#so honestly your game on older Michael is pretty accurate

[chloesimaginationthings]

you draw adult michael like he kisses boys daily instead of taking his meds but teen michael like hes homophobic and you're so real for that tbh

This is such a funny read but you’re sorta right too

[writerofshit]

For almost 3 years the crew doesn't know when Matt's birthday is. This is solely because he never brought it up and sometimes the crew thinks he might have sprouted, fully formed, in front of a computer monitor roughly ten years ago. He didn't. He does in fact have a birthday.

When the crew finally realizes this, Trevor takes one for the team in trying to figure it out. He makes a point to bring it up all nonchalantly, 'yeah, Lindsay says you do that because you're a Virg-....Aquari-... Gemini?' complete with arched eyebrows and wide eyes.

And Matt's an observant guy, yeah, but more so when it comes to patterns in bank transactions or when the local donut shop has his favorite donuts available. People, even friends, are another story entirely. So he just shrugs. 'what does me being a Gemini have to do with liking mustard on a hot dog?'

But Trevor doesn't have an answer for that, of course, because it was bullshit to begin with. Instead he mumbles something about stars and time and relish, scurries off to tell Jeremy what he's learned. Which isn't much, sure, but at least they've got a window now.

The entire crew spends a ridiculous amount of time dropping opinions on May and June dates. 'yeah I'd hate to be born on June 2nd. Wouldn't you, Matt?' and 'May 27th is my favorite date for sure. What's yours, Matt?' and 'i've never met someone with the same birthday as me, May 23rd. Have you, Matt?'

And again, yeah, Matt's an observant guy. Most people, in fact, are probably observant enough to notice when an entire group of criminals act really fucking weird about the calendar. But again, Matt's observant about things like tiny movements on camera feeds or that there's not extra onion on this burger, actually. So he shrugs and says 'yeah I knew someone growing up who was June 6th. We used to argue about who could have a party. I always lost.' like this isn't information the entire crew has been fishing for over the last month. They probably could have asked outright and Matt wouldn't have cared.

It's honestly kind of annoying.

The week his birthday rolls around again, they go all out. Big ass fucking party, invite everyone they can think of. Every old friend not turned enemy, crews they've talked about working with but never got around to, minor celebrities they know Matt will get a kick out of toasting in his honor. It might actually be the biggest party or event or goddamn crowd Los Santos has ever seen. All there for Matt. All celebrating this guy most people have never seen.

It's a kickass time. Matt gets hoisted up and sung to, then Michael, then Fiona, then someone Matt is sure he's never met. 'It's a cover.' Jeremy drunkenly yells in his ear. 'So no one knows who's really you.' It's a sentence that's not quite right, but Matt appreciates the sentiment. It's also probably not even accurate, given that he was the first up and they've made him cut a cake on a stage, for some godforsaken reason. It's the thought that counts, though.

All in all, Matt thinks it might be the most fun he has ever had.

Two days later, on his actual birthday, it's almost the complete opposite. In terms of scale, at least. It's just the crew, up in the old penthouse Geoff swore he'd sold. He hadn't, of course. Never could bring himself to pull the trigger on it.

It's pizza and beer and donuts and cupcakes. It's Mario Kart and Ultimate Chicken Horse and a game of Monopoly that's played in teams, somehow. It's stories that reach all the way back to an alleyway, three idiots pointing guns at each other because they had no idea what they would become, what they'd join into. Jeremy says they were 'pretty sure Matt had never held a fucking gun before that' and Trevor agrees wholeheartedly.

They try to pick their favorite 'Matt's playing music over the loud speakers during a fucking bank robbery' song. It's a tie between Wake Me Up Before You Go-Go ('because i knocked out that fuckin' guard and he thought it was funny!' Michael yells. 'who the fuck thinks of that?' and Call Me Maybe ('because god forbid i take one breath before I answer him. I wasn't even in the bank, i was across the fucking street playing lookout! I only heard it through somebody's earpiece.' Alfredo says, rolling his eyes.)

When the night winds down, and it's no longer Matt's birthday but they're still pretending it is, Jack brings out an apple with a candle stuck in it and Geoff cries with laughter. 'you're getting older, Matt, you gotta eat more fruit.' she says. Matt argues that he does eat fruit, he had a lemon lime flavored cupcake at the party.

There's one whole serious moment during all of it. Things get quiet, Geoff not quite meeting anyone's eyes. 'y'know, Matt, we all make a lot of jokes. We call you an asshole, tell you we hate the plans you make. I don't know how many times I've said I regret hiring you, or any of you, really. And, uh, yeah, sometimes it's true.' It earns him a chuckle from around the room, and he clears his throat. 'but seriously, you're, uh, you're one of the best fuckin people I know. All of you are. And we're lucky to have you. We love you, man.'

