#so it wasn't exactly noticeable but it all adds up into a pattern of behavior around food that's just deeply dysfunctional

[lith-myathar]

disordered eating talk in the tags

[headspacedad]

You seem to know a lot about bunny behavior. My friend's bunny as a kid was allowed to roam her living room sometimes. It would specifically go up to people who were laying down, turn its back on them, and then do this very hard kick/launch thing off the top of their head. It seemed to do it more to some people than others qnd absolutely never to her little sister. We just assumed it was being mean, is there some sort of bunny code it was trying to communicate? It also liked biting people's earlobes and staring into the birdcage for hours so it wasn't exactly the most normal animal.

Thanks for the faith! I mostly just know about rabbits via living with some very opinionated ones over the years. Sounds like your friend had a very opinionated one as well and it was absolutely saying something with its flying launches.

What it was saying is a little harder to parse without knowing the details but I'll give it a shot.

There are two potential reasons I could see a rabbit doing that. One - them's fighting words or two - for play. It really comes down to context, which you have more of than me so I'll leave you to be the judge of which it might have been.

Rabbits are pretty social little critters. They'll pick up social interactions from their surroundings, especially if they're the only bunny around. Jumping around and at each other is a rabbit form of play (and courtship)

the rabbits in the above gif are courting. It could be that her rabbit was playing with the people they were launching off of (or courting them). I'm not sure how much rabbits divide up human bodies into different entities in their minds but a human head is about the same size as a rabbit, makes all the noises and is, at least in my case, often kissing and nuzzling them. They could have seen people's heads as something rabbitish enough to want to try to engage in play with. Excited rabbits love to dart, jump, leap and otherwise be energetic and interactive if they like the people around them and feel safe in the environment. Her rabbit could have been trying to find a middle ground between what passes for a rabbit's playtime and whatever kind of weird stuff humans' would count as play time.

Or the rabbit could have been feeling territorial and been kicking to establish their dominance. Put that ugly weird shaped rabbit on notice that it wasn't the boss of the place. Not necessarily mean, just feeling the need to be bossy.

Off the top of my head? Since the people were laying down and the rabbit was seeking them out and then launching off of them, it sounds more like playing. But it really comes down to context and how the rabbit was acting before and after the launch as well as whether it saw the human rocket pad as threatening or not.

As for nibbling the earlobes - sometimes bunnies forget that humans don't have fur and their grooming gets a bit too aggressive. Sometimes they see something that just needs biting. Sometimes they nip to tell someone to back off, they've had enough attention for now. Sam's got a bad habit of nipping my butt if I'm sitting in what he thinks is the way of his traffic pattern. Also I think he likes the way it makes me jump.

Considering I also sit in front of a computer screen and stare at it for hours I can't really judge what a bunny does in their downtime with a birdcage but I will add that a lot of rabbits sleep with their eyes open, so maybe it was napping. Maybe it was watching its daily soap opera. The mind of a bun can been pretty unfathomable sometimes.

Thanks for sending me this ask! I love talking about bunnies and their strange behavior. It's nice to get a question I can dig down into and have fun with. You've made me very happy and enriched my environment so thank you! I hope your day/night is as awesome as you are!

[itshermocrates]

In addition!!

I didn't think about mentioning this in the analysis because it wasn't part of the Poison moment, but since it technically still belongs to episode 4 and another user mentioned something about this topic, I'm going to add it.

This bit will be more focused on Angel's su*cidal tendencies/thoughts, so be aware of that.

I think that even if Husk points out Angel's self-destructive behavior, and they talk about this, the last verse of Poison is truly what shows us how deep the wound actually is.

After the "I wish I had something to live for tomorrow" indicating how Angel doesn't have any reason to live, anything to fight for survive or keep enduring the hell he's been going through, I want to talk about that conversation Angel has with Husk.

Since the very first time I watched that scene, I've been thinking that Angel wasn't completely honest with Husk during their conversation, and I think that Angel censored himself at some point just to not worry Husk or to avoid being bothered about it. Before explaining that specific moment I do want to mention some previous interactions between Angel and Husk.

Firstly, when they fight at the hotel because Angel is pushing Husk's boundaries and he rejects Angel calling him fake, not only is that word what makes him snap, but also the fact that Husk is rejecting him exactly for what he is most valued outside of the hotel. The sex he can offer.

Husk is not just playing hard to get, he genuinely hates the way Angel behaves, oversexualizing himself in hopes to get the attention he wants. Angel notices that the only thing he is supposedly good at (sex) won't work with Husk, and it would only get him even further from his goal (receiving the bartender's affection/attention).

