#so that's where most of my personal work experience is
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chrissieshauntedbones · 1 day ago
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This is not the slightest bit true.
Maybe for some corporate offices / corporate based retail chains & the like where you are just a number, then MAYBE this could be true... but in today's world, this doesn't seem to hold up, or, it at least hasn't been my experience.
I have worked in some form of management role between three different jobs over the course of 7 years prior to the car crash I had been in, back in 2023. When I had interviewed for each position prior to getting them, I had been my genuine and authentic self.
For context, I was an assistant manager, then was promoted to a store manager, and managed two different store locations for a retail CORPORATE store. I was, however, being underpaid, so I had requested a review and raise, and though my review went spectacularly, they could not offer me the pay I wanted, and I left to work in a Doctor's office. I got weekends off and had great health insurance, and the latest I would be home would be 7pm most nights vs 9pm, so it was a no brainer to leave.
When I worked in the Doctors office, I climbed the chain fast, and went from a front desk worker, to a site supervisor, before being promoted to the front desk manager for all SIX locations. A few months later COVID hit, and I lost a lot of my staff. I HAD to work, I couldn't afford to stay home... So, I got worn down real fast, and wound up butting heads with the practice admin. She was honestly awful. There was no way I could come to any sort of compromise with this woman, so, when I received a job offer from a friend, I left to work in a construction based field doing office work...
After 5 months in my most recent job i had been promoted to the office manager/service manager, then was relieved of the service manager position, but was given the sales manager title that way my skills could be better utilized.
In every role I applied for, I had been honest, polite, attentive, and I asked questions. I didn't try to pretend to be anything I wasnt, and wound up getting the jobs.
In these management positions, I was responsible for interviewing, hiring, and training new staff members, as well as doing my own job duties, which usually went hand in hand with whatever my team was responsible for.
In every field I had been working in, when I went to interview someone, depending on the role I was hiring for (receptionist, cashier, scheduler, customer service rep, etc) the criteria obviously changed slightly to fit the role, but overall, I looked for people who had experience with the position I was looking to fill, and I looked for people who could show an overall level of basic competency.
I also always looked for:
Empathy
Compassion
Kindness
Responsibility
A sense of humor!!!
The ability to work under pressure
The ability to work as a group or on their own
The ability to ask questions (you would not believe how often people are afraid to ask questions about all sorts of things in fear of being judged)
The ability to take constructive criticism as well as give constructive criticism
I actually called prior employers to confirm employment dates, and would just ask how they were overall. I never asked for specifics. Just how they were seen in their role, and if they had any issues that needed coaching, or caused write ups (it would not be held against the applicant, just so that way I could understand a separation from the previous job better).
I almost always hired people based off of their personalities, and their eagerness & willingness to work (as long as the experience was there).
I worked with my employees, and constantly trained, offered help and support, and did what I could for them.
I would always want someone to be honest with me at an interview, because spewing information at me isn't going to prove your ability to do a job or work with a team... It's just going to prove that you can read, which I suppose is important, but there are far more important qualities people have which make them valuable employees.
remember that interviews are not about giving a good and honest first impression that they'll carefully consider. interviews are about saying the special words and phrases they're looking for that give you points and when they tally those up whoever earned the most job points wins
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venomous-qwille · 1 day ago
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So, I’m autistic myself, but any pro tips for writing neurodiversity in characters? Pretty please?
I just take different parts of my own ND experience and amplify them with different characters!
So for cricket, it's creating an unreliable narrator by showing the world through the lens of someone with RSD, who is constantly trying to understand/react to the people around them in a way that doesn't 'rock the boat'. Who misinterprets the signals other people send (or don't send), because they don't quite understand how others think. Cricket also immediately accepts other peoples criticisms and negative jokes as literal truth- this is both internalised low self esteem and autism. The Sight is also a metaphor for sensory overstim that comes with autism. When I have to write exposition, I try to do it in the rambling, detailed way of someone who is explaining a special interest (all crickets repair scenes, for instance, where they are harping on about restoration minutiae).
But cricket isn't the only ND character!
Harry is very autism coded, through his collection/interests you see in the setting (a lot of show not tell there) and also in how he fundamentally clicks with cricket in some areas (ND minds think alike) yet has no real understanding of how he has hurt them or the way his actions effect them- there is a lot of bullheaded obliviousness which is the ugly side of autism.
Soleil is masking 2000% of the time. I write him straight up as I was as a deeply traumatized autistic teenager. You don't see his internal world at all, he is constantly modulating/masking his voice, hiding his stims, trying to copy human 'civility', trying to perform politeness and hide his anxiety. You see him self soothe by cleaning in a few chapters.
Sunspot is fun to write because I'm leveraging the 'low Vs hyper empathy' side of ND, exploring that stuff through the way he reacts to things and his relationship with being something non human that looks the most human of all.
I could go on about the other characters, but this is the crux of it:
Try to use show not tell as much as possible
Take the opportunity to weave it into the format/the unreliable narrator
Leverage your personal experiences
Show how characters react to stuff/events/eachother and imagine how those reactions might be effected by their neurodivergence
Thaaaat's about it! I think using personal experiences is the most important one, that's always core to good writing no matter what type of character you are working on.
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harmonysanreads · 11 hours ago
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Chiaroscuro
ᯓᡣ𐭩 Dr Ratio x [ Gender Neutral ] Reader
Synopsis: There is a wilted daffodil resting between the pages of Ratio's memories. Tags: POV Dr. Ratio, Fluff and Humor and Angst, Hurt/Comfort (?), Slow-burn (oh my), Right Person Wrong Time (oh dear), Strangers to Friends, Reader is Older than Ratio, We speak in the Language of Flowers here, Literary References and Allusions, Exploration of Academic Struggles, Jealous!Ratio, Exploration of Grief, Slight Yandere!Dr Ratio, My Interpretations of Ratio's Past and Ideologies (because hyv won't tell me), Brief Aventurine Appearance TW(s): Toxic Relationships, Toxic Family Dynamics, Implications of Physical Abuse (not condoned by Ratio) Author's Note: At long last, my ‘thesis’ on Dr. Ratio is finished :') I've been working on this fic since June 2024 and finally gathered enough willpower to push through the rest of it. I started this fic with the sole goal of torturing Ratio but ended up falling in love with him halfway through this fic- as such the direction may have shifted orz Please forgive any unintentional errors and get cozy <3
「 Word Count : 11k 」 「 Artwork Credits 」 「 Read On AO3 」
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i. Panorama.
They say, the best years of a human's life are spent before boards painted with chalk scribbles and around those of one's ages, filled with careless laughter and weaving hopes for the distant future.
Veritas Ratio has always disagreed with this belief and backed his own with a multitude of reasoning. For one, those so crowned ‘best years’ are not to be wasted through wishing your fantasies would come to fruition on their own. Secondly, his experiences run contrary to the images illustrated by the majority of the population. Which, fall as it might within the grounds of personal grudge, has enough weight to not be disregarded entirely, he'd argue if necessary.
If confronted on his bitter feelings regarding the schooling years of a person's life, there is a possibility that the erudite Doctor will falter and then incoherently mutter something about it not being a downright horrifying experience.
The chances of receiving further clarification from that point decreases significantly and will be entirely dependent on Ratio's mood, which, isn't perceived to be the most agreeable on most days.
In the rare case that luck shines upon the inquirer and Veritas Ratio's stern edges soften with nostalgia, there will be but one name that'll leave his lips in an uncharacteristically somber cadence.
If certain events had transpired differently, the recollections of that day would've been far sweeter than it is now — but still, the parasite known as nostalgia begs to alter his memories. It attempts to soothe the cuts gained from reaching towards aspirations far beyond his capabilities with cursory glances from the sun, and daisy petals hidden in the crevices of dusty tomes.
In the days Veritas Ratio treaded in an environment where nearly everything was twice his height, carrying expectations no one would bother to understand, he'd pledged to himself to not fold before irrational demands just because he wasn't a sight one would normally see in an institution full of burgeoning adults.
He was no stranger to the attention his genius brought, far more so the unwanted part of it.
Which was why he'd stubbornly made his goals clear to his titular peers within the first week of his attendance, much to their bewilderment.
Any suggestions for free ‘assignment completion service’ was shut down curtly and neither did the prodigious new student bother to partake in other youthful activities — but surprisingly, Veritas's distant countenance hadn't succeeded in putting a dent to his overall popularity.
Perhaps that is the reason the requests for private tutoring sessions and borrowing of notes never did cease, because despite his attitude, no one could deny his intelligence. And that, ultimately became his label in that university. Consequently, no one went out of their way to seek him out unless it concerned academics — except one person.
Ratio thinks he might've been witnessing a meteor streak the night sky instead, because relatively speaking, he couldn't trace where you appeared from with just his bare eyes.
(Though now that he thinks again, it might've been because he'd not bothered to look beyond the white board of the lecture halls, haughty as he'd been.)
—And as momentary as said event, you'd stunned him with an inquiry that did not match any of the others that'd preceded your kind.
“Why are you all alone during lunch, little boy? Whoa, you're studying even now?”
He’d barely missed the astonished gleam in your eyes when he parted from marking an important section from his book in a flinch. The unacquainted sight beside his desk had put the functions of his brain at a temporary standstill, before resuming with a barrage of questions as you observed him rather amusedly.
The small smile that appeared on your face next halted any of those inquiries from gaining voice as Veritas's reflexes worked to catch the objects tossed his way.
“Take these for now. Skipping meals isn't good for you, you know? You can't achieve your dreams if you don't take care of your health first.”
Veritas blinked owlishly at the apple and sandwich now resting on his lap, the words of advice you stated in a rather sing-song tone barely registering in his head as he vacillated between demanding your identity and scoffing at your audacity.
Much to his chagrin, you evaded his burning stare and waltzed out of the vacant lecture hall before he could even open his parched mouth, again.
(What he recalls first before this peculiar interaction now is how the usually mundane sunlight had embraced your form that day.)
He only saw more and more of you from then onwards, much to his initial displeasure. For some mysterious reason, you'd made it your hobby to nag at and subtly coddle him in ways that made any other passing student raise eyebrows.
Whether it be dragging him to places and sometimes forcing him to eat lunch or separating him from his beloved books to 'refresh his mind' at some other corner of the campus, you never faltered ; despite all the scowls and passive aggressive quips he sneaked in.
Only after some research did Veritas discover you to be one among the seniors and, he'd admit it somewhat begrudgingly, you were a senior in every sense of the word.
Although, that knowledge did not aid him in answering the most begging question: why were you going out of your way to guide him through the perilous terrains of university? He'd initially suspected you to demand recompense in the same ways the others coveted. 
Perhaps you were an expert manipulator, struggling to wrap up your last year in the institute and as a result, decided to prey on the genius through teasing words and coddling.
Ratio was fully prepared to face you when you showed your true face — except, his hypothesis ended in utter failure as that expected unravelling never came.
So, on another of your usual kidnappings meetings under the old oak tree at the far end of the campus, Veritas decided to soothe the scorching paranoia in his head.
“It’s because you remind me of my little siblings! It's been such a long time since I've seen them and I just really miss them, you know?”
He doesn't know. Neither the sentiments that are apparently driving you to take care of him nor whether you're being sincere.
Here's the most annoying thing about you: despite how much of a genius Veritas is crowned to be, he's experienced repeated failures in deducing what lies beneath that benign smile of yours.
At least there are formulas and theories to explain or, get closer to the enigmas of the universe. But whatever and whoever moulded you into your present state had clearly forgotten to leave a loophole behind for curious minds like his to decipher.
“Besides, I understand how you must be feeling in this environment where everyone is half a decade older than you — even though you like to act tough. I know that there's a seed of loneliness that's ready to burst into a giant tree with the right incentive and you're just holding onto the last of your sanity to not let that happen.”
Ratio's fingers halt midway through flipping to a different page of his book. Your observation silences him long enough to make the rustles of leaves permeate the atmosphere, before he forces his brows to furrow and his lips to quirk down.
“It’s rude to make assumptions about someone you barely know.”
The purple head watched as you leaned against the palm of your hand, as though the sneer on his face was nothing worth fretting.
“Aww, did I catch little Veri off guard? No need to be in such denial, I saw you gape like an owl at my words. But owls are my favorite bird, don't worry!” The hostile expression on his face morphs into surprise as you ruffle his hair with your free hand with more enthusiasm than required.
“Rest assured, I'll take care of you for as long as I'm here, little Veri.”
“I’d appreciate it more if you don’t.”
That earned him a laugh and messier hair.
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ii. Anamorphosis 
Little Veri.
If there was something he despised more than the shrill voices of his classmates, it'd be that nickname. You might've been accurate in your choice of words in a literal sense, but for the first time, honesty had bruised his ego.
The prodigy was not accustomed to being treated his age, he was always commended as ‘mature’ and being ‘beyond his years’. Yet you had never even bothered mentioning this and instead, always poked at the suppressed child that slumbered at the deepest corner of his heart.
What he loathed even more was how every repeat of that ridiculous nickname actually made him feel quote-on-quote ‘little’. No, how you allowed a leeway for that teenage heart to peek through from under a canopy of knowledge and caution.
Intentionally or not, you carved a shelter for that little boy to crawl beneath in moments that no one would care to glance at.
It was a matter of great shame although, while his teachers had handed him the basics to deciphering the laws of the universe, no one had bothered to teach him how to respond to such kindness.
Upon further digging, the genius was surprised to find that your merit resided in the top five of your entire year. While he hadn't taken you for a dimwit (he'd rather eat dirt than utter such sacrilege) his astonishment stemmed from the fact that he'd never seen an academic material accompanying you on campus.
He’d even thought your sole task was to bother him with your half-a-decade years old wisdom upon a particular session of agitation. But after clarity grasped his mind, he realized that his suspicions were simply baseless in an institution as competitive as Veritas Prime.
Instead of journals and papers concerning your major, Veritas often saw you seeking refuge in musings soaked in fantasy and your rationale behind such escapades puzzled the mind of his younger self greatly.
“And then the male lead gave a bouquet of bluebells to the female lead, declaring his feelings! Isn't that so romantic?”
Ratio scrutinized your form hunched over from giddiness derived from materials that appeared alien to his eyes, stacks of textbooks wept at the corner of the table in abandonment.
“Bluebells? I thought people gave roses for matters like this?” sunset orange eyes swept over the incredulity blooming on your visage.
You sighed as though he was the most exasperating person you had the misfortune of dealing with, “It’s because bluebells are the symbol of eternal and undying love. Roses are undoubtedly lovely but as you said, if anyone was to give roses to someone, everyone and their grandmas would have an inkling about what is happening between them! Giving someone a bouquet of bluebells on the other hand, is far more secretive and exciting.”
“I don't really understand but alright.”
Ratio almost drops his pen at the flick to his forehead, “So unromantic! You're never getting a girlfriend if you continue being like this, kid!”
His free hand whips up to shield his skin against further damage, he feels the muscles of his temple twitch in profound irritation. “I don't need—”
“Yes yes, you're too preoccupied with the pursuit of knowledge to bother with fickle things like romance blah blah blah.” Ratio's eye roll almost synchronizes with yours.
Veritas knows and he isn't ashamed to admit that he's not a romantic person. The path he walks on has no necessity for abstruse emotional attachment and sentimentalities.
On the contrary, what he abstained from seemed to be the centrepiece of your interest.
Your eyelashes flutter as you rest your elbows on the table, eyes searching for a trace of your wishes among the litany of bookshelves, “But if anyone was to confess to me, I'd want them to give me a bouquet of bluebells instead of trying to articulate their feelings.”
Ratio raised a brow as your sigh echoed throughout the grand library, “And how, pray tell, would they know of your preference?”
“That’s the thing, little Veri!” you snapped your fingers as though you'd solved the greatest dilemma plaguing mankind, “I wouldn't talk about these fantasies to just anyone. If someone was to give me a bouquet of bluebells, it'd mean that we're close enough to know these secrets and then there'd be a high chance that the feelings are mutual. No awkward moments, we'd know what we are without even speaking!”
The purple head observed as you rambled, the light from the sinking afternoon sun filtered through the stained glass shone on you. A scoff escaped him before he could stomp it down, his arms crossed almost derisively.
“And is that your sole ambition in life?”
“Of course not,” your reply was brisk and simple, as if it was the most obvious thing in the world.
You met Ratio's perplexed gaze with an unusual calm, “If by ambition, you mean what I want to do after all this studying, well — I want to be a teacher.”
Veritas couldn't hold back the surprise from soaking his words this time, “A teacher? Why?”
But you seemed to find great entertainment in his reaction, if your twinkling eyes was anything to go by and the genius isn't even taken aback this time; your sources of amusement would never be the guesswork of anyone.
Your shoulders shifted as you shrugged, “Why not? Teaching is one of the most noble professions out there, but it warrants great caution and wisdom. Hmm, come to think of it— what do you want to be, Veri?”
Ratio nearly flinched as you expertly shifted the attention to him, glossing over it with a fake cough. “I…” his throat constricted as you leaned in ever so slightly, “—don’t know.”
