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bringmeabagel · 2 months ago

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this is a masterpiece 🤩 amazing!

The Being (Un)Known \\ S. Reid x fem!reader

You never meant to orbit Spencer Reid, but somehow, you always do. The space between you is filled with quiet observations, lingering glances, and a tension that hums beneath every near miss. A brush of hands, a breath caught mid-sentence—small moments that build into something undeniable. It takes a near-disaster to bring you closer, but it’s the nights spent tangled in conversation, stolen glances over case files, and the weight of his name in your mouth that seal your fate.

12.1k, fem!reader. Slow-burn, lingering tension, quiet devotion, and Spencer being insufferably charming without realizing it.

CW: mutual pining, near-miss injury, brief emotional vulnerability, mild anxiety, excessive overthinking, cannon-typical violence, references to religion.

Spencer Reid is an enigma you never mean to chase, a sun you don’t realize you’ve been orbiting until the pull of his gravity is undeniable. He’s not someone you’re supposed to know, not really—he works in profiling, a world built on instinct and razor-sharp deduction, while you’re still buried in textbooks, an academy student trying to shape yourself into something worthy.

He’s only a few years older, but the distance between you feels vast, like a canyon carved by time and experience. And yet, no matter how often you tell yourself that he’s just another name, just another agent, you keep finding him. Or maybe—just maybe—he lets himself be found.

You don’t think much of it at first, the way your paths cross in quiet places—hallways humming with fluorescent light, libraries steeped in dust and silence, moments that seem incidental but never quite are. And then, without warning, that quiet fascination tilts your entire world:

It’s Spencer who speaks your name when SSA Hotchner asks for a student to shadow the team.

“It’s only a few cases,” he tells you, voice warm with something like certainty. There’s a rare kind of confidence in the way he smiles—small, knowing. “But Rossi and I agree—you’ve got too much potential to stay in a classroom much longer.”

“You’re sharp,” Rossi agrees, stepping in with the weight of experience, his approval easy but meaningful. “Play this right, kid, and you’ll be glad you did.”

Rossi’s words settle over you, weighty with promise, but reality is heavier.

Your first case comes fast—too fast. One moment, you’re standing in the bullpen with a crisp folder in your hands, the next, you’re on a jet with seasoned agents, listening as crime scene photos flick past on the monitor. It’s a triple homicide, the kind of case you’ve only studied in theory, where the victimology is murky and the suspect is still a shadow. The words feel clinical in the briefing, just patterns and deductions, but then you’re standing in a house that doesn’t feel like a crime scene yet, where someone left dishes in the sink and a jacket draped over the back of a chair, never to be touched again.

You swallow hard.

“Deep breath,” Spencer murmurs beside you, so quiet you almost miss it.

Your fingers curl into fists at your sides. You don’t want him to notice—don’t want anyone to notice—but Spencer’s eyes are too sharp, always catching things before they surface. You inhale, steadying yourself.

“This is different than the academy,” you admit, voice just above a whisper.

“It should be.” Spencer doesn’t sound condescending, doesn’t sound like he’s telling you anything you don’t already know. Just a simple, grounding fact. “But you’re still here.”

You are. And for now, that’s enough.

Slowly, you become accustomed to it. The days fly by while the hours drag on. \\

“Okay,” you tell the team, throwing your folders on the table to begin organizing them in the order you’ll present them. “JJ gave me four cases flagged as urgent,” you say, clicking the remote in your hand. The screen behind you flickers to life, displaying a title screen verging on too childish, nearly girly. You built the theme last night, sipping dregs of coffee, clinging to something that makes you feel human. A colorful border is enough to make you feel better about plastering victims' faces on a PowerPoint slide. “Each presents a significant threat, and each has something that warrants immediate intervention.”

CASE ONE: THE RITUALIST

You’re following the curriculum exactly, formatting how your professor told you to, but coming up with titles for the cases felt exaggerated, almost picturesque. You hesitated to do so last night, fingers flinching above your keyboard.

Your favorite professor, kindly answering your 3 am email, assured you it was natural. Par for the course. Identify the cases, give them a name to be referred to. It feels childish, she conceded in her response, but it’s what they want students to do.

“In Savannah, Georgia, three women have been found buried in shallow graves near the riverfront, all posed identically and dressed in wedding gowns.”

Emily crosses her arms, frowning. “That’s theatrical.”

“It is,” you agree, clicking to the next slide—a zoomed-in shot of the delicate lace on one victim’s gown, carefully arranged over stiff, lifeless hands. “The unsub is mimicking a local legend—one about a grieving bride who drowned herself in the river in the 1800s.”

“An emerging pattern?” JJ asks.

You nod. “The first body was found two weeks ago. The second, one week ago. The third, two days ago.”

“Which means he’s escalating,” Hotch observes.

“Yes. If the unsub continues following this timeline, we could see another victim within days.”

Morgan exhales, shaking his head. “A guy like this? He’s loving the attention. He’s not gonna stop on his own.”

“No,” you agree. “And if his rituals are as important to him as they seem, he won’t just pick random victims. He’s looking for something—someone—to fit his narrative.”

Spencer leans forward, fingers tapping absently on the table. “That level of organization suggests a highly controlled personality. He’s not just killing—he’s curating.”

“He’s hand-stitching the dresses, too. Each is perfectly tailored to fit the victims.” The thought leaves a bitter taste in your mouth. You switch the slide.

CASE TWO: THE FAMILY ANNIHILATOR

“In Tulsa, Oklahoma, three families have been murdered in their homes over the course of the past two days.” You keep your voice steady, clicking through the crime scene images—too much blood, overturned furniture, a dinner table frozen mid-meal. “In all of the cases, the father was restrained and forced to watch before he was killed last.”

A grim silence settles over the room.

Rossi rubs a hand over his jaw. “He’s not just taking them out—he’s making them suffer.”

Morgan exhales sharply. “Which means this is personal.”

“Possibly,” you say. “There was no forced entry in either case, which suggests the unsub is either someone the victims trusted or someone who knew how to manipulate his way inside.”

“A service worker, maybe?” Emily muses. “Someone posing as law enforcement?”

“That’s a strong possibility,” you admit. “And if the pattern holds, we’re looking at another family being targeted in a few hours.”

JJ’s expression hardens. “We can’t let that happen.”

The weight in her voice lingers as you switch to the next slide.

CASE THREE: THE PHANTOM ABDUCTOR

“Denver, Colorado,” you say, clicking to a map marked with four red pins. “Four people have vanished over the last five months—one woman, two men, and a child. No bodies, no forensic evidence, no trace of them after the moment they disappeared.”

Spencer tilts his head. “No pattern in victim selection?”

“None that we can see,” you agree. “Different ages, different backgrounds. The only common thread is that they all vanished from public places.”

JJ frowns. “Security footage?”

You shake your head. “In each case, cameras malfunctioned or lost power at the exact moment the victim disappeared.”

“That’s not a coincidence,” Hotch says.

“No,” you agree. “Which means we’re looking at an unsub—or possibly multiple—who is incredibly meticulous, well-prepared, and willing to wait for the perfect conditions.”

Morgan exhales. “Damn. If he’s this careful, we might not even know how many victims we’re missing.”

You nod, the reality of it settling into your gut like lead. You click to the final slide.

CASE FOUR: THE JANE DOE MURDERS

“Phoenix, Arizona,” you begin. “Five women have been found dead in the last six months. None have been identified.”

Emily shifts in her seat. “That’s a long time for that many women to go without names.”

“Exactly,” you say, flipping through the slides—malnourished bodies, identical scars along their spines. “We suspect the victims were held for an extended period before being killed. Medical reports indicate malnutrition and signs of prolonged restraint.”

