#so elucien don’t need to rule a court just yet lol

[clockwork-ashes]

7 for the Elucien week ask game! 💕

thank you for the ask 💕

7. i love elain and lucien being able to relax for a little while, and travel around prythian and the continent!!!

[acourtofthought]

I always think about the statement Nesta made in the new cresent city where she met Bryce and Azriel was there. I haven’t read CC but I saw that statement in passing and for some reason that statement stays with me. It goes something like “I have learnt to just let fate happen in our world” aka prythian. I can’t remember exactly how she says it because like I said I haven’t read the books so it’s not verbatim.

But for some reason that statement makes me so sure of Elucien. If they are truly destined to be together by fate, if they are truly mates. Then there’s no way SJM would not explore it and make them endgame.

it’s also a really good quote that can be applied to even real life stuff lol. If you have seen it or can remember reading something like that, please share it. I honestly am blank on how I saw it and I don’t want to start looking for it because I am afraid of CC spoilers. I don’t know if it’s in a BC or the actual books.

I'm not sure where that specific line is but when it comes to fate and destiny, that is Sarah's jam. She doesn't write about a character fighting their destiny and winning because "choice matters!". She literally writes her characters all wanting to avoid their destiny and ending up embracing said destiny because it leads to them saving their world.

Feyre's goal was to have enough food, marry off her sisters, and spend her life painting. Yet when she found that with Tamlin, the food and peace to paint where he would protect her, she started rebelling against. She realized that she wanted more, she wanted to fight for their world and ended up ruling a court as High Lady (something she did not want to be called in Spring). Aelin's goal was to ride out her years as the Kings assassin then live a quiet life, running from her truth and her destiny as Queen of Terrasen. To the point that her friend orchestrated her own death in order to spur Aelin into action. But Aelin living a quiet life is not the story we got though, was it? Instead Aelin decided that what she wanted was no more important than facing her destiny and helping save their world. Nesta's choice was to shut herself away from people she could have feelings for. She wanted to avoid training, avoid growing close to anyone she could lose. That's what she WANTED. But is that where she ended up? Nope. So when people say "Elain deserves to have a choice!" it makes me cackle because Elain's current choices are not the kind that will save lands. They not the current choices that make her a fantasy heroine. I would never throw any shade to someone if they, in their real life, wanted to live a quiet peaceful life but let's be real, nobody is writing fantasy books where that's the premise. LOTR wouldn't be what it was if Frodo had stayed in the Shire. Just like every other SJM female main character, Elain is not going to get "what she wants" because what she currently is demonstrating is not someone who is a serious player in the ACOTAR world. Elain ending up happy in love will only come after she finally steps into female main character energy in her book and 10 times out of 10, the love interest a fmc thinks she wants to have a "quiet and peaceful life" at the start of her journey is not who she ends up with. Sarah has clearly set up Lucien as the MMC who will be beside her when it's time for her to do more. "The Spring Court had been made for someone like Elain", "Nesta would have told her to visit this place" and "We need to contact Lucien and permanently station him in Spring" (paraphrasing). We also had Elain's father at Koschei's lake with Lucien, with Lucien "setting his sights on Koschei" and with Elain being the only one who has had visions of the girls at the lake and the box Koschei hides. And we all know what happens when one of Sarah's fmc ends up in forced proximity with a mmc she was fighting against.

[feysandfeels]

Which TS songs remind you of the different couples in SJM’s books???

Boy do I ??

You are a blessed soul for asking me this, and know that I adore you. 

There is now a part II to this.

Feysand:

Begin Again: “I've been spending the last eight months Thinking all love ever does Is break and burn, and end But on a Wednesday in a cafe I watched it begin again” Baby Feyre finding that love is not toxic, that love is supportive, that love can be wonderful. “You said you never met one girl who had As many James Taylor records as you But I do” but think of is as “he said he never met a girl who wasn’t afraid of his power, but i do”. Also also “Walked in expecting you'd be late But you got here early and you stand and wave I walk to you” because Feyre’s used to T*mlin’s mediocre ass but Rhys surprised her by being a decent human and treating her with respect, which makes her realize that she was starved for respect and that T*mlin was not giving her what every decent human being should get from the get go from their partner.

Ivy: Feyre slowly falling in love with Rhys, thinking about Rhys in the Spring Court between Night Court visits Also throughout ACOMAF how she battles with her ever growing feelings for the Lord of the Night, while feeling guilty about T*mlin, because they *just broke up*: “Oh, goddamn My pain fits in the palm of your freezing hand Taking mine, but it's been promised to another Oh, I can't Stop you putting roots in my dreamland My house of stone, your ivy grows And now I'm covered in you” and “I wish to know The fatal flaw that makes you long to be Magnificently cursed He's in the room Your opal eyes are all I wish to see He wants what's only yours”.

End game: I can practically see Rhys singing this in the shower thinking about Feyre, when she decided to work with him and him thinking like “YES THIS HAS TO BE A SIGN”. His reputation precedes him and in rumours he’s knee deep, him and Feyre would be a big conversation, he has enemies, he has heard about her and she has heard about him. He thinks “she’s so dope that he might overdose”. She’s been calling his bluff on all his usual tricks so here’s the truth from his red lips!!!!!