Nobody cries, because this is a group of hardened criminals who rob banks and blow up buildings and kill people, sometimes, so of course they don't fucking cry. They do, however, somehow all find themselves with a serious case of the sniffles, all wipe totally non existent tears from their cheeks.

No one says anything, for a long moment, not even Matt. He should be saying thank you, or telling them how much he loves them too, or hell, even cracking a joke. He can't seem to find the words, though.

Jack holds up her beer. 'to Matt.' she says. Around the room, various drinks go up almost immediately, and there's a not even close to in sync chorus of 'to Matt.'

No, tonight is not nearly as grand or extravagant as the party two days ago. There are no expensive cars being raced, no crowds of people shouting 'Axial!', no stages or celebrities or fireworks. This is just his family, together.

It is the best birthday he's ever had.

[ot3]

i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey. 

anyway. here you have it. 

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith.  I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it. 

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene. 

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department  as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land. 

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass. 

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area.  In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.  

[ofmargos]

chicago’s very own margo rosas has been spotted on madison avenue , with a striking semblance to camila mendes ! you may know them as @margo or hitting the front page of tmz as margo rosas is making her comeback on broadway ! according to tmz , you just had your twenty-third birthday bash . your chance of surviving new york is uncertain because you’re overdramatic , but being passionate might help you . things that would paint a better picture of you would be the sound of stilettos hitting the pavement , the thunderous sound of applause , and having the poise of a well-mannered lady but the mouth of a sailor . ( cis female + she / her )

omg hey y’all it’s ya girl lia back at it again with the broadway b*tch herself , margo ! fun fact : i’ve been writing for margo off n on for THREE years ?? that’s wild . no matter what i do i cannot get rid of this muse akjsdnk but i love her and i hope y’all do too ! under the cut is far too much info on her ( i’m sorry it’s long !! ) pls go ahead and give this post a like if you give me consent to come bug you in the im’s / discord ! <3

*+:｡.｡ 𝐒𝐓𝐀𝐓𝐒 ｡.｡:+*

–;; 𝐅𝐮𝐥𝐥 𝐍𝐚𝐦𝐞: Margaret Lucia Rosas – ;; 𝐍𝐢𝐜𝐤𝐧𝐚𝐦𝐞(𝐬): Margo ( preferred name ), Mars, Mar, Pain in the Ass, Drama Queen – ;; 𝐀𝐠𝐞: Twenty-Three – ;; 𝐃.𝐎.𝐁: 31 October 1997 – ;; 𝐙𝐨𝐝𝐢𝐚𝐜: Scorpio sun, scorpio moon,  leo asc ( yikes ) – ;; 𝐆𝐞𝐧𝐝𝐞𝐫: Cis Female – ;; 𝐎𝐫𝐢𝐞𝐧𝐭𝐚𝐭𝐢𝐨𝐧: Bisexual Biromantic – ;; 𝐇𝐞𝐢𝐠𝐡𝐭: 5ft 2 – ;; 𝐁𝐢𝐫𝐭𝐡𝐩𝐥𝐚𝐜𝐞: Chicago, IL – ;; 𝐂𝐮𝐫𝐫𝐞𝐧𝐭 𝐋𝐢𝐯𝐢𝐧𝐠 𝐂𝐨𝐧𝐝𝐢𝐭𝐢𝐨𝐧𝐬: Luxurious apartment in Manhattan – ;; 𝐎𝐜𝐜𝐮𝐩𝐚𝐭𝐢𝐨𝐧: Singer / Songwriter + Broadway Performer ( Julia Michaels VC ) – ;; 𝐓𝐫𝐚𝐢𝐭𝐬: Passionate, creative, dramatic, distrusting, outgoing, ambitious, fun-loving, loyal, daring, sarcastic, stubborn, overconfident, impulsive, hard-working, petty, secretive, short-tempered, vindictive

*+:｡.｡ 𝐁𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐘 ｡.｡:+*

*TW: undiagnosed illness, death

grew up as an only child in chicago, illinois. her family was definitely in the middle class but her parents both worked hard to provide their pride and joy with everything she could’ve wanted out of life

and it became apparent early on that what margo wanted was to perform. she was always singing around the house, putting on one-woman shows for her parents, and following along to the choreography of her favorite DCOM on tv. and in order to keep her satisfied, and also out of the house while they were both working, her parents threw her into an abundance of performing arts classes: ballet, tap, and jazz classes + singing lessons + acting workshops-- you name it. it was a very expensive hobby but her parents were willing to put in the extra work hours to fund her passions

she honestly grew up blissfully unaware of the sacrifices her parents were making on her behalf. they just never made her feel like she was inconveniencing them in any way. if she wanted to spend her day turn acting, singing, and dancing then so be it. they supported her emotionally and financially 100%

