#sisters collective nz

[sisterscollectives]

Exploring the Beauty and Craftsmanship of New Zealand Jewellery

New Zealand is a country renowned for its breathtaking landscapes, rich culture, and a deep connection to nature. This unique environment has profoundly influenced the country's art and craftsmanship, particularly in the realm of jewellery. New Zealand jewellery is a fascinating blend of traditional Māori artistry, contemporary design, and a strong emphasis on sustainability. In this blog, we'll explore the distinctive characteristics of New Zealand jewellery and what makes it stand out on the global stage.

The Influence of Māori Culture

One of the most distinctive aspects of New Zealand jewellery is the profound influence of Māori culture. The Māori, the indigenous people of New Zealand, have a rich tradition of carving and weaving, which extends to jewellery-making. Many pieces are crafted from pounamu (greenstone), bone, and wood, materials that are deeply significant in Māori culture.

Pounamu, or New Zealand jade, is particularly treasured. It is not only prized for its beauty but also for its spiritual significance. Māori people believe that pounamu carries the mana (spiritual power) of the land and the ancestors. As a result, pounamu jewellery often carries deep meaning, symbolizing strength, protection, and connection to the land.

Typical Māori jewellery designs include the hei-tiki, a stylized human figure, and the koru, which represents an unfurling fern frond, symbolizing new life, growth, and harmony. These designs are not only visually stunning but also carry a rich cultural narrative, making them more than just decorative items—they are pieces of wearable history.

Contemporary New Zealand Jewellery

While traditional Māori influences remain strong, contemporary New Zealand jewellers are also making their mark on the global scene. Many modern designers blend Māori motifs with cutting-edge techniques and materials, creating pieces that are both innovative and deeply rooted in tradition.

Contemporary New Zealand jewellery often incorporates locally sourced materials like paua shell (New Zealand abalone), which is known for its vibrant iridescent colors. The unique beauty of paua shell, with its shimmering hues of blue, green, and purple, has made it a popular choice for both traditional and modern designs.

In addition to native materials, many New Zealand jewellers are committed to sustainability. The country's strong environmental ethos is reflected in the use of recycled metals, ethically sourced gemstones, and eco-friendly production methods. This commitment to sustainability not only preserves the natural beauty of New Zealand but also appeals to a global audience increasingly concerned with ethical consumption.

The Global Appeal of New Zealand Jewellery

New Zealand jewellery has a growing global appeal, thanks to its unique blend of tradition, innovation, and sustainability. Whether it's a piece of pounamu carved by a Māori artisan or a contemporary design featuring paua shell, each item tells a story of the land and its people.

The attention to detail, quality craftsmanship, and deep cultural significance make New Zealand jewellery a cherished possession for those who value both beauty and meaning in their accessories. As more people around the world discover the artistry and significance behind New Zealand jewellery, its popularity is sure to continue to rise.

In conclusion, New Zealand jewellery is a reflection of the country's rich cultural heritage, natural beauty, and commitment to sustainability. Whether you're looking for a piece that carries spiritual significance, showcases innovative design, or is crafted with care for the environment, New Zealand offers a diverse range of options that are as meaningful as they are beautiful.

[candyfloss-kittens]

An updated doll collection....

I am running out of room....

I swear I was only supposed to get just Abbey, then no more.... The g1 Monster High dolls I already had... well, five of them were mine originally, while the rest of g1 were from my sister's old collection (still regret not grabbing her oh Toralei, Spectra, Robecca, and Holt before she sold them... along with her old New Scaremester (I think) Jinafire and Catrine...).

Honestly, despite the fact that I have a lot more Monster High than anything, I think I actually prefer Bratz dolls? And I definitely need more of them. If only they weren't so fucking hard to find in New Zealand....

Also, why the fuck are the Rainbow High dolls so damn expensive here? Juniors are $70, then the others are like $85 to $120! Which is way too damn much. Thankfully I've gotten all mine on special though, but come on.... They don't need to cost that much!

And where the hell is the g3 MH Venus? She's turned up in NZ stores, but absolutely nothing in the stores near me.

[pinkbrries]

#BASIC INFO

》 BIRTH NAME: park izabella (in hangul: 박이자벨라)

》 KOREAN NAME: park chaewon (in hangul: 박채원)

》 STAGE NAME: izabella / cherry

》 REASON OF HER NAME: from Sino-Korean 采 (chae) meaning “collect, gather, pluck” or 彩 (chae) meaning “colour” combined with 原 (won) meaning “source, origin, beginning”.

》 NICKNAMES: chae oppa | wonnie hyung | iza | ella | ellie | cherry | chae-lion | prince charming | ateez golden girl | chae-culator | 4th gen it girl

》 BIRTH DATE: dec 23, 1998

》 PLACE OF BIRTH: auckland, nz

》 ZODIAC SIGN: capricorn.

》 ETHNICITY: new zealand-korean

》 LANGUAGES: english (native), korean (fluent), japanese (fluent), french (conversational), mandarin (basic), thai (learning)

》 HEIGHT: 1.57 cm || 5’1

》 VOICE CLAIM (rap): yuhnway (soloist)

》 VOICE CLAIM (vocal): kim jung eun (loona)

》 FACE CLAIM: kim jung eun (loona)

》 EMOJI: 🦁 / 🍒

》 FAVORITE COLOR: pastel pink and pastel green

》 MBTI: ENTJ-A

》 ROLE MODELS: rosé (blackpink), cl (2ne1), bobby and hanbin (ikon), shinee, red velvet, twice, wonder girls, hyuna, cheetah, zico, iu, dynamicduo, queen, metallica.

》 POSITIONS: main rapper, main dancer, main vocal, visual.

》 INDIVIDUAL FANDOM NAME: cherries (because of her old stage name)

#CARRER

》 COMPANIES:

SM Entertainment (signed as an actress): 2012 - 2014

Starship Entertainment: 2014 - 2016

KQ Entertainment: 2016 - present

》 TRAINEE PERIOD: 6 years and a half.

》 PRE DEBUT & OTHER APPEARANCES:

actress for several commercials

drama: heirs

drama: reply 1994

drama: schoolgirl detectives

unpretty rapstar s3 (second runner-up)

show me the money s6 (second runner-up)

kq fellaz

good girl

immortal songs

amazing saturday

hello counselor

men on a mission

the show (mc along with juyeon and kim minkyu)

inkigayo (special mc along with minhyuk and jaehyun)

show me the money s9 (first runner-up)

kpop daebak

running man

drama: a love so beautiful (korean ver)

drama: our beloved summer

drama: blue birthday

high school rapper s4 (mentor along with simon dominic and loco)

》 DEBUT DATE: october 24, 2018

#BACKGROUND

Izabella was born in Auckland, New Zealand, on december 23, 1998 to a korean family, having two older sisters, one of them being Rosé from the popular kpop girl group Blackpink. At the age of five years old Izabella and her family moved to Melbourne, Australia; there, she started taking different classes since early age: jiu jitsu (even participating in national competitions), aerial and contemporary dance, she learned how to play the drums, the piano and the guitar, and even joined the church choir along with her sister Rosé.

