#so her goal is to kill him first while also saving the ''rivals'' (girls drawn)

[professionallydeadinside]

I could've been doing other things but I decided to redraw these girls I had made for a yandere simulator off brand thing wasdfghgf

(New on top, old on bottom!)

[ba11etomane]

Summer Kingdom Roles

You may have 2 named characters. I would prefer if they were from different kingdoms. You may have as many extra characters (those with **) as you'd like though.

If there are any roles not listed here or the other kingdoms that you're dying to include, let me know and we can work something out!

*Spring: https://goo.gl/gbdLXN *Fall: https://goo.gl/JnTe6g *Winter: https://goo.gl/tK7EDU *Humans: https://goo.gl/j1cdNF

General Info

Ruler: Titania

Magic: Theirs is the only magic that is entirely conceptual and not physical. Their power lies in illusions, manipulation, and perception. Their queen is a master of building elaborate dreams and leaves these webs of fantasy throughout her kingdom to trap passersby. Lesser members can only alter the world around them in believable ways. And none can alter themselves. Instead, they can only alter each other, and have thus become a very tight-knit community due to their interdependence. Beyond illusions, some can manipulate more internal perceptions, including everything from changing people's moods to changing their memories.

Geography: The Faerie Garden is a sprawling meadow of dancing wildflowers, dotted with airy temples decorated in flowing, translucent linens. Everything about the Summer Kingdom seems open, free, and eternally in bloom. Some may look at the columns or marble statues littered across the rolling meadows and wonder if these are the ruins of some grand civilization that came before. But these outcroppings of half-made buildings slowly being consumed by tendrils of roses are, at their most benign, experiments in illusion. At their most dangerous though, these are signs of traps lurking just below the surface of the swaying grasses. For these babbling brooks decorated with fanciful fountains, and idyllic colonnades are webs of illusory magic meant to draw in curious travelers. The Summer Palace itself is a masterpiece of illusory magic that lies on a striking cliff where the meadows drop off into a breathtaking, iridescent sea. The Opalescent Ocean, as it is called, is home to many of the Summer kingdomers, who use the flickering, dreamlike quality of the ocean to augment their own power. 

Goals: The Summer kingdom longs to be as powerful and “developed” as the Spring kingdom. What the summer creates with fickle fantasy and illusion, the spring creates with gears and stone. They believe if they can gain a human heart before the spring kingdom, they can usurp power. Some even believe a human heart could give true, lasting form to their illusions.

Social Strata: The Summer Kingdom is not as stratified as its ally, the Spring Kingdom, but far from the chaos of its enemy the Fall Kingdom. It is in fact one of the most interdependent Kingdoms, as the inhabitants must rely on each other for their interwoven tapestries of illusions. Their Queen is beloved, if somewhat temperamental, and many flock to her Palace for the strength and security of her palace of dreams. In general, the land-dwelling Summer Kingdomers view those of the Opalescent Ocean as foreign and unpredictable, mostly because they are more independent of the Summer Queen. They are also quite proud of this independence, and may even be willing to make outside alliances. To coax them into some sort of obedience, Titania has a habit of luring and entrapping various highly-placed individuals from the Oceans to entertain her at the Palace.

Titania

Ballet: Midsummer Night's Dream

Gender: Female

Age Range: 30+

Basic Info:

The Summer Queen wishes she had the control and power to create that the Spring Queen has. In fact, she wishes for a lot of things. To be beautiful, to be loved, to never be alone, to have vengeance, and to have power. If she wasn’t quite so proud, maybe she’d see she was slowly being drawn into her own webs of fantasies just like the other poor souls she catches. Bu she is far too caught up in her own dreams and her own cruel flights of fancy to really see what she has become. In fact, she cannot see herself at all after so many centuries of wrapping herself in glamours. Instead, she relies on her adoring court to tell her just how beautiful and powerful she is. And when that proves tedious, she turns to new sources of diversion and validation, namely anything pretty and wild caught in her web. While she aims to emulate the Spring Queen, she wishes to destroy the Winter and Fall kings for various slights to her honor.