*ILLNESS TW* but the rose-tinted glasses were ripped from her eyes around the age of fourteen / fifteen. her mom had always had a weak immune system-- the first one to catch a cold or the flu, knocking her on her ass and leaving her bedridden for days at a time. it only got worse as years went on and she avoided doctor appointments out of fear of being charged unnecessary costly fees. she downplayed her compromising situation for as long as she could until she physically couldn’t carry on any more and had to stop going to work

margo and her father urged the stubborn woman to seek medical attention for any sort of relief for months until she finally conceded. soon it became the new norm for her mother to be in and out of hospitals, getting tests done, trying various medications. but nothing helped in the long-term and they were unable to come to a strict diagnosis *ILLNESS TW END*

and she had been right, it was terribly expensive. their funds were short considering the family was down to one income. so margo took on more responsibilities by working part-time jobs as well as going to school. she was sixteen and teaching dance lessons at her childhood studio in exchange for a small amount of pay + free lessons as well as working at a local movie theatre 6 days a week. she cut back on extracurricular lessons to save some money, instead pouring all her creative energy into only school related clubs such as choir, theatre, and so on

honestly, if you knew margo in high school you’d likely not even know about her familial situation. she liked to keep her cards close to her chest and portrayed herself as this larger than life character that no one would believe had experienced any hardships. she distracted from her own worries by playing the role of ‘queen bee’ or more accurately rachael berry from glee ( a cursed character at this point but it’s true unfortunately )

margo had big dreams of making it to broadway one day and had planned to get there by going to college in new york and make a name for herself. but with her mother’s healthy declining the closer margo got to graduation, the more put off she was by the idea of moving away from home. she was willing to put all plans for her future on hold and take care of her mother but her parents wouldn’t let her. being as encouraging as ever, they convinced her that she needed to follow her dreams. she had already given up a majority of her teenage years to help them out when they needed it most. they wouldn’t let her miss out on anything else

so with a heavy heart but on a good scholarship, she left for columbia university without any idea of what to expect. new york was a whole new world for her and she was thrown off by how talented, beautiful, and wealthy her peers were. she had felt like a big fish in a really small pond during her high school days. but for once she was a tiny fish in the big wide ocean

her larger than life persona came back into play-- masking her worries and insecurities with a version of herself that was so confident that she even began to fool herself. she got a bit lost in the fantasy. her true self-slipping away. she almost had this alter ego ??? ( come thru hannah montana moment okay ) wannabe starlet rubbing elbows with the future CEOs and celebrities of the world by day and local pizza parlor waitress by the night, working to make a decent living while also sending money back home when she could

she also had to maintain good grades to keep her scholarship and participate in performances that her department put on in order to rise in the ranks

honestly the only time she got a little peace was when she was hanging out with her few GOOD friends. like the people that actually got to know her past her fake personality. they were also music people so they spent a lot of time together just messing around with instruments and vocals and writing songs in their own little makeshift studio / hangout spot

it started off as just fun and games, but with their help margo created some original songs and released them as an indie artist. she put herself out there on her social media profiles like “hey stream my new single!!!!!!” and people ate it up. after releasing a few tracks and establishing her own following, her music eventually got to the right people and she was given the opportunity to sign to an actual label which was wild ???

and while it was an amazing opportunity, releasing music under the label was also very demanding. when she was releasing music from the comfort of her friend’s studio it was purely a fun creative outlet and done on her own time. it was just... rough. but how could she complain when she was making a name for herself in the music industry + making bank from royalties + getting to meet all these cool famous people and go to parties with them and y’know ... spiral and slack off on other responsibilities

*DEATH TW* it was around her junior year that things started to go from bad to worse. she remembers exactly where she was and what she was doing when she got the call from her dad informing her of her mom’s extended stay in the hospital. things weren’t looking too good. there wasn’t anything they could do for the older lady and honestly she was done fighting. margo flew back home to chicago immediately and stayed at her childhood home for the following weeks until her mother passed. it was absolutely devastating. she stayed in chicago with her dad for months as they worked through their grief together *DEATH TW END*

columbia was pretty understanding of her situation and was willing to be accommodating so she could finish her degree plan, but margo put things off for so long that she eventually just withdrew from the university and was dead set on just living in chicago forever

i’m not gonna lie, margo was down and out for a little while. didn’t talk to anyone really, rarely left the house, stopped making music, and just sorta fell off completely. the only good thing that came out of the year or so that she spent back home was she stepped away from the false reality she created for herself in new york, which helped her realize that she didn’t love the person she was becoming or the things she was doing. she wasn’t even really involved with her one true passion which was theatre / acting

it was with a little boost from her dad ( literally her biggest fan , i love this man okay ) that she started acting like herself again. he told her that her mom wouldn’t want her to give up on everything and neither would he. so with a new found determination ( and a pretty exciting career opportunity ), margo put on her big girl pants and moved her ass back to new york to finally do what she loves to do

and here we are now ! she’s stepping into her break-out role onto broadway as lydia deetz in bettlejuice the musical

she’s only been back in new york for a few months at this point i’d say ??? and i can’t wait to see her come into her own and grow into the margo i know and love ... but also hate because she’s so so dumb :-) <3