In 2011, at age of 13 and influenced by her dad’s words, she attended an audition in Sydney, Australia for South Korean record label SM Entertainment, ranking at the top three among 1000 participants, and just some months after that, her sister Rosé signed with YG. They both dropped out of school and moved to South Korea with their mom.

At first, she was happy with being signed only as an actress and having small roles to start with her career, but then she realized that acting wasn’t her passion, and after two years, she parted with SM on good terms.

Some months after that, she got scouted by an agent of Starship Entertainment. Izabella even trained with the (now) monsta x members and even got contemplated to join the survival show “no mercy,” but she didn’t end up joining. In the winter of 2015, Izabella opens a soundcloud account and starts releasing her own songs under the stage name of “cherry,” her popularity starting to grow, even getting considered as one of the best underground rappers back then. In 2016, she decides on parting with Starship too on good terms.

Trying to not give up even after the circumstances and after seeing her older sister’s success, she joins “unpretty rapstar” in 2016 under the stage name of ‘cherry’, making it into the finals and ranking at 3rd place. Izabella gained a lot of popularity due this survival, even getting calls from companies that were interested on signing her. It’s in october 2016 that an agent from KQ Entertainment reaches out to her, and after convincing her on giving the company a chance, she officially becomes a trainee at the beginnings of november 2016.

A year later, she joins another survival show: “show me the money,” being part of zico’s and dean’s team, making it into the finals and finishing on 3rd place.

On october 24, 2018, Izabella made her official debut with Ateez.

#SIGNATURE

[aria-ashryver]

I have never actually asked, but maybe you could share something about your original work? 👀 Not necessarily all the details, but a brief overview or your favourite part of it so far?

Oh. Oh what a can of worms you just opened lmao. Thank you my love, so very much, for asking.

Look gang, I’m writing a book series!

⚔️🌩️The Stormsinger Chronicles🌩️⚔️

Growing up, I always wanted to escape into fantasy novels. I wanted to be the knight, and the princess, and the dragon. But I wanted to read something that wasn’t Ye Olde Medieval England or Gritty America But With Magic. I wanted to find a place closer to home, you know?

Cue the Stormsinger Chronicles.

In a world where magic has been strictly prohibited, and the cycle of life and death has grown stagnant, two sisters must overcome a decade-long rift to set things to rights. If they don’t murder each other first. Which is hard to do when people can't die, but Kyrie and Petrah are nothing if not stubborn.

In short: it’s a longform, speculative fiction trilogy set in a landscape inspired by the people, flora, and fauna of New Zealand!

In (slightly less) short: its a queer fantasy novel, yo. Every one of these characters is a delightful mess. There is not one “chosen one” among them — it's just a bunch of gays, doing their best (struggling. failing. bickering. falling in love. punching each other in the face). The story hinges on the relationships between characters — familial, platonic, romantic, antagonistic — and through this, and the wider world, I’m writing with the aim that ANYONE can pick up this fantasy land and know that there is a place for them here. We can leave the straight, white, male heroes in the fantasy books of old. (Except for Callum, who I wrote to be a straight, white male hero on purpose to subvert everything that trope is hehe. He's very sweet.)

Here's some characters!

Kyrie: Grumpy, foul-mouthed OG Fuck Up. Probably covered in mud.

Petrah: Done with your shit, wants to read and drink tea.

Meredith: Looks sweet, will kill you. Social schemer.

Callum: Looks like he'll kill you, is very sweet (but can also kill you. He won't, but he can.)

Jin: Annoying people into doing crimes with you is flirting, right?

Zamir: That Classy Bitch, excellent eyebrows (with which to judge you)

Niamh: Possesses all the brain cells the rest collectively lack.

Alistair: Literally can't NOT insult you, really needs a nap. He's trying.

[Image Removed - see note!]

There’s roaming bands of nomads! (Un)Natural disasters! Elven politics! Murder plots! Undead! General fuckery! Found family! Gods who are very bad at their job! Runecrafting! Enemies to begrudging besties! Worldbuilding for days! Diverse characters! Yearning! Trauma! An uncharacteristic lack of exclamation marks!

Here's a (WIP) map! [Image Removed - see note!]

My favourite part is... all of it hehe. But currently, I’m enjoying sinking back into the landscapes of the various regions and the creatures we can find there. Did you know NZ used to have a predatory bird called a Haast Eagle? Which —with a wingspan of 2-3 metres and claws the size of a tiger’s— was the largest eagle in the world, ever?

…Guess what I’m foisting on my characters 😈

It’s so much fun to write a world where (lacking predatory mammals like wolves and bears, etc, like NZ’s landscape is) the dangers lurking in the wild come in the form of dread weta, giant spiders, horned barklizards, Haast eagles, and dragons that look remarkably like Tuatara.

Oh, and there's the three Harpy Dens. Yeah, they’ll fuckin’ kill ya too. If the Deathless don’t catch you first. Good luck!

⚔️🌩️⚔️🌩️⚔️🌩️⚔️🌩️⚔️🌩️⚔️

I’m gonna delete this in a hot second! Two reasons;

1) I’m sharing an image that includes inspiration art for characters that I intend to have my own art commissioned for — none of this art belongs to me, this is just a glimspe into behind the scenes vibes (and I had this screenshot on hand from when a friend asked about my character’s relationships)

2) On the map, any and all names in Te Reo Maori are placeholders, including (and especially) Ao Marama; when the manuscript is complete, I want to work with Tangata Whenua to have their input on choosing appropriate names for my towns and landmarks — I don’t have the whakapapa to speak to this myself, being Ngati Paheka, so it would be pretty tone-deaf of me do write without input from Maori voices. (Fortunately all five of my step-siblings are Maori, so they can be some of my first betas lol, but I’m still gonna reach out to like the Pacifica Students association at my uni and then onward form there to sensitivity readers and such)

Draft is at 120k and counting! If you've read this far, (why are you reading this far? i love you 😭😆) I'll leave you with the current opening line!

It was nearing dinnertime in Westwatch, and Kyrie was seriously contemplating shooting a man in the eye...

[thedepartmentofdiscoveries]

I read about a really interesting fact in a book I have, about NZ women changing history called " Stroppy Sheilas and gutsy girls - new zealand women of dash and daring" by Sandra Coney published in 1998 by Tandem Press.

Here it is written out in full by me. You're most welcome ❤️

BAN THE BONK

When the American nuclear warship Texas sailed into Wellington Harbour in 1983, the women of the city campaigned for a moratorium on sexual comforts for the sailors. 'Cross your legs for peace' was the slogan, and the protestors slapped up posters all over the city and handed out leaflets on the streets and in pubs.