“Whaaaat?” you backed away just as quickly, dragging the syllables of that word to emphasize your disappointment. “Tsk tsk, so you're just studying blindly without any clear goal? That isn't going to get you far, regardless of how intelligent you are.”
He knows that, but what is he supposed to do if his mind blanks when he tries to envision himself in any conventional field? In fact, he considers it as one of the flaws of the educational system. How a student is always urged to find their place in the grand scheme of matters but never guided through them ; or, at least, given clear pointers.
It'd also be careless to label Veritas completely clueless about his situation. What he does cradle, or was compelled to bear was not borne of his personal wishes. But with time, his mind accepted it as his own, though a part of his heart always ached with emptiness.
You cleared your throat upon noticing that a great conflict had rendered the genius speechless, “Well... as for the reason as to why I want to be a teacher, it's because I want to help those students who struggle to find their way in this vast world. Regardless of where they rank in the merit position or what ‘status’ society has assigned them. Granted, this struggle may continue even after someone has graduated and while I may not be able to help every single person, I still want to try my best. After all, that should be the goal of our educational system — in my opinion, at least!”
You chuckled somewhat bashfully afterwards, remnants of it settled on the way your lips curled. There was something so succinct yet undoubtedly natural about that smile, like petrichor and he felt a pang of regret hitting his ribcage for not noticing it before.
Although it might not appeal to some, to many it brought solace even before the sun could sweep aside the canopies of darkened clouds.
Something that's appearance was preceded only by the tears of the skies, it stunned the mind that such beauty could be unearthed from a phenomenon so seemingly insignificant.
And that realization appalled the young scholar.
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iii. Tenebrism 
Ratio did not comprehend the value of your presence until he was deprived of it.
Due to certain circumstances, the genius had learned to be contingent with the fact that he'd have to navigate the majority of his life all by himself. Of course, ignoring simpletons and self-centered personnel came easy to him as well.
What the scholar wasn't conscious of, or was too prideful to acknowledge was the harrowing vacancy in some obscure corner of his heart that yearned for a deeper connection. It would take little effort for him to rationalize this longing with his age and return his attention to far more pressing concerns.
But it seemed that the more he tried to silence the wails of his feelings, the more cacophonous they became.
You'd spoiled Veritas a good amount, with your willing enthusiasm to tail after him whenever you had the reprieve.
So, when you abruptly stopped your usual pursuit in exchange of accompanying another person whose face he couldn't bother to remember, the young scholar was left to deal with a surge of emotions he had little control over.
Said emotions, were tame enough to be kept under check within the first few weeks as he learnt that the purpose of this sudden acquaintance had been for the completion of a group project.
Where the scholar's composure did start to falter was when you maintained your distance from him even after the fulfilment of said project.
And Ratio despised the sparks of resentment that'd flare up in his chest each time you'd pass him by while chatting so deliriously with that no-name stranger.
He was thrown in a limbo the first time he witnessed someone else in the position that he held and although he stubbornly convinced his mind that it was for the best ; each time the scene would replay in the corridors and crevices of the university, Veritas could see yellow hyacinths bloom in his peripheral.
He's certain now that he must've been losing his mind, or at least was on the verge of (and for such a childish cause at that) because he took shelter in a superstitious practice and ignored as many meals as he could in the futile hope that you'd come back and reprimand him again.
Ratio would have applauded you if he hadn't been so consumed by all those unsavory chemical reactions in his mind.
It didn't help his case that the first time he'd bothered to take in the environment, he was reminded of the fact that, you had others who'd accept you, but he only had you.
His frustration must've reached a new peak, because not even the most persistent of his irritable classmates were brave enough to approach him as he continued to brood hopelessly.
It wouldn't be long until he would gather the motivation to finally propel himself out of that dark space, but the method his younger self employed to do so, embarrasses the present him to no end.
“They did what?”
Veritas needn't open his eyes to picture your visage colored in shock, he opted instead to maintain his somber facade, arms folded, and brows furrowed to complete the act.
“But I never thought them to be that kind of person, quite the opposite, in fact.” followed your reluctant admission.
Ratio outstretched his palm as though enticing you to accept the news, “One can deduce so much about the ocean by gazing at its surface. The facts are before you, with substantial evidence. Whether you believe them or not depends entirely on you. I only thought I should inform you before it reaches the Principal, that is.”
He could envision your eyes oscillating between his firm countenance and the unseen prospects proposed by his words. Discreetly, he peered at your fidgeting and unconsciously held his breath.
He'd done the calculations before approaching you, the worry oozing from your gaze confirms that you've heard word of it from his ‘associates’ already and the fact that you didn't try to defend the person further tells him you've done some digging through the news portals of the university yourself.
Step by step, you've unknowingly assisted in concluding this problem.
The young scholar silences the quivers of his conscience before they can rage and foil all progress. As for this friend of yours, there were embers left behind from misdeeds of long ago. He merely reignited that flame so that those crimes would face proper punishment — although which was not his principal goal. To make sure you don't get caught in the inferno was, or at least, that's what he tells his conscience.
A half-resigned hum from you saves the scholar from spiralling, “I’ll believe you and will avoid them for the time being. Though I have my own theories, you have a point. There is no telling what is beneath a person's exterior.”
Veritas simply nods to that conclusion.
Your eyelashes flutter as you drift into a brief reverie, before fixating on his rigid person. “Ah, but what is going on with you, kiddo? You've been skipping meals again, haven't you?”
The young scholar blinks in stupefaction at the shrunken proximity between you two, the single finger beneath his chin with which you scrutinize his visage nearly burns his skin. He can hardly process what observation you're making through the dizzying fragrance of jasmines.
“I am in perfect health, as you can see—”
“For so long! It's only a matter of when that you'll faint while calculating nonsense.” you sharply interject and withdraw the searing contact. Strangely, Ratio makes no face this time.
“Come to think of it, it's been a while since we've had lunch together. Oh, I have so much to share with you! Let's not waste anymore time, let's go!”
There is good cause for why the wise warn against temptations. Bit by bit, piece by piece, oh so painfully obstinate — you fed him that poison, rendering his sharp mind a mess of inebriating chemical reactions.
You were none the wiser to the impact your fickle gestures made on him and soon, Ratio's biggest weakness, curiosity silenced the prodding of his conscience.
He gained little incentive to step far away from the leering shadows, as the brilliance of the sun made it so his fixation wouldn't stray towards the darkness.
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iv. Tachisme
“Suffering is part and parcel of extensive intelligence and a feeling heart. A man who is really great, it seems to me, must suffer considerably here below.”
Your sigh weighs down on the silence of the university's library, a dull thud causing a crack on it as you set down the tome on the dark wooden table.
“I couldn't help but think of you while reading this novel.” bright orange eyes watch the way you cushion your cheek against your knuckles minutely.
“Suffering, misery, sadness, whatever you name it is inconsequential to any human being. But I feel like, those who are labelled as being ‘different’ than the majority experience a certain kind of those challenges. The ones that are weighty on the tongue when they attempt to express it, perhaps inscrutable to even themselves.” Ratio mulls over your musings, briefly closing his eyes.
“Everyone’s experiences are bound to be different.” comes his easy response.
The furrow in your brows suggests the conflict his words stirred instead of assurance, “You take everything so coolly, but I can't help but worry for you. You may be calm and certain about everything now but there's no guarantee you'll always be this way. On top of it all, you reject close relationships, thus narrowing your options to lean on someone should a sizable problem come.” 
Ratio catches himself before his eyes can roll sideways, “Surely you didn't drag me out of a lecture just to nag me again?” his subconscious notes the reduced exasperation that prospect stirs within himself.
You often worry for a future that has yet to seize anyone. While the young scholar commends your far-sightedness, he really cannot understand the use of losing one's mind over events that haven't happened yet.
Thinking ahead is helpful, turning that habit into an obsessive frenzy is not.
He observes the way your frown expands, deepens and ultimately loosens up with a sigh. You refrain from broaching the topic further, another quality he appreciates.
Though you don't make an attempt to defend yourself, you refuse to voice out anything else as well, settling your eyes to a distant point in existence.
For once Veritas is ruffled by the silence, so he makes an attempt to change the subject — because counting your eyelashes isn't the most productive thing for a scholar to do.
“It’s not everyday I see you carrying something that doesn't have hearts and glitters on the cover page.” his eyes settle pointedly on the book before you.
You scoff, “One does not survive in Veritas Prime simply from reading light novels.” there's a trace of pride in your admission.
“Oh? So, what does ‘one’ do to maintain their spot in the top five?” Ratio quirks a brow, holding your gaze.
The witty response he anticipates gets replaced by another sigh, puzzling him for an instance, “I’m assuming this is about me never studying within campus. Well, I just like keeping my study space and my socializing space separate. Listening to lectures here and doing the heavy lifting in my room. It's what works for me, in any case.”
There's genuine interest in his next questions, “And what do you do when you get bored while studying? Or when you feel like you can't concentrate anymore?”
You twirl a stray lock of your hair, cheek still resting on your knuckles, “Take a bath to sober myself up, I guess. When your mind is full of garbage, your body will likely not be the cleanest either.”
You shrug, your nonchalant attitude renders his mind to a blank slate. For a while he does nothing but think about your words, though the response he gives matches none of the context.
“I feel like there is so much I don't know about you.”
It's your turn to be surprised, but unfortunately for Ratio, the sight is still too brisk. You break into a fit of laughter, wiggling your brows as though you know something.
“Silly little Veri, let me tell you something. People are like icebergs! We can only see their tips with our bare eyes but to know them in their full capacity, we have to dive down.”
“But the waters are cold.” the young scholar pushes.
Your giggles soften to a smile, “That’s exactly the point.” and you refuse to elaborate further, again.
To reach the heart of the iceberg, one must push through the freezing depths of the ocean. Whether Veritas Ratio has that willpower, is a question left for his future self.
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v. Sotto in su
As the days lapsed, more and more memories anchored themselves in Ratio's mind. They brought with them a different seed of emotion, every exchange with his enigmatic senior nurtured and coaxed it to sprout tender leaves.
Before his syllabus could be replaced, the fact had been known to everyone regardless of their relation to the prodigy. If your recurring appearances in Ratio's life and his noticeable tolerance for your presence was anything to go by, it was apparent to anyone with a conscious mind that his opinion of you was at a level above everyone else's.
Exchanges between different years wasn't an uncommon phenomenon, but a friendship with the notoriously detached prodigy was an understandable bewilderment. Though, the students at Veritas Prime quickly learned to use it to their advantage rather than criticizing it — a unanimous realization that Ratio was just a bit more agreeable in your presence.
Not that Ratio was unaware of their schemes, the fact that they construed that he'd tolerate them solely because of your connection further cemented his belief that all these wannabe researchers were still light-years away from the truth they speak to seek.
Albeit, after noticing that he'd been more approachable for students who genuinely wanted to learn rather than to fulfill some pecuniary purpose — he begrudgingly admitted that, there was an influence taking place.
Veritas swiftly ignored the rumors. While not one to waste his time, being with you brought along perspectives that challenged his thinking style. To him, truth has always been beautiful because it will not change, even through the failures in understanding it.
But you're a human being, change is rooted in your constitution.
The cycle of erosion and accretion that makes you you hinders even a brilliant scholar like him in grasping the characteristics of your soul. This form of beauty he was not acquainted with before, admittedly.
Relying too much on either rigidity or malleability will pose problems. It is through the search of a balance can we discover the answers.
It may not be obvious at first glance, but you aspire to guide others through the murky depths of ignorance while pondering this apparent equilibrium — since neither extremes can be eliminated. As strange as that selflessness initially appeared to him, Ratio has developed a sense of respect for your ambitions.
Unfortunately, or fortunately for him, it seemed as though you knew exactly what was transpiring.
In fact, you were conscious of a lot of things ; it's just that you preferred to pretend that you didn't for reasons that he hasn't comprehended yet.
For the longest time he interpreted that thoughtful sparkle in your eyes as just another play of light. Whenever his reactions to your teasing would come off as more animated than last and the flush that he'd try so hard to not let extend to his cheeks do just that — you'd have that nearly imperceptible realization reflected in your eyes. It scratched at the parchedness Ratio hadn't even recognized to be there.
His fear was confirmed to be true one afternoon in a vacant lecture hall, though not through words.
“Is this for me?” sunset orange eyes shone against the shadows that fell on his back.
“Well, do you see anyone else here?” your huff and his eyeroll synchronize.
You patiently held the book covered in elaborate illustrations of flowers for his taking, though what captured the scholar's attention most was the single yellow bloom tied atop with a violet ribbon on the book. He recognized the book to be a copy of the floriography manual he often saw tucked between your collections.
“You’re probably wondering ‘what value will this book bring to you’. Well, as I've said before, studious scholars should never limit their perspectives.” you almost shove the gift into his hands in response to his stunned countenance.
“And,” an accidental brush of your fingers against his hand sends an unwanted shudder through his arteries, “Happy birthday, little Veri.”
You withdraw just as quickly, the hues of the setting sun softening the smile on your face.
Ratio forces himself to look elsewhere, "You're still going to use that ridiculous nickname, huh? What a way to welcome me into adulthood." he mutters, the words leaving a bitter aftertaste that he tries to mask with sarcasm.
He feels your chuckle probing at his heart, taunting the quickened pace in which it revolts against its cage. You shift your gaze to the golden petals resting atop the book, a somber sigh tumbling from your lips.
“— Fair daffodils, we weep to see
You haste away so soon ;
As yet the early-rising sun
Has not yet attained his noon.”
Many see fit to celebrate their first step into adulthood with enthusiastic celebrations, Ratio's eighteenth birthday brought with it a clinging bittersweetness — not that he allowed himself to dwell on it for long, his future plans taking precedence over sentiments.
The lone daffodil had been tucked between a random section of the book you gifted, hidden away from his sight. The border between cowardice and courage was thin, nearly translucent in the manner the result dictated what it would turn out to be.
The journey of uncovering the mysteries of the universe is a similar pursuit. Emerge victorious and you'll be brave, fail and you'll be heralded foolish. Ratio was far from a coward or a foolish man, sometimes not going head-fast into uncertain territories is the mark of intelligence.
He allowed the daffodil to wilt and turned not a page, for he knew in some deep crevice of his subconscious that it'd blight the clarity of his mind with another flood of emotions he did not have the capacity to process.
Luckily, his agony met a premature end as you departed from Veritas Prime by the end of the year with a certificate in hand.
Who knows how many sleepless nights and crushed dreams paved the path for the ink lines on that single piece of parchment. Ratio had been there as the first to congratulate you, it was the least he could do.
He did not proceed farther than that, as you'd made it clear that there would forever be a line he would be unable to trespass.
Ratio was fully aware of the limitations the silly crush that accumulated over the time in your acquaintance brought and he expressed no interest in pushing those boundaries either.
He found solace in the fact that he'd met you at all. He wouldn't say you illuminated his life, for even you always believed it was the individual themselves who possessed that power.
You nudged him towards the path to find his light and that lesson, he wanted to honor all his life.
The memories of your time would stay treasured in his mind and the curve of your smile would be preserved in marble. Without the echo that his ears yearned to capture, he saw fit to isolate his senses from unnecessary stimulation.
Though you'd never grace the corridors of Veritas Prime again, the footprints of your presence etched deep in the genius's memories would never fade.
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vi. Trompe l'oeil
His next encounter with you was a tad unexpected, just at the horizon of Ratio putting the full stop to his years at the university.
Veritas’s fingers slackened around the handle of his umbrella, a page or two of the manuscript of his thesis slipping past his grip and drifting along the roaring wind — but his eyes couldn't chase after them. Much too fixated on the way your shoulder bumped with theirs, not at all by accident.
The rain soon cloaked your figures from his spying gaze, the droplets soaking the ends of his clothes failed still to snatch his attention away. In spite of the thunderous cries of the sky, the echo of your laugh was all he could hear.
Time never ceased its relentless march; life followed its direction and events moulded more memories.
For the sake of productivity, he had no choice but to push back his curiosity and stay away from your life. His studies and workload helped generously in keeping his mind from wandering to frightful territories at inconvenient instances, though a certain spark nestled deep somewhere in his subconscious.
Before long, his name resounded far beyond the gates of Veritas Prime.
Veritas Ratio, now Dr. Ratio, felt his nerves flare again as he looked at the latest discussions on the university’s online forum, the words “Dr. Ratio Will Surely Snag A Place At The Genius Society, Won’t He?” in bold only tickled his annoyance further.
Ordinarily, he would stay as far away as possible from discussions concerning himself — which was easier said than done.
Aggrandizing anything always leads to disappointment. Ratio's surroundings loved to goad his path, but he knew, such chatter would morph to whispers the moment their expectations were proven false.
Dr. Ratio’s brooding came to a halt at the collision, his reflexes acted and he clasped onto the stranger’s arm before they could fall. He heard leaves crunching under his boots, strangers threw cursory glances at the near-accident. 
His lips parted in what a spectator could assume to be the beginning of an apology, but paused upon noticing the words resignation letter on the paper in the stranger's grasp.