Dress: “Even in my worst times, you could see the best in me Flashback to my mistakes My rebounds, my earthquakes Even in my worst lies, you saw the truth in me And I woke up just in time Now I wake up by your side My one and only, my lifeline”. Need I say more? I think not your honor. 

Call it what you want: “I said you don’t need to save me, but would you run away with me?” That’s Feyre’s whole arc, I rest my case.

Nessian: the happiness I feel about the fact that these two are together is just enough to make me smile on a Monday

False God - The song literally opens up saying “We were crazy to think Crazy to think that this could work Remember how I said I'd die for you” HELLOOOO?? NESTA THINKING ABOUT THAT SCENE IN ACOWAR?? but also feeling that she’s unworthy of Cassian and that there is no way in hell that he will love her with all that she is.

Don’t Blame Me - The power of this song lies in the I unapologetic- powerful-full on I give myself to you and I will do it over and over again energy it has. And this is the energy that Nesta has for Cassian (even when homegirl really tries to pretend otherwise lol boo you tried). The “through your love I found salvation” religious aspect of Don’t blame me is Nesta, because through Cassian’s love and presence she found the perspective she needed on herself. Also this book was a religious experience for me. Jesus fuck.

Sparks Fly: From Cassian to Nesta, with love. First of all Cassian would be a diehard swiftie (all of the bat boys for that matter, merch a the concert, what will we do if we get invited to the rep room?? fans. Az woud be like the quiet yet “no, speak one ill word of Taylor and that’s your end, she did nothing wrong she was framed and I have evidence”). Second of all “The way you move is like a full on rainstorm And I'm a house of cards You're the kind of reckless that should send me running But I kinda know that I won't get far” That’s him alright, that’s him knowing that Nesta is a force to be reckoned with and he wants nothing nothing but to be in that storm and live within the force of nature that she is. Thirdly “My mind forgets to remind me, your a bad idea You touch me once and it's really something You find I'm even better than you, imagined I would be I'm on my guard for the rest of the world But with you I know its no good And I could wait patiently But I really wish you would” 

Elucien: This is an Elucien blog. 

Lover - In all honesty wanted to give this song to Feysand, because they are my main otp and this song is the highest of the high from Taylor, but I can’t deny the fact that this song screams Elucien. “With every guitar string scar on my hand” I think is a beautiful parallel for Elain and gardening, “My heart’s been borrowed, and yours has been blue” this speaks of Gr*yson and Jesminda, “I loved you three summers now but I want them all” that’s Lucien speaking ma’am. “Have I known you 20 seconds or 20 years?”, both of them about the bond. “And you'll save all your dirtiest jokes for me and at every table, I'll save you a seat, lover” we all know Lucien has a mind for dirty jokes and sass and Elain would always save him the sit next to her because he is the one who truly saw her and, in his distance, was the presence she needed while she figured it all out. Finally, The fact that the song has very clear wedding tones I think fits the headcanon, that more than a mating ceremony, Elucien would have a wedding, because it feels like something Elain would feel more comfortable with. 

Treacherous -“I can't decide if it's a choice Getting swept away I hear the sound of my own voice Asking you to stay”..... mmmmmm is this or isn’t it Elain getting closer to Lucien, but still wondering if it’s the bond or her, yet nonetheless surrendering to the fact that she wants him to stay. “This slope is treacherous This path is reckless This slope is treacherous And I, I, I like it” Elain doesn’t want an easy love, to simple do as the bond suggests she wants something that has twigs and branches and where she needs to question herself and truly ask what she wants out of life and this relationship. Also the softness of the melody juxtaposed with the vulnerability, brings a soft rawness that is Elain. 

King of my heart: Neither of them expected to feel like they could love with all the hope and unapologetic free falling feel characteristic of first loves, yet here we are. They rule their kingdom inside the room because they are discovering their feelings for each other away from prying eyes and people that have expectations on how they should work with the mating bond and all that. “Late in the night, the city's asleep Your love is a secret I'm hoping, dreaming, dying to keep Change my priorities The taste of your lips is my idea of luxury” Again, with the love away from everyone, feeling their world shift around what they are starting to feel for one another. “Is the end of all the endings? My broken bones are mending With all these nights we're spending” did we say healing arc through love and support an “not expecting anything to come off this, but I just want to see you well” à la sjm?? I THINK WE DID.

Emorie: I’m working with crumbs here, delicious crumbs that will make a delicious emorie cake, but crumbs nonetheless.. I need more and I need it now.

I think he knows - My girl Emerie crushing hard hard haaaaaaaaard on Mor.

Cruel Summer - “I don't wanna keep secrets just to keep you And I snuck in through the garden gate Every night that summer just to seal my fate (oh) And I screamed for whatever it's worth "I love you, " ain't that the worst thing you ever heard” this is prime PRIME PRIME ANGST, we will get from these two.  

