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dovveri · 18 days ago

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strike a pose

synopsis: momo’s the best photographer in korea and she’ll be taking your pictures for the annual haute couture magazine

warnings: swearing, 69, mutual masturbation, filming during sex, taking pictures during sex, reader has a praise kink

w/c: 4.6k

a/n: can be read as a standalone but also follows directly from sana’s part

⌞ ⌝

"momo!"

a pretty girl with bright blonde hair pokes her head out from around the corner, eyes brightening when she sees her assistant with you in tow.

"come in! i've been expecting you! y/n right? sana told me all about you!"

"s-she did?" you gulp nervously, unsure of what exactly sana told the world-class photographer.

momo grins, "enough anyway. c'mon- let's get you changed. we've got quite a few shots i want to try out today. sana really outdid herself with the outfits this time. i can't help but think she was a little more inspired than usual." there's a teasing lilt to her voice, like she knows something you don't.

you can only allow yourself to be ushered along as hands start pulling at your clothes, makeup brushes touch up your face, and hair rollers are placed into your curls.

after your appointment with sana, she had managed to get your contact number, either through your agency or whatever else. it was mainly just for business though, she’d ask for your opinions on certain colours or ideas she had, treating you as if she didn’t fuck you senseless in her workshop upon your first meeting. you just took her lead and pretended it never happened, though every time her name lit up your phone screen you’d feel a little tingle down your spine at the memory.

"alright! let's get going team we have a lot of shots to take today!" you hear momo's stern yet excitable voice over the pop music in the studio. momo's reputation was just as prestigious as sana's, though she was admittedly a lot less intimidating. people said it was because of her general airy obliviousness that made models feel at ease and comfortable when posing for her that made her a pleasure to work with. of course, that never diminished from her actual job at hand, she was the best photographer in korea, always booked out and only shooting for the best magazines and companies across the country. she could be a little awkward but her work spoke volumes, she was simply better at communicating with her tool than with her words.

you're rushed over in your first outfit of the day, an extravagant, floral piece with a set full of colour and vibrancy. once all the stylists are done touching you up and hurriedly move out of the camera frame, momo wanders up last, smiling and adjusting your body to her desired position.

her touch is soft, barely there, it leaves goosebumps on your skin, or maybe it was the fact that the a/c was on high.

"alright?" she checks in on you, eyes twinkling.

you gulp from her proximity, the only thing separating your bodies the camera hanging around her neck. you nod sheepishly, unsure of yourself.

she smiles, "just let me know if you want to take a break or anything yeah? remember you're the most important person in the room here, if we don't have a model, we don't have pictures, so don't be afraid to make any demands at all."

you nod again, not trusting your own voice to speak, but you appreciated momo being so accommodating of you.

with that, she steps back, holds the camera up to her face, and starts taking photos.

⌞ ⌝

momo isn't the type of photographer to yell out compliments or directions while she's working. she stays quiet most of the time, only asks you to keep natural and do whatever feels comfortable. it's not awkward though, you could tell how focused she got when she was working, how much effort she put into her job, what a perfectionist she was.

soon enough, you've run through all but one of the outfits and backdrops, the swimsuit segment.

your hair is being curled into wavy, ocean-swept locks when the stylists pull out the skimpiest bikini you've ever seen. after they're done clipping together the pieces, some of them even have the shame to look away despite having seen you in all your naked glory multiple times during the shoot. you thought it was a piece that was perfectly reflective of its maker. covering almost nothing yet leaving everything to be desired, teasing in the most erotic way imaginable.

the studio has already been cold enough with the air-conditioning on full blast, but now with the new beach backdrop and a mist fan blowing directly on your body and face to give your hair the appearance of being freshly blown through with a sea breeze, you're near shivering.

it doesn't help the chills going down your spine every time momo glances over at you. and momo makes it known when she likes something and when she doesn't. and the way she was stalking towards you like you were her prey, her eyes dragging over your body again and again, licking her lips, until she's almost nose to nose with you, it was pretty safe to assume she liked what she saw.

"alright?" her voice is husky, like she's controlling herself from doing something not so work-friendly.

you can only nod, breath hitching.

"hmm... are you sure? you don't look alright."

"h-how do i look?"

she gives you a devilish glare, "i don't think you want me to answer that y/n."

"why n-not?"

she leans in even more, you almost close your eyes out of habit before you realise she's breathing next to your ear, voice low, only meant for you, "is that how we're playing this? you're gonna act stupid? or... do you have a praise kink y/n? want me to tell you what a pretty girl you are? to tell you about how i think you look absolutely succulent and how badly i want a taste? how i want you riding my face with your perfect tits swinging back and forth while you leak into my mouth, my camera set up recording every movement, every sound, every scream you'll be making because of my tongue? is that what you want to hear?"

your ears were always sensitive, even momo breathing near them has you squirming and the inside of your bikini bottoms soaked. you whimper as she whispers filth into them, feeling light-headed and desperately needing to hold onto her or you'd be at danger of falling over and exposing just what she made you feel to all of her staff.

she smirks, turning on her heel quickly and barking , "out! everyone out! good job today but I'll be finishing up these final shots myself. thank you all for your hard work."

her staff exchange glances a little uncertainly, never having been told to leave early by momo before, so they were unsure if that was what momo really meant.

momo tuts impatiently, "did you not hear me? pack up! let's go!"

her staff are prompted into movement, hastily running around and collecting their personal items before bowing out of the studio. momo glares down anyone that looks to be dawdling for too long, tapping her foot and ensuring her studio was empty before turning back to you.

you gulp, grateful the makeup on your face was covering the bright red blush on your cheeks. you both knew what was going to happen. it was a little absurd this was happening to you a second time when both times it's been 2 of the most influential people in the fashion industry. you're still in disbelief that they wanted you.

momo eyes you again with a smirk, fully appreciating you without the burden of her staff bustling around and calling for her attention in the background.

"alright gorgeous. let's do some standing poses first. whatever makes you feel the most confident."

you nod, taking in her direction and pushing one hip out, raising both arms to mess around with your hair, face morphing into a practiced smile, going for the sexy, energetic woman on the beach.

momo starts snapping away, humming and checking the photos every now and then, there were a few she took from certain angles that were a little... questionable, but you weren't one to question, so you let her do whatever her creative freedom asked her to.

"now can you lean forward? hands on your knees please."

you blush, this was a classic swimsuit stance, it would be fine, there was nothing to be shy about.

you do as she asks, switching your happy-go-lucky smile to one that’s a little more seductive.

momo takes a second to raise the camera to her eye, staring at your chest like she had lagged out. but once she does, she’s back to work, making sure she gets all the best shots.

“now lie down. on your side.”

you gulp, following her instructions. momo moves the fan to be at your face level, so it’s still blowing through your hair. she lingers a little, adjusting your face, hand on your chin. her eyes are stormy, the hint of a smirk permanently etched onto her lips. her hands drift from your chin, down to your shoulder, gliding fingers leaving goosebumps in their wake. your breath hitches audibly when she slips down to your side. she hums approvingly, her smirk growing as she traces your side, your stomach.

then she slides backwards, leans back on her knees and brings the camera back up to her eyes. you’re caught as her shirt lifts, her very visible abs peeking through.

momo clears her throat, “camera’s up here darling.”

you lick your lips, not even needing to fake your next look, reeking of pure sex. all you can think about is momo’s abs, her thighs, the way her knees are spread, her biceps, her well-endowed chest, all that muscle she was packing underneath a teasing smile.

she takes the picture.

then she’s the one leaning forward, going on all fours, crawling towards you slowly.

you hold your breath as she reaches you, nudging your hip lightly so you’re lying horizontally. and then she’s hitching a leg over your side and sitting on top of you.

your hands instinctively go to her hips but she catches them, pushing them above your head, her chest smothering your face in the process.

she leans back too soon, bringing the camera to her face, adjusting herself to sit better on your hips. “there we go. you’re a pretty girl.”

you blush brightly at her comment, looking away shyly. she starts snapping immediately, grinning. you compose yourself and look back towards the camera, biting your lip, drooping your eyes, satisfied when you hear the stutter in momo's work before she starts clicking again.

once she's happy with those shots, she moves off your body, but keeps a hand on your stomach to keep you there, pushing down slightly letting you know who was directing you, who owned you. then she's propping up a beach ball, or an umbrella, you couldn't really tell you were too focused on the way her abs tensed as she lifted and shuffled things around.

she leans you back, then slides her hands down from your stomach to your thighs, pushing gently.

your eyes widen, unable to resist as she spreads your legs, licking her lips as she stares.

“m-momo.”

“hmm?”

“um- the- the photos?”

she clicks her tongue, “impatient are we? just let me enjoy the view for a little.” her eyes track back up your body, smirking at the hooded look you give her, breaths coming in and out visibly harder, your arousal too obvious to ignore.

after what feels like forever sitting in your own slick, she finally moves backwards, bringing that goddamn camera back to her face, her smirk only growing wider with each passing second, before she starts to click.

she takes a few shots, then feigns disapproval, frowning down at her camera in the most exaggerated pout you have ever seen, so you know it’s just for show.

“y/nnnnn~” it’s cute, too cute. “i don’t like these. will you… spice it up a little?”

you take a breath before responding, steadying yourself, “spice it up?”

“yeah. y’know…”

“…i-i don’t.”

momo’s expression changes immediately, scowling, her cutesy show over in a flash, “don’t be a brat y/n. you know what i’m talking about. you think i can’t see you dripping for me? you think i can’t see the way you’re squirming, how you’re imagining the way i’d feel under you, inside you? don’t make me spell it out for you. be a good girl and do what you want to do.”

she's completely right of course. her words only encourage the thoughts you've been keeping locked away since the moment you saw her. you didn't think it was professional for this to happen a second time, hell the first time you didn't think it was professional.

but you gulp, hesitantly bring your hands down to your stomach, tracing the skin there lightly. you feel your nails dig in just lightly and you gasp, hyperaware of your body and all its sensations. the cool air of the room, that fucking fan that's been blowing wet mist at you for the past 20 minutes, momo. god momo. she was so fucking hot. in that sleazy, greasy, nice-guy way straight girls found film bros hot. except momo had the face and body to match the arrogance she hid under practiced professionalism and niceties.

you whimper as a hand trails up and captures a breast.

momo grins, bringing her camera back up to her eye, more vocal now than she has been the entire photoshoot.

"there we go. now we're getting somewhere."

you feel your breaths go heavier, no longer able to hide yourself as you ache to rub your thighs together.

she notices of course. she notices everything about your body.

"don't you fucking dare. tease yourself. make it worth it. make yourself earn it."

you try and take a breath to steady yourself again, though you don't know why, each breath hasn't been helping at all, only making the matter worse as you become more and more aware of your arousal.

with difficulty, you bring your other hand to your chest, now groping both your tits, moaning fully, completely on display for her while she snaps away.

"there we go- that's good- more like that- mhmm-"

momo mumbles praises and compliments that make your head dizzy and your pussy clench. your fingers find two hard nubs that have been begging for attention since you had gotten in this glorified piece of cloth. you pinch simultaneously and let out a pathetic sound of lust.

momo gets it all on camera. zooms in even.

knowing you had an audience, that this was being recorded, it gave you a sick sort of thrill that made each squeeze of your hands feel that much better, each click of momo's finger, like she was rubbing your clit with each photo.

one hand slips under the bikini top, doesn't reveal it to the camera, but it's obvious where it is, pulling and twisting as you writhe, legs shaking, sweat collecting, desire building.

momo comes closer, sits right between your legs, keeps them open, captures your face mid-moan, anyone could hear the pornographic sounds you were making without needing film, the pictures momo took were enough. she was that good.

the heat of another person near you makes you grow desperate. "m-momo- p-please- i- i- i need-"

"hmm? what do you need darling? tell me. remember i said you're the most important person in the room. without you, we don't have pictures, without you, i don't have a job. so, what do you need?"

"y-you! please-"

"me? what do you want me to do to for you?" she cocks her head, acts confused, you know better.

"w-what you said e-earlier! p-please i'm please- i'm begging-"

"oh you're begging? why are you doing that? i'll give you anything you want darling. there's no need to beg. do you think i'm that mean?" she pouts, has the audacity to look completely innocent even while she has you under her, dripping onto the floors of her studio, hands groping at your chest, back arching trying to get closer to her.

"m-momo!"

"what?!"

you almost cry, sliding your right hand down your stomach, straight into your bikini bottoms, the waterproof material did it's job too well. you couldn't tell from the outside, but the inside, it was drenched. you moan as your fingers meet your folds.

momo doesn't even glance down, keeps staring at you in mock ignorance.

you slide a finger up and down your slit, gritting your teeth as you rub your clit harshly. too harsh, you would come too soon. you ease up, sliding back down to your entrance, hips bucking up, other hand still twisting at a nipple.

snap!

you roll your head back as your hips rock against your hand, letting her slide down and position herself right in front of your cunt, lens pointed directly at it. you can't look at her, too embarrassed as you push your fingers in and out of yourself, just centimeters away from her face, from her instrument.

you've been groping at your chest enough that the material has ridden up, half of your chest exposed to the studio, to the flashing lights at each click of momo's fingers, and fuck you needed more space. so you hastily pull at the strings tying the bottoms together, just one side while your other hand keeps pumping in and out of you. it falls away easily and you feel yourself clench around your own fingers at the gasp momo lets out, snaps growing quicker in succession.

the hand that untied your bottoms goes right back to your neglected tit, rubbing and squeezing while you hump your hand.

you risk a glance down, and you almost cum at the sight.

momo's got one hand on her camera, the other down her pants.

it's a little pathetic, the way she's grinding down on herself, trying to alleviate the tension that's built up in her lower stomach, such a pretty girl reduced to a horny loser at the sight of pussy, but it gets you so hot knowing she was affected by you.

your eyes focus in on the hand trapped between the floor and her cunt, the rapid movements giving you an idea of what was going on inside her pants. you start to match her pace, bringing the hand that was palming at your breast to rub at your clit, pushing it around in little circles as you gasp and moan and clench for her.

momo curses under her breath, cheeks flushed as she stays on her stomach, a shaky hand still clicking away, changing settings, zooming in and out, capturing every moment of your build-up.

it was too much, her focus, the way you're pulsing, the flashes of the camera. you cum.

your vision whites out, throwing your head back, unable to hear the little curses momo lets out as she pulls her other hand out of her pants, frantically grabbing for her camera to be able to capture your full glory in your orgasm, her fingers still covered in her own slick, zipper undone as she scrambles to her feet.

you keep pushing in and out of yourself, slowing down the circling on your clit until a full stop, breathing heavily as your vision returns.

you blink, looking around hazily, pulling your fingers out of yourself with a wet squelch.

you find her eventually, stumbling around with her pants fallen to her knees while she fiddles with different cameras and light settings.

your post-orgasm haze finds her adorable. so different to the woman who said she'd have you screaming on top of her tongue. she was unpredictable, your initial canvas of her was wrong. she was simply... momo. she was unique, the only person who could possibly understand her was herself, and you doubted she understood herself. but that didn't matter, because she's good at what she does and she gets what she wants.

she notices you watching her after a little, blushing and kicking off her pants fully.

"sorry y/n just gimme a second."

you smile, shaking your head, "it's alright."

you watch fondly as she finishes up, but with her legs now exposed you can't help but feel the twinge of arousal in your core as your eyes follow the muscles of her thighs, her calves, her ass when she turns and bends. she acts so oblivious but she must know what she's doing.

you sigh, leaning back and running your hands up your stomach again, appreciating the view. you finally take off the bikini top, freeing your chest and groping freely at them as momo stands back up.

she checks the camera once more, then takes off her top. her bra follows quickly after, and she turns.

her eyes narrow as she stalks towards you, chest swinging proudly as you whimper, pinching your nipples and wishing you could just bite down on hers.