Player: @.username

Audition:

Nikiya

Ballet: La Bayadere

Gender: Female

Age Range: 18+

Basic Info:

Titania’s trusted servant, who has sworn to devote all she is to her Queen. That vow seemed easy when she first made it as a young, kingdomless fae searching for safety from the wars between the Kingdoms. But now Nikiya knows better than to pledge undying love and loyalty to one when you have known so little of love in any form. How was Nikiya to know what she thought was love for her Queen and love from her in return was simply thankfulness and desperation, and a pale shade of what she has come to know is true, burning, consuming love. She knows the fae of the Opalescent Ocean she longs for is dangerous and wild and as inconstant as the sea. But hearts are fickle as fire, and hers can’t help but to burn. She fears she is slipping between wild adoration and cold bitterness, and the Queen of the Shades has taken notice. She will use any means possible to wound her rival, and has taken to whispering horrid, cruel, painfully true things to Nikiya at night. She is half a shade already, poised for ruin in the very heart of Titania’s court if her love can’t save or destroy her first.

Player: @.username

Audition:

Aurora

Ballet: Sleeping Beauty

Gender: Female

Age Range: 18+

Basic Info:

In moments of clarity, Aurora knows she is caught in a dream. But the more she struggles the tighter she becomes wound in the threads of fantasy, and the deeper their hold grows on her quite considerable imagination. She is some sort of fae, though she’s been trapped so long she hardly remembers who she was before. But her powers are not those of the Summer kingdom. When she dreams, things become real. At first it was a few trailing vines that made real thorns sharp enough to prick the Summer Queen’s perfect fingers. And from there, the Summer Court has been building their web of fantasies stronger and stronger around her while doting on her hand and foot in hopes that she may be the answer to all their problems. Her dreams feed her all sorts of answers to her lingering question of what she was before becoming trapped: a child of the Winter King, an inventor at the Spring court, and even that she was the Summer Queen’s daughter herself. But surely no mother could be cruel enough to trap her daughter in a web of lies that is slowly choking the life out of her. Surely one’s own quest for beauty and adoration cannot be that cruel? Aurora refuses to believe it. But perhaps that is just another one of her fantasies.

Player: @.username

Audition:

Conrad

Ballet: Le Corsaire

Gender: Male

Age Range: 18+

Basic Info:

Conrad is for all intents and purposes, an unaligned fae who merely happens to live in the Summer Court. He lives far enough from the Fae Gardens to escape Titania’s pull, and spends most of his time sailing the Opalescent Ocean hunting for adventure and a way to regain his power. He may not realize he still hunts fantasy like all his kind do, but to him he is on a neverending quest for some lost treasure that will restore the magic he lost in the great war between kingdoms. He blames Titania for dragging him into it, though of course he was taken in by the promises of adventure and excitement. But now he chases every scrap of a tale speaking of some enchanted necklace or cursed sword that might restore even an ounce of his power. He used to sing to the sea and call up great mirages of storms or dancing rainbows on the sea spray. Now he and the ocean can barely hear each other. And nothing is quite so lonely as an ocean full of silence. All his quests mention a girl who may be able to help, should he break her curse. But so far that has been nothing but whispers, and he can’t chase a phantom, can he?

Player: @.username

Audition:

Solor

Ballet: La Bayadere

Gender: Male

Age Range: 18+

Basic Info:

Conrad’s second mate and lifetime comrade can’t help being drawn away from the sea and towards the Summer Court. While he owes Conrad his life and his loyalty, he can’t help thinking this mad quest for Conrad to regain his powers will be the death of both of them, and it’s keeping him away from the one thing he loves more than his captain, a girl he met only in a flash at the edge of the ocean. Solor is, without a doubt, a creature of the sea though. While Conrad rules the waves, or did before he lost his power, Solor was born from them. He is kept alive by the churning tides and crashing waves, and he knows if he leaves them to chase after his love, he’ll slowly melt into so much sea foam. He’s more illusion than man sometimes, he fears. But that headstrong spirit won’t let certain death stop him. He just needs to steer his captain away from his own mad chase for destruction first. And maybe they can kill two birds with one stone. Perhaps Titania has a way to restore his friend’s powers, if only he could get them both to her Court. Or perhaps the rumors of a new group of humans wandering The Lands Beyond may provide the energy to regain his best friend’s power and enable him to survive on land. He can really only dream though, just as all his kind does.