*+:｡.｡ 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘  &  𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒｡.｡:+*

she has no chill, probably will never have any chill, and i am sorry for that ASJNDLK she’s just overdramatic as hell !!! she’s a theatre kid at heart and i would expect absolutely nothing less from her

generally good-natured though and has good intentions. just simply has piss-poor execution sometimes

down to clown and ready to have a good time all the time all in the name of enjoying life to its fullest while we all have a chance

the only thing she takes seriously is her work life. she’s on her grind okay, it took a lot for her to get to where she is today and she’s not going to just let it slip away that easily. she’s doing everything she can to make not only herself proud but her parents :’-)

still releases her own music under the label but her primarily focus is on her budding broadway career and the label is understanding of that ... mostly because she called an executive meeting ( against her manager’s better judgement ) and was super up front and threatened to walk out if they didn’t see reason ... but at least things worked out well !!!

she mostly writes songs for other people at this point in her career. some big names too ( just like ... google julia michael’s career and apply it to margo okay thank u )

honestly her management teams worst nightmare simply because she does not listen and will do whatever she wants and post whatever she wants and will not apologize for being her authentic self in media

like, she’s just starting to figure out who she is again and they want her to stop and act fake because she’s not being very “family-friendly” or because it doesn’t make her “look good to the public” ??? nah f*ck that !

while she is sociable and fun-loving, she’s also hard to seriously get to know sometimes because of all those years of putting up a front. like sometimes she doesn’t even realize that she’s not being 100% genuine ??? so you could be hanging out with her every single day and still not know her completely and she might not open up and that’s okay, she’s working on it

she is a pretty good friend tho ! super loyal, a true ride or die, will want to fight anyone that you have a problem with, showers you in compliments and gifts, truly 10 / 10

but if she doesn’t like you or if you’ve mistreated her in any way at all she will in fact hold it against you for the rest of her life. just petty as a mf and i hate her for it like sis pls leT SH*T GO !!!!

didn’t grow up rich so now that she’s making bank she’s one of those people that just buys dumb things just because she can ??? the size of her closet is absolutely ridiculous, just overflowing with clothes and accessories, and the amount of random packages that get delivered to her apartment that she doesn’t even remember ordering is even more so ... just ... irresponsible spender

stubborn ?? what is compromising ??? doesn’t know her but will try ( begrudgingly ) if she really likes you

hates being bored. can and will go to excessive lengths to avoid boredom

partygirl margo has not stopped, will not stop, and cannot be stopped much to my own disappointment

self-proclaimed dancing queen. really puts all those years of classical dance training to good use by hopping on top of tables / countertops at parties to shake some ass

surprisingly a responsible adult that can cook and clean and get shit done when she really puts her mind to it ??? this developed over the years that her mom was sick and bedridden and she stepped up to take care of household chores while her dad worked doubles

very family-oriented and talks to her dad all the time. like, calls him daily for really dumb reasons. any time she feels down the first person she wants to talk to is him ( well it’s actually her mom, who was her best friend in the whole world, but since she’s not here anymore they make do as just the two of them )

her ego is LARGE. GRANDE. thinks very highly of herself as a result of being praised too much as a child probably. not to mention she is very very good at what she does, has more talent in her little pinky then i do in my whole body. she’s secretly insecure on the inside but she presents as an overconfident bad bitch

a staple to her character that i wish she would shake is her inability to handle her own feelings in a healthy way ... she just sorta ... shuts down ?? runs away ?? acts like nothing is happening ?? it’s bad. would rather leave than get left and bottle up all her feelings and kick them under the bed then ever open up

has a terrible sleeping pattern and cannot stay on a solid sleep schedule to save her life. undiagnosed insomniac. when her mind just won’t calm down she often goes out to keep her occupied and avoid any overthinking that might occur when she’s in her own company

her life motto is #YOLO and does a lot of stupid sh*t because of it

probably uses tiktok too much both as a consumer and a content creator. vlogs her backstage experiences and also just posts dumb, amusing things

this is so long i’m sorry if you read this whole thing i just have a lot of feelings about her after writing her for so many years AKJSDK i’ll shut up now BYE

i have margo’s wc page HERE but just some ideas are best friends, frenemies, confidants, fellow music people, party friends, pr friends or pr rivals, crushes, on and off again, exes, roommate, childhood friends, family friends, good influence, bad influence, honestly truly anything and everything PLS i love to plot and write w/ all of you ! <3

[heyimogenthat]

Imogen Hansen’s Introduction

[ JOSEFINE PETTERSEN, NINETEEN, FEMALE, SHE/HER ] welcome to the du pont institute for the young & gifted, [ IMOGEN HANSEN ]. you have been accepted as a [ REGULAR ] student from [ NORWAY ], going into your [ SOPHOMORE ] and majoring in [ HUMAN RESOURCE MANAGEMENT ]. your peers at the institute say that you are [ BUBBLY & CARING ], but being [ OVERLY IDEALISTIC & IMPULSIVE] may be the reason why the police are asking about you. did you think they wouldn’t find out that you were michael’s [ CRUSH ]? [ FIG,SHE/HER, PST ]

In Detail

✱ Imogen grew up in Oslo, Norway, and came to the United States for university. She's the most unlikely human resource management student, since she comes off as a little airy fairy and scatterbrained. Her current goals are to get through her degree, not run into any hurdles with her visas, and then work for some NGO somewhere. 

✱ The Hansen family are wealthy through a mix of old money (on both sides) and good investments. As a whole, they are not a particularly noteworthy people. With the exception of Imogen’s older brother (who works for an engineering firm as a human resources manager, and is pretty much her idol) they tend to be very middle of the pack. True to form, Imogen was never particularly academically gifted, good at any particular sport, or especially artistic. She does well enough, but not enough to be noteworthy. 

✱ Imogen studied at a private school in England for high school, before coming to Du Pont for University. She's immersed herself in her classes and extra-curriculars, since her parents are once again footing the bill for her education. Her brother graduated two years before she arrived, so there’s been a lot to live up to. Or, more accurately, not live up to. 

✱ She wants to forget the the murder ever happened, if she’s completely honest. 

✱ She's got a heart of gold, and some sometimes questionable smarts, but street smarts are not really her forte.

✱ Honestly, she just wants to do good but she's really just very good at making things go kind of sideways. Basically the embodiment of chaotic good. 

✱ Three of her greatest loves are flowers, pastel colours, and pizza. She's a firm believer in karma even though life seems dedicated to proving her wrong. She collects novelty mugs and has a bajillion pins on her jackets and bags. 

History with Michael

✱ Imogen would say that she has very little history with him. Apparently he thought she was cute. 

✱ She disliked his bullying tendencies and typically avoided the guy. Some conversations may have been had, but Imogen’s not really talking about that right now.

Wanted Connections:

Best friend -  Just someone for Imogen to trust and care for deeply. Could be long term, could be more recent. Someone who is ride or die and game for all sorts of strange shenanigans.

Accidental Co-conspirator - Speaking of shenanigans... Imogen has a talent for making poor life choices. I think it’d be great if she had someone who she tended to accidentally implicate in her chaotic ways. Could be someone who is consistently in the wrong place at the wrong time, could be someone who very much does not want to help but keeps getting drawn in, lots of options here.

Ducklings - Imogen loves to love people. These would be people that she just wants to keep safe and happy. She might annoy the hell out of them, but she’ll do her darnedest to help them out if they need it.

Ex-partner(s) - Perhaps chief among her bad decisions is her tendency to massively over invest in people. Could be great to have an ex or two running around. 

[thisdaynews]

Oksana Masters: Paralympic champion on Chernobyl, Tokyo 2020 and upbringing in Ukraine

New Post has been published on https://thebiafrastar.com/oksana-masters-paralympic-champion-on-chernobyl-tokyo-2020-and-upbringing-in-ukraine/

Oksana Masters: Paralympic champion on Chernobyl, Tokyo 2020 and upbringing in Ukraine

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Oksana Masters

Standing on a podium by Russia’s Black Sea coast, Oksana Masters felt a surge of pride as the anthems played. It wasn’t her first Paralympic medal, but this one was extra special.

She had just won cross country skiing silver at the Sochi Winter Games of 2014. As she held her prize, the flag of neighbouring Ukraine was raised for the winner, Lyudmila Pavlenko. Masters was herself born in Ukraine in 1989, three years after the Chernobyl nuclear disaster. She was born with severe physical defects caused by exposure to radiation.

In Sochi she was competing for the USA, the country where she grew up, an adopted child raised by a single mother. Returning to somewhere so close to the country of her birth had been a big motivation for qualifying to compete in Russia.

“It was kind of coming full circle,” she says. “It wasn’t my gold-medal moment, but it sure felt like it.”

Oksana’s moment would come. Four years later, two of the five medals she won at Pyeongchang 2018 were gold. And this year she will be competing on the Paralympic stage for a fifth time – at the summer Games of Tokyo 2020.

It will be another chapter in the remarkable life story Oksana shared with BBC World Service. A story that begins in the Ukrainian orphanage that was her home until the age of seven.