That's partly why he snaps and why he gets so upset. When he asks "Ya know how much I'm worth?" Angel is talking about numbers, he is perfectly aware of how much money he generates and he thinks that this value is the only one that matters. He thinks of himself as nothing but an overpriced sex toy, and now, not even offering himself for free to Husk can make him feel appreciated or valued.

He has learnt long ago that the only thing he is good for, the only thing that makes him valuable, the only thing that can make him feel valued, is sex. But when he finds someone who doesn't care about sex, he's left with nothing. If there's even a single person capable of rejecting him when he opens his legs for free, then there's nothing more for him to give.

His entire existence has been centered about the pleasure he can bring to others, so if he can't do that anymore, he was no reason to keep himself alive, no reason for others to care about him even in the slightest.

A little detail I like about this moment is how Angel throws a bottle to Husk, just in the same way Valentino threw his drink towards Vox when he told the other overlord about Angel moving out of his appartment. I mention this because it could show just how Angel might have addopted some of Valentino's habits/behaviors. Perhaps Valentino was prone to throw stuff around when he was angry at him and now, when Angel is furious he unconciously repeats/copies that learnt pattern.

Now, once they get out of the club where Angel was trying to forget about his day, the first thing I want to mention is how the same eyes that observed Angel in his dressing room, appear on the building behind them.

The eyes could indicate how both scenes are conected since both are crucial for Angel's character. They appear in the porn studio, his prison, in Poison, and they appear as Angel opens up a bit about how he truly feels about it all; and right before Loser, Baby which is meant to make him feel understood, valued and less lonely. Husk's gives him hope in the future with his song, fighting the ever present eyes of Valentino and the life he lives with him.

But before that, Angel has some talking to do, and even if Husk is asking him about his addiction and unhealthy coping mechanisms, we could interpret Angel's answers in a broader sense.

He's not (only) talking about spiked drinks and unsatiable sex drive, he's talking about his own need for validation, and the only way he has ever found it. He has never asked to be so easily manipulated by Valentino, nor to be perceived by everyone else since then as nothing more than a sex toy or a whore. He's trying to tell Husk that he has never wanted to end up like this, but this was a role all of hell seemed to want him in.

When he says that he can handle himself, I don't think he said it out of pride, or at least I don't think it was the main cause. I think he hates to be pitied because he's aware of how vulnerable he truly is. He knows he has no escape, and on top of it all, the last time he trusted someone, the last time he accepted someone's help, it probably was when he met Valentino. And we all know how that ended. Angel doesn't want to repeat the same mistakes again.

And then Husk hits the nail right on the head and points out Angel's self-destructive behavior, misreading it perhaps as some sort of facade he wears to make himself appear carefree or above the others. He pressures Angel to talk about it, but he does so saying all the wrong things and Angel simply can't take it anymore.

Right in the corner we can see again those eyes, just as we see Angel's black eye (the one signaling his status as an owned soul) and not only that, but he moves towards the left side of the frame, which usually represent regression or involution.

It's this pause and how the Voice Actor delivered the line that makes me believe that here Angel ended up saying something different from what he had wanted to say.

That everything is raw, the tears come again to Angel's eyes and even if it's true that he hates most things in his life, that word only serves to conceal what he knows that's hurting him the most. Angel says everything despite having a million other words on the tip of his tongue because he doesn't want to show Husk the ugliest part of him. Because his addiction, his shitty attitude, his lack of manners or respect towards other's boundaries are not the ugliest part of him.

The ugliest thing about Angel is how much he hates himself, how much he hates his life, how much he hates the things he is forced to do by contract or the fact that he can't escape said contract.

He doesn't want to live anymore, he has no reason to, and he is afraid that saying any other thing that a generic everything might expose this.

The same could be said about the next line.

The thing that hurts is knowing he doesn't have power over his own life and there's nothing he can do to escape the hell Valentino put him through now. A hell, he feels responsible for.

This bit can be read in different ways. By in the process he could be talking simply about the drugs he uses just to forget about everything, or he could be talking about what he thinks to be his only way out of this, dying of an overdose.

As an addict his brain and body would surely crave for a new high as soon as he starts to sober up. He can't bear to be sober because then reality hits him and the pain is overwhelming. In the same way, as a widely known user, it wouldn't surprise anyone if he was found dead after a night too intense even for the legendary Angel Dust. It would be fitting, considering his trajectory, and perhaps only death can free him from both his abuser and the life he doesn't want to live anymore.

