#slight changes from the previous translation to fit the MV better

[yibocheeks]

Wu Ming 无名 "Nameless" MV (subbed) For translation notes, see here. Please do not repost.

[blueflameforyuzu]

Hanyu Yuzuru - Starting from his face, Falling for his talent, Staying for his character

Note: This is a translation of an original article by Vogue China for their WeiXin/WeChat mobile platform. I’m quite surprised this actually made the cut, even if it’s just content for Vogue China’s mobile platform. What started as a Hanyu costume appreciation article quickly revealed its true form as a Hanyu appreciation post and the fangirling is anything but subtle. Not that I minded Ci The words in the brackets and the ~ are not my translator’s notes and personal input but are part of the original article. Captions for photos are in italics.

Click the link to view the original article: https://mp.weixin.qq.com/s/9bHolfsTxbJ2XYsmG465ng

There are more pics and gifs there, the writer has definitely spent a lot of time and effort on this labor of love so do check it out. Even if you don’t understand Chinese, a picture speaks a thousand words, so let all the pics do all the talking for you.

Hanyu Yuzuru - Starting from his face, Falling for his talent, Staying for his character 始于颜值，陷于才华，忠于人品  (T/N: Describing the journey of most fans - you notice his good looks first, then you appreciate his talent and you stay as a fan/become a loyal fan due to his outstanding character)                                 

"Blue roses do not exist, Hanyu as well, he gives an impression that he does not belong in this world", Japanese photographer Ninagawa Mika has said this of Hanyu Yuzuru. This youth who is already a legend at the tender age of 23, what other miracle-like surprises can he bring us?

Every year, the Japanese imperial family will host a spring garden party and invite outstanding personalities from all fields to view the flowers, converse, eat delicious food and listen to music at the Shinjuku Gyo-en.

This year, among the 1940 guests, one person’s arrival created a stir among the assembled ladies - he is 2 times Olympic champion Hanyu Yuzuru.

Just a few days ago. Hanyu Yuzuru held a celebratory parade in his hometown Sendai with over a hundred thousand people in attendance. This year, he was invited to the garden party (the last time was after he won in 2014), and even the princesses revealed that they had held hands together to cheer for him (insert fangirl heart eyes) ~

In this type of formal setting, female guests normally choose kimonos or suits while male guests usually appear in hakamas, suits or uniforms.

Hanyu who has donned suits both times has said that he prefers a slim-cut which fits his body well. He might have said so, but perhaps Hanyu is too slender (actually his muscles are well-developed, and his body fat percentage is super low), it is hard for a run-of-the-mill suit to fit well on his body.

Hanyu at last week’s parade. His suit might not be the best fit, but it is way better than his uncle suit from years ago~

Compared to the western suit, actually a traditional hakama suits Hanyu better, but this super low-profile Olympic champion really doesn’t have too many opportunities to show us~

Hanyu’s first appearance in a hakama for a 2015 photo shoot

A earphone-maniac and game otaku, this prince-on-ice who exudes an ethereal aura doesn’t really care about fashion in his private style, basically he lives in sportswear.

Sportswear can actually look so good ~~

He seldom does magazine photo shoots, after all he is not an idol or celebrity (but once he does, it’s a big production)

Hanyu captured by Ninagawa Mika for Aera magazine

However on the ice, Hanyu’s style is varying and elaborate, every costume can be said to be a piece of art. Asymmetrical designs, crystals, gradation, Japanese style, classic, lace…...a perfect combination of masculine heroic spirit and feminine softness and beauty.

Figure skating is about both athleticism and artistry, and as the ‘absolute champion’ of this sport,  Hanyu has already declared that he is one-of-a-kind just from his costumes.

CHOPIN BALLADE NO.1

— YUZURU'S COSTUME —

The most beautiful moment

The Olympic version where he passes his hand through his hair with shut eyes

We’ve already established that Hanyu is a ‘skating fairy’, Chopin is a program which best embodies his ethereal aura and elegance.