Gwynriel: this is an edit because I'm not a hoe for these two (yet...trust me once I see Az heal this is the tag where you will find me) and I did not know which songs might fit them and then when I posted it I was like WAIT WAIT I KNOW.

Gold rush - Gwyn talking herself out of her crush on Az after finding out about the whole necklace and being like “I don’t want a gold rush”.

Daylight - Az is a Taylor hoe first, spymaster second. She just makes him feel things. But in all seriousness “Like daylight It's golden like daylight You gotta step into the daylight and let it go Just let it go, let it goI wanna be defined by the things that I love Not the things I hate Not the things that I'm afraid of, I'm afraid of Not the things that haunt me in the middle of the night I, I just think that You are what you love” this is Az healing and being in better place where he can reflect on how he used to relate to love and romantic relationships, he now understands that love is not black and white but golden. He stepped into this notion of love and through it he found a beautiful relationship with Gwyn, he wants to be defined by the love he feels for her and the love he feels for his family, not by the things that haunted him, not by his mistakes, not by his trauma. He is golden, he is daylight, shadows and all he is daylight. 

Az + Elain: As a romantic end game they are not my ship, but I do stand by my pre-acosf position that these two would be really good friends

Out of the woods -  Where we stand after acosf I say that it is not far fetched that they might hook up and then realize that it’s not for them and that experience helps them access a new part of their healing: “They lost each other, but they found themselves”. The anxiety that this song mirrors is the anxiety of them knowing something doesn’t quite *fit* right, that they are both in turbulent times emotionally and this relationship is not giving them the peace they thought it would. They are paper airplanes, because they know that it’s not the right call for where they are in their own journeys if they want to heal properly and that neither will get what they truly want from the other one. The monsters who turned out to be trees, they are in the woods in this relationship, they were built to fall apart.. are all images that speak of the dynamic we could see of them, they try it doesn’t work and then after, when they are in better places mentally they will look back and be like “we dodge a bullet there didn’t we”.

Bonus: His necklace hanging around her neck, the image is clear there and so is the commentary. 

Az + Mor: formerly known as Moriel, the ship that used to reign my heart

Breath - This song is entirely from Az’s perspective once he and Mor talk about, well, everything. This is not how he had planned it, this is not how he wanted this to go, but “people are people and sometimes it doesn’t work out, but it’s killing me to see you go after all this time” referencing letting go of the romantic feelings he had for her. They were a crutch for him and now he has to face life and the things that torment him about it, without the protection and comfort his crush on her offered him. “And we know it's never simple, Never easy Never a clean break, no one here to save me You're the only thing I know like the back of my hand,” regardless of what you all want to think, they do love and know each other but shift in their dynamic will mean an adjustment for both of them... it’s not a clean break. “Never wanted this, never wanna see you hurt Every little bump in the road I tried to swerve”, also Idc about what you all think, Az never never never wanted to hurt Mor, if he knew his behavior was in someway affecting her he would have done something, and I think from the aftermath of him going after Eris on ACOWAR we can see that... also this might allude to him actually knowing that Mor is a lesbian and he has tried to make sure she feels safe around him and knows that he has her back agains the whole world if need be, regardless of her lack of romantic feelings for him. 

Feyl*n: honestly who knew there would be so many songs that would fit these two. Such bops for a crappy dude like T*mlin.

Exile - “I never learned to read your mind (never learned to read my mind) I couldn't turn things around (you never turned things around) 'Cause you never gave a warning sign (I gave so many signs)” He never even tried to learn to read her mind, he never turned things around and she gave so so many signs. The way he looks at Rhys like he’s his understudy, but no sugar he’s the principal actor and you got fired.

Getaway car - and I oop. Because that is essentially what they were both to each other. Feyre needed someone to give her security and financial stability, T*mlin needed someone to break the curse: “It was the best of times the worst of crimes”.

Bad blood - LOOOOOL. They used to be mad love and now they have bad blood.

Tell me why -  Imma just leave a collection of quotes here that well allude to them through the first act of ACOMAF: “I took a chance, I took a shot And you might think I'm bulletproof but I'm not You took a swing, I took it hard And down here from the ground, I see who you are” Feyre seeing T*mlin for the abusive person that he is, from the ground.. where his behavior put her. Also “I'm sick and tired of your reasons I got no one to believe in You tell me that you want me, then push me around And I need you like a heartbeat But you know you got a mean streak Makes me run for cover when you're around Here's to you and your temper Yes, I remember what you said last night And I know that you see what you're doing to me Tell me why” The if he loved me, why did he do it and the “it’s not a question of if he loved you but how” conversation she has with Rhys.

I could go on and on forever placing all T-Swift songs around acotar characters, but I think this is getting longer than we all anticipated.. or did we? we all know I am not ✨concise✨. Anywho, thanks for sticking around.

Besos!!

BOOOONUUUUUUUUUSSSSSSS:

Obviously, Invisible String is for all my mated/soon to be mated boos, and I think Peace is a song that can apply to both Feysand and Nessian from Rhys’ and Nesta’s perspectives respectively.