Perhaps he surrounds himself with men dying to fuck him, hoping to come across the one that finally kills him, by accident or not.

The night life serves him to forget about all the disgusting things he has to do during the day, but maybe, it serves as a discreet way to meet his own end. Discreet not because it wouldn't attract attention, but because no one would ever know just how depressed and broken the porn star actually was.

However...

Angel knows that, even if he doesn't overdose, if the drugs and the parties destroy him enough, Valentino could lose interest in him, and maybe he would let him go. He is not even sure about that, but he is sure that, if Valentino were to let him go, he could have a different life.

And that's the only thing he wants, that's the only thing that could bring him hope and finally find a reason to live for tomorrow.

POISON- Ep. 4 Analysis

I have no idea if someone has already done something like this but these two unfortunate souls have been in my mind since I watched the show TWO WEEKS AGO. So I'm gonna share with you this personal analysis of what we saw during the Poison scene in Ep. 4 of Hazbin Hotel.

Again, I don’t know if anyone has already talked about this (I’m not very active on tumblr), but I think that what we see as Angel sings Poison is made not only to tell us how the relationship Angel has with Valentino is but ALSO how it came to be thanks to everything that's happening on screen while he's singing.

Of course the lyrics are also important so I’ll make some reference to those as well, but I’ll focus mainly on what we see. Since I can only add 30 pics in this post this will be a bit difficult but I will try my best.

SOME CONTENT WARNINGS! I'm not sure if this is even necessary but anyways,,, Pychological abuse, abuse, violence, domestic violence, drugs, addiction, sex work, dubius consent, sexual violence, abusive relationship, unhealthy power dynamics, angst, suicidal ideas (hinted), etc.

Now, without further ado, let's begin!

Before the song, Valentino and Angel have a fight in his dressing room. I want to start here because during that fight Angel gets a black eye and we get to see how the walls of his room are filled, not only by security cameras, but also by a lot of eyes that follow Angel wherever he goes inside the room. We will see more of these eyes soon enough.

After that fight Angel sends Charlie back home and we see a bit more of what we could expect from Valentino with his manipulation tactics. The sweet tone and the praise as he embraces Angel from behind, too close and too intimate considering he will be soon forcing him to go back to work.

These are the tricks every abuser uses to manipulate and control the people around them, and it’s what Valentino uses all the time with Angel.

This is the behavior of an abusive boyfriend, a dynamic they have in the present, but once Poison starts, we are presented with their backstory. Now we will get to see how that dynamic is even possible, how these two ended up together and how their relationship started and evolved.

Valentino sits next to the movie director and everyone starts moving to prepare the scene they are about to film. He is the one in control here, the one calling for action again and deciding who does what and when. And just like that we see how Angel's black eye is concealed by makeup, erasing the marks of what had just happened and metaphorically erasing the violence of the relationship he is in now.

Angel closes his eyes in displeasure, focusing on what Valentino wants from him. When he opens his eyes again, his expression is completely different, this Angel without bruises, is not only a version of him from minutes ago, before the fight with Val, or even prior to the abuse… This is the Angel before Valentino.

He walks backwards, as if he was going back in time, moving easily with the playful shamelessness that characterized him back then. When he sings “I’m not above a love to cash in” he was most likely referring to his past as a sex worker or at least, as someone who didn’t mind to sell his affections to get what he needed/wanted. During this time, he would most likely go clubbing every night, since it offered a good way to earn easy money while he had a great time, partying, drinking, consuming…

Angel probably was the type of person who used those who desired him to get whatever he wanted, a game he knew how to play. Even if it could get risky or inconvenient, he was a free soul, he was still in control of what he did or didn't do with all those people, so at the end of the day, he always won. That’s what he believes as he playfully lays back on the setting’s bed again.

That had always been true after all, or at least it was until he came across someone that beated him at his own game. Someone who would take that freedom and control over his own body away from him.

His expression changes again to one of terror when a shadow looms over his body from outside the frame. That’s the silhouette of the men he was previously filming with, but we can also imagine that this figure suddenly changing the way he moves, reacts and feels, was meant to represent Valentino.

After the other actors surround him, and the scene fades to black, we are shown what could have been Angel's previous workplace. A stripclub where he danced for money and probably engaged in sex work in a somewhat safe and controlled environment. Back then he had become popular enough to be "the star" of his own show, and a performer good enough to get a reputation that would eventually reach the ears of one of the most powerful overlords in that district.