Rossi exhales slowly. “Torture?”

“Maybe. But what stands out are these.” You zoom in on the marks along the victims’ backs—precise, deliberate incisions. “The wounds suggest medical knowledge. Someone who knew what they were doing.”

JJ’s face tightens. “He’s experimenting.”

“That’s the concern.” You glance at the team, your stomach twisting. “The unsub could still have others in captivity.”

A beat of silence.

Then, Hotch clears his throat. “Alright. You’ve presented four cases, all high priority. Now comes the hard part.” The part where you choose.

You inhale. Exhale. The weight of the decision presses against your ribs, but you don’t let it show.

“Take a moment,” Hotch says, voice even. “Decide which one we handle first.”

The room is quiet as you grip the remote a little tighter, eyes flicking between the slides, between the horrors laid out before you. Whichever case you choose, the others will wait. But not forever. You swallow hard and decide. The weight of it sits heavy in your chest, pressing against your ribs like a vice.

You shift your gaze between the slides still illuminated on the monitor—each one a tragedy waiting to unfold, each one a door closing on lives you’ll never be able to save if you don’t act now.

You exhale slowly, steadying yourself. How awful that the fate of lives rests on a test for a student. You know it’s important – they have to test you. You’re here because Rossi and Spencer see potential, kept around because, according to Hotch’s last report, you’re proving to be irreplaceable. Still, the decision feels too big to be handed off to you.

You have to make a case, despite. You bite your lip, wrinkle your nose. Tells everyone around you can see, signals they’re noting and remembering. “The Tulsa case,” you say, finally, voice firm, but not as even as you want it to be. “That’s where we go first.”

Across the room, the team absorbs your choice in silence.

Hotch nods once, expression unreadable. “Walk us through your reasoning.”

You click back to the slide, the images of two shattered families staring back at you. You resist the urge to look away. “The unsub’s pattern is clear. Three families, mere hours apart. If he keeps to his timeline, another family is in danger—possibly right now”

JJ’s jaw tightens, her fingers tapping lightly against the table. “And this isn’t just about killing them,” she adds. “The way he makes the fathers watch—it’s personal.”

“Exactly.” You glance at Spencer, who’s already nodding in agreement. “The level of control, the methodical nature—it suggests military or law enforcement training. Someone used to hierarchy, dominance.”

Morgan folds his arms. “Which means he’s not picking his victims at random.”

“No,” you agree. “If we can find the connection between the families, we can narrow down potential targets before he chooses his next one.” You click to the next slide, where the family structures are laid out side by side. “Right now, we have limited victimology, but the fathers were in leadership positions. One was a high-ranking bank manager, the other an attorney, the most recent one a sheriff.”

Emily tilts her head, considering. “A grudge? Financial ruin, a court case, something that connects them?”

“Possibly,” you say. “But we won’t know for sure until we dig deeper. And we don’t have time to wait for another murder to give us more evidence.”

Hotch doesn’t hesitate. “Agreed.” He turns to the team. “If we leave within the hour, we’ll be in Tulsa by tonight. JJ, contact the local PD and get us access to the crime scenes. Morgan, start looking into the victims’ professional histories—see if there’s overlap. Prentiss, work with Garcia to pull any major financial or legal disputes in the last six months. Rossi, coordinate with victim services—we need to talk to the families.”

Everyone moves into action around you, gathering files, pushing back chairs, murmuring in low voices.

Then, Spencer speaks, “You made the right call.” You glance up to find him watching you, head tilted slightly, something unreadable in his expression.

You swallow. “I hope so.” Because it doesn’t feel like the right call. It just feels like the least wrong one.

Spencer studies you for a moment longer, then nods, as if he understands something you haven’t said aloud. The decision is made.

You catch the guy — you’re with the best team in the world, of course, you do — and subsequently pass the ‘test’ JJ posed for you. This is the deal with your professors: aid in exchange for grades. It’s not totally unheard of, accepting an academy student onto a team for a brief trial to test-run them. Especially a student top of their class like you are.

What’s unusual is how long you stay on the team.

It’s long enough to catch more sightings of Spencer, scattered across the building, like watching a dove rest.

You don’t mean to linger, but you do. A moment too long, just enough to feel like a pause in a conversation neither of you started. His fingers drum against the ceramic of his mug—quick, controlled, an absent rhythm. You can’t help but wonder if he hears the world like that, like patterns waiting to be unraveled. Like music waiting to be played.

You scamper away, like a startled animal, afraid of what the mundane action awakens.

You don’t have time to be entranced by Spencer Reid. You really, really don’t, but you still feel the beginnings of it pool in your belly.

The air in the bullpen is thick with the low hum of voices, the shuffle of papers, the occasional ring of a phone cutting through the din before being silenced by a hurried answer. Stale coffee lingers in the air, curling around the sharper scent of printer ink and the faintest traces of cologne clinging to coats draped over chairs. It smells like exhaustion, like long hours pressed into fabric, like something too lived-in to ever be fully washed away. The air conditioning murmurs somewhere overhead, cooling the space unevenly so that certain corners feel frigid while others remain stubbornly warm, weighted by too many bodies moving too slowly.

You should be focused. You should be finishing the report in front of you, should be paying attention to the pages you keep flipping through but not actually reading. But instead, your gaze drifts, betraying you before you can stop it. Across the room, at the coffee station, Spencer stands with his back to you, one hand in the pocket of his slacks, the other wrapped loosely around a ceramic mug, fingers curled just slightly, resting on the smooth surface in a way that seems absentminded. His thumb moves in slow, methodical circles against the ridges of the cup, a rhythm so small and controlled that you might have missed it if you weren’t watching. If you weren’t, despite every part of you screaming not to, noticing. The fluorescent lights overhead cast a pale glow over the angles of his face, sharpening the cut of his cheekbones, catching in the strands of his hair that are just slightly disheveled, like he’s run his fingers through them one too many times.

He doesn’t look up.

Not at you, not at anyone. His focus is turned inward, lost somewhere else, eyes fixed on the dark surface of his coffee as if he’s reading something in it, tracing the shape of a thought that hasn’t yet fully formed. His brow furrows slightly, just enough for you to notice, and then his fingers drum once—twice—against the ceramic, a quick tap-tap before stilling again. A habit, you think. A rhythm he follows without meaning to, the kind of movement that comes from a mind that never truly rests.

It is only then, only in the moment before you force yourself to look away, that he lifts his head. Not in your direction, not searching for you, but simply breaking free from whatever thought had been holding him captive. His lips part slightly, as if he might say something, but no sound comes. He just breathes, slow and measured, before lifting the mug to his mouth, taking a small sip, swallowing in a way that seems almost careful, like he’s weighing the warmth of the liquid against the feeling of it settling in his throat. You shouldn’t be watching this. It’s too small, too insignificant, and yet you can’t help but be transfixed by the way something as simple as drinking coffee becomes a deliberate act with him.

You realize that you’re still staring but you’re struggling to stop. You need to, you really need to, but the impulse to look at him is strong. It’s beyond physical attraction — something in him calls to you. A hunger to understand him, to be near him, to listen to him talk. He soothes something inside of you just by existing, piques your interest without trying, captivates your attention and hardly notices.

You tear your gaze away, back to your report, blinking rapidly, but it’s too late. The image of him is already burned into your mind, curling itself around your ribs, slipping into the spaces between thoughts like ink seeping into paper.

You tell yourself it’s nothing.

But you don’t look up again.

