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plumpybread · 51 minutes ago
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Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?
It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)
I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.
Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.
Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.
Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.
I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.
All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.
I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.
It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.
I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.
The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.
I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.
Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.
Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had
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icewindandboringhorror · 5 months ago
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Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol
#I added a few people that you can randomly run into around town (like at the inn or in the forest or etc) and have very short conversations#with just to kind of flesh out the world a little more in a more natural-ish seeming way. Like nobody in the main cast would really#have much reason to talk about the actual city you're in or anything. Since most of them havent lived there that long anyway.#But if there's a ''city inspector'' that you can run into whilst he's writing up notes examining the local inn. then maybe there could be a#few dialogue options with him where you can ask about things like that. since he would know more about the area as an offical Government#Worker or etc. Optional of course. since I have to be so wary of my natural inclination to lore dump lol and am trying extra hard to make i#all stuff thats easily avoided/skipped. But for the people like ME who deliberately choose to exhaust every possible optional dialogue#option and explore every single inch of the world and try to collect as much information as possible - then there are a few extra places to#do that. Though obviously not all of them just give exposition for like 15 paragraphs blandly. Some you don't really learn anything from#and it's kind of just.. random flavor to make the non-shop map locations more ''lived in'' feeling. Like the random#little girl you can talk to in the park doesn't bizarrely start reading out the wikipedia description of some War that happened 10 years ag#or whatever. she's just complains about school a little and asks if you've tried the nearby ice cream cart treats and etc lol#ANYWAY..#some of the art is so so evil but I'm not going to spend 800 years trying to clean it up and update it. whatever the hell mess I sketched#out in 2018 or whatever is just what I'm keeping lol... it is what it is#One of the many trials of the whole 'briefly work a few months on something and then abandon it almost entirely only to pick up work#on it literally like 4 - 5 yrs later and now you must contend with trying to decipher whatever weird shit you did years ago' experience lol#Also given the population breakdowns of the world in general I think there's an unrealistic amount of jhevona in this lineup since#they're a much rarer species to just see out and about anywhere but.. it IS a global trading center type area. and the game#takes place in the north (the country of Asen. near the coast. for the maybe 2 or less people who actually keep up with my worldbuilding#enough to know where that is lol (the same continent as Navyete (where the avirre'thel live)) and there's a decent concentration#of nothern jhevona only a short ways away so... tee hee..I shall pretend it makes sense and not merely me just wanting#to represent more of that species because I think their lore is interesting lol#I MEAN also realistically there would NOT be a human here because humans are extremely isolated species that don't even know the rest#of the world exists really and human territories are extremely protected from the outside world but... of course it's like.. well we need#at least One of them to be there for the Optional Lore. Same with the Ythrili. But at least those are like.. PLAUSIBLE.. not nonsensically#outlandish. If I had a Verrucalt or something in there THEN that would be truly lore-breaking almost lol#ANYWAY.. rambling that only means anything to me because nobody else knows what I'm even referencing but hbjh#also I think my character designs are so funny in the sense that I really do just love to do the same thing over and over again ghbjh#wow... random asymmetry and belts and arm straps and high collars where the neck is completely covered?? you dont say..how novel
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kenjakusbraincum · 1 year ago
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Hi, i can’t help but request this because you write so beautifully.
So I just had the idea of a former ballerina being sacrificed to Sukuna. She does her work good and gracefully but she longs for old times where she was able to dance and feel like she’s flying again. So she does it in the evening in Sukunas garden. He of course notices and as culture lover he is he makes her his personal dancer. And a cute lil love story forms from this scenario.
I would be so thankful if you form this to a proper story because i don’t have enough imagination. Love your work
Thank you for the compliment! I apologize in advance for my butchered descriptions of dance scenes and hope you like what I came up with anyways <3
Swan Lake
Sukuna x Reader
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Word count: 6.3k
Tags/warnings: gn! reader but the words maid, whore and bitch are used, true form! sukuna, bullying, fluff with a very brief and soft smut scene at the end!
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Sukuna doesn't care where his servants come from. People get offered to him all the time, and he takes them when he feels his palace is understaffed. And that happens quite often, considering how eagerly Sukuna gets rid of his servants for the smallest inconveniences. His staff is disposable to him, having no value beyond the services they provide him with.
So he doesn't know about your past. He doesn't know you were once an esteemed entertainer. He doesn't know that you were touring the world, sharing your art with audiences of all different classes and ranks in society. He doesn't know you were once the star of the stage, hypnotizing people with the fluidity of your movements in rhythm with the music. He doesn't know you were snatched from fame, taken against your will and brought to him to pay your capturer's debt. You're not sure he's even properly looked at you, much less heard your capturer tell him who you are. You were that worthless to him.
Now you are but a maid. You spend your days on your knees, mopping blood soaked floors. At night, you share chambers with dozens of other servants. Privacy is a foreign concept in Sukuna's palace. You are not entitled to it even in the bathroom. Everything is shared for the servants. There's no space for you to even try to indulge in your beloved profession, even as a hobby. Except...
The garden. Most servants are in bed, prepared to sleep, but your eyes linger on the windows. In every way, going to the garden would be to your own detriment. Losing sleep was dangerous, it could lead to getting caught slacking off, or being ratted out about it. And the consequences for that... well. One could only imagine it wouldn't be a simple slap on the wrist.
Still, you longed for this. The work you did during the day drained you, it was repetitive and soulless. You weren't made to clean floors. You were made to dance, it was your destiny. Since childhood, you don't remember a period of time as long as this one, where you haven't had the opportunity to enjoy your passion. Tears stung your eyes as this revelation found you. Every day, you could feel your life slipping through your fingers. You were alive, but your energy, your liveliness, your personality, all of it was dissipating in the pools of blood you were forced to clean.
''Can you be quiet? Some of us are trying to sleep.'', a servant who sleeps in the bed next to yours snaps you out of your thoughts. You are sobbing. You apologize quickly, and snuggle in bed, trying to muffle the noises against your deflated pillow.
But sleep just doesn't take you that night. You grow more and more frustrated, as time passes and you toss and turn in bed. Eyes wide open, fixed to the window across you. The garden lures you, calls for you. Damn it. You have to try. This is not much of a life anyways, you think. Sooner or later Sukuna or Uraume would find faults in what you're doing anyways, and you'd be served for dinner. You don't exactly have a lot to lose.
Sneaking out of the chambers is easy. You spent your whole life on your tippy toes. No one moves in their sleep as you cross the room, open the door and slide through the crack. Quietly, you make your way around the mansion. Outside, you're greeted by a light summer breeze. The garden is eerily peaceful, lit by the moonlight in this late hour.
You start to warm up, hopping, circling your neck, swinging your legs. Feeling the stretches in muscles you forgot you had. The grass tickles your legs as you splay across the ground and reach for your feet. Then stand and shift your weight to your toes, feeling out how rusty you've gotten in the time you've missed out on practicing. It's not too bad.
So you start out slow. The music plays in your head and you mouth silently, counting the rhythm. Your eyes are glued to the ground, you're trying not to trip and fall on the uneven surface. Your movement feels as smooth as it did before, but you can't see yourself in the mirror to check your form. You close your eyes, surrendering to the cadence of your motions. The music carries you, and as you turn into a poised second arabesque, time seems to slow. It's only a moment, but when you turn back to continue...
Slam. So hard you start to fall back, but his arms catch you around the waist. If you weren't scared out of your mind you would've wondered how did he even show up there without you noticing. But of course, he's Sukuna. You look at him with eyes so wide you think they may fall out, and he stares back with an amused smirk. Then he bites the air in front of you, clanking his sharp teeth together, and you scream in response. His hand flies to your mouth in an instant and he shuts you up.
"Quiet now. You wouldn't want to wake your colleagues up, would you?", he tilts his head, observing your terrified expression. "Or do you want everyone to slack off with you tomorrow?"
"I-I won't slack off I promise!!!", you panic, hands shaking as you bring them up in a defensive stance. Tears pool in your eyes as you stare death in the face. He is... weirdly beautiful, lit by the moonlight. And he holds you sturdily, but gently. It doesn't hurt. And he doesn't seem particularly mad.
"Is that so?", he asks. There's a smile on his face, but it feels dangerous, threatening. Like everything else about him. "Then just what do you think you're doing outside at this hour?"
"I was- I was dancing -", you stutter, struggling to form coherent sentences. Why are you so close to him? You're pulled flush against him. You can almost feel his -
"I didn't know I had a dancer in my ranks. Why didn't you say so?", he says, and surprisingly lets go of you.
You're so sure he's playing with his food. You're so sure he's going to slice you into pieces. You've already crossed so many lines, broken so many rules. You look to the ground, only now remembering eye contact with him was strictly forbidden.
"Speak.", he growls, audibly irritated by your refusal to reply.
You didn't think he was genuinely asking. What the hell are you supposed to say? Why didn't you say so? Maybe because you wanted to see the light of day again? "I ... A lowlife such as myself has no place speaking to your Highness.", you duck your head low in an apologetic manner. And he seems satisfied, smiling playfully again. Except you don't see it, you feel it. Sukuna's presence pulls the most demeaning, self-depricating things out of people's mouths.
"Humble.", he comments and walks a couple steps around you. He's huge. "Go on then, dance for me."
You stand frozen. It's not that you're ashamed... you've performed for audiences bigger than you ever could've imagined. But the weight of his stare is harder to bear than that of hundreds. And the stakes are higher than ever. He has to like it, or else...
"Dance!", he orders sternly, and crosses his arms over his chest. So you give it your all. Remembering where he interrupted you, you get back into position and start. Dance. Your life depends on it, doesn't it? Well if there's one thing you can do to save your life it should be this.
But it's not like before. Fear seeps into every muscle in your body, and your movements are unsure. Every jump is fleeting, every landing shaky. Tears blur your vision, and it's so hard to keep your breathing steady when you're struggling not to cry. But you're a ballet dancer, you were trained to endure. You finish the variation, cross your legs and gracefully bow.
Sukuna watches intently with narrowed eyes, like a predator stalking his prey. You can't see the sly smile on his face, but you can feel it.
"I apologize, your Highness.", your voice trembles. "It wasn't my best."
Sukuna huffs in amusement and waves his hand dismissively. "Go to sleep.", he orders.
You bow before him again, and quickly turn back towards the mansion. You don't feel relief from his piercing stare until you disappear behind a corner in the hallway.
You can't shake the feeling when you're back in your bed, snuggled in the sheets up to your eyes. You just survived a close encounter with Sukuna. And he must've liked what he saw at least a little bit, if you're still alive.
The next morning, you wake up and start getting ready for work with the other servants. The bathroom is busy, and as there's little else to do in the servant circles, gossiping starts immediately.
"Did you hear the scream last night?", the servant taking up the sink next to yours says, tapping foundation into her skin.
"Screams come from Sukuna's chambers all the time. It must be a new pet getting used to him.", another one replies. You shiver.
"Everyone knows how that sounds. This was different!", the two maids exchange a look.
The second rolls her eyes. "So, he killed someone. Nothing new.", she shakes her head.
"No. Uraume would've called someone to clean it up immediately.", the first servant continues. You really, really wish they would just drop it, until... "Hey you.", she turns to you. "Your bed was empty last night, did you hear anything?"
Your blood runs cold. "I was... feeling sick. And went to the bathroom.", you say quickly. "I probably couldn't hear... over the sound of throwing up."
"Hm.", both of them look at you now. "Well you look sick too.", one of them says. "Be careful with work today.", then they finish up and leave. You breathe a sigh of relief and finish up getting ready.
The next few days pass spotlessly. You don't cross paths with Sukuna. But some nights, you feel his presence in the garden. You stretch and practice simple movements in the bathroom, when no one's around. And the variations, you save them for the garden. At night. The only time you feel alive, the only time you feel like yourself. Human. Free. You think you might just get away with no one knowing, but then...
He walks past you and another maid while you're scrubbing the floors in the hallway. Both of you freeze as he passes by, assuming a submissive position and greeting him. You pray he won't notice, pray he won't know you by your voice, but he stops. Right by you, and then there's a moment of silence. He lifts his foot, touching your chin, and nudges you to look at him.
"Oh.", you watch his stern expression soften. "It's a shame for a talent like yourself to waste away on their knees.", he says. You look to the servant next to you, and she mouths a silent 'what?' as she turns her head in your direction.
You swallow your shame. It's not the first time you had to in front of Sukuna. "Its an honor to serve you, your Highness, even if it's on my knees.", you say.
Sukuna hums. "What a good servant you are.", an amused smile graces his face once again. "Well, get to rubbing then.", he nudges your face back downwards with his foot, and walks away.
You and the servants keep rubbing intensively, until he's out of sight and a couple minutes have passed. Then she grabs you by your shoulders and gives you a look that is both terrified and angry. "You did what with Sukuna?", she asks.
You frown, offended. Why does everyone in this mansion immediately think of that? "He knows I'm a dancer.", you say simply and look back to the floor, rage brewing in your chest.
"When did you do it. Was it you screaming? Oh my god it was!", the revelation hits the servant and she puts her hands on her cheeks, looking at you in shock.
"It wasn't me!!", you lie, agitation showing in your voice.
"Does he really have two dicks?", she asks.
You drain the washing rug and smack her in the face with it. "You disgusting pervert, how dare you ask that about your master!"
"You hit me! Whore!", she smacks you back, but harder, and her rag is full of dirty water.
"I'm not a whore!!", you cry, and wipe your face with your dirty, wet hands.
"Dancer. Yeah right, I can only imagine!", she throws the wet rag on you, and it sits on your lap, soaking you in the nasty liquid. "And you're a liar too! How shameless!"
"What is this commotion about?", a voice calls from the back of the hallway, and you turn around with teary eyes. Uraume looks like a blob of white in your vision, nonetheless they're recognizable.
"Tell them! You hit me, you little bitch!", the servant slaps your shoulder. You don't have it in you to fight back. The injustice pains your heart, and you can't bear the embarrassment.
Uraume smirks, noting your disheveled appearance. Your whole uniform is soaked now, even your hair. There's a pool of water forming around you as the liquid seeps out of the rags. "Clean this mess immediately. Master will be notified of this issue.", they say, and walk past the two of you.
The servant looks at you with contempt burning in her eyes. Then spits in front of you. "Clean.", she says, takes the rag you hit her with and starts cleaning.
Sukuna sees you that evening. He sits on his throne, head in his hand, and looks down on you and the other servant. He hides his inner smile, the joy he takes in executing power over others. And it's you again. He asks what this is about, and the servant wastes no time pointing her finger at you, saying you hit her first.
Sukuna's critical stare turns to you. ''Is that true?'', he asks, scanning you from head to toe, noting the state you're in. He's not particularly happy to see you like that.
You timidly nod, admitting your fault in the situation. Your stare is fixed to the ground, where dirty water drips down from your soaked clothes. You smell, and look like a rat, all of that in front of Sukuna. You wish the ground would swallow you whole and spare you this humiliation.
But he knows you. You've captivated him. Otherwise he wouldn't have cared to ask if you have anything to say in your defense. You tell him, omitting the details of her perverse question, you simply say she was slandering his holy name.
Sukuna moves, leaning his elbows on his knees. You care about his name? How lovely. So what is this slanderous thing his servants fought about?
Silence. You and the servant exchange uncomfortable looks. If there was one thing the both of you could agree on for the day, it was that repeating it in front of him was too vulgar. With that, Sukuna quickly grows bored with the situation. When he raises his hand, both of you flinch, expecting immediate punishment. However, nothing happens when he flicks his fingers. You're dismissed.
Quickly, both of you scurry away, leaving the throne room and going back to your jobs. The rest of the day is harrowing. The rumor spreads among the servants quickly, and you are the butt of every joke. You hear whispering and giggling behind your back, and everyone's stares linger on you as you go about your day. The culmination happens next morning, when the servants are getting ready in the bathroom, and the insults start getting more direct.
''Show us how you dance for Sukuna, why don't you?''
''Did you take both at the same time?''
''He didn't like you very much if you're still working as a servant.''
And then everyone goes quiet. When you turn around, you see Uraume at the door, their eyes fixed on you. ''Come.'', they say quietly, and leave without waiting for you to catch up. Well, it seems your punishment is due. You gladly leave the bathroom and follow them down the hall, anything is better than spending another second with the other servants. But now that you think of it, where is the servant that shares your punishment? Have you even seen her this morning? Or after the meeting with Sukuna at all?
You turn a couple corners, and stop at the end of the hallway. Uraume opens the doors to a room, and ushers you inside. What is this? It's furnished. Modestly, but... You open your mouth to ask a question, but you're quickly cut off.
''Make yourself at home.'', they say, and turn their attention to you.
''What about my things?'', you ask, looking around the room, then back to Uraume.
''You won't need them. Do you have good table manners?''
''Uhh.. yeah... I think.''