Valentino discovered him maybe by chance, or maybe not. Maybe he had heard of Angel Dust and wanted to see for himself if this dancer was as good and pretty as all those people said. And after watching him perform Valentino was the furthest from disappointed, he had enjoyed the show so much that he decided to take a closer look at this Angel Dust’s skills.

He approaches him, maybe as a client, or maybe just as a guy interested in what he had to offer, and although Angel doesn't trust him at first, he ends up entering his game.

He was just another man who wanted to fuck him, one that had enough money to spoil him all he had ever wanted and more. It was quite the opportunity for someone as low in the food chain as him, and Angel had already played with rich men like Valentino before, he knew what he was doing.

So Angel took the bait, and had sex with Valentino. Probably a blowjob in that same club he danced at that served as a test for Valentino.

Now we have a scene with two Valentinos, one that is about to get head from Angel with a video camera on his hand, and another Val standing behind the cameras and lights of what we now know to be another movie set. The first Val we saw, extending his hand before Angel when he finished his performance, was the Val of his past, the one he sucked off the night they met. That was someone Angel thought to be somewhat honest, or, at the very least a man he heavily underestimated.

It's the playful man that winks seductively at him in the set from afar with those red hot eyes he fell for, the same that quickly turns into a different guy with similar clothes (red jacket and white fur) now recording him on set. Someone who quickly became a stranger to Angel, just as he is for us, since we can’t even see his face.

The second Val it's the real one, the one standing next to the movie director watching everything with calculating eyes and a dangerous smile. That's the man who told Angel all those red hot lies he believed to be true, and the one judging with this first meeting if the spider was a worthy investment or not.

Angel proves to be good enough. Valentino likes him, and after that night he starts to actively pursue Angel but he didn’t do that as a simple client. He can tell Angel isn't a common whore, he has talent, charisma and he's been playing this game for long enough to know all the tricks. One can only become so successful in this world knowing how to play their cards well.

It’s obvious then what he has to do to turn Angel into his next movie star. Valentino needs to make him fall in love with him and make him believe that Valentino can love him just as much. This is exactly what he is going to do.

On screen we see how Valentino's sex pollen (he's a moth guys, it has to be sex pollen) starts to fill the scene, and as it expands it engulfs Angel, making us know just how captivated, how absorbed he will end up being.

Note: I know there’s a theory that says that Valentino’s power comes from his saliva or something like that and I haven’t read it or anything, but I do believe the smoke/fog that surrounds him has the same effect as the “sex pollen” trope. Or at least it’s similar.

The red fog expands all over the frame, emphasizing Valentino’s overpowering skills and charisma. When it clears, we see Angel in a different place while he sings the second line of the lyrics “What’s the worst part of this hell, I can only blame myself”.

His expression is one of pure anguish and regret, and he’s saying this while standing in front of Valentino in his apartment. He's talking about how naive he was for believing all of Valentino's lies, to truly believe that what he felt for Angel was love. He blames himself for buying this love story and falling for him so hard it made him very easy to manipulate. He regrets not having seen it before it was too late.

Because when Valentino’s back appears at the left corner of the frame, with an extended hand and smoke-made chains, it’s Angel the one who finally cuts the distance and accepts the chains Val is offering him.

Angel was too blinded by Valentino’s courting, by his sweet words and lovely gestures, but also by the constant push and pull of their dynamic, the flirting, the teases, the seduction. He loved the attention and he loved the sense of control, of power, he could feel when he was with Valentino, an overlord no less, a demon so rich and powerful he could have anyone he could have ever wanted. But Val had chosen him, him of all people.

This brief initial moment represents the regret he feels when he remembers how it all started, when Angel thinks about the beginning of their relationship, a time when everything seemed fine and their sexual chemistry made him lose all sense of reason. Because with Val everything ended up leading him to his bed.

After this short display of regret, we are presented a sequence made to represent the fantasy Angel indulged himself in, an illusion tinted in pink colors and fun costumes. This is the story Valentino had carefully created for him to make him fall in love with him, a story that made the spider feel so good when he was by his side, he could easily excuse any warning sign in his sight.

Because Angel would obviously want to be with Valentino when all he knew about him was his lover persona, a facade that portrayed him as a passionate lover and playful partner, his (soon to be) poison.

They had fun and even when Valentino showed little fragments of his true intentions and personality, Angel was too blinded to notice that he was starting to lose the very game he had considered himself a master of. Valentino and the relationship Angel had with him was addictive, so it didn't matter what happened, Angel always came back. You can think of this as the result of Valentino’s sex pollen, his charisma or a combination of both, depending on what flavor of angst is your favorite.

