#so specific and detailed with this fic that now i cant bullshit my way through if i ever wanna just pick it back up again

[aria0fgold]

I just realized, to my horror, that in order for me to be able to get back to working on oafb... I'd need to not only read from the beginning of it, but replay OMORI as well as dig through my notes, wherever they are, in hopes I find the one that has oafb's timeline CUZ PAST ME DECIDED TO ME TOO DETAILED WITH IT

[deniigi]

Hello! Just about to sit down and read your newest fic, so excited about it! I had a question for you (you very well may have answered this already, so sorry in advance!), but do you have advice for writing? Advice in terms of getting start, plotting out stories, helping get the creative juices flowing? I have all these ideas but seem to lack the drive to get things written out. I know the best advice is to just write, but I'm having a horrible time starting. What do you do in those moments?

Hello my dear!

Sorry for taking so long to get back to you. The lord has blessed me with a head cold and ruined all my plans of productivity for the day, so I can finally answer this ask! I’ll talk a little bit about both how to get started with a story and then some little things that help me motivate myself.

I have started a tag for writing advice here: http://deniigi.tumblr.com/tagged/writing-advice

This is going to be a long post, sorry mobile users.

I am going to preface all of this with the understanding that I am technically a professional writer in terms of like, a handful of ways, but I have absolutely zero training in creative writing, so take everything I say with a grain of salt!

So, I personally find that, on the whole, that psychological hurdle of getting started comes a lot from the anticipation of the kind of response a story will get (how many hits, how many comments, how many kudos) in addition to a bit of anxiety or fear over  theloss of sustained interest in that story (by yourself and/or by your audience). I find that this can be alleviated by really, truly internalizing the understanding that you are allowed to write your work however you damn please, for whoever you damn please.

There will be work you write for others, and there will be work you write for yourself. Not all work needs to be published; sometimes, it is really nice to just write shit for yourself; it is a plus for humanity if you decide to share it with others, but you do not have to do that.

Furthermore, I would like to present you with this:

This is what my current folder for under fire looks like. And you might notice that there are almost always multiple drafts per chapter. Yes, I did in fact rewrite chapter four 5 fucking times, you bet your ass I did. And I’m not ashamed of it. I think the story is better for it. And that’s the important thing here: you do not need to produce a perfect draft the first time around. You will not produce that perfect draft. Accept this. Embrace this. Embrace it and your cat at the same time to really ingrain it as a warm, fuzzy feeling.

Liberate yourself from the pressure of needing to produce the perfect, most right draft and you may find starting the piece overall to be a much easier, more pleasant experience.

And along with this beautiful, uplifting spiritual advice, I also bring a practical thought: when it comes to getting started, a lot of times, people feel like they need to set the stage, yadda yadda yadda. Ha. No. Fuck that.

That’s a surefire way to bore the shit out of yourself. Start right in the middle of a scene that captivates you if that’s what you want to write. It’s a free platform. No one’s gonna arrest you if you stick Spiderman upside down in trash first thing. They might even applaud you actually, because you didn’t make them slog through some of that ‘It was the evening of the 25th and it was cold out in the streets” bullshit we all learned from Dickens.

Alright. Now let’s talk about actually getting started making words appear on paper.

So, from my knowledge there are generally two ways that folks write creatively. You have what I’m going to call the planners and then you what I’m going to call the monsters (I call them this entirely affectionately, I’m sure there’s a better word for these folks, but I don’t have it atm, all I have is a headcold). Planners are folks who sit down and work out their major plot points, who write outlines, and who create the scaffolding of their work before they set out on their magical journey. I think of these folks as architects.

And then you have the monsters and these are those fuckers who just sit down and write stream of consciously like the heathens all our high school teachers tried to teach us not to be.

I am both a planner and a monster. And a lot of that depends on the length of work I’m going for. I have never in my life planned a one-shot, for example. I just attack that as it is. I follow my heart, if you will. But when it comes to longer chaptered fics, I really do think that some outlining is super helpful.

You might find it useful for one-shots, though, I dunno. Maybe give it a try and see what happens?