"i see you started without me."

"mhmm~"

"i told you to give me a second didn't i?" she stands above you, arms crossed over her chest, pushing her breasts together sinfully. you notice the wet spot on her underwear, trying to hide a giggle but failing.

she raises an eyebrow, pulling her panties off. that gets you to stop, your mouth watering at her cleanly shaven, dripping cunt.

"something funny?"

"n-no."

"c'mon. i like funny things. tell me."

"nothing's funny."

she kneels down in front of you, on all fours, your eyes go straight to her chest.

"impatient and a fucking liar."

you whimper.

she juts a finger behind her, her eyes never leaving yours, "i'm giving you what you wanted now. what i said. that camera's filming us, so are three others around the room, just so we get every angle. now you're gonna sit on my face and look pretty. understand?"

your eyes widen, wet already from your first orgasm, fresh arousal starting to build up. you nod.

"good girl."

you squirm at the term, watching as she lies down, then pulls on your thighs to get you to kneel on top of her. you're a little embarrassed as you lower yourself, but momo doesn't give a shit. she yanks you down and starts eating like it's her last meal.

your hand comes up to your mouth in an automatic reaction, trying to stifle the sinful moan you let out as she starts lapping at you. you can't control yourself. you never could around her. your body reacts on it's own. riding her face.

momo sucks your clit into her mouth and your knees buckle. you're afraid of suffocating her but she shares none of the same concern. arms pulling you down as you try to pull away, licking and suckling.

you look directly into the camera she has set up in front of you, imagining how messed up your hair was, how utterly ruined you looked.

momo's hands are on your ass, pulling you down still, but she lands a slap, the sound echoing throughout the empty photo studio.

you yelp, gushing into her mouth. she happily drinks it up, spanking you again.

the ripple of your cheeks must be captured on the camera behind you, maybe if momo had the quality settings right, it could even see the slick flowing from your cunt into momo's mouth, onto her tongue.

you can't bear to look into the camera anymore, eyes drifting down to momo's chest.

god you could finally see her. pretty dusk-coloured peaks sitting on top of the breasts you'd only be able to conjure up in your wettest dreams. her abs flex as she huffs with effort, making sure not to let a single drop of you go to waste, working efficiently and thoroughly at your pussy, licking into every wall, every corner. her cunt glistens, you notice her thighs rubbing together and you resist the urge to roll your eyes. you do it anyway but only because momo has her tongue inside you, hits a spot that has you seeing stars.

you test her, placing a little more weight on her face. she moans eagerly around you, pulling you down further.

satisfied she can hold you up, you shift your weight onto one hand, the other tracing down momo's chest, circling a nipple.

momo groans, vibrations sending shockwaves of pleasure up your core.

you grasp the flesh, squezzing as her tit spills out between your fingers. momo bucks her hips, almost shakes you off of her, but her grip on your ass is tight, she wouldn't be letting you go until you came all over her tongue.

you're still moaning uncontrollably when you lean down, still groping a tit, pressing your own chest against her abs that feel absolutely heavenly flexing under your nipples, rubbing and moving giving just the barest amount of friction that drove you insane.

you grip her thighs, resting the front of your body on hers so you could part them, licking your lips at the sight that greeted you.

her cunt was pulsating. clenching around nothing, slick dribbling out of her. she talked so much but she was just as turned on as you. you planned on giving her what she was too proud to ask for.

you dive in.

momo moans into your cunt, hips rocking up before you push her back down, lapping at her pussy.

she tastes divine. otherworldly. salty and sweet, uniquely hers, just like everything else about her was uniquely hers. momo's grunting and moaning so prettily, and you're cleaning her up, even while she continues making a mess, you know you're not much better.

you grind down against her while she rocks up into you, chasing your highs. you find her clit, sucking, reveling in the moan she sends through your body, not wanting to be beat, she doubles down, growing almost overly aggressive as she sends another slap down on your cheeks when you're least expecting it.

you can't hear each other, can't scream out the curses, her name, all you can do is grind and moan and suck.

the blinking red dot of the camera gets it all. every brush of nipples against stomach, every flick of tongue, every squeeze of ass.

it doesn't take much longer.

not when she just keeps sucking. you're sure she could draw your pussy by now, that she's memorised it all. you could probably draw hers.

your back arches as you cum, and you make sure she falls apart at the same time, massaging her thighs as she writhes and cums, whining into your pussy, drunk off your taste.

you roll off of her before she can get you going again, lying on your back, your elbows pushing you up as you finally get a look at her.

she's covered in you. huffing, throwing her head back to breathe, cum dribbling down her chin. you can't help but crawl towards her, licking it up, towards her lips.

she lets you kiss her, still catching her breath as she pants into your mouth, the taste of the both of you mixing on your tongues.

you break away, licking your lips and wiping your chin.

momo grins lazily, "i think we got some good content."

you snort, "you think?"

"mhmmm. mina will definitely be happy."

your eyes widen, "you're not showing these tapes to myoui mina?!"

"and to sana. she asked for them."

your mouth falls open, gaping dumbly at her while she laughs, patting your cheek.

"let me know if you ever need any shots done. i'll be happy to help. i'll send you the tapes too once it's edited." she winks, wobbling back up and going to check the footage.

you stare after her, still in disbelief that the three of them really were in kahoots this whole time. and then the self-consciousness hits. they were going to watch those tapes. they were probably going to cum to those tapes.

just what the hell kinda industry did you get yourself into?

#momo #twice momo #hirai momo #momo x reader #twice momo x reader #hirai momo x reader #momo smut #twice momo smut #hirai momo smut #twice x reader #twice imagines #momo imagines #twice smut #dovveri

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sweatervest-obsessed · 2 months ago

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Last, Last Time

Pairing: Spencer Reid x Reader (she/her pronouns)

WC: ~7.3k

TW: Angst, guns, violence, mentions of domestic violence, blood, swearing, depression, kidnapping, manipulation, self-deprecating thoughts, heartbreak, arguing, the grieving process, drinking, screaming, crying, sobbing, throwing up, being under pressure, and anything else that comes with a criminal minds episode.

a/n: based on S15 E6 - first date. I love u aubrey plaza <3. Also inspired by the song Last, Last Time by Boys Go To Jupitar. writing this was a little bit of a catharsis since it's one of the first things I've been able to write. I'm sorry I've been so m.i.a., i just moved to a new country and that has been a crazy experience. But to cope with that, enjoy some gut-wrenching angst!

Alternate Ending! Spencer Masterlist

“Spencer I won’t—I can’t keep doing this. I’m sick of arguing in circles.”

“Y/n…”

“I-I feel like you take me for fucking granted Spencer. All I do is work and then come home and wait for you to actually be able to, I don’t know, sleep in the same bed as me for more than four hours.”

The look in his eyes almost took you out but your heart had already been broken long, long before this argument. If anything, you were starting to feel this sense of freedom as you broke his heart.

“Please. Y/n. Just–I don’t—Just give me a few days to convince Hotch to let me have some time off and we can work on this please.”

“Wait for the potential of us?”

Spencer’s jaw loosened. You couldn’t read beyond the initial layer of pain and confusion, which made your chest ache since not too long ago you could have been able to find everything you needed in his expression.

“God Spencer this can’t be fucking news to you. We’ve been drifting apart for months now.”

“I know, I know. You have been so patient with me and I’ve just been….there was that whole thing with Cat and then….I-I was trying so hard y/n…”

“No, first there was that whole thing with Maeve.”

“That’s not fair—”

“Oh that’s not fair? Really? You’re going to tell me the entire Maeve thing isn’t fair to you?”

“I’m sorry.”

You sighed and closed your eyes. “I’m not saying you weren’t trying but come one Spencer. There’s no need to deny this shit anymore. I hate it when you lie to me about these kinds of things.”

Spencer’s hand came up to his face and it dragged down, aging him significantly with the fatigue written all over his face.

“So you’re just going to pack up everything, break my heart, and leave? Were you even going to say goodbye, or was I going to come home to an empty home. A note or....”

“I-I don’t know Spencer. I just don’t…”

The tears were starting to creep in, and you had to place the box down before you lost it.

“This isn’t easy for me either…” Your chest heaved.

The both of you stood in silence, tension simmering surrounding the both of you like heat on a summer’s eve. Neither of you could really look at one another, but it felt wrong to look at anything else. Something was missing but you couldn’t say it outloud. You knew you would always love Spencer Reid but this time it was not enough.

“I’m tired of arguing Spencer.”

Your eyes met his. You felt Spencer’s arms around you before you could even feel the tears hit your cheeks. Your arms immediately went to his neck, so familiar. No longer home.

Spencer’s voice muttered into your ear. “Don’t cry Jolie. It’ll be okay..”

About three years ago, Spencer had decided that he didn’t like that you had nicknames for him, and he had none for you. He spent weeks workshopping different ones : Sugar, Honey, Pumpkin, Sweetheart, Darlin, Pookie, Lover, Sunny (like sunshine), Sunshine—it was a wild few weeks trying to figure out who he was talking to. Then one day, offhandedly, he was trying to tell you about this french film he had been watching, and trying to get Emily to watch with him.

He called you ‘tres jolie’, and blushing you had asked him what it meant. He told you it meant pretty.

And it stuck.

Now? It stung.

All you could do was squeeze tightly onto him, not ready to let go.

“You’re so pretty when you’re lying through your teeth.” You whispered after a few moments, pulling away out of his arms.

“I.” You swallow and step back, out of his reach. “Maybe I’ll...”

Spencer just looked up at the ceiling, trying to hold in the tears that were streaming down his face.

You grabbed the last box on the counter and your keys, and walked out, for the last time.

You awoke in your bed, eyes adjusting to the complete darkness the blackout curtains provided you.

Another fucking night thinking about your decision those four years ago, and how your life may have gotten better because of it.

Moving to get up from the bed, you decided to leave the curtains closed for now, feeling as if you could melt from the sun touching you.

You turned on the bathroom light and started your morning routine. Wash face. Take meds. Brush teeth. Fix hair—

Somewhere in that process, you got lost, and just stared at yourself in the mirror. You weren’t sure for how long. All you could do was replay the last four years.

Did you make the right choice? You were happy, you had your dream job.

Maybe it was true what they say, you can only have a career or love, but not both—

The only thing taking you out of this spiral was the ringer on your phone going off.

This caused some hesitation because your phone’s ringer was always off––the loud noise startling you. There were only a few people who had that emergency bypass, and none of them had called you in four years.

You peaked out of the bathroom and saw the name light up on your phone.

Emily Prentiss

______________________________________________________________

The door to the round room opened up and in walked Spencer Reid. “Catch me up.”

Prentiss clicked the remote, and the TV lit up with a picture of a woman smirking facing the camera while holding a gun up to another one next to her. “Early this morning, Garcia got an email from an anonymous server.”

The second woman was tied up, mouth slightly open, and eyes filled with tears, while a man on the other side just had his eyes closed, tired. .

Spencer just stared at the photo.

Rossi nodded at the picture. “She's not obscuring her face, telling us she's got nothing to hide.”

He never pulled focus away from the screen, mouth dry at the thought of what today was going to be. “Any ideas on the unsub?”

“No.” Prentiss sighed. “Only the unsub's demand. That we release Catherine Adams in 24 hours. I'm having her transferred here for questioning, but we have no illusions. This is just a game to her. We know that. The question is, do we want to play it or not?”

______________________________________________________________

Receiving a call from the FBI was not entirely new to you, since you had been engaged to one of their agents, but receiving one now? Weird. Off brand. Something was deeply wrong from them to have to give you a call.

You hesitantly pick up the phone. “Hello?”

“Hey Y/n, it’s Emily Prentiss—“

“I know who you are, Emily. It’s been a couple years, not millions.”

Emily hummed a brief laugh, and you could hear other voices behind her, unable to make out anything.

“I know this is hard to ask of you, but would you stay on the phone with me and come in?”

“What?”

“I need you to stay very calm Y/n, but I need you to stay on the line with me, leave your apartment as soon as you can, and get to the BAU.”

“Oh my god I totally forgot. It might take me an hour to get there with all this bullshit traffic, could we push the reservation an hour? Would they be willing to do that?”

Your entire tone changed, having remembered what Spencer had told you all those years ago about if people were listening into your apartment, if they bugged your car—all paranoia that didn’t pay off then, might be paying off now.

You were sure you could hear Emily sigh, and it sounded a little upset at the fact that you knew what to do–you knew how to handle a dangerous situation, which made her question everything in her life.

Quickly you pulled on a pair of jeans and threw a sweatshirt over your pajama top and grabbed your keys off of the counter.

You left your apartment, waved to one of your neighbors, and hopped into your car, still on the line, just trying not to panic. Maybe something went wrong, maybe Spencer wasn’t okay, maybe he had died—you refused to even acknowledge that thought and decided it was something else entirely.

It was a very tense hour of driving, that was only about forty minutes since you knew how to drive above the speed limit.

You realized that it was past midday, and you had taken full advantage of the weekend. So at least you had a decent amount of sleep under your belt for what felt like the beginning of an extraneous night.

As you pulled into the parking garage, Emily Prentiss and someone you had never met before were standing there waiting for you. You placed your car in park, hopped out and walked up to them–only hanging up as soon as you were out of the car.

Both of them had such grim looks on their faces, but at least they were trying to pretend like the situation wasn’t as bad as it appeared to your face.

Emily engulfed you in a hug. “Missed you Y/n. It’s been too long.”

“Well Em, next time I end an engagement with someone I’ll consider your feelings first.” You squeezed him back, dryly laughing at your own joke. At least it caused Emily to snort.

“Y/n this is SSA Luke Alvez. Luke, this is Y/n Y/l/n.”

“It’s nice to meet you.” He gave a small smile and nodded at you.

“I wish it were under different circumstances.” You nodded back and looked over at Emily.

“Let’s head inside?”

The three of you moved inside.

Sure, you hadn’t been here in a while, but you knew your way around the BAU Bullpen if your life depended on it, which was ironic since that was what this feels like.

As soon as you were safely in their round table room, Luke shut the door, and stood by it, Emily coming and sitting down next to you.

“What do you know about Cat Adams?”

That bitch.

______________________________________________________________

“I would like to go on a date. With you.”

Spencer stared at her, face stoic as ever. “A date?”

“Yes. I want to look pretty. And I want to have fun.” She looked him up and down. “And I won't even get physical, ok? Unless you want me to.”

Spencer sat down across from her. “Come here. Closer.”

Cat leaned in, a small smile on her face, absolutely intoxicated by being so close to him.

“The only date that I'll be there for is the one where they stick a needle in your vein.”

Cat scoffed. “You're just going to let her father and sister die? I don't think so.”

“I never said it was a father and daughter. You're already slipping.” He stood up from the table. “We'll find them. We always do.”

Cat leaned back and crossed her arms. “Not tonight. Tonight I win.”

His resolution had yet to change, “The score between me and you is two to zero. By tomorrow morning, it'll be a clean sweep. Enjoy eternal nothingness. It's a metaphor for your life.”

And with that, the door slammed shut behind him.

______________________________________________________________

Both the profilers watched a series of emotions run rampant across your face, before you settled on a somewhat displeased smile. “A lot.”

They exchanged a look, and you didn’t have the energy to pretend like you didn’t know what it was.

“Don’t start with me you two. I know profiling. I know what you’re doing. Ask me the questions you want to ask. Don’t try and trick me into giving the answers you want.”

Alvez bit his tongue and looked away, trying to hide a small smile that appeared on his lips.