The leaflet had several suggested retaliatory actions to let the sailors know their presence was unwelcome. The strategies took their cue from a plan of the American embassy for a Dial-A-Sailor scheme so that locals could entertain the visitors.

The pamphlet warned:

These sailors have been floating around in their five-star radioactive hotel, bored out of their brains and they don't need home cooking . . . Don't accept their beads and blankets. If you want to be a call girl, don't do it for free. A meal and a free drinks is not enough. Cash or charge. Change the earth - that's what their visit may cost us.

Dial-A-Semen and Dump-A-Sailor: Take him over the hills and far away and dump him. (Dangerous alone. Take a friend or arrange a back-up -- another car full of women waiting at the spot?)

Dial-A-Dick and Stand-It-Up: Arrange a date and don't keep it. It's not dangerous. Don't give him your name or number. Tell him to call for you at your favourite cabinet minister's house.

The cabinet ministers' addresses were conveniently listed.

The Hecate Women's Health Collective also got in on the act by pasting up posters in public loos outlining the nasty diseases that could be collected from sailors. Herpes, chlamydia and pregnancy were some of the risks of messing with the marines. Women were told to watch out for sores and discharges. Finally, they were warned that US Sailors do rape and run: 'Sisters, they're not just here for the scones.'

[qnewsau]

Meet Tia, the newly-crowned Mr Australasia Bear 2024

New Post has been published on https://qnews.com.au/meet-tia-the-newly-crowned-mr-australasia-bear-2024/

Meet Tia, the newly-crowned Mr Australasia Bear 2024

Mr Bear NZ Tia has taken the title of Mr Australasia Bear at the annual competition on the weekend, but he isn’t stopping there when it comes to representing his communities.

Tia was the first indigenous Māori to enter the NZ competition, which he won. At the Southern Hibearnation festival hosted by VicBears in Melbourne this month, Tia’s now taken the Australasian title… so what exactly is left for Tia to do?

“I’m going to compete in Mr Bear International in Bangkok in 2025,” Tia announced on radio station JOY Breakfast days after his win.

“The Thai bear community messaged me not long after my New Zealand win and asked me to come and compete.”

“At the time I was attending a lot of Pride events and Graeme (Mr Australasia Bear 2024) reminded me to take some time for myself and enjoy my title year.”

What did it take to be the winner?

“I think Tia’s heart stood out amongst the other competitors in this past competition,” Mr Australasia Bear 2023 Graeme said.

“All the boys did an amazing job, but you could just tell by the way he carried himself through the week that his heart was shining in everything he did.”

Highlights of Tia in the competition included an amazing dance performance as part of his talent round, serving cowboy realness onstage, and just being his authentic self.

“I’ve been a part of the bear community for 12 years. When I finally made it to Southern Hibernation, I was like, gosh, why didn’t I come earlier?” Tia told us.

With eleven events over the week including the Mr Australasia Bear Competition, Southern Hibernation is a chance for the Australasia Bear communities to come together, party and celebrate.

“It’s so good to see all of Australia’s Bear community and New Zealand flying here into Melbourne just to all be together and celebrating being bears. It’s just so beautiful.”

Amidst the parties and competition, the week included social events such as Axe Throwing, a history walk and more to bring the community together.

@itstiabear♬ original sound – ItsTiaBear

But size isn’t everything…

Tia said, “I was actually very nervous about the week because I’d never been to Melbourne before, and I don’t know a lot of people here.

“Melbourne’s population is higher than what we have in New Zealand. Our Bear bird community is building and growing.

 “I also having to carry that title to support and have my community back home in New Zealand was a huge thing.

“But having the support my community back home, and also supporting my culture as I am the first indigenous Māori to ever compete and win my competition was a big help.

Tia said he’s been a part of the New Zealand Bear community for 12 years.

“I joined them when I was 18 and I was still a twink at the time,” he laughed.

“But being able to be visible so that more of our POC community back home can feel comfortable coming into the Bear space is very important to me, because that’s where I found myself. That’s where I found my identity.

“Our diverse community is growing, with more POC and younger people community coming forward and jumping in, and I want to help them to do that.”

Congratulations on your win Tia, and who knows, maybe the next sash in your collection will be the World Bear Title in 2025…

You can follow Tia’s journey via his socials on TikTok or Instagram.

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[murdockbuckley]

i found a little crafty thing you might like

this brand called eugy make these little wooden model things, but it’s like a kit and you built it yourself!!

i have the otter and the red fox, but i want so many more omg

i got otter from amazon, and fox from smyths. they’re $19 (NZ) on the actual website so i’m not sure if it’s worth getting them from there

WAIT NO I WASN'T MEANT TO GET ONE DAY AND I FORGOT TO LOOK BECAUSE I JUST BROUGHT YARN </3

my older sister collects these!! her and ber fiancé do them and they're so cute 😭

[fudgeypants]

Visit us to get best products from us

Fudgey Pants is a fun, fresh, and modern company that was established in New Zealand in 2017. We take pride in being 100% New Zealand owned and designed. Our sister brand, No Other World (N.O.W), shares our deep passion for preserving the environment by reducing landfill waste and offering top-quality cloth nappies and accessories. At Fudgey Pants, we strive to provide the ultimate nappy solution for parents, covering the entire journey from birth to potty training. Our cloth nappies are designed to accommodate babies from approximately 3kg to 16kg. To adjust the Best Nappies Nz size for a small baby, simply 'snap up' the nappy to its smallest setting. As your baby grows, you can easily enlarge the nappy by adjusting the snaps and add extra absorbency as needed.

Each Fudgey Pants cloth nappy comes with built-in absorbency featuring a hemp microfiber insert. Additionally, there's a smaller booster that snaps in, along with a larger insert. Both of these inserts are topped with soft bamboo fleece, ensuring maximum comfort for your little one. When it comes to researching the best newborn nappies, you've come to the right place. In this definitive guide, we have gathered insights from hundreds of super moms worldwide to determine which nappy is considered the best by most. The consensus is that Rascal & Friends nappies stand out as the top choice. One of the key reasons why Rascal & Friends nappies are highly favored is their exceptional absorbency. Unlike other brands that have become thinner over time and lost their ability to hold as much, Rascal & Friends nappies excel in keeping your baby dry and comfortable.

Another significant advantage of these nappies is their high-rise design, which prevents leaks. The nappy's back is higher, ensuring better coverage and enhanced absorption without adding unnecessary bulk. Many parents who have switched to Rascal & Friends nappies attest to their effectiveness in handling any mess, making them virtually "explosion-proof." You can trust in their reliability and say goodbye to worries about leakages. In summary, based on the feedback from experienced moms around the world, Rascal & Friends nappies emerge as the go-to choice for newborns. Their superior absorbency and leak-proof design make them an excellent option for keeping your little one dry, comfortable, and happy. Visit us online at: https://www.fudgeypants.co.nz/collections/cheap-reusable-nappies

[604designresearchharriet]

20 Objects Inventory list and Descriptions

EXAMPLE ELEMENT: 

EXPLAIN WHAT THE ORIGIN OF THE ELEMENT IS 

WHERE DID YOU GET THIS ELEMENT FROM? 