''Great. You dine with Master Sukuna tonight.''
''Huh!?''
''Your outfit is on the bed, be ready by sunset. I'll come to pick you up.''
Then the door closes and you're left alone in your new room. This isn't what a punishment should look like. Not when a beautiful kimono waits on your bed. Not when there's a barre fixed onto a mirrored wall, and there's a box on the ground, and when you open it, you find pointe shoes. Multiple pairs. He didn't know what size to get you. Ribbons, a sewing kit, glue, scissors... everything you need to break them in. Under that, a simple black leotard and a wrap skirt. By all means... this looks more like a reward.
You try everything on, find the perfect pair of shoes, and test them. It's not a big room, but there's enough space for you to practice with the bar. For the first time in so long, time passes quick. You're doing something you enjoy. It feels like in a blink of an eye, your shadow gets long on the wall opposing the window, and you have to get ready for dinner. You put the kimono on to the best of your ability - you don't have the opportunity to wear it often as a servant, being usually restrained in a uniform. And then reality hits you. Sukuna wants to have you over for dinner. This... is this a date? Unless he was planning to eat you, but you suppose he wouldn't have bought you shoes and furnished a room specially for you if that was the case... Come to think of it, what are you eating tonight?
Uraume knocks on the door, and takes a long look at you when you open. They fix your collar and nod, taking off down the hallway and expecting you to follow. They lead you to the dining room, vast and expensively furnished. You hear your heartbeat drumming in your ears. You only let your eyes explore for a second, before you fix them back to the ground and lower your head in Sukuna's presence.
''Your Highness.'', you bow in his direction.
''Master from now on.'', he says, and stands up to greet you. Master. You've only heard Uraume, and occasionally his pets, when he'd walk by with them, call him this by this... less formal title. He towers over you as his hand touches your shoulder, urging you to turn around. You follow obediently, making a circle and displaying your outfit.
He hums in approval. "Suits you much better than a cleaning uniform.", he says, and pulls your chair out for you to sit. You mutter a quiet thank you and sit down, already overwhelmed by the interaction.
He sits on the other side of the table, facing you. You can't bear the intense eye contact, and the silence that spreads across the room. Your eyes are fixed to your hands in your lap. ''Don't be shy now. I didn't invite you to sit there and be quiet. I reserve such duties for my pets.'', he breaks the silence.
''Master. Sharing a meal with you is a privilege, and I want to thank you for that. I'm not sure I'm deserving of it, though, and how my company may be of use to you.''. The kitchen servants scatter around the table, bringing food and pouring drinks. Various appetizers decorate the table, and only now do you notice you're hungry. You shyly pick the foods that catch your eye the most.
And your humility draws out a smile from him. ''You are an artist. And I am a man who takes great joy in consuming art.'', he says, and taps his finger against his glass, watching you pick. He's getting to know you, through your taste in food.
''I didn't know that about you.'', you say and look to your plate. You feel your hand shaking as you reach for the cutlery. You know Sukuna is judging every move. He was in your territory when you were dancing, now you're on his. And he will recognize the smallest mistake.
''Oh.'', his tone changes. It sounds like he didn't particularly like that comment. He finishes chewing. ''Did you take me for a savage?'', he narrows his eyes. More food is brought to the table, plates come and go quickly as the conversation progresses, and the tension grows.
You stutter, reading his volatile mood. ''I've only heard rumors.''.
He huffs in amusement again. ''I've heard rumors about you too.'', he says, leaning into the table. ''To be fair, I was asking around.''. So he took interest in you. ''They say you were the best there was, until you got captured.''
You chew slowly, taking his story in. He continues. ''They asked about you. Asked if I knew where you are. I said no.''. Sukuna watches as you grow visibly distressed by the mentions of your team. ''The best there is? What a wonderful prize. I'd rather keep you to myself.''. Oh. So that's what this is about. He gets off on the thought of owning you, the best there is, just for himself. You curse whoever told him about you. ''You showed me your worst, and mesmerized me. I want you to show me your best. Dance for me. Convince me you're worth my patronage.''.
The servants bring the main dish, and your head droops, stare fixed into the finely decorated red meat. You touch it with your cutlery, feeling it's texture. Sukuna eyes you as you cut a slice and bring it to your mouth, expectantly waiting for your reaction. You chew slowly, savoring the taste, but your expression is puzzled. ''What is this?'', you ask. And to make sure it doesn't sound like you're unhappy, you cut another slice. Truthfully, the food is incredible, but... you can't quite place the meat.
Sukuna bares his sharp teeth in a grin. ''Veal.''.
The conversation steers into a different direction then, and you quickly forget about how powerless you felt just moments ago. Sukuna is nothing like you've imagined him. He's right, you did take him for a savage. After all, everything you've heard about him pointed to a monster, who only took pleasure in wreaking havoc and destruction. Now, you find him to be eloquent, knowledgeable, and quite sophisticated. In a way, he appears similar to the other people you've met through your job. But way more powerful, and with it, way more intriguing.
Once again, time passes quickly, slipping through your fingers. The dinner is over, and you're facing Sukuna at the door. He seems to be pleased with your company, if you can read his face at all. ''Should I consider my offer accepted?'', he inquires. ''Everything will be provided for you. You just have to dance.''.
Well, it doesn't sound half bad, does it? You're not sure if the terms of the offers convinced you, or his presentation during the dinner. It might just be him. He made you feel you wouldn't be a jester, but a respected entertainer. And not for just anyone, but for a man as thoughtful and cultured as Sukuna proved himself to be. ''For you, gladly. Master.'', you smile at him. And he smiles back, taking your small hand into his, and planting a soft kiss to your fingers. You bow to him, wish him a good night, and you part ways.
Later, in your new bed, you find yourself replaying the interaction. Tracing his features in your memory. It's the first time you've had the chance to observe him, without fear of consequences. And he was beautiful. So elegant in the way he dressed and carried himself. Like a true king.
From then on, life in Sukuna's mansion is a game. Sukuna courts you in his dining room, feeding you delicacies from all around the world Foods that are hard and expensive to come by, that you've never heard of before. He courts you with the things he allows you to do, and the gifts he gives you. You dance and eat and walk around his garden and library. You don't dine with him every night, but when you do, rest assured that a new outfit is waiting for you in your room when you get back from practice.
And you court him on the floor, with feathery leaps that leave him on the edge of his seat, and dizzying turns that force him to focus all four eyes on you. You court him when you finish the variation by bowing before him, on one knee, a breath away from where he's sitting. And when you look up at him, he sees a lover rather than a personal dancer. Even though he's never touched you, or pressed his lips to yours.
There is love in the foods he picks for you specifically to enjoy, and there is love in the way you let him watch you practice. Even if you mess up, misstep and fall out of rhythm. Even if you stumble and fall in the most unceremonious of ways. There is vulnerability in letting him see you fail. It only happens a handful of times, but when you slip before him, you feel more naked than you would ever feel with your clothes off. And the relationship that the two of you foster grows intimate, despite the formal distance you keep from each other.
And that distance closes in, one day when Sukuna is there during a particularly nasty fall. You yelp when you hit the ground, and reach for your ankle, checking for injury. You only notice Sukuna when you feel his hand on your shoulder, and his brows furrowed in worry as his head looms over you. Your eyes meet for a moment, and you're hypnotized. Then you look away quickly, feeling your face heat up from the closeness.
''It's nothing.'', you say, and look down.
''Sure?'', Sukuna asks and stands up. You nod, and he offers you a pair of his hands, to help you stand. You take them, and he hoists you up effortlessly. And now you're face to face with his chest, and you're still holding his hands... ''That should to for today.'', he says, and when you look at him, there's a tender smile on his face. It sounds like a suggestion, but you've learned Sukuna is subtle about giving you orders. You nod, dust yourself off and untie your shoes.
That night, you recall his touch on your skin. Long fingernails ghosting over your shoulder, sending shivers through your whole body. You never expected Sukuna to have it in him to be gentle. But, that wouldn't be the first time he's broken the mold you thought he fit. And now in the cold of night, you find yourself craving him.
The next time you're invited to dinner, the tension is almost unbearable. ''Aren't you a sight to behold?'', he tells you when he welcomes you into the room. He always gives you compliments, but tonight they weigh heavy on your heart. You look across the table and curse every plate and glass that stands between the two of you. You look at him with quiet longing, and you think he knows. Because his smile is victorious, almost teasing. And when you accidentally hit his leg under the table, you start to credit it less to his size, and more to him deliberately crossing into your space. Subtlety is not a word you ever thought you'd attribute to Sukuna, but it seems this is the way you've established communication. You resist the instinct to remove your leg apologetically. So they stay touching.
Unfortunately, this little interaction slowly turns your brain into mush. By the last bite, your hand is trembling and you know you don't have the precision to pick up the last piece of food with your chopsticks. So you leave it on the plate, and wait for a moment when Sukuna is at least a little bit distracted, to attempt eating it again.
But such a thing doesn't happen. Today, he looks at you like you're the food on his plate. "Come on, eat it.", he nods in your direction. You can't read his expression, but it seems benevolent.
"I'm so full.", you make up an excuse.
"Just one strip.", he nudges your leg under the table, and you flinch, cheeks heating up.
"I.. I think I'll combust.", lies.
"I'll be offended.", Sukuna plays along with your game.
"Ah...", he wins, and you pick up your chopsticks with shaky hands. But as hard as you try, the little piece of food keeps escaping you, traveling through the plate.
"What makes you so flustered today?", he asks. "Is it the leg?". You blink at the plate, and feel your face going as red as the wine in your glass. "Come.", he waves his finger at you. You lean into the table, used to following his commands. And in no time, he is looming over your plate, one hand picking the last piece of your food with his chopsticks, and the other gently taking hold of your chin, nudging your mouth open. You part your lips obediently, and he places the bit onto your tongue, never breaking eye contact. His face is mere centimeters away from yours, observing you as you chew.
And the moment you've swallowed, and opened your mouth for air, he seizes you in a kiss. Slow, as he tastes your lips, and lets you adjust and catch up with him. He feels you go tense with the initial shock, then relax in his hold and kiss him back. His tongue brushes past your lips, and you think you'll sink right through your chair, and into the earth beneath the floor. The taste, the smell of him, so expensive and intoxicating. If this moment could last forever -
Foolish you. So much stress and tension, and you barely notice how quickly it passes. , how quickly his lips leave yours. His eyes scan your face, making sure you're alright, and then he's back in his chair. "There.", he says, "Have something to be flustered about."
That night, you think about his lips, slipping away from yours and moving to your neck, collarbones, shoulders. Not stopping until they've explored your whole body and touched your soul.
In the meantime, you practice your chosen choreography to perfection. And when you're standing in his throne room and awaiting the music, and your deciding performance to start, it's the first time in a while that you recognize feeling nervous. Uraume is there too, and his other disciples and guests. But he is the only one that matters. The only one your life depends on. Although the times when your life was truly on the line are long gone, Sukuna is still your patron, and now it's your turn to either satisfy or disappoint him.
The music starts, and the nervousness wanes as you start dancing. Sukuna's gaze is heavy, critical. He's seen you do this times and times already, but now it's final. Now, he's telling you, ''Bewitch me.''. Now, you're joining it together, one seamless show just for his enjoyment. And with every spin, you keep your eyes fixed on him. Enticing him with your movement, seducing him.
And for once, time passes quick for Sukuna as well. He finds himself lost in your dance. In your quick glances, in the way your body moves, contorts, withstands your weight on your tippy toes with so much grace and fluidity. You make it look easy. You nail the landing you failed so many times before his very eyes, perfectly, effortlessly. He almost wonders if you fell intentionally when he was watching you. And he's captivated. By the end of your performance, you earn his smile. You earn the clap of his hands, you even earn his standing ovation. The king himself, honoring you with the highest form of praise.
''It takes quite a performer, to entertain a crowd all by oneself.'', he comments later, over dinner. ''You've convinced me. You're worth keeping.''
''And when I can't dance anymore?'', you ask.
''You'll still be able to eat with me.'', he says.
At the doors, he bends down to kiss you again. You anticipate it, and accept it, kneading your hands through his hair. He asks if you're tired, and you shake your head no. He asks if you want to come with him. Yes, please yes, you've wanted to for so long. You almost thought he'd never ask. Again, his face lights up in a victorious smile.
He walks you through the halls, to his quarters of the mansion. Vast, and decorated with various works of art. They hang on the wall, or stand on the cupboards in forms of statues of various sizes. Sukuna likes to collect things, if that wasn't evident by your presence in the mansion.
''You're dragging behind. Did you have a change of heart?'', he asks, and extends his hand towards you. You step closer, and he wraps his arms around you, pulling you closer. You're standing at the doors of his bedroom.
''I was just admiring the interior.'', you smile at him, and take it upon yourself to cross the doorstep. His bedroom overlooks the garden, through a tall set of windows, little plants sitting on his windowsill. And his bed is massive. You think it could fit four people of your size. But then again, Sukuna is not a normal sized person. Your hand finds the mattress, testing it's sturdiness. And when you turn around, he's right behind you. Towering over you, and forcing you to look up at him, like the king he is. But you're not scared. You have no reason to be.
''Lay down.'', he orders, but his voice doesn't sound stern. Still, you obey, climbing into the bed. And he follows, letting you ease into the pillows only for a moment, before he settles above you, urging your legs apart. You welcome him, finally feeling the closeness you've been craving for so long. His body, big enough to enclose you completely under him, so carefully pressed against yours. Light enough not to hurt, but heavy enough to establish power. To give you what you want, what you've craved for a very long time.
He never lets you forget whose grasp you're in. He folds your smaller body with ease, adjusting you to his liking. And you let him, trusting him with your body and pleasure. He takes you gently, slowly, making sure you're comfortable in the process. You feel so full of him, but it's not enough, not enough until all of your senses are overwhelmed with him. You feel up his muscled arms and back, wrap around him, pull him closer with every stroke, every swipe of his lips against yours. Sukuna draws the moans out of you with practiced thrust of his hips, hitting spots inside you you didn't know existed. In no time you're seeing stars - his four eyes, never leaving yours as you come apart.
And Sukuna is stoic for the most part, but by the end of it, even he is loosing his composure. Hungry moans slip past his lips, his brows furrowing as he concentrates, trying not to let out too soon. You encourage him, babbling sweet nonsense into his ear. This flustered Sukuna, completely engulfed in the chase of his own pleasure, is as close as you've come to seeing a god. Moments later, his hips still, and you feel his muscles tense as he reaches completion, deep grunts filling your ears like the sweetest music.
You lay in his embrace, and trace your fingertips over his tattoos. Your stare is fixed on him, as he tells you various anecdotes from his long lifetime. You enjoy the opportunity to admire his beauty from up close. His eyes, so unusually benevolent as they stare outside the window and turn to you from time to time, to check if you're awake. The curve of his nose, the glimpses of his sharp teeth, his strong, masculine jawline. He is an art piece on his own.
After a while, he notices you struggling to stay awake. His hand on the back of your head nudges you to lay on his chest. He whispers you a good night, and runs his hand through your hair as you drift off. It's been a long day you've dedicated entirely to him, so he finds you worthy of this special treatment. After all, it isn't often that someone claims the title of both Sukuna's personal dancer and his lover, much less in the same day.
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yoongihan · 8 months ago
Text
Girl Code - HHJ - OneShot
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pairing: art professor hyunjin x admin femreader
genre: office au, university au, coworkers to lovers, angst, fluff,
romantic trope: enemies to lovers (I DID MY BEST OKAY?)
word count: ~4k
rating: T (for at least one objectifying comment)
warnings: hyunjin in glasses, with paint streaks on his clothes and person; mc is kinda rude to him; someone is actually a horrible person in this; characters drink but everyone is of age; hyunjin is older (about 28), mc is 24; probably some cursing because it's me and cursing is my native language;
a/n: story #5 in the skz as romantic tropes collab with @jl-micasea-fics. this is a little bit of her fault too as when the magic school photos dropped she mentioned hyunjin as an art professor. i chose this trope (e2l) to challenge myself as it's not my regular jam annnnnnd i don't know if i really did it all that well. i did try. please be kind to this chronic f2l writer. i apologize for any typos or mistakes. i am my own editor.
-----
Pretty Privilege.
It’s not a thing you personally have experienced, to your knowledge. Maybe you have. Maybe once amongst your friend group, you were considered the stand out and someone gave you a pass because they liked the way your eyes are shaped, or how you smile with teeth, or whatever.
You’ll allow that.
But generally, you hate that it even exists. Pretty privilege. Isn’t it enough to get to be pretty in this world? Without the world groveling at your feet and simultaneously pushing any obstacle out of the way for you? 
So when Professor Hwang is hired as the new art professor at the university where you admin, you take an immediate dislike. After, at first, the overwhelming surge of attraction because he truly is the prettiest human you’ve ever seen outside of screen. 