What we can know for sure, is that they were both performers in their own ways, both players in the game of love, so Angel could have excused and normalized a lot of things he shouldn't have. Knowing their line of work, of course that they could get a bit too intense every now and then, of course things could get a bit out of hand between them, they were just sooo dramatic.

It was that rollercoaster of emotions, the raw intensity of it all what ended up hooking Angel so much. The playfulness that could get a bit dangerous really fast, even if the Valentino he thought he knew would never really hurt him. Right?

A few little details I like about this sequence are the way we get to see Valentino’s home in the background and how the colors of his clothes and body are darker than usual but still lighter in comparison to what we will see in the following scenes, indicating how this was still the “nice” version of Valentino.

In the same way, Angel is playing with the chains bounding his wrists together, not his neck (yet), telling us that he’s playing with fire, quite literally dancing with the idea of being owned by Val, but he is still a free soul. In this moment he was falling hard and quick for Valentino’s lies, but he wasn’t his captive yet.

He’s having fun while being manhandled by Valentino, both physically and emotionally, but he still thinks of it as a game, another part of their sex life and how they naturally work as a couple. It’s exciting, it’s new and Angel loves it.

Not knowing that the longer he stays the more power is giving Val over him. Valentino is starting to show his true colors, in these last frames we can see that his figure is getting darker as Angel is slowly discovering the manipulative side of Val, the controlling and abusive nature he had been hiding from the spider since the beginning.

The push and pull continues as we see their silhouettes dancing, even if in reality this is Valentino pulling from his side of the chain to keep Angel close, to keep him with him.

After the shadows sequence, we get back to the playfulness Angel had shown when he took the chains for himself and started to tease Valentino. Only that this time, Val’s colors are darker and his touch more possessive, more aggressive. He’s groping him and even choking him while Angel sings “I made my choice and every night I’m living like there’s no tomorrow” with a grin, showing us how this was still a game for him.

He made his choice staying with Val because he loved him and he thought he was loved in return, when the moth had been only toying with him from the moment they first saw each other. This is Angel’s greatest regret, the fact that he truly believed Val’s lies, that despite all the warning signs he kept choosing him over and over again.

Choosing to stay, to kneel before Val, to obey him with the promise of a new wave of pleasure, a new high. Just as Valentino wanted him to do as we can see the vicious smile he wears during this entire sequence.

I think the next couple of seconds tells us how, for a while, they were together and Angel was still able to keep his job at the club. He was still allowed to see his friends (his coworkers most likely) and spend time with them, while Valentino made sure to feed all his previous bad habits and addictions, giving him gifts (we know Fat Nuggets was a gift from Val), a lot of money he could spend on a whim and eventually, probably the substances to use as well.

The smile on his face, the smugness of it, makes me think he’s telling his friends about this rich guy that pampers him in every way and treats him like a prince. He has found the ultimate Sugar Daddy, a man that has changed his life forever in the best way possible. Now he can have whatever he wants, party for days without having to worry about not having enough money to eat at the end of the month or a place to stay.

Angel would have used drugs before, maybe occasionally, maybe only at parties, maybe to get the worst bits of his job done, maybe he was already a bit of an addict, but it’s now, when he has the means to consume every night that he definitely becomes one.

Valentino made sure of it.

During this time, Valentino would secure the control he had over Angel, weakening his mind and will by worsening his addiction problem while continuing convincing him of how much he loved him. The parties were incredible, the sex was amazing, and Angel felt on top of the world at every moment. He was “living like there’s no tomorrow” without realizing the higher he raised above the ground, the hardest would be his fall.

And maybe this is just me over analyzing a kinky moment, but after this, after Valentino bites Angel causing him a wince of pain and maybe even making him bleed, everything changes.

They are having sex, far from the flashing lights, they are together as Anthony and Val, as the real person who oftenly hides behind his stage persona. The person who is deeply in love with Valentino, who is vulnerable and allows his lover to hurt him however he wants because he trusts that the pleasure that follows will be worth it.

But after that bite, he’s no longer in bed with Val, he's in the same bed from the very beginning of this music video, surrounded by lights, disoriented and confused… As if he was expecting Valentino to be between his legs and not this stranger.

When he finally comes to his senses and sits, we hear for the first time the line “My story’s gonna end with me dead from your poison”. This was the beginning of the end of their honeymoon phase and the point of no return. Valentino had considered Angel weakened enough to take a step further, and a new part of him is finally uncovered when he carefully introduces Angel to the porn industry. He would do so (probably) while Angel was too intoxicated and definitely too blindly in love to know what he was doing.