The scent of rain clings to his clothes when he sits beside you. Not the sharp, metallic bite of a downpour, but the softer, earthier remnants of a drizzle that has already passed, leaving only damp fabric and the faintest trace of petrichor in its wake. His coat is slung over the back of his chair, sleeves still holding the ghost of the movement he made when shrugging it off, the fabric folded in on itself in a way that suggests he hadn’t given it much thought before sitting down. He smells like paper and ink, like something faintly sweet beneath it—maybe cinnamon, maybe something darker, warmer, something that lingers just long enough to make you yearn to lean closer, to breathe in deeply enough to decipher it. You don’t, of course. You force yourself to stay still, to keep your eyes on your screen, your hands resting on the keyboard even though you haven’t typed anything in at least five minutes.

Spencer doesn’t notice. Or if he does, he doesn’t say anything.

Instead, he flips open a case file, fingers moving fluidly over the pages, eyes scanning the text with a kind of quiet intensity that makes it look effortless. The silence between you is thick, but not uncomfortable. It is the kind of silence that settles rather than lingers, the kind that feels less like absence and more like something tangible, something with weight, something wet and dripping, something shared. You wonder if he feels it, too.

After a while, he shifts, just slightly, and the movement is enough to break the stillness.

“Did you know,” he says, without preamble, voice smooth and even, “that the human olfactory system can distinguish over a trillion different scents?”

You blink, glancing at him, and he’s still looking at the file in front of him, fingers tracing the edge of the page like he’s only half-aware that he’s doing it.

“A trillion?” you echo. You hope you hadn’t inhaled too deeply when he sat down, pray to a god you don’t believe in that you don’t smell, start to attempt to calculate the probability of him simply thinking similar thoughts to you about the rain. The roof has been leaking, the scent of the sky is impossible to ignore.

His lips twitch slightly, not quite a smile but something close to it. “Most studies used to claim it was around ten thousand, but newer research suggests it’s significantly higher. The brain can recognize scent combinations even in extremely small concentrations, which means—”

“That we’re capable of identifying more smells than we ever actually register.��

His head turns slightly toward you, just enough for his eyes to flicker up, catching yours for the briefest second before he nods. “Exactly.”

There is something about the way he looks at you in that moment—something unreadable, something lingering just beneath the surface—that makes your breath catch in your throat.

You glance away first. Spencer exhales through his nose, quiet, considering. He doesn’t continue with the tangent.

But the scent of rain still clings to him, even now. And for some reason, you can’t stop thinking about it.

After stretched moments, the scent of rain and dirt and musk and sweet lingering between the two of you while you try your hardest to get actual work done, Spencer clears his throat. “You know, you have a tell,” he says, voice thoughtful, not teasing.

You turn to him, brow lifting. “A tell?”

“Whenever you’re thinking about something but don’t want to say it, you press your thumb to your middle finger. Like you’re holding something between them.” His gaze flickers downward. Sure enough, you’re doing it now.

You exhale, glancing out at the room in front of you. “I didn’t realize you paid that much attention.”

Spencer smiles, small and knowing. Nearly sad, it twinges at your heart. The organ aches to leap out of your chest and fall into his hands. “I always do.”

The silence returns, but it’s different now. He’s looking at you like he’s already memorized the way your hands move, the way your breath catches, the way your thoughts betray themselves in the smallest, most inconsequential gestures. And maybe he has. Maybe you shouldn’t be surprised that he sees you so clearly, that he can read the shape of your hesitations as easily as words printed on a page. It’s his job, of course he does.

The weight of his attention sits heavy on your skin, not uncomfortable but warm, seeping into the spaces between your ribs, something close to reverence but not quite. You don’t know what to do with it.

So you do what you always do. You look away.

It’s nothing more than what he’s trained to do. You’ve noticed his habit of clinking his nails against his coffee mugs. Beyond that, ignoring your fascination with him, you know Hotch only ever sleeps on the plane after a case is solved, never on the way even though the rest of the team will if it's convenient. Emily has a cat that she never talks about, one she methodically lint rolls hair from off of her pants. JJ smoothes her hair when she’s happy. Morgan flares his nostrils often when he’s tired.

You all notice things, it’s natural. There’s nothing more to it than that. Spencer Reid isn’t watching you for any reason other than it’s a habit he’s developed to survive, to thrive, in this line of work.

The night outside is thick with the slow hush of passing cars, headlights dragging shadows across the pavement, the distant murmur of a city that never quite sleeps. The rain has stopped, but its remnants remain, clinging to the asphalt, to the scent of damp earth rising in waves from the ground, to the fabric of Spencer’s shirt, the faint musk of it curling in the space between you.

You curl your fingers tighter, pressing your thumb to your middle finger again, not even thinking.

Spencer’s breath shifts, barely audible, and when you glance back at him, his eyes are still on your hands, watching, studying, something flickering behind his expression—something unreadable, something you don’t think you have the courage to name.

“What is it?” He asks instead of taking the leap.

“What is what?”

He gestures at your hands, veins flexing at the movement. “What’re you thinking and not saying?”

You flounder for a moment, lost in what to say. I think you’re beyond attractive, I can’t believe you’ve been staring at my hands, can you tell how often I stare at your hands, did you know sometimes I fall asleep thinking about you, that I have your smell memorized, that I’m sure this means nothing and I just admire you as a person and there are definitely no fluttery feeling in my gut begging me to put my mouth on you? Also, do I reak? Are you spewing facts about smells, about something so unavoidable, because your desk is next to mine and I’m simply putrid?

“I’m allergic to oranges,” you blurt out instead.

Spencer seems shocked, blinking at you, mouth slightly open. You can see the pink of his tongue between his teeth, slowly pressing into the bone as he begins to smile, pinching the soft skin there in reflex. You hadn’t noticed it in detail before, but you suppose he does that often — bites the tip of his tongue when he’s fighting to keep that full-mouthed smile at bay.

“What?”

“I’m allergic. And Garcia gives one to me every week and Rossi noticed and assumed I love them so he’s started giving them to me, too, and, well,” you push back your desk chair and pull your drawer open. Orange scent wafts out, perfuming the air and making your nose wrinkle.

Sitting in the desk are five oranges, collected over the week, that you’ve been waiting on a clear office to throw away.

“You’re kidding!” Spencer cries, peering over your shoulder and snickering. “I thought you loved them, too. You always smell like them.”

“Oh, ew.”

Spencer waves you off, plucking the fruit from your desk and cradling them in his arms, “It’s lovely, don’t worry. Why didn’t you say anything? You could get sick.”

You swallow the lovely comment, feeling it hit the base of your skull and sink into your blood, warming you all the way down. “It’s only a problem if I eat them, nothing happens if they touch me. Shove a slice down my throat, though, and I break out in hives.”

“I’ll keep that in mind,” Spencer says, snickering and tossing the oranges away for you.

You make it through the rest of the evening. You get back to work. You pretend like none of it happened, like you didn’t just let him glimpse a piece of you that you didn’t mean to reveal. You tell yourself that it’s fine, that the moment is already dissolving into the rest of the day, folding itself into the pile of interactions that mean nothing, that don’t linger.

But later, when you’re in bed, staring up at the ceiling, you realize two things.

One—Spencer noticed your scent.

And two—he thinks it’s lovely.

“You lied, earlier,” Spencer tells you, hours later in the elevator.

“Hm?”

“About the oranges.”

“Do you want to see a doctors note?” You’re tired, struggling to remember what he’s talking about. You two are the last in the office usually — you’re just a student and Spencer is vocal about not doing much outside of work.

“No, I believe you’re allergic, it’s just not what you were thinking about.” He’s leaning against the wall of the elevator, golden hair illuminated by the fluorescent lights. It’s not the most flattering — the harsh lighting gives him a sickly complexion, deepening the dark circles under his eyes. Frankly, he looks nearly sick.