Even when your work friends discuss romance, and when Juhye from the Performative Arts department (she has basically the same job as you, just different department) mentions that she thinks he might be interested in her, you join in that yes, he’s very attractive and seems nice, and of course he’d be a great partner for her.
Even if you kind of hate him. 
And since you admin in the same department as he teaches (Fine Arts, obv), it’s your job (according to your friends and the unspoken rules that you really wish were spoken and written down) that you hype her up when he’s in the vicinity. You have to.
Girl Code: requiring you to promote her, and not be too friendly with him because one does not want to violate Girl Code.
Once in undergrad was enough and you would do anything not to experience that ostracization ever again. 
Unspoken rules that make life more difficult that it already is. You feel very much like you hyping Juhye is as subtle as a truck, and in doing so you are as awkward as well, whatever is very very awkward.
“You locked yourself out again?” You do your best not to hiss at him, but in over one semester of him being on the faculty, the man has locked himself out of his Canvas account at least a dozen times.
Hyunjin, Professor Hwang, as he is to his students, gives you the most sheepish smile, and deep down you acknowledge that it’s cute as hell. This man who could be art himself, looking self-conscious that he can’t be trusted with the basics of technology. 
“I know. I don’t know how I do this.” He shrugs, straightening his wire-rimmed glasses. “Isn’t my laptop supposed to save that info for me, so I never have to try and remember?”
“It is.” You think to offer that he can bring his laptop and you can look to see if Google, or whatever browser he uses (probably like Firefox or something equally horrendous), is saving his passwords, but you don’t. Because it’s not in your job description and: “Juhye’s pretty good at that kind of stuff. I’m sure she could make sure it’s doing that. Saving your passwords, login info.”
He hums in lieu of a response, moving from in front of your desk to behind you to see what you’re doing. He doesn’t ask, which makes you bristle, but you’re not doing anything confidential and he’s not really breaking your personal bubble, so you can’t say anything. 
“I’ve never asked,” he begins as though talking to you while you’re working isn’t annoying. “But I assume, this isn’t what you went to school for. Did you study tech…stuff?”
You’re mildly amused that he doesn’t use the official term ‘computer science’. But just mildly. You can still dislike someone and still find them amusing on occasion. 
“No.”
There’s silence, minus the sounds of your typing and mouse-clicking. 
“What did you study?”
You don’t like lying. It’s not a thing you prefer to do in life. You do, everyone does, but you try avoid it as much as possible. So even though you know this might interest Hyunjin and you know you should not interest him, ever, you tell the truth.
“Photography. I mean, I studied business, too, but mostly photography and mixed media art.”
There’s silence yet again.
“Which is why I’m here. In this department.” The silence has become unbearable. 
“Photography?”
He’s going to ask to see something.
“You good at it?”
You turn to look at him. He seems genuinely curious, not like he’s about to pass judgment. But, he’s hard to read. That perfect face can look very RBF according to Juhye (which she thinks just makes him all the more mysterious and sexy) and even blank which gives you less on which to assess him for. 
His hair pulled back in a ponytail and black textured turtleneck make him seem even more aloof, like the rich pretty boy in an anime. 
“My grades and graduating GPA said I was.” You put very little stock into quantifying art and creativity into numbered grades, but you did graduate well enough to please your parents. 
He rolls his eyes. “Oh okay then.” 
God, he’s annoying. 
“Anyway.” You turn back to your computer. “Everything is reset. Your email has the links to come up with a new password. Try to write it down somewhere, or you know, memorize it.”
“No space,” he replies. “No space for memorizing meaningless words and numbers and symbols.”
“Really? What’s your brain full of then? Creative genius?” You don’t even hide your sarcasm.
He laughs. “I hope so. Mostly just images of all the greats I studied. And then my students and what they do. It’s a photo album that never ends and changes order. Often.”
He’s slipping by you toward the door that leads out of the Fine Arts offices. You stare at him, his words lingering. 
“Thanks again,” he says, halfway through the door. He smiles at you, a small one, a polite ‘this is how we socially interact’ type smile.
It’s still so stupid beautiful. You hate it.
At the next day’s lunch, you dutifully let Juhye know about how you encouraged Hyunjin to bring his laptop and technology woes to her and she brightens and preens, and you almost feel like maybe you don’t hate him. 
It’s a small consolation. 
One of the benefits (there are just a few) of working at the school that you attended, in the department you majored in, is use of the facilities. Not whenever you want as the current students and professors get first claim on any studio, extra supplies, or the dark room. 
In two years of working post-undergrad, you’ve learned when the down times, the lesser claimed times were. Certainly not before midterms or finals. Nor right when the semester begins because all the overachievers feel like studio or dark room time will somehow make all the difference. 
But right now, in the in between times, you can book some dark room sessions which encourages you that someday you might ‘make’ it as a professional photographer, that you aren’t losing your skills. 
You’d taken a day to drive up to the nearest mountains to one; soothe your soul with nature (and pollen sadly) and two: take a new set of photos. As with everyone else in the 21st century, you use and manipulate digital photographs as well, but you also do film because it’s its own thing. 
As you turn on the red light bulbs in the darkroom, negatives now fully developed, you smile because film and the process of getting from undeveloped roll of film to tangible photo makes you happy. It’s a comforting process that you can almost do in your sleep. With how late it was when you went to bed last night is a good thing because two cups of coffee is not doing its usual thing. 
There’s a knock on the door of the dark room and your smile immediately drops. 
Damn students (it’s a fruitless grievance because it is their right as they are paying a ridiculous amount for this education, but ugh, it’s annoying to be on the bottom rung of the hierarchy).
“Occupied.”
“I left something in there that I need.”
It’s like every muscle of your body tenses, and every nerve sets alight. 
“Professor Hwang?” Like you need to confirm. 
There’s a pause, like he’s registering your voice before he says your name. 
“Yes, I’ve got the safe lights on, but if you make sure everything is off out there, I can open the door.” Sooner he comes in, the sooner he can leave. 
There’s a low chuckle. “I know the drill.”
You bristle at the patronizing tone.
“Everything is off.”
You open the door and mentally curse him. Even with the lights which you’d considered an unflattering shade of red, he still looks like art. 
Art like a rendition of a fallen angel or romantic vampire with the shadows on his face and red tinge his neck-length brown hair takes on. His glasses are horn-rimmed today, his white shirt pink in the light and sleeves rolled up, black slacks. There are at least three paint smudges on his forearms.
He nods and gives you a polite smile. It’s the most reserved he’s ever been with you, at least since first meeting. You would never describe him as outgoing by any means, but certainly friendly, amiable. He doesn’t hold any of the underlying snobbery of other art professors who have lived so long in the ivory towers of academia and the art world, that any one not well-versed is unworthy of such allowances as kindness or care. 
For all his faults, Hyunjin is not the worst. 
You step back, aware that you are essentially, just staring at him like a moron. He slips in, glances at the negatives out that you’ve just developed.
“Pleased?” he asks as he moves toward the shelves of chemicals and random items (things left and abandoned by years of students and professors - your favorite is a tiny figurine of the black cat from Kiki’s Delivery Service. No one has taken it back, as though left here on purpose by someone in the past six years. He’s the official mascot of this particular dark room and therefore your favorite). 
“Pleased?” you repeat.
“With your work?” He grabs some acrylic paint tubes off the shelf. “What you just developed?”
Now you feel stupid. Obviously that’s what he’s asking about. Not if you’re pleased to see him. That would be stupid. You aren’t. Surely even he can see that.
“Um, not sure.” You return to the film and its small images. You set one image over the projected enlarger so it’s visible to the both of you. It’s not much, a solitary tree, slightly off center in the frame. “Haven’t had a chance to see if it was a total waste of roll or not.”
Even though you don’t look to see him move, you feel him stand slightly behind you to also take in the image. 
You hold your breath for a number of reasons. 
One; because you don’t need to breathe in his cologne which is actually really lovely (so you hate it).
Two; because his nearness is off-putting as he’s not really breaking any social rules by being too close and darkrooms aren’t exactly spacious, but dammit he’s close. 
Three; because you actually want to know what he thinks.
That last one pisses you off the most. You and he don’t dabble in the same medium (he’s painting and drawing; you always stuck with photography, sometimes mixed media) so who is to say his thoughts are at all valuable.
Not that he isn’t skilled. Every professor in the Visual Arts department is, even the ones you dislike the most.
Like him. 
“It’s lonely.”
You flinch at his words, his voice seeming loud in the quiet of the room. 
“Being asymmetrically composed, the tree feels even more out of place and lost.”
You force yourself to continue staring at the project and not turn to see his expression. Because you might show your thoughts and those don’t need to be discoverable by Professor Hwang Hyunjin.
“I like it. Even if it’s a bit out of focus.”
You lean into the projection to see that he is correct. There is a slight blur to the edges, fuck it all. 
You straighten back up. “Intentional.” Not that you moving in and checking it wasn’t a damn giveaway that you are lying like a lying liar, but maybe he’s stupid.
“Ah.”
Maybe a little. Or he lies too. 
“Are you entering any contests or doing a showing?”
Does he truly want to have a normal conversation right now? In the dark room? Alone? When you are working on your own stuff?
You take a few steps away, turning off the projector. 
“I don’t have anything specific in mind. Just keeping a hand in, you know?”
He nods, the shadows lengthening then shortening on his face. “Not that this subject matter is relevant, but you know our theatre department is looking for a photographer? Dr. Kim mentioned it just yesterday.”
“They are?”
“You can do action and work with that type of lighting?”
You work hard not to sneer. “Yes. The photography program here is pretty thorough.”
He shrugs. “I would hope so, though I must admit I know little of Dr. Cha’s work with students. And only the bare essentials of the craft.” He’s smiling, looking far less like a work of untouchable art and more like someone who regularly laughs; at himself and at the absurdity of the world. 
The dried paint on his cheek is wrinkled and breaking with that smile. 
You mentally shake yourself. 
When you don’t say anything, making the silence veer on awkward, he clears his throat. 
“You should apply. I think you’d do well.” He laughs now. It’s silly. “Not that I have much understanding the ins and outs of course, my recommendation is probably worth little.”
“You’d say something?”
“To Kim? Sure.” 
“With one photo?”
He now looks amused. “I’ve seen your instagram, too. Dr. Cha often shares his former and current students’ work and I follow her.” He starts to the door. “I’ll say something.” He holds up the paint tubes. “Thanks for letting me in.”
He opens the door before looking back. “Have a good night.” And disappears through it. 
The room feels strange now. The red hue seems not as striking, and the air carries that hint of piquancy of his cologne.
You do a physical shake of yourself now before returning to make some prints. 
When you see Juhye out for drinks with the rest of your compatriots Friday night, you ask her. 
“Why didn’t you tell me about the theatre photographer position?” She works in the Performative Arts department, even updates the website. Of all people, she would be one of the first to know. 
She’s had about two more cocktails than you which means her eyes take several moments to focus on you. You lean against the bar next to her, waiting. 
“Why would I?”
You bite your tongue to retort. “Because I’m a photographer.” 
She wrinkles her nose, saying your name in the most patronizing tone you’ve heard since high school. “They want professionals.”
You jerk back as though she swung a dagger at you. 
But you try again. Because friends. And Girl Code. “I applied though. Would you say something to Dr. Kim please?”
She takes a deep breath that you can hear despite the loud house music pumping in this bar. “Honey,” The sickly sweetness of the condescension makes you want to gag. “We’re friends and all, but I am not risking my name just because you think you can do something like this. Real friends tell each other the truth.”
As she finishes this quasi-sermon, the bartender produces another drink for her, and a receipt to sign. She does, scrawling also her snapchat username. He takes the slip, makes eye contact with her and smirks before moving to another patron. 
“What was that?” you ask, still processing her apparent disregard for your dreams and talent. “I thought you were ‘in love’ with Professor Hwang?” You are petty enough to do finger quotation marks. 
She rolls her eyes and shrugs, already looking past you for the rest of your group. “I am. But wanting a luxury car doesn’t mean that one can’t ride in a station wagon.”
If you’d had more liquor, maybe you could have thrown up on her as you currently feel ill, both disgusted and horrified. 
To equate humans to cars reeks of objectification and lack of seeing someone as a whole person. 
And you might hate Hwang Hyunjin, but you know he’s more than just a beautiful (on the surface) man. 
Juhye slips by you to find the others as you realize how incredibly shit of a friend she is. Of a person. In fact, you turn to stare at her back in astonishment because you thought you were good at reading people, at sifting through the kinds of people you want to surround yourself with. Juhye has never been someone you were incredibly close to, but you thought she was decent, even if her taste in men was lacking.
“I didn’t know you came here.”
As though your life is a full-on drama, you turn back to see that in her place is Hyunjin. He’s got a martini glass in hand, the liquid a vibrant green. 
“Rarely,” you answer tonelessly, your brain still trying to understand the revelations of the last five minutes. You nod to his drink. “What’s that?”
He grins, alcohol having warmed his smile. “Appletini.”
A surprised laugh exits your mouth before you realize it. You assumed he’d probably drink something like fancy single malt scotch or absinthe (the green). Here he is, this impressive and young art professor, one who has had an extolled art showing in the last year (you might have researched him some when you realized how much you hated him), drinking the equivalent of Apple Jacks in a martini glass. 
His smile is a little cute.
He isn’t wearing glasses right now, which is a shame, but his t-shirt and jeans give him less of that art prof vibe, and more of the cute guy you meet at a bar. 
“Good?” you ask, finding yourself bewildered and amused.
He nods emphatically, offering it to you as though you’re friends who share.
You shake your head, even though you sort of want to. 
“Thank you. I should go.” It might be the lighting, but he looks way too cozy with his hair tucked behind his ears, the wind from outside making it tousled. 
You look around to see Juhye and several of your friends over at a booth. They are watching with piercing eyes. 
Juhye whispers to another.
You feel it. The momentary terror of doing something wrong, the violation of the code in talking to your friend’s crush.
“Before you do.” He sets down his drink, inching a bit closer to you. “I talked to Dr. Kim. About the job? I can’t say for sure, but I think he was definitely looking forward to talking with you about it. I showed him your series with the cyclists by the Han River, from your insta. One of my favorites of yours.” 
You feel your eyes itch all of a sudden, a sudden tightness in your throat. You force back the tears that threaten. 
“I…thank you.”
His smile gets even bigger, his eyes nearly squeezed shut in his joy. 
You need to go. Like now. 
“Of course. What are friends for? Or at least, coworkers.” He giggles. 
Friends. The spike of anxiety lessens. Because you know what real friendship is. And it’s not in whispers and unspoken rules and carelessness. 
It’s thoughtfulness, it’s giving without asking for anything back. 
“If you get the job, I expect you to buy me a drink.” His playful words make you tense all the more, because you see it. You see how kind he is.
He sees you.
“I’m kidding,” he says almost as quickly. “I just–”
“I know.” You meet his eyes and smile though you imagine it’s more teary than warm right now. “I’ll definitely buy you another appletini if I get it.”
There’s no RBF right now. Only sparkling eyes, turned up lips, and kindness. 
And you need to go.
“Sure. Um, bye.” You race out of there like being chased by a supervillain. 
It’s the end of the school year, and even though you still work during the summer (a lowly admin’s job is never done), you feel the excitement.
Because you’re changing departments. After photographing and doing promotional shots of the university’s spring musical, Dr. Kim wants you on staff full-time, to capture all of the Performative Arts department; the classes, the productions, even the silly open mics that the students and professors do every month. The website, the newsletter, the alumni magazine; all have a credit of yours by the time May ends. 
You feel like maybe you haven’t been treading aimlessly post-university as much as you thought. 
“So,” Hyunjin says, before taking a sip of his luminescent green cocktail. He leans on his elbows across from you. “We aren’t in the same department any more.” There’s a pout at the end, a small, silly thing that makes you roll your eyes, but deep down, you think it’s (he) is adorable. 
“I know. You’ll have to bug someone new when you forget your password. Again.”
His pout doesn’t leave. “They might be nicer to me.”
In the months that followed that night at the bar, you decided to apologize to him. It was in his office, when he was sorting through papers and you were nearly on your way home for the day. You had succeeded in avoiding Juhye and him for three days when you got the email from Dr. Kim for a quick interview. 
So you stopped by to thank him, then apologize for being rude.
“You hated me? Huh. I thought you were just kind of grumpy. It’s cute.”
To say you were simultaneously both flattered and outraged (he’d not even been offended, once?) would be understatement. 
He likes to tease you about it now.
“But to go back to my original thought,” he continues, reaching out to steal a fry from your plate. “No longer in the same department. We’ll have to try and see each other instead of just happening to run into each other.” He raises one eyebrow at you.
“Yeah. Ugh, are you a clingy friend?”