After the end of the 2014 Olympic season, Chopin V1.0 made its debut. From the white to blue gradation, the rows of crystal embellishments and the flowy lantern sleeves, it creates the effect of a grand introduction and conclusion while on the ice, and reflects the leisure and calmness of this well-known piece of music.

Close up of V1.0. Not only are there rhinestones, you can also see the blue-purple pearl embellishments

Chopin V2.0

For Chopin V2.0 in the 2015 season, the color of the costume has changed from sapphire-blue to sky-blue, and gold elements have been added to the sleeves and waist. The belt is changed to gold as well (all of these reflecting the champion’s desire for gold).

Olympic Chopin V3.0

For the Olympics season, the chosen blue shade is a deep sky-blue in between the colors of the previous versions. The gold elements are up-up-upgraded as well - gold crystals and pearls are added to the neckline and the colorful rhinestones on the gold belt are extremely shiny (yet very lowkey), a perfect complement to the rush of thick emotions and fanatical fervour of the ballade’s climax.

SEIMEI

— YUZURU'S COSTUME —

The most beautiful moment

The opening “ Guiding both heaven and earth onto the right path” action

Hanyu’s signature hydroblading move (Hanyu himself says his eyes here can kill~)

Among all of Hanyu’s programs, Seimei which was inspired by the movie Onmyouji is definitely the most famous.

Seimei V1.0

At an ice show before the start of the 2015 season, Hanyu revealed this program for the first time. After being redesigned by designer Ito Satomi and Hanyu, the Heian-era karigime becomes a lighter, more convenient and fitting costume.

Still from the movie Onmyouji, played by Nomura Mansai

Kyogen stage actor Nomura Mansai who plays Seimei in the movie had a one-to-one exchange with Hanyu and gave him a lot of suggestions on the hand movements, rhythm control and character understanding. When the program was officially debuted in competition, we saw ‘Hanyu Seimei’ V2.0.

The most obvious changes were that the shoulders and waist were looser so as to allow for easier movement. The light green ribbon ties on the sleeves are now bordered by grass-green. There is an additional mesh insert on both the front and back. More gold embellishments and green embroidery and rhinestones were added. And the black gloves - there are many hand movements when Seimei casts his spells and the contrast between the black gloves and white rink is more stark.

Close up of V2.0 details. Intricate gold bead work, embroidery and rhinestones

During this Olympic season, V3.0 makes an appearance. A large portion of the bead work and embroidery is removed and replaced with crystal embellishment instead (3000 pieces were allegedly used). The main reason for this change is to lighten the weight of the costume so that it is easier to jump.

Even the belt is changed to a gold color which looks more majestic and as per the old design, it is embellished with crystals of varying sizes. There is a slight change in the color of the costume as well; a touch of deep red is added to the purple while the lace ties becomes cyan/teal.

The front, back, sleeves and even the lower part of the shirt is embroidered with an even more lavish golden phoenix design (all in all, the champion must be commanding + regal), at the back there’s even a signature Seimei ‘5 point star’.

Usually, skating to Japanese-style music is not favorable in international competitions, but this program has helped him broke the world record twice and win the Olympics again in 2018. Actually, just from the details on this costume, you can already see how much he has fine-tuned this program’s choreography.

LET'S GO CRAZY

— YUZURU'S COSTUME —

Skating on bent knee while bending backwards

In all of Hanyu’s programs, Let’s Go Crazy (nicknamed ‘Go Crazy’ by fans) is the program which drives fans the most-most-most crazy. Basically every time you watch it, you get a nosebleed. All the lil actions woven in the program are designed to bedazzle and drive you crazy.

This is Prince’s famous song. In April 2016, the pop star passed away. Hanyu, who was then preparing for the new season, together with his choreographer decided to use this song as a tribute to Prince and came up with a crazy and bold program.

Comparison of the LGC costume with Prince’s costume, Yuzu’s costume is actually slightly sheer

The inspiration for the costume came from Prince’s concert. This song was in the album ‘Purple Rain’ so the costume was mainly in purple. The vest over the shirt and the standing collar were all references to the outfit worn in the MV. The bead work and sparkles on the vest were also designed based on the photos.