WHY IS THE ELEMENT SIGNIFICANT   TO YOU? 

HOW IS THIS ELEMENT SIGNIFICANT TO YOUR CREATIVITY? 

Poppas Guitar

This guitar belonged to my Poppa, it is a Spanish Orchestra Guitar. 

It was gifted to me by him shortly before he passed away. 

This is very dear to me as it is one of the last pieces of him that I have left with me. 

Music has always been part of my creative process and switching between different creatives outlets lets me stay refreshed from different projects. Guitar is a hobby I have been in and out of learning and picking up since I was about 7 years old to feels like a natural outlet to me. 

My Stereo

This stereo was situated in my family home all throughout mu childhood

I was gifted it by my dad as a hand me down when he got an upgrade. 

It holds many childhood memories from my family living room. I have since decorated it with stickers and it continues to supply the soundtrack to my life.

Music drive my creative process to allow me to stay focused or find inspiration. I use thisto gage my mood.

Cat Pirate Ring

Ring from the NZ Jewellery Designer Nick Von K, a local independent store on K road. 

My mum gifted this to me for my 19th birthday as I love pirates 

Holds value to me as I love the design style and my mum has some rings from the same designer

The rings inspires me to stay true to myself and develop my own personal style and aesthtic further.

Arm Chair

I am unsure of the origin of this as it was acquired from an op shop, I like to think it has been through many homes and places and people and has its own story. 

I got this from the local Ellerslie Op Shop when I moved into my flat and had my best friend help me carry it into her car in a funny series of events. 

This armchair fuels my creativity, I sits in my bedroom by the window and acts as my own creative sanctuary.

Hello Kitty 

Hello Kitty was originally designed by Yuko Shimizu and was intended to be a simple and cute character that could be marketed to young girls.

My friend Lucy and I collect the kids Hello Kitty Magazines sold in the supermarket and do the puzzles and activities together. I have started collecting the posters as well.

Hello kitty signifies my friendships and is a cute collectable icon that I love to decorate my room with, i love the design and clean lines.

Hello Kitty relates to my creativity as Sanrio characters design have influenced areas of my illustration styles. 

St Pauli (consider the st pauli type face and talk about iconic logo and design history, but make concise)

Hamburg Football Team, this label came from a Tee Shirt 

My Dad brought back a gift for my Mum from his most recent trip back to Germany, where our family lives. 

Hamburg is where my Dad went to university and where my parents lived for a period in their life. I identify with the and feel a strong affinity to the City.

I have always been drawn to the design of the St Pauli logo with the provocative skull and cross bones icon and the bold clean type. Is unique for a football team.

Ed Hardy Boots

Don Ed Hardy (born 1945) is an American tattoo artist known for his tattoos, strong influence on the development of modern tattoo styles, and his eponymous apparel and accessories brand.

I bought these boots from Depop.

I value these boots as a piece of vintage archive clothing. The intricate, rebellious and eccentric designs speak to my     tastes. 

They speak to my self expression which I love to show through the outlet of fashion.

Kate Sylvester Ma Tee

Early Kate Sylvester design from the 90’s under the label ‘Sister’, my mum helped design the shirt and came up with the copy text when thinking of the rudest thing a man had said to her, “you know you want it”

Was handed down to my mum to me when 90s fashion came back into fashion. 

Significant to me as my mum and I will be wearing this shirt at the same points in our lives, there are many parallels between us and it feels very special that she allows me to have it. 

The design always reminds me of where i get my creativity from, my mum. And how she allowed me to experiment with art and took me to art classes which has lead and shaped me into who i am today and my love for creative practises. 

Watch

Op shop, ambiguous origin which is mysterious and exciting 

Purchased matched vintage looking watches with my best friend 

Safety Pin

A symbol for punk rock 

Sewing kit collection 

Signifies a connection to sewing which connects to my mum, also to punk rock music I grew up listening to

Often incorporate mixed media and fabrics into my creative practises and this symbolises this aspect of my creative process

Wiesbaden key chain from Nana

Comes from Wiesbaden

My gifted to me in a package sent to me from my Nana who lives in Wiesbaden, Germany 

This is the city where I was born, I am half German and my grandparents and aunt and uncle live there, a strong affinity to the city 

My heritage can influence my creativity and I am influenced by Bauhaus design movements, my Nana also paints and I can see where I get more of my creative tendencies from and romanticing the arts 

Roxy Gal

Build a bear teddy 

Bought matching bears with my bestfriend before she moved back to wellington for the uni year, marked the end of our summer together and started a tradition where we will get one each year.

Special to me as it is a constant reminder of our friendship and to keep going and remember how deep our connection is. 

Sparks my creativity as a reminder of the people around me who have raised me to who I am today, reminds me of all the love and support I have which helps me channel the best I can into my creative practice. 

Belt

Op Shop ambiguous origin, mystery is fun 

Micheal Kors belt I found in the second hand store

Super material and chunky, nice tactility, like to collect vintage designer brands to build my collection

Self expression, aesthetic 

Paint Brushes

Geoffs Emporium 

Birthday gift from mum to inspire me to paint more 

An essential tool in my designers/ creative tool box 

I tend to start my creative oractise in a analog suite, using gestural strokes which i can create with brushes gets me inspired to then digitise these and see where I can take these forms. 

Sewing machine

My grandmothers sewing machine, passed down to my mother 

Is housed in my family home 

Generational item on the maternal side of my family, sewing is a big part of our heritage, another aspect of where I get my creativity from and there is a distinct set of problem solving skills that come with sewing skills

Textiles inspire my creative process as I love playing with different mediums in seemingly unconventional ways

Tattoo Design 

Developed this figure in first year doing the concertinas 

Got this tattooed by a good friends flat mate last year as it came to have a strong meaning to me 

Is a reflecting of my personal growth and reminds me to keep growing as a person, both on a personal and creative level 

Is a constant reminder of some of my favorutie work that has transcended physicality and now will be with me forever. Allows my creativity to take another form and keep pushing and growing. 

Amy Winehouse Poster

Real Groovy Poster 

My brother gifted this to me for christmas 

Have grown up listening to Amy Winehouse, she is my favourite artist and I admire her as an artist and her incredible body of work. Her lyricism is so beautiful and always 

Amy Winehouse is the soundtrack to my creative process, if I am ever in a creative block or need to be productive I will blast her records on my stereo and it always kicks me into gear and allows me to get lost in her voice and my creative process. 

Otto Dix Book

Otto Dix Book from the Tate Gallery collection, originally published in 1992

I bought this from Jasons Books, a second hand book store in the city that my best friends grandmother owns.