Valentino becomes this overwhelming shadow that covers Angel’s body, a silhouette he can’t escape from, and when we are shown what Angel sees, we can no longer see the color of Valentino’s clothes. His colorful persona, his facade of playful lover it’s no longer in place, he has stopped pretending and acting as the good boyfriend the spider had always wanted. Now before Angel there’s only the demon that owns thousands of souls, a vicious drooling smile and sharp red eyes. An overlord to fear and be intimidated by.

The background is filled with filming equipment, and even if Valentino’s body language is meant to appear welcoming, Angel feels terrified. This is not the Valentino he knew, and now he is completely trapped. He can’t refuse now, this is a choice he is being forced to make even if his soul still technically belongs to him.

After being pressured, Angel becomes part of this industry, and although he doesn’t really like it, he still trusts Valentino enough to not run away. The overlord can be scary, but he still believes that he’s safe with him, that if Val is by his side nothing wrong could ever happen to him. And after all, he had done sex work before, right? What difference did it make to fuck strangers for money in front of a camera now?

He’s not comfortable, and every day that intimidating side of Valentino that wasn’t really there before grows darker, fiercer and scarier. Angel had seen the ugliness of Valentino before, as a man, as a possessive boyfriend, as a controlling partner, but never as the powerful demon he truly was. So he still obeys Val and features in a few movies of his choice.

We can see these doubts, Angel’s discomfort and even a bit of his trust in Valentino at the beginning of the next sequence, when they appear on the set of a different movie.

Angel was a performer, he had faked his own pleasure before, he could do it again now, and he could do it while earning way more money. He could do so, because he knew Valentino was there, guiding him, helping him, making sure his lover was safe. He always thought that Val was looking out for him, making sure he was getting the right roles in the right movies, the right contracts, and when he was nervous, Valentino was right by his side to comfort him.

But Valentino had never cared about Angel’s safety. And once Angel started to voice his doubts or show his discomfort, he made sure he couldn’t do it for much longer. The comfort Angel sought for was quickly replaced by something chemical, something that eased his nerves but also left him dazed and disoriented.

It was then that Valentino drugged him, tricked him and made him sign the contract that would leave him with only half a soul inside his chest.

Valentino had fed Angel’s addiction for a long time, adding to the mix not only the illusion of a love story, but also his own drug, his sex pollen, something that numbed the spider’s mind enough to go through all the things Valentino wanted him to do in front of the camera. Oftenly Angel was left too intoxicated to respond, too vulnerable and weak. In his last moments of lucidity he always could see Valentino, his lover, the man he thought would always take care of him, turning his back to him and leave him.

Valentino is the last thing he sees before everything fades to black around him, before he disappears. He’s no longer Anthony or Angel Dust, the stage persona, now the lines between those two different identities blurry beyond repair, and the person he becomes is a little more Angel Dust and a lot less Anthony.

I don’t think that it was just a coincidence that they used a BDSM scene to represent the moment Angel definitely lost control of his actions, his body and most likely also his soul. BDSM is all about power dynamics and the control that’s exchanged between consenting partners, only that, in this case, Angel didn’t really have a choice and there was no consent. This lack of control and safety is emphasized precisely by the type of session Angel is forced into.

He’s restrained in every way possible, he’s tied up, a blindfold covers his eyes and a gag is forced onto his mouth, one that would prevent him from closing it no matter how much he tried. He has no way to end the scene, no way to say a safeword, to complain or to stop what other people do with him or to him.

This is meant to represent the moment he signed the contract, and how he felt every time he entered the set of a new movie after he signed it. He stopped being his own person, he had disappeared, and what had been left of him was nothing but a sex toy for Valentino to control in each of his productions.

Now we see the Angel Dust that survived this state of numbness and dissociation, the one that has consumed Anthony just so he could keep himself alive.

While Angel Dust dances, seemingly enjoying the show, performing as he has always done, in the background screens we see what’s left of Anthony, of the boy feeling trapped and used with no single way out of it. This is accompanied by more fragments of that BDSM scene that changed it all, since that was a traumatic event that repeats itself in Angel’s mind every time Valentino forces him into a new role, a new movie, a new lie.

These frames show us not only the stress Angel is feeling, but also how Valentino is always there to exploit his body in the way he deems more profitable. We know this because he appears in between Angel’s anguish, but also because the same eyes that covered his dressing room walls are in the background while someone fucks Angel from behind.