Emily, on the other hand, hid her smile a bit better than him, but part of being previously engaged to a profiler meant you picked up on some of their tricks too.

She nodded and pulled a file from across the table. “I’m assuming you know the basics since she, uh, is obsessed with Spencer.”

“Glad to see he still has that going for him.” You muttered and looked into the file.

Emily shot Luke a look when he let out a huff or air, trying his damndest not to laugh.

“What is the last thing you know about her?”

You recounted the days leading up to the restaurant, and then the few days after, decidedly stopping short of the engagement breaking off a week later.

They shared another look, and you didn’t enjoy whatever it was that had moved across their faces.

“What? What happened?”

“Y/n..”

“No Emily, I drove from DC to here, I deserve to know what happened. without some weird sugarcoating, alright?”

Emily then begins to explain to you the past four years of Reid’s life. Cat pretending she was pregnant with his kid in prison, kidnapping his mother, framing him for murder in Mexico, going to prison—

“Spencer went to prison and none of you thought to call me….”

“We didn’t think you’d–”

“I’m a fucking criminal defense attorney in DC Emily. Of course I’d want to know if he was arrested, especially internationally. I know that law better than all of you. If someone I knew was kidnapped, I’d call you immediately. Faster than the cops.”

Both of them went silent.

“So is he out?”

They nodded slowly, silently.

“How long was he in there.”

Nothing.

“I asked. How. Long.”

Luke spoke up. “Three months.”

“Jesus christ.” You stood up and started to pace around the room, taking the time you needed to calm down.

Why didn’t Spencer call you—well you knew why Spencer wouldn’t call you.

“Okay so he’s out.” You said finally. “Why am I here?”

“Cat’s execution is coming up, and we….we found out that she’s convinced someone to kidnap some….people…close to Reid, and we knew you’d be on that list for him.”

Your eyebrows went up at people but said nothing of it. Just as you went to say something else, JJ knocked on the door, another blonde woman behind her.

They entered and JJ gave you a small, yet genuine smile.

You returned it, but quickly shifted your gaze onto the woman behind.

Your whole body shifted slightly, into a place of defense, locking your emotions down. You knew all the profilers were watching it happen in real time, which is why Emily walked over and stood next to you, a hand appearing on the small of your back as a comfort.

“Would someone like to tell me what is going on here?” The blonde woman spoke up, arms crossed.

At least Spencer’s taste in partners with attitude hadn’t changed.

______________________________________________________________

“Victimology is off.”

“How so?” Prentiss looked up at him as he walked into the room.

“Father and daughter. She’s never done that before.”

Lewis spoke up. “She usually kills men that remind her of her father. Children–even adult children, are off limits. Do we have an ID yet.”

Prentiss, Rossi, Garcia, and JJ all looked over at Reid, and he just pulled a hand down his face. “It’s. It’s Issac and Noelle Y/l/n.”

“Y/l/n…as is Y/n Y/l/n.” Tara looked up surprised at Spencer.

Reid nodded slowly, just staring at the picture on the projector.

While Luke spoke up. “Who is Y/n Y/l/n.”

“An old friend.” Rossi quickly interjected, before any more explanation had to be said. It was clear both Alvez and Simmons, that whoever this was, was an extremely touchy subject for Reid.

Tara, who had only known you for a little while, looked back at the picture.

Rossie spoke up. “What do we know about the partner who’s helping her?”

“It’s got to be someone from her prison.” Simmons spoke up. “She hasn’t had contact with anyone else.”

______________________________________________________________

After all of that, you found yourself back in a place you left four years ago. It looked almost the same as when you had first moved in, but there was less of it.

Almost as if he was having trouble covering places where things used to be.

There were almost no photos on the walls, since you had taken half of them, and were in the rest.

Calling someone you once loved a stranger feels wrong.

Max, as you had learned her name, was just sitting on the couch in your spot . She was looking around as you and Rossi stood by the kitchen counter.

“Cat had a cellmate named Juliette Weaver. We believe the two were working together, as a way for Cat to get something against Spencer, and as payment, Cat would get Juliette’s ex.”

You nodded. “How does this affect me?”

“She took your father and sister.”

Your back straightened and immediately brought out your phone, to call your sister, but Rossi just grabbed your wrist (gently) and shook his head. “If she finds out you know, then it’s all over. She’s doing this on purpose. She knows about you and Reid, but she knows that dragging you into all of this will hurt him more than anything else.”

His voice had gone low and quiet, so that the girl on the couch couldn’t hear.

“So why is she here?” You whispered back.

“Because we don’t want anyone in danger.”

You closed your eyes and nodded. “I need a cup of tea.”

Rossi let go of your wrist, and you walked into the kitchen, mostly eyes closed from the stress of the situation.

The apartment was silent, the others watching as you grabbed a kettle, and started to make tea. It was like second nature to you as you turned the stovetop on, grabbed a mug from the cabinet (careful to not grab one of his favorites), and grabbed some tea from the cabinet.

It didn’t dawn on you that you were drinking your favorite type of tea until the second sip, while the entire apartment was still silent.

The pity from Rossi's look was palpable.

“Don’t even start.”

He shrugged and stayed silent.

Until his walkie went off and he looked at Max. “It’s time. Let’s go.”

Rossi looked back at you and gave you a quick hug, squeezing you tightly. “You’ve got this kid. Remember everything we talked about.”

You nodded and gave them both a strained smile as they left the apartment, leaving you all alone in this place you once called home, alone.

Never once, since you left, did you think you would ever be back here. You didn’t even realize you were drinking from one of your own mugs until it was just you. The irony of it was not lost on you, and you sat down in your spot on the couch.

Well first you sat in Spencer’s seat but it felt too weird, so you shifted back into your spot on the couch.

______________________________________________________________

“Juliette staked out in Reid’s life. Found out he was dating someone, but then must have discovered his ex-fiancée.” Simmons sighed. “He was probably so focused on Max, he didn’t even realize that someone was digging into his history, following them around.”

Prentiss nodded as they walked and talked. “But if Juliette was able to find Max, that meant she was easily able to find Y/n and her family. It means she must have access to all of her publicly available information. “

“Well at least we found their hidden agenda.”

“No. We found Cat’s hidden agenda. Juliette doesn’t care about Reid. There’s something we’re missing here. Do a deep dive with Garcia.”

Simmons nodded at Prentis. “On it.”

“I’ll go to Reid's apartment and monitor onsite. Is there a trap and trace on his landline?”

“Garcia’s almost set up.” Simmons walked away from Prentiss, and down towards Penelope’s office.

“Well this went from bad to worse.” Tara walked up to Emily.

Emily sighed in agreement.

Lewis spoke up. “Female narcissists destroy their competition.Y/n really shouldn’t be in there.”

Emily just nodded and the two of them headed out of the bullpen. “Walk with me.”

Tara kept stride with her as they pushed through the doors. Rossi was just getting off the phone with someone and turned to look at the two women approaching him and JJ.

JJ spoke up when Rossi was finished. “So, the hospital just released the dad– Issac Y/l/n. He's on his way here now.

Rossi scoffed. “Question is, why let him go at all?”

“Matt's on that.” Emily gestures in the direction of Garcia’s office. “Juliette Weaver's real agenda should tell us where she's taking Y/n’s younger sister.”

Lewis spoke next. “I still think the play here is to get Cat and Juliette to contact each other, but I have no idea how.”

Prentiss crossed her arms. “I have a plan, but first we have to talk about Y/n.”

______________________________________________________________

Just then, you heard the click of the door, and stood up, watching as the door swung open.

And there he was.

This was the first time you had seen Spencer in four years.

And here he was, kissing Catherine Adams.

The woman you could give partial credit to for ending your relationship.

After a moment Spencer looked up, and took several steps away from Cat. His eyes were wide and locked on yours.

It took a lot of self-restraint to not punch the lights out of Cat, and to stand still arms crossed.

“Y/n?” Spencer’s voice broke a little bit.

You never would say that Spencer was unattractive. In fact, it would be a lie if you ever said it. But something about the past four years aged him like a fine wine.

His hair was a bit longer, he had some scruff—his baby face had melted away and standing in front of you was a man who thought you knew everything about, but was now a stranger.

You didn’t answer him, watching as he took you in, standing in his apartment, for the first time since…

“What are you doing here?”

You looked over at Cat, who had the most devious smirk on her face.

Remember what Prentiss had said to you.

“You know why I’m here.”

Cat nodded and the two of them moved into the apartment, the door closing behind them.

Spencer just stood ten feet away from you, eyes never leaving you, and you watched him right back.

Cat, on the other hand, was walking around, examining the apartment. You could see her take notice of the tea you had made yourself on the counter. You could see the hatred from the corner of your eyes. The two of you were starting to piss her off.

She spoke up, after a few moments of silence. “Did it make you mad that I was kissing your Fiancé?”

You shook your head. “No.”

Your focus had fully turned to Cat, but you swore you swore you could hear Spencer take a sharp inhale as you spoke your next words.

“Well, he's not my fiancé and I kind of have some other things on my mind.”

Cat didn’t scare you, but there was just something so off-putting about her. “Like what?”

“Are you gonna hurt Noelle?”

Cat shrugged. “Not if I don't have to, no. Honestly, if she follows instructions, she might even learn from this whole experience.”

You scoffed. “What does that mean?”

Cat just started fiddling with the chess set on the dresser.

“Spencer, what does she mean?” You turned to look back at him, his name feeling so good on your tongue.

Spencer, who really hadn’t stopped looking at you and sighed. “I think…She means that Noelle isn’t learning from her, but from Juliette.”

You sat down in your spot on the couch, arms crossed. You were on the full defense.

Spencer noticed where you sat and had to look down to conceal any notions of a smile on his face.

Cat watched him before turning and looking at you, some more disdain on her face than before.

“Normally, Spencie and I, we spend our time together playing games, but tonight, I've brought you all here to make a point. You are doing so much better.”

Spencer spoke up. “With you?”

“I'm not talking to you.” Cat snapped at him before she turned to you. “I'm talking to you. Because, girlfriend, you need to know the truth about your fiancé.”

“He's not my finacé.” You were unsure about how many more times you could say that outloud.

“No kidding. When’s the last time you spoke? Right…” Cat walked over to the center of the room, right in front of the couch. “Here?”

Your head whipped around to Spencer. “You told her about that?”

Spencer was pleading with his eyes. “I had to say a lot of things tonight.”

Cat’s voice caused your head to snap back to her. “Yes, he has. He said that you never compared to me, that, um... That no matter what, he will never get me out of his mind, unlike you. Unlike that girlfriend.”

You tried not to wince at the mention of that girl Maxine out in one of the trucks.

Spencer sat down next to you. “Everything I said—I was lying to save your family.”

Cat scoffed. “Did our kiss look like a lie?”

“No.” you just looked down at your hands.

“Thank you. See, now we're getting to the heart of the matter.” Cat started mocking Spencer. “You see, everyone thinks that Dr. Spencer Reid is... Is just this nice, bookish, uh, genius who, uh, always saves the day and has all the answers. And has zero mommy issues, right? But, um... I know the real him.”

“Oh, yeah? Who's the real me, Cat?”

“The real Spencer Reid throws women against walls. And hisses that he's going to kill them.”

Spencer stood up, squaring off against her. “That was a very different situation.”

“No, it wasn't.” Cat was holding the smirk back this time, making your gut wretch.

“Spencer…What is she talking about?” You looked from the psychopath in front of you, to the man you realized you might have never really known beside you.

“You tell her. She's not gonna believe it coming from me.” She huffed.

Reid turned and looked at you. “Two years ago, Cat had her partner kidnap my mother. Just like tonight. She got under my skin and…”

Your chest hurts. “And you threw her against a wall?”

Cat’s smirk was breaking through whatever resolve she had. “Don't skimp on the details, Spencie. She deserves to know everything.”

Every single time she said Spencie you swore a shock went up your spine.

Spencer looked down at his hands, and then over at you. His voice had gotten quieter. “She was pregnant at the time and I knew that when I hurt her.”

“And?” She stood there expectantly, waiting for Spencer to finish. When he didn’t, her face suddenly became solemn. “The next day... I miscarried. The end.”

Spencer looked at her. “That's not true.”

“It is most certainly true. Check my medical records.”

“That doesn't mean I-I would…”

Cat held up her hand to him. “Stop. Look.”

Spencer looked over at you, just sitting on the couch, trying to process everything that was going through your head.

After thinking about everything you had gone through, especially with Spencer. “I thought you were better than that Spence.”

It was the first time you had used a nickname for him in years. And he was hearing it for the first time while you were stuck in a standoff between himself and Cat Adams, your sister being god knows where.

Spencer’s voice cracked. “I'm sorry.”

Cat squatted down in front of you, a sick smile on her lips. She was enjoying this. She truly enjoyed watching his life crumble to bits. “Notice how your Spencie is apologizing to you and not me.”

You clenched your hands. “He’s not mine…”

Spencer just looked over at you.

Cat nodded. “That's good. Because men are all the same. Aren't they, Jolie?”

Spencer’s eyes lit up with an emotion you rarely saw from him when you were together. “Don't call her that.”

And you couldn’t blame him. The word ran you through like a spear and you were sure if you looked behind you, the blade would be through the couch. You tried so hard to not let either of the two people near you see how much it messed with you. Luckily for you, Cat was too busy pushing Spencer’s buttons to see the way her words won against you.

Cat hissed at him. “What, are you gonna throw me against a wall and choke me, or do you only do that to pregnant women?”

You finally spoke up. “Why are you doing this?”

“Because I want you to see it.” She gestured to Spencer. “I want you to see that he is...no better than he was before, or any man after. They’re all the same.”

“Stop.”

Cat squatted down in front of you. “I can see it on your face. What's his name?”

You stared back at her. “It's none of your business.”

That damned smirk of hers returned. “It is exactly my business. In fact, it's my specialty. I mean, I could have Juliette and baby sister go over there if you want. They could take care of him.”

Reid looked over at you. “Say yes. Give her what she wants.”

“Hmm. See, he wants you to get me to make a little phone call so they can trace it.” She moved away from you both and sat down in the lounging chair across from you. “They're so good, the FBI.”

You jumped up and started pacing, a spitting image of four years ago. “What is wrong with the two of you? What is this sick, twisted thing that you have? Listen, I just want to save my sister. Will you please just tell me what I have to do to do that?”

“Tell me his name. Tell me the story. That's it. And then if they can let Juliette exit stage right, then I promise you I will let her go.”

You looked between Cat and Spencer before walking over to the kitchen, and hanging up the phone. After staring down at the decision you had just made, you walked back over and took your phone out. “Here. Use this. Use my phone. They can't trace it.”

She just watched you. “You'd be surprised.”

“I don't even need a call. Just... just a photo.” You held the phone out to her. “Something to prove to me that she's still alive. Please”.

Cat just looked up at your face. “Story first.”

“Y/n. Please.” Spencer turned to you, hoping you’d look back at him. “I have been here with her before. She called the number and told the partner to kill my mom.”

“It is so tricky, isn't it? I mean, who are you gonna trust? The lying, cheating, violent psychopath... Or me?”

You looked down at the ground, refusing to look over at Spencer. “His…His name was Mike Davis. We dated for two years. I met him a month after we…we split.”

Cat’s attention on you felt as if there were a million bees stinging your body all at different intervals, pain coursing through your body. “Good. When did it end?”

“Last year.”

“Was he good in bed?”

Spencer stood up. “Shut up.”

Cat was enjoying this. She was enjoying watching you make Spencer uncomfortable. She was enjoying hurting him in every masochistic way she could. “What? You have to know where you stand.”