I am interesting in the expressionism theory behind his work and the time period of post-war artwork, specifically the portrait of Sylvia Von Harden, in which the colours and andrognous themes greatly inspire my work.

Notebook

Paperblanks Venetian Mornings Fiamma Notebook from Gordon Harris 

Birthday gift from my brother 

Gesture as a gift is special to allow me to my creativity

Notebooks are where all my ideas are born, the notion o f pen on paper allows my thoughts to flow and kickstarts my creative process 

Guerrilla Girls Post Card 

Auckland Art Gallery Toi o Tāmaki 

Purchased from the gallery store 

The Guerrilla girls are an anonymous collective that I look up to and follow their movements.

Drives my creative process to have feminist undertones, reminds me how have we have come but how much further we still need to get to for equality in the art world. I take inspiration from their design style and choices, bold and provocative. 

[sisterscollectives]

The New Zealand Tiki: A Symbol of Culture, Identity, and Spirituality

The tiki is one of New Zealand's most recognizable symbols, deeply rooted in the cultural and spiritual traditions of the Māori, the indigenous people of Aotearoa (New Zealand). Often seen in the form of jewelry, carvings, and other artistic representations, the tiki is much more than a decorative item; it is a powerful emblem of identity, protection, and ancestral connection. In this blog, we'll explore the origins, meanings, and significance of the New Zealand tiki and its place in both Māori culture and contemporary society.

The Origins and Symbolism of the Tiki

The tiki is traditionally a stylized human figure, often depicted with a large head, prominent eyes, and a body in a crouching or fetal position. The origins of the tiki can be traced back to Polynesian culture, where similar figures are found across various islands. However, the New Zealand tiki, or hei-tiki, has evolved into a unique form that holds particular significance for the Māori.

In Māori mythology, the tiki is considered the first human being, created by the gods. It is a symbol of the origin of humanity and is often associated with the ancestors, or tīpuna. The large, all-seeing eyes of the tiki are believed to provide spiritual insight and protection, while its posture represents the connection between the physical and spiritual worlds.

The tiki is also a symbol of fertility, with its form resembling an unborn child in the womb. This connection to new life makes the tiki a powerful talisman for those seeking protection for their families and descendants. It is often worn as a pendant (hei-tiki) around the neck, close to the heart, to safeguard the wearer and keep them connected to their ancestors.

The Hei-Tiki: A Precious Taonga

The hei-tiki, or tiki pendant, is one of the most treasured taonga (cultural treasures) in Māori culture. Traditionally carved from pounamu (greenstone) or bone, the hei-tiki is often passed down through generations, carrying with it the mana (spiritual power) of its previous owners. Each tiki is unique, with its own personality and story, shaped by the artist who created it and the wearers who have treasured it.

The creation of a hei-tiki is a process steeped in tradition and reverence. Carving pounamu is a time-consuming and skillful art, as the stone is tough and requires precision to reveal its beauty. The resulting tiki is not only a work of art but a spiritual object, believed to embody the essence of the ancestors and provide protection to its wearer.

The Tiki in Contemporary New Zealand

While the tiki remains a powerful cultural symbol for the Māori, it has also found a place in contemporary New Zealand life. Modern interpretations of the tiki can be seen in a wide range of art forms, from jewelry and sculpture to fashion and graphic design. These contemporary tiki designs often blend traditional Māori aesthetics with modern materials and techniques, creating pieces that are both culturally significant and visually striking.

However, the commercialization of the tiki has sparked debate about cultural appropriation and the need to respect the deep cultural significance of this symbol. For many Māori, the tiki is more than just a fashion statement; it is a living symbol of their heritage and identity. As such, it is important for those who choose to wear or create tiki-inspired items to do so with an understanding of its cultural meaning and with respect for the traditions it represents.

Conclusion

The New Zealand tiki is a profound symbol of Māori culture, carrying with it the weight of history, spirituality, and identity. Whether worn as a pendant, carved in wood, or depicted in art, the tiki serves as a reminder of the deep connection between the Māori people and their ancestors. As the tiki continues to evolve in contemporary New Zealand, its enduring significance ensures that it remains a cherished and respected symbol for generations to come.

[desn2steph]

Week 8 - 20 items in 50 words

20 items in 50 words

Ps Vita

The Ps Vita originally released in February 22. Bought this Ps Vita last year after my getting my pay check in my first job. This Ps Vita represents my love for video game and the UX/UI inspiration I get from them.

Playstation Vita, Encyclopedia, Science News & Research Reviews. (n.d). Academic Accelerator. https://academic-accelerator.com/encyclopedia/playstation-vita

CD

Death Grips – Money Store an album by Death Grips 24th of April 2012. Bought this a few years ago in 2017 in Real Groovy. This CD will represent my CD and Vinyl Collection and will represent the visual and auditory inspiration that I get from listening to music.

Greene, Jayson. (2012) The Money Store, Death Grips. Pitchfork. https://pitchfork.com/reviews/albums/16512-death-grips-the-money-store/

\\

Casio F-91W

The Casio F-91W released in 1991 was heralded as one of the best digital watches. This was given to me by my sister in the Christmas of 2020. This watch represents my refusal to stay connected to the internet as well as my y2k design sensibilities.

Sam. (2021) The Fascinating Story of the Casio F-91W. SamTalksStyle. https://samtalksstyle.com/2021/01/21/the-fascinating-story-of-the-casio-f-91w/

Printer

HpDesk

Wallet

Origin, Forgotten. It does not have a brand. Though I faintly remember buying this in a department store in Philippines. This Wallet represents our drive for money. If you pay me well enough ill probably do a better job at my work, “money moves”.

(No source its just me)

iPad 11th Gen

This iPad 10.9 inch designed by apple, bought earlier this year. Was a replacement iPad for my older gen 10.9 inch iPad. Just like my Gaming laptop, this was a tool. More specifically a tool used to design characters, the iPad is essential in my illustration skills.

Various Pens

The ball point pen was patented by John J. Loud in 1888. Though what I’m featuring right now are various pen, most of them are ball point pens. The pen is an essential tool for any man, and an important tool for designer like me.

Nardo. S.D (2023) Who Invented the Ballpoint pen?: A Brief History. Dayspring Pens. https://www.dayspringpens.com/blogs/the-jotted-line/who-invented-the-ballpoint-pen-history

ID

2nd version Issued to Stephen Kyle Sales at 24th of February 2023 at AA Takapuna, Original copy was lost, The ID is my legal identification. This is me in the eyes of NZ Transport Agency I am EA713655, This is all they know about me.

Traffic Cone

Wide Profile PVC Road cone, NZTA compliant. Borrowed from my father’s workplace. This traffic cone represents my design Identity, Industrial and straightforward; bright and visually loud; flashes in the right conditions; gritty and industrial.