His hair was also styled differently from the usual, his hair was combed back in a style that reveals his forehead, which was rare. Actually his hairstyle was based on Japan’s ‘i-ta men’ style. This term originates from the samurai Date Masamune who lived during the Japanese warring period. He was brave and valiant and excellent in warfare, yet he dressed magnificently, so ‘i-ta men’ was used to describe such men. Later it evolved to describe playboy/dandy type of men.

NOTTE STELLATA

— YUZURU'S COSTUME —

The most beautiful moment

His silhouette during the sit spin resembles a swan

Notte Stellata is an exhibition program which Hanyu used for 2 seasons. In Italian, Notte Stellata means ‘a sky full of stars’.

During the Great East Japan earthquake seven years ago, Hanyu was at the Sendai ice rink practicing and after escaping, he sought refuge at a school gymnasium for several days. There was no electricity in the entire city and only the stars in the sky shone brightly, planting seeds of hope in the youngster’s heart and hence this program came to be.

Adorned with white feathers and featuring a daring off-shoulder design and deep V-cuts in both the front and the back, the costume has the grace and elegance of a swan; and the crystals scattered on the sleeves and the bodice are just like the stars in the sky.

Perhaps it is his perpetual youthful looks and his slender body frame, even in a design which seems feminine, Hanyu is able to make it his own. This is one of his special traits.

Actually most of Hanyu’s exhibition pieces revolve around a common theme - praying and wishing the best for the disaster area. Having ‘escaped’ after the earthquake, he has always felt that he has not done enough for the disaster area, so he has donated his bonus for winning the Olympics and the revenue from the sales of his autobiography and so on, and he has always tried his best to express these emotions during his exhibition skates.

Hanyu exhibition piece in 2015 Believe

Hanyu exhibition piece in 2012 Hana ni Nare

Hanyu exhibition piece in 2012 The Final Time Traveller

Hanyu exhibition piece in 2014 Hana wo Saku

So most of Hanyu’s costumes for his exhibitions are usually softer compared to his costumes for his competitions and are usually made of chiffon with pleating and floral decorative details. Under the dim lights on the ice rink during the exhibition, it is like a beacon of light, full of life.

HOPE & LEGACY

— YUZURU'S COSTUME —

The most beautiful moment

Hanyu’s signature Ina Bauer

The Biellmann spin which usually can only be done by female skaters, it requires the body to be very flexible

This is the most emotive of all of Hanyu’s free skate programs and till today, it still holds the world record for the highest score for the free skate. Hope & Legacy is the theme song for the 1998 Nagano Paralympics and is composed by the famous Hisaishi Joe. And this year is exactly the year Hanyu started skating.

This program is like an exchange between Hanyu himself and the ice rink, Since he started skating at 4 years old, figure skating is almost his entire life. From longing to desire to adversity to fear and finally to the release of emotions and rapture, these were all showcased in a single breath.

Just like the blue, green and white gradation signifies the the sky, the earth and the rink, everything is as natural as the floating clouds and flowing waters, and the scattered rhinestones are clustered even more closely than before, just like the shining marks that Hanyu has left behind in his journey.

It is indeed profound that after a mistake resulting in him in fifth place after the short program at the 2017 World championships, he went on to perform this free skate perfectly and broke the world record at 223.20 points, creating the impossible and aiding him in capturing the gold medal.

This costume actually has a ‘previous form’ six years ago. It was the season right after the 311 earthquake and the short program is titled Etude.

To Hanyu, this is a costume which was in remembrance of the disaster, the many layers of blue are used to express the giant waves and the sea and to commemorate everything that was lost in the earthquake and the tsunami. At that time, he was only 17 and he could already deliver such a soulful performance.

THE PHANTOM OF THE OPERA

— YUZURU'S COSTUME —

The most beautiful moment

The hand movements depicting wearing and removing the mask

POTO is a classic song that has been used by many other figure skaters, yet Hanyu’s interpretation still manages to inject freshness.