Masters says she and her mother “faced many unknowns together”

I have good and bad memories. I remember fields of sunflowers. I don’t know if it was because I was tiny but they seemed massive. There was also a plum tree and we didn’t get a lot of food so we would steal plums and pick seeds off the sunflowers.

Whenever I see sunflowers now, it’s a good memory because what you read about eastern European orphanages is pretty accurate. I definitely remember the really, really sharp pain in your stomach from being hungry all the time.

Right from birth I was put up for adoption. I was born with six toes, I was missing the main weight-bearing bones in my legs, my knees were floating – they weren’t supported by anything. My hands were webbed; I was born with five fingers, without thumbs. I don’t have a right bicep, I’m missing some organs. I have one kidney and don’t have any enamel on my teeth. When I came to America I found out that the only thing that can strip enamel before birth is radiation.

They linked it to Chernobyl because I was really not that far from there, and the fact that radiation levels continued to rise years after the explosion. It definitely lingered on years later to when I was born. There was also a power plant in the village of the orphanage that would go off frequently. Whenever the radiation was high there was this one cop who would drive round and tell us to board up the windows and doors, not to go out.

I’ve just finished watching the TV series Chernobyl. I knew parts of it. I knew that things went on behind the scenes to cover up the magnitude of it. It’s sad that it took away so many lives and homes. That part of the country will never be the same.

I don’t want to say I was a product of it but, out of something horrific, it’s about how you can see the potential and possibilities – like becoming an athlete – instead of dwelling on it.

Masters has grown up to compete at four Paralympics – with Tokyo 2020 set to be her fifth

When I was five I was called into the director’s office and they said: “We have a picture to show you – this is going to be your new mum.” When I saw her face, she had the warmest eyes and warmest smile.

She’d never met me. She made her adoption choice on a picture of me. Every day until she came to the orphanage I would ask the director: “Can I look at my mum?”

Sometimes, if I wasn’t good – because I was a troublemaker – then the director would use it against me and be like: “You can’t look at the picture today. You’re a bad girl. This is why she’s not coming, because you don’t listen.” Because the process took two years I started to believe that. But her picture kept me going.

She fought for me for two years, and then she came and saw the situation I was living in. When she walked in the hallway there were people chipping away at the ice on the floor because the radiators had frozen.

Masters’ adoptive mother, a professor at the University at Buffalo in New York state, knew that her daughter’s left leg would have to be amputated. She had the operation at the age of nine, after moving to the US. In 2001, Masters’ mother moved the family after taking a new position at the University of Louisville, Kentucky. A year later Masters became a double amputee.

In an Instagram caption to this picture, Masters wrote: “Mom, no words will ever come close to describe how much I love you and how amazing you are. I cherish this picture of us so much and your smile is all I need to feel complete and loved.”

I didn’t know I was different until I came to America. It was only then I realised that everything I had experienced was not normal.

I was diagnosed with ‘failure to thrive’ – basically starving to death. When I turned eight, I was 34 inches tall and weighed 36 pounds – that’s a pretty healthy three-year-old here in the US! I had to wear toddler-sized clothes for my first couple of years.

Now that we’re older and we can talk about her experience, I respect how hard it was for my mum. It was nearly impossible for a single parent to adopt. She had to do multiple psychiatric tests, with people asking ‘why are you single? What’s wrong with you? Where’s your husband?’

I didn’t realise all the struggles that go into adoption. I can’t imagine how she faced that before she came across and met me for the first time. It shows her strength and her pure heart. Any parent who adopts kids is a pure gift but my mum doing it on her own is on a whole new level.

She knew my left leg had to go – it was six or seven inches shorter – so it was amputated when I was nine. That was hard but it was harder when I was 13 and the doctors told me they couldn’t save my right leg.

For the longest time, I wasn’t ready, because I knew what I was missing after the first amputation. I knew how limited things became for me. But the pain in my right leg had become unbearable and I said ‘OK, I’m ready, under one condition – I can keep my knee’.

A lot of people don’t realise that amputees aren’t all the same. Your leg has an ankle and knee – two joints – so I didn’t want to be missing four joints.

They said that was OK but right before I went on the operating table they said ‘we’re going to amputate above the knee’. I was so sedated I didn’t know what was going on, but I will never forget that feeling of waking up in hospital. I tried to get up but didn’t have that leverage from my legs anymore and fell backwards. That was really hard. Honestly, I still have a bit of frustration and anger about that.

In the end, it was to avoid having more surgeries down the line but it was weird because I didn’t get a chance to say goodbye to that leg because I didn’t know I’d be missing all of it.

Oksana also had multiple surgeries to both hands and began adaptive rowing in 2002. She would go on to win Paralympic bronze in 2012 – her first medal – partnering Rob Jones in the mixed double sculls. For Sochi 2014, she switched to cross country skiing.