Frankly, he still looks so handsome that you feel slightly overwhelmed with it.

You decide to give him a piece of the truth to satiate him, knowing there’s not much use in lying to a seasoned profiler. There’s a reason why he’s only a few years older than you with years more experience under his belt.

“You freaked me out. I was thinking about how you smelled like the rain and cinnamon and then you started talking about smells. I thought I either smelled so bad that you couldn’t think of any other way to tell me or you suddenly learned how to read minds.”

Spencer chuckles, motioning forward with his hand as the door opens. You walk forward, keeping your head turned to the side slightly to catch how his eyes crinkle as she smiles. His eyes drift up and then down, a habit he has before he speaks when he’s tired, and then he pushes himself off of the wall to follow you.

“I mentioned it because I could smell you, but it’s not bad, I promise.”

“Reassuring.”

“I’m telling the truth!”

“Sure. Just say I reak and I’ll change my shampoo or something, promise!”

“Oh, please don’t,” Spencer pleads, laughing. “What will I do without your Pantene-y scent filling the office every morning!”

The safe house is supposed to be secure.

It’s supposed to be a temporary holding place, a nondescript home tucked into a quiet neighborhood just far enough from the city that no one should be looking. The doors are reinforced, the blinds drawn tight, the exits mapped and double-checked. A necessary precaution. A routine assignment. A night of keeping a witness safe until she can testify in the morning.

You tell yourself all of this, but none of it changes the sharp tug of unease curling in your gut.

You don’t let it show. Not when you check your watch for the third time in twenty minutes. Not when you shift your stance near the window, your fingers flexing at your sides like your body is already preparing for a fight you haven’t seen yet. Not when Spencer, who has spent the better part of the evening reviewing case notes at the kitchen table, finally lifts his head and looks at you like he’s about to ask what’s wrong.

“Nothing,” you say before he can speak.

He doesn’t believe you.

He tilts his head, studying you, eyes flickering across your face like he can read the tension there. Maybe he can. Maybe he has been for longer than you realize. You press your thumb to your middle finger, grounding yourself, and Spencer notices that, too.

You roll your eyes as you notice his noticing but say nothing, turning your attention back to the window. The street outside is still. Too still. The kind of silence that doesn’t settle right, that carries the weight of something unseen pressing against it. It makes your stomach twist.

Spencer shifts behind you. “The odds of an actual attack on a safe house are statistically low. Most unsubs won’t risk a direct confrontation in a location they can’t control.”

“Most,” you echo.

He hesitates. “There are exceptions.”

“And this feels like an exception.”

Spencer doesn’t answer right away, but the flicker in his expression is enough. The same unease that’s gnawing at you has made its way under his skin, too. He may not operate on instinct the way the others do, may rely on numbers and data and probabilities before action, but he isn’t blind to the feeling in the air—the one that says something is coming.

And then, something does.

The first gunshot cracks through the silence like a splintering branch, tearing the night open. The second follows immediately after, embedding into the window frame centimeters from where you were standing just seconds before. You don’t think. You move.

Spencer is already on his feet when you shove him down, his body colliding with yours as the two of you hit the floor. The room erupts into chaos—glass shattering, bullets puncturing drywall, the distant, terrified gasp of the witness as she ducks behind the couch. Your heart pounds, adrenaline splashing hot and fast through your veins as you press against Spencer, shielding as much of him as you can. He’s speaking, but you barely hear him over the sound of your own pulse roaring in your ears. The ringing of the gunshot so close to your head has left you dizzy and deaf.

“Move!” you manage to shout, grabbing his wrist and pulling him with you, keeping low as another round of gunfire splinters the table where he was sitting just moments before. You don’t know how many shooters there are. You don’t know where they are. But you know you have to get out.

Spencer doesn’t hesitate. His fingers tighten around yours, and together you bolt for the hallway, ducking as another window bursts inward. You shove him ahead of you, searching for cover, for an escape, for anything but the open target the living room has become.

“Basement,” Spencer says, voice sharp, focused. It warbles against your pulsing ears, barely understood. You’re mostly relying on lip reading and context clues. “We need to get underground.”

You don’t argue. You barely register the movement of your own body as you drag the witness with you, shoving open the basement door and practically throwing Spencer down the stairs before following, slamming it shut just as more bullets spray against the frame. Your breath is ragged, too loud in the thick darkness, the only light coming from the single flickering bulb overhead. The space is small, cluttered with storage boxes and old furniture, but it’s shelter. For now.

You’re still gripping Spencer’s arm. Hard. You can feel the hammering of his pulse beneath your fingers, mirroring your own. It takes effort to release him, to force your hands to unclench.

He doesn’t move away.

The witness is shaking, her breath coming in uneven gasps. Spencer kneels beside her, murmuring something soft, something steadying. You press your back against the door, listening for movement above, trying to piece together a plan while your body still thrums with leftover adrenaline.

Spencer looks up at you. His eyes are dark in the dim light, sharp with something between urgency and something else, something you don’t have time to name.

“They’ll breach soon,” he says, quiet but certain.

You nod, swallowing hard. The air is thick. The scent of dust and damp wood clings to it, mixing with the faint trace of Spencer’s cologne, something warm and familiar despite the chaos above. You focus on it, on the grounding presence of him beside you, close enough that you could reach out and touch the fabric of his shirt if you wanted to.

You don’t.

You grip your gun tighter.

“Then we make sure we’re ready.”

Spencer exhales through his nose, slow and deliberate, and shifts closer, just slightly, his shoulder brushing against yours. The contact is brief but solid, enough to remind you that he’s here, that he’s real, that this isn’t just a moment suspended in panic but something unfolding, something with weight.

The witness sniffles, drawing both of your attention back. Spencer softens his voice, murmuring reassurances, quiet, steady things meant to anchor her. You keep your focus on the door, ears tuned to the movements above, but some part of you latches onto his words, the cadence of them, the way they smooth over the jagged edges of the moment.

Another creak from upstairs. A shuffle of movement. Your fingers flex around your gun. Spencer glances at you again, expression unreadable in the dim light, but his meaning is clear.

Hold.

Wait.

And when the moment comes, move together.

Then the door bursts inward, and everything moves at once. Gunfire explodes, too close, too loud. You fire off two rounds before a sharp pain sears through your side, white-hot and immediate. The impact sends you stumbling back against the cold concrete floor, breath catching as a wave of dizziness threatens to pull you under.

Spencer is there before you even register falling. His hands are on you, pressing against the wound, urgent and shaking, his breath coming fast.

“You’re hit,” he says, voice tight, edged with something near panic.

You grit your teeth. “I noticed.”

Spencer doesn’t laugh. He just presses harder, trying to slow the bleeding, his fingers slick with warmth that doesn’t belong to him. He glances up, scanning the dark corners of the basement, the outline of the intruder slumping forward as your shots take effect. The danger isn’t over, not yet, but Spencer isn’t moving away from you.

“You’ll be fine,” he mutters, more to himself than you.

You try for a smirk but only manage a wince. “Worried about me, Reid?”

His jaw tightens. “Always.”

A crash echoes upstairs, heavy footsteps pounding against the floor. Reinforcements. You and Spencer exchange a glance, unspoken understanding passing between you. You both know that staying here is no longer an option.

Spencer shifts, keeping one hand pressed against your wound while the other reaches for the gun at his side. “We need to move.”

The witness, still trembling in the corner, looks between you both with wide, terrified eyes. “What do we do?”

You grit your teeth, swallowing the pain threatening to pull you under. “There’s a cellar door. Side of the house.”

Spencer nods sharply, adjusting his grip. “We go now.”

He helps you up, his arm sliding under yours, bracing you against him. The movement sends fire through your side, but there’s no time to dwell on it. The sound of approaching footsteps upstairs is growing louder, more deliberate. Whoever is coming isn’t planning to leave survivors.

The three of you move as quickly as you can, Spencer leading the way with his gun raised, the witness keeping close behind. The basement door groans on its hinges as you push through, emerging into the damp night air. The rain has started again, a fine mist clinging to your skin as you stumble forward.

Headlights slice through the darkness just as the first gunshot erupts behind you. Spencer pulls you down, shielding you as best he can while the FBI-issued SUV skids to a stop at the curb. The doors burst open, Morgan and Hotch emerging with their weapons drawn.

“She’s hit!” Spencer shouts, his grip on you tightening as the gunfire continues behind you.

Morgan doesn’t hesitate. He returns fire, his stance steady, controlled. Hotch moves to cover you and the witness, his eyes sweeping over your injury before snapping back to the fight. “Get her in the car!” he orders.

Spencer doesn’t wait. He all but lifts you into the backseat, the witness scrambling in after you. You can feel how his muscles strain to lift you, flexing and rolling as he lifts you as carefully as possible, refusing to allow you to help. The slam of the door barely muffles the chaos outside. Your breath comes in shallow gasps, the weight of adrenaline keeping you upright.It takes your swimming mind time to process that Spencer is curling the van instead of allowing you to move over. You should protest but your mind continues to jump around, straining to pay attention to the scene outside. Have they caught him? The witness is safe, she’s sobbing beside you, but is the rest of the team?

Then the passenger door swings open, and Spencer climbs in beside you. He’s breathing hard, his knuckles white where they grip his gun, but his eyes are locked on yours. “You still with me?”

You nod, though exhaustion is dragging at your limbs, pulling you under. “Still here.”

His shoulders sag, just slightly. “Good.”

Morgan jumps into the driver's seat and peels away from the curb, tires screeching against wet pavement. You glance out the window just in time to see Hotch and the rest of the team securing the scene, the last of the gunfire fading into the distance.

Spencer exhales, finally lowering his weapon, and turns back to you. “Let’s get you home.”

The jet hums beneath you, a steady vibration you feel in your bones. Most of the team is asleep, exhaustion weighing heavy after the mission. The overhead lights are dimmed, casting the cabin in soft shadows. You should be asleep, too, but the throbbing ache in your side keeps you from finding rest.

Spencer hasn’t left your side. He sits next to you, his book open but untouched, his fingers drumming against the cover in restless patterns. Every so often, you catch him glancing at you, eyes flicking toward your face, your side, your hands.

“You’re staring,” you murmur, not opening your eyes.

Spencer shifts. “I’m not.”

You crack an eye open, giving him a pointed look. “Reid.”

He presses his lips together. “I’m just… observing.”

You huff a quiet laugh, shifting slightly, wincing at the sharp pull of your injury. Spencer moves before you can stop him, adjusting the blanket draped over you, tucking it carefully around your shoulders. His touch is light, careful.

“You lost a lot of blood,” he says, voice soft but firm. “And, statistically, someone in your condition should be experiencing lightheadedness, muscle fatigue, and an increased need for rest. Your body is trying to compensate for the blood loss by increasing your heart rate, which is why you’re still feeling so warm despite the cabin temperature being nearly ten degrees lower than standard room temperature.”

You blink at him, half amused, half exhausted. “You always talk this much when you’re worried?”

Spencer huffs. “I’m not worried.”

“You’re quoting medical statistics at me, Reid.”

He shifts uncomfortably but doesn’t argue. “I just think you should be resting.”

“Then stop talking and let me sleep.”

A pause. Then, almost reluctantly, he nods. “Right. Okay.”

You sigh, closing your eyes, exhaustion creeping in. Just as your body starts to go heavy with sleep, you feel movement beside you—the soft rustle of fabric. Something warm drapes over your shoulders, heavier than the blanket.

You crack an eye open and see Spencer shrugging out of his jacket, carefully settling it around you.

“Spence—” you start, but he shakes his head.

“Just sleep,” he murmurs, voice softer now. “You need it.”

You don’t argue. The warmth of his jacket, the steady hum of the jet, and the quiet presence of Spencer beside you lull you under.

The last thing you hear before sleep takes over is the sound of him turning another page—not reading, just waiting.

The bullpen is buzzing with the familiar hum of keyboards clacking, quiet conversations murmuring through the space, and the occasional scrape of a chair against the floor. It’s one of those rare in-between days—no pressing cases, no jet waiting on the tarmac, just paperwork and coffee refills. A brief, deceptive calm before the inevitable storm.

You’re at your desk, fingers drumming absently against a stack of reports you’ve been meaning to go through for the past half hour. You should be working, but your attention keeps drifting—particularly to the desk across from yours, where Spencer is deep in thought, a book propped open against his keyboard. He’s not even pretending to do his paperwork.

You tilt your head, watching him for a beat. His lips move slightly as he reads, fingers tapping a rhythm on his desk, entirely lost in whatever tangent he’s found himself in. You fight a giggle.

“Should I be concerned that you’ve been staring at that same page for the last fifteen minutes?”

Spencer blinks, snapping out of his reverie. He looks at you, then down at his book, then back at you, brow furrowing like he’s just realized he’s been caught.

“I wasn’t—I mean, I was reading. But I was also thinking.”

You raise an eyebrow. “About?”

He hesitates, glancing toward his book as if debating whether to explain. Then, with a small sigh, he leans back in his chair, pushing his hair out of his face. “Did you know that the average person speaks about sixteen thousand words per day? But in reality, most of our daily conversations are filled with repetition, small talk, and pleasantries that don’t contribute much meaningful information.”

You blink at him. “So, what, you’re saying we all talk too much?”

His lips twitch. “Not exactly. Just that… statistically, most conversations are redundant. People say the same things over and over again, sometimes just for the sake of filling silence.”

You smirk. “And yet, you’re one of the most talkative people I know.”

Spencer narrows his eyes, but there’s amusement flickering there. “That’s different. I provide new information.”

You hum, pretending to consider that. “Debatable.” The joke dances on your tongue and you see the edge of a smile fight to peel its way across his cheeks.

Before he can argue, a coffee cup appears in your peripheral vision, and you glance up to see JJ setting it on your desk with a knowing smile. “Flirting through statistics again?” she teases before apologetically placing another file on your desk next to the coffee-offering and walking off.

Spencer clears his throat, suddenly very interested in his book again, while you just chuckle, lifting the cup in silent thanks, adding the case to your impending pile.

“Face it, Reid,” you say, taking a sip. “You talk a lot. Don’t worry, it’s endearing.”

He exhales, shaking his head, but there’s the hint of a smile playing at his lips. “You’re impossible.”

You grin. “And yet, you’re still talking to me.”

You turn back to your work, flipping through the pages stuck in your folder. You weren’t on the assignment you’re tasked with processing, the curse of being lowest on the totem pole, but the case is interesting enough. Still, you find your eyes skimming, fingers tapping on the desk.

“Now who’s zoning out?” Spencer asks. When you look up, he’s smiling at you.

“Sorry, I was just wondering. Were you saying that because you feel like our conversations are actually redundant?”

Spencer tilts his head, considering. “No. If anything, our conversations are anomalous.”

You arch a brow. “Anomalous?”

“Yes.” He shifts in his seat, leaning slightly toward you. “Most daily conversations consist of formulaic exchanges—small talk, routine inquiries, expected responses. But ours deviate. We don’t follow typical social scripts.”

You take another sip of coffee, fighting a grin. “So what you’re saying is… we’re special? Different? Not like other coworkers?”

Spencer huffs, clearly trying to fight back a smile of his own. “Statistically speaking, yes.”

You hum thoughtfully. “That’s a very fancy way of admitting you enjoy talking to me.”

Spencer opens his mouth, then closes it, before finally shaking his head. “You’re impossible.”

You smirk, leaning back in your chair. “You already said that.”

“I’m repeating myself,” he says, deadpan. “Which, as I previously stated, most people do without realizing.”

You burst into laughter, shaking your head. “See? Redundant.”

Spencer exhales, feigning exasperation, but you catch the way his lips twitch, like he’s barely containing his amusement. He glances down at his book again, but it’s obvious he’s no longer reading. Instead, his fingers tap absently against the desk, his gaze drifting back to you as if he’s waiting for whatever you’ll say next.

After a beat, you shift slightly in your chair, hesitating before asking, “If most conversations are menial and redundant, is there anything you’d actually like to know about me?”

Spencer’s fingers stop tapping. His head tilts slightly, eyes brightening with interest. “Yes.”

You blink, caught off guard by his immediate answer. “Oh. Okay.”

He leans forward, forearms resting on his desk. “What’s your favorite color?”

The question is so simple, so unexpected, that you laugh softly. “That’s what you want to know?”

He shrugs. “I like colors. They’re associated with memory and emotion. The colors we gravitate toward can tell a lot about how we perceive the world.”

You consider it. “Hm. Blue, I think. The kind of blue right before the sun sets.”

Spencer’s lips twitch, like he’s cataloging that information for later. “That makes sense.”

You raise a brow. “And yours?”

“Yellow,” he says easily. “Statistically, it’s associated with intelligence and optimism. But mostly, I just like how warm it feels.”

You nod, smiling. “That checks out.”

Spencer watches you for a beat before continuing, “Do you like to cook?”

“I can cook,” you say hesitantly. “Do I enjoy it? Debatable.”

His eyes crinkle at the corners. “So, a reluctant chef.”

“More like a survivalist cook,” you amend. “You?”

“I actually do like cooking. It’s methodical. Precise.”

You snort. “Of course, you’d say that.”

His lips twitch again. “What about books? Do you read for fun, or do you avoid it since we deal with enough research at work?”

You glance at the stack of case files on your desk before meeting his gaze. “I do read. But nothing… analytical. I like stories. Ones that pull you out of reality.”

Spencer hums, clearly pleased by that. “Escapism.”

“Something like that. What about you?”

“I’m currently translating a Russian novel written in the 16th century.”

“Ah. So you research at work and at home.”

Spencer hums, tilting his head to the side. “No, I think it’s still escapism. It’s something to focus on that takes just enough of my focus that I can let the world fade away. General novels don’t do enough to ‘pull me out of reality.’”

Your conversation continues, the questions growing deeper—favorite childhood memory, biggest irrational fear, if you believe in fate. The air between you shifts, still lighthearted but threaded with something more thoughtful, something lingering. Neither of you notice how much time has passed, how the rest of the bullpen has faded into the background. Neither of you seem to mind.

“Are you two actually planning on doing work today, or just nerding out over here?” Morgan saunters over, arms crossed, a teasing grin plastered across his face. “Seriously, I don’t think I’ve ever seen two people more excited to talk about words.”

You roll your eyes but play along immediately, sitting up straighter. “We’re conducting an in-depth analysis of human conversation patterns, actually. Very important work.”

Spencer nods solemnly. “It’s a highly valuable study in linguistic redundancy.”

Morgan snorts. “Right. And how many case files have you two managed to process between all this very valuable research?”

You glance at the untouched stack of paperwork on your desk. “Define ‘process.’”

Morgan barks out a laugh, shaking his head. “Unbelievable. You’re really letting him rub off on you, huh?”

Your grin falters, just slightly, something warm settling in your chest at the thought. You don’t want to just be letting it happen—you want to belong here, to be part of this team in every way that matters. And for the first time, it feels like maybe you already do.

Later that evening, Rossi hosts a team dinner at his house, a tradition that has somehow become a staple among the group. His kitchen is full of the warm scent of garlic and herbs, the clinking of dishes, the comfortable laughter of people who have seen the worst parts of the world together and still choose to sit at the same table.

When you arrive, the house is already brimming with conversation. Morgan greets you first, throwing an arm around your shoulders with an easy grin. "Look who finally decided to show up. We thought you might be hiding out, avoiding us."

You roll your eyes. "As if I could ever avoid all this chaos."

"Chaos?" JJ chimes in, nudging you playfully as she passes by with three drinks balanced between her two hands. "This is tradition."

Emily smirks, leaning against the counter as she sips her wine. "Some traditions involve singing. Others involve roasting marshmallows. Ours? A fine mix of sarcasm and psychological analysis."

“And food,” Rossi interrupts.

"And some of us even make an effort to discuss more elevated topics," Spencer adds, stepping into the kitchen with a book tucked under his arm.

Morgan groans. "Oh God, don’t tell me you brought a book to dinner."

"It’s not for dinner," Spencer says, offended. "It’s just something I was reading earlier. Did you know that communal meals have historically played a significant role in human bonding? Anthropologists argue that the act of sharing food helped shape early societal structures, reinforcing a sense of trust and cooperation."

You smile, all warm edges and fuzzy thoughts. "So what you're saying is, this dinner is historically significant?"

Spencer nods, pleased. "Exactly."

Morgan shakes his head. "Yeah, alright, professor. How about instead of a lecture, you help set the table?"

Rossi moves through the kitchen with practiced ease, stirring sauces and pulling fresh bread from the oven, effortlessly hosting while still engaging in every conversation. He waves you over at one point, nudging a wine bottle toward you. "Since you brought such a good one last time, how about you do the honors?"

You take the bottle from him, grateful for something to do, something to focus on besides the bubbling warmth of the evening settling under your skin. As you work the cork from the bottle, Spencer sidles up beside you, watching with quiet amusement.

"You know," he starts, "there’s actually a method to opening wine that prevents cork residue from contaminating the liquid."

You glance up at him with a self-conscious smile. "Is that your way of telling me I’m doing it wrong?"

His lips twitch, a near-smile. "Not wrong. Just… suboptimal."

You roll your eyes, finally freeing the cork and handing him the bottle. "Then, by all means, Dr. Reid, show me the optimal way."

Spencer takes the bottle, hands brushing against yours. You find yourself still looking up at him for a moment, fingers gently touching, a moment collapsing into itself. You watch as his pupils dilate, slightly, a normal reaction to eye contact and nothing further (a notion your body refuses to acknowledge, filled with the silly idea that maybe it’s attraction pushing his eyes open further to observe more of you). His mouth opens, ready to explain what he’s doing. But, before he can launch into an explanation, Morgan’s voice carries across the room. "Oh great, the nerds found each other again. Should we all just clear out and let you guys talk statistics over dinner?"

Emily snorts from where she’s leaning against the counter, sipping her drink. "Honestly, I’d pay to watch that."

You play along easily, shaking your head in faux exasperation. "We were having a very riveting discussion about wine physics, actually. Life-altering shit."

Morgan grins. "Yeah, I bet. What’s next, the molecular breakdown of garlic bread?"

Spencer straightens slightly. "Actually—"

You elbow him lightly before he can get started, and his mouth snaps shut. It’s the smallest moment, but it sends a ripple of warmth through you—this unspoken understanding, the ease of teasing him without making him feel small.

You’ve noticed before when the gentle teasing goes too far. When the team pushes a bit too much, makes him feel like a burden instead of a fountain of knowledge. The painful edge of it digs into your stomach more often than you would care to admit. A significant amount of your energy when talking to Spencer is spent toeing that line. You can’t help but tease but you never want to make him feel like his interests and knowledge are a burden.

Rossi chuckles, setting a tray of pasta on the counter. "Alright, everyone, grab a plate before the food gets cold."

The group disperses into easy movement, laughter trailing behind as plates are filled and seats are taken around the long wooden dining table. You settle beside Spencer again, your knees brushing under the table. The proximity is unintentional, but you don’t move away, and neither does he.

The meal is indulgent, the flavors rich and familiar, but it’s not the food that lingers—it’s the feeling. The warmth of being gathered around this table, among these people, feels sacred in a way you’re not sure you’ve ever experienced before. Like communion, like breaking bread with disciples who have seen you bleed and stayed anyway. You wonder if Spencer feels it, too, if he sees the holiness in shared meals and easy laughter, in the way the team fills the spaces between each other like stained glass fitted carefully into its frame.

You and this team have been through so much together — the rest more than you. The past months shadowing the team have been insightful, exciting, and have done more than anything else to solidify that this is what you want to be doing with your career. Beyond that, the time has been tough. Your grit, your ability to persevere and persist, and your skills, have been tested day beyond day.

Beyond the toughness though, you’ve found a home. Community. Family. You see through their exteriors to admire them, the people around you. It’s more than you could have ever thought it to be, this life. Before this, you’ve been floating. Drifting through life, living for exams and physicals and finals. Studying, working for a result you were unfamiliar with. Now, though, the taste of the life you’ve ground yourself to the bone for glistening on the tip of your tongue, you’re hungry. Starving for life to continue, salivating at the mouth for any and all opportunities to stay here, in this moment, with the team.

Conversations flow freely around you, a mix of teasing and genuine storytelling, warmth curling in your chest as you sip your wine and let yourself exist in this moment. Spencer doesn’t talk much, but he listens—really listens—his attention flickering between the voices around the table, occasionally back to you.

At one point, Rossi taps his glass, drawing attention. "Since we’ve got everyone here tonight, I’d like to make a toast. To this team, to good food, and to the fact that somehow, against all odds, we manage to stay sane."

A chorus of laughter follows, glasses raised and clinking together. You catch Spencer watching you again over the rim of his glass, something unreadable in his gaze. Not quite curiosity, not quite something else. Whatever it is, it lingers between you like the space between notes in a song—present, felt, but not yet fully realized.

You take another sip of wine, and the flavor sits heavy on your tongue, tart and deep, reminiscent of something older than yourself. You wonder if this is what devotion feels like—lingering in a moment you don’t want to leave, knowing that if you close your eyes, you’ll still hear the echoes of this laughter in your bones.

Spencer shifts beside you, his knee pressing just a little more firmly against yours. He doesn’t look away this time. And for the first time, you let yourself believe that maybe, just maybe, this is where you belong.

It starts over coffee, late in the afternoon when the sky has begun its slow descent into gold. The café is small, tucked between a used bookstore and a florist, the kind of place that smells like roasted beans and cinnamon, where the music is just quiet enough to let conversation breathe. You meet there often, sometimes after work, sometimes on weekends when neither of you have anywhere urgent to be. It feels like neutral ground—safe, familiar, but tonight, something feels different.

Spencer is fidgeting.

His fingers curl and uncurl around his coffee cup, tracing patterns in the ceramic like he’s working up to something. His gaze flickers to the window, the steam curling from his drink, your hands resting on the table. Anywhere but your face.

You sip your drink slowly, watching him with quiet apprehension. “You look like you’re debating something incredibly complicated.”

He huffs a breath, almost a laugh, but it doesn’t quite land. “I am.”

“Must be serious, then.”

“It is.” He shifts, finally—finally—meets your gaze, something fragile and certain flickering in the warm depths of his eyes. “Would you—” he stops, swallows, starts again. “Would you want to go to dinner with me?”

The words settle between you, weighty but delicate, like something precious placed carefully in waiting hands. You can see the way he braces for impact, his fingers tightening around his cup, his breath just a little too still.

You tilt your head, letting the moment stretch, just to watch him squirm. Then, softly, “In what way? A date?”

You are hesitant, voice barely audible. You’re scared to ask, feeling childish, the words tasting forbiddenly sweet on your lips. You tell yourself you can’t have been imagining everything between you two the past weeks — months, even. The lingering touches, the connection that sits at the base of your spine and ignites you with something far beyond holiness.

Spencer watches you for a moment before ducking his head. He looks shy, uncertain. “If that’s okay, yes.”

The words hit you in the center of your chest. You’re certain you’ve heard wrong for a full second, sure that he couldn’t possibly be confirming your wildest dreams.

“I would really like that.”

His shoulders loosen, just slightly. Relief unwinds in the smallest of ways—the way his fingers flex, the subtle shift in his posture. He nods, barely, taking a slow sip of his coffee like he needs to ground himself against the movement.

You don’t miss the small, pleased smile he hides behind the rim of his cup.

The evening of the date arrives, and your apartment is a disaster zone.

Clothes are strewn across your bed in varying states of rejection, your closet door hanging half-open as if it, too, is exhausted from your indecision. You tell yourself it’s not nerves—it’s just a normal dinner, just Spencer—but your pulse betrays you, humming under your skin like an electric current.

You tug at the hem of your sweater, second-guessing, then third-guessing, your reflection offering no clarity. A date. The word itself feels foreign on your tongue, weighty in your mind. The possibility of something more, something unknown, something irreversible—

Then, the knock at your door.

You exhale sharply, pressing your hands against your thighs like it’ll steady you, before crossing the room. You hesitate for just a moment, long enough to gather breath, then open it.

Spencer stands there, scarf wrapped around his neck, cheeks flushed from the cold. He’s holding flowers, wrapped in delicate brown paper, not random but deliberate, purposeful. His fingers tighten around them as his lips part, ready to explain, but you reach out first, brushing your fingers over the petals.

“They’re beautiful.”

His gaze flickers to yours, searching. “They, uh… they all have different meanings. I can tell you, if you want.”

Your chest feels warm, full. “I’d like that.”

He nods once, clearing his throat. “Well, the blue cornflowers—they mean ‘hope in love,’ and the lavender represents devotion. And the ivy, that’s for fidelity, and um—” he stops, shifting awkwardly—“I wanted it to mean something. To you.”

Your fingers tighten just slightly around the bouquet, breath catching.

“It does.”

The drive to the restaurant is wrapped in quiet conversation, the kind that feels like warmth on a winter evening. Spencer talks—of course he talks—his voice weaving through facts about the historical significance of first dates, how certain cultures believed that sharing a meal was an intimate ritual, a way of binding souls together.

“You’re romanticizing it,” you tease, studying the way the streetlights paint fleeting golden patterns across his profile.

He huffs a soft laugh. “It’s just history.”

“History can be romantic.”

He glances at you then, something unreadable settling in his features. “I suppose it can.”

You watch him as he drives—the way his fingers flex against the wheel, the small furrow between his brows when he concentrates. There’s something in the ease of this, in the soft lull of conversation and the quiet hum of the road beneath you, that feels like it’s teetering on the edge of something significant.

When you arrive, he moves to open your door but nearly smacks you in the face in his haste. He freezes, mortified, clears his throat. “Sorry.”

You bite back a laugh. “It’s okay. I appreciate the effort.”

The restaurant is intimate, the kind of place that makes everything feel softer—low candlelight, warm wood paneling, the steady murmur of quiet conversation. A flickering candle sits at the center of your table, casting shifting patterns along the surface, making everything feel just a little dreamlike, just a little surreal.

Spencer shifts in his seat, his fingers tapping once against the table before stilling. He exhales a quiet laugh. “This is… nice.”

You nod, the candlelight catching in his eyes. “Yeah. It is.”

The menu is filled with dishes just unfamiliar enough to make you both pause, debating choices. Spencer, of course, has read about half of them before.

“You know, the origins of risotto actually trace back to the Middle Ages. It was influenced by Arabic rice cultivation techniques brought to Sicily, and—” he stops himself, clearing his throat. “Sorry. I can, uh, get carried away.”

You shake your head, smiling. “I like when you get carried away.”

His gaze lingers, just a second too long.

The night stretches in slow, golden increments, conversation winding through shared stories, quiet laughter, the clink of silverware against plates. He tells you about childhood books that meant something to him, you tell him about the first time you realized you loved what you do. The space between you narrows, not in distance, but in something deeper, something quieter.

And then it happens.

The realization strikes like a bolt of lightning, sharp and electric. You want to kiss him. It isn’t a slow realization, isn’t something that builds over time—it hits all at once, undeniable.

The candlelight flickers, catching the sharp cut of his jaw, the way his lips move around words. His fingers curl around his coffee cup, knuckles flexing. Something about it feels holy.

You realize, suddenly, that you’re staring. That you’re leaning in.

Spencer pauses mid-sentence, blinking at you. “What?”

You exhale, a slow smile tugging at your lips. “Nothing.”

He watches you for a beat longer, his gaze searching, curious, like he’s trying to decipher something just out of reach. The air between you thickens, humming with something unspoken, something waiting.

But he doesn’t press. Instead, he picks up his coffee again, takes a slow sip, and when he speaks next, it’s with the same easy rhythm as before.

And you let yourself sink into it, into him, into the quiet certainty of being here, together.

The knock comes late. Too late for pleasantries, too late for anything but something raw, something that has been waiting to surface.

You aren’t asleep. Haven’t even tried. The air in your apartment feels too thick, the weight of the last case pressing into the spaces between your ribs, making every breath feel just a little too shallow. So when the knock sounds again, quieter this time but insistent, you already know who it is before you even reach for the door.

Spencer stands on the other side, hands buried in his pockets, his shoulders hunched like he’s been standing there for too long, debating whether or not to knock again. The dim hallway lighting casts shadows under his eyes, exhaustion lining his face, but there’s something else, too—something hesitant, something that flickers behind his expression like a barely-contained thought.

“Spencer?” you ask, brow furrowing.

He exhales, slow, measured, the way he does when he’s trying to pick the right words before speaking. “I—” He hesitates, shakes his head. “I don’t know why I’m here.”

A lie. You see it in the way his fingers twitch, in the way his breath stumbles. You see it in the way his eyes don’t quite meet yours, how they flicker toward your shoulder, your collarbone, before darting away again, like he’s afraid of being caught.

You step aside, let him in.

The silence between you stretches, thick and heavy, but not uncomfortable. It settles, wraps around you both as he moves past you, as he lingers near the kitchen counter without quite leaning against it, as you close the door and turn to face him.

You should say something. Should ask him why he’s here, why he looks like he’s spent hours convincing himself not to be. But the words don’t come. They tangle in your throat, unwilling to break the moment that is already unraveling between you.

Instead, it’s him who speaks first.

“I think about you.”

The words are soft, careful, but steady. Not a confession, not quite, but something close. Something that shifts the air between you, makes it sharper, makes it real.

You inhale, slow, deliberate, but it doesn’t steady you the way you hope it will. Your pulse jumps, a small stutter beneath fragile skin, and you know he sees it, knows he’s cataloging it the way he does everything.

Spencer exhales, a quiet, disbelieving laugh escaping him, and when he finally looks at you, really looks at you, there’s something unguarded in his gaze. “I think about you all the time.”

You watch as he sways slightly, like he’s resisting the pull, like gravity itself is urging him closer.

And then he stops resisting.

He moves carefully, like he’s giving you space to step back, to stop him, but you don’t. You stay rooted where you stand, watching as his hands hover at your sides, reverent, hesitant. His fingers flex once, a brief curl like he’s debating whether or not to touch you, whether or not to let himself have this.

“Tell me to stop,” he murmurs, barely more than a breath.

You don’t.

Instead, you reach for him first.

Your fingers brush against his wrist, a featherlight touch, tentative, but it’s enough. Enough for him to let out a slow, shaky breath, enough for him to tilt his head, just slightly, enough for his hands—hovering, waiting—to finally settle at your waist. His touch is a whisper of warmth, hesitant, reverent, the weight of it barely there as if afraid that pressing too hard will shatter whatever fragile thing exists between you in this moment.

His skin is fever-warm beneath your fingertips, the heat of him bleeding through the fabric of his sleeves, seeping into your own. The air between you hums, thick with something unspoken, a tension so finely drawn it feels like it might snap at the slightest movement. You don’t know who moves first. Maybe it’s him, maybe it’s you, maybe it’s the inevitable force that has been pulling you together for longer than either of you has been willing to admit. But suddenly, impossibly, there is no more space left to close.

He is close. Close enough that you can see the flicker of uncertainty in his gaze, the way his pupils darken like ink spilling into warm honey. Close enough that you can feel the tremor in his fingers where they rest against you, like he’s bracing himself against something too big to name. Close enough that his breath—uneven, shallow, shaking—ghosts across your cheek, the warmth of it sinking into your skin like an imprint that will never leave. His fingers flex—barely, just a little—but the movement is enough to send a ripple down your spine, enough to make your stomach dip like a held note in a song unfinished.

He exhales again, something like a laugh but softer, more fragile, like he can’t quite believe this is happening. Like he is standing at the edge of something vast and unknown, and for once in his life, he is hesitating.

“I don’t know how to do this,” he admits, voice barely above a whisper, almost swallowed by the quiet between you.

You smile, small and real, the kind of smile meant only for him. “Me either.”

Spencer swallows hard, his throat bobbing. His gaze drops—to your lips, flickers back to your eyes—searching, waiting, still holding himself back. The space between you crackles with electricity, the kind that comes before a storm, before the sky splits open and the world drowns in something relentless, inescapable.

You make the choice for him.

You lift your chin just slightly, tilt forward just enough, and that’s all it takes.

The first touch of his mouth to yours is hesitant, uncertain, the kind of kiss that feels like a question. A quiet, careful can I? rather than I will. His lips are warm, softer than you imagined, and his breath stumbles against yours as he presses just a little closer, as if afraid you might pull away. You feel it the moment something in him gives way, the moment the tension in his body unwinds and he stops second-guessing himself and simply lets go.

His fingers tighten at your waist, just barely, but enough to make you shiver. His other hand drifts, fingertips skimming up the curve of your spine like a whisper of a prayer, settling lightly at the back of your neck, a delicate anchor. He kisses you like he’s memorizing the shape of it, like he’s afraid he’ll forget how you fit against him if he doesn’t take his time.

He tastes like coffee, like exhaustion, like something sweeter underneath it all, something uniquely him. You drink him in, slow, deliberate, every second stretched thin and precious. The world has narrowed to this—his breath, his touch, the way he exhales so quietly when you sigh against his lips.

And then he pulls you closer, deepening it just slightly, just enough to steal whatever air was left between you.

When you part, neither of you move away. Your foreheads rest together, breaths mingling, still wrapped in the hush of the moment, still holding on, just for a little longer.

Spencer exhales, barely more than a whisper. “I don’t want this to be a mistake.”

You press your fingers against the back of his hand, grounding. “It’s not.”

Something eases in his expression. He nods, just once, before his fingers trace lightly over your jaw, tilting your face back up toward his.

And then, he kisses you again.

#such a lovely read #spencer reid x reader #spencer reid #criminal minds #sincerelybubbles

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