“Not really.” He pauses, taking another drink before setting it back down. “I am…a little bit of a clingy boyfriend.” 
You’re holding your breath again. 
You can acknowledge that you and Hyunjin aren’t just coworkers, he’s not your enemy (if he ever was) anymore. You’re definitely more friends with him than anyone else from work (you’ve pulled away from Juhye and her little group and honestly, you don’t miss them). 
Being friends, being friendly and open with Hyunjin has its own drawbacks because now you have to contend with how lovely a person he is; how talented, funny, goofy, and compassionate. Which makes it difficult. When you hated him, he was easy to keep at a distance.
Now that you like him, you might really like him.
“Uh, we aren’t dating.”
“What do you call this?” he asks, nonplussed that he’s brought up your entire relationship as a topic of conversation, as though you’re discussing the weather, or the latest student’s project. He points at your mostly empty plates, his martini glass, your half-full gin and tonic. Then he points at you and then himself.
“I’m paying though.” Spring in academia is a sprint to the finish and though he’d been joking about you owing him a drink if you got the job, you are currently owning up to it now that the semester is over. 
“So? Is it only a date if I pay?” He tsks at you. “I thought you were a feminist.”
Your glare doesn’t have the same bite as it used to. It’s too fond. 
“This is a date?”
He leans across the table, adjusting his glasses as though it’ll help him see you better. Even with familiarity, you still feel a bit overwhelmed by him. 
“I want it to be.”
There is no policy about coworkers dating at your university, just that professionality reigns at the school. There is no reason why you and Hyunjin cannot date. Even though you often feel like professors are on another level compared to the administration. 
He’s not even that much older than you. 
Perhaps it’s remnants of being so worried that you might break ‘Girl Code’ if you’re at all nice to him because of Juhye’s ‘claim’ that you are hesitant. Maybe you need to acknowledge that he is so much more than what you or Juhye reduced him to in the beginning.
Maybe you realize that you have been ‘dating’ him awhile without even comprehending it.
Maybe you also lean across the table, letting your lips brush against his stunning ones (if you painted like him, those lips would probably show up in a piece) and hear his soft exhale as though he relaxes. Because he realizes it too.
You like each other. A lot. 
His soft kiss in return gives you actual heart flutters.
“I guess I don’t mind a clingy boyfriend. Especially one who is still marked with paint on a date.” You point to the streak of white at his jaw. 
He takes your hand in his, gaze dropping to look at his drink, but his smile can’t be hidden.
“Good.”
---
(c) yoongihan 2024. please do not steal, translate, repost, or whatever. stray kids belong to themselves and all idols used in this piece are just the inspiration for characters and do not in any way reflect the actual humans.
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oofthwoods · 10 months ago
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INTRODUCTION! ── ˙ ̟ the echo !!
𝐬𝐮𝐦𝐦𝐚𝐫𝐲 :: get to know porsche's bet for the newest legend in the making in formula one, dubbed as the echo.
𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞 :: i've been absolutely hooked in @disneyprincemuke vettel reincarnated's series and i have always loved fem!drivers so i decided to give my own take on this <3. | can definitely be read as a reader insert, but the driver will driver under a specific flag and related to a famous driver! even so, physical descriptions will not be given, so you can definitely picture yourself
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our fem!driver has a few titles to her name! the most well known, echo, comes from her championship winning f3 & f2 seasons, where she was consistently the fastest driver in the grid, leaving behind only a faint trace of her presence for the other drivers to see.
other nicknames include "lightning" due to her great performances on wet races (as the media says, the only thing faster than the rain is the lightning.), "pg" (stands for both princess of the grid, which is an old karting nickname, and parental guide, given due to her young age), and the legacy.
she is the daughter of ex- formula one driver, rubens barrichello. she drivers under the brazilian flag. i picture her as the middle child, so that would place her date of birth between '01 & '04.
has a streak of four consecutive championship winning years: the italian formula 4 in 2019, freca in 2020, formula 3 in 2021 and formula 2 in 2022.
art grand prix girlie! has been with the french team for both her f3 and f2 seasons.
she was a red bull junior, but was suddenly cut from the team after her formula 3 season. helmut mark claimed that she wasn't consistent enough to justify a contract renewal, which was clearly bullshit as she had literally won the championship.
competed in formula 2 without an academy, but was in talks with porsche to join their team.
committing to her lightning nickname, she chose 95 as her number!
grew up in the paddock! her dad loved to take her around the world with him, and she became a familiar face to all crew and drivers. although she is the youngest of the current grid, she is closer to the oldest guys due to knowing them since she was very young.
outside of formula 1, her closest friends are gabriel bortoleto, felipe drugovich, frederik vesti, liam lawson and clément novalak.
within formula 1, she is closest to fernando alonso, lewis hamilton (both who met her when she was a baby), mick schumacher (her teammate at porsche), lando norris, alex albon and oscar piastri. but she is friendly with everyone, and tries to know them better — it does help that she is a social butterfly who could talk to the walls even if they don't answer.
about porsche: have been in the talks of joining the grid for a long time, and finally got their approval for 2023. they could go for veteran drivers but decided against it, placing their bets of mick schumacher, who had just been dropped from haas, and y/n barrichello, the f2 champion.
when the news dropped, it was the talk of the town! not only she would be the first female to compete in formula one in several years, but the duo barrichello-schumacher would be present again in the grid!
actually loves doing grill the grid and other challenges. some people think it's the rookie rush, but she has always loved playing those games.
has the biggest fat girl crush on susie wolff. would kiss the ground she walks if she could.
still needs a lot pr training due to amount of cursing and off-pocket things she says. apparently saying "i'll throw myself in front of verstappen's car and change the trajectory of his entire life" is not socially acceptable, neither is saying that she's plotting his accidental death.
sponsored by vivienne westwood, which she claims is probably the coolest thing to happen to her.
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aespicysstuff · 11 months ago
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Scream
Jenna Ortega x Fem!Reader
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Description: "When Jenna can't help but fall in love with her coworker, but she's too much of a coward to confess believing you don't feel the same, however, the girl is wrong you would kneel for her."
Words: 18.1k
Saju: "ENJOY IT LOVE"
---
Jenna Ortega is a well-known name. She is an authentic woman with unreal beauty, creativity, cuteness, education, intelligence, and more. I could spend days complimenting her without getting tired. Like many people, I know Jenna from her works. Watching her performances on screen is already something gratifying and magnificent, but nothing compares to witnessing her talent in person.
How do I know this? Well, perhaps because, thanks to my job, I had the opportunity to work alongside one of the people I admire. Since a very young age, I have always been interested in parkour, martial arts, and boxing. Recognizing my potential in these areas, my father ensured I learned everything. Thankfully to him, I have the most enjoyable job – being a stunt double.
---
You logically started with small films and series, sometimes even commercials and a few games. You had begun to gain popularity among directors, especially after being the stunt double for Zoë Kravitz in "The Batman" and being the motion and body model for a new character in the Resident Evil game franchise. The director of "Scream VI" was looking for a stunt double for Melissa Barreram, the actress playing Sam Carpenter. Like other stunt doubles, you submitted a video showcasing your skills. After seeing your performance and how adept you were at both agile and heavy movements, they hired you for the role. You've been enjoying the experiences to the fullest.
At this moment, you were heading to the set and also meeting with the cast. During the filming, you had gotten close to almost all the actors, especially Jenna and Melissa. As you arrived, you spotted Jasmine and Mason from a distance, quickening your pace to reach them. "GOOD MORNING, BEAUTIES!" You kissed both of them on the cheek. "Good morning, lovely! You woke up in high spirits today," Jasmine said after you sat beside her. "I also noticed. Does it have something to do with a 5'1" Latina who loves playing characters with no sanity?" Mason teased while ruffling your hair.
You weakly slapped his arms, scoffing as they both broke into laughter. But when you were about to say something, a familiar scream interrupted. "MELISSA, STOP!" In minutes, you saw a small figure running towards you and hiding behind you. "Y/n, protect me, plea—" Jenna was interrupted by a furious Melissa chasing her. They ran around the table, making everyone laugh at the actresses' cuteness.
You decided it would be better to stop them before someone got hurt. You got up, caught Melissa in your arms, and held her tight. She struggled a little, but your grip was firm. Though she might be taller, you were stronger. You placed her beside Mason and sat back down, chuckling. Jenna sat beside you, and you offered her a water bottle. After she thanked you and turned to the group, you couldn't help but laugh at the situation.
Your eyes roamed every detail of her face, from her freckles to her dimple, her button nose, and the lips you wanted to feel so badly. Jenna felt her heart jumping in her chest, as if she would pass out from how intensely you were looking at her. She started leaning her face towards yours, interlinking her gaze between your eyes and your lips. Hypnotized, both of you were so entranced by each other that you didn't notice when you were called, "LOVE BIRDS!! WE HAVE SCENES TO SHOOT!! STOP EATING EACH OTHER AND GO TO THE SET!!" Jasmine, always the sweetheart, got your attention, making both of you jump a little and put some distance between yourselves.
The staff and some actors had already entered; only you and Jenna were missing. You remained in silence, trying to tame your heartbeats and your blush. You heard Jenna clearing her throat, "Uh... I-I think it's better if we go inside too." Jenna said while getting up and walking to the set, not giving you time to reply. You stayed for a bit longer, trying to absorb what just happened. Would you guys really have kissed if you weren't interrupted? You put your hands on your head, sighing, and started your way to the set.
You had started the recordings, and now you found yourself restless and apprehensive. At the moment, you were shooting the theater scene, and seeing Jenna hanging there wasn't pleasant. You couldn't believe how many times this girl faced danger without fear. She had mentioned loving to do her own stunts, and you couldn't blame her. You felt incredible after your own acrobatics. Still, you feared that one day she might get seriously injured. You couldn't help but worry about her.
You almost ran towards her when the director gave the order for her to fall, but you held back and sat down again. Her character and Jack's had a brief dialogue, and following the script, Tara thrust the knife into Ethan's mouth. You couldn't deny that seeing her smile of relief after her action and the blood on her face made you more infatuated with her than you already were.
Just as it was said, you knew Jenna from other works, and since then, you admired her. Just like her fans, you couldn't resist the charms of this Latina. Since the first day of filming, you've been falling more and more in love with her. She doesn't help much in easing these feelings since, from the first day, she hasn't let go of you. Not that you're complaining, but trying to stop liking her is almost an impossible mission.
You would really like to confess your feelings to Jenna, but you feel that she deserves someone better, someone who understands her (in the work sense) and who is a beautiful woman that fits with her. You're just the stunt double, the tomboy, as some call you, simply because you have a more sculpted body, a muscular physique, and a tomboyish style. You've always faced these kinds of unpleasant comments for these reasons. Your friends always comfort you, and your small fan community defends you as much as they can.
Jenna also always comforts you when some of these comments shake you. She always says that you're like a Doberman, always with a stern face, ready to snap at anyone who comes close. She said she feels safe with you, as if she were at home. Lost in your thoughts, you hadn't noticed that they had finished the scenes. You also didn't see a certain short girl watching you attentively.
Jenna observed every trace of your face, every bit of you. From your curly hair to your tattoos, she loves every part of you. She finds herself hopelessly in love with you, every aspect of you, habits, words—you leave her fascinated. It wasn't in her plans to fall in love, but on the day she saw you, she knew her heart wouldn't hold up. She perfectly remembers how her heart skipped a beat after seeing you. You were in simple clothes that highlighted your curves and, most importantly, your muscles. But the fatal blow was the smile you gave her after hugging her.
But Jenna is afraid of this, of these feelings. She has always been more focused on work, never paid much attention to romance. But now, after getting to know you, she daydreams about your life together.
She wants to confess, but she never manages to. She always retreats before revealing her feelings, afraid that you won't fit into her life or even that you'll distance yourself because of it. That's why she hasn't confessed yet. But the desire is there, what's lacking is courage and a bit of shame.
Jenna shook her head slightly to get rid of these thoughts and silently approached you since you were still distracted. She came close to you, laughing at your expression, and on impulse, she squeezed your shoulders and gave you a kiss on the neck, staying with her face there. "Jenna! Why did you scare me like that?" You said in a playful manner, covering your face, hearing the girl laugh at the situation. "Sorry, mi corazón, it wasn't my intention, but you looked so beautifully distracted, and I couldn't resist." She hugged you, and you turned a bit, pulling her onto your lap, hugging her waist and resting your head on her shoulder.
Jenna put her arms around your neck and planted a kiss on the top of your head. You didn't say anything, just enjoyed each other's presence. It was enough. The connection you two had was visible for everyone to see, and it was a beautiful thing. That's why many didn't bother you two. Unfortunately, your moment was interrupted by the director calling you to shoot some stunts. Both of you sighed; you gave Jenna a little pat on the thigh signaling her to get up. "No! I'm not leaving. I'm home..." She said in a cute, whiny voice, and your heart skipped a few beats. "I'm home," you couldn't help but smile.
You tightened your embrace. "It's okay, my love. I promise to spend the whole rest of the day with you." You cupped her face, caressing her cheek. Jenna felt butterflies having a party in her stomach. Ugh! How she wanted to kiss you until the air evaporated from her lungs, but she restrained herself, moving away a bit and raising her pinkie finger, "Do you promise with your pinkie?" You laughed at her cuteness and joined your pinkies, "I promise, mi amor." You kissed her fingers, making Jenna even more infatuated.
"Then go do those stunts quickly because I want to be cuddled up with you all day." You picked her up, making her squeal and then burst into laughter. You put her down and started walking toward the actors, but you stopped, turned back, and ran towards Jenna. However, what she had to say got stuck in her throat. You had given her a kiss on the eyebrow and whispered in her ear, "See you later, mi amor."
You ran off after the director shouted your name, leaving a paralyzed and tomato-red Jenna behind. She snapped out of her trance and ran to her trailer, laughing like a love-struck teenager.
---
The sun had already set when everyone was released from the recordings. The sky was partially orange, and its dim light guided you to your trailer. You knocked on the door, and it didn't take long for Jenna to open it. "You took your time!" She pulled you into a hug. "Mi amor, you were the one who got released early, haha!" You squeezed her in your arms, resting your chin on her head. You stayed like that for a few more minutes.
"Let's go inside; you must be tired." She led you in, closing the door once you entered. "Can I take a quick shower, princess?" You asked, seeing a cute pout forming on her face. "But... I wanted to cuddle with you now." She pouted, and you couldn't resist the cuteness, pinching her cheeks, making her pout intensify.
"My love, this will only take me a few minutes, and then you can have me all to yourself." Jenna looked at you with those bambi eyes and agreed, going to sit on the couch while you prepared. As you had said, after a few minutes, you were already by her side, watching none other than "Puss in Boots 2" haha. You were lying on the couch, and Jenna was lying on top of you.
There was a pleasant silence between you two, only the sounds of the movie were heard. You lowered your gaze to Jenna, observing every detail of her, from eyebrows to lips. You became (once again) hypnotized. Jenna felt your burning gaze on her head and turned her face, resting her chin between your breasts, "What's wrong?" She asked, giving you a small smile. You just shook your head, watching her, seeing how every part of her reacted. God, you were hopelessly in love and didn't know what to do.
You wanted to shout at the top of your lungs about how much you love her, wanted to kiss her, love her, take care of her, wanted to be with her. But you are a coward who can't take action and is afraid of losing her in every way. You ran your hand over Jenna's face, gently caressing her with your thumb, watching her close her eyes and practically melt into your embrace.
Jenna turned her face, depositing a kiss in the palm of your hand, still with her eyes closed. She felt the temperature of her body increase with each touch of yours; to feel you so close is a blessing and a curse at the same time. She wanted to have you like this but as her girlfriend, as the love of her life and not as "friends"; she hated that term. She wants to have the freedom to kiss you, love you, but fear and insecurities consume her, and gradually she gets closer to possibly losing you.
You were in your bubble; no one spoke anything, just felt the touches of your bodies and souls. Jenna opened her eyes, seeing your eyes fixed on her, and you realized you’d been caught. So, you sent her a crooked smile with your cheeks reddish. You realized how close your faces were, and with courage taken from your ass, you gradually started to close the distance between you two.
Jenna also started to close the distance; she felt her body tremble in anticipation. She put her hands on your shoulders, grabbing your shirt. "Kiss me… Kiss me please Y/N." Jenna grabbed your face, putting her forehead on yours. She slightly dragged her lips across your face, whispering, "kiss me mi amor."
"F*ck it," you pulled her neck and kissed her. The kiss was hurried, but firm. In it, love and desire stored for so long were transmitted. Sighs were released, hearts accelerated and synchronized, bodies hot like the embers of a bonfire, hands exploring every part of the bodies, every curve, caressing the skin like a brush caresses.