The two main fics I’ve done proper outlines for are Inimitable and under fire and I actually find outlining to be immensely helpful in psyching me up to write the story (I go through and re-read my outlines when I start to lose interest or diverge too much from the plot outlined there in the actual writing. 9 times out of 10, re-reading gets me stupid excited to write all over again) and it also helps me keep momentum going throughout the plot.

Here’s a pic of some pages of under fire’s outline.

Physically writing the work is really important for me because it forces me to only put down key points/feelings/ideas I want to include, whereas typing gives me far too much room to get lost/distracted by extraneous detail. And since my handwriting is a teacher’s worst nightmare and I cross out shit and write huge with emotion, I’ll give you a little bit of what the middle page here says:

Miles-

there’s something thrumming

vibrating in his ears wherever he goes

-closes his eyes and somehow enters blackness- emptyness (Stranger Things style)

beat

beat

beat

“help.”

–BACK - everything is gone

closing his eyes doesn’t bring the space back

–it makes him panic. He doesn’t know why. His heart is pounding. He’s sweating He has a horrible feeling of doom.

beat

beat

beat

its gone.

he goes home anxiously. Pretends everything is normal.

his neck crawls

So basically it’s less of a formal outline and more of a collection of stream of consciousness feelings and screenplay directions which I’ll flesh out in the actual story.

Personally, I love writing these kinds of things because they get me pumped for the story I’m about to tell. I get to write out the key scenes and work through all the hard parts first, and then, while I’m writing, I work through the little fun details and banter and I have to write to figure out how we get from one scene to the next and I love the challenge of having to fit those pieces together. I very rarely stick strictly to my outline, (as anyone who is currently reading under fire can tell you right now), but I do try to stick to the main plot points in it and my writing is certainly better for it.

So yes. Outlining is very good, but it is even better when you do it to some kind of music. I listened to What’s Up Danger from the Into the Spiderverse soundtrack on repeat while I wrote this outline to kind of transfer some of the relentless pace conveyed in that song to the piece’s plot.

I highly recommend using music to set the mood of your piece while/before you write a piece of any length. It helps get you in the right headspace (excited or somber or angry) to write. You need emotion to write creatively. You can’t just make that happen sometimes; you need a little help.

A couple other things which might help:

1. Leave your house or the space you’re normally in. Go to a cafe and find a nice corner and have a think and a try in there. Sometimes moving to a different space helps you escape cyclical thinking patterns.

2. Write what you want to read. Don’t bother writing for other peoples’ interests; that’ll just bore the shit out of you all over again.

3. Find an atmospheric mood sound to listen to on Youtube or smth (I personally like Rain on a Car Windshield for slightly somber fics, but you might be into ocean storms or dripping caves or whatever).

4. Heat your feet. I don’t know why but I am entirely unproductive when my feet are cold. Maybe this one is me-specific, but whatevs. Heat the feets!

5. If you’re still having trouble just sitting down and pounding the story out, that’s okay! Maybe it’s not ready to be written yet. Maybe you’re not in the right headspace yet. Sometimes that’s just how it is. One story makes its way out in like, a hour, and the next one takes like, months to finally be written. We all work at different paces. We all write for different reasons.

It might help to figure out why you want to write a story before you write it. Like, if its for attention, it’s gonna be hard as hell. But if there’s an idea that you feel like is important or if there’s a mood you’re trying to work yourself into or out of, then that might be a little easier. For example, I wrote a piece called make it work which is about Fogs finding his motivation to be a lawyer and fight for justice when Kavanaugh was confirmed and I felt super helpless in the face of our present justice system. That story kind of wrote itself and it needed to be written, I feel, not just for me, but for others who were feeling just as helpless.

Writing is catharsis in that way. Maybe you just need to find out what you need to wring out of your soul.

Sorry that got very metaphysical. But I do want to stress that getting started and ending a story are the hardest parts of writing them, so you are definitely not alone if you feel like you’re ramming your head into a wall here.

I hope something here helps you, my dear!