“He was good…” You looked back at Cat. “Good at, um, separating me from my friends and my family. Enough that the first time he punched me in the face, I didn't have anywhere to go. And my first response wasn't "get out." It wasn't "go to hell." It was "I'm sorry, Mike." That's when he knew he had me.”

There was a glint in Spencer’s eyes, and you could swear they were tears, but you couldn’t tell from rage or sorrow.

Cat continued to probe. “How many hospital visits were there?”

You showed her a small scar on the inside of your elbow. “None. No, he... He knew how to hurt me just enough to hide it all, I guess.”

“But you found the strength to leave. What did you do?”

“ I planned and I... I waited.”

Cat’s eyes lit up. “Waited for what? “

“I live here in D.C.” You looked between Spencer and Cat. “but I'm also a resident in Virginia. It takes 60 days for the permit to clear.”

Spencer’s eyes widened. “Y/n, stop talking. Stop talking right now.”

Cat shushed him. “No, don't stop. Here. Give me the phone. Look, I'm gonna enter the text. Stick the landing and I'll hit "send."

You handed her the phone and she quickly typed out a message, her thumb hovering over send.

Fiddling with your ring finger, you started to speak again. Slowly. Concisely. “When I was ready, I picked a fight. Loud enough for the neighbors to hear. And he came at me with his fist just cocked back, so I pulled my Glock 19 out of my purse. I shot him.”

Spencer tried to interject. “It was self-defense. He was attacking you—”

“That's what I told 911 as he was struggling to breathe on his kitchen floor. That's why the police never charged me. I’m a lawyer, I know how to plead.” You closed your eyes. “But I... after I hung up, I... I shot him two more times.”

Cat was glowing, spinning around to face Spencer. “Wow, you really have a type, don't you? Quite a dilemma, too. She just admitted to murder.”

Spencer was in disbelief. “She'll beat it.” .

“Probably. But whatever feelings she might have still had for you, and whatever Maxine might have seen in you—-it’s all gone.”

The phone in your hand buzzed.

“Oh, wow. Look at that. Your sister. Alive and well. You're welcome.”

Your face hardened up, and you stood up straighter. Walking away from the two of them, you opened the door. “I got it.”

She took the phone from your hand and you turned back to the two of them. There was no emotion behind your eyes as you looked back at Spencer.

Cat smirked and looked up at Spencer. “I win.”

______________________________________________________________

The prison transport was quiet, with the two guards sitting across from Spencer and Cat. It had been silent for about twenty minutes, but then, Cat spoke up.

“Do you know why I did this? Why I really did this?”

Spencer looked down at his hands. “You wanted to prove I'm a monster just like you.”

“No... Silly. I just wanted to see you again. I just wanted to make sure that you would never forget about me.” She sighed. “'Cause when they do put that needle in my arm, I just want there to be even the slightest chance that... Maybe you're still thinking about me…”

Spencer stiffened as she placed her head on his shoulder. “You didn't have to terrorize 3 innocent people. You could've just written a letter.”

“Would you have written me back?”

When Spencer didn’t respond, Cat knew her answer.

“Bye, Spencie. I really enjoyed our date.” She smiled at him desperately, getting dragged out of the vehicle by the guards to the prison.

______________________________________________________________

The elevator door opened and Spencer walked out of it, his whole body reeked of defeat, and he barely looked at Emily as she spoke. “We need to debrief.”

Spencer just walked right past her, and into the bullpen. His expression changed when he saw you on one side talking to Tara, and Max on the other, looking up at him right as he walked in.

“Spencer, are you okay?”

Her voice caught your ear, and immediately you looked up to see her walk over and embrace him in a hug.

He smiled at her, and grateful returned the hug before muttering that he would be back, and explain everything.

You were never going to get back together with Spencer, but watching it in real time was like unlacing an old wound.

Spencer walked over to you, and you stood up as he approached.

“Uh, Tara, would you mind giving us…”

She nodded at him and walked away.

Both of you went to speak, trying to say something to the other.

“I should explain all of this.”

Spencer shook his head. “You don’t have to explain any of that Y/n—it doesn’t.”

You cut him off. “It was fake—most of it. I didn’t kill anyone, Spence. I was just lying to her to get her to send the text from my phone. It was all…It was made up.”

He just nodded, staring at you really.

You gave him a soft smile, and gently placed a hand on his shoulder. Both of you could feel the pulse between it, making you remove your hand and take a small step back.

“Thank you for saving my sister and father.”

Spencer watched your resolve fully formed, masking whatever you were feeling. He hated watching it happen to him, watching as you placed whatever feelings you had back into somewhere he couldn’t find.

Garcia walked over and placed a hand on Spencer’s shoulder. “I just need you both to know, Cat Adams had a miscarriage, but it was months after whatever encounter you had. It’s not your fault. We looked at her records.” She was speaking low for you both, yet both of you let out a quiet sigh of relief.

“They filled me in on everything that happened between both of you in the past couple years, and they asked me if I would be willing to…help them beat her.”

Spencer looked up at you, and unlike yourself, every single emotion Spencer was feeling was racing across his face.

He didn’t like that you knew about everything that had gone down. He was so happy you were okay. He was a little impressed by the way you beat Cat at her own game. He was upset that you put yourself in danger.

“They gave me an ear piece and everything.”

Spencer shook his head. “You’re not trained—that’s extremely dangerous of you.”

You sighed and nodded. “Unfortunately Spencer, this is…this was the life I was used to when we were together. I knew the stakes. I mean the briefings I had with Hotch after you relapsed…”

Spencer just clammed up and stood a bit straighter. “ I never knew..”

“It was like that on purpose. I didn’t want you to think that you were a burden or too much or—I was doing it for the potential of…” You cut yourself of, flinching at the parallels between this and your previous final conversation.

You looked over at Garcia. “I need my bag Pen.” You whispered, taking a step away from Spencer. “I shouldn’t…I finished my job. My family is safe…”

She had a rueful look on her face, but she nodded and took your arm, walking you back over to the desk where your stuff was.

He looked up at Emily and walked over to her. “I’m…uh. I’m gonna go walk her out and then I’ll be right back.”

Emily gave him the saddest smile, and just nodded. She knew that nothing she could say could make it any better.

You grabbed your coat, and your bag, and the two of you walked to the elevator in silence, riding it all the way down to the parking garage, where your car was still there from this afternoon, all of those hours ago.

You looked over at Spencer, tears in your eyes, having not said anything to him.

As soon as he met your eyes, you dropped your bag, and Spencer wrapped his arms around you tightly, just holding you and resting his head on yours; trying to give you the comfort that he was rarely able to give you.

Sobbing into his arms, you just tightly wrapped your arms around his torso and just held onto him tightly. Trying to decompress, trying to truly understand everything that had happened in the past twelve hours.

It was Spencer who spoke first.

“I’m so so sorry Y/n.” He whispered. “I never meant any of this to happen to you, and for you to get dragged back here and—”

You shook your head slightly, but didn’t move from where you were. Neither of you did.

“It’s what she wanted, Spence, and unfortunately for us, this was always bound to happen.” You whispered.

The hug felt so good, but something about it was just so different.

It’s not the way it used to be.

“I need to go Spencer.”

He nodded, and this time you moved away from him. His hand came up and wiped away one of the remaining tears on your cheek.

You closed your eyes, and took a deep breath.

“Oh fuck, why is this so fucking hard four years later.” You laughed, trying to regain any sort of composure.

“Y/n…”

You took another step away from him and shook your head.

“We can’t—I’m not.” You tried so hard to find the right words without bursting into tears again. “Spencer. I cannot put myself back to where I was four years ago. I can’t do it. And yes things have changed, but maybe that is for the better. Maybe you were always meant to be my maybe, and not my always.”

You took another breath, but kept going. “You are amazing, and funny, and so smart Spence. But this…we ran our course. It didn’t work then, and I don’t know if I have it in me to try again just for it to fail.”

“Y/n please.”

“I will always love you but this…It’s time to…It’s time to stop. I have to go back to my life, and you go back upstairs to yours, with Prentiss and Rossi and Penelope and…Max.”

Both of you winced as you said her name, but you took a step forward, moving to kiss him on the cheek.

Spencer gently grabbed you face, giving you enough time to back out.

You didn’t.

His lips locked with yours, his thumb rubbing against your cheek as the two of you shared one more moment, just for the two of you.

But it had to end.

You couldn’t go back to the anxiety, the arguing, the petty disagreements. It wasn’t good for you. It was good for either of you.

Stepping away again, you gently kissed his cheek, and started to slowly walk to your car.

Right as you got to your car, you turned around and made eye contact with him one last time before the elevator doors closed, both of you with the most gut wrenching smile slightly plastered across your faces.

You mouthed goodbye, unable to speak it out loud, and he nodded, tears filling his eyes as he whispered it back to you.

The doors shut.

You were all alone in this hollow parking garage.

Your heart was aching, burning.

But there was a sigh of relief, that came with the doors closing, and saying goodbye for the last, last time.

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blackwidownat2814 · 3 months ago

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Pairing: Tyler Owens x female reader, Tyler Owens x shy!reader, Tyler Owens x insecure!reader

Word Count: 1408

Summary: You begin your new job as a Tornado Wrangler (remotely), and meet most of the team. It isn't until you suffer a little mishap that you meet the man himself.

A/N: Thank you all so much for the wonderful response to the Prologue!!! I didn't think it'd be that much of a hit, so I was surprised with all the love. After finishing this chapter, I feel like it could've been part of the Prologue, but oh well. It's been a while since I've written as well, so bear with me. As always, thanks to my awesome beta, @buckysdollforlife, for their help with this and for creating the header for this story (I LOVE IT!!!!) and bestie, @13braincellsonly, for allowing me the use of their son's name and personality when I needed to come up with a horse. **All descriptions of Ziggy the horse were approved by his momma.** And as always, I will be cross-posting this to AO3. If you see this story anywhere besides AO3 or Tumblr, it's stolen.

City Girl Knows Her Stuff

You became a Wrangler near the end of the season that first year. Kate picked you up at the airport with two members of the team: Lily and Dani. Lily immediately pulled you into a hug, chatting a mile a minute about how excited she was to have you on the team. Dani (perhaps picking up on your shyness) offered a handshake and big smile, welcoming you to Oklahoma. Kate was more than happy to let Dani and Lily talk your ear off on the drive to Sapulpa, where you’d be staying with Cathy until you found a place. She knew it was somewhat difficult for you to make friends, so she was happy to see you enjoying a conversation with two new friends.

You got to meet Dexter when he came by in the van to pick up Lily and Dani. You thought he was funny and enjoyed some very science-centric conversations with him. Before they all left, Lily let you take her drone for a spin. You enjoyed it so much that for your birthday later that year, she gifted you a smaller drone that wasn’t quite like hers, but it had a small camera and small, tinny sounding speaker. She even had it painted in your favorite color. That would become one of your absolute favorite gifts. It made you cry.

Like most storm chasers, you had to have a job in the off season, so you got a remote data analyst job with the NOAA offices in Norman and moved out to a place just out of Sapulpa. This would allow you to visit Cathy at the farm and work on data in the barn workshop the Wranglers had set up. You even got yourself a cat. Abandoned due to his looks and runt status (according to the shelter), you snatched him up the first time you saw him. Black cats didn’t scare you. Life with Roach (you’d spent quite a bit of time watching The Witcher) was idyllic and you were happy.

By the time you met Boone, the Wranglers felt like family…and Boone felt like the brother you never had. Like Boone, you were an only child and didn’t have much of an extended family and it was a bit lonely in the beginning. The difference, however, was that Boone was an outgoing guy and it was easy for him to make friends and talk to people he didn’t know, whereas that scared you half to death most of the time. You loved his boisterous way of being, but you also appreciated that he (like Dani) could tell when your social battery had run down and turned it down and would sometimes sit with you in a quiet environment. Sometimes he’d sit and nap while you read or he’d pick up the latest meteorological article (or sometimes the latest comic he picked up at the shop). He didn’t even make fun of your nickname like others had before, so you trusted him.

The day of Cathy’s pre-tornado season bbq, while cleaning some dishes, you confessed to Boone that you were nervous about meeting the head tornado wrangler himself, Tyler Owens.

“T’s a sweetheart B, you got nothin’ to worry about. Why are ya nervous?”

“Boone! He doesn’t know me, what if he doesn’t think I’m a right fit for the team? What if he doesn’t like how I do work? Y’all are famous ‘round here, what if he gets irked by the fact that big crowds make me nervous and it takes me forever to become comfortable with people? You know it’s not easy for me to talk to people I’ve never talked to before”, you cried in exasperation.

“B, imma need you to take a breath, okay?” Boone reassured you as he placed his hands on your shoulders. “If Ty thought any of those things, I would definitely not be workin’ with ‘em.”

You were so busy trying to get yourself to relax that you missed Kate wandering into the kitchen.

“B, are you freakin’ out about meetin’ Tyler again?” she asked. You and Boone nodded. “Well, you don’t have to worry. He won’t be able to come today, said he had to drive down to Texas to see his parents.”

You breathed out a sigh of relief, sending some of your hair floating up. “Good, I have time to relax about it. Thanks Kate.”

“Thank Tyler’s parents.”

“Thank you, Mr. & Mrs. Owens!” you said to no one in particular and dried your hands, as you looked over at your friends. “See you two out there!”

Kate and Boone followed, but stayed on the porch, both taking twin sips from their beers.

“You think either of them has any idea what’s about to happen to ‘em?” Boone asked.

“Meaning that Tyler is going to become enamored the second she opens her mouth?”

“Yup.”

“And that she’s going to have the same thing happen to her the second she comes into contact with that cocky cowboy swagger that he exudes when you meet him the first time?”

“Yup.”

“No, I don’t think either of ‘em knows what’s coming.”

A few days before the chasing season began, you brought Roach down to Cathy’s, where he would be staying while you were out with the Wranglers for your first season on the road.

While there, you asked Cathy if you could saddle up your favorite of her horses, Zig, nicknamed Ziggy. He wasn’t the brightest of the bunch; he was the type of horse you’d see in a video because someone thought he was dead but in actuality, he was just sleeping. You swore that his mother, a horse named KJ, rolled her horse eyes every time someone caught him playing dead.

Ziggy may not have been the sharpest pitchfork in the barn, and may not have enjoyed doing much of anything besides looking dead when he slept, but he enjoyed riding through fields with you. He knew whenever he saw you approaching with a bowl that he was about to get one of his favorite snacks: ice cubes with apple bits in them. You put Ziggy’s snack bucket down so he could munch while you brushed him and got him saddled and ready to go for a ride.

When Ziggy let you know that he was done with his snack, you popped in your earbuds and shuffled your favorite classical music playlist on Spotify. You found it was one of your favorite ways to relax. After you climbed on Ziggy’s back, and kicked him into gear, you took off for the open fields near the road leading up to the farm.

You’d been out there for a while when you started hearing the faint rumble of an engine, but ignored it because trucks passed near this area all the time. You probably shouldn’t have ignored it though, because when that modified-to-withstand-tornadoes red Dodge Ram 3500 turned on to the road and took off towards the main house, Ziggy took off after it. By now, you shouldn’t have been surprised that he recognized the truck or the person in it, but you were…and because you were so thrown off by it, your hands (stupidly) had not been holding the reins. And because you had not held on, you went flying off Ziggy’s back while he just followed the familiar truck. Lucky for you, the fall didn’t cause you to go unconscious, but it did knock the wind out of you after you landed hard on your back.

As you attempted to take deep breaths, you heard someone yelling and running towards you, so you tried to sit up. The voice yelled for you to not move, so you listened and stayed on the ground, with your eyes shut. You just lay there, waiting.