Orange eyes flickered, trailing upward, within the fabric of scarlet you burrowed deep in search of comfort from the scare.
You mimicked his earlier attempt, craning your neck for a second to meet his gaze and halting in recognition.
“Veritas… Ratio?”
The addressed scholar blinks, blurting out before he could think, “That’s not what you used to call me.”
There's a scintilla of surprise in your eyes at his unintentional jest, he anticipates a laugh next, but only an awkward quirk of your lips greets him.
Your eyes dart around your environment, before returning to his grasp. Feeling the weight of your stare, he releases his hold with a fake cough.
“I… apologize.” his hand found refuge on the nape of his neck.
“It’s okay, accidents... happen, you know.” you wave him off with your free hand.
A breeze passes through the gap between you two.
It might've just been Ratio’s misjudgement, but he felt as if you were about to run away for a millisecond. Your fingers tightened around the paper in your hold, you gathered yourself with a deep inhale.
“Congratulations on obtaining your fourth doctorate degree! I often discuss your papers in my classes, you are an inspiration to so many people.”
A flicker of sunlight filtered through the leaves above fell and there appeared that smile he knew. Years had gone by, yet the mystery in it remained still out of his reach.
“Thank you,” he tilted his head downward, “I’m glad to hear that you pursued your dream.”
Ratio sneaked a glance, your nod faded into silence. His gaze lingered on your face, the concentrated flush on your right cheek made his brows furrow.
He was no fool to the tension in the air and your unusual fidgety demeanor. He briefly contemplated if he should just depart.
However, he couldn't deny the fact that questions had accumulated throughout the interval of your absence from his life. The differences between the you before him and the you from his memories begged him to probe, to study and learn.
He felt himself drawn to the paper in your hand again, a glint on your ring finger caught his eye. Among the myriad of inquiries battling to escape his lips, the one that’d warred the longest emerged victorious.
“Did they…” he began, uncertain.
“Give you a bouquet of bluebells?”
Your flighty gaze froze to confusion for a moment as you tried to decode his words, Ratio mirrored your gaze as you failed to answer. You quickly blinked away any hints of shock, a forceful bite stopped the trembling of your lips.
(He felt a twist somewhere in his heart.)
“Can we… talk somewhere else?” you suggested. Despite it being the middle of autumn, there's a storm brewing in your eyes. 
Veritas could see splinters on the cup in his grip, the dark beverage within threatening to spill.
A passing waitress threw the table a concerned glance, but could not find the courage to intervene. The sight of your antsy wringing of hands in his peripheral alerted him to breathe. He loosened his grip on the poor cup of coffee just in time, a burdened exhale following suit.
He pinched the bridge of his nose, “So, what do you intend to do now?”
You fiddled with the band on your ring finger ; within the vacancy of the cafe, to Ratio, it felt as if even such an insignificant gesture gained voice.
The insistence of your silence prompted him to continue, “The culmination of your hard-work, one that stole almost all of your life ; all of those sleepless nights, unsaid sacrifices for the sole wish of helping others — all of it, you're going to let go, just like that? Just because an idiot claims they know better?”
Dr. Ratio could not understand, no matter which angle he looked at it from. The answer to your dilemma was crystal clear to the scholar, he’d be willing to bet it’d be clear to anyone with a functioning brain — and yet, you hesitate.
You continue to shuffle and avert your gaze, sometimes parting your lips to speak but withdrawing the next second.
A person that's found the tunnel’s end should run towards it, but you remain at the precipice of darkness.
“I…” The purple head straightens up at the sound of your voice, it is weak, hopeless ; a complete stranger to who you once were.
You abruptly gather your things, “I’m sorry, please forget I ever said anything —” an innocent glass is knocked off in your haste.
Cold, your hand is chillingly cold as Ratio grabs it, preventing you from running away. The unnatural temperature of it temporarily unsettles the man, but the situation at hand prompts him to push the observation back.
You try to force your wrist out of his grasp, but he presses on, “Can’t you see, that they are ruining you? This is not who you used to be! Your so-called 'fiance' is destroying you, they’ll not stop until you're nothing but a shell of yourself and they can reshape you to their liking!”
“I really have to go —” a vein pops on Ratio’s forehead, the wanton glass hits the floor.
“And why go? To receive another slap from them?” he feels your palm dampen from sweat, pieces of shattered crystal splaying across the tiles.
You look at him in disbelief and he blinks, the sharpness of his words finally cutting him.
The incipiency of an apology gathers at the tip of his tongue, but you halt it from escaping.
“Whatever happens between us, is none of your business, Veritas Ratio.”
If your hand was simply cold, your glare is freezing. It stuns the scholar enough to make his clasp loosen, you quickly snatch your hand away.
You’re two steps in when Veritas rushes to add, unwilling to back down, “But it was still you who reached out to me.”
The scholar hears the pause in your heels, you don't turn to address him and he doesn't move to obstruct your path either.
The bell signals your departure as the waitress from before rushes to clean the broken glass, leaving Ratio alone with his thoughts.
Veritas Ratio has had scarce attachments to worry about in his life.
For better or for worse, it appeared as though the direction of his life was steered towards one particular destination, everything else proved to be transient.
While his surroundings eroded and flourished within the touch of mortal delights, he remained but a spectator, destined to observe but never indulge.
Love. A simple word, yet any singular meaning behind which could still not be agreed upon.
He saw it in the way parents cradled their children, in the eyes of a couple that brushed past him in the streets. Flighty like the union between another pair of his former classmates, strengthened like the wrinkly hold of that couple that sold flowers down the street ; its form, just like its definition, is infinite.
The scholar thinks he's felt it somewhere in his past, or at least the vestiges of it — within the glow of a cryptic smile and a mind that did not yield.
Troublesome as it’d been, it did not conquer him. Ultimately, he wielded enough willpower to move on.
Some say, brilliant minds that toil too long in the territories of the unknown, become dense to the simpler aspects of life. Ratio did not see the inconvenience in this notion for a long time, not when it aided him more than burden him.
That is, until the encounter at the cafe.
If nothing else, it was clear to the prodigy that you had changed, for the worst at that.
The 'you' he’d known would know how to pick yourself up, or more accurately, that ‘you’ wouldn't have allowed things to escalate this far at all.
You would've left this rotten excuse of a relationship the first time they raised their voice, you would never concede to that fatal act of disrespect, under no circumstance would you let such an excuse of a human have such control — he… he hoped.
Ratio leaned back in his chair, a frown creeping in to his face.
For all these outrageous claims that he's been making of the you he was familiar with, how much did he actually know?
Is a year’s observation enough to grant him that badge of familiarity?
It is as you said, who is he to judge you at all?
Within the gloom of his study, his eyes unconsciously met with those etched in marble, the curve of a sun-kissed smile. He hand moved on its own, turning the table-lamp towards the sculpture and indeed, the light has always suited you more than him.
His recollections backtrack to the hazy gaze he saw that day, the encumbrance in them hoisting him up to chase after the itch for answers.
An uncounted number of hours passed, only after perusing a decent pile of tomes did it finally click in his head.
Ratio had no excuses or motivation to defend himself, he most certainly handled the situation poorly.
When the average attempts of leaving such relationships is between seven and twelve, it was insensitive of him to confront you like that.
Cognitions clouded in rage, he ignored the questions he should've asked, the sense of security he should've provided — the one you sought from him — and cornered you abruptly.
Foolish foolish foolish — he felt his fingers tug at his hair, breaths stuck in his lungs. Rationale does not always succeed in helping others see reason, how could he be so careless with you, of all people?
He didn't even know what stage of this hell you were at, how many times you’ve attempted to leave and what leverage they have over you.
Well, it would be most accurate to say he didn't know anything at all and yet, he arrogantly told you to 'just leave'.
The purple-head forced himself to breathe, the self-loathing could be shelved for a later day, what's more important now is finding you again.
He stood up from the heap of tomes, only to pause, does he deserve to seek you out again?
He betrayed your trust and you shut him off for good, should he even bother now?
A distant tug held him back.
Much like before, there is that line between you two that he cannot cross, must not cross.
He’s no longer a teenager in documents, but he doubts you see him as anything more than that ‘little Veri’.
The echoes of passing vehicles ricocheted around the streets, but Dr. Ratio’s attention stayed transfixed on the ivory petals in front of him.
A week or so had passed, the ruminations of those doubts kept him away from the confrontation and stole his nights.
It would be easy to cure this ailment, finding you would be but a matter of a few swipes. But that uncertainty, the ghost of a past insecurity, clung to his resolve. As such, peace abandoned him for a while.
A zephyr whispered to him, “Asphodels,”
He hummed without much thought, sunset orange eyes tracing the dulcet lines in those blooms. 
“ ‘My regrets will follow you to the grave’, it's not everyday you see someone looking at these flowers with such care.”
If anyone looked straight into the scholar’s eyes at that moment, they'd for sure be able to witness the cogs turning in his brain in them.
Ratio finds you startled once he whips to his left, your presence finally registering in his head.
A prayer, a yearning, your name escapes his lips. But any further speech is obstructed from taking shape.
You’re the first to recover, “I apologize for running away like that the other day. It… was cowardly of me to tell you to mind your own business when I was the one who confided in you first.” your head lowers in appeal.
He’s sure of it now, you must be on the quest of giving him a heart-attack, what with these continuous surprises you’re throwing at him.
Well, if not a fatality, they're at least doing a wondrous job in preventing him from processing the fact in its entirety — you're here, you’re here, you're here.
You found him, again. Just like all those years ago in the lecture hall, all those times he was skipping lunch, on his eightieth birthday and that other day ; it was always you finding him.
(Has he ever broken through his pride and cowardice and tried to find you instead?)
The scholar hastens to join you, “No, it was my incompetence in failing to understand your situation that pushed you to leave. I completely failed to provide you with safety when you trusted me. For that, I beg your forgiveness.”
He couldn't see it, but he could picture your disbelief at his behavior. Your fist mirrored his, “No, it was clearly my stupidity—”
“Nonsense!” his exclamation earned him a flinch from you. He subconsciously straightened up to drive his point across, “It was me who —”
In the hurry and flurry of emotions, your head bumped with his, ending his tirade prematurely.
Your eyes settle on him, a car runs past your perplexed figures and then, the streets get cloaked in quietude ; before being filled with your giggle.
Against his control, his lips twitch and laughter bubbles in his chest. He allows them to gain voice and join yours.
You fan your face with your hand as the chuckles skid to an end, Ratio feels his cheeks warmed when he inhales. But none of you bother addressing the previous argument, its result apparent.
You take a deep breath and exhale. The scholar sees sun-glitter in your pupils, “I left them, by the way.”
That sobers him.
“Your…”
“Fiancé, yes. Or well, ex-fiancé now.” as if on cue, Ratio catches your now vacant ring finger.
“They tried to beg me to stay. But to be honest, it was not the first time they appealed to my sympathy.” you find interest in the pavement, searching for the remnants of your memories in their cracks. 
“... But I really put my foot down this time. And oh, I didn't quit my job either, in case you were wondering.” you heave, pushing a lock of hair behind your ear.
“And where are you residing now — if you don't mind me asking?”
“I’m temporarily staying at a friend's house. Don't worry, I’m at a safe place.” you reassure, detecting the underlying concern in his inquiry.
Ratio’s shoulders sag as he exhales, the receding adrenaline dulling his worries. Turns out you didn't really need his help, not that he's astonished. It was in your nature to extend help towards others but thinking twice before asking for help.
(Although he's in no position to criticize, he so wished that you’d find it in yourself to rely on him a bit more.)
“If you ever need anything, just give me a call or a text. You still have my number, correct?” he glances down to gauge your expression.
When you nod, he murmurs a faint ‘good’ and silence takes over. He contemplates if he should add anything else, but the serenity in the atmosphere prompts him to push back those concerns.
“Well, goodbye for today?” you suggest, snapping him back to reality.
He raises his hand to do just that, but a different thought alarms him.
“Let me walk you home.” he pushes back the cringe at the excess firmness to his tone, rushing to add, “Please?”
For a blink or two, you looked at him as though you’ve just sighted an alien. He assumes it's the ‘out-of-character’ tendencies he’s been portraying that has you double-check. It seems that he was not the only one comparing the present and the past.
Luck appeared by his side — or perhaps it was just your pity — and you conceded without any complaint, letting him join your steps. The scholar barely hid his glee through his gait.
The planet that housed Veritas Prime would get decorated in the lovely shades of ripened maple leaves around this time. Civilians gathered in groups beneath these scenes, some enjoying a leisurely picnic, others focused on getting their desired pictures.
Ratio noticed your wanton glance at a pair on a picnic mat, his lips tugging down at the tell-tale signs of where your thoughts ran towards.
But before he could do anything, you turned away and picked up your pace ; the pair’s laughter but background noise.
With some haste, he caught up to you. Racking his brain to distract your mind, he found himself empty-handed.
Four doctorates and yet, his mind goes blank when he needs it the most. He couldn't be any more disappointed in himself.
Just as he’s about to start a mental berating though, you side-step a rock and Ratio’s hand bumps with yours, their frigidity alerting him.
He stops in his tracks, and you do too, looking up quizzically at him.
He extends his palm, “Give me your hand,”
Your confusion only increases, “What? Why?”
“It’s too cold. Are you certain you aren't sick?” he thinks back to the encounter he had with you at the cafe, the chill he felt when he grasped your hand. He initially thought it a coincidence, but now, he was really concerned.
“Ahh, this, you see,” you flex your fingers, a feeble attempt at warming them up. “My hands kind of respond to the temperature? Don't ask because I don't know exactly why either, during winter, they're usually cold like this. But in summer, they're very warm.”
Ratio quirks a brow, “Just the fact that it tends to happen doesn't make it any less uncomfortable, does it?”
“No…” you trail off, “But! That's what my fiance— I mean, ex-fiance would always tell me, to just get used to it.”
Your eyes flicker back to Ratio’s, the disbelief in them telling you enough of what you need to know.
The scholar ran a hand through his hair, he shuddered to ponder what other garbage they had fed your brain.
His sigh is carried by a passing breeze, “It’s okay. They aren't here to dictate your life anymore.” he once again offers you his hand, another hope-filled prayer.
You look at his extended palm and back to his patient gaze, your fingers fisting in themselves for a moment before loosening.
He sees the ebb and flow of doubt and hope in their movements, inching closer and closer to his.
He cradles your hand when it reaches him, your fingers slipping easily through the gaps of his. The difference in temperature alerts his reflexes for a second before he calms them down.
He stuffs your intertwined hands in his coat pocket — your gasp fades behind you as he resumes his gait.
Ratio does not dare glance in your direction, but he knows you're watching, scrutinizing him. It reminds him of the look you had at the end of your university days, the memory of the incident that followed makes his throat parched.
Your grip is unusually weak, combined with the knowledge of your situation, the scholar can't stop himself from adding.
“Have you been eating well? Tell me if you haven't, I'll take you to have a proper meal. But don't lie about these matters, you can't achieve your dreams if you don't take care of yourself first.”
You freeze at his words and Ratio makes the mistake of returning your stare.
Seeing no change in his serious expression though, you shake your head with a chuckle, assuring him of your health.
The clicking of both of your shoes against the pavement is the only thing keeping his heart-beat at bay, his attention from focusing too much on the feel of your hand in his and the myriad of chemical reactions flooding his reward system.
When the coldness in your hand has been completely replaced with the warmth from his, you gesture to him that you’ve reached your destination.
He feels an unexpected reluctance in letting you go, something in his gut pushing him to hold on — but he ignores it.
You pause before opening the gates, glancing at him from over your shoulder.
He looks up in time to see your smile, it's not like all those times you’ve smiled before — no, no. This time, lilac petals cling to its corners.
Ratio covered his mouth with his hand, hiding the stupid curve of his lips from anyone's eyes. The lingering warmth from your hand finally allowed his heart to beat with fervor.
He wanted nothing more than to give you a bouquet of bluebells at that moment.
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vii. Sfumato
The day Dr. Ratio returned to your side with the pledged bluebells, was beautiful.
The canopy of winter had begun to be swept aside as nascent leaves heralded spring, twitters of birds ornamented the breeze.
When fresh fountain ink meets parchment, it spreads with a thin halo of blue — the sky of that moment brought back this image in his mind. The sun found amusement in steering behind ivory clouds ; a cheeky, one sided game of hide and seek played with light and dark.
The sun made a mistake, a sidestep allowed rays to escape and fall on the lace ribbon of the bouquet.
Sun-glitter followed the lead of Ratio’s arm, over the arch of his wrist, finding their way from beneath the crevices of his fingers — shining, glimmering, as lapis petals caressed the tombstone.
How strange, didn't it usually rain and roar for scenes like these in those light novels of yours?
Veritas could not feel his breaths, it's as if the mechanisms of his respiratory system halted for that matter, he couldn't even feel his eyes flutter.
Idiocy.
He contemplated turning away altogether, what was he even thinking, bringing bluebells to the cemetery like a young lover?
A dead leaf crunched from his retreating step, the note stunning him in place.
Perhaps he should've brought the chopped off, bleeding excuse of a skull of that man — if only, if only if only any being, any listening existence in this wretched world would reassure him that it’d bring you back. 