Masters celebrates her first Paraylmpic gold medal at the 2018 Winter Games – she won both the 1.5km sprint classic sitting and 5km sitting events in cross country skiing

The first person that mentioned the Paralympics and racing internationally was Randy Mills [Louisville adaptive rowing club’s programme director]. I’m so competitive, I hate to lose, and he saw that. All I needed was that fitness guidance to get to the next level.

I looked up the Paralympics in 2008 and I was like: ‘Oh my gosh, this is so cool!’ I didn’t have a visual of someone that is like me, missing both legs, but racing for the USA at a high level. It took until London 2012 for me to realise: ‘I belong here.’ Then I dedicated everything to it.

Before those Games, Masters posed nude for ESPN’s Body Issue.

I struggled a lot with my self-confidence as a girl. It’s the end of the world if you’re having a bad hair day or you have a pimple on your face for school picture day, let alone if you have prosthetic legs and hands that are hard to cover up.

Masters will be completing in the cycling events at the Tokyo Paralympics this summer

Then society has put this label on you, even though you don’t see yourself as ‘disabled’. That’s something that’s put on you.

I don’t want the next generation of young girls and kids to grow up not having that person to look up to and want to aspire to. Every kid had a picture of Michael Jordan on their wall. Why can’t it be a normal thing for that to be someone who has had an accident or was born with a disability? I don’t want to say that because it’s not a ‘disability’. That’s just a term society as a whole has put over everybody that looks different.

I believe that seeing is believing and the more times you see the Paralympics or a Para-athlete, the more normal it’s going to become to the person that doesn’t know what it is. It’s really cool to watch that growth.

Masters won a bronze and silver medal at Sochi 2014 – both in cross country skiing. Four years later at Pyeongchang 2018 she won her first gold. At those Games, she and her partner Aaron Pike became four-time Paralympians. Now, Masters has reverted to cycling for Tokyo 2020, having just missed out on a medal at Rio 2016.

Aaron’s such a patient person. I don’t know how anyone can deal with my chaos. We started skiing together at the same time and spend the whole winter together so we push each other in training.

He’ll get me on the downhills but I’m like ‘haha, see ya’ on the uphills because I climb faster than him. We can’t switch off the competitive switch. If we play Monopoly and you’re winning, it’s not going to be a good experience for you!

But having someone like Aaron there is great on the training days when you’re finding every excuse to not want to be there. You look over and it’s your best friend, your partner, your team-mate. He’s not just a great boyfriend. He has the same amount of genuine want for other people to do well and shares it with the team.

At Tokyo, the main goal is to win both of my events in the road race and time trial. In Rio I had limited time to really prepare because I was still spending my season nordic skiing and I transitioned within a few months.

I definitely have unfinished business going into Tokyo.

Read More

[fuckyeahrtfanfic]

Rooster Teeth Rules & Guidelines 3.0

So my last posting of this was in 2015 so I feel it is time to remake this post so that anyone and every, old fans and new fans, can know exactly what is okay and what is not okay in terms of Shipping Fanart/Fanfic. I will not put this under a read more as it is extremely important to know.

Everything within this post is accurate until proven otherwise. If you have any information in regards to anything like this that is not found on the post, please contact me at thisandthensome.

Important points are bolded

This is a second repost of our original post. I wanted this new in the tags for any new members to the fandom and are not aware of this. I will be reposting it Probably either every 6 or 12 months to keep the cycle going.

Also, eventually I will be making a new page on ths blog that will outline each employee individually, about the information provided below so its not so…clustered.

Quick Summary:

Okay With It:

Kyle, Caleb, All of AH (with rules, see below), Miles, Caiti, Barbara, Matt, Jeremy, Kdin, Lindsay, All of Funhaus, Mica, Tina, J.J., Josh Flanagan, Steffie, Jeremy. The Support Team (Ashley, Neal, Kent, Larry, Matt, Steffie, Trevor, Alfredo)

Not Okay with it so KEEP OUT OF FICS:

Any kids. Jordan Denecour. Burnie’s ex-wife. Ryan’s wife and kids. Millie. Arryn Zech. Iris Jones.

Not only have I been seeing it a lot, but I’ve gotten a few… not complaints, but I’ve been informed of this issue as well - and I figure I’ll make a post to address it. Because yes, this is extremely important, and a lot of the newcomers don’t know.

Geoff Ramsey (Millie)

Back when the fandom was new and baby, and it got the attention of those at Rooster Teeth, Geoff explicitly said do not include Millie in any way into fanfiction. The original post and blog indicating this for proof has been passworded, but I found in fuckyeahot6 a nice summary of the rules, which include it so please, look these over. Some older original rules can be seen in those two links, but recently we’ve acquired the permission from Kyle’s girlfriend that she is now alright with us shipping Kyle. I’ve gone through our chat video with Ryan Haywood and he spoke that anything is alright, because he won’t ever read it so “let the creativity flow”

Some other points of interest that I’ve collected are from a few others. 