All of a sudden:

“Are you okay?” the voice asked. You knew that you knew who the voice belonged to but you were so thrown by being thrown that your brain wasn’t focusing. You blinked your eyes open, and your vision swam before focusing on the most beautiful face.

“Wha-”

“Are you okay, darlin’?” he asked as he helped you sit up.

“Uh…”

“Did you black out?”

“No.”

“Do you know where you are?”

“Cathy’s farm, in Sapulpa.”

“Do you know your name?” He smiled when you told him. “Where’d you come in from?”

“New York City.”

“Why are you here?”

“I’m the new data analyst for the Wranglers.”

“Well…looks like we got another city girl that knows her stuff.”

Tagging: @ladybirdbeetle7 @omgbrianab @itsdesiree86 @avengersfan25 @keyrani @thedonswife13 @lonelyghosts-stuff

DON'T FORGET TO LIKE AND REBLOG!!!!

Main Masterlist

#Series: Steal My Thunder #Tyler Owens #Tyler Owens x you #Tyler Owens x reader #Tyler Owens x female reader #Tyler Owens x shy!reader #Tyler Owens x insecure!reader #Tyler Owens fanfiction

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inkskinned · 1 year ago

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for the longest time my family used to host one of the biggest haunted houses on my block: elaborate, themed amateur haunts that pearled out along our lawn for one-night-only. spinning circus wheel-of-terrors and walkthrough alien crash-landings and spiders that arched over our driveway, leaking venom onto your feet.

we didn't have a lot of money; and honestly i don't know how we afforded what we did have. there were not going to be pneumatics or projectors or any supply over 20 dollars - and even 20 was a stretch. we were lucky, and we lived in a town that had a "swap shed", where people would drop off any banged-up-but-usable items that they wanted to get rid of. the whole year, my family would pick over someone else's discarded fans and lights and weird decorations, asking each other - what do you think? for halloween?

we would strip the motors out of rusted fans and spraypaint vases and saw broom handles in half and apply a very thick coat of cardboard and duct tape to everything. for our pirate year, i made the mistake of individually drawing woodgrain onto each strip of cardboard that made up the ship. i then gently painted and distressed the "boards" so they'd each have lichen and cracks and unusual patterns. i hid eyes in the knots and shaped skulls. you couldn't see any of it in the dark, even under our "spotlight" (someone's target-branded workshop flashlight).

i have a lot of very strange skills as a result. i know how to make a flying ghost appear both physically and in the mirror. i know how to make a witch's brew that stirs itself. i know how to burn and cut and paint until there is an iron throne you can sit on, or an alien brushing your ankles, or a hearse trundling along. i can't say we ever made it beyond our local newspapers, but we tried so hard that the town would regularly shut down our street.

i can't put any of these skills on a resume, and i haven't been able to put them to use for a while. i live in an apartment, there's no lawn for me to decorate. for years i've wanted to do an alice in wonderland theme, and have been collecting ideas like coins in a fountain. at other houses, i am transfixed by 12 foot skeletons and paper mache spooky lanterns; easily wooed by the knowledge of how much time people put in.

someone asked me once - so what was the point? and why didn't you guys charge anything to show up?

in truth, we probably needed the money. for years there, we were a 1-meal-a-day kind of a family. i was being polite earlier up in this essay: we furnished both our house and our halloweens using things left a recycling center. we live in new england and still didn't turn on the heat until the end of november, no matter how low the temperature.

every year we would collect donations for unicef and other charities. on an average year, we would collect enough to pay for our food for weeks. every year, without fail: we donated every penny.

this endeavor took months to plan and design and execute. we had to organize any volunteers and check safety and hope-for-the-best. it took at least 24 hours to set up, a week to take down. the motors and fans and lights all had to be packed tight. the cardboard would scatter, pangea in the rain and sleet. i remember picking up a plank from that pirate ship, the paint blown clear off, all my hard work completely erased. a new kind of driftwood.

if this was a poem, and not a memory, i could wrap this up prettily. i could say that these skills landed me a cool job in the haunting industry or that it taught me the value of friendship and responsibility. but i actually think it's something better, something very pretty: there wasn't ever a moral to it.

the night was a long one. yes, there were assholes, people who broke stuff. but mostly it was just kids like us in cardboard costumes, dressed as an incredibly niche kind of truck. good parents who were friendly and laughing. teenagers who slunk in at late hours, wide-eyed and secretly delighted; who asked us can i help next year? like, do y'all take volunteers, or whatever? every year more people came, and told their friends, and offered to pay. and every year we said maybe next year and meant absolutely never.

we did it because it was enough to love something, and to make that love visible. we did it because there is very rarely an excuse to have fun. i think maybe especially, for me - we did it because every year, there was one first "customer" somewhere around 3-4PM, while we were still putting on the final touches. the sun would still be up, and we were frazzled and always-running-late, and these kids saw our vision unfinished in the bright light of day.

something about their parents murmuring say thank you and telling my mom this setup is so sweet while this little kid would grin up at us, dazzled by our artistic mediocrity. the fall air and the chill and their coat-over-a-panda-princess-costume. that first phrase of the night awkwardly managed over a pair of overly-large vampire teeth: a beautiful and excited trick or treat!

#wholesome #happy halloween #writeblr #just something to maybe warm ur heart in these times #my parents also usually let me take nov 1st off #this is the first year in like 20 years im not taking it off bc it became like a family holiday #i regret not taking it off but alas. capitalism.

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fuckyeahdindjarin · 2 years ago

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Seams

Joel Miller x F!Reader

{ Series Masterlist | Main Masterlist | Part II: Threads }

Rating: M

Summary: Joel has a problem. Having settled into some semblance of a 'normal' life in Jackson that no longer involves running for his life and living off scraps, his clothes are getting a little… tight. Self-conscious, he deals with it the way he does most things - he ignores it.

That is until one day, the zipper on his jeans finally gives up after one too many desperate tugs, leaving him stuck. With neither Tommy nor Ellie anywhere to be found to get him out of the tight spot, Joel begrudgingly heads to the clothing store he’s seen in town for help - and a new pair of jeans.

There, he meets you.

Warnings: Spicy thoughts, sexual tension, sexual innuendos, body insecurity, some language, Joel being unkind to himself, shy!reader, reader has a nickname related to her job, soft!Joel, no use of Y/N

Word count: 6k

Notes: I haven't written anything this fast for a hot minute. It's both exciting and terrifying, especially as Joel is so new to the fandom. So this is a one-shot as it stands, but I'll be lying if I say I haven't thought about where this story can go. Please be gentle with me, Joel is easily the most intimidating Pedro boy I've written for so far. I hope this doesn't disappoint 🥺

‘TommmMMMMMYYYY!’

His voice echoes in the empty street, gruff with irritation. He can feel eyes on him - he always does, wherever he goes in this damn place - covert stares from behind curtains, peeking out of windows from the neighbouring houses.

The polished wood thumps hollowly under his fist. Head bowed in surrender, his forehead makes contact with the surface of the door with a dull thud.

‘Fuck,’ he mutters under his breath.

Trudging back to the house that’s been allocated to him - he still struggles to think of it as his - he slams the door shut behind him so hard that the sound rings in his ears. Well, more in his left than his right.

Tossing the keys onto a chest of drawers in the hallway, he yells in a last-ditch attempt, ‘Ellieeee!’

The house is silent.

The one time he needs either of them, neither can be found anywhere. Even Maria has made herself scarce - not that he’d ask her for help for this.

This being these stupid fucking jeans.

His trusty jeans that he’s worn for years, other than on laundry days, which were few and far in between. They’ve literally seen him through thick and thin - the knees are so worn he can almost see the web of white thread beneath the denim.

Tess had gotten him these jeans. Stole them, if he remembers correctly. Once upon a time, he needed a belt to hold them up, or they’d hang down to his ass crack. By the time Ellie came into the picture, they fit well enough to render the belt redundant. He could still easily fit things into his pockets though, like a map or a switchblade.

But now -

Now he’s stuck, and he can’t get them off.

If he’s being honest with himself, the jeans haven’t fit for months. The jobs in Jackson don’t come anywhere close to the backbreaking work in the QZ or being on the road with Ellie. The food is plentiful even during the harsh winter, and as much as he looks down his ideological nose at it, Maria deserves credit for the thriving commune.

He had a late start this morning. Ellie had already vacated the house by the time he came to. He was on autopilot, distracted by his thoughts about the porch steps that have rotted and need to be replaced.

He was making plans in his head to nip down to the workshop to get the wooden planks when he started getting dressed. Stepping into the legs of the jeans, he pulled them up, hopping to stretch them over his thighs. Out of habit, he sucked in his belly to button them up, the waistband seemingly even tighter than usual.

He relegated that to the back of his mind, the same way he’s ignored the fact that the jeans have been uncomfortably tight for months - to the point of hindering his movement when he lays bricks, or cuts off his breathing when he sits down. But he’s gotten used to it, like he does everything else. He’s Joel Miller with the stiff upper lip, after all.

The zipper was next. As usual, he met resistance about halfway up. Baring his teeth, he gripped the tongue of the zipper and yanked upwards.

Except this time, it didn’t budge. Grumbling, he pulled harder, feeling the burn in his biceps -

It happened so quickly that he wasn’t even aware until he was wheeling backwards from the force, his arm flying up in an arc - and a metallic clink behind him registered faintly in his good ear.

Disoriented, he glanced down at the zipper. The slider had come clean off.

‘Fuck,’ he swore and turned to the full-length mirror on the wall to inspect the damage. Running an experimental finger along the seam, it was clear that the zipper had somehow snagged on the denim. It was stuck. Dead stuck.

Turning the house inside out, he couldn’t find a single pair of scissors, and there isn’t enough space to fit a knife in without slicing himself open, at which point he left on his ultimately fruitless search for reinforcement.

Joel scrubs a tired hand down his face. He’s never been a vain guy - Tommy is that sibling. But he’s never needed to stress about his looks either, with contracting keeping him in shape before the outbreak, and the fight for survival after - until now.

Grabbing his jacket, he shrugs it on, hyper-conscious of whether it’s a tighter squeeze than usual (fortunately not) - and heads into town.

Main Street Outfitters, the only clothing store in Jackson, sits in the middle of the high street, sandwiched between the pub on one side and the welder’s on the other. For the most part, residents come in to trade in old clothes for new ones, but there’s also a nicer selection for the occasional party that one can barter for.

You’re in the workshop at the back, the afternoon sun filling the room through the skylight.

With your skill in thread and needle, you were the obvious candidate for the job when you arrived in Jackson. Over the years, it has become your sanctuary. The walls are lined with wooden shelves, where neat - though mismatched - boxes of buttons, trimmings, thread and trinkets slot perfectly into place.

You spend the days checking over incoming clothes after they come back from the laundry, making sure they are in reasonable condition and mending those that are not. The shop also charges for adjustments and repairs, and the tasks easily fill your working hours.

It’s a Tuesday, and it’s usually quiet this time of the afternoon. If you’re lucky, you can be undisturbed until you clock off at five - which is why you’re surprised when you hear the tinkle of the doorbell.

The footfall is heavy, it sounds like a strong work boot. You hold your breath and your fingers hover mid-air as the door shuts with a slam. You hear the customer clear his throat - definitely a man - as you wait in vain for the front of house to greet him.

But of course Lucy has sneaked out again. She’s a sweet girl, but manning the counter has always been too dull for her.

‘Hello?’

The voice is deep and gravelly, and despite your reluctance, it doesn’t sit well with your work ethic to keep a customer waiting. Sticking the needle into a pin cushion, you noiselessly rise from your seat and make your way to the front of the shop.

Your first glimpse of him is his back. Standing in front of a rack of jeans, the grays in his hair catch the light streaming through the shop front windows. You study him for a minute, curious eyes running over the width of broad shoulders under a beat-up, khaki jacket. Lower, his jeans are… well-worn, to put it kindly. And from sight, a sitting a bit tight on his hips -

You must have shifted your feet without you noticing. At the minutest creak of wood, the man whips around, one hand reaching behind him in search of the butt of a loaded gun or the hilt of a knife. It’s your good fortune that you see neither on him. The intensity of his gaze is just as effective as a blade on your neck to pin you to your spot.

There’s no question that he’s a newcomer. You’ve seen the same kind of intensity in everyone who’s braved what’s out there to get here.

But even if that didn’t give him away, you already know who he is. He’s Tommy’s brother. Joel, if you remember correctly. Maria approached you for some clothes a few months back when he arrived with his kid for the second time. They’ve been the talk of town since - not that you listen. In fact, you try not to, but you can’t help it if someone talks loudly enough at the next table in the canteen to interrupt your lunchtime reading.

‘Sorry,’ he mumbles as the tension in his body recedes. ‘You’re very quiet.’

You duck your head. ‘Sorry.’

‘You work here?’

Wringing your fingers nervously, you nod and take two timid steps towards him, hoping he doesn’t hear the tremour in your voice. ‘How can I help?’

You’ve heard things about Joel Miller. The words most frequently whispered as he ambles by in town include ruthless, cold-blooded and steer clear.

You can’t exactly reconcile the man in front of you with those particular words right now.

There’s nothing that speaks to ruthlessness in the way he averts his eyes and shuffles his feet, the blunt tip of his shoes catching the wooden floor. You also find it hard to believe that a truly cold-blooded person would willingly cross the country and all its horrors in search of his brother, or take a teenager under his wing.

You might not think much of yourself, but you know that your judgement of character has kept you alive so far. And your instinct isn’t telling you to steer clear of this man - quite the opposite, in fact.

But that’s neither here nor there.

He rubs the back of his neck, uncomfortable with your scrutiny. ‘Just lookin’ for some new jeans.’

‘Alright,’ you reply, taking the remaining five steps to the other end of the jeans rack, a safe distance away from him. ‘What’s your size?’

To your surprise, he huffs a sardonic laugh. ‘At least one up from whatever I have on right now.’

Sucking in a breath, you gesture vaguely at him. ‘Um, do you mind if I take a look at uh - you? So I can guess what size will fit you?’

You’re used to being the most awkward person in the room wherever you go, but this man is giving you a pretty good run for your money right now. While you divert your gaze as he unbuttons the front of his jacket, he fixes his somewhere over your shoulder to the right, grinding his teeth, as if he wishes he was anywhere but here.

Dragging your eyes back to him, you take stock of your customer as he sweeps the lapels of the jacket to the side. Underneath, the green flannel cuts off at the top of the jeans, and you see the soft pouch of his abdomen beneath the fabric. While the shirt is well-fitted, the jeans are obviously too small. The waistband bites into his sides, you can see the subtle overhang of his love handles. Even by the way he’s standing you can tell he’s uncomfortable, packed in way too tight in the denim.

And then… you really shouldn’t, but you stare at the front of the jeans. Now, you know for a fact that the fit will be just as snug there even if he goes a size up…

‘Sorry, not much to look at,’ he grunts, breaking the silence.

Taken aback by the self-derision in his voice, the words leave your mouth before they register, sharper than you mean them to be. ‘Don’t say that.’

He blinks at you. ‘What?’

You gape at him. Does he really not see? His tall, solid frame? The strong columns of his thighs? Is this man blind on top of being frustratingly attractive -?

But of course you can never say that. Instead, you pull out three different pairs of jeans in quick succession and all but throw them at him, heat prickling the tips of your ears as the disbelief that you spoke to a customer like that sinks in.

‘The dressing room is there,’ you squeak, pointing at the far corner. ‘I’ll be at the back if you need any help -’

You turn on your heels, in a hurry to get back to your workshop, but you only get halfway through the spin. It takes you three seconds to realise why - his calloused palm is on your wrist, holding you in place.