The scholar felt his fingers lax from their cocoon, but he knew, that would be impracticable. If a life for a life resurrected the other, his fingers wouldn't tremble in usurping that leverage and bringing justice to your final moments.
But he knew, oh how the erudite scholar despised knowledge for the first time in his life — that it’d soothe him, but leave a hollow far worse in his heart.
A sigh forced its way past his lips, onerous was its euphony. Windswept locks of violet poked at the way crystalline orange held onto the engraving on the silver stone ; the name, once his boon, now his bane.
Splinters of marble flew, papers, pens, innocent objects were tossed aside like fickle trash. Rouge flecked once pristine alabaster. Midst the carnage, a book fell betwixt Veritas’s path.
A withered daffodil lamented rationality’s fall.
Newspapers and channels boldly flashed the incident for a week — individual apprehended for the charge of murdering their ex-fiancé — before being swallowed by other, more fascinating pieces of events.
Ratio found himself scoffing at their tone, picking apart their every word and spacing, frowning at how quick people's interest moved on.
Indeed, the world waits for none. The ones lingering are always tormented.
With the last person in close association with you behind the bars of the psych ward and your acquaintances grieving, the scholar took it upon himself to deliver your files and belongings to your family.
But that decision turned out to be a lesson, the universe once again pointing out without mercy the mediocrity of his knowledge.
“Does that mean we’ll have to turn to the streets now?” whispered a little too loudly, a little too carelessly, your step-mother to your father.
Ignorance.
Perhaps Ratio’s disbelief had been too loud on his face, for your father shushed her quickly and attempted to smooth over the slip-up with a barely-strung lament.
But the scholar had learned what was to be surmised from this family, all of their next speeches effortlessly ignored by him.
So the reason you ultimately didn't quit your job was for them, Veritas's eyes dimmed. Feelings were never his forte, this messy heap of them he had no clue what to do with.
And the siblings you used to so dearly miss back in your university days? The second-oldest after you put back her headphones after he finished delivering the news and the youngest couldn't even recall your name.
Ratio seldom used the phrase, but it was truly a miracle he left that fetid establishment without causing damage.
He decided against disclosing your remaining belongings to them and instead, gave them away for charity as written in a journal he accidentally stumbled upon while sorting through them.
Somewhere, in the back of your mind, you knew this would happen.
But you refused to confide in anyone, tolerating the farce of a content life.
Ratio could not understand, did not even know where to begin in decoding what was going through your head when you lied to him and what had coerced him into believing it.
Of course you didn't leave them, that would've been too perfect and too merciful an end and clearly, the universe would not allow it. Of course he needed to be shown how much of an idiot he still is, the extent of his wishful thinking.
Ratio concurs he deserves it.
But did you deserve to meet such an end? No, your life shouldn't have been shaped this way to begin with! And yet, it had been.
For long did he stare off into vacant space, casting aside the need for slumber, attempting to answer what was to be done now. The silence beckoned him, that it was nothing.
Perhaps, you were at peace now at last.
Perhaps the craving for this serenity was what had prompted you from not fighting off that axe.
Perhaps, you had closed your eyes without any regrets.
When the haze in his head cleared a bit, he visited your grave again. Dust had gathered on the lifeless petals of the bluebells he’d left, the scholar tenderly rid them from the surface.
He dug a section beside your resting place and planted fresh asphodels. An elderly woman saw the scene in passing but did not comment, pity clung at the edges of her eyes.
Foolishness.
In fear of the tides of time burying the traces of your foot-steps, Ratio chased after them. The places you spoke so fondly of, the flowers and stories you cherished and the students you stood proud beside.
They spoke of your passion, your vision and your resilience to him.
They say, even a lifetime of ‘knowing’ someone is not sufficient in knowing them.
Although he’d known you for a miniscule timeframe, he squandered no effort in trying to understand you. Only at this juncture, did your nature become clear to him. You were an expert in keeping your lips shut, a seasoned performer of half-truths and no stranger to the art of survival.
It was no coy act, you trusted no one with your actual thoughts and motivations — that was the naked truth.
So then, it begs the question, what exactly did you try so hard to eradicate?
Supposing that this universe suffers from a common ailment, and it is so persistent, so adhesive, so elusive that it plagues the dullest to the most brilliant mind — that despite all attempts at curing it, only its surface has been scratched. And this truth had been so frustrating, even you could not stand back.
Ratio tapped his fingers against his desk, what other malady does an educator aspire to cure other than ignorance?
Foolishness? Idiocy? Stupidity? All synonymous, yet capable of clasping and corrupting irrespective of a person’s standing in the path of life.
To rid them, scholars, researchers and teachers attempt to disseminate knowledge with the vow of indiscrimination.
But Dr. Ratio knew, the oasis of knowledge is but a mirage in the desert of ignorance. For the populace to reach that base awareness, to recognize that mirage — that, is what is needed.
The scholar saw the early light of dawn from betwixt the crevices of his window, the hinges groaned as he pushed them open and for the first time — the sun embraced him and the shadows fell behind his form.
But the meteor that briefly illuminated his sky, is gone — as tends to be their destiny. He can do nothing but carry the memories of its glow.
Light glinted over the edge of the cone, approaching footsteps reminded the doctor to tuck it away from prying eyes.
Ratio tsk-ed upon feeling the absence of his headpiece, cracks on the alabaster had demanded a remake.
The scholar’s eyes met with the ones cradling the remnants of a bygone sunset, melting into hues of ocean blue.
“Doc! Didn't expect to see you here.” drawled an unfortunately familiar man. Ratio offered a blink in greeting.
“Yes, how astonishing it is to see a member of the Intelligentsia Guild in its corridors.” the doctor muttered plainly, the Stoneheart in the spotlight merely maintained his smile.
Ratio noticed his other hand to be occupied, “And what about you? Busy squandering your time as usual, gambler?”
Contrary to his expectations, the quirk of Aventurine’s lips widened as though he’d struck gold, he smoothed over the lapels of his suit. The erudite scholar subconsciously braced himself for whatever trick was to be brought next.
“Now now, it's not squandering if you're spending it with a dear person.” he winked.
Veritas caught a silhouette peeking from behind the blonde, “Meaning?”
“Ah, how uncourteous of me.” though there's a note of glee in his voice. “Allow me to introduce you to…”
Dr. Ratio observed as a figure emerged from Aventurine’s shadow, the passing question of how he hadn't noticed them sooner was pushed aside as they joined the Stoneheart in the spotlight.
“My dearest, precious jewel or— how did you prefer it again? Hmm I can't seem to remember~” an elbow to his side and huff broke through his theatrics ; the vacant halls gained life through laughter, petrichor bloomed in their notes.
“Just kidding, my bluebell.”
A meteor crossed the orbit of Ratio’s life again.
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© harmonysanreads | do not cross-post, translate, plagiarise, copy on a different platform or use my works to train ai.
Thank you so much for reading!
TAGLIST : @abyssmal-skies @danijaci @birdloverr @teabutmakeitazure @cherriiirose @bleh09 @scurfi @justcallmemidnight @mochinon-yah @feral-ish @lavandulawrites @persicipen @stickyspeckledlight
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mama-qwerty · 18 hours ago
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Sonic 3 - Shadow
My hopes for Shadow’s portrayal in Sonic 3 were that they’d show him not as the ill-tempered edgelord, but as the grieving, hurt child he truly was. And I was not disappointed.
Sonic 3 spoilers ahead
The movie opens with Shadow in containment, suspended in a holding vat of fluid to keep him under control. He’d been in this suspended status for 50 years, and now he was waking up. As he awoke, his memories flashed of his time at the facility, where he met Maria and developed a close friendship with her.
He woke up and chose violence. All he remembered was losing Maria, and before him stood the same organization that took her from him. The same uniforms, the same aggressive stance. To him, that raid at the facility was still fresh. It happened very, very recently. We’re not privy to the timeline between when the raid happened and when he was put into stasis, but I don’t think it was longer than maybe an hour. If that.
So from his perspective, these could very well be the same people who had raided the facility and murdered his friend. Maybe he thought the raid was still going on. So he was thrust into a fight or flight situation, and did both—take down the enemy, and then retreat to regroup.
Except he found himself in a very different environment than he’d ever experienced. He’d only known the inside of a government facility. Tokyo was bright, and loud, and big, and there were so many people. But GUN wouldn’t leave him be, and he found himself fighting yet again.
And then these three other creatures showed up. Ones who were more like him than any he’d seen before. Especially the blue one, which was strange and confusing. He was the only alien on Earth, wasn’t he? He was different than anything else the scientists had ever seen. But there was another who looked like him? With two other equally strange creatures trying to stop him?
No matter. They were working with GUN, so they were the enemy.
And again, he took them down, and retreated.
Because ultimately, Shadow was dealing with anger, grief, confusion, and pain. He didn't know what to do with all that, because the person who helped him understand himself better was gone. Everything he knew was gone. The people he and Maria had trusted had turned on them, killed Maria, locked him away, and taken Gerald from him. He's lashing out because he doesn't know what else to do. All he's been faced with his entire life was pain and mistreatment, except for Maria, and they killed her.
Shadow has no idea who or what he is. He came from space, but he doesn’t remember anything before that. He’s on this planet with creatures who look nothing like him, being poked and prodded for who knows how long. Being studied and experimented on because he’s different, and has powers no one’s seen before. No one looked upon him with kindness, or reached for him with gentle hands.
Until Maria.
She looked at him and didn’t see an alien. A monster. A creature with unimaginable power.
She saw a lonely little boy. And she reached out to him.
Who knows how long it took him to trust her. When she first found him in his tube, he didn’t seem very interested. He’d likely had scientists of all kinds coming through to gawk at him, to stare at him and pluck his quills and shave some fur and take some blood, all the while never speaking to him. He was just a thing to be studied. An oddity to figure out.
But this girl was different. She would come and talk to him as he floated in his watery prison. Draw on the glass. Maybe she even taught him to speak, and read. And over time, maybe he looked forward to her visits. And she became more bold to sneak him out of the lab when the scientists ran their experiments.
We don’t know Gerald’s relationship with Shadow. The most we see is after Gerald had gone mad from his own grief from losing Maria. Maybe he thought Maria would tame this creature, and allow him to be more successfully controlled for whatever Gerald wanted. Maybe he actually did care about Shadow, at least somewhat, and the raid on the facility—he claimed they were actually after Shadow as he dragged them behind him in an attempt to escape—made him blame Shadow for Maria’s death.
We don’t know.
But when Shadow saw Gerald again at the abandoned facility, he was relieved. Finally a familiar face. Someone he could trust, and ask questions about what was going on, and what their next step should be. And when Gerald corralled Shadow into this quest for vengeance, Shadow went along with it because he trusted Gerald. And it felt right to want to hurt those who’d hurt Maria. It felt productive to turn that anger outward onto the people who deserved it.
Except . . . it didn’t.
Gerald said this was what Maria would have wanted. Shadow wasn’t so sure that was right. But he was still running on pain, and he looked to Gerald for guidance, just as he had looked to Maria for it.
So he did as he was told. Capturing the others when they’d found the facility. Initiating the black hole that swallowed the facility and destroyed all evidence of the torture, the pain, the love and acceptance he’d endured in his time on Earth. Taking every shred of evidence of Maria, and erasing it.
Did it feel good to him in that moment? Having all those reminders of her wiped away?
Or did it just make that ache in his heart worse? Because it was like losing her again. And now it was as if she’d never existed. No roller skates. No guitar. No little tent with the stars and lights casting a warm glow inside.
Just . . . gone.
Just like her.
Focus. He had to focus. Gerald had a plan. And if he said this is what people deserved, then Shadow would believe him.
So he stayed behind as Gerald and the other Robotnik infiltrated GUN. Tried to focus on the bigger picture.
But that nagging little thought remained.
When things went south at GUN, he stepped in, took the key from Walters. It had felt satisfying to deliver a blow to one of the men who’d been there that day, all those years ago.
Only it wasn’t Walters. It was . . . someone else. Someone that blue hedgehog cared about very much. And oh, that brought back painful memories. And that pain he’d felt that day—so long ago but so fresh to him—flared anew, and he’d felt so, so guilty for causing that pain to someone else.
No. That didn’t matter. Whoever this was had been in Shadow’s way. He had a mission to complete. He’d only done what he’d had to.
Aboard the ARK, he continued to question the validity of this plan. But Gerald assured him this was what Maria would have wanted. So he went along with it. Things were moving the way Gerald wanted.
But that ache in his chest refused to go away.
And then a golden something hit him, smashing him out of the ARK, and drawing him into a fight. It was the blue hedgehog, and whatever power flowed through him bled out and merged with the power inside Shadow himself, changing him as well.
And it had felt so good to fight. To unleash his strength upon someone who was hurting as much as he was. Someone who understood his pain, someone who wanted revenge as badly as he did. It was normal to want to hurt the person who’d hurt someone you loved.
Because Shadow was tired of living with the pain. He didn’t understand how he could want to hurt others, to get revenge, but at the same time felt wrong for doing so. But he’d hurt someone the blue hedgehog cared for, and if Shadow could have his revenge, then so could the other hedgehog.
But the blue hedgehog wasn’t fighting as fiercely as he should have been. So Shadow had taunted. He’d poked. He’d pushed and eventually gotten the other hedgehog so angry, Shadow had been taken by surprise.
But that was okay. That’s what he wanted. An eye for an eye. A pain for a pain.
He was tired. He was confused. He was hurt, and guilty, and just wanted to stop seeing her face every time he closed his eyes. Didn’t want to hear her voice in the quiet moments. Feel her hands as they gave a gentle tug on his quills, or massaged his ears after a bad batch of testing.
She had been his safe haven on this planet that seemed to want nothing more than to hurt him.
And now she was gone.
And he didn’t know who he was without her. Didn’t know what he was or where he belonged, if not with her.
So he ordered the other hedgehog to end him. Practically begged him.
But he hadn’t. He’d stopped, a look of almost horror on his face as he’d released Shadow.
And they’d talked. And Shadow had found someone else who understood his pain. Felt it, but didn’t let it consume him. Didn’t let it change him.
And this other hedgehog gave Shadow a chance to decide for himself what he would do. Decide what kind of person he wanted to be.
Because that’s what Maria wanted for Shadow. To discover who he was, and who he wanted to be. To find his own place in the world, to be happy.
And so Shadow chose.
He helped the blue hedgehog save the planet, and used the last of his strength to make sure the ARK was far enough away so the final explosion wouldn’t hurt anyone else.
And in those final moments, he thought of Maria, and kept her love for him in his heart.
He acted not out of pain, or out of revenge or anger.
He acted out of love.
~~~
Check out my other Sonic 3 analysis posts
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sillymercury · 23 hours ago
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In the first tags it says most movies/books are not meant to be torn apart but I disagree completely. In fact I think most books/movies are made to dissected and understood on a deeper level. Because whether you like it or not and whether the author meant to or not, books/movies have themes and messages and many people enjoy finding them.
I don’t think it smart to write something(esp things so popular) off as mindless entertainment bc your being fed a message even if you don’t know it. There is nothing wrong with enjoying a book despite whatever message is being sent but when you blatantly ignoring the fact that these things exist is how propaganda propagates. If you are being intentionally fed a narrative without knowing you are likely to internalize it on some level which can be particularly dangerous. The danger presents itself abundantly in this day and age especially when you see people who have such hard stances but cant tell you/explain where those stances originate. Sns thrives off of the want to ‘turn your mind off’ and just consume/enjoy, but that’s never what actually happens. Your subconscious is still processing information but since you’re not consciously dealing with it that leaves room for issues like anxiety, depression, and personality disorder. This seems off topic but ‘mindless consumption’ isn’t a thing, your brain keeps score even when you don’t.
Also a book can have multiple “messages” and you can like some and not the others while still enjoying the piece overall. When I truly love a piece of media I acknowledge is flaws and shortcomings and can see the issues with a story/message while still enjoying it thoroughly. An example for me is I enjoyed the book The Picture of Dorian Gray while recognizing and rejecting the way the characters/book discusses and depicts women.
Like in Nestas book specifically, the main themes are empowerment (specifically female) and growth. This book was my favorite in the series and yet I can still acknowledge all the things wrong with it. Main character were incredibly hypocritical throughout the book, verbal abuse was seemingly over looked/excused, Stockholm syndrome parallels, etc. I identify these things but that still doesn’t detract from my experience instead, adds to it.
Another thing I wanted to mention before bringing this to a close; authors. For the sake of not rambling due to personal feelings I’ll just say, there is nothing wrong with calling out behavior or publicly disagreeing with ideals when it come to public figures. How it’s handled, whether it works, or it’s longevity is a different conversation but there is nothing wrong with speaking out against people in the public eye/people who create mass consumed media.