ASUS TUF F15 (2020

Designed in Taiwan, 2020 model Core i5 with 34GB of RAM and a GTX 1650 graphics card. Acquired in PB Tech Albany in 2021. This laptop is an essential tool to me. This is where I design; This is where I play; and this is my vessel to the internet.

Instant Coffee

1st of April 1938 Nescafe classic was introduced. This specific product was acquired in pak n Save Wairau. Instant Coffee, the working man’s drink. I can’t work without coffee It helps my idea run and helps clear my mind in the morning. I am dependent to it.

The NESCAFÉ Story. NESCAFÉ. https://www.nescafe.com/nz/about-us

The Holy Bible Source, Various authors. The modern biblical canon was composed in the first century AD. This bible was given to me by my parents, originally owned by my sister. The Bible represents my faith though it has little direct influence on my designs it has direct influence on my greater decisions.

Box of Ephemera

Various posters inside, items collected in different times. This box contains notes, posters, drafts, doodles, fonts, manuals, and other various ephemera I find interesting. These are temporary inspirations. Like collages I take ideas from these collections and compose them into something new

Grid System PDF

Grid systems written Josef Müller-Brockmann published in 1996. This copy was acquired through PDF. This book made me realize the importance of grids, though this was also the era of my rebellious design phase. This pdf represents both my allegiance and understanding of the rules my rebellion against It.

The Notebook.

Paper was first invented in China around 100 BC, an essential for making books and notebooks. These specific notebooks were bought from the local bookstore. Just like the pen I believe notebooks are another important for creatives. These specific notebooks contain character designs I have drawn pre-iPad.

Mertes. A(2022) What is the History of Notebooks? Quality Logo Products Blog. https://www.qualitylogoproducts.com/blog/what-is-the-history-of-notebooks/

The Bass Guitar

The Fender P-Bass was first produced in October 1951, while this bootleg ¾ P-Bass by was acquired in 2017. The sounds I produce with the bass translates into visual ideas. This bass also reflects the user, a small bass with stickers and tape also reflects the user’s personality and height.

                               L

Owens, J, (n.d) LEGENDARY LOWS: THE PRECISION BASS STORY. Fender. https://www.fender.com/articles/behind-the-scenes/legendary-lows-the-precision-bass-story

95bFM poster

95bFM Founded in UOA in 1969, while this poster was produced in 2023 when I started Volunteering as a designer. My relationship with 95bFM allows me flexibility with my design and close touch with music. Music inspires me therefore 95bFM and its rich history give me treasure troves of ideas.

About 95bfm. (N.D). TRB. https://www.trb.co.nz/brand-profiles/95bfm

Phone

The first true smart phone is the IBM Simon released in 1984, This Alcatel was given to me by my dad. A smartphone is a powerful tool that we humans are stuck on, and because of phones I have decided to become a UX/UI designer because of demand and power.

Rockman.S (2021) What Was The First Smartphone?. Cambridge Wireless. https://www.cambridgewireless.co.uk/news/cw-journal/what-was-first-smartphone/

>’EYE SEE YOU’ poster

Poster created by me in 2022 for the 2nd semester of university. This project pushed me and got me to explore my style, belief, and philosophy. The design isn’t visually deep though a lot of though around style and message was happening behind the scenes. uTorrent Released in 2005 this program was my go-to for entertainment back in Philippines, when everything was expensive for me. The deep lore of rival between ‘WAREZ’ group and their art that embed into their ‘readme.nfo’ files invoke ideas to me. I’m an internet kid, and this was my ephemera.

Anoxia. (1994) Time/System TaskTimer for Windows Version 1.0. Textfiles. http://artscene.textfiles.com/asciiart/NFOS/.png/anoxia.nfo.png

[candyfloss-kittens]

Two new Monster High dolls have made their way into my collection!

Creepover Party Twyla, and core Ghoulia!

Had to buy these two off Amazon AU, because I doubt I'll ever see them in NZ stores anytime soon. Especially the Ghoulia. Twyla has shown up in NZ stores before, so there is the chance that she'll get restocked here, but I've already waited so long to find her. I've been after her for months!

Though, Twyla's hair is an absolute mess.... Tried to brush it a bit, and it just went completely frizzy! And I have no idea how to fix doll hair....

Very happy to finally have these two, especially Twyla, as I've been after her for months. Though, her hair is a mess! Tried to brush it a bit, and it just went completely frizzy! And I have no idea how to fix doll hair....

Now the G3 Monster High collection stands at 13!

And I think no more until core Venus and Toralei make it to NZ stores. And the core Spectra and Catty.... And the Fearbook Twyla and that new Abbey that's coming out.... Although, I still want to grab the Fearidescent Cleo at some point, just to complete that set, because the Fearidescent dolls are gorgeous.

Love how after I got Abbey I said I wasn't going to by so many of these.... However, I think with the exception of Abbey and Twyla, and the Fearidescent dolls, I'll only be buying the core dolls of each, and that's it. And only of the characters I like. Don't really fancy getting any of the boy dolls, unless they make a G3 Invisibilly.

But they better make a G3 Rochelle, Robecca, and Operetta! Those are the three that I really want! Also, if they made more of the dolls have long pants, that would be great, too. They all have too short skirts and shorts, and I'm just not really into that. I think Ghoulia would've looked so much nicer with some long (maybe baggy), track pants.

Also.... there's not nearly enough characters with a green colour scheme. Which is why I'm very much looking forward to adding Venus to my collection once she's available in New Zealand stores!

Also, I'm a Monster High collector as you can tell, but I also got my first Bratz dolls in years. Think the last Bratz doll I got was in... 2006 or 2007.

Couldn't resist getting the Always Bratz line. Really love the Cloe and Jade. And I'd say these will be the only Bratz dolls that I get, but there's a couple others that I've been looking at getting at some point.... And I still want to get the Rock Angelz line. That's the one line that my sister and I have always wanted, and I still very much want that line after all these years.

Just wish I knew what happened to all my old Bratz dolls.... Had three Genie Magic Yasmin, Jade, and Cloe (never did manage to find the Sasha in that line, or the other two characters in that line... or they were just too expensive at the time), and the Forever Diamond Sheridan. Plus, a fake Bratz doll that actually looked pretty decent. I would rather like to figure out where they all went, and possibly attempt to restore them. However, I do know that my old Yasmin is definitely broken, think her head fell off after a bit of her neck broke or something, but the others I'm not sure about. They may not be in the best condition wherever they are, and definitely missing all their accessories, but I don't think they had broke....

[grad604-amber]

Break SDL: 20 object Rationales

Over the break along with further research, I started to notice patterns in my first lot of 20 objects I had chosen and photographed. From there, I have begun to gather more and solidify a theme and direction.

20 Objects

Above is an image of the objects laid out together and numbered. Nostalgia allows you to understand the journey of personal growth you have undertaken through the years. For me nostalgia provides insights into my identity, highlighting how my past experiences have influenced who I am today in many different aspects of my life but specifically who I am becoming as a creative.