‘Actually, I do need help - I broke the zipper, and I’m stuck in these damn jeans.’

You ignore the clench of your stomach at the way he spits out the word damn. You’re not big on swearing, but the cuss word sounds good rolling off his tongue in his Southern twang.

To your horror, a giggle bubbles up your throat before you can slap a palm over your mouth.

‘I’m so, so sorry,’ you apologise profusely, heat flooding your cheeks.

You stare in consternation when those broad shoulders of his quake, a half-smile on his lips as they part in a scratchy chuckle. ‘Trust me, I’m glad I found you first. My brother or my kid would have given me a much harder time. Probably would’ve pissed their pants laughin’.’

Despite yourself, you smile back with a weak attempt at a joke. ‘I mean, I’ll try not to -’

He smirks, the corners of his eyes crinkling. ‘That’s all I can ask for.’

You lead the way to the back of the shop and Joel follows three polite steps behind, pausing by the doorway. Running practised eyes over the space, the contractor in him appreciates the well-built skylight and the sturdy furniture in the room, pieces that were clearly built to last. He places the jeans you picked out for him on the big work table, made of strong timber and aged with time.

He picked up a change in your demeanour the moment you crossed the threshold into the workshop. There’s a quiet confidence in your measured steps, the way you move speaking volumes - this is clearly your place, and you’re so much more comfortable in your skin here.

You point at the spot marked by a round, cosy rug directly beneath the skylight. ‘Could you stand there for me?’

Doing as he’s told, he startles when you march straight up to him, sliding your palms under the shoulders of his jacket to push it off. Your front brushes his chest briefly when you reach around to catch it, but not brief enough for him to ignore the soft swell of your breasts pressed up against him.

Joel is all too aware of his pulse going from zero to a hundred at the fleeting touch, the collar of his shirt suddenly a bit too tight. For fuck’s sake, Miller. It’s been an embarrassingly long time since his head has gone anywhere near there, but of course it has to happen at the most inconvenient moment.

At least you don’t seem to notice, draping his jacket over the back of a chair before retrieving a pair of tailor’s scissors from one meticulously organised drawer.

Just when he thinks he’s gotten a handle on himself, you hit him with a non-sequitur. ‘Are you wearing underwear?’

Only when Joel splutters wordlessly does the full weight of the question seem to hit you. You stutter, ‘Oh god, I didn’t - I mean - I only asked because if push comes to shove, and I have to cut through the jeans, I don’t want to ruin any underwear you’re wearing -’

You trail off, and it’s his turn to stammer, scratching an invisible itch on his elbow as he struggles to remember what he usually does with his hands.

‘No, no, I get it. I’m ahem -,’ he pauses with a cough. ‘I’m not actually wearin’ any underwear right now. Not out of habit, it’s just that I’ve been barely squeezin’ into the stupid jeans even without it.’

His honest answer seems to put you at ease, and you purse your lips. ‘Sounds uncomfortable.’

He shrugs. ‘Have been for months.’

‘I’m sorry.’

He arches an eyebrow. ‘What for?’

‘That you’ve been uncomfortable. That’s one thing clothes shouldn’t be.’

Not quite knowing how to answer you, he watches you grab a velvet cushioned footstool from under the work table and place it squarely at his feet. Then, without further preamble, you sink onto your knees in front of him, knocking the air clean out of his lungs.

As he stares down at the crown of your head, your nose at the level of his waistband, he muses that he hasn’t seen this view for a long time, a very long time. His fingers twitch at his sides, and he closes his eyes, fighting the base instinct to cup the back of your head in his palm and to pull you close -

He breathes out hard through his nostrils and clenches his jaw, casting his gaze heavenwards through the skylight as he actually prays for the first time in years.

Don’t you fucking dare get hard, Miller.

You chew on the inside of your mouth as you consider what’s before you. It’s tricky. The jeans are unbuttoned and zipped up most of the way, but the denim has been caught tight in the metallic teeth, and the handle of the zipper yanked clean off.

Cocking your head to one side, you think out loud. ‘I think we should at least try and unsnag the zipper before cutting. But we’re going to need some lubrication, and we’ll need to give it a really good, firm tug -’

The man chokes on nothing above you, and you frown up at him in a question.

Clearing his throat loudly, he asks through gritted teeth, ‘Do we have to?’

‘I mean, I can just cut open the jeans, but then you’ll definitely have to trade in something extra to cover the costs of the repairs -’

He interrupts, ‘That. Let’s do that.’

‘Alright, your call,’ you say with a nod. ‘Can you hold up your shirt?’

You try not to gawk when he draws up the tails of his flannel, revealing his soft stomach underneath. The mid-rise jeans cut off beneath his belly button, and you eye the trail that sneaks full and dark under the waistband. He’s obviously sucking his tummy in, and you catch yourself wishing he doesn’t feel like he has to.

You bite your bottom lip. ‘Do you think you can fit a couple of fingers into the waistband so I can slide the scissors in? They’re sharp, I don’t want to cut you.’

You watch as he tries, first his index finger, then his middle, but he can barely squeeze in beyond the nail, which turns completely colourless from the pressure. He sighs in surrender. ‘Mfraid you’ll have to, sweetheart.’

You have to close your eyes for a moment, your head swimming. You’re not sure whether it’s from the sweetheart, or the fact that he wants you to stick your hand down the front of his pants.

Well, not exactly that he wants you to. And not your hand. But still.

You squeak. ‘Do I have to?’

He pins you a sarcastic arch of his eyebrows. ‘Well, if you’re sure that you won’t cut my dick off -’

Your face heats up at his blunt words, falling back onto your haunches. ‘Great, now you’ve got me worried -’

Palms up in apology, he shrugs. ‘Sorry -’

‘No, no, you’re right. I don’t want to accidentally castrate you,’ you sigh. ‘Are you - um - well adjusted in there?’

‘I’d go down the right side of the zipper,’ he answers diplomatically.

Taking a deep breath, you ask, ‘Ready?’

‘Whenever you are, sweetheart.’

The first contact is the brush of your knuckles against his stomach, the skin warm and soft on the back of your fingers. You don’t dare look up, but you can feel his eyes on you as you burrow your index finger under the waistband. Though it’s a squeeze, you manage to wriggle in nail side down, creating a small gap - still not quite enough to get the scissors in without nicking him.

Talking more to yourself, you mumble, ‘Better safe than sorry. Let me just get one more finger in -’

Joel chokes so hard that you almost jump back in fright, frowning at him as he catches his breath. ‘Are you okay? Do you need some water?’

His voice tight, he shakes his head. ‘No, I’m fine.’

You wait a beat to make sure he doesn’t go into another coughing fit. When the coast is clear, you gesture at his jeans. ‘Can I just -’

‘Get one more finger in?’ he finishes your sentence in his raspy baritone.

You finally hear it when he says it like that. And oh god, your ears burn as you stare up at him, lips parted, torn between outrage and a very disorienting arousal. ‘You - you -’

A wicked smirk tugs unexpectedly at the corner of his mouth. ‘I already tried, sweetheart. My fingers are too big to fit inside.’

The touch of playful condescension in his tone has your jaw going slack, and your brain practically short-circuits at the thoughts of where else they are too big to fit inside of -

So as it turns out, you’re brave, or just downright stupid, when you’re turned on. Next thing you know, you hear yourself telling him off. ‘I could just leave you in those jeans you know.’

Joel smiles wider, and retorts, ‘I don’t think you would.’

‘Just because I’m shy doesn’t mean I don’t have a mean streak,’ you shoot back.

He seems pleased to have lured you out of your shell, grinning down at you. ‘Believe me, I’m shakin’ in my boots, sweetheart.’

It’s really unfair that he looks this good from where you are on your knees. His eyes are hooded, curls flecked with grays sweeping his forehead. Even though the apocalypse has left its marks on him in wrinkles, frown lines, and smudged bags under his eyes, it has clearly not taken away from that proud nose or plush lips -

Steadying yourself with a deep inhale, you shake yourself out of it. With an in, it’s slightly easier to push in your middle finger into the waistband to widen the gap. Happy with the quarter inch of space, you hold up the scissors. ‘I’m ready to cut if you are.’

He nods his acquiesce. ‘Do your worst.’

Opening up the scissors and carefully fitting the blade beneath the denim, you carefully begin snipping away. They are sharp, but the fabric is tough and you’re conscious of the very tight fit, so you take it slow.

You pause when you’re a couple of inches in, when Joel lets out a groan of relief. Absent-mindedly, you run a soothing thumb over the angry, red indents the waistband dug into the soft pouch of his tummy, sending a shudder through him.

‘Sorry,’ you squeak, snatching back your hand as if he burns you.

Too preoccupied with the relief of being able to breathe, Joel shakes his head. ‘Don’t be. Just keep going. Please.’

Why is that one word - six letters - making your breath hitch?

Gripping the top of the now open fly and pinning it against his body so you don’t accidentally see anything you’re not meant to see - whether you want to deliberately is a completely different matter - you hunker down and keep cutting along the zipper.

Each snip gets easier as the jeans release their death grip on him. The right side of the fly falls away as you cut, the denim peeling back slowly to expose the skin underneath. Your eyes drift to the curve of the pubic bone that’s now completely in view, and it’s taking everything you have to not lean over and run the broad of your tongue along it -

How long has it been since you’ve been with a man? When was the last time you had someone stand before you, pants unzipped and hanging open -

With tremendous fortitude, you tear your eyes away to check on him, ‘All good?’

The grunt of respite that he lets out is almost guttural, going straight between your legs. ‘Feels so fuckin’ good to breathe.’

‘Before I keep going, do you want to - uh - rearrange yourself?’

You expect him to turn around, or at least give you a second to turn around to give him some privacy, but he’s obviously been too deprived of oxygen to think straight. One big palm snakes down his front, right in your face, and he cups himself through the denim.

You stop breathing, eyes wide as he adjusts himself.

Holy fuck.

When he’s done, he gives you a thumbs up. ‘All good.’

This is it. You’re not making it out of this alive.

You can barely get the words out, your throat suddenly drier than sandpaper. ‘Can you, um, hold up the other side of the fly?’

When he does, you stare at his hand next to yours. How is it so big? The veins are prominent on the back, leading down to thick fingers, the nails neatly trimmed and clean - but you bet there’s residue gunpowder underneath.

There’s still a slither of skin peeking through the V of the fly as the scissors slice through the denim, following his happy trail. The lower you go, the thicker and darker the curls, and goddamnit - what is wrong with you - all you can think about is burying your nose right in there, nudging through the hair, lower and lower and lower still -

A sharp pain on your left finger makes you yelp, the scissors falling from your other hand to the floor with a loud clang. A small bead of blood wells up on the tip where the sharp blade nicked it, and in a panic, you let go of his jeans.

‘Shit,’ Joel curses and covers himself up quickly, his brow furrowed in concern. ‘You okay?’

You nod in embarrassment while you get on your feet. ‘I - my hand just slipped. It’s nothing, the smallest cut, I’m fine -’

Well, to be fair, you were fine - until he grabs your left wrist, brings your hand up to his face and sucks your bleeding fingertip into his mouth.

As if it’s the logical thing to do.

Your knees buckle, and you collapse into his front, but he doesn’t even budge, as if you weigh nothing. Taking a deep breath - wood smoke, simple soap and man fill your lungs. Peering up at him through your lashes, you spot the silver flanking the hinge of his jaw, leading down to a peculiar bare patch on the left side of his beard.

He watches you back as he releases your finger with a wet pop. Tracing his bottom lip with his tongue, he pronounces, ‘Just a small cut. You’ll live.’

Will you though? Because it feels like you’re on the verge of expiring from breathlessness.

He glances down at his front, which he’s still holding up. ‘I guess I can get out of these now.’

It takes you three seconds to catch up before you stumble backwards. ‘Yes, of course. Sorry.’

‘Thank you for freeing me,’ he says with a lopsided smile.

You duck your head, unable to meet his gaze all of a sudden - hypocrite, you had no problem perving on him a minute ago - and nod at the jeans on the table. ‘Why don’t you try those on?’

He clears his throat. ‘I, uh, should probably put on some underwear first.’

You barely manage to hold back from smacking yourself on the forehead. ‘Of course. We do have some in stock. Boxers or briefs?’

He looks amused. ‘What do you think, sweetheart?’

You hesitate, but you force yourself to be brave and venture a guess. ‘Boxers.’

He winks, and you grin back.

Joel hovers uncertainly in front of the mirror in the fitting room, having exhausted all the angles he can see twice, and wonders if he’s been dithering for too long. He’s not even sure what he’s looking at anymore, so he bites the bullet and draws back the curtain.

‘How do they feel?’ you ask.

He was counting on some hint from you, but you give nothing away. So he shrugs, hands on hips. ‘I honestly can’t tell you.’

‘May I?’

At his nod, you step into his space, and he watches as you hook your fingers into the belt loops on either side of the jeans and pull them up, as if gauging the size. He holds his breath as your hair grazes the front of his chest.

‘They’re a bit loose, to be honest,’ you tell him.

He scoffs self-decrepatingly. ‘Probably not for long at the rate I’m going.’

You take a step back and level him with a glare. ‘Stop it.’

He frowns, hackles rising. ‘What?’

‘Stop putting yourself down.’

That he didn’t expect. He protests, ‘I’m not putting myself down -’

‘Yes, yes, you are,’ you interrupt him with a boldness that has his eyebrows reaching for his hairline. With fire in your eyes, you go toe to toe with him, poking him in the chest with a firm finger. ‘You’re alive, you’re safe here, and you’re fit as hell. If you’re going to make fun of yourself for putting on a bit of healthy weight, you can go ahead and get out of my shop.’

Warmth blooms in his chest as Joel stares down at you, breathing heavily after your little speech but showing no intention of backing down. You don’t know him, but for some reason, you’re fighting his corner.

That shouldn’t feel as good as it does.

Pursing his lips, he towers over you as he teases, ‘You think I’m fit as hell, sweetheart?’

With a roll of your eyes, you walk backwards to the shelves, rummaging through the sizes before returning with a pair of dark wash jeans. You quip, ‘Don’t fish for compliments, it’s unbecoming.’

You snap the curtain shut in his face with a flick of your wrist before he can answer, and he chuckles to himself as pulls on the jeans you picked out for him.

When he pushes open the curtain again, Joel doesn’t miss the way you pause as you stare.

The waistband sits on his hips without cutting into his stomach, and he’s pleased that he can comfortably slide his hands into the pockets. The denim wraps firmly, but not tightly, against his backside, holding his thighs comfortably and falling straight down to the ankles. The wash is dark and flattering, smarter than his old ones.

When the silence has stretched on long enough, Joel shifts on his feet and asks, ‘Well?’

You turn the question back at him. ‘What do you think?’

He shrugs. ‘They’re alright, I guess.’

With a tilt of your head, you prompt, ‘You can say it, you know.’

‘Say what?’

‘You can say that you look good.’

Joel huffs, shaking his head and catching his reflection in the mirror as he does. At your look of insistence, he reluctantly parrots back, ‘Alright. I look good. Happy, sweetheart?’

Then you smile, really smile, and he feels himself soften - his eyes, his face, his mouth, his fucking old, rickety knees -

Suddenly, the bell over the door rings and a woman bustles in. ‘I’m so sorry, Pin! I know I’ve been gone a long time, but I got your favourite tea to make it up to you -’

She stops abruptly when she spots him. ‘Hey! You’re Joel Miller, aren’t you?’

Before he can answer, she crosses the shop in a bundle of energy, sticking her hand out. ‘I’m Lucy, I’m a friend of Tommy and Maria’s. It’s so nice to finally meet you.’