While this happens we hear again “I made my choice”, a reminder of Angel’s regrets, shame and guilt. In addition the line “Every night I’m living like there’s no tomorrow” now has slightly changed, indicating the shift in Angel’s life and condition as no longer a free soul. What we hear now is  “Every night I’m wasted like there’s no tomorrow”.

Where once he was happy, he’s now desperate, begging to get a way out.

We see a bit more of the playful performer, Angel Dust, and the pain of Anthony in the background before Valentino approaches him again like a great imposing figure, putting an end to his show.

The second Angel notices Valentino, distress becomes clear all over his face. He points to the left, outside of what we can see, and when he tries to escape, Valentino grabs him and pulls him closer.

He has finally come face to face with the real Valentino in all his twisted glory and he wants to run away. He knows now that what they had wasn’t love, it had never been, and it’s painful. But he’s afraid of Valentino, he can’t do anything to escape his contract and he now belongs to him (at least while they’re on set).

That last frame with Valentino embracing him, a vicious smile on his face in contrast with Angel’s terrified expression puts an end to their story, to the narration of how they came to be what they are now. After that, we are presented to the aftermath, the Angel that’s no longer intoxicated by his poison and can only dread the many past choices he would like to change.

He is now fully aware that there’s no way out of his hell, that for as long as he is alive he will be Valentino’s toy. He’s destroyed in every way, his mind is a mess too dependent on the drugs Valentino has been feeding him to properly think, and his body has stopped to feel as his own a long time ago.

How could he consider that pile of bones, fur and chemically loosen up muscles as his own? He’s disgusted, drowning in this feeling of helplessness.

And he’s even more grossed out when he notices the remains of Valentino’s poison, his drug, still lingering on his tongue. He’s so lost, he doesn’t even recognize himself. This is not where he was supposed to be, he shouldn’t be in Valentino’s apartment, he doesn’t want to be there anymore.

The substance that once had brought him so much joy, such a delicious bliss, now slips past his lips burning his skin like acid. The itch reminds him of the reason why he’s there, and he can only feel pain. The only cause for most of his problems had always been his addiction. To Val, the sex they had, his poison, the drugs he bought for him…

No matter how hard he tries to get used to this life he has with Val now, he simply can’t do it. It doesn’t matter how many movies he appears in, they are never enough, they will never be enough for the overlord. Because he’s nothing but a tool to make Valentino and the other Vs even richer and more powerful.

That’s Valentino’s business and what initially made him get close to Vox. They complimented each other and together they felt capable of ruling Hell like that was their birthright. A power Angel would never get to know firsthand, because for Valentino he was nothing but another whore to use, exploit and eventually discard.

Angel is sick of it, is tired of living a life he hates, a lonely life full of pain and abuse, all caused by the person he loved the most.

He has spent years trapped in the V Tower, watched by the countless cameras placed in every wall and every corner of his prison. Even when he’s not on set, controlled by Valentino and his team, he feels Vox lenses following all of his movements, and despite the luxury he lives in, every day he goes to sleep wishing to never wake up.

That's all, folks. I hope you liked it, or at least got as sad as I felt while analyzing this. Again this is all what I could understand from that segment of the episode I don't know if y'all already knew this but I did wanted to share it. If you liked this check my bird app account bc there is where I spend most of my online time or my Ao3 profile, although I post mostly Skfs content now <3

[writingonesdreams]

Hello, hello, and happy world building wednesday to you! ^^ I hope you're having a lovely one.

So, I wanted to ask more about these sentient islands. Why? Because they are awesome. What kind of obstacles do they put in people's way? How do they help them? Do they ever like herd the dragons to people who annoy them? Or is it more like 'there wasn't a tree there before, was there?'

First of all, the islands don't want their sentience to be known, so at first their interventions are hard to notice. They range from getting lost in the forest through going around the same area that keeps changing so you go in circles, to earthquakes and changes of weather (they can speed up and change their hight), causing storms and mists.

The islands also react to emotions from the people, so they react to fear with elevating fear and being scary, sending in swarms of insects and rampaging animals or weirdly active tree vines and branches.

They also don't like conflict, so any interpersonal dispute between the group of 6 stranded on the island leads to direct worsening of conditions and weather fluctuations like sudden floods and hail storms, thicker growing trees so it's harder to go through the forest or leave the shard island you are currently on. The islands basically force people to gather at one place and not spread their negative energy around XD.

After the meeting with dragons the characters will start to notice the interference more, since the evidence will start to add up, but also because the dragons know. They know not to provoke the islands and react to its bad and good moods and even how to get into their good graces and get benefits for themselves. This way the meeting and confrontation with the dragons is a key moment, because if the group can appease the dragons, they can coexist with the islands as well.