The air became scarce, and both, reluctantly, separated. Jenna had opened her eyes slowly, trying to reason if what just happened was true or just another one of her dreams. She lay on your chest, still panting, and looked at you, waiting for you to open your eyes and snap out of the trance.
You felt like you were in the clouds, more alive. You opened your eyes, seeing the woman of your dreams watching you. "Are you real? Like... did this really just happen, or am I delirious?" You asked her while caressing her hair. Jenna smiled, showing her dimple, and hid her face in your neck.
You both were euphoric, finally! You had fulfilled one of the wishes, but the doubt still lingers. Even though you had just kissed each other with all of you, with your hearts, you can't help but question, "Does she really like me?"
You cleared your throat, bringing Jenna's attention back to you. "Uh... I know we just kissed as if the world were ending, but... uh... what are we now? Like, do you really like me? Because I like— No! I... I love you, Jenna." You confessed, watching Jenna react with disbelief. "I've loved you since the day I met you, with your more reserved way, your somewhat eccentric humor, your sarcasm, your freckles." You said everything with a smile on your face and a special sparkle in your eyes. "You can't imagine all the times I held back from kissing you, telling you how much I love you. All the tears I shed for you, feeling insufficient for you." You let out a shaky sigh; getting all of this off your chest is a relief.
Jenna couldn't explain what she felt at this moment. Relief? Happiness? Sadness? She couldn't believe that you were really saying all this; her heart felt like it was going to explode with so much happiness. But she felt sad hearing your last words, "How dare you feel that way?!? Y/n, I've never felt so happy, safe, and comfortable with anyone like I feel with you. It's like my heart already knew that you would take care of it with your life." She passed her hand over your face, wiping away the tears that you didn't even realize were falling.
"You make me feel so many things at once, but none of them is something bad. You always take care of me, make me feel beautiful, make me feel like I can conquer the world and the universe. You are my star; you are more than enough for me, mi amor. And answering you, I love you too, and I want this to turn into something more. I want you as my partner for the rest of my life." She chuckled lightly; her soul felt light after confessing, after knowing that you also love her.
You hugged each other with big smiles on your faces. Both have a lot to learn, but now, they won't do it alone. You have each other, and this union will be hard to break. Your love is special, like the love of the sun for the moon.
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u3pxx · 8 months ago
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PLEASEEE can you elaborate on the gavinners i cant stop looking at them theyre so pretty
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sometimes i forget that outside of my friends and servers, i don't really talk much about my gavinners boys* huh! so basically, i originally wanted to make them so i could beef up turnabout serenade in my roleswap au, kind of like turnabout samurai where you have a lot more characters which in turn means a lot more suspects!
but then i realized, wait, i need to make them in the canon-verse first before i could make their swap au counterparts! and so now they exist pftt
here y'all go, i'm gonna be copy-pasting the character descriptions i wrote for them during art fight pftt <3
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🥁 DEIDRE MINUENDO
Height: 5'7" (170 cm), 5'9.5" (176) with boots on Birthday: Jul 7 ♋︎ | Pronouns: He/Him, She/Her, They/Them
Deidre is the seemingly gloomy and stoic drummer of the band The Gavinners! At first, it could be difficult to get a read on them but despite all that, they're just like that because they prefer saving their energy. It might not look like it, but Deidre enjoys company even if they're not the most chatty with it and thrives the most when they are around other people (she prefers it if she's around the people closest to her though). Deidre is pretty sensitive and an emotional person even if they don't outwardly express it. To the people close to them, Deidre has a sarcastic streak and can be pretty snappy when it comes to teasing. She can dish it but she can't take it however as they can get slightly irritated when they're teased back. Even if they are a rockstar, they can get embarrassed when people praise or say nice things about them to their face, he tends to brush affection if even if he is secretly flattered by it (he's not gonna admit it though pftt) They also enjoy doodling here and there and like stuffed animals (they have a few of their own!)
Deidre was the closest to Daryan so the events of 4-3 affected him immensely. They felt betrayed and confused and tried to deny that Daryan would be capable of taking another person's life; they scrambled to do everything to protect Daryan from omitting information and even lying on the stand. In the end, all of their efforts were for naught and they felt incredibly guilty for what they've done, especially since she started antagonizing Preston when he was starting to suspect Daryan. They cut themselves off from the group, their job, and stardom. They ended up severely depressed and started to rarely go outside anymore. Only Doremy (Daryan's twin, also a close friend of his) was able to reach him during this time while Viva tried to but he kept refusing to see him. It took them a long time to finally be able to reconnect with the group and it took them a lot of help and support to be able to be well again. Deidre carries Daryan's betrayal to the group heavily and it took a while for her to start forgiving herself.
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⚡ VIVA CHI
Age: 25 | Height: 5'9" (175 cm) Birthday: Jan 1 ♑︎ | Pronouns: He/Him
Viva is the lively and energetic bassist of the band The Gavinners! Though he may seem goofy and a little unserious, he actually is pretty responsible and is the mediator of the band (as the eldest brother of his siblings and the eldest of the band, he kind of made that his responsibility). He's a forensic scientist and has always had an interest in science alongside music ever since he was young (he thinks Ema is very pretty but she finds him annoying pftt). Viva was the last one to join the band when they were all in high school and despite his extroverted personality, felt a little shy at the time getting to know a new group of people (it's because Preston was there who he may or may not have crushed at while in high-school.) He's a lover of all things caffeinated (especially energy drinks though he should really pace himself) which isn't always the best match to the fact that he's got terrible anxiety and thinks himself down a spiral when he gets too worried.
Once the band disbanded after the events of AA4, Viva, though left in a bad place with his anxiety shot through the roof, fared better compared to the other members. He tried his best to keep in touch with everyone with varying successes despite Daryan's arrest being fresh and hurt. - visiting Daryan in prison to hear his side of the story - popping in to check at Preston in his office because the guy started to take worse care of himself - contacting Deidre even if she was trying to isolate and cut herself from everyone and looking out for Klavier even if he buried himself in his work He took a break from music like everyone else, he still hopes one day they can meet up and play music again, not even as a band, but as a group of friends who loved creating music.
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🦇 PRESTON KEISS
Age: 25 | Height: 6'1" (185 cm) Birthday: Oct 25 ♏︎ | Pronouns: He/Him
Preston is the mysterious yet magnetic keyboardist of the Gavinners! Tall, dark, and bewitching; Preston is aware of the impression people have of him at first glance and likes to use that preconception to surprise and even catch people off-guard by purposely being silly or crass. He has a number of odd quirks and mannerisms that he doesn't realize he has, people tend to notice but they often let it pass because he is very handsome (pretty privilege lmao). Preston can sometimes be mischievous and finds certain things amusing only to him even if others don't find it as funny. He's always had an interest in horror and the macabre ever since he was a young boy which developed into a great fascination with the special effects used in old and new horror films alike. (He can be a bit jumpy when watching movies even if he loves to do it, he can't help it if the movie gets to him!) He plays up his whole immortal vampire schtick because the fans tend to theorize if he really was one. (He is not, he'd love to be one though pftt) Preston is very stubborn and adamant about his opinions and can be difficult to sway if he thinks he's correct; he is also quite awkward when it comes to personal matters, as can be seen in his strained relationship with his older sister and whatever romantic thing he's trying to achieve with Viva. He's used to acting larger than life when the cameras are on but being raw and honest has him feeling a little embarrassed and stilted. Preston smokes and keeps it a secret. (Don't tell Viva that!)
Preston was the first person in the band to start suspecting Daryan which he mostly kept to himself at first but wouldn't deny when you asked him (Deidre did not like that.) After Lamirior accused Daryan in court, Preston was determined to make Deidre confront the truth (unfortunately, not taking in why Deidre might be upset and in denial about it) which caused them to have a fight (with Viva being unsuccessful in de-escalating it.) After the Gavinners disbanded, Preston didn't feel very well after Daryan got sent to prison and lost contact with Deidre (whom he hasn't talked to since the case. [he misses them.]) He seemed fine afterward with his workload seeming to increase though upon closer inspection, he's started taking worse care of himself, skipping meals, and losing his interest in music. Preston has a lot of baggage to sort through regarding his friends and his family that will be difficult and painful for him to confront, but rest assured, he's gonna come out of it happy and well.
and here's a compilation of some very old turnabout serenade drawings too :^]
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(i didnt make dei's bday turnabout serenade on purpose, it was a tragic happy accident DFGHDJ i wanted his bday to be 7/7 bc i made daryan 6/6 but then the date. i realize the date orz)
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ghostchems · 5 months ago
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infernal - terzo x f!reader - part five
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art by the incredibly talented @piaart!
author’s note: finally have this finished but man is it hard to be satisfied. i keep wanting to work on it and work on it but i also really wanted to get this out! also don't even know if this is good teehee. lots of awkward here. 4.9k words. part one/two/three/four. ao3 linky.
The date is going surprisingly well. You chose an Italian spot (ha!) and have had your fill of lobster ravioli and Cabernet Sauvignon all while you learned more about Dylan since he graduated high school. Went to a state school in the middle of bumblefuck, drank and drank some more, got overly into the college culture (emphasis on cult) and tipped a few cows in his time. It aligns perfectly with the slivers of information Catherine gave you through the years, though he’s mentioned nothing of the steady college girlfriend he supposedly had. Interesting. You laugh at his dumb jokes. You’re smiley. But it does feel like an act that’s partially fueled by alcohol and having someone’s attention on you.
He’s still talking but you’re admiring his small, button nose, how his brunette locks shape his face and his bright smile. You can’t help but think his face is a little too smooth, though. Has this boy been through anything meaningful? Has he suffered at all in his shiny little life? Your mind drifts back to Terzo’s rough hands and how they felt on you earlier that day. He forced you to your knees and it was clear that it wasn’t the first time he’s done so. You can still taste him on your tongue.
“You haven’t told me about your job! Aren’t you like an assistant?” Dylan snaps you out of it and you offer a shy smile.
“Yeah! I had to get out of that call center, man. It was like draining my life force. Not that this isn’t difficult but it’s nice to not be yelled at by some rando on the phone for hours a day.” You toy with your glass of wine.
“So, like what do you assist in? Is it just you?”
Huh. You’ve never really explained exactly what you do to anyone. Not even Catherine or Erica — you only really focused on Him. That won’t go over too well in this situation, will it?
“It’s just me and it’s mainly house maintenance right now. My boss’ place was a disaster when I started.” Perhaps the most watered down description of your job.
“So you’re like… you’ve cleaned it up?” There’s judgment in his voice that’s immediately sobering. He stares at you blankly.
“I guess I meant more like projects. The last big one was fixing up his yard. I had to manage the budget and scheduling of the landscapers and stuff.” Your voice is flat.
“Oh, okay gotcha.” Dylan nods and he is back to smiling. You’re seething on the inside. Was your answer acceptable to him? “What’s your boss like? Is he a guy?”
What the.
“Yeah, he’s a guy. He’s a little weird. Definitely eccentric. I’ve tried not to pry too much into his personal life, you know. Boundaries and all that, but when I first started he had me sort out some of his things and it looked like he used to be the lead singer in a band.” Another oddly phrased question. At least now you’ve been prompted to bring up the man you haven’t been able to stop thinking about.
“Oh, shit! That sounds awesome! What band?”
Oh, do you hesitate. A long silence stretches between you two.
“I’m… I’m not sure I should say. I don’t want to blow up his spot or anything.” You’re sheepish suddenly and Dylan notices.
“Aw, come on. Who am I gonna tell?” A good question. You drum your fingers on the table, thinking about how you’ve never really told anyone who your boss actually is.
“Catherine will tell me if she finds out.” A warning, last one until the big reveal. Dylan nods enthusiastically, some of his hairs falling into his forehead. For a split second you think that maybe if you were younger with much less life experience perhaps he would be perfect for you. But you know too much and you know that he wouldn’t be able to give you what you want. “It was Ghost.”
“Oh.” He makes a face and leans back in his chair.
“Oh? Sorry, is that not impressive enough?”
“No, no. It’s still cool. They’re just… I don’t know.”
Do you continue this conversation? Do you care what he thinks? You don’t…but your curiosity gets the better of you.
“What is it, Dylan? Are they lame? I’ve tried to… you know, not dig too deep into it because I feel like that would affect my professionalism.” That and you didn’t want to completely pry into the man’s life.
“Oh, I get that. Uhhh, I mean they’re not REALLY metal. They say they’re metal but they’re not so it’s just a little weird.” He shrugs and crosses his arms. You knit your brows together because you have absolutely no idea what he’s talking about.
“Right. Okay.”
“Yeah, I mean, they are basically like pop. Not metal, not at all.” He sounds so impassioned and you nod along but it feels inappropriate. Why is he so pressed? It turns you off even more and you do everything in your power to get this date wrapped up. You are done drinking and you’re too full for dessert. Responses shorten and eventually you’re out front on the sidewalk waiting for an Uber. Dylan has insisted on waiting with you and hovers just a bit too closely by your side. He seems a little oblivious to how this date has gone, bless his heart.
“Well, this is me.” Awkward, so awkward. You move to get into the car but Dylan stops you by your arm and leans in for a kiss. It’s truly over before it starts, a quick peck before he pulls away with a smirk. You are dying on the inside.
“We’ll hang out again soon, yeah?”
“Sure. Yes.” You lie and hurry into the Uber, wanting nothing more than this wretched day to finally end.
Terzo blinks awake. The cool air of the night pricks his cheeks. Leaves crunch beneath his soggy socks. He coughs, blood spilling from his mouth and splattering on his thick chest hair. A robe hangs loosely from his shoulders. Terzo’s eyes drift down to his hand to see he’s wearing his black gloves with sharp, golden nails. He squints and there’s something black stuck to one of the points. Gaze drifts to where he is. His driveway. A breeze rolls by that sends shivers down his spine as his eyes focus on your car.
He’s slashed one of your tires.
Terzo cackles wildly upon this realization. This is new even for him and his weird, otherworldly tendencies. Could be straight up mental illness. He takes a few lumbering steps forward before crouching to eye the tire, surveying the damage. Completely shredded with the rim touching the ground. There’s a familiar buzzing in his skull, a buzz that he used to get while performing. How far he had fallen. Still, he’s delighted with himself. A fitting punishment for the way you crushed him earlier. What hubris you had for leaving your car on his property. Rage shoots through him for a quick moment, the thought of you spending the night with your date crossing his mind. Would this boy drop you off in the morning? He could plan for that.
In his fits of unsatisfying sleep, ideas for being cruel sprang to his mind. He’s settled on ignoring you for most of tomorrow, to have you toil away waiting for any kind of attention but to no avail. Terzo would be watching you the whole day, of course, hidden away in dark corners and peering down from atop the grand staircase. He has always been the best at sneaking around undetected out of all of his brothers, having avoided so many moments where his father could have reamed him out due to this expertise. Primo and Secondo weren’t so lucky.
Sharp pang in his chest from thinking about them.
No, no. He must focus on you. He pushes the thoughts back to the void. You’ll be trapped here at the end of your workday because of this, wouldn’t you? That’s when he’ll reveal himself. He’ll torture you. Tease the information of your date out of you.
How well could it have gone when you are so devoted to him?
The house is cold without him, a shiver running down your spine every time you found yourself in a dark corridor. You try to keep your thoughts to a minimum and are somewhat thankful that the contractor was able to come today. He’s a quiet man but seems to enjoy your cheerfulness which breathes life into an otherwise miserable day. Between directions and answering questions, you would wander the first floor and hover by the stairs, listening for any signs of life only to hear silence. The last time you saw him flits through your mind — the pressure of the hand on your neck that forced you to the ground seconds after he angrily spat in your face seconds after he kissed you. What the hell. You should be furious at him for treating you that way, for leaping over the carefully placed boundaries the two of you have been dancing around for weeks.
But instead you sigh dreamily. You burn for him. Cheeks grow hot just from thinking about his rough hands on you. You hope he’s okay. And you’re sure he is, he’s a big boy.
The fact that you’re more worried about his feelings than you are about potentially losing your job over this is not lost on you. You’ve lived in constant fear of getting fired over the smallest mistakes since the start of this job but you are oddly calm about this situation. This feels like a natural progression. There was going to be a time where you had to confront this strange connection and you would rather it happen sooner rather than later with the way things have been going. As painful as it would be (emotionally AND financially) to say goodbye to him maybe it would be best for it be sooner rather than later.
The day goes by at a painfully slow pace with no sign of him. Anxiety builds and builds as you watch your clock tick down on your phone. You’ve taken to painstakingly wiping down every single mirror on the first floor (there is an absurd amount of them) because it takes up time and gives you something to focus one. After a while interacting with the contractor becomes painful for you, too heightened to be able to function in a normal social setting. You send him home early with a smile, being Friday and all, and you continue carrying out your mirror mission. This takes you to around 4:30 at which point you say “fuck it” and decide it’s time for bed! What is the point of even being here anymore when you could be under your comforter with a pint of chocolate chip ice cream as you ponder your existence?