He lets her shake his hand, then she continues without skipping a beat. ‘How are you settling in? You got that house in the street near the stables right? It’s great, it’s quiet but not too far from everything -’

Since she doesn’t seem interested in his participation in this conversation, he doesn’t. But he notices, with regret, the way you start to retreat, the shyness making a return in the shadow of her clearly more outgoing friend - like a bad habit.

He’s suddenly aware of a lull, and that Lucy is looking at him expectantly, like she’s just asked a question that he didn’t hear.

‘Yeah sure,’ he replies dismissively, stopping you with a hand on your wrist just as you try to slink away unnoticed. ‘Hey, wait a second -’

To Lucy’s credit, she picks up on the snub and the energy between the two of you at the same time. Instead of taking offence, she gives you a knowing look and points towards the back diplomatically. ‘You know what Pin, I just bumped into Maria and she asked me something about our fabric inventory, so I better go check it out. I’ll see you around, Joel.’

With a wink in your direction, Lucy makes herself scarce, leaving the tea on the counter for you.

Joel’s quiet for a beat when you’re left alone again. ‘Sorry, I didn’t mean to run off your friend, but I just wanted to uh - thank you. For all this.’ He pauses, then adds, ‘Like she said, I’m Joel. Probably should’ve introduced myself before I asked you to cut me out of my jeans.’

You quip, ‘There’s always next time.’

He chuckles, and asks, ‘Did your friend just call you - Pin?’

‘It’s just a silly nickname,’ you explain. ‘As in pins and needles, for obvious reasons.’

Then you give him your real name and your hand, his palm warm and calloused against yours as he shakes it firmly. When he lets you go, you notice the watch on his wrist, the veins of broken glass on the face catching the light.

Nodding at it, you ask, ‘Do you need that fixed? There’s a repair guy down the road who can fix anything.’

Confused for a moment about what you’re referring to, Joel pauses before realisation dawns on him. His answer is suddenly polite, a stark contrast to the light-hearted conversation just now. ‘No, I - I like it this way. But thanks.’

You don’t miss the emotional weight behind his words, and the air thickens with unspoken meaning, but you know better than to ask.

‘I understand,’ you say simply.

Everyone has something like the watch is to him. God knows you do. A moment of quiet understanding passes between you, one that needs no words.

Breaking the silence, he says, ‘So, you mentioned I’ll need to trade in something else for these jeans -’

You dismiss that notion with a wave of your hand. ‘Oh no, it’s ok. I got it.’

‘You don’t have to -’

You shut him down. ‘It’s not a big deal, it will take me two minutes to replace the zipper.’

He hesitates. ‘And the boxers -’

Passing him his jacket, you insist, ‘Seriously, Joel, don’t worry about it.’

His fingers brush yours when he takes it from you and shrugs it on. You try not to look too conspicuously when the bottom of his shirt draws up, flashing a bit of tummy, but it’s gone too quickly. With a nod, he concedes reluctantly, ‘You really shouldn’t, but thank you. I owe you one.’

You roll your eyes with no real exasperation as you walk him towards the exit. ‘I know you haven’t been here for long - that’s just how things work around these parts. We do things for each other, you don’t owe me anything.’ Pulling the door open, you give him one last grin. ‘Welcome to Jackson, Joel.’

‘Thanks, Pin,’ he says as he crosses the threshold. He pauses on the porch and looks around the high street slowly, as if he’s taking it in for the first time. He then turns to you with a parting wink that is charged with easy confidence. ‘I think I’ll like it here.’

You linger by the door, leaning against the frame as he jogs down the front steps with a swagger, watching in appreciation at the way his new jeans frame his backside. You smile when he slides his hands into his pockets as he walks away, the afternoon breeze ruffling his curls and the sun warming his broad shoulders.

You think you’ll like him here as well.

Notes: As I was writing this, I couldn't help thinking that it reminded me of Grays 🙈 What can I say? I want to give middle-aged men in need of self-love all the reassurance that they need. I hope you enjoyed Pin and Joel's meet-cute, I'm honestly so nervous about this fic I had to stop myself from compulsively over-editing.

Thank you so much for reading! Comments and reblogs are appreciated as always 🥰

P.S. Apparently, there is a Main Street Outfitter in the game, so I ran with it.

Dividers by @firefly-graphics

#tlou fanfiction #the last of us fanfiction #joel miller fanfiction #joel miller x you #joel miller x reader #joel miller x f!reader #joel miller x fem!reader #joel miller x female reader #joel miller fic #joel miller imagine #joel miller oneshot

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am-i-the-asshole-official · 1 year ago

Note

AITA for not having time to read my mutual's writing?

Met a mutual on here, bonded through fanfic, have been tight with them for a few years with pretty much no bumps in the relationship, just overall had a really good time hanging around them when I could. We both write a lot and share our writing, and occasionally we talk about that writing/workshop it in passing.

In the past few years I've gone through a ton of life changes. Most notably I went from a multi-person household to a single-person one, and I've been living alone in a prohibitively costly city for a while now working 40 hour weeks and barely scraping by. As soon as the transition started I spent the last of my free income on a shitty little laptop so I could still write, putting down words on my bus/train commutes in the morning and quite literally writing on my breaks at work because I feel insane when I can't create. I bring this up to really stress that I don't have the time for the hobby, I force myself to make the time and even then it never feels like enough.

The only thing I can really stand to do with my 3 hours of free time at night is hang out with my moots online. I'm an extrovert so being around people recharges me. If I don't have designated social time I get super depressed and can pretty much feel my soul withering away. I also feel like I should probably mention that I kinda have a slew of mental issues, personality disorders and PTSD and AuDHD and the works. Point being, shit is rough my dude, but I am a person who likes to work hard and face challenges head on and even though we strugglin, we doing it with a positive outlook.

But! I am an incredibly solution-oriented person and I have found what I personally believe to be a good balance. No one should have to live like this, but I do, and I have found a way to be happy. My writing and my social time is all load-bearing. It is not something I just choose to do on a whim, it's all planned and scheduled and I adhere to those routines very strictly because, I cannot stress this enough, I will go fucking bonkers if I don't.

I'm mutuals with a lot of writers obv, and I sadly don't have time to read their work anymore, unless I get some extra time on my days off or something gets cancelled or like, I end up taking a vacation. I carry a great amount of guilt for this, though, even though I logically know it's reasonable. I try to support them where I can, cheer them on when I see them writing and tell them how cool their ideas sound, hype them up even when I can't actually read & review.

One of the things I do is sometimes I leave a kudos on fic I haven't read. I'm not trying to be ingenuine, and if they asked me I'd tell them like 'Oh I didn't read it yet, just wanted to show support!' but to me it's kinda like ripping a paper tab off a poster so that other's feel inclined to do the same. Plus my pals get a little email and a hit of serotonin.

Except one of my acquaintances, the one I mentioned at the start here, saw that I left kudos on a couple pieces another mutual of mine wrote this year. They more or less blew up my DMs with a ton of accusatory (like, literally presented like a 'GOTCHA!') stuff about how I was selective in who's fic I read, more or less implying that I secretly held some sort of grudge or negative feeling toward them and was making the conscious decision not to read or interact with their writing because of. Something, I don't actually know what they were trying to say. They also told me they vented to their friends about this MULTIPLE times, but they never once approached me to let me know they were feeling paranoid or neglected, they literally just took the most bad faith reading of it possible and then presented that to me like it was something I intentionally did, while the whole time I was unaware.

I tried to explain to them the kudos thing, that I didn't do it to every story, just ones I caught/noticed in my busy schedule. And I laid all this out and asked, multiple times, what free time am I supposed to read with? They didn't answer, and doubled down, kept trying to show me 'proof' that I was shorting them and no one else. Once they started to realize how wrong they were they backed down, but they didn't really apologize, or admit they were wrong, and they tried to end our relationship and left every single server we were in together. Because of some other unrelated stuff going on in my life, I didn't really consider them to be a close friend, but they were someone I really held dear and would've walked through hell for if they'd asked.

I still feel like there is something I'm missing here, and that's why I wanted to ask if I'm TA. I'm a pretty good communicator but one of the things I told myself when talking down my disordered thoughts (guilt about this prior) was "no one in their right mind would use reading fanfic as a metric for friendship." Now that I've had that exact thing happen, I'm starting to think maybe those thoughts weren't so disordered. Maybe this IS a big deal, and I should think about it more, but I don't even know what the solution to that would be. I just. Don't have time to read something lovingly crafted and appreciate it for what it is. All the hours in my week are used up, I'd have to lose sleep for this and with my mental health the way it is that is not an option.

Feel free to be a brutal, my skin is thick. Thanks!

What are these acronyms?

#aita #am i the asshole

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fawnforevergone · 1 year ago

Text

The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

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simplyzeeka · 22 days ago

Text

Note: This is my first fanfic ever. With the way I've been earing these Terry Richmond fanfics up? This was bound to happen!

Warnings: MDNI!! Ts is nasty, Terry is nasty. Slighttt humiliation, slighttt choking, oral (f recieving), p in v... and just Terry Richmond y'all

Pairing: Doppleganger!Terry x black fem character (Drea)

Summary: With the rising population of doppleganger attacks in Yohnville, Drea is a little past worried when her boyfriend Terry doesn't make it home on time.

Do not repost, re-upload, steal or copy my work!!!

Doppled Distractions

“There have been three more reported deaths tonight, the cause seemingly being caused by the increasing population of doppelgangers in the town. Investigators and officers urge civilians to stay indoors and ensure all possible entrances are barricaded. The town's mayor is said to address this issue tomorrow morning.”

Drea shut the TV off, having heard enough that it caused exaggerated ringing in her ear. Her leg bounced up and down, her head in her hands while constantly looking towards the door.

Terry forgot his key before leaving for work, and while Drea usually does leave the door unlocked, however, there is a growing discomfort in doing that today especially after watching the news report. She was also worried about her boyfriend, the time was going on 11pm and he still wasn't back. Terry was never late.

“Where the hell are you, Terry?” She whispers to herself, her attention darting between the clock above the TV and the door. Contemplating on whether she should leave the door unlocked for him.

She's startled out of her thoughts by a pitched sound coming from her phone, one that has her running to find it, in hopes that it was Terry texting her, telling her he was on the way, that he was safe. Only to be disappointed to see it was a dumb Instagram notification. Who the fuck would be posting at this damn time, was unbeknownst to her, but she didn't do the honors to check, to frustrated at the situation in hand.

Drea opts for leaving the door unlocked, then retreats to their room where she got into bed and prayed that he would come back to her, in one piece.

The silent ‘click’ of the door was unheard by Drea as she was in deep slumber. Slow steps creak on the loose planks Terry had said he would fix but always forgot about.

With long legs, it didn't take long for him to reach the bedroom, the whirring of the ceiling fan drowned out Drea's soft snores. It was summertime in Yohnville, and the heat was so unbearable that cool night breezes did nothing to ease it.

Drea had long kicked the covers off of her, exposing the smooth skin of her thighs, arms and chest. A loose, lilac coloured silk nightgown was now bunched up around her waist as she layed on her stomach. Head covered in a bonnet since she got her braids done recently, Terry always loved her in braids.

She stirs at the feel of cold hands gliding up her legs followed by a dip of the bed. “Baby.” a gruff voice eases her out of her deep slumber although everything else was still a bit jumbled. He was back, and in one piece.

“T? That you?” She asked, although she already knew it was, could tell by how good he always smelled, like old wood and a hint of something sweet. Drea would often tell him that he smells like obsession.

“Yeah, sorry for coming back so late. There was a problem at the workshop.” He roughly responds, sounding exhausted almost. Drea sighs when the cold tip of his nose runs along her shoulder, to the length of her neck, inhaling the intoxicating fresh scent Drea naturally had.

“You could've texted me, or atleast called, T.” Drea sleepily complains, still a little out of it and his presence always left her a little dizzy, that scent.

“Hmm, I'm sure he's sorry baby.” Terry mumbles in the shell of her ear. The statement had Drea frowning, before she flips on her side and faces him. Gorgeous eyes, the prettiest she's ever seen. Fresh fade, neatly trimmed goatee and plump, thick lips. Definitely her Terry. “Huh?” She whispers for him to repeat, she must've still been sleepy.

“I said I'm very sorry mama.” He smiles, before pressing a soft peck on her lips. Drea hums at the contact and chases his lips when he pulls away, which has him chuckling. “Mhm, had me worried. You watch the news?” Drea smiles as she glides her fingers across his thick eyebrows. Damn he was so pretty, fine, handsome. All the words in the book.

“Don't worry ‘bout that, I'm here now.” Terry responds before softly flipping her on her back, hands running up the skin of her waist, raising her nightgown higher, to where it now ruffled around her chest.

Flimsy lace panties she had on, barely leaving much to the imagination, a wet patch right in the middle of them that the darkness of the room couldn't even hide. Terry always had her like that, looking at him was enough to have her wet and wanting.

“And I'm hungry as fuck, mama.” He adds, his fingers dancing under the bands of the thin material. Slowly, he pulls the garment down her thighs, his eyes trailing up the length of her body until they reach her eyes.

“You gon’ feed me baby?” He asks, taunting really as he tilts his head. Her panties now settled at her ankles. Drea pulls a foot out of one loop, her throat dry and her eyes hazed. “Only if you got the appetite.” She doesn't back down, because one thing Terry loved the most, is when she went band for band with him.

The laugh he lets out is an amused one. “Always got the appetite.” He mumbles before laying on his stomach and throwing her legs over his shoulders. He held her thighs to the side of his face, blowing on her sensitive bud as one would to a hot plate of food.

It was how he left soft pecks around her fluttering lips, purposefully missing the spots she wanted him most. Drea leans on her elbows so she could watch him, her head shaking at his teasing. “Don't play that today.” She orders softly, because why would you ask for food then play around it, he had better manners than that… Well Terry did at least.

He laughs, looks straight at Drea when he licks one, long stripe from her leaking hole to her now engorged clit. Drea shudders, the heat of his tongue being a large contract to the wind from the fan. She cages her bottom lip between her teeth, eye contact maintained as her hand brushes over his fade. “Mhm, keep goin’.” She urges softly, and by the look on her face, why wouldn't he be happy to oblige.

He ate her slowly at first, drawing out the softest of whimpers and the most enticing of moans. Slurping up the essence she so kindly lifted him. Drea tries to bury his face deeper into her pussy, but he smacks away her hand and hums in refusal. “You take what you get.” He mutters before diving right in.

And take she did, take she had no choice but to do, especially when he had her stomach laid on a pillow, legs bent and parted as he takes all that he needs.

“Shiiitt, I'm- fuckk I'm gonna cum.” Drea mewls as he drills into her relentlessly. Her jaw falls slack, the way his dick dug out her pussy had her eyes crossing in need. Something was different, yes sex with Terry always left her dumb, but something about the way he was fucking her now was carnal. He was fucking like he hated her, but the way he talked her through it? Yeah, something was definitely different.

“Yeah? All on this dick mama? What you waitin’ on, hmm? Let it go, just like that, cum on your dick.” He coaches her into it, commanding her nut out of her as he skillfully strokes into her, hands on her hips, forcing her to stay still because he didn't want her running, just wanted her to take.

Drea claws at the sheets in front of her, threatening to pull them completely off from the corners. “Oouu fuck! Right there, fuck you so deep, T.”

He kept jabbing at this new spot, one she didn't even know she had. Everything felt different, yet so good because Drea has never felt dick like this.

“Mhm, right where I'm ‘sposed to me. Gripping my shit so good, you were made for me, weren't you? Just for me, look at you. Pretty baby.”