A lot of my objects are things from my childhood and items that represent important and significant moments of my childhood and growing. These things all build and relate to who I am as a creative and the work I produce. The collection of objects theme and consistency may be unnoticeable to others but to me, it is pronounced that these things represent my personal growth.

Jewellery Box: This jewellery was gifted to me by my Nana and Grandad when I was four years old and just moved to Aotearoa from England. I wasn't old enough to care for a jewellery box but now it holds this new significance now, to it feels like this token of 'coming home' Although when I came to NZ it wasn't my 'home', this box now represents the beginning of the place that holds the most significant moments of my life.

Photo album: This is the biggest photo album I own, started by my parents and then continued on by me. While it represents and incases significant milestones in my life it was also the beginning of a creative spark. From as young as five there are little doodles filling the pages creating a very individual and unique book.

Cyanotype print: This is a print I made in my first year of university, it is a cyanotype print. This was my first time trying cyanotype and I was immediately drawn to the way the process was. Starting by painting a blank canvas and then creating pieces digitally and with nature to then be placed in the light. It almost felt magical to me. Through the first year of uni experimenting with so many different forms of design this really solidified my love for analogue processes.

Teddy bear: The teddy bear I received when I was first born, there isn't a deep and meaningful reason behind why my parents got me this, rather my Dad's work just gave it to him as a congratulation. But it became my favourite thing and ever since there it has been with me everywhere. Even now as a 19 year old it still sits perched on my desk. Teddy was once bright pink and fluffy when first received but now it is worn and faded. Teddy represents my growth, we both have grown and changed so much and Teddy represents that for me.

Journal: I use this journal not really as a way to record how my day was or my feelings with words, but rather using it as a creative outlet, I don't use a pencil or a rubber, I use pens and create doodles markings or any scribbles that come to mind. This is an important part of my design process I need to get all the ideas out no matter how silly or whether or not they make sense.

Coaster: This is a coaster from a pub in England - the first time we went back after moving to NZ. At the time I was 10 and my sisters and I decided to 'borrow' it and take home as a souvenir. Now it reminds me how although I don't consider England my 'home', home can be more than one place.

Pounds: Pounds are the currency of England, I chose these specific ones not to represent my birthplace but rather the significance of when it was given to me. When I went to England this year for the first time in nearly 10 years, we saw our dad's side of the family (who are Pakistani) for the first time in a very long time and celebrated Eid for the first time. It isn't something our dad has really shared with us growing up so being able to celebrate Eid and embrace this side of our heritage for the first time was very special. And this was the Eid money I was gifted.

Tiny home: Art is all around us and I think the beauty of op shopping is finding little treasures, I found this at an op shop and loved the physicality of the ceramic work, while it also has a purpose of being a container to hold anything in.

Postcards: These postcards I have taken back with me from England. I liked the way they were showcasing art rather than photography.

Easel: This baby easel was gifted to me by my sister, It is not something I really even intend on painting but her reasoning for it was 'it was just so you'. I have always considered myself a 'creative' in my own way, growing up I was always drawing, painting or creating something, whether it was good or not, it was just something I loved to do.

Flax flowers: These are fla flowers that I made with my Nana when I was younger, I am part Māori from my mum's side and while it is something I have always been proud of it is something I have felt disconnected from most of my life. Moments like this with my Nana have always been important. She taught me different weaving processes as she thought this was a way I could connect with the culture in a creative way.

CDs: These are the few CDs that I grew up listening to and that feels very personal and significant to me. Music helps me feel comforted and surrounded when isolated, it helps inspire my work and is something I always feel goes hand in hand with a creative process as it is always lingering in the background.

Seaglass: I have always loved looking for sea glass when going to beaches, I started a collection when I was younger, I was so drawn to them because of their softness and organicness, also their uniqueness each one was different, from their shape to colour and even to texture. I didn't know it at the time but it was the start of my love for physical forms of art, and how I as a creative am drawn to creating analogue work as opposed to very digital work.

Handmade mug: This is a handmade mug I bought years ago with my pocket money while in New Plymouth. I remember being given an allowance by my Aunty and Uncle and they were surprised that out of anything I could have chosen that was it. I just loved the way it felt so personal and unique and wouldn't look like all the other mugs in our draw at home, rather handmade and my own.

Beatles poster: This is a little Beatles poster that I found in the op shop, I always loved the Beatles as it is the kind of music I would listen to with my mum growing up. I think Music and artists always have the most creative and fascinating designs for album covers and it is the first thing I will always look at before the tracklist or anything else.

Knitted patch: Another product from an activity with my Nana, when I was younger and stayed with her we always found something creative to do. She taught me and my sisters how to knit. This was the first thing I ever made. I then fell in love with it, Although my range just consists of scarfs, I liked the idea of a physical outcome.

Notebook: This handmade notebook I bought in Raglan when on a camping trip with my best friend. I immediately loved the illustrations on it as hand-drawn illustrations are some of my favourite forms of art.

Washy tape: Washy tape is something that takes me back to intermediate, I used to use it to decorate all my school books, collecting many different sizes, colours and patterns and using them to create fun markings on my book.

Pens: These coloured pens that I feel like I have had forever have always been my go-to when starting to plan something or even just scribble something. Sketching something as boring as packaging for one of my other classes with a big colour pen makes something that isn't really considered fun feel easy careless and creative.

'A' book: This book is something that was gifted to me, it was from a small gift shop in Dublin and it is handmade. I have had it for years now and have never really drawn or added anything to it as I find the craftsmanship of the object itself so perfect and intriguing that I have never wanted to mark it. Handmade and analogue pieces of work are always something I find to be so much more valuable then anything else.

Little tokens of mt childhood

Concepts:

Now that I have begun refining my 20 objects I am starting the process of planning and ideating how my poster is going to be presented and in what format. We were given many examples such as mapping, publications, journaling and videos. Below are some of my initial ideating sketches.

very rough and initial ideation stage.

[yuvan123]

Discover the Best Online Options to Send Rakhi to New Zealand

Sending Love Overseas: Top Online Options to Send Rakhi to New Zealand

Introduction

Raksha Bandhan is a cherished Indian festival that celebrates the bond between siblings, irrespective of geographical boundaries. With families often spread across the globe, the tradition of sending Rakhis has evolved, and online platforms have emerged as the bridge that connects hearts even across vast distances. If you're looking to send Rakhi to New Zealand, this article unveils the best online options that ensure your love and blessings reach your sibling on this special occasion.

The Significance of Raksha Bandhan

Raksha Bandhan, meaning "the bond of protection," holds immense cultural and emotional significance. On this day, sisters tie a sacred thread (rakhi) around their brothers' wrists, symbolizing their love and the brother's promise to protect and support. With families often separated by oceans, the desire to partake in this tradition remains strong, giving rise to the popularity of online Rakhi delivery services

Online Options to Send Rakhi to New Zealand

IGP (Indian Gifts Portal):

IGP is a comprehensive online gifting portal that specializes in sending Rakhis and gifts worldwide, including New Zealand. With a vast collection of Rakhis and Rakhi gifts, you can personalize your selection to make the occasion extra special. The platform guarantees hassle-free delivery and ensures that your gesture of love reaches your sibling on time.

Amazon:

Amazon's global reach extends to New Zealand, making it a convenient option for sending Rakhis. The platform offers a wide range of Rakhis in various styles and materials. You can choose from traditional designs, modern patterns, and even personalized options. Amazon's efficient delivery network ensures that your Rakhi reaches your sibling's doorstep without delay.

Noori By Nikita:

Discover the perfect online solution to send your love across continents this Raksha Bandhan. Noori By Nikita offers a seamless way to send Rakhi to New Zealand. With a stunning collection of Rakhis and heartfelt designs, you can express your affection and keep the tradition alive. Embrace the convenience of online Rakhi gift hamper while celebrating the cherished bond of Raksha Bandhan with Noori By Nikita's exquisite offerings.

Rakhi Bazaar:

Rakhi Bazaar specializes in catering to the needs of the Indian diaspora during Raksha Bandhan. They offer a dedicated service for sending Rakhis to New Zealand. With an extensive collection of Rakhis and Rakhi sets, you can find the perfect one for your brother. The platform also provides express delivery options to ensure a timely arrival.

Indian Shopping Site:

Indian Shopping Site is another online platform that caters to sending Rakhis to various international destinations, including New Zealand. With a range of traditional and contemporary Rakhis, you can select the one that resonates with your sibling's taste. The platform emphasizes quality and reliability in its delivery services.

Gifts Across India:

Gifts Across India specializes in global Rakhi delivery, offering a variety of Rakhi designs and combos. Their user-friendly interface makes it easy to select and customize your Rakhi choices. The platform also offers same-day delivery options for those last-minute arrangements, ensuring your Rakhi reaches your sibling on time.

Indian Gifts NZ:

Indian Gifts NZ is a dedicated platform for sending Indian gifts, including Rakhis, to New Zealand. Their selection of Rakhis includes both traditional and modern designs. The platform focuses on providing a seamless gifting experience, with options for express delivery and customization.

Conclusion

Distance should never hinder the expression of love and tradition, especially on occasions as special as Raksha Bandhan. Thanks to online options, sending Rakhi to New Zealand has become more convenient and accessible than ever before. With platforms like Ferns Noori By Nikita, IGP, Amazon, Rakhi Bazaar, Indian Shopping Site, Gifts Across India, and Indian Gifts NZ, you can ensure that your Rakhi reaches your sibling's doorstep, carrying your love, blessings, and the cherished bond you share.

[chalitavantayavart604]

Week 4: 20 object

Thai culture

#1: Reverend Father Thuat: Father gave me to New Zealand to believe that will protect me

#2: Gold Monk necklace (สร้อยพระ): Father gave me

#3 :The letter from my family to me: with the Thai hand-writer letter

#4: Photo with my friend on 27 JAN 2020 at the Thai Giant at the back -> Way to NZ

#5: UOA The Thai Students' Association sticker (Thai Giant that I designed for TSA): Use for discount

#6: Thai Student ID that I still keep it with me (Since year 7): Have Thai language

#7: Old photo of my parent's

#8: Polaroid camera: Bought it in Thai for my own BD

#9: My best friend kept my Bday gift from 2020 and we just met in 2023: During 3 years we didn't meet because of the covid

#10: The blanket that passed down from generation to generation: India to Thai to NewZealand

#11: Airpots case: Hongkok friend brought it to me

#12: Photo of my great grandfather year 1911:

#13: Photo of my grandmother and grandfather are marrying

#14: Photo of me with my first dog: He died on car accident

#15: My first collection of Ryan (fav doll): used my own money

#16: Bday card from my Thai hight school friends: 2011

#17: Photo of my first 3 dog and only one still alive

#18: A Guitar: My first guitar that I bought it by mo own money

#19: Laptop& ipad pro: I brought it with my own money with the money that I got from my first job in Nz

#20: Blanket that my sister and I gave to my Mom on her birthday. I draw the picture.

[doomedandstoned]

New Zealand Doom-Groove Crew INFINITY RITUAL Drop New Music Video

~Doomed & Stoned Debuts~

By Billy Goate

Here's an act that'll really light your fire. Hailing from New Plymouth, New Zealand, this is INFINITY RITUAL, a band whose motto is "Doom, Groove, Volume." Dealing mean stoner riffs is the name of the game for their extended play debut -- four gritty, motoriffic tracks with an infectious charge full-steam ahead and take no prisoners along the way kind of vibe.

Today, we're revisiting the record, simply titled 'EP' (2022), with a fresh look at the third track, "Underneath." The band takes us to the damp, dark halls of prison for the music video, performing a song that's at least as dank as the concrete and steel bars that surround us.

"I see a light at the end of the tunnel. It's my father. He's smiling at me. I don't really understand....is this the end?" singer and guitarist Adam Colless wonders aloud. The band answers with a fury of complex rhythms and chunky slabs of riffage that had me thinking of Coal Chamber and Mudvayne at junctures. The song is one hell of a headbanger, releasing pent up angst and aggression within a framework of despair and metaphysical mystery.

Give ear...

WATCH & LISTEN: Infinity Ritual - "Underneath"

SOME BUZZ

Fans of heavy music have a new band to keep an eye on: Taranaki's Infinity Ritual. It's hard to pin down their sound exactly, but the band says they'd describe it as a groove metal wall of noise, with solid doses of rock, doom and stoner rock. And they already have their own beer.

Infinity Ritual released their debut self-titled EP in July, and – well-deserved, but much to their surprise – it reached No. 17 in the Top 40 Albums Chart and No. 5 in the NZ Albums Chart.

Drummer Mark Thomas told The Taranaki Daily News, “It was quite amazing to see us at number 5 on the New Zealand chart, but to be number 17 on the general top 40 was something I didn't expect.”

Mark Thomas may be familiar to music fans via his passion for vinyl He currently owns Vinyl Countdown in New Plymouth, and used to own Real Groovy Wellington. He has a long history with record stores, and calls record collecting "a really healthy addiction."

EP by Infinity Ritual

In other very cool news, Three Sisters Brewery has just released a beer named after the band, the Infinity Ritual Magic 8 West Coast IPA. They say, "To celebrate this collaboration with doom metal band Infinity Ritual we wanted to brew a beer that tasted like drinking a bitter pine tree. Mission accomplished, fuel for the mosh pit..."

Infinity Ritual has just completed a tour of the North Island, impressing people at each show. Muzic.net.nz's Kev Rowland caught their Auckland show at Ding Dong Lounge (17 December 2022) , saying, "This is a band I definitely want to see again, and anyone into this style of metal needs to seek them out."

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