It was an easy decision.
You meander out the front door, making sure not to slam it shut but have it at least be somewhat loud to announce your exit. Yes, you are stooping that low. A quick wave of relief washes over you because you made it. The day is over and while the issue looms you are at least out of his domain. Car keys jingle in your pocket. You make quick work of the walk from the porch to your car until the state of your tire stops you in your tracks.
“Oh my god!” You’re in disbelief. It’s like an animal chewed through the rubber. Your rim is on the ground. Tears start to well up in your eyes. This is it. This is the thing that’s pushed you over the edge today. A frustrated screech bubbles up your chest.
“Come back inside.”
You freeze as soon as you hear his voice. Spinning on heel, you turn to face him. He’s standing with his arms crossed, leaning against a column on the porch. His dress shirt is the darkest black you’ve ever seen, partially unbuttoned to show off thick chest hair and cut slacks show off his strong thighs. Did he get dressed up for you? His paint is crisp and hair is slicked back neatly. Fuck, he looks good*.*
“I can get an Uber?” A question as if you’re asking him permission, taking a few tentative steps towards him.
“Hmmm. No. I’ll call you a driver.” A rough response but you can’t help but feel warmth blossom in the pit of your stomach. “Get back inside.” Terzo growls, his gaze stern and pointed. He leaves you alone in his front yard. You feel silly by how hard your heart hammers in your chest but this is what you’ve been wanting all day. A moment passes by and you work up your courage to go inside and take your punishment. Thoughts of your shredded tire fade.
You walk inside the foyer and follow the sound of clinking glasses, finding him at the bar in the den. Terzo’s gaze falls to you then he directs you to the couch with his eyes. You silently follow the order and sit on one of the couch cushions furthest away from him. There’s a lump in your throat, fidgeting with your hands as you wait for him to join you. Eventually he turns around to face you with two drinks in his hand, one a red martini with a lime green umbrella and the other a pint full of something gross looking - not beer but still brown? His face is blank and you try to match his energy but it’s hard to keep your blush at bay. You reach out to take the martini from him but he pulls it back out of your grasp and instead presses the pint into your hand. The smell fills your nostrils: whiskey. Yuck. He runs a hand through his hair as he takes a seat on the other side of the couch, allowing for plenty of space between you two.
“You’ve called the driver already, right?”
“Yes.” He rolls his eyes but you’re still not sure you believe him.
Terzo’s arm stretches across the back of the couch, gloves just brushing your shoulder. Your grip on your whiskey tightens. This isn’t his usual charming aloofness, there’s something cold and cruel bubbling beneath the surface. Still, you want nothing more than to speak to him, even if he’s obviously pissed at you. He lifts his other hand up to his face, admiring the sharp golden nails adorned to his leather gloves. Eyes slowly drag from them to settle on you, gaze so piercing and yet uninterested in you.
“So, you had him pick you up here, si?”
“Yeah, but—“
“Drink.” He points at your glass and narrows his eyes. Not playing around. You do as he says and take a sip. “Keep drinking.” Lip twitches in a faint show of satisfaction as you bring the glass up back to your lips and take a deep gulp. There’s delight in his eyes and you’re more than happy to play the game just to see more of it. Your eyes twitch and you cough once you set the glass, the whiskey burns your throat.
“It was convenient for him.” Words are rough from the sting of alcohol.
“Ohh, was it now?” Terzo growls and digs his nails into the couch, tearing into the fabric. The sound gives you goosebumps. You open your mouth but he’s too quick. “Finish your drink.” He snaps, daggers for eyes that sends a chill down your spine. You swallow thickly and toy with your glass with the tips of your fingers before bringing it back up to your lips. Head tips back, the room swirls and you swallow down the rest of the liquid.
“Gross. Ugh.” Grimacing as you wipe your mouth with the back of your hand. “It’s less of a drive for him and I’m a pushover, okay?” You sigh, only partially joking. His eyes noticeably soften. You sink deeper into the cushion. “I said yes to this date because it was with my best friend’s older brother who I’ve known forever and I’ve always had a crush on him.” Terzo’s fingers shift from the couch to your shoulder, his nails just short of tearing through your shirt, his anger coming back up to a simmer just below the surface, but you continue on unafraid.
“I had to see what would happen. You have to understand… you build the thing up in your head as something perfect and special but then when you actually actually experience it…” You deflate and you eyes wander away from him, wanting to look anywhere else. “It’s never as good as you imagined it. Plus, he was a garbage kisser.” You immediately regret the words as soon as you say them. They hang heavy in the air and the air catches in your lungs. You feel him shift on the couch but you can’t bring yourself to look until his his hand curls around by back of your neck and forces you to look at him. Eyes sharp like knives.
“You let him kiss you.” A statement, not a question. Terzo makes you watch as he slinks closer to you. There’s like a current coming off of him right now that has you paralyzed even though you so badly want to protest. You whimper, words getting caught in your throat as he reaches for you. He grabs you by your waist with the tips of his claws poking against your skin, that delicious danger teasing you as always. “How did it compare?” Terzo trills, a charming smile with vicious edge. Hoo boy. Blood rushes to your cheeks.
“It didn’t compare at all.” You whisper as you try to sink as far into the couch as possible. Not because you don’t want to be close to him but you’re confused. Everything about this feels like a trap, like one wrong answer could set him alight but you’re not exactly fighting it. Instincts are telling you to run but you stay exactly where you are. Terzo’s hand drift up your sides, suggestively squeezing you in all the right places until he’s holding you by your shoulders. He’s smiling wider than before and there’s glee in his eyes — he’s pleased with you. A torrent of heat shoots through your core. He doesn’t say anything, merely taking in your reactions to his touches. His finger tips glide across your top, nearly clipping right through it until his hands settle around your throat. He squeezes just enough to make you gasp for air, then leans in to you, pressing his forehead against yours. You can feel his hot breath on your lips.
Tease.
“I could hurt you.” Terzo muses against your lips, lashes fluttering and eyes wide. There’s a slight tug at the corner of his mouth. Silence passes comfortably between the both of you as you take in each other’s breaths and warmth.
“I know. I’m… afraid of that. But it’s why I’m here.” You feel drunk, the words just tumbling out of you but you don’t care anymore. He is so close to kissing you that you can nearly taste him but instead he pulls away with a wry smile.
“Your glass is empty.” Terzo snickers and then jumps up in a way that can only be described as cat-like, snatching the glass from your hands. You’re left hot and bothered as he turns his back to you to saunter over to the bar. Alone with your thoughts while you watch him pour you another generous whiskey. Oh no. Oh no. You can still taste it on your tongue and it is not for you. But when he turns around with the warmth and charm you’ve been wanting all doubts are gone. You’re going to be messy tonight and that’s just that. When he turns back to face you he’s at least given you half of what he did the first time, walking slowly over to where you’re sitting on the couch.
He looms over you as your eyes drift up to meet his gaze and he audibly growls. You suck in a sharp breath, your nails digging into the soft flesh of your thighs. Terzo lifts a hand up and brushes his thumb along your jaw before tilting your chin up. He brings the glass to your lips and tips it back. You part your lips, the whiskey burning as it spills down your throat. He continues to pour until you can’t keep up with it and it leaks out of your mouth and down your cheeks. You gasp and he flings the glass down onto the side table as he crushes his mouth against yours, unable to keep away from you any longer.
And you certainly don’t care that he all but purrs into your mouth, soft lips moving against yours. He cups your face with his gloved hands, leather thumbs caressing your cheekbones as he slips onto the couch beside you without breaking the kiss. Fingers curl around his wrist and you press in close to him, losing yourself in how he tastes. His velvety tongue probes your mouth as the kiss grows in intensity. Deep pants try to keep your feet on the ground but you’re off in space, exhaustion and comfort mixing in a way that has you floating. Terzo pulls away from the kiss and you can hardly open your eyes. He gently guides your head to his chest, stroking his fingers through your hair.
“You never called me a driver did you?”
“Oh no. Never considered it.” Terzo squeezes you in his arms.
Oh, he’s so warm. A rumbling groan falls from your lips as his wraps his arms around you, just holding you there. Your limbs relax and you sink deeper into his chest as he starts to rubs up and down your back. In that moment you know you’re a goner. A deep, sleepy sigh falls from your lips and in a matter of minutes you are out cold.
Terzo almost feels guilty for being such an ass. Almost. He feels for you, he can relate to realizing that something isn’t all it was cracked out to be. At least for you it was a childhood crush and not being raised for one person. But still, he was a tad mean wasn’t he? It was necessary and the tension… the tension had been so delicious. Watching you squirm under his intense stare. And you just did what he said, unquestioningly, even when had you drink and drink and drink. Adrenaline is pumping through him and he struggles to contain himself— he must not go any further, despite how tempted he is. He could get away with it. You’re so soft, so pliable and so wanting. Terzo can feel the heat radiating off of you, no doubt from the alcohol and your closeness. He could slip his hand between your thighs and give you exactly what you want.
But it wouldn’t be fair to you. Terzo wants you coherent and focused when he takes you. Plus you’re adorably snuggled against him right now, your soft breaths against his chest. He’s longed for this and you did not disappoint. Wait a minute. Are you sleeping? He is about to fall apart, his arms wrapping so much tighter around you. The urge to keep you safe, to keep you here and never let you leave overcomes him*.* He squeezes your hand that is clutched to his chest and then gingerly picks it up and places it back in your lap.
“Sleepy?”
You lift your heavy head to look at him and good god do you want to be asleep right now. A tender smiles breaks out across his face as he swipes some of your hair from your eyes. A stark contrast from how close he had just been to strangling you.
“Take the guest room tonight, puffetta. I will bring you some clothes.” Terzo pulls himself to his feet. “Meet you up there.” He’s so soft, so different than how torturous he was of you earlier. You’re sure he’s heard what he’s wanted to hear from you but he’s unpredictable. Something you liked about him. There’s an unknown darkness that lies beneath his charm and good looks and it calls out to you. You’ve never felt this way about anyone. How could you ever get away now?
You blink and realize that you’re alone. You’ve been alone. Oh shit. Scrambling off of the couch, you trip over your own feet with the effects of the whiskey hitting you hard.
Ah, the guest room. A cramped space with antique furniture that could use some time and attention. The overall theme of the room is… dust. You’ve brought up having the dresser refinished or even repainted and replacing the peeling wallpaper but it’s low on the list of priorities. You push the door shut and give a soft sigh of relief. Shoes come off. A lamp on the bedside table barely illuminates the room and a folded pair of sweatpants and a t-shirt are waiting for you on the bed. Eyes scan over the remainder of the comforter and pillows, wondering if anyone had ever slept here. You can’t help the feeling that you’re being watched but maybe the fact that you’re about to wear your boss’ clothes isn’t meshing well with the practically decaying room.
“Whatever.” You huff to yourself and undress with the grace of a toddler, kicking your pants off and throwing your removed clothes into a pile on the ground. Sitting down on the bed, you pull up the sweatpants and they are loose as they settle around your waist. The shirt slips over your head and swallows up your upper body. Did he purposely give you his largest clothing to make you feel small? It is so cozy, though. You wrap your arms around your body and flop back onto the bed, sinking into the softness of the blankets. Comfortable heat spreads across your skin from buzz of the alcohol. Limbs go limp and your eyelids grow heavy, a deep sigh falling from your lips. Fading fast.
The piercing ring of the rotary phone cracks through the air and you jolt upright and wide awake. What the? You don’t remember seeing it when you came in and it’s not like it blends in — it’s bright red with intricate black etchings along the base and the handle of the receiver. Not a speck of dust on it. The phone rings again, somehow louder and more harmful to your ears than before. You blink and suddenly you’re standing directly in front of the dresser with one hand curled around the receiver. Heart is pounding in your chest and ears. Something is calling out to you. Answer it. Answer it. Answerit. answeritansweritansweritanswerit.
You pick up the phone to silence. Then chittering. The receiver is hot on your cheek. Something pricks your ear but you can’t pull away. There’s a squelch. A screech. More screaming. It only gets louder and louder, needles in your ears, pain shooting through your brain. You can’t breathe. You twirl the phone cord around your fingers and shuffle your bare feet against the cold floor, the only thing you’re able to get your body to do other than press the phone so hard against your head. The closer you listen to the screams the more familiar they get, growing in intensity, pain and volume. Burning, the receiver is burning now and yet you can’t move, you can’t get any relief. The phone cord is nearly completely tangled around your wrist and you’re sweating, gasping for breath, and crying without even realizing it. The screams finally subside, replaced by a cold, dead silence.
You hang up the phone.
Suddenly, an overwhelming wave of exhaustion washes over you and you collapse onto the bed. The world spins as you sink into the soft mattress, the dial tone still echoing in your ears.
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normal-thoughts-official · 5 months ago
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In the remote recesses of the world, north even to the great Maghreb, live a people with a weird and offputting cousine.
The French, as they're called, partake in the consumption of unique, and oftentimes alarming, ingredients, such as snails, frogs, fish eggs, and, on occasion, juice made of rotten grapes.
The most surprising part of this appalling cultural norm is that it is not, as no doubt thought our readers, the result of famine or lack of resources. Although mainly known for their violent culture, in which it is widely accepted to burn other people's cars, (and, before modern civilization made its way to the region, even take off helpless people's heads with a giant cleaver called the guillotine), the French also have access to rich resources often not exploited by the modern world. One such place is the Landes forest, home to the adorable rabbit, which recently has become a choice of pet for those leaning towards the exotic.
No, the French don't eat such slimy, questionable items out of necessity; it is by choice. As appalling as it may sound, they actually consider the foods derived from such ingredients to be high cuisine, and dishes containing them can be particularly expensive in the small region's economy.
With the blessing of my editor, and the guarantee that a medical team specializing in gastroenterology would be at the ready in case of an emergency, I agreed to travel to the faraway region to sample some of the so-called "delicacies". They were prepared by real, native Frenchs, although inspected by a health expert to make sure the hygienization was adequate. I've always been an adventurous eater, but even I must admit that the prospect filled me with aprehension. Would I be able to stomach the foreign dishes without getting sick, or worse, offending our arson-happy hosts?
My anxieties were initially heightened by the conversation with the French who hosted me; as is typical in their culture, he was offputting and rude, often commenting on the mistakes I made on the weird, twisting tongue I was doing my best to emulate. Still, in the spirit of cultural acceptance and not getting my head cut off, I accepted his socially inapt behavior with grace.
I must admit that the rotten grapes were what I was most curious about. The juice derived from them, known as wine, is considered a delicacy, and there are hundreds of different types of it. In French culture, there are even people whose entire job is to appoint the correct choice of wine to go with any given food; such men and women are caled sommeliers and held in high regard by French society.
I quickly learned that the making of wine is something of an art to the native Frenchs. As my self-important host dizzied me with endless descriptions of different wine varieties, I realized I may have gotten too deep into the turbulent waters of the unique region's palate. Out of the exhausting and oftentimes confusing technical detail, however, I was able to extract an important piece of information: the extent of the rot is important in the making of wine.
That's right, dear reader: they actually prefer it when the grapes are more rotten! Spanning not only decades, but sometimes whole centuries, the French's grapes are left to rot in humid wooden barrels - a tradition that's been kept alive since the Middle Ages -, becoming thoroughly ruined so that their juice may be extracted for the making of wine. And the longer they have been left decomposing with their local fungus, the more valuable the juice is.
I was simply too curious to wait. And even more delighted to find out about yet another culinary tradition I didn't know about: the social gatherings known as wine and cheese, in which wine is paired with a variety of solid, yellow, rubber-like wheels derived from fat extracted from cows' milk - the cheese.
Such unique, foul-smelling dishes are a frequent part of the everyman French's life, being consumed by rich and poor alike in a variety of different recipes from all sorts of French subregions. Among them, I found yet another that would delight my intellect and terrify my stomach: gorgonzola. To the reader not quite as deep in diving into the intricacies of French culture, I shall explain: gorgonzola is but a piece of the aforementioned cheese, left to mold.
I could not believe my ears. These people drank rotten grapes and paired them with rotten cow fat, and they enjoyed it. What to us would be a nightmare scenario in a case of extreme poverty, and a surefire way to earn a trip to the hospital, to them was a quite enjoyable meal.
I later learned that gorgonzola is actually from a neighboring nation close to the French - the Italians. Although officially considered a different tribe, Italians share much in common with the French, including the love for wine and cheese, a quite long border, and a language derived from the same roots - the long-dead Latin, ancient language in which their holy book, the "Bible", was once written.