Player: @.username

Audition:

Flower Fairies**

Ballet: Sleeping Beauty, Midsummer Night's Dream, etc.

Gender: Any

Age Range: Any

Basic Info:

Titania’s sundry courtiers are inconstant and ever-changing. They have woven such rich tapestries of fantasy across each other that it is almost impossible for them to break away. But that won’t stop their catty squabbles and jostlings for power. Every fae has a dream after all, and every flower thinks it’s the most beautiful. Some of the most trusted are sent away from the court to hunt down possible prey, and are given nets of Titania’s magic to trap them in. Others are more independent and draw their power from the Opalescent Ocean itself, allying more with the fae who roam the seas and just paying fealty to Titania when their various glamours begin to fade. They act as a broad intelligence network to give Titania information about what happens in her kingdom and beyond since she is so wound up in her own web and cannot stray far from her Court without her spells fading.

Player: @.usernames

Auditions:

[daughter-of-the-prophet]

Anora (Tv Tropes)

Armor-Piercing Question: Receives one from Teagan regarding her father. In her first appearance, no less.

             Anora: “Teagan, my father is doing what is best.”

             Teagan: “Did he also do what was best for your husband, Majesty?”              (Anora flinches as though shot by an arrow.)

Arranged Marriage: It's mentioned that Cailan and Anora were betrothed from a very early age, on account of their fathers' friendship. 

Beauty Equals Goodness: Averted. Although she's beautiful, and she does genuinely care about her country, she's also scheming and manipulative. She's nobody's supportive cheerleader; she will turn on anyone if necessary to further her goals, including Ilona.

Better the Devil You Know: Her supporters support her because she's a known quantity, whereas Alistair is new. Her one unwavering supporter, Ceorlic, says as much at the Gnawed Noble Tavern.

Bitch in Sheep's Clothing: She betrays Ilona twice to further her own goal.  Despite this, however, Ilona holds no hard feelings towards Anora and even refuses to have her executed, even after the end of the blight. 

Bookworm: Loghain mentioned that during her childhood, Anora spends a lot of time reading instead of playing with the other kids in Gwaren.

The Chessmaster: She's just as clever and manipulative as her father, if not moreso.

Chronic Backstabbing Disorder: Betrays her father to Ilona, and then betrays Ilona back to him. No matter what risks Ilona took for her sake, Anora cheerfully backstabs her at the Landsmeet. And of course while rescuing her, when Ilona lets Anora speak for herself to Ser Cauthrien, she immediately claims that Ilona and her companions were kidnapping her. 

Daddy's Girl: The two most important things in her life are her country and her father, and she'll do what she must to protect both of them. If anyone else had tried what Loghain did, she'd have had them drawn and quartered within the hour. 

Damsel in Distress: At a certain point in the story. Subverted, however, in that she was not actually in as much danger as she claims, and played this role to gain Ilona's sympathy. Double Subverted in that Arl Howe was not only willing to kill Anora, but seemingly eager to do so — the queen wasn't nearly as in control of the situation as either she or her father later claim.

Easily Forgiven: Despite being backstabbed by her twice and everything else, Ilona holds no hard feelings towards Anora and refuses to have her executed to prevent potentially rebellious nobles from allying with her.  This is because Ilona knows that Anora is not entirely a bad person. 

Expy: Her backstory is similar to that of Edith of Wessex (being the daughter of a man who rose through the ranks on merit and was married off to the king to cement his position) but, interestingly, if left to rule, she becomes much more similar to Harold Godwinson (a ruler in their own right, who hadn't a drop of royal blood but was the most qualified for the job, and much more politically savvy than their father). Considering the Godwinson family was wiped out by the Norman invasion, this can even be taken as a Take That! to the Orlesians. Not to mention her resemblance - in both appearance and personality - to a certain former Ukrainian Prime Minister...

Fantastic Racism: More subtle than most, but her handling of alienages shows the apple doesn't fall far from the tree when it comes to Mac Tirs in power governing elves. During King Cailan's reign, Queen Anora was in charge of infrastructure, but the story shows that the alienages are poorly managed, if not outright neglected by her. 

God Save Us from the Queen!: Subverted as Anora can be very ruthless in the way she tries to maneuver herself into power.