Because how was Drea supposed to keep breathing when he spoke like that? She was already crazy enough about Terry, but after this? This will have her world fucked about him.

“Breathe mama, breathe through it. Can't be that dick dumb, baby. Tighten up.” He moans too. He's never been this… condescending, but fuck if it didn't make Drea cream all around him, that sentence sent her over the edge, “Fuckkk, I'm cummin’.”

He fucks her through it, had no choice but to with the way Drea gripped his dick. “Flip over, I wanna see your face.” He orders, slipping out of her. His mouth watering at the sight of her own nut dripping out of her.

Drea follows the order, flipping over her back, her head thrown back in exhaustion. He holds her legs up, pushing them to her chest and sliding his dick right back into her. “Oouu shittt, wait wait wait.” Drea whines as she places her hand on his stomach to deter his movements.

Was he thicker? Longer? Because fuck it felt like he was impaling her, his dick had her stuffed. The stretch felt so much more intense than usual, his dick was carving her pussy to fit him specifically, Drea was sure no one would compare to this.

“Move your hand and hold your legs.” He orders lowly, trying to get used to the tightness of her walls himself. Drea sucked his dick in as he slowly adjusted. She followed his order, as usual and held the back of her thighs while his hand sneaks to her neck, wrapping around before making her fuck him back.

“You feel me baby?” He asks while looking down at her. “Yess, yes I do baby.” She couldn't help but to moan out loudly, he rubbed past her spot so deliciously that giving him pussy wasn't nearly enough for gratitude. “Where you feel me at baby? Right here?” He taunts, his thumb pressing down on her stomach with every thrust and that had her instantly creaming.

Unable to speak, she nods her head as her eyes cross over. “Stop playin’ and use your words.”

Drea looks up at him with furrowed brows, his eyes looked so damn good. She loved his eyes, such a pretty colour. Still she shakes her head, he was balls deep inside her, taking her soul with every thrust and he expected her to be able to speak?

“You don't listen D. But it's okay baby, don't worry. We gon’ get you right.” He says before picking up the pace gaze stuck on hers. He moves his hand from her neck and holds her hips instead, bringing her onto his dick.

Drea closes her eyes and lets her head fall back onto the messy sheets. “Fuckkk. Oh my fuckin’- ung.” She gasps between short breaths.

By now there were tears falling down the side of her face. “That's right, look at how you gushin’. She love me, don't she?” His thumb grazes her clit before intentionally rubbing figure eights of the swollen bud. Drea nods and whispers out the softest of ‘yeses’ her throat allowed her to. “I know she do, baby. I know.” He coos at her with furrowed brows.

Drea's pussy was magical, would have anyone crazy about her just from the sight alone. Right now, he had to hold off from coming so many times, because her faces were worth it, the sounds she made. All of it was worth watching.

He slows down for a moment, tucks his arms under her legs and holds her waist tightly before pulling her up to his chest. The squeal she let out from the sudden movement had him laughing.

The pace starts up again and he musters all the strength he has to bounce her on his dick in a steady pace. With her bonnet long gone on the floor, Drea throws her head back, her hands around his neck.

“Fuck fuck fuckkk, I can't.” She shakes her head. Terry nods his head, his bottom lip between his teeth as he looks at her. “Yes you can mama, you doin’ so good. Takin’ this dick like a big girl. I see you big girl.” He praises, “Look at me baby, hmm. Please look at me.”

And she obliged, again, because he was fucking her so good, so so good that it's bloomed something more in her heart. Not only did his dick impale itself in her pussy but also in her soul. He was there for life now.

“There she is, pretty baby. You gon’ cum with me? Cum with your dick mama. I'm bout to nut, fill you with this shit. Cause it's yours, you hear me?”

Drea nods, “Fuckk, I hear you T, I hear youuu.”

“Fuckk, I'm close. Gon’ head and let it go baby. There you go. Good fucking pussy.” He says as he feels her wet him up, and he follows right after.

Painting her walls white as she squirts on his lap. Terry fucks his nut into her, engraving it in her pussy, because that's precisely where it belonged. “Good girl, you did so good. Easy baby.”

Drea had her head on his shoulder. Fucked out and tired. Her braids curtain her face as she tries to catch her breath. “You had a bad day at work or something?” She asks quietly with a laugh.

Terry laughs and shakes his head. “Somethin’ like that.” He responds and Drea hums. Sighing softly as he settles her down on her back on the bed. They would have to change the sheets before going back to sleep.

“Should have more bad days, cause what the fuck?” She whispers, causing him to laugh as he walks towards the bathroom and comes back after a while. “C’mon, bath time.” He mumbles as he picks her up again. “Sir, yes Sir.” Drea sighs as she allows herself to be carried.

What a shame she didn't notice his ink free skin, cause maybe then Drea would have seen that her Terry didn't make it home tonight.

Note: Maybe I went a bit overboard. A little messy but this is my first time so... idk chile. A little something for spooky month, hope you enjoyed🎃🎃🎃

#terry richmond #terry richmond x oc #black!fem!oc #terry richmond fanfiction #terry richmond smut #rebel ridge #freak nasty #fine as fuck #his eyes

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ch3rriiii-bunn · 1 year ago

Text

Pretty thing♡

As a manga reader, tears started running down my legs when I saw haganezuka's face revealed 😍 here's some haganezuka smut for yall

Warnings: fem!reader, reader is mentioned to be haganezuka's girlfriend, chubby/muscular reader, mention of stretch marks, smut, caught masturbating, virginity loss, love making to rough fucking, cervix fucking(?)

"Y/n. Serious question. How did you even manage to catch haganezuka's eye?" One of the men asked at your table. "I have to know as well. I've never seen the man take any interest other than a sword. That and working out, " the other man said.

Even though those things were true for haganezuka, you couldn't help but laugh at how others can say that out loud. However, it was different for you. What caught his attention was that you are a woman. Not because he hasn't been around women or anything, but you are a woman who loves to create swords almost on the same level as him which is what caught his attention.

Haganezuka would mention how you were a distraction to his work since he said, "You're so beautiful when you create swords. i might just make a mistake with mine!" He basically confessed. He found you very attractive physically, too, with your pretty face and your chubby figure, but will maintain muscles in your arms from the sword making.

"Come now, even you can bond with the man if you spend time in his work shop and have a talk with him," you chuckled "nah I've done that. I straight up got ignored. " The other man sighed, and you laughed "he dose mean well. He takes great pride in his work, and I really admire that, and he still takes care of himself, which is good as well! Spending time with him in the work shop and getting to have him snuggled up with me at night after a longs day of work is all I need from him" you smiled and the men around you looked in aw at your wholesome words.

After lunch break, you headed back to the workshop. Before greeting your beloved boyfriend, you see him, Angerly packing some stuff up without his shirt on. You sighed and put your hand on your hip. "Let me guess. That Kamado boy broke his sword again, huh?" You chuckled. "I'm going to kill him! Dead! How dare he break MY sword! I'm going to throw his sister in the daylight for this!" He said and rushed out, stomping in anger.

You cleared your throat, making haganezuka stop, and then came back to you. He gave you a hug and then left. "I'll see you soon! Be safe!" You waved.

It's been hours now since he left. You've been in the shop finishing up the sword for three swordsmen and sighed in satisfaction. "Yes. Final sword for the day. For once, I'm happy to be finished, and I can rest now, " you said and sat down on your chair. You looked up at the ceiling. "He looked so handsome without his shirt on... really handsome, " you said, bitting your bottom lip with your legs starting to rub against each other.

You couldn't stop your dirty thoughts, and you didn't think you could make it home given your current state to take care of yourself. You went to wash your hands off and went back to your chair, pulling your pants down to rub at your clit over your panties. "haa... I wish he knew the things he did to me when he's shirtless like that.." Your head falls back, letting out soft moans. You felt yourself getting wet, feeling the wet spot already on your panties.

"Unbelievable!" Haganezuka yelled and kicked the door open. "y/n this child had the nerve to apologize after breaking... my..." haganezuka started to lose his train of words by seeing your back turned to him, sitting on the chair and your pants down to your ankles, making out what he just walked in on.

You gasped, holding your legs to your chest and resting your head on your knees to hide your shame. "I-... okay, listen - ahh, I can't explain myself! Just!!!" You choke onnyour words, not being able to explain yourself. "ok, go back outside, come back in. I'll be dressed, and you can pretend you didn't see anything, " you said.

Haganezuka just stood there for a few seconds before shutting the door. "Go back outside? Why? How come you're doing this without me?" He asked, almost mad and took his mask off. You turn your head looking at haganezuka, confused at his question, "I'm sorry... what do you mean?" You asked

"I'm your boyfriend. I should help you with this, right!? I have knowledge on what to do, " he said, coming closer to you, but you hide your face him, making him stop. "y-you don't "have" to. it's just... well... " You stopped once you felt two large hands caress your shoulders. "I didn't say that because I "should" help you. I said that because I want to damnit. How long have you done with when I'm not here?" He asked curiously but almost upset

"Just.. when I feel like it. Or when I have time to myself. Please don't be mad, I've never asked you because we are so busy with making swords and I know how much you dislike when people interpret your time making swords" you look back at him with puppy eyes. Haganezuka leans down and kisses your forehead. "I do hate it, but if it's my own girlfriend? I allow it... for 3 minutes, " he said, making you both laugh. "I'm serious though," he said in a serious tone. "I know you are" you smiled.

"Okay, cover up now. Let's go. " Haganezuka took his kimono off and put it on your legs, picking you up from the chair. You held onto him quickly. "You're an idiot for not coming to me sooner about this. However... I will take care of this since it's my fault for not noticing the pleasure you needed. It's your first time, so don't think we are doing something like this in my precious work shop, " he said, carrying you and walking out.

"we are having sex at our house!" He loudly announced. "Shut up!" You covered his mouth, almost fighting him. "What is wrong with you!? Don't say that out loud!!!!"

Haganezuka had you on the bed underneath him, naked and kissing you more passionately than ever. Your hands grab on his broad back, feeling his muscles and his warm skin and feeling his tounge swirl sound yours in your mouth.

His hands grab your hips, fitting himself between your thighs to close the gap between the two of you. Haganezuka pulled back "is this okay?" He asked and you nodded, using your hands to cover your exposed boobs. He chuckles at your shynes. "Your body is beautiful. I love it, your stretch marks are very pretty too" he praises as his fingers touch your stretch marks, tracing them out and his fingers lightly touching your lower stomach making you tremble a little from the ticklish feeling "can I touch you more?"

He asked so sweetly, much sweeter than ever you just couldn't say no to him. You nodded, closing your eyes, feeling his lips press on your neck, giving your neck soft, gentle kisses. His fingers trail down to your bare pussy, rubbing your clit in a circular motion. "You're wet. Are you still wet because you couldn't finish when i walked in on you?" Haganezuka said, giving your neck love bites.

You could feel his smirk on your neck at the question he asked. You didn't answer and only turned your head away in embarrassment. "Don't say that," you whispered with soft whimpers getting hotter from his touch. "Fine. Don't answer, " he said, kissing down your neck to your collar bone, giving it love bites, and then getting to your nipple.

Haganezuka moved your hands out of the way to see your boobs. His face was flushed. He didn't know how he eles to appreciate your beautiful body with words and just took action and started to take your nipple in his mouth. "Haganezuka~" you moaned, feeling his warm wet tongue and lips wrap around your harden nipples

He kept eye contact with you. Whenever you wanted to look away, he used his teeth to bite on your nipple making you mewl. haganezuka's fingers moved down frkm your clit to your hole and put one finger in, moving it slowly. "H-haganezuka, please~" you begged, wanting more

"Have you forgotten patience?" he kisses your stomach. "I need to take my time with you. I can't do this right if I'm not focused, right?" he said, and you both chuckle since it's something he says when making swords perfectly, but he's trying to make you as comfortable with him in the moment as much as he can

Haganezuka kisses your inner thigh, holding onto your thighs. "Can you be patient for me?" He asked, looking at you with such lustful eyes. "Yes," you bit your lip with a shy smile. Haganezuka smirked "that's my girl" he stuck his tounge out, giving your pussy a long lick, tasting you and keeping his eyes focused on you.

Your back arches, and you gasp from the feeling. "Oh my gosh~" you whispered to yourself, grabbing onto the bed sheets as you kept feeling his long, wet licks on your pussy. You couldn't hold back your moans, your whimpers and your hips from bucking in his face when he starts to fuck on his clit. You felt haganezuka enter another finger inside, and you grab onto his hair, clenching on his fingers.

Haganezuka bottomed out, loving how your hips push your pussy onto his tounge and moaned from the feeling of you clenching on his fingers. He fucks his fingers into faster, now adding a third finger trying to find your g spot. Your body jolts when you feel his fingers hit your spot, grabbing onto his hair. "Right there! Right there, right there!" You whine, covering his fingers with your white fluids.

Haganezuka waited until he calmed down from your high and then pulled his fingers out. He watched as your pussy throbbed and gulped "y/n. I need you now, can I put it inside you now? he asked, almost desperate with heavy breathes with his hand over his pants and then started to take them off, exposing his cock with pre cum leaking from it.

Your eyes widen from the size. He was a good size in length but the thickness of his cock was much bigger then you expected even with his huge, musclar build. "Haganezuka.." you say opening your legs more and using your fingers to spread open your pussy "I need you so badly. Put it inside slowly, okay?" Looked at him.

"Y/n~" Haganezuka moaned your name sliding his thick cock between your wet folds and then pushes it inside you, slowly forcing it in "y-y/n~ haa fuck you're so tight". You let out a loud gasp, holding onto his biceps tightly "just a little more~" he moaned grabbing your legs to spread you out more to be fully inside you. "Are you okay?" Haganezuka asked

You nod quickly, bitting your lip whimpering softly being a full of his cock you his tip already poking at your spot. "Y-you can move now" you said. Haganezuka starts to thrust his hips slowly, breathing heavy and shuts his eyes with his brows frowned together to hold himself back. "You're so tight, so tight~ and we wet. You won't let me go with how hard your pussy is clinging onto me" he said, rubbing his thumb on your clit.

"F-fuuck~ ha-haganezuka. Go harder, go faster, " you whispers, wrapping your arms around his neck and wrapping your legs around his waist. "You sure? You want me to fuck you harder like this?" Haganezuka let's out broken moans as his hips snap, fucking you faster, bullying your cervix with his tip

You moaned, loudly almost screaming from how rough he got and pushing your leg back to your chest "you feels good. s-so good~ really good. Your moans sound so pretty" he said with broken moans "I'm gonna cum. Fuck I can feel how much wetter your getting, cum for me y/n" Haganezuka holds your boobs together and sucks on your nipples while snapping his hips harder and harder.

"Haganezuka~!" You whined as you tremble from your sensitive nipples being sucked and his tip repeatedly hitting your spot. You gripped onto the sheets, looking at him with teary eyes. "haganezuka!! I'm cumming I'm cumming!" Your head went back, moaning loudly creaming on his cock.

"Y/n" he moaned, his thrust getting more sloppy until he gasped, cumming a little inside you and pulling his cock out of you cumming the rest on your pussy "you were squeezing me so tightly I couldn't pull out in time. Sorry, " he said, looking at you concerned.

You shook your head, breathing heavy from your intense orgasm and weakly reached out to cup his handsome face. "Don't worry about it. I was hoping you'd cum inside me though" you grinned.

Haganezuka narrows his eyes and leans closer to your face. "we have all night, I'll fill you up as much as you'd like. My pretty girl"

#demon slayer smut #kny smut #haganezuka smut #haganezuka x reader #demon slayer haganezuka

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