After that, the islands become more open about their actions. Plants get poisoned if they so decide, exactly at the places the characters are not supposed to be or when it disagrees with their actions (but it also creates natural antidote when the distribution is solved). The paths in the forests clear up if they want to lead them somewhere, rivers change their courses to be closer or even dry up in punishment.

The most influential obstacle will be the islands' sudden phase in the last third, when they suddenly amplify the characters' magic. Which seems nice at first, but then it becomes overwhelming, with their magic becoming out of control and hurting them in the process. Which is also the most direct way the islands communicate what they really want the characters to realize.

But it also becomes possible to show respect and even communicate with the islands. Listening to the dragons and actively observing and preparing according to their behavior for one, watching for patterns for another, but also praying to the islands for things in exchange. Having the islands on your sides for resources or crisis is a big help may I add :).

This was fun to summarise together. Thanks for the question, Ren!^^

[trad-masculine]

This is a very powerful point. I don't want to deminish it, however I want to add, it is possible to meditate out of some of the struggle.

Pain is just sensation. It might scare you or make you feel like you must behave such to make it change, but your actions are up to you. People have run on broken ankles. Mind can overcome matter with practice.

Mind can also overcome mind.

I used to have aspergers, not noticeably, at least to strangers, but I was really off the game socially. I did not grok other human beings. I was good at masking, I had a sophisticated system of behaviors and rules to avoid problems and to guess and mimic what would be "normal" behavior.

One day in my early twenties I had an insight, that human behavior was all about emotions, all about sharing in vibes together. Not, like, a list of rules everyone else had been given at birth but which I had to figure out through trial and error.

I started working on my emotions. Started trying to understand how emotions worked. At first it was like the masking, but much more accurate and correct. But as I started to pay attention to emotion, I started to be with myself in emotions that at a gut level I knew made sense, in and with the vibes of other people.

One day I was meditating of a sort, very deep in my own mind, feeling out how my emotions related to other people, playing with my memories of different moments and feelings, I tweaked something. The facade of my aspieness broke and melted away. A giant blanket lifted and my I no longer had to force emotions, so to speak, it became natural and intuitive.

I had a lot from my old self that was in place, that wasn't the reaction, thought or feeling of my new, clearer emotioning mind. Some I kept because I liked and valued the uniqueness of it, others I changed and rewrote as habits, watching mindfully for them to come up to awareness as I think, talk, write and interact with people. I have a kind of best of both worlds I'm building on from that.

Not sure what I touched on in my head that provided that kind of change, but I definitely expect that level of changing the formative patterns of the brain is possible for most other problems. Especially with the use of psychedelics.

Another different example is back when I was suicidally depressed after a severe back injury (causing chronic pain) and a lot of failure in what I wanted from life. The horror of my personal misery and the misery of life became unbearable. I knew exactly what hell describes within the human soul. It's hard to describe just how compulsively awful every waking moment was day after day.

Everything in me wanted to run, scream, make it stop, yet all I could do is suffer pointlessly. All there was to do is curl up and die.

One of the techniques I'd learned from yoga to deal with myself is just to sit with the fire, and let it pass through me, to explore and observe it, but not hold on. I did that. It was hard, I mean to bear the unbearable is hard. But in doing it I realized I could live with it. I could struggle through the struggle. I could be and feel hopless and still operate. It wasn't fun. But it couldn't make me do anything.

So it became obvious that even at the worst imaginable, I was gonna be alright. So I was alright. A few months later the same feeling came back, but the same approach got me through that second dark night of the soul. There was a lot of thoughts intermixed with the feels, but simply allowing myself to sit with it without judgement made a profound difference.

I also have dyslexia. In terms of ND it's my most distracting, but also my favorite. It's an engine for creativity. I'm pretty sure I can go to where the dyslexia is, where I can feel it in my brain and pay attention to it. Maybe heal it. Relearn how to use my brain without scrambling everything up in the process.

A lot is possible with meditation.

Its not self talk. It's not thinking at yourself, shouting at yourself to change or to be different. It's not beating yourself up over your flaws.

It's about watching yourself without judgement. Without talking back. Letting yourself happen as you are, without pretense. To simply be with yourself, within. Then once you are there, and comfortable, things can change. Usually by letting go, by taking something away, by Mari kondoing a pattern of circuit or origin of feeling once you find it and relax with it, accept it.

You can't think your way out, but you can think your way in. To sit deep enough within to escape enough to take the first small new step to a new place.

Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.

Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.

That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.