to set up the fake kidnapping scheme to frame Karup as a pedophile.
As for why Dinah died.. if it wasn’t obvious by now Huk did it not realizing Jez and Dinah were sisters and took Dinah’s udnerstandable worry about her daughter.. as concern she’d squeal. His death and who did it should be obvious and given he’s almost as big a piece of shit as karup, only barely avoiding that because his murder wasn’t his own PREGNANT wife. Jez assures John it’s all over and her mother and sister can rest in peace.. but John cuts through this with one simple fact: “What about Kaylee?” Sure Karup deserved it.. but going so far int heir revenge cost a girl her mom, and the weight of this finally hits Jez who merley collapses saying “i’m cold” knowing that in the end.. her revenge wasnt worth it. And really that’s the center of the story: Revenge.. and how it’s ultimately hollow. To quote Mr. Miyagi from the karate kid on revenge, as I feel it’s UTTERLY relevant to this story “You might as well dig two graves”. The sisters COULD’VE had a decent life on their own, living as who they were in spite of karup, leaving the line behind when they could and taking Kaylee with them. Instead? While Karup and Huk rightfully died and those deaths are a good thing.. the arctic nation shows no signs of slowing down and likely didn’t losoe EVERYONE in the factory fire, a child is orphaned, Jez wasted her life as someone she wasn’t to get revenge on a man who didn’t even know she existed. While two very bad men died.. it cost two other lives and a child’s innocence to do so.
So we close at Miss Greys, having taken Kaylee in for obvious reasons. John encourages Grey to keep going, that maybe with someone like her.. this region might get better. While the adults are lost... maybe the children can be better. Though John sadly looks at Kaylee, after she pelts week with a snowball, and i’ts clear from both of their faces the events haunt them. While john saved her.. he still couldn’t save Dinah. We end though on a very lovely scene: as John and Week prepare to get the hell out of dodge their job done, Weekly, seeing John’s very haunted by the events reveals the real reason behind his name: the boys only think he changes his underwear once a week. And this gets a hell of a laugh out of john... and ends a very dark story with a very grim resolution on a hopeful note: Things may of ended terribly.. but with the nation weak.. there’s some hope at least things might get better... and sometimes a little hope is all you need. It’s also a nice show of how far the two have come: From John really destesting week.. to the two being the close friends they’ll be from here on out, there for each other no matter what. And it really shows in the endings: Last album ended iwth John morosely sinking back into the shadows. Here while not much happier.. it ends with him at least.. not alone.. and with some hope things will get better. They have to.
Final Thoughts:
Arctic Nation is a masterpice. While the sexist comedy bits have not aged well the story is THROUGHLY relevant, a story of revenge, prejudice and standing up to prejudice, and after the last four years of having a president blantly favor white suprmacists and corrupt cops while things only got worse.. seeing John stand up to that flavor of monster with bravey, wit and most importantly no fear, was UTTERLY cathartic. It’s a captivating story that keeps you hooked the whole time.
And while on it’s own the story is very good and stands firm, as the second adventure for john.. it improves on somewhere in the shadows in every way except the art, which was already perfect last time and is just as excellent this time and is easily some of the best comic book art period. But the narrative is far more intresting this time going from a pretty standard noir setup to a fairly unique one as while “hero is stuck in a town where he’s an unwelcome outsider” isn’t new, having that blended with white supremacy is brilliant and provides an unyileding wave of tension over the story, as our hero is ONLY not lynched right away because his enimies are being careful and trying to appear resonable when their just bigoted bullies with delusions of grandeur like all whit esuprmacists. Our hero is not safe, he is not welcome, but he WILL NOT give up on a child whose been lost and needs his help. It’s a far more gripping setup and the payoffs including the awesome warehouse climax and the huge reveal at the end, all feel oh so worth it but the journey is never boring. THe additoin of Weekly was also easily the best move, as while he probably wasn’t intended to be permenant, his goofball demanour, skill beneath that, and great dynamic with John add some levity to the grim nature of blacksad’s world, and give him someone to work off of so we don’t get all the exposition via the narration, allowing it to breathe and come about when needed rather than be a constant presence. While Somewhere in the Shadows was good.. Arctic Nation is a masterpiece, and teh series would keep that level of quality and nuance from here on out.
I’ll be taking a break from blacksad for a while, so I’m genuinely not sure when i’ll be getting to red soul as I have other projects I deserpately need to get back to in april first, but i promise he’ll return some day. For now if you liked this review, follow me for more including weekly reviews of ducktales and amphibia, a lena sabrewing retrospective and if you really like this you can chip in a buck or two a month on patreon. The more contirbutions I get, the more likely i’ll hit my stretch goals and I have some pretty neat ones so check it out, there’s a link on my blog. And see you at the next rainbow.
#blacksad#john blacksad#arctic nation#weekly#comics#furry#anthro#noir#darkhorse comics#french comics#black lives matter#black history month
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