Hair of Gold, Heart of Gold: Subverted. Anora plays the stereotype of the virtuous fair-haired princess for all it's worth, but while she's not outright evil, she's not exactly pure or innocent either.

Happily Married: To Fergus Cousland.  She meets him during Alistair’s coronation and hits it off really well with him.  He proposes to her during the celebration of Alistair and Ilona’s wedding and they themselves marry not long afterwards and have two sons together.

The High Queen: An interesting case. She has the image of a High Queen, but once you get to know her, she quickly proves herself to be a manipulative and power-hungry politician. That does not mean she is evil, however: she really wants the best for Ferelden and its people, it's just that she is convinced she needs to be in power to make that happen.

Hot Consort: To Cailan.

I Need a Freaking Drink: After the Noodle Incident with the giant:

               Anora: “We're going to get a drink. A lot of drinks. Maybe all the drinks they have. Come on.”

Inspired by...: With her political maneuvering against rivals for the throne and patronage of education and the arts, she's pretty clearly based on a number of historical female rulers, particularly Elizabeth I of England and Catherine the Great of Russia.

In the Blood: Like her father, she seeks to protect Ferelden at all costs and believes that she and Loghain are the only two people capable of doing so.

Law of Inverse Fertility: Her inability to get pregnant and sire an heir by her thirtieth year has led to many rumors that she's possibly barren, while more superstitious nobles believe it's the Maker's punishment for having a commoner for a Queen. 

This becomes averted after she bears two sons with her second husband, Fergus Cousland.

Like Father, Like Daughter: As a few characters and Word of God points out, the most important thing to remember about Anora is that "she is her father's daughter." She certainly inherited her cunning, ruthlessness, and overconfidence in her own abilities from him, as Alistair points out. (See Pride below.)

Missing Mom: Her mother passed away some time before the story. 

Morality Pet: Loghain does love his daughter, though he doesn't show it often.

Noodle Incident: The World of Thedas reveals that when he was still a prince, Cailan and Anora disappeared for nine days to hunt a giant, and were later found with a Fereldan soldier in Crestwood, "drunk as dwarves, covered in bruises, cuts, and ash, and smelling strangely of cheese."

        Anora: “We defeated the giant. Now, let's never speak of this again.”

Opportunistic Bastard: While she can be very nice and helpful to those whose goals align with hers, Anora will manipulate or backstab anyone so long as it allows her to remain in power and secure the physical safety of her father, Loghain. 

Out-Gambitted: Ilona was able to win the support of the Landsmeet even without the high support of Anora. Double points for Ilona being the daughter of Teyrn Cousland: Teyrn's daughter square-off.

Pride: Like her father, Anora's main flaw is her overconfidence in her own abilities, and unwillingness to compromise her vision for Ferelden even to save her people.

                       Alistair: “She's her father's daughter. Me, I say that's where the problem lies. People like her and her father always think they're the only ones who can fix things, and everyone else should just stay out of their way.”

Puppet Queen: As Loghain's tyranny becomes progressively worse over the course of the game's events, many people feel Anora to be this, considering she is the Queen and yet is doing nothing to rein in her father's excesses.

Romancing the Widow: This applies to both her and Fergus Cousland when they started a romantic relationship and married.  Anora’s husband, Cailan was killed during the battle of Ostagar and Fergus’s wife and son were slain when Arl Howe invaded Castle Cousland.

Ungrateful Bastard: No matter what route Ilona took in rescuing her from Arl Howe, she has shades of this.

When Ilona reveals her to Ser Cauthrien, she immediately claims Ilona and her companions were kidnapping her instead, before fleeing the battle.

When she demands an attempt to rescue Ilona, when Eamon mentions that they need to rescue Alistair as well, she makes it perfectly clear to everyone that she wants only Ilona to be rescued, preferring to let Alistair simply rot in Fort Drakon to eliminate the threat he poses to her continued reign. Queen or not, Arl Eamon makes it very clear that he's not amused.

The Woman Wearing the Queenly Mask: Played with. Anora likes to pretend that she's this, but one gets the impression that the mask is her true personality. According to everyone in Thedas, she was running the country's infrastructure while Cailan led the armed forces.