Caiti and Jack

Starting with Caiti, when she came into our chat, she told us that she, and Jack, are fine with it just make sure that no harm/noncon/abuse/cheating. You can view her answer here.

Caleb and Jordan Denecour

Caleb has mentioned time and time again, and he was the original one to bring forth Geoff’s request of Mille, that he is fine with the shipping; in fact he enjoys the ones where he dies. And in a TAB podcast at 1:01:55 ish Caleb also says he is alright with fanfics.

However, Caleb’s brother, Jordan, is not comfortable with shipping at all, so please do not include him in anyway , as is the same with all the children of Rooster Teeth that appear on the Game Kids Channel. Just don’t do it.

Kdin Jenzen

Kdin has also gotten an ask and replied to it that Kdin is fine with it, seeing it as a creative outlet and so long as we know it’s fictional, Kdin’s alright with it all.  We got an ask in regards to Kdin’s girlfriend saying no to shipping them, so we asked them and we got a positive confirmation that they are fine with it so long as it’s not explicit/gross. So no psychoteeth or the like.   Kdin does not want anything smut of her. Kdin has also clarified as to what pronouns to use, and Kdin uses female pronouns.

Tina

Tina is okay with shipping, she just asks that we keep the fics morally sound.

Jeremy Dooley

While going through the tags I saw this post here indicating that the new hire Jeremy was more that honoured to be written in fanfics.

Jeremy Dooley is 100% okay with anything written of him! He does like to read things where Trevor dies for some reason though…

Josh Flanagan

Josh Flanagan, creator of Ten Little Roosters and The Eleven Little Roosters, speaks out that it’s fine to have him in your writing. “I’m pretty ambivalent on it. Write away” (source)

JJ

Through our RT guest chats, we’ve tried to get their opinions to take a look through all that. Far as I can remember, they are all ok, with a few rules, JJ’s of no socks with sandals is the best.

Ryan Haywood

In regards to Ryan Haywood, I’ve recently gone back through our chat with him, and he said that anything is okay in regards with him since won’t ever read it - it doesn’t bother him. He understands its a creative outlet.  And it should not have to be mentioned, but please keep Ryan’s kids out of it too. In fact, keep all the kids out of it unless they are an OC child.

Michael and Lindsay Jones (Iris Jones)

As far as we know, theses two are okay with it, but the issue is with Iris Jones. Having a child does inspiring a ton of fanfics being written about this event, which is totally okay! The only this is to keep the baby/child as an OC and not as the actual baby. If this doesn’t make sense imagine Geoff and Griffon having a child, a girl named Rachel instead who’s very much into dresses and dolls. This is just an example.

In response to Game Kids Channel, under no circumstance are you to ship or even write about any of the kids. Jordan Denecour has been asked as well and he is not comfortable with it. While Caleb has said nothing sexual, I ask that we please keep him out of everything. Especially Incest.

Funhaus

Funhaus has said they’re okay with shipping! In fact, its an honour! If anything individually comes up with them, we’ll let you know :D

Mica Burton

Mica Burton gladly welcomes shipping with arm’s wide open and actually cannot wait to see what comes up!

Steffie Hardy

Steffie is honored people even want to create stuff with her in it. Honestly, do whatever you want. She’s okay with shipping!  

The Support Team

Everyone’s good with it. Right from AH’s mouth. This includes Ashley, Neal, Kent, Larry, Matt, Steffie, Trevor, and Alfredo. According to this post where they say whos in the support room.. 

Arryn Zech is not to be written in anything at all.

Keep family out of shipping. This goes for children and wives and siblings. I’ve noticed, and a few others in the community, that there is a rise in ships with Ryan’s wife/mentions of his children, not to mention the blatant disregard for Geoff wanting to keep Millie out of fics. Yes, I’ve seen many fics still having her in them since this post started circulating.

Keep. Family. Out

And another issue that I’ve seen many, many, many, many, many times is that there are shipping things that are tagged with name tags For example, freewood smut tagged with #Ryan Haywood and #Gavin Free, or reader inserts tagged with the person they are with. There is a strict reason why we keep shipping things out or name tags - it brings the hate. While, for the most part, all Ragehappy fans are Rooster Teeth fans, not all Rooster Teeth fans are Ragehappies. They do not want to see anything RPF and when they do, things like hate infect the shipping tags.

I hope this clears up a few things. Please stop writing Millie in fics. Please stop posting fics with name tags.

This post will be updated as new information arises, and I will keep posting it weekly with our ask box open/closings.

Please reblog and share this with other shippers you know of. It is extremely important to spread this information.

If you have any, arguments or comments, send them towards my main account at thisandthensome.

Thank you.

And a huge thank you to everyone that has been sending us information to help make this as accurate as possible!

Tats