I am happy to report that my experimentation did not lead to hospital trips, and the most I got was an unusually long carsickness. But I have taken with me much more than the curious experience: traveling to France has helped me expand my horizons, meet new people, and connect with cultures other than my own. Although violent and offputting, the French can be quite amorous, and I was even gifted a piece of cheese from a little girl. It is not an experience I would like to repeat anytime soon, but it's made for an interesting story that helped me grow as a writer, investigative journalist, and, most of all, eater.
I can only hope my stomach has taken some good lessons out of the experience, too.
Cremilda Castanho is a writer, cat-lover, and known foodie, with a knack for finding unexplored depths of cuisine across the world. Her book, What Weirdos Eat, was a Folha de São Paulo best seller, and paved the way for culinary exploration in journalism, earning her a Pulitzer prize.
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myerssimp21 · 1 year ago
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Knife's Canvas (Pt. 1)
Yandere Poly!Ghostface x Reader
warnings: mention of torture (not reader), planned stalking.
prompt inspired by @jadedstarlight03 's prompt to @creepyyanderegirl on yandere stu with artistic reader. I liked it and took my own spin with it since I simp for Billy too.
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"I admired your sketch!"
The cursive note, adorned with a smiley face, stared back at you, earning an A+ grade on your inaugural in-class creative writing assignment at Woodsboro High. As a newcomer, you had hoped your depictions of characters like Garfield and Scooby Doo would endear you to the teachers, and it appeared they did. Sketched in red pen and colored with pastel pink highlighter, your drawings grinned up at you, surrounded by tiny glitter hearts.
"Oh, those are wicked!"
The cute blonde girl seated behind you leaned over your shoulder, her minty breath fanning into your face as she praised, "Do you draw a lot? Did you do those in class? It's pretty fast if you did."
"Yeah! I started doing art last year, but you get better and faster with practice," you replied with a warm smile, eager to make your first friend. "I think these took about 3-4 minutes each."
Your face warmed as she leaned closer, her chest lightly pressing against your back as she inspected your paper. She pointed to the little hearts, "Those are so cute!" Her approving face turned toward you as she introduced herself, "I'm Tatum."
"I'm ____," you replied, pleased to make introductions effortlessly. The teacher's allowance for 5 minutes of free time before class's end was a welcome opportunity for socializing.
"You should join my friends and me after our next class for lunch; maybe some of us will be in your classes!"
"That would be so nice," you said, relief evident in your voice. "I'm honestly pretty shy, so making friends can be intimidating."
Her dazzling smile accompanied her words, "Perfect! If you have Chemistry next with Mr. Scott, I'll show you where it is if you don't already know."
"Um," you leaned down to your backpack, sifting through your new student documents to find your schedule. "Oh, it's actually history with Ms. Johnson."
"Hmm," Tatum leaned back, crossing her legs as she thought. "I think Billy has that class. Maybe if you leave a little early, you can catch him. He's the guy with the, uh," she seemed to struggle for words, "grunge hairstyle? I think he's wearing a dark red t-shirt today if that helps. He's a little grumpy sometimes, though, so if you're too nervous or he's mean, we'll look for you at lunch."
The bell rang, and students not already congregating by the door got up to leave. You neatly tucked your graded paper into its designated folder and stood, slinging your backpack over your shoulder as Tatum rose in tandem.
"I'll try!" you said with a giggle, even though meeting Billy made you nervous. "It was nice to meet you."
"You too," Tatum said, pulling a pack of gum from her bag and offering you a piece before you left. "I think your next class should be in that building, right? I’m not sure if you had it yesterday or if it’s a Tuesday-Thursday class."
Thanking her again, you made sure your Discman had the CD you liked the most before connecting your headphones and heading off in that direction. You'd only have a few minutes of music, but it was worth it!
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After finding your next class, you lingered around the door since you were early, hoping to at least place who Billy was from Tatum's description. After a moment of trying to not look awkward as you stood around, you spotted him.
He did have a grungier hair style, reminding you of a movie star you'd seen on TV recently. It threatened to fall in his eyes as he stalked towards the door, a bored look on his face. Now that you noticed him more, it was hard to ignore that he had a pretty face. Trying to not overthink it now that you realized you thought he was kind of cute, you pulled your headphones down from your ears until they hung around your neck as he came closer to the class.
When he noticed you looking at him as he drew closer, his eyes narrowed suspiciously, the scowl on his face deepening and making you feel even more nervous.
"Hi," you said somewhat sheepishly, "I'm ___. I'm new and met Tatum in my last class. You must be Billy."
His eyebrow raises and his eyes soften, but the scowl remains, “Oh?”
“Yeah…” you trail off a little, unsure of what to say since his response was sort of dry, “I’m from the more southern part of the state and we moved up here for my dad’s new job. I hear you guys experience the seasons up here so I’m excited to see them! The leaves never change in the fall where I’m from.”
His dark brown eyes have been boring into yours as you speak, making your face feel warm for the second time today. They dart down to the folder in your hands and he smirks as he says, “That’s cool.”
For your history folder, you’d tried to paint torsos and busts like the ancient historic statues from Greece and Rome you’d seen in a National Geographic magazine on the cover. They were naked torsos, but you had tried to make the nipples on the women look less prominent to avoid getting into trouble. If you had any sense, you’d have depicted something else to entirely avoid the possibility of getting into trouble, but you’d gotten irritated at the idea of censoring art.
“Oh, thank you! I hope I don’t get shit for the nudity, but I guess I could probably give them all clothes if I need to.”
He nods towards the classroom and you notice the hallways are getting quieter, “We should head in. There’s a couple empty seats near me.”
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Ms. Johnson's strategy to get the kids interested in history was to start with the brutality of the medieval age, it seemed; with diagrams of the torture methods they created being the highlight of her second class after syllabus day.
The history class, guided by Ms. Johnson's unwavering enthusiasm, delved into the unsettling corners of medieval history. As the lesson progressed, she took a moment to present an image of a haunting artifact, projecting it onto the screen for the entire class to see.
"Now, can anyone tell me what this is?" Ms. Johnson asked, gesturing to the screen. It was a grotesque device, an iron contraption with a cold, heartless design. Sharp spikes protruded inward, forming a cage around the wearer's head. The unsettling silence lingered as the class peered at the image, growing discomfort palpable.
To everyone's surprise, ____ confidently raised her hand, her eyes betraying an unexpected depth of knowledge.
"It's called the Scold's Bridle," she answered, her voice steady. "An oppressive device designed to silence women who dared to speak their minds. The spikes prevented any speaking, ensuring their voices remained stifled."
Billy arched an eyebrow, intrigued. "How do you know about that?"
____ shrugged, a nonchalant smile playing on her lips. "I read a lot. History isn't just about dates and battles; it's about the struggles people faced, especially women, and respecting the challenges they went through."
Billy's skepticism softened as he nodded slightly. "Guess history is more twisted than we think."
____ leaned towards him slightly, a smile on her face that didn't quite reach her eyes and made his spine tingle slightly, "Oh, you have no idea."
"Ah, ____," Ms. Johnson said with genuine admiration and ____'s attention snapped back to her, "Impressive knowledge there. I'm eager to see your thoughts on this in more detail, perhaps in an essay. It's always refreshing when students connect with the material on a deeper level."
"Now, let's delve further into the complexities of medieval society. How these devices were not only instruments of physical torment but also symbolic of the societal norms of the time."
The lesson continued, and ____ slowly flipped through her sketchbook to find a fresh page, seemingly reviewing her previous art briefly as she did so. Billy faced the board, but his eyes were turned downward, toward ____'s hands. He caught a glimpse of previous drawings – a mix of cartoon characters and a few creepier depictions.
Angry faces splattered with red marks resembling blood and figures wearing intimidating masks (or just freaks with the scariest faces ever) caught his eye. Intrigued, he discreetly watched as she began absentmindedly sketching the torture devices described in class as she listened, switching out her pens to smear red ink on them. He caught his scoff before he uttered it when he realized she was drawing the devices in glitter pens, her eyes flickering from the images on the screen to back down at her paper.
He must have been too obvious, leaning in too closely or being too pointed with his staring now because she had flipped to a fresh page and locked eyes, an unreadable expression across her face. There was a pause before she tucked her sketchbook into her bag and turned her attention back towards the board.
Billy felt a mischievous idea forming in his head as he let his eyes linger on her, knowing she could probably see him staring in her peripheral. If she wasn't thrilled about him seeing her portfolio, perhaps there was more hiding in that sketchbook than just cutesy cartoons. It could be amusing for him and Stu to explore her place once they found out where she lived, hunting for more art she wasn't ready to showcase while they scoped out their new potential victim. If the glimpses of what he saw when she had flipped through it implied there was anything more beneath her vanilla exterior, Billy was confident that he and Stu could uncover it.
As the bell rang, she turned to him with what he'd call friendly eyes, the strange demeanor now gone, "Are you hungry or what? Is the cafeteria food at Woodsboro High edible or would I be better off hunting a bird?"
He huffed, "You'd be better off starving." Nodding towards the door, he started towards it, hardly waiting for ____ to collect her bag, "Maybe Randy will be enough of a simp to offer you whatever his mommy made for him."
Noticing the disdain Billy seemed to have for Randy's mother but feeling too tentative about the potential for conflict to ask more about it, ____ decided to leave it alone and hurry after him into the now bustling hallway.
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emelinstriker · 1 year ago
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{Twice As Bad AU} Wukong & Macaque ♤ Even Little Things
Art drawn by me.
My little take on @semisolidmind's TAB AU due to peeps asking me to cover that as an X Reader ever since that one doodle I once did for it.
As usual, tweaked some things a bit in the AU just for the sake of the plot- And also cuz I haven't really kept track of all the canon things in the AU, so I'm mostly just using the basic premise of the AU and added/removed some things for the story twist, humor and all that. So please don't take it as canon y'all-
Also, I speedran this within three days to post it earlier than planned, so... Happy birthday, Semi! Have 4k words of ya bois as birthday gift, I guess. :D
TW: Descriptions of death and gore
[TL;DR] Monke have 'yummy' berry if customer have coin.
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♤ ~ Emotional Mix ~ ♤
It started out as a regular day at the market for you.
You owned a little stall where you would sell berries you and your little monkey friends collected. You kept on insisting that you wanted to collect them on your own, but the two ginger-furred and dark-furred monkeys just wouldn't leave you alone. Though, their kindness and willingness to help you did prove useful in the end. You managed to garner a lot of berries by the end of the day. How they managed to get them all? You would never know. You didn't exactly question it much either due to how many you were able to sell. Sales were pretty good today as well... And as per usual, your two little monkeys were practically guarding you and your stall, which you found really adorable. They looked like two innocent and fluffy puppies looking out for their beloved owner. And their cuteness did definitely contribute to your berry selling success.
Though, while they were pretty quiet and polite towards your customers that were just there to buy berries, there were some they truly didn't like to have around you at all... More specifically, those who showed even the slightest bit of romantic interest towards you.
Especially that farmer boy.
God, they really hated that guy for some reason.
Even if they just saw him walk across the street, far away from where you actually were, they would already start letting out aggressive sounds of pure hatred. Meanwhile you would just awkwardly wave at the poor guy. Though, besides the few customers that had interest in you, your monkeys were pretty well-behaved when you were around. You found it adorable how they would even help fill up tiny bags with berries like little helpers. And if they weren't doing that, they would either sit or lie around on your stall or cling onto you while you worked. They especially loved body contact with you, so they mostly clung onto you. All they wanted in return for their help was your affection, oddly enough. No snack either, just affection. You only had to give them little kisses or cuddle them a bit and they were already melting in your arms. Another cute thing they would do whenever you were selling berries was to give you gifts...
Well, it certainly sounds cute in theory.
However, their gifts ranged from not only some simple shiny rocks and flowers, but also to literal little animals and insects... Which were usually alive whenever they were the dark-furred monkey's gift, but were most definitely always dead in the ginger-furred monkey's case. Of course, you would still praise them as to not upset them... And while they were highly aware of your discomfort whenever they brought in animals and insects, they just ignored it. Then again, you never thought much of it since in your eyes, they were just monkeys. Just two simple, silly, little monkeys. Why would they respect your discomforts when they couldn't even talk?
Well, despite your little monkeys not being able to talk to you, they did seem to understand you. Which felt really nice, considering most in the village either didn't trust you or enjoy talking to you... So their company was very endearing and appreciated.
Especially in certain moments...
"What do you mean you're out of berries?" A tough-looking man asked, definitely pissed off. So you tried to stay calm and defuse the situation as best as you could.
"Sorry, sir... But all berries are already sold out. The last batch was sold a few minutes ago. B-But you could come back tomorrow and-" "I don't have the fucking time to come back tomorrow! I need those berries now!" He rudely cut you off.
"I, uh, understand, sir, but-" "I know you still have berries in stock! I can see a bunch in the basket over there!" He cut you off again, yelling in your face as he pointed towards the basket behind you. You grimaced a little in discomfort.
"Sir, those are berries I'll deliver after work to a woman who already paid for them-" "Then give her that money back or some shit, will ya?! Just give me those damn berries instead already!" The man looked like he would jump behind the stall's counter any moment now to launch himself at you, when you suddenly heard very familiar growling coming from behind the man... He turned around, only to see two small monkeys glaring furiously at him.
The man scoffed. "The fuck are those doing here? Are those your pets or some shit?" You gave your monkeys worried glances, not wanting them to get involved and get hurt. This man looked tough and would have no problem getting rid of two little monkeys...
But your monkeys were different.
Instead of backing down, they slowly approached the man aggressively on all fours. Their tails were dangerously swaying behind them as they snarled at him... While they could tolerate the presence of customers in most cases, this was one of the few cases where they really were just out to murder. All they needed was an opening...
Wukong then seemingly stopped snarling for a moment as he whispered something extremely quietly, to which Macaque nodded. While Macaque continued to aggressively approach the man, his brother gave the man one last glare before running up to you instead, launching himself at you. Startled, you stumbled back a bit as he jumps at you. And with seemingly extreme strength, he managed to knock you down to the ground behind your stall. Your stall obscured your vision of the man and your other monkey. You groaned a bit in pain before you looked at the ginger-furred monkey, who just smiled at you with a love-struck gaze. He didn't attack you or anything, his tail just swayed happily as he nuzzled you. You, of course, were confused by his sudden mood change. "Why did you tackle me-"
Then, you heard a scream from the man for just a split second before the other monkey's snarling suddenly stopped. Everything was silent. Suspicious and confused, you held the ginger-furred monkey against your chest while he continued to happily nuzzle into you. You then stood back up and looked towards the front of your stall... The man was gone. But the dark-furred monkey was still there, sitting contently like a good boy where the man once was. His tail happily swayed behind him as well as if nothing ever happened just now...
The man's decomposing body was found hanging from a tree by his own guts in the forest a few days later. According to those who found his corpse, his body was completely mangled. His face was seemingly ripped or mauled off, displaying his skull with his eyes missing. His rib cage seemed to have been crushed and his abdomen was torn wide open. Part of his organs were missing, and a single bloody peach was found buried inside the body. His tongue was ripped off and literally stuffed down his throat, as if it were there to tell him to forever keep quiet... Not to mention all his broken bones that were not just simply snapped, but crushed into pieces. The entire scene was extremely horrifying for those that saw his remains. Some sort of brutal demon must've killed him. Yet the reasons were unknown as to why this man would be murdered in such a gruesome way... What did the man think in his last moments? Was he immediately dead or was he tortured alive? The people of the village seemed to mentally point their fingers in your direction, however. Especially due to how you were one of the last people they saw him with.
That was just one of the strange happenings surrounding you and your monkey companions.
Something else the villagers noticed was the other rather recent murder cases looked similar, though less brutal. Whoever, or whatever, killed the other people also killed this man. But the other victims usually only had their abdomens be ripped open and their organs ripped out, for whatever reason... Though, they all were found with a single bloody peach inside them.
And of course, villagers kept you in mind as a major suspect. Which was sort of understandable since all those people were people who basically told you to get lost and fuck off, telling you that you don't belong in their community. The more people suspected you to be at least involve in the serial murders, the less people would stop by your berry stall. Which in turn made you feel sad and confused... Did you do something wrong?
Your two little monkeys noticed your guilt and self-doubt creeping in, and they didn't like seeing you beat yourself like this over whatever those other humans thought of you.
Thus, they decided now was the time to make themselves known and 'save' you from this unworthy village.
And what better way than to go out with a bang?
So, they decided to help 'sell' some berry bags personally and directly. They packed them up themselves again and snuck into peoples' houses, taking some of their coins and leaving a bag of berries everywhere they went. The two of them were extremely helpful. They came back to you with coins everytime, so you assumed they managed to sell their little bags to happy customers. All would be fine again soon...
...At least, that's what you had hoped.
News spread fast in the village.
A death was reported in the east.
Another further north.
Few more in the west.
The southern area seemed to have multiple dead people already...
People were dropping dead like flies everywhere within the span of just a single day...