I understand your take, and I agree people take things way to seriously, but I think your frustration may be displaced. I think the issue with ACOTAR fandom specifically is the same issue with most fandoms. People are delusional, mean, and spoiled. People identify to hard or personalize characters/celebs to the point it becomes an parasocial and problematic. People are also very spoiled in the sense that we feel entitled to the things we want, like we deserve them intrinsically and when there is the threat of not getting what you want (esp is fandoms when discussing this almost mob mentality) or someone challenges your belief/opinion people lash out and get nasty, even feeling personally wronged but a differing stance. When you bring all of these things together it can get nasty very quickly. I’ve been and am still in so many fandoms that I hardly interact with because so much content is toxic or rage bait or whatever. Platforms like Reddit or discord where you can have controlled conversation with a group of people just as dedicated to a topic as you, and you can discuss thoughts and opinions in (what should be) a safe space is an incredible experience but most platforms don’t have moderation that can harbor that so then your left with a mess of often times toxicity and division.
I rambled and diverged a little bit but I thought hard about what I had read and this is what I came up with. Also I feel I should say I’m not a lit major lol but I am educated and I work hard to form my own opinions while still listening to other people takes. And that this is not an attack on op this is pretty much my stream of consciousness after reading the post and I am open to discussion.
my hot take as to why the acotar fandom is a shit show is because too many people with english degrees infiltrated and cannot read a book simply to enjoy it, they must pick it apart and analyze it to the point of just tearing it, the characters and the author apart. and gullible people adopted that same mindset.
in simpler terms: too many people take it way, WAY too seriously lol. like this series is meant for entertainment. sarah didn’t write classic literature with underlying themes on morals and society that’s meant as think pieces. y’all do too much and can never just enjoy things. you’re like the cinephiles that cannot just watch a movie for entertainment purposes, you need citizen kane otherwise you’re shitting on everything because it’s not up to your snobbish standards
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loveschoice-if · 2 days ago
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DEMO COMING SOON...
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A once-in-a-lifetime love... Loading...
You have been a faithful employee at Hanwool Group for about nine years, working diligently as the secretary to the current Vice President of Marketing, Park Joo-Seok. Although the world knows him as the future CEO of Hanwool Group and the most eligible bachelor in South Korea, you know him better as your arrogant and workaholic boss.
Now that you have paid off all of your outstanding debts, nothing is holding you back from quitting your job and maybe even starting a whole new life. Just as you're about to hand in your resignation letter, however, your chaebol boss comes to you with an unexpected proposition.
“Marry me.”
??!! Is he being serious? Will you accept his (albeit not super romantic) proposal?? What will happen next?! Play to find out!
Planned Features
Play as the female lead of your very own romance K-drama!
Experience many tropes from the wonderful world of K-dramas (or skillfully avoid them, it's up to you!)
Choose between four different routes, each with its own unique storyline, sub-genre, Male Lead™, Villains, and more!
Fall in love at your own pace, perfect for slow-burn and fast-burn lovers alike!
Will you follow the script to your perfect happy ending, or stumble into a tragic one?
The Male Leads™
The Boss
Name: Park Joo-Seok (박주석) Age: 32 Job: Vice President of Hanwool Group's Marketing Division
Pressured by his wealthy family to get married and take over the family business, but also feeling no desire to fall in love anytime soon, he turns to his loyal secretary of nine years (and the only woman he can trust) for help: you. All you need to do is enter a contract marriage with him and convince his family and the press that the two of you are truly in love. Can you successfully pull off this charade without catching feelings?
Inspired by What's Wrong With Secretary Kim?, Business Proposal, and Secret Life of My Secretary.
Tropes: office romance, contract marriage, fake relationship, rich man x poor woman
The Idol
Name: Yoo Jae-min (유재민) Age: 28 Job: Idol in the K-Pop industry, represented by X Entertainment
After turning down your boss' marriage proposal, he assigns you to work on a current marketing project involving one of the biggest stars in the K-pop industry, Yoo Jae-min. Previously known as the cutest member of the former boy group, NOVA, he is now a successful solo artist with a face card that never declines. But don't be fooled by his adorable on-screen persona. For whatever reason, he seems to have a personal vendetta against you. Can you successfully work alongside him without letting tensions boil over?
Inspired by So I Married My Anti-Fan, Sh**ting Stars, Lovely Runner, and Moon In The Day.
Tropes: idol romance, enemies-to-lovers, forbidden love, secret relationship
The Childhood Best Friend
Name: Lee Hae-jin (이해진) Age: 29 Job: Doctor, specifically a General Practitioner (GP)
After turning down your boss' marriage proposal and quitting your job, you decide to leave the high-paced corporate life and move back to your hometown on the coast. Turns out, you weren't the only one who had this idea. Once a successful doctor at one of the best hospitals in Seoul, your childhood best friend, Lee Hae-jin, now lives across the street from your grandmother's old place, where you are now staying. The thing is, you haven't spoken to him in over a decade, ever since your grandmother died. Will you break the ice and rekindle this old friendship, or is the past too painful to face?
Inspired by Summer Strike, Hometown Cha Cha Cha, and Welcome to Samdalri.
Tropes: friends-to-lovers, childhood meeting, second-chance romance, first love
The Grim Reaper
Name: Reaper Kim/Kim Saja (김사자)/??? Age: ???? Job: ...the Grim Reaper
You've turned down your boss' marriage proposal, and quit your secretary job after nine years of dedicated hard work. Now what? You find yourself sitting on the roof of a building, and you slip on something. Just as you're about to fall to a certain death, some person grabs you and pulls you back onto the roof. But this is no ordinary person. There's something oddly supernatural about him and a familiarity you can't quite place. He wants to strike a deal with you. What exactly is his agenda, and will you agree to his terms?
Inspired by Doom at Your Service, Goblin, and My Demon.
Tropes: supernatural being x mortal, doomed love, reincarnation, fated love, amnesia
Anticipated FAQs
Is MC gender-locked female & are the main love interests gender-locked male?
Currently, yes. Right now, it's just easier for me to write if I have consistent variables and characters in my head. It also helps me focus on just finishing the stories because I want to make sure each route gets the attention it deserves. Rest assured, I WILL introduce more gender options for both the MC and the main love interests, and it will be something I keep in mind as I'm writing!
How long is this game going to take to complete?
Unfortunately, it's probably going to take a really long time. This is one of the most ambitious writing projects I've done and life is unpredictable but I will do my best!
Are there more love interests/routes planned?
Um... is four not enough for you?! LOL just kidding! Right now, I just have four love interests/routes that are generally fleshed out. I'm very open to suggestions, so let me know if there is another type of love interest/sub-genre that you want to see represented!
Note: I will update this section as I get more questions :)
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rootspiral · 1 day ago
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I don’t remember if you mentioned this in your deep dives, but I just noticed that almost everyone’s hallucinations during Jen’s trial are about their dead loved ones. Except Jen’s, which was her binding.
It’s almost like being bound, losing her magic, was as traumatic as losing a loved one. Agatha and Billy really didn’t get that, did they.
Also can we talk about how no one remembered to collect Sharon’s hair for the potion but it still worked?
I'm so glad I got this question since it's something I've been meaning to talk about, thank you!
The thing is, there are so many kinds of grief. Death is what we associate with the term the most since it's both so common and so final, but we grieve and mourn a lot of things throughout our lives, some less severe than others. You might grieve the loss of your childhood when you go live on your own for the first time, you may grieve after losing a job or a house, after ending a relationship with a friend, a romantic partner or a family member, and (this is Jen's case) after losing body autonomy and your sense of identity.
When you experience loss your brain will tend to react in specific ways, you might feel shock, numbness, anger, sorrow, depression. Some people will become more generous and empathic, others will cope by becoming isolated and defensive and self centered. I love that we see different kinds of coping mechanisms within our witches, and I love that Jen reacts very similarly to Agatha (although not as extremely): she rejects her own community, puts on a lot of armor and essentially becomes a scam artist in order to survive.
This show in my opinion brings home beautifully some very important points: people are much more complicated than good or evil. The way we react to sorrow might be healthy or unhealthy but it's still undeniably human. People need to work on their issues but it's almost impossible to do it on your own, without the support of a community. Jen copes with the loss of her powers in an arguably unhealthy way, but it's so much more nuanced than that! Like you point out, her pain is just as valid as the others', and it's comparatively harder to come to terms with too because she wasn't hurt by a random natural occurrence, but by real people that of course she is gonna blame and hate!
Jen took a lot of pride in being a root worker and midwife, losing that was like losing her identity and sense of self. And where was her community when that happened? Why was she an outcast? I'm sure some of it was self-inflicted self-preservation, I have very little backstory to base my observations on but Jen saying "like I care about that dusty, warty, snaggle-toothed community" when she cares so much she almost cried when Lilia called her a "sister in the craft"? Where WAS her community? Why was she left to fend for herself? Jen's attitude changes so much when she finds empathy and understanding in her fellow witches, and Lilia makes it clear that Jen's future is so bright and there so much potential there for exceptional achievements. Jen is such a driven person! I do really hope we see more of her, I want to see what she does next and I want her to be happy and fulfilled (and also get a little revenge, for funsies.)
I'm not sure if I answered your question at all, I just kind of blabbed on 😅 and re: Sharon - did the potion work though!?! It very much didn't.
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mommyownsmee · 12 hours ago
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About how I learned to love Brats, Pillow Princess behaviour & the Art of Dominance
Recently, I’ve been thinking a lot. Something in the way I think changed.
Every Submissive always talks about being a “good girl”—doing what makes the Dom/me happy, always being obedient and eager to learn. I used to think that is the way it always has to be. Used to. For over ten years as a Domme, I thrived on that concept: A “good girl” has to follow rules and submit without hesitation. For years, I thought that was the pinnacle of submission.
But the thing about power is that it evolves. True power doesn’t stay stagnant—it grows, adapts, and deepens with experience. Over time, I’ve come to realize that submission is more nuanced than a simple checklist of behaviors. It’s raw, alive, and deeply personal. Submission isn’t about perfection. It’s really all about connection.
For years, I believed brattiness in every way always needed to be corrected. To me, it once felt like resistance, a flaw, or a rebellion that threatened the structure of the dynamic. But now, I see it differently. Now, I see it as a form of self-expression. A way for my submissive to show her fire, her confidence, and her trust in me.
Yes, trust. Because it takes trust to push boundaries. It takes trust to tease, to play, and to challenge the person who holds the power. And when my submissive does that—when she smirks and says, “Mommy, I’m the most beautiful girl in the world, aren’t I? Others must have it really hard, not being as perfect as me,” or when she pouts and demands, “Mommy, I want it because I deserve it”—I don’t see rebellion anymore.
I see confidence. I see life. I see a woman who knows her worth and isn’t afraid to own it.
And it’s sexy. Damn sexy.
Bratty behavior doesn’t weaken the dynamic. It strengthens it. It adds layers, complexity, and depth. It turns submission into a dance—a playful, sensual exchange of power where no one is truly in control except for me. And yet, her fire ignites something primal in me. It keeps me sharp, keeps me present, and keeps our connection electric.
Being a Domme for over a decade has taught me that dominance isn’t just about control. It’s about responsibility in a other way than I thought it is. It’s about seeing my submissive for who she is—not just the quiet, obedient girl who kneels perfectly at my feet, but the playful, demanding princess who knows what she deserves and isn’t afraid to say it.
Why should I suppress that part of her? Why should I try to mold her into someone different and docile when her strength and confidence are what make her so captivating?
When she teases me, when she pushes the boundaries, it’s not defiance. It’s trust. She knows I’m strong enough to handle it, to match her energy, to guide her through it without breaking her spirit. That’s the real power of dominance—not in silencing her, but in allowing her to roar, knowing I’ll hold her steady when she’s ready to submit.
That doesn’t mean she doesn’t have to put in the effort sometimes. Of course she does. Submission is a two-way street. There are moments when she needs to kneel, to focus, to give herself fully to me. But those moments don’t need to be constant. Submission isn’t about perfection—it’s about authenticity.
Some nights, she doesn't want to exert any strength. She wants to be my Pillow Princess, indulgent and adored. And why shouldn’t she? Why should she always have to work for my approval when my love for her is unconditional?
I’m the Domme. It’s my responsibility to take care of her.
When she looks at me with that confident sparkle in her eyes and says, “Mommy, I deserve to be treated like the princess I am,” not a single muscle in my face flinches—even though my heart skips a beat every time.
“Oh, is that so, my darling?” I ask, leaning forward, my voice soft but commanding. My thumb brushes over her lower lip, and I lock my gaze on hers. “Then show me how much you deserve it.”
She melts, every time. It’s a game we play, a game of confidence and submission, of power and vulnerability. She knows I’ll always win, but she also knows I love the fire in her eyes when she dares to try.
Her brattiness doesn’t threaten my dominance. It enhances it. It reminds me of why I do this—why I’ve spent over a decade mastering the art of control, not to break someone, but to guide them. To make them feel safe, cherished, and understood.
When I pull her close, kiss her hair, and promise her that she’ll get everything she deserves, it’s not just words. It’s a vow. A vow to build her up, to nurture her, and to remind her every single day that she’s mine.
And tomorrow? Tomorrow, she’ll kneel. Not just because I demand it, but because she craves and wants it. Because submission is her gift to me, and my gift to her is the freedom to express it in all its forms—bratty, playful, vulnerable, and fierce.
That’s the beauty of our dynamic. It’s not rigid or predictable. It’s alive, pulsing with energy, passion, and trust. And as her Domme, I wouldn’t have it any other way.
For me, there’s nothing more intoxicating than that.
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nodutra19 · 2 days ago
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I dunno if I should even say this given I don't speak Japanese, but the change of "revolutionize the world" here really bothers me.
One of the things I like about Ikuhara is how he creates complex parallelisms, and I think the Black Rose Council is meant to parallel the Student Council, which is why they both speak of revolutionizing the world.
Another thing I like is his "boiling frog" approach. He lures you in with something seemingly nice, and then slowly but surely introduces odder and odder elements, occasionally jarring you until eventually you land yourself somewhere really bizarre. The Black Rose Saga does that very well and marks a shift in tone.
I get the impetus behind the change, but I've always interpreted the use of "revolutionize the world" as ambiguous, and in this case it's really meant to make you question what their revolution even brings. If this underhanded stranger can speak of the same thing as the "heroes," then what is it those heroes actually speak of? This disconcerting man also has a Rose Bride and seeks to usurp the powers that be...
But to what end? If his desire is the same, what does that say of the Student Council, and especially of Utena herself? They both don pink hair and off-puttingly similar Rose Brides, after all, and even similar uniforms. What do they actually want to replace these power structures with? Cuz Mikage just wants his Rose Bride to take Anthy's place and to unlock eternity for himself.
My only translation experience has been through a few songs, but changing a specific phrase like that doesn't seem right to me.
Not only that, but Mikage, and, for the viewer on a rewatch, the Student Council, give cult vibes. Mikage reduces people to their most basic and awful urges and ideas in order to turn them into weapons, and when he finally has them on the precipice, he ushers himself in and says:
You have no choice but to revolutionize the world.
Which reminds me of an actual cult.
I take this from Haruki Murakami's Underground, as translated by Alfred Birnbaum and Philip Gabriel:
Around that time I went to the Aum dojo at Setagaya. They explained my situation to me and told me right then and there how to treat it. I tried the breathing exercises they taught me, and I couldn't believe how quickly I got better. For two months after that I didn't go to the dojo very much, but then I started going regularly, doing volunteer work, folding leaflets and stuff. Soon after there was a "Secret Yoga" session where you could talk directly to the Leader [Shoko Asahara], and I asked him what I should do about my poor health. "You need to become a renunciate," he told me. It was like he saw the real me at a glance. People were amazed because he'd never said that to anyone before—so I felt I had no choice but to leave school and become a renunciate. I was 22.
(Bold emphasis mine)
Ikuhara also mentions Aum sometime in 1998, I can't remember if it was an interview or DVD commentary. Given one of his later works, the parallels are very clear.
I guess to make a more normal comparison, think of how many men complain about how "women don't allow men to express their feelings" or the "male loneliness epidemic." But you also know that most of them go back to old and harmful ways. They squirm at terms like "patriarchy" and "toxic masculinity," and when you ask them what causes these things and what they desire to replace it with, you begin to understand that these men fundamentally misunderstand the issues at hand. That doesn't invalidate their complaints, but you can't let that justifiable complaint blind you from what they truly want: to be the ones on top.
This is gonna be a really out of pocket comparison, but even P. Diddy complained about how white dominated companies are. But what did he actually do? Hearing him say that made my own skin crawl as a person of color, even though I agree with it. I just don't let that agreement blind myself from what people like him actually do and offer to the world. I've had that example on mind because of the recent F.D Signifier video on Diddy.
I think that's what the Black Rose Saga introduces to the series, and why I think changing this line doesn't make sense. I personally think it's meant to be flaccid coming from him, it's meant to be jarring just judging by Ikuhara's style (although I've only gone through RGU and MPD). If there absolutely must be a change, maybe "You have no choice but to overthrow the world around you" would work as a neater and more direct parallelism, although given "revolutionize the world" doesn't seem to be an idiom or some play on words in Japanese (other than "revolution" also meaning a cycle, as in the revolution of the moon around the Earth), I really don't see much reason for the change.
Of course, I don't speak Japanese nor do I know much about translation. And this is just my interpretation of Ikuhara.
I know this seems like a lot, but it's really bugged me. Other than that, I like this translation and adore the various corrections/creativities like "almglocken" for "cowbell."
Fansub Release + Analysis of Utena Ep 14
This is a big one!!
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My fansub release posts aren't usually like this, but this episode is so jam packed with stuff I want to talk about that I had to write my translation notes as a series of essays. It's longer than usual so strap in!
First, a word on “The Mikage Seminar”
I’ve always found the translation “the Mikage Seminar” very strange. In English, a seminar is an event — a lecture. Yet “the Mikage Seminar” is discussed as though it’s not a recurring lecture, but a society or a school of therapy, or a cult (like scientology). In fact I did a bit of reading about scientology to try and find an alternative translation, and discovered that the origins of scientology, namely a set of ideas and practices called Dianetics, bears a lot of similarities to “the Mikage Seminar”. Both involve a type of therapy where one person looks into their mind and talks to an “auditor”.
The auditor coaxes the preclear to recall as much as possible. — Wikipedia
This in particular stood out to me! Mikage often says 「深く。もっと深く」 during his interviews (”Deeper. Dig deeper.”).
The Japanese word ゼミナール doesn’t actually come from the English “seminar” but the German “Seminar” (capitalised). According to Wikipedia, in Germany, and often in Japan, Seminar/ゼミナール is used to refer to a university course that includes a thesis project. So ゼミナール refers to a course of learning, rather than a talk or lecture. And it would make a lot of sense to call a system like Dianetics a “course”. Almost like a “course” of medicine — a “course” of psychological practices that you can join but never complete.
So it would make sense to translate it as “the Mikage Course”. But “course” has more meanings in English than just this, and in the context of a university this makes it sound more like a mundane teaching course. So I tried some other words: the Mikage Sessions, the Mikage Method, Mikage Psychotherapy, Mikage Therapy, the Mikage Movement. None seemed quite right. Until I remembered this post. ゼミナール is a foreign word in Japanese, why not find a foreign word for the translation? And so I settled on this:
The Mikage Seminarium, AKA The Society of the Black Rose…
Seminarium is Latin, and is where both the German and English derive seminar from. Its original meaning is “seed plot”, but it’s also just the Polish word for seminar. I really like how the Latin makes its meaning ambiguous — it kind of sounds like a location, kind of sounds like a society, and kind of sounds like a learning course. Because it is all of these things.
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Anthy: では、香苗さん。失礼します。 Kanae: ね、あたしの事、お姉さんって呼んでいいのよ。もうすぐわたしはあなたの本当のお姉さんになるんだから。
A more literal translation:
Anthy: Thank you for having us, Kanae-san. Kanae: Please… you can just call me “sister”. I’m going to be your real sister soon enough anyway.
The translation I ended up going with:
Anthy: Thank you for having us, Miss Ohtori. Kanae: Please... you can just call me Kanae. We're going to be family soon. There's no need for the formalities.
Japanese honorifics strike again!
In English, sisters-in-law don’t ask to be called “sister”. That would be super weird in most scenarios, and this scene is trying to evoke a particular familiar feeling of closing a distance gap in a relationship. The audience is meant to relate. Changing how Anthy addresses Kanae was pivotal to this scene working properly.
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わかりました。あなたは世界を革命するしかないでしょ。
I understand. Your only choice is to force the world to change around you.
This line is translated as “Your only choice is to revolutionise the world” by basically every other translation. The reason is clear — the Japanese is the same as when Utena pulls the sword out of Anthy, or when any of the other characters talk about “revolutionising the world”. However, in this context, I don’t like it. The nuance of the English phrase is quite different to the Japanese phrase. In English, it’s often used to describe new commercial products: “This new device will revolutionise the world!” It comes with an implied “for the better”, but has used to describe technological developments so unexciting that it can also feel hollow. When the student council talk of revolutionising the world, they sound like revolutionaries — the context makes it work. But in this context, it comes out of nowhere and doesn’t have any of that fervour, which makes it sound hollow and flaccid when it should sound sinister and manipulative.
I think a pervading throughline for all the Black Rose duelists is that they see their problems as caused by other people, with themselves being blameless. Rather than change how they approach their situation, Mikage tells them they’re in the right.
Your behaviour will set you down a path. If that path leads to your goals, well done! However, if your path does not lead to your goals, there’s only two ways you can achieve them.
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The first is to change your behaviour so that it does align with your goals. The second, impossible way, is for the rest of the world to change such that your current path DOES end up leading to your goals. This second way is not possible in the real world. But it is possible in Utena.
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Also I’ll just leave this here: “around you” → “revolve” → “revolution” 👀
Kanae tried to build a relationship with Anthy in a passive, non-confrontational, extremely Japanese way — the way she has been taught to behave, the “proper” way, a mechanical following of the social scripts. We don’t see a lot of their relationship, but the way she behaved and spoke of behaving towards Anthy is very very similar to the way my Japanese grandmother has behaved towards my and my brother’s partners.
It was unthinkable to her to change this pattern of behaviour. Her only choice was to change Anthy, change the rest of the world, so that her behaviour would lead to the outcomes she wants. You could describe this forceful bending of reality to be “revolutionising the world”.
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この黒薔薇のある限り、私はこれから嘘の私を演じなくて住む。
As long as I have this Black Rose, I'm free from the lie I was living before.
Besides gender, growing up, and resisting change (which exist as separate themes but also all intertwine as one), another major theme present in Utena is the self and subjective reality. The self is explored within those first major three themes, but also in terms of how the self dictates reality with the Black Rose duellists.
Black Rose Kanae says that her past self was a lie.
It reminds me of all the times when I’ve been going through a personal trial and I’ve looked back on my past self and thought “How naive I was. I understand things better now.” And then after a while I realise I was wrong, and my first self was more right. And then later still, maybe I re-realise that the second self was more right! And so on! The reality of truth (or to use Kanae’s language, “lies”) is so subjective.
Who dictates knowledge production? Who decides what is true; what is valid knowledge? This is a question of sociology - and at the moment that answer is "science does, kinda". But science and academic systems are supported by capitalist structures and tainted by capitalistic incentives — needing to be published in a journal, issues of replicability, the barrier to entry into academia in the first place, etc, etc. In the future we may find our current way of organising knowledge to be archaic and primitive in the same way we look back at medieval scholars.
But what about organising self-knowledge? Knowledge where the only one who can really decide what is true is yourself. And the only one that can decide what yourself even IS is yourself. I feel like I have looked back on my old ways of conceptualising myself many times (not even counting the gender-based revelations) and thought it primitive and archaic, and NOW I truly understand who I am and how to think of myself and how my thoughts interact with my other thoughts. But I have no doubt that I’ll look back on this current self of mine and reject their way of thinking too.
After their heart is replaced by the Black Rose, the duellists themselves frame this change as a moment of self realisation, of clarity. Once the rose is inside them, they wake up from themselves, like I have countless times. Kanae says herself, “This is the true me.” Honestly, I don’t doubt it. I think that version of Kanae was her true self at that moment, given the things influencing her. Being brainwashed doesn’t make you less of a person, or less yourself. It just makes you organise your reality differently.
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心を凍結させて作っただけの間に合わせのデュエリストでは、彼女は破れないな。
We won't be able to defeat her by simply freezing someone's heart and forcing them to duel.
Anya and I discussed this in depth. I originally translated 心 as “mind”, because that was the first thing that popped into my head and I thought that was the simple part of the translation. However, Anya pointed out that it didn’t make sense with the themes of self and subjective reality, and I strongly agreed, so I changed it to “heart” instead.
Anya suggested “conscious mind” instead of “heart” but I think heart is more accurate. 心 (kokoro) can mean heart or mind in Japanese (I find it interesting that those two things are portrayed as opposites in English), and that kanji is found in the word for biological heart, 心臓 (shinzou). When they say of the Black Rose "This is your new heart" they use 心臓. They also say "Your new 命 (life/lifeforce)" which I translated as soul since it sounded more hardcore and because "your new life" is a set phrase in English meaning a new chapter in your life rather than your life force. I think the idea is that they're freezing the duellists' ability to love and feel empathy, which in my opinion is necessary for them to commit to the unbelievably selfish act of revolutionising/reconstructing/bending the entire structure of the world for their own convenience.
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A very special thanks to @dontbe-lasanya for being there to talk through all these themes and ideas. I'm incredibly proud of this episode's translation and I wouldn't have been able to do it without them.
If you want to see more analysis like this, let me know! And also follow this blog to see episodes of the fansub as they're released. You can find all episodes released so far here:
Rose divider taken from this post
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spongeknife · 3 days ago
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Timebomb: A look at supportive relationships with amnesia (a focus on DID)
I have been rewatching S2 Arcane, and of course Echo's scenes in E7 have left me with a special type of joy. So, coming from someone with DID, I'm looking at how DID effects relationships and what a supportive partner may look like. I would like to note, I do not think Echo has DID, nor do I wish to make that connection: But, Powder's perspective of Echo's changing behavior has a lot of similarities to my own real life experiences and I wanted to highlight that. Also the advice I give may not work for everyone. This is more a guide for partners who have no clue where to even begin, with examples, not a step-by-step instruction manual. I will do my best to go in order.
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Alright, so I'd like to start at the beginning, where Echo is writing in his journal and seems to "become aware" of where he is. In Arcane, I understood this as our Echo taking over Powder's Echo. But, in a system sense, this can also be seen as "switching" (one part becoming aware of the body/taking control).
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Now, I think in a lot of cases, these "switches" can lead to confusion and stress, as a part tries to piece together what is happening and who they are. It terms of relationships, Powder is unaware of this "switch" when she begins to talk with him. Much like a system, many switches can be very internal - leading a partner to not be aware of what is happening inside a person's head.
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Powder, pretty obviously goes about conversation as she normally would, walking up to Echo with a smile and even making a joking quip. Echo, internally, is connecting Powder with Jinx, and I think the visual in the mirror depicts that really well. Much like a part who has switched in, Echo is relying on his old memories and is unaware of who this present "Powder" person is. I have experienced this as well, being unaware that a problem from the system's past is no longer a threat. Powder proceeds to process that Echo is clearly not okay (by the way he jumps back in defense) and tells him to relax. Even when Echo throws an object at her and grabs a screwdriver in defense, she does not attack back, instead just questioning why. Now, I do not think in a real world scenario any OBJECTS SHOULD BE THROWN, and I do believe Powder is a lot more patient than most people. (I know if my partner threw something at me, I would not just be confused and then move on).
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But, in a less extreme example, Powder is staying true to who she is, and what her reactions are. I find in systems, when disorientation and stress happens, one of the best things a partner can do is be routine and patient. Or, even helping a part ground themselves (which we see later on). Powder is clearly upset and confused (I would even say hurt), but she doesn't become reactive. In the real world, I would not recommend just ignoring if a part has done something hurtful, but instead, disengaging or supporting until there is a better time to address it. In this case, when Echo does not respond to her asking what gives, she drops it (and I would recommend coming back to it when the person has a clearer head). What is not seen here that I would also recommend is coming up with clear boundaries and sticking to them BEFORE incidents happen. Having a sit down with your partner's system and letting them know what you are okay and not okay with, is a great way to show the system that there is stability.
System note: Now, I would also like to note there is a couple times, I as a system, liked to believe Echo has this reoccurring problem (or a similar one) because that's comforting. And, as a side note, one of those times is Benzo seeing Echo and saying, "one of those days, huh?" Benzo and Echo's relationship (familiarly) is also a great example of being a healthy support system, but that's a story for another time...
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Now, continuing on, Powder is flexible. She does a good job (it seems at the moment, at least) with accepting this "different" Echo, and choosing to support him through verbal and physical affection. While in Arcane, Echo isn't very appreciative of her gestures, in the real world, being flexible is a good way to remove pressure from an already stressful situation (Imagine how this would've gone if she had snapped at him in that moment for being so distant), even if he doesn't believe it, Powder is showing she is still on his side through this (and, I believe this helps him open up later on).
Walking through the bar to sit with the group, Powder seems to be holding his hand as well. Again, using physical touch as a grounding tool to help guide Echo. She continues talking with him as she normally would, and when he seems dissociated from the conversation (going from partially aware to completely unaware), that's when she snaps to ground him again, out of concern.
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She asks what's wrong, and notes that he's been out of it. In real life, many systems experience time loss - and, when switching or dissociating, may not even realize they are. Reaching out and describing how a part is behaving may help them realize something is off as well. Powder has been supportive, compassionate, and above all else, VERY patient. Echo opens up about how he feels ("waking up in the wrong universe"). All the small steps she's taken has helped him feel he can open up. (Again, imagine if she snapped or threw something back at him, in his eyes, equally viable options from her). Now, not all parts switching in may feel ready to open up, some parts may need a LOT more small steps, some may only need one. Her ability to come back and keep trying is a beautiful illustration of how much support people with systems or DPDR may need. AND, when he opens up, she reminds him of what he's been through (staying up all night). In real life, a part may be unaware of what the body's been through, and empathetically letting them know may help them adjust to the present. Along with this, Powder talking about sleep is, again, showing a partner is likely to be unaware of what is happening internally if the system does not communicate it. Given that, Powder still tries to reassure about what some current stressors may be (there being "plenty of time before the competition") and reminds him AGAIN, that they are a team ("we'll work out the kinks"). She goes to touch him and he flinches away, in reality, parts may be doing this because they are still not fully grounded. Again, if they have been living in the past (especially a trauma covered one), they're natural state is being on the defense. When a part dissociates they may be reliving their experiences silently, or even becoming unaware of their body - reverting to that naturally defensive state. Powder looks hurt at his rejection, which is completely valid. She still picks up the cup that gets knocked over, is still aware that now is likely not the time to talk about it, and doesn't degrade Echo in front of their friends.
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Milo runs off, and Powder has a good reason to follow behind. I think it's a good reminder that, yes, it can be very tiring, and as a partner, it is not wrong to take breaks from situations. Sometimes, things are stressful, and taking a moment to do something else is NOT wrong. I know a lot of partners really want to stick through it with their partner's system, but please remember your own health is just as important. Go on that walk, hangout with friends, drink some water, write about it, whatever you need to do to regulate. Additionally, in this case, Powder is the direct stressor (it seems), and she's giving a break to Echo to process what is around him. Sometimes that's needed too, hopefully the system you're with tries their best to communicate when they need to take a step back (and they may need some help at times). Sometimes what a partner does CAN be an indirect trigger, but that does not mean that partner is to blame. System note: I'm going to skip over most of the parts where Powder and Echo aren't interacting. But, I would like to note as a system, I can relate to Echo not being present, instead being focused on something else. (When he redraws the anomaly over and over and OVER again), just a little tidbit that I can relate to. Along with Echo not wanting to be in the "present" moment. Powder, despite all the stressors, invites Echo into her routine (seeing Vi).
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And, she does not show how confused or upset she may be feeling. Continuing to show him respect. Once they are in a private, safe (I assume it's safe to the original Echo and her) space, she tries to ask about why he's acting so distant. This is a good example of coming back to what happened later. She saw him talking with Heimerdinger and likely believes he is feeling better enough to talk with her. Now, in real life, a part may not be ready. That does not mean the partner should never check in about how they are feeling. Dating a system has a lot of trial and error, sometimes it's the right time, sometimes it's not. Now, if a system DOESN'T hold space for how you may be feeling (aka, EVERYTIME you try to check in it backfires), I would recommend a genuine conversation about it. Again, just because your loved one is struggling does not mean you as a partner deserve to feel like crap for trying to be supportive.
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In this case, Echo wants to know about his present situation. Powder does a great job of summarizing for him and tries to help fill in the gaps she thinks he could be missing. In real life, again, a part may need help connecting to present day, letting them know what may be obvious can help them feel more grounded AND stable. Additionally, when Echo has doubts about Powder's character, she shows there's no reason to distrust her. She doesn't get offended by his questioning, instead just letting him know who she is, through the perspective of Echo. In real life, highlighting what a part has done with you can help them see that their system trusts. "You weren't gonna figure it out yourself", "You're the big idea guy." are both lighthearted ways to remind Echo who he is, and that he has trusted her in the past.
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I'd also like to note, she continues with what she went there to do. She takes a lighter and heads over to Vi. She's not being dismissive, but she's also not cornering him, either. This emphasizes her reliability and trust, and shows Echo that she's not focusing in on him like a hawk. In real life, some parts who switch in may feel like they're just waiting to be punished, like they're just waiting to make a wrong move. By continuing routines, a part may feel the lack of attention means they don't have to be on defense. System note: "having an identity crisis again" is just adding to my previous notes LOL.
At Vi's altar, we see a great example of what to do in situations where a partner is getting hurt by a switch in (which can happen). Ekko is processing the fact Vi is dead AND Powder has been handling a lot of stressors that can come from switches (rejection, being treated like a bad guy, ect.). In this scene, Powder is clearly hurt, and, I believe she has every right to be hurt. Yeah, not every switch will be 100% great. That being said, I loved the way she handled it. She places a couple firm boundaries, like letting Ekko know what she doesn't want to talk about ("That's not funny Ekko" and "Just 'cause you're having a bad day, don't take it out on me."). She's letting him know how she's feeling, and without being mean, is letting him know she is reaching her limit.
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She's upset, and to me, she has every right to be. Some systems/some parts I've met have a hard time recognizing that just because they are in pain means what they're doing can still have consequences. That is a seperate topic I could talk about for days, but in this case, I'm treating Ekko as a part who pushes boundaries. Ekko continues to ask questions about what happens. Yes, some parts may do this. The reasons are endless (maybe they feel this reality isn't real so who cares, it could be any reason), but at the end of the day, if you're interacting with a part that is pushing boundaries and you don't want to handle it, don't. I'm not saying walk away forever, but Powder does a great job if placing a final boundary, "You should leave." Again, she's being firm, she's letting Ekko know she doesn't appreciate what he's doing, but she's not going out of her way to attack him. When you're supporting a system with parts who push boundaries, it can be hard to not react back. But, imagine it much like arguing with a person without a system. I know very few arguments where attacking back has worked in favor of both parties, and that compounds when you're interacting with a system.
Now, in this case, Ekko leaves. But, what do you do when a part isn't respecting boundaries, if, hypothetically, Ekko didn't leave the room? I know this may not work for everyone, but I would stick to my own boundary. If I ask someone to leave the room, and they don't - choosing to continue a conversation in this case, I leave the room. Remember, again, your own stress and health is equally important, and it'll be hard to help anyone (including yourself) if you can't remove yourself from the high stress situation when you need to. If placing boundaries is hard, I would recommend practicing. I've at times, told my partners I would like to practice ending conversations and what not in low stress situations (letting them know so they don't feel rejected), so I can get used to being able to.
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Following this, Powder is very clearly avoiding Ekko. When Ekko looks up she turns away. I think this is a good reminder that things parts do CAN have an effect on their surrounding support systems. I think it's good they show Powder is clearly upset by what Ekko has done. In real life, this can happen. Being a partner should not mean having to be 100% whatever emotion their partner's system needs. That's not very healthy or feasible. Again, it's okay to feel upset and hurt, especially if a part is doing something upsetting or hurtful. Powder doesn't go out of her away to attack Ekko or retaliate, and that's another good thing to keep in mind, even when it's hard.
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The next scene we see with Powder and Ekko communicating is Ekko showing Powder the shrine he created of Vi. In a real life sense, a part may be trying to apologize OR may also be trying to show their partner that they are doing their best to be connecting to the present. Parts that are traumatized may have a hard time communicating complex emotions in a way that's understandable, so they may communicate through creative methods. Now, Powder does a good job of recognizing he's trying to apologize and open communication, so she does as well. And in that opening of communication, she learns more about Ekko and vice versa. In real life, this could mean a part opening up more, or just a part being more willing to be cooperative. Ekko, in this case, also stops recognizing Powder as a threat, and in real life, a part may begin to do the same thing. When Ekko talks about his version of Powder compared to the real version, it is very akin to a part trying to synthesize present day situations and past traumas/situations.
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In turn, Powder opens up about her own feelings. In real life, opening up to a part may give new perspective on a situation, and can lead to a mutually supportive environment after a switch. In this case, Ekko is willing to hear Powder out and help her (giving advice), and Powder begins helping him with his own project. This goes back to those baby steps I mentioned at the beginning. If Powder hadn't continuously taken small steps to show she wants to be on a team with him, their conversation may not have gone like this. Additionally, now that a "team" foundation has been built, Powder and Ekko can build each other up. In this case, Powder bumps him with her shoulder, a form of physical affection he appreciates now that he's more grounded, compared to earlier that day where most physical touch was met with defense.
I think it's also good to recognize, Powder seems more willing to show support to Ekko in ways she didn't previously because they communicated.
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Like the fact she chooses to sit across from him instead of next to him. This is a part of the flexibility I was talking about earlier. Because different parts may have different wants/needs/boundaries, being flexible can help both parties feel desired - instead of trying to continue things as if it were a previous part.
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Another example of them now working as a team is Ekko supporting Powder at Vi's altar. Even though he has not experienced what she has (or doesn't remember it that way), he still recognizes it's importance to Powder and helps out. In real life, a part becoming aware of a partner's feelings and communication styles can also lead to moments like this, where a part who may not be aware of everything, tries their best to support you through your own struggles, even if it's not how your partner's system "typically" shows support.
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Now, it seems in Arcane, Powder isn't fully aware of what Ekko is trying to build, but she still helps him to work through it. Now, in real life, a part who has switched in may have alternative goals compared to the rest of the system. In a case like this, where the goal isn't threatening or harmful, supporting that part can help build up that "team" based foundation. The part knows that even though you may not be their partner, you're still a safe person to go to in times of trouble, or just when they want a comfortable person around, even if there are no romantic feelings for them. This can be very important when high stress situations come about later, and can help parts open up about what's going on internally (because, remember, a lot of system communication/mental health is internal).
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Additionally, because Ekko and Powder feel safer with each other, Powder feels okay asking questions. In real life, having a bridge of trust, even if it seems small, can lead to moments like this as well. Where a part feels open enough to answer questions, and not become defensive. Remember, at the beginning of this Ekko couldn't even be close to Powder without becoming defensive. These small steps have worked towards the goal of being able to communicate and trust each other, it's all built up.
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Powder is clearly excited for what they've worked on together, because they're now a team (even if, again, it's not romantic like her Ekko). In real life, these connections can lead to those same feelings of excitement and commitment, even if it looks different from how it was with a different part.
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We can also see that Ekko is open to how she likes to show affection (physical touch), and she's looking out for him ("Please go change before the party") because she understands and cares for him. Ekko also does change for the party, and in real life, this can be seen as a part caring right back. Following this is where they dance together, now she recognizes he dances differently ("Where'd you learn those moves?"), but still has a good time. Again, she's flexible and compassionate towards him.
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Instead of choosing to be upset about how things are different, she accepts these differences and chooses to have a good time with Ekko. In real life, a part may do things differently - they may dance differently so to speak, but you can still enjoy what they have to offer (again, even if it's not inherently romantic).
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Ekko thanks Powder. He was able to have a good time and experience something he thought couldn't be real. In real life, a part may be feeling the exact same way. They may feel their trauma memories, their past, clouds how the presents can be. By finding ways to support them and have good moments in the present, it can help them feel things do not have to be as bad as they've experienced. Along with this, Powder leans on his shoulder. She feels supported again as well, even if it's different. It took some work, but she's able to be vulnerable with him in the same way he's being vulnerable to her. And that's really important, even if the relationship between some system's parts aren't romantic, it's really important to feel like it's not completely one sided as a whole. Yeah, some parts may not be supportive like you're used to, but if you begin to feel resentment towards the system or feel like certain parts are ruining your relationship, I would recommend having a conversation about it. If you feel like you're not getting back what you're putting in, I would recommend having a conversation about it, because again, your feelings matter.
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Moving on, they kissed. I don't necessarily want to focus on that. I want to focus on what happens right before. Powder goes in for a kiss, and Ekko rejects her ("Sorry, I..." and pulling back), and she looks hurt. She lets him know it's fine, but even while she's hurt, because they have that base "team" foundation, she waits patiently for him to explain. She doesn't just walk away, or lash out. She waits for him. And I think, a lot of systems, and certainly myself, just want someone to be willing to take it slow when we need. It's rough, and we recognize a lot of "typically" relationships don't have the amount of waiting that can be needed. But, truly, one of the most compassionate things I've experienced, is having someone gently pull the brakes and wait for me to be able to communicate.
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Ekko communicates, he asks for her to "just pretend like it's the first time," but note, he looks hurt after asking. He seems to be waiting for rejection. In real life, a part may be like this. After the trauma they've went through, or the stress of switching in, they may just feel like they're waiting for the other shoe to fall. Ekko and Powder have worked towards being able to communicate towards one another, so he does open up, but that doesn't mean that feeling of anxiety goes away. This is part of why some parts may feel the need to take it slow, while others may be open and ready after only a couple steps.
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Powder is flexible, patient, and kind to him. She is willing to pretend like it's the first time, and she doesn't act like it's some sort of chore. In real life, while a partner may be "pretending" it's the first time, please keep in mind that to the part that switched in it is the first time. It may be the first time for a lot of things (for feeling included, for being affectionally touched, for working with someone positively, for going out to a party, any of it). The good moments a partner chooses to have with a different part can help them feel more relaxed in the agitated state they've lived a lot of their life. Ekko grew up in a vastly different world, all of the kind things she is doing is completely foreign, and some parts switching in are the exact same way.
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At the end, Powder sees him. In real life, in our time, I can't imagine being able to see other parts like this - where they have a physical body and what not. But, you may have a moment like this. A moment of recognition, of understanding. You might even have that moment without your partner's system knowing. You might find things you love (romantically or otherwise) that are different part to part. To keep the conclusion short, Powder does a wonderful job of showing patience, respect despite being confused, empathy, and compassion throughout this episode, and many moments shows kindness in unconventional ways. Please, remember to be kind to yourself, and of course, every system is different - so remember to communicate.
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the-dye-stained-socialite · 3 hours ago
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Hello Fallen London Fandom! I want to say something briefly. I've posted a few of my general Fallen London ideas here on tumblr, and people have gotten excited about them, which is great!
However! Less great is the fact them some people have been tagging (or just shouting into the void in the general direction of) Failbetter.
Don't do this:
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(there have been more instances, these are simply the first three i found)
First of all: None of you asked me if this was okay. You are elevating my stuff to one of the people who works with this game in a way that I did not ask for, nor did I consent to!
Secondly: My ideas and concepts are not fair use, they are my own ideas and concepts that I came up with. If you as a friend or fan would like to do something with them, or create sonething inspired by or derivative of them, you can ask (and I'll probably say yes! I love sharing ideas with folks who are nice to me!!!) and of course credit that the idea came from me. If Failbetter staff would like to hire me someday to create ideas for them, then they can own the concepts I come up with for their game. As is, i am not being paid, and you are telling Hannah and crew to steal my ideas, pass them off as their own, and profit off of them. That is close to, or even directly, plagiarism. (edit: obviously i don't own general concepts and such, but some of these things are much more specific and developed! and sometime when you're making a point you generalize to get across the idea)
Third: This causes legal issues for the team, for the above point. Especially with a game where money is frequently involved. If you do this to your own post, someone else's post, anyone's post, and they see it? That's a decent way for that idea to never get implemented.
Fourth: Not every idea, headcanon, or fan theory needs approval from the creators. Fandom does not need to be directly intertwined with the creators. Personally, I have the most fun whenever I am actively not giving a damn about the creators, and simply enjoying the things they make in my own time, place, and peace. My monster-fucking, my dreams, my silly ideas I come up and create with friends are my own, and I don't need the creators' opinions or in-game implementation of these ideas!! I am not entitled to their game-making as a fan, and they are not entitled to my personal ideas, and that's okay!
and finally, Fifth: Remember there are real humans behind usernames. I am an entire person with nearly 25 years of lived experience. You do not know me. Don't be jokingly rude to strangers, because no matter how many /pos tags you add to something, it still comes off as rude! You cannot guarantee I interpret your words the same way you do, so be nice. Think about if you would go up to a random stranger in their house and say these things. Don't forget that you can always learn and improve and change for the better.
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just-imagine-arcane · 4 hours ago
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Hello there! I thought I might get the ball rolling on this blog by exploring a couple of my favourite characters and how they may handle romantic relationships. It's been such a long time since I've blogged so forgive me if I'm rusty at first.
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Viktor:
I have always interpreted Viktor as someone who struggles with OCD. His obsession with his work to the point where he neglects himself and can't seem to enjoy or have a life outside of it is very reminiscent of my own experiences with the condition.(Not myself) 
That being said, a relationship with Viktor would require a lot of patience as well as effort.
His tunnel vision would make it easy for him to forget his partner's needs unless it's brought to the forefront of his attention and even then he may apologetically argue that his work is more important.
Hours would be spent convincing him to leave his lab to take care of himself, let alone go on a date and even then his mind would be on his work lamenting the fact he was away or still working out calculations in his head.
This does not mean that he does not care for his partner. In fact his love for them may partially inspire him to double his efforts to “fix” humanity and better the world. Creating a safe haven for the person he holds most dear.
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Jinx/Powder:
Jinxs’ delusions and schizophrenia were brought on by intense trauma from a young age. Everyone she loves has died by her own hand or abandoned her. 
Milos’ comments to her became permanently embedded into her inner narrative, which is why he is the most prominent presence during her episodes.
A narrative that drives her to give in to her self destructive tendencies, but that inadvertently ends up hurting those closest to her and thus perpetuates her fatalistic notions. 
This would cause her to be suspicious of any sort of romantic relationship she might develop. Her fear of losing or being abandoned drives her to be extremely jealous while simultaneously being desperate for that person's love and acceptance.
For any partner it would be important to be sympathetic while also enforcing boundaries to protect themselves. Accepting her for who she is and being able to give her the stability and freedom she would crave. Someone who during her chaotic episodes is able to make her pause and think twice. 
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ultimateloserboy · 2 days ago
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GIANT FLUFFYBIRD POST
@onlyballs i saw in my phone notifs you sent me an ask but tumblr isnt showing it. HOWEVER. I believe you asked for fluffybird, and of course I will deliver!
i suggest searching the fluffybird tag on my blog if u want more thoughts. because i have said a LOT of stuff. but of course ill always talk about my guys!
BUCKLE UP BROTHER ITS A LONG WAY TO THE BOTTOM!!!!
to kick things off let me explain their characters and relationship. duck sees red as his absolute best friend, the one person in the world he truly gets along with. he loves red very proudly and openly. when it comes to the world and its horrors, duck doesnt much remember but also doesnt quite care. why would he? he has his best friend right there with him! he also loves yellow very blatantly even if he doesnt show it properly. theyre his family, and this is his house, so why would he want to change things or leave? even when hes aware of the pain that he (especially) experiences— he STILL doesnt want to leave— because as his bigger boy self says “this is as good as it gets!”
red sees things completely differently. red obviously does care for duck, but the majority of the time he will deny it. even at ducks FUNERAL red denies caring for him. red is so obsessed with coming off as the calm and collected one he ends up making himself look apathetic to the point of cruelty. duck can also be very cruel, but hes very blatant about the people he loves whereas red will deny ever loving anything. duck isnt afraid of love, but red very much is.
when it comes to the world, red remembers a bit more than duck does. yellow actually seems to remember things too, but his batteries keep his thoughts fogged so he cant properly articulate them. red can remember AND articulate things from past episodes. its not perfect, and he absolutely doesnt understand whats going on— but he DOES remember— and unlike duck, he actually HATES it. theres an argument to be made here that duck doesnt remember because he simply doesnt care to. duck doesnt care so he doesnt remember, while red cares A LOT so he remembers more. but i digress.
red wants to get out of the torture of the house, but truthfully he wants to be a different person altogether. he wants a new life not just because this one sucks— but also because he dislikes himself. he just wants something different. hes restless. even if the house was perfectly safe hed most likely still be running. he’s desperate to find a place that feels like home— but until he accepts his own differences he wont be comfortable anywhere. he refuses love from anyone that isnt his perfect made-up family because duck and yellow are “weird” and if he accepts their love that makes him weird as well, which he fights to not be.
if you really look at red, he doesnt actually want to be loved. he wants to be someone else and have everyone love that guy. but it just doesnt work that way.
duck loves red as he is now. or as he was yesterday, and who he’ll be tomorrow. it comes naturally to duck— he doesnt remember meeting red or developing a relationship with him because he never had to. he was put into the world already prepared to love red. its what he was designed to do. the three of them were designed to be a family, and duck is happy to comply with that script. although he doesnt see it as a script and sees it as his own choice to love them— which isnt technically wrong! i feel the house doesnt give them feelings— only puts them in a situation. so while they have no choice but to live together forever— its their choice to enjoy that life. duck chooses to.
red isnt happy to comply with a script at all, but he was also designed to live with duck and has his entire existence. theres a point at the funeral where red slips up. he refers to the plates on the ground as “our plates” while arguing that he doesnt know duck at all. theres an intimacy in sharing everything down to plates. they also share a room and bathe together (shown MULTIPLE times!) so no matter how much red denies it— he is extremely close to duck. he has no choice but to be. i feel thats one reason why he denies it so much— because he sees it as forced, and he doesnt want that. but i think duck would choose him anyway even if they werent forced to live together and thats why it works.
duck doesnt see it as forced because hed love red no matter the situation. no matter if they were chained to each other or free to go— duck would stay right there. but red wants that freedom. so he presents himself as if he dislikes or doesnt know duck to give himself the illusion of freedom from their shared cage. he doesnt think hed miss duck fully if he was gone. he even gets excited at the idea of living apart in transport.
but its all denial. because he would also choose duck if they werent stuck together! when theyre in the dark and red cant see him— he realizes he WANTS to look at duck. he WANTS to talk to him. he would CHOOSE to do so if he wasnt forced, and he HAS chosen to do so throughout the entire show, whether or not hes realized it. red gets more comfortable at the idea of spending time together because, yes, they are technically forced to share the house. but it doesn’t have to be that way! not in their hearts. not in their minds. thats the way duck sees it, anyway.
they might not always agree on things, but when they do it sometimes devolves into something terrible. There is a point where red guy gives up. he starts to give into the lessons because its easy. because sometimes he DOES enjoy them. sometimes hes just too tired and falls into the pattern he hates because its simple to do so. and maybe after years of being beaten down into submission he starts to agree with duck and see no hope of escape. thats when, at least from how i see it— they evolve into bigger boys.
its not shown how the boys get bigger but its obviously a progression. a slow ascent into madness. i think it starts with them becoming hopeless, and then finding hope in the lessons. theres nothing else to latch on to— so they latch onto them with everything they can. they learn everything they possibly can. they grow and grow and get higher and higher until theyre dangerous. until theyre more self-centered and cruel than theyve ever been. eventually they become too knowledgeable to be taught anything. they become a part of the house rather than occupants of it. soon theyre pulling the strings and torturing smaller creatures for their own enrichment. it gives them a sense of power over themselves knowing once they were in that creatures place. they finally feel in control of their lives but at what cost?
all of this is done with them completely glued to the others hip. despite getting more self-centered they just cant let go of each other. theyre tangled together like weeds. they love each other and they cant let that go— but they cant admit that or indulge in proper companionship because thats vulnerable, and theyre too BIG now to be vulnerable! so they sit across the room. never quite separate but never quite together. its better to be 10 feet apart and never look at each other than to be without each other. loneliness was always their greatest enemy and even while being trapped in close proximity forever they cant seem to escape it.
but there is a smaller version of them, a small moment in time where theyre happy together. where they can sit and have a conversation without fear of judgement. theres no stage-lights on them and the darkness hides their shame. they can actually tell each other how they enjoy the others company. they can be honest and vulnerable.
to duck its normal to tell red he appreciates him (in his own way) but for red to say so is shocking. duck is surprised. but hes happy. and they can spend time together being completely honest and loving each other without it being a big deal at all. without any worry. but those are the moments that always go first. the moments in their memory that deteriorate the quickest. maybe if that moment lasted— maybe if their walls were broken for long enough— they couldve started to get better. they couldve grown to be kinder. they couldve grown to be happy together. but they never have the chance to keep it long enough.
they live everyday as close housemates. they slip into a domestic life that comes naturally to them even when they may not realize. but when they actually start to think. as soon as a song comes on its so much more than that. and neither of them really want it to be— or they do but they dont know in what way or how. they dont know how to explain things to each other. they dont REMEMBER enough to discuss it. so it festers until it ruins them. every single time
tldr fluffybird is like this:
i cant keep reliving the same day every day. I cant bear to forget it all again. even when im too tired to fight ill still have the belief deep inside of me that theres somewhere out there better than this. that theres a version of me out there better than the one i am. i hope to find it some day and i hope to have you with me. i wish i could leave without you but im too much of a coward. This cant be all there is and i will prove it to you someday.
im fine reliving everything as long as its with you, exactly as you are. as long as youre willing to listen when i repeat myself. this IS all there is and im alright with that. an organ or two is a small price to pay to live forever with my family. youre ungrateful for wanting to run, think of all weve done together! but i know you will anyway. so ill be waiting to say “i told you so!” and then we’ll walk home. it might tear us apart but its still our home. this is as good as it gets.
RANDOM FUN FACT AND FAVORITE SCENE TIME!!!!
easy one first— RED is ducks favorite color! which is made even more fruity with the context that duck enjoys specifically LOOKING at red guy!
red and duck have matching pillows! theres two green pillows that you can see in the living room. sometimes theyre together on reds chair and other times theyre split between his and ducks chairs! theyre also in the webseries on their beds— but ONLY on theirs! yellow doesnt have one of these. at least i dont remember so. might be wrong but from what i can tell these pillows are always for duck and red only. at least most of the time if yellow does ever have one!
there are multiple pieces of concept art of 1: them being silly and 2: them being closer than in the final scenes. the original concept for the big boys shows them sitting MUCH closer and their arms intertwined, whereas in the final shot theyre not touching each other at all and duck is moved completely across the room (they are fucking ginormous irl tho to be fair)
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some of my favorite pieces of concept art tho are this little selfie of duck and red with his little peace sign and their arms wrapped around each other in front of a mountain <333 AND THEN DUCK DOING REDS HAIR :DD
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one of my favorite scenes of them is in jobs when red is rambling about his lanyard and duck says “what have they done to you?” it sounds so genuine and its a really nice line. it really points out that as judgmental as duck is he worries when red isnt acting himself
speaking of jobs theres a running gag of duck disliking when red is clothed starting with this episode (ironically the first episode) when he walks into reds office he asks “what are you wearing?” and laughs at him. its obviously not about the suit itself because duck also wears a suit— so its easy to assume duck is mocking him because he looks silly in any clothes at all. red isnt supposed to wear clothes— and he also feels uncomfortable in them. its not HIM and duck thinks he looks like an idiot for trying to play someone else. he also gags when red wears denim in friendship which is honestly foul of him 😭. no matter the reason tho he canonically prefers red naked.
on a similar topic— there arent many dirty jokes in the show but when there are they almost ALWAYS come from or are about duck. but occasionally red will get caught in the cossfire. the CONSENT teacher shows up after something duck says in the big room. conveniently a room they share without a yellow normally there. thats then followed up by a rock teacher appearing which is a bit awkward considering duck has “private business” with a rock in transport. then to make matters even worse in the bigger room yellow tells them to “experiment on each other”(?!!?) to which duck turns to red and goes “would you be keen?”(😭⁉️)
(the scene where duck looks red up and down in the car is debatable but ill mention it anyway!!)
its hard to ever truly confirm this one because it was never recorded but the reason fluffybird kicked off so hard back in 2022/23 was because a producer on the show during a qna told everyone to continue shipping red and duck! there were multiple people from around different corners of the internet who went to this qna and all had the same story, so i dont think its a lie but i still cant tell you we have full proof. i know becky and joe repost and encourage fanart of them tho, and thats basically the same thing so. anyway
when dhmis won comedy awards they held the trophies together <333
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do i even have to mention the fridge scene? well i am!! theres something to be said about how their little confession happens in an episode about and titled “electricity” when electricity and “sparks” between people is a very common trope/phrase in romance. this one is sort of a stretch but i think its neat!
i dont know if becky joe and baker terry had any intentions back in the webseries days for them but the LOVE episode and the way red and duck were left alone at the picnic (mirroring the fridge scene!!!) looks gay as fuck with hindsight bias
when duck comes back from being dead and red is surprised to see him i think the way he says “oh.. hi!” and duck says “helloooo :DD!” is really sweet :(( not to mention the whole argument at the funeral itself. absolute messy ass gay ppl. i dont want YOU i want my BEST FRIEND !!!! and duck was going to leave red his diary… yes it was empty but its still his DIARY!!
the way they email EACHOTHER during computer day is so fucking cute theyre so fucking stupid i love them 💔
the way duck reacts in the food episode isnt talked about enough!! he tears down EVERYTHING to find red. he literally knocks over a camera!! he literally broke reality because he was so desperate to answer the phone. he missed red more than anything and was doing everything he could to find him :(( not to mention how he had to fight his OWN memory in order to remember who red was in the first place! hes always loved him in whatever way :((
the way red laughs when theyre picking on yellow together.. its fucked up and also red is a hypocrite but duck made him laugh and thats something!
the way red tried to comfort duck in the beginning of electricity when he starts to freak out and worry about yellows behavior. he wasnt doing a good job and you could argue he was doing it for selfish reasons and not to actually comfort duck but i really feel it was both. just trying to calm the both of them down.
speaking of electricity again… the way hes washing dishes while duck does a crossword makes me wanna throw up. theyre literally a family. its one of my favorite scenes in the entire series. just in general. i love yellow here too its not abt him rn but i love my son :(((
alright there’s definitely more but im really tired lol so bye fluffybird nation hope this post was fun!!!!!!
EDIT: OH MY GOD I CANT BELIEVE I FORGOT TO MENTION STAIN EDWARDS! In death red molds someone else into being duck, looking like duck, sounding like duck— all because he cant let go of him. yellow goes out to dig him up but red doesnt think its possible so he just makes a new one. and you can hear how desperate he is to make sure hes JUST RIGHT. even stain edwards asks him if he has “issues he needs to work out”… which clearly he does. i cant believe i forgot to mention this cuz this is some insane levels of homosexuality. off the fucking charts
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bybdolan · 23 hours ago
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thoughts on books i read in 2024
This was kind of an abysmal reading year for me ... i did not read a lot, very few books were truly excellent, and most of what I read was written by white guys (which is on me). Let’s hope 2025 is better on all fronts. Anyway, here’s a list of what I read, and about 4 sentences written in 3 minutes trying to summarize my thoughts on the book.
The Autograph Collector (Zadie Smith) – started the year off pretty strong with this one. It’s been a while since I read it, but what I do remember is that smith is an excellent storyteller and I liked how the themes of grief, dreams, and fame were woven together.
Die Insel der 1000 Leuchttürme (Walter Moers) – eh? I was constantly hoping that this would go in a “horror as metaphor for bigotry” or “small communities with strict rules are fucking scary” (think The Wicker Man) kind of direction, and thus was not on board with the way the plot ended up developing. It’s also way too long and Hildegunst’s neuroses are annoying after a certain point.
Faserland (Christian Kracht) – this is as good as everyone says it is. Full stop. I admittedly just love books about sad young men who are or pretend to be assholes (Catcher in the Rye), so this was perfect for me. Very sad and very pale, but in a good way – it felt clear, like nice winter wind. Also: I couldn’t get the boy to kill me but I wore his jacket for the longest time. Etc. etc.
Das fliegende Klassenzimmer (Erich Kästner) – a classic for a reason!!! Children’s books are at their best when they take their audience seriously, and this passes that test with flying colors. Incredibly fun, incredibly moving. Made me cry more than once. Eisern!
Call Me By Your Name (André Aciman) – this was a really interesting experience for me because I strongly disliked the movie when I watched it, as I was constantly put off by Oliver’s behavior. I think the book does a better job at making you understand the fragile and confusing back-and-forth between Elio and Oliver, and I found myself really really liking it because of that. I also greatly appreciate how unapologetically horny it is. Being horny makes you act fucking weird!!! I love weird horny representation!!! YAY peach scene! The style was beautiful as well, though a bit imagery-heavy at times, which did fit the heavy summer atmosphere.
Rico, Oskar 1 – 3 (Andreas Steinhöfel) – listened to the audiobooks on my way to uni. A very fun time all around. Similarly to Kästner, Steinhöfel has a lot of respect for his audience and also doesn’t shelter them. What other kids’ books can you name where the protagonist’s mom works at a strip club? The representation may not be perfect but I love that he went there. Mama Doretti you are forever famous TO ME.
The End of Loneliness (Benedict Wells) – always pains me to say this because Benedict Wells legit is so fucking sweet and nice in person and I’d LOVE to have dinner with him, but ... he is not thaaat good of a writer. This one essentially is a John Irving wannabe, and despite the “dark” themes it feels incredibly shallow and cliched at times. The female character(s) are particularly offensive. However: at the very least Wells is earnest about it all?
22 Bahnen (Caroline Wahl) – Caroline Wahl who had 2 books on the bestsellers list for over a year now recently complained that she wasn’t nominated for the Deutscher Buchpreis, which is partially meant as financial support for authors whose a) books do not sell well because b) they are good and complex pieces of literature, so I hope that she’ll be at least a bit consoled by receiving the “Book That Made Me Seethe With Hatred 2024” award <3 the writing is ass the story is shallow it’s all just a big fucking cliché and the depiction of poverty and addiction is appalling. I’d be ashamed to put a book like this out into the world.
HOOL (Philipp Winkler) – this still is THE book about violent men to me. I read it 5 times in the summer of 2018 and I am happy to report that it has lost none of its appeal and grit and ugliness. Simply a 10/10 and deeply formative to my taste.
Emil und die Detektive (Erich Kästner) – everything I said about Das fliegende Klassenzimmer is also true for this one. Ultimately I do prefer Klassenzimmer though, simply because the themes of friendships and camaraderie appeal to me much more.
The Girl With the Dragon Tattoo (Stieg Larsson) – As a thriller this is near perfect, I could not put it down for two days. Larsson manages to do the whole “intersection of faith and violence against women” thing without it feeling exploitative (I’d be inclined to believe he may have started this trend), and I am glad that he allows his female characters to take gruesome revenge. Howeveeerrr unfortunately the narration still has a very chauvinistic edge to it and Mikkel feels like a male mid 40s wish fulfillment fantasy.
The Goldfinch (Donna Tartt) – I bought this in the Mauritshuis after seeing the Goldfinch so :’) it has a nice little sentimental edge to it. And this is another one of those “it really is THAT good” books. Looking back now, I am surprised that relatively little has stayed with me though – I never was that invested in Theo, and I also didn’t love Boris a ton, so a lot of the novel was just me hanging out with characters I didn’t like reading about that much. What stuck with me the most was the love for beautiful things that comes pouring out of every pages. Especially the parts in Hobie’s shop were just awe-inspiring. I’m planning to do a reread where I just focus on the descriptions because they were so unbelievably rich.
Bluebeard (Kurt Vonnegut) – I don’t remember a ton about this. What comes back to me most is my fondness of Vonnegut. He has a lot of humor and warmth in his writing, and I always find myself deeply moved by him writing about people loving one another, as funny or dark or even sad it may be.
The Virgin Suicides (Jeffrey Eugenides) – IT REALLY IS THAT GOOD. I could go on about the genius of that narrator perspective (the boys who watched the Lisbon girls as this big shapeless faceless conglomerate of first person plural) for ages. The prose is embroidery-worthy and the amount of detail and specificity do not only bring the Lisbon girls to life, but also the entire small town ecosystem around them. A beautiful capsule of stifled adolescence. And yet a horrifying read. (Bonus: I read this at the time when my boyfriend was reading Lolita, so when we were reading in public we looked like Mr. + Mr(s). Coquette.)
The O’Henry Prize Winners of 2024 – I love a good short story collection what can I say? I highly recommend these collections to everybody, as they present an array of innovative, diverse, well-told short stories that you may have not heard about before unless you are a literary magazine afficionado. My favorites were “Roy” and “The Soccer Balls of Mr. Kurz”.
Everybody Jam (Ali Lewis) – listen. Nothing hits like a good middle grade book. This one is veeery heavy at times and I was honestly not ready for some of the stuff that was happening, but it still was an engrossing experience and I just love coming-of-age stories that get into the mess of living. I also learned a lot about Australian cattle farming. Yay.
Fighting Ruben Wolfe (Markus Zusak) – another book about men and violence, yay! Finished this one today (it technically is only the first half of my German joint edition of this + “When Dogs Cry” but shhh). The writing was really good for the most part (I read it to get a feel for slightly gritty and simple vocabulary-wise yet rich in imagery narration for a project of mine, and it definitely delivered), however, it is very cut-up and not very subtle at times. I also felt like it was just missing. Something. I wasn’t really satisfied by the end of it.
so uuuh I think my favorite new reads of the year were The Virgin Suicides and Faserland. Maybe I should lighten up.
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katboykirby · 2 months ago
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your takes and explanations are always so nice and refreshing to see on my dashboard, thank you for giving a bit more insight into these things and explaining why obey me is the way it is! a lot of criticism is valid but sometimes i think people just don’t actually understand what kind of game they’re playing which makes reading the same takes rather tiring…
Thanks so much 🫰
I haven't ever really talked about it in much detail (mainly because I'm not contractually allowed to post very much company-specific info, aha) but working in the industry, particularly with live service mobile games, has given me a good amount of lived experience with how these games work and how they're made. So I like being able to offer a different perspective from the development and writing side of things!
You're right, there's always going to be valid criticism for any game or media, and OM is no exception. However, while it's no one's fault, you do sometimes see criticisms and complaints about things that don't actually have anything to do with Solmare. A common thing I see is people having grievances with the live service model, or the fundamental mechanics of gacha systems. While that's totally valid, a lot of people will misplace blame on the actual game itself (in this case, Obey Me! and OM: Nightbringer) instead of looking at the genre or medium as a whole.
And I don't blame anybody for that, especially when it's not common knowledge! But something I find myself telling people a lot is "well, that's an aspect of all gacha games, it's not unique to OM" or "that's an issue on an industry level, you'll find that happens with every live service game and not just OM"
But I'm really grateful that people like to read my long, rambling posts about game development! It means a lot to me 😅
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gailynovelry · 3 months ago
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I don’t like getting intense over petty things, but why are people calling large paragraphs “bad formatting” now. It’s just formatting. Sometimes, a larger paragraph serves its text well, and sometimes it doesn’t, and there is a LOT more that goes into making a text block readable than length alone.
Please please please fucking please stop inventing all-encompassing arbitrary rules about what features define “good” art and “bad” art.
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