The earliest version was pieced together from red, black and white fabrics in a asymmetrical fashion (the black part is openwork lace) and aptly fits the character who has lost himself in his obsession for his love and has the resplendence of the men’s court attire in the 19th century.

However, this costume was sealed after just wearing it once; before the competition he collided heavily with another skater and sustained severe external and internal injuries and even had to have an operation. Hence this version of POTO was never seen again in competitions.

The redesigned POTO costume went from figurative to an imagery style, the concept of the veined patterns are interlaced with the doomed love between the angel and the phantom, but the designs on the collar, the end of the sleeves and the waist still retains the elements of the Romanticism period.

PARISIENNE WALKWAYS

— YUZURU'S COSTUME —

The opening brushing his hands-over-head and raising his leg teasing move

The handsome side-lunge and point move

Fans call it the ‘Big Parisienne Saunter’ and it’s the program that has made many fall for him. Hanyu started using this short program since the 2012 season, and it is from this time that he started breaking all kinds of records, and it even became the first short program to ever break the hundred point barrier at the 2014 Sochi Olympics.

At first glance, it looks like a simple shirt + belt + pants combination, but actually the shirt is full of thoughtful details: the pleats on the front and back are adorned with sparkles, and in line with the blue and white color scheme which seems like the blue sky, the sparkles look like shiny stars hiding in the clouds, which perfectly matches the aura of the youth who had just turned legal.

There’s a detail here, which is our ‘perfectionist’ Hanyu even had a matching bottle cover with his costume (it should be hand-made by Hanyu’s mum’s deft hands) ~

An elaborate figure skating costume can easily cost up to ten-thousands, Hanyu's costumes were initially designed and hand-made by his mother and subsequently he collaborated with designers Orihara Shizuko, Ito Satomi and famous figure skating veteran Johnny Weir. Every costume is worth to be admired and appreciated. Actually Japan is holding a Hanyu photo and costume exhibition, if you’re in town, why not go take a look?

2011’s Romeo & Juliet designed by Orihara Shizuko

The costume for 2010’s Zigeunerweisen designed by Johnny Weir and handmade by Hanyu’s mum

2009 Junior GPF’s costume for Mission Impossible

For an Olympic gold medallist to have such high popularity, can it just be attributed to his appearance and the sport’s intrinsic entertainment value? To explain, we can probably use the well-known phrase “starting from his face, falling for his talent, staying for his character”.

2 times consecutive Olympics champion, 12 times world record breaker and the current record holder for the highest scores for the short program, the free skate and the combined scores, behind these hard facts are his perfectionism and determined performances.

“There is no meaning if you do not try your best at doing what can be done, this cannot be called ‘staking your life’.”

Every time before he goes on the ice, he’ll touch the ice as a sign of respect towards the sport

To clearly say “hate to lose” these three words, Hanyu seems like a high-spirited teenager. As long as it’s a silver, he will be super frustrated. He doesn’t just does highly difficult jumps, he combines them with difficult entries and exits to score the maximum GOE. His techniques in competition are clean, there are definitely no petty tricks. He has many injuries and his condition seems to fluctuate high and low but he has never faltered at the crucial timing. When some athletes choose to retire after becoming famous, he is still passionate about the sport and has declared that he wants to challenge the 4A and quintuple jumps…… Just as Hanyu himself said, “I have bet my entire life on skating”.

Just a strong determination is not enough, Hanyu’s brain can be said to not lose to his athletic ability. He is enrolled in Waseda University and is able to respond within seconds to change his jump layout to make up for lost points. He has produced his own ice show and his candid responses to tricky questions from reporters are all charming points both on and off the ice.

“I do not talk about who my rival is, I am my only rival”

“Although this is just my way of thinking, the ‘plus’ and ‘minus’ in life will balance out, and finally result in zero”

We hope that the name ‘Hanyu Yuzuru’ will live on forever and become a power of vision and a light of tenderness.