The entire panic rising within the village only seemed to enhance your uneasiness as well. You were mostly outside around your stall after all... What if this so called serial killer found you? Or perhaps there was a deadly virus going around and you shouldn't even be outside in the first place...
You held your monkeys close in worry as you feared for their and your own safety, standing behind your stall once more. While you were feeling uneasy, your monkey companions only seemed all too happy and content with no care in the world as you let them nuzzle into you with cute little chirps. Sighing, you looked at all the berries you still haven't managed to sell. Feeling a little hungry, you decided to eat a few of the berries you had. After taking one of the berry bags the monkeys had packed, you grabbed a few of the berries and were about to eat them.
Suddenly, the ginger-furred one stopped you by quickly switching from clinging onto your chest to clinging onto the arm that was holding the berries, stretching his body from your arm up to your hand to clasp his own little hands around it, keeping you from eating the berry. He looked at you with seemingly slightly concerned eyes, shaking his head as he let out quiet noises, which sounded like he was begging you not to eat them. It was strange how strong this little monkey actually was... His tiny hands were preventing you from even opening your hand. The dark-furred monkey also seemed to join in on stopping you from consuming those berries as he nuzzles into your neck, wrapping his tail around the arm that's holding the bag. The sight must've looked funny to others if they were passing by, to be honest.
Confused, you decide to just listen to the monkeys and not eat the berries... Maybe they were just upset that you'd wanna unpack and eat the berries they had so nicely packed for customers earlier. Which would make sense.
Another day had passed and...
Where was everyone?
You set up your bags at your stall and were patiently waiting for someone, anyone, to even just walk past. However, everything was silent for a few hours. Dead silent for a village that had a bunch of gossip going around. Not even your monkey companions were following you this morning, oddly enough. This only added to your fear since those little guys were like your comfort pets.
Another hour passed and finally some sound was heard in the distance. Were those... screams?
Now more on edge than ever, you decided that maybe you should sit this day out on trying to sell... You didn't exactly want to lose your life to some massacre or virus after all. A bit panicked by the scream, you quickly tried to pack up the little berry bags into a basket. But as you were starting to pack up, you could hear a male voice fake coughing to grab your attention. Startled by the sudden noise after all the dead silence, you almost dropped one bag before you turned to face the person in front of your stall... Or, uh... Monkey...?
This dark-furred monkey seemed familiar... Maybe he was related to one of your little monkey friends?
He smirked at you as he leaned against the stall, his tail swaying slowly behind him. "Hey there, sugarplum. Did I arrive a bit too late? My brother and I heard you sell delicious berries here."
You waved your hand dismissively, nervous as you never had a monkey, or rather a demon in this case, being a customer. The nickname was also making you a little nervous, but maybe he was just one of those people who give everyone they see nicknames. "Oh- No, no- You're not late- I just... Didn't think I would get any customers today..."
He leaned in a bit closer to you. "Oh? Why's that? Aren't your berries said to be the best in this village though?"
"Uh, well... Yes, but usually some customers would've already bought some at this time in the day... But you'd be my first customer today." You admitted sheepishly. He only seemed to grin... You didn't know he could hear your anxious heartbeat. He knew you didn't exactly feel safe. But you were still trying to be calm and polite towards even a dangerous-looking demon him. Which he found cute. That's when his ear twitched as he heard something you couldn't hear, making his grin turn into a more... seductive one.
"I'm actually not here to buy any of those bags you're offering. I am interested in one specific berry from your stall, however."
You blinked at him in confusion. "...What berry? They're all pretty much the same?"
"Not all of them." He responded. The simian chuckled as he looked at you with intent. "There's one berry my brother and I have been keeping a close eye on for quite a while now, and we want to claim that berry for ourselves... It simply sticks out. Just like a delicious peach amongst a bunch of mediocre berries. My brother's words, not mine. But I do have to agree with him on this one." He then leaned in a little closer to you, still giving you this sort of seductive grin. "And as an honorable and kind merchant, surely you would love to fulfill a customer's simple request... Right?"
His deep voice made him sound so smooth, but his words and the way he said them also just sounded... Off... This was not a regular exchange for food, that much you could tell. But before you could reply, you heard another voice coming from behind you. "Well, well, well... How's business? Did I miss anything, Macaque?" You turned around in shock, noticing a ginger-furred simian behind you. Some sort of red and gold staff is held loosely on his shoulder as he smirked. Though, the thing that set you off the most were the clear blood spots on his fur, his clothes, and especially on one side of his staff...
"Nah, you didn't miss a thing. I was just mentioning what we wanted to 'buy'." Macaque responded with a shrug as he leaned back a bit, though still resting with his arms on the stall's counter.
They could clearly tell you were scared. And of course, as your beloved monkeys, they wanted to make you feel as comfortable around them as possible. So, maybe a little bit of an introduction would make things easier. The ginger-furred monkey raised his free hand with a little wave, smiling kindly as if he didn't just murder humans a few minutes ago. "Hey, peaches! My name is Sun Wukong. Legendary Monkey King and Great Sage Equal To Heaven! Also strongest demon you'll ever see as well as the most sexy monkey in existence- Aaaanyway, this is my sworn brother, and second-in-command, the Six-Eared Macaque." He said to break the ice, gesturing towards the dark-furred monkey as well.
"Just call me Macaque. And him Wukong." Macaque added with a bit of a shrugging hand motion. Then he moves his hand just enough to point towards his brother with a taunting, shit-eating grin. "It's much easier than Six-Eared Macaque and whatever the fuck long ass title Wukong decided to give himself." He grins smugly, to which Wukong huffs in a rather arrogant way.
"Well, excuse me for having achieved more in life than you." Wukong retorted.
"Great Sage Equal To Heaven was not an achievement if you practically begged for it."
"But Warlord was."
"You didn't even name that title in your introduction though??"
"I didn't wanna make them feel more anxious than they already are, okay??"
"And since when are you the most sexy monkey in existence?? That's bullshit and you know it."
"Hey! That title may be a tiny bit opinion-based, but it is an accurate description of me."
"Could you stop letting your ego go to your head for like five minutes? I'm still the brains in this duo. And the brain doesn't need the muscle's ego surrounding it."
"...Okay, now this is getting fucking personal, you goddamn hypocrite-"
To be honest, you weren't exactly scared at this moment anymore, just confused and uncomfortable due to them arguing and practically being so close to just claw at each other's throats over petty titles. Macaque rolled his eyes at Wukong before turning back to you, trying to get back on topic to avoid Wukong getting pissed at him over nothing again. "So about that 'peach amongst berries' talk-" Suddenly, Wukong quickly wrapped an arm around you, pulling you against his blood-stained armor with a grin. His annoyed mood immediately flipped like a switch to a more love-struck one again.
"Oh? Did our peaches agree? Was my pick-up line enough to convince them~? Did you tell them about the real us yet?" He hummed. You grimaced a bit in discomfort at him suddenly touching you so casually. Especially because you could tell he reeked of death... Was... Was he the one who killed those people...? The more you thought about it, the more connections clicked in your mind... The peach references, the way people described the latest murder of the man who yelled at you, the fact that for some reason it's all connected to literal demon monkeys...
Your heartbeat rose up, making Macaque smirk. "Well, not verbally... But I think they're starting to understand what's happening on their own. What a smart human we've picked!"
"Y-You- Wh- Wait what-" You stammered out in shock, definitely now more scared than ever before. Wukong quickly picked you up into his arms after making his staff seemingly disappear into thin air. His strength was no joke either as he clearly didn't struggle at all in holding you. His tail was happily moving behind him in excitement.
"C'mon, Macaque. We got what we came here for." Wukong stated as he walked a bit further away from your stall. You attempted to escape by trying to move out of his grip, but despite barely even gripping onto you, you were simply just flailing around a bit, clearly unable to escape your cage that were his arms. He simply ignored your attempt at an escape as he smiled contently, giving you a very familiar love-struck look...
That reminded you of your little monkey companions. Your heartbeat spiked and Macaque took notice. He raised an eyebrow at you in confusion because your heartbeat didn't change much since you started flailing in Wukong's arms. "Is something wrong, (Y/N)?"
You stopped in shock, looking at the dark-furred monkey with wide eyes. "W-Wh... H-How do you know my name?"
Ah. Right, right. You didn't know yet.
Macaque chuckled as he cupped your cheek with you still in his brother's arms. "Well, you see... We sorta picked up your name during the weeks, or I guess months at this point, when we were helping you around the village. You know, packing up berries and all that... We even made sure the latest batches had the freshest type of toxin for the best quality!" He grinned maliciously as he crossed his arms. Your mouth hung agape in shock as some tears gathered in your eyes...
"You... Y-You were those two monkeys...?" You asked quietly in disbelief... All those deaths... If they put those toxic berries in the bags you were paid for... Didn't that automatically make you a form of accomplice in their schemes? And you got paid for basically allowing them to kill all these people. You started to sob, "...Oh my god... No, no, no... This- T-This can't be- I-I would never h-help... kill- I-I d-didn't mean t-to-"
Wukong then leaned his head down a bit to kiss your forehead with a faint blush and a soft smile. "Shhh... It's fine, peaches. Don't cry. You can just put all the blame on us if that helps." He said quietly, trying to sound comforting. The warlord clearly didn't care about all the dead people, he only cared about wanting to see you smile. He summoned some form of cloud and hopped onto it with you still trapped in his arms. Then he gave his second-in-command a malicious grin. "Macaque, I'll take them home. Sweep through the village one last time. If anyone is still alive, you know what to do."
Macaque returned his own malicious grin as he bowed a little. And with his bow, a shadow-like portal opened up beneath him, swallowing him into the ground. Meanwhile, you could only helplessly watch as Wukong made his cloud fly high up into the skies at pretty high speeds. If you managed to escape his grasp now, you would just be dead. Looking back towards your village, you could see bodies lying outside, most had no blood as they probably died to the berries, but some were clearly attacked earlier by Wukong... You also witnessed houses collapsing within giant flames...
Even the sky above the village itself seemed to look doomed from afar...
You could even still see another human begging for help before being tortured by Macaque's shadows...
You were just silently crying as Wukong took you away to Flower Fruit Mountain, which would soon become your new home. Whether you would like it or not. You were theirs now. And it all simply started with some small berries...
If only you had known that even the littlest of things could snowball you down to hell.
[ Masterlist ]
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diminuel · 5 days ago
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Someone is posting ur beautiful art on TikTok!! I hate confrontation so I just scroll away so they don't get engagemet but the description pissed me off like they drew it themselves \\٩(๑`^´๑)۶// evill truly evil.
I love ur art it truly makes my day better I hope you know that ur amazing all the loveee in the world fr (。・//ε//・。)
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Yeah. It's so annoying at this point. I started adding my name because of reposters like them and they just crop it out.
I know this is maybe mean but I put a post up on twitter (where I assume they are taking my comics from) naming them and asking them to stop reposting without credit.
I just don't know what else to do since I don't have a TikTok account and it doesn't let me report them without it.
It's not even like I'm making any unreasonable demands by wanting them to at least credit me. They are translating my work without asking for permission, posting it without signalling that this wasn't made by them (does the average TikTok user know that? I assume, some asks for the artist but most don't seem to care because it's just about consumption isn't it...?), and even cropping out my signature? They would rather tear a comic page apart and post it panel by panel than leave my signature in? Ridiculous. :/
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buginacup · 1 month ago
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I just played through essentially all of what was available in the playtest, and as someone who IMMEDIATELY loved Collarva (which I believe you said you worked on?) on sight in both moves and visual design (I LOVE that wiped pose out in the field of pulling down their silk hoodie, and using hunker/grit is just kind of insane tbh) I'm curious what parts exactly you worked on (I don't even know if you got to work on its not-evolutions [metamorphs?] tbh) Also, any favorite beasties of yours that were in the Playtest?
I did the whole metamorph line! There was a while in development where we could pitch beasties that matched roles we were looking to fill, rather than what we do otherwise where we turn an extant concept (created by Greg or Alexis) into a design. The ones from the pitching period often had the same artist throughout, though I'd say even with the concept beasties it often worked out that way!
(Not to mention we often gave feedback to one another in the design process! Nobody is working entirely alone.)
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I pitched these all at once!
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We weren't super satisfied with the face of Collarva so I did a few iterative takes on new directions we could take them. As you might tell we wound up going for something around B!
With Collarva->Plumask they were looking for an early game lepidopteran (butterfly/moth) and I'm the go-to bug girl. There are a lot of moths and butterflies in monster games (bugs are the origins of the genre nobody is surprised) and I wanted to represent a type of moth that hadn't gotten much love yet. Plume moths are dusty looking creatures that don't look like they should be able to fly at a glance, it pulled me towards making something eerie and ghostly!
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Image source here.
I don't want to color anyone's read of the line too much, but my general overarching theme was about picking up various personas/behaviors/aspects like a mossy rock until you find yourself as an adult and shed what you don't need. Both Axolati and Collarva are pulling from my teenage theatre kid life, uhuhu.
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You can actually see the concept art for most beasties in the Beastiepedia under Morphology->Visual Studies. It even lists concept artists and sprite artists! (Research is concept/pose work and Videography refers to their in-game sprite and animation based off those poses)
In terms of mechanics/design we often don't have too much direct say. Since the color palette is often relevant we typically know what types of moves they'll specialize in. In my experience I'll pitch a concept and then give a narrative/emotional description that they use to inform stats/moves/etc. There are maybe one or two times where I lent a hand with stats/moves but I don't have a ton of time to play the game outside of work so I was always a bit too behind on the meta to contribute much, personally.
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Yueffowl and Collarva are both favorites of mine! There are three or four beasties/beastie lines that are my precious babies and they're both included. They're among the ones where I really felt the most like I was expressing myself in the design. They definitely feel like designs I'll be remembered for.
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hamliet · 10 months ago
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Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories
As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.
And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.
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No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.
Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.
Critique of the Church, with Caveats
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The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).
God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.
Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.
(Which is kind of why I'm expecting Adam to wake up in hell next season...)
Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.
But what sends people to hell or heaven anyways?
Eschatology and Atonement Theory
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Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."
See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:
Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.
And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.
And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).
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But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.
Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."
Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)
So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.
Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.
Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?
Love. After all, God is love (1 John 4:8).
Charlie is Jesus
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"Why would you endanger your immortal life for these sinners?" 
Adam, the absolute worst, says the above to Charlie in the finale.
I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:
"They're my family!"
In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.
In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.
Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.
Angel Dust
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Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.
Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.
But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."
In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...
And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).
I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).
Closing Thoughts
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But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.
It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.
But, y'know, Jesus was pretty scandalous too.
So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.
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pien-art · 1 year ago
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-FAQ-
Hello! I've gained a whole bunch of followers lately and I've been getting a lot of questions about commissions, what my setup is, what brushes I use, etc, so I thought I'd make a post about it to answer everyone's questions at once !
Putting them under the cut <3
Commissions:
Commission prices are listed in my pinned post. You can send me a private message about your commission idea and we can get to talking :) It is helpful to have enough references handy (character, outfit, descriptions etc)
I am generally a fast drawer but I also have a job and a physical disability so there might be moments I can't work on your commission. But that is never longer than a few days at most.
Payment is upfront, the full amount and via paypal only. I know this might seem a bit scary but unfortunately there are a lot of people who end up not paying for commissions and I want to avoid that.
During the process I will send you frequent updates and will ask for input, to see if it is going in the direction you want. You can ask for changes during the sketching progress but once I've started on line-art and coloring, no big changes will happen. (You can for example ask for a different color for a shirt etc, but not for a different prop or pose or expression)
When it is completed, I will send the drawing to you via email. The drawing will remain mine and it is not to be sold or profited of by the person who commissioned me. If the commission is for something commercial/for selling, that needs to be discussed. I prefer to do drawings only for personal use!
For more questions, my dms/asks are open :)
How long have I been doing digital art:
I've been drawing digitally for about 5 years now i think? But before that I've been drawing and painting traditionally literally since the moment I could pick up a pencil.
Set-up:
It's just me and my ipad and apple pencil laying on my bed. I wouldn't even know where to begin for those whole multi-monitor/screen setups ;-; I draw only with Procreate
Brushes:
I tend to play with different brushes from time to time to get different textures, but generally i use the same few for most of my drawings/styles. My favorite one is the Peppermint Brush, for sketching. I use it in every drawing i make! I always sketch with it, and often do the line-art with it as well! And it makes for a nice textured brush for rendering as well! (i used it for a lot of rendering of the armor in this drawing)
The (procreate) brushes i use a lot are
for medieval style: inking - Ink Bleed (for line-art) artistic - Quoll (for coloring)
for general style: calligraphy - Chalk (coloring/rendering) sketching - Peppermint (line-art/sketching)
for realism: calligraphy - Shale Brush (full rendering) Also using the shale brush for smudging and erasing when drawing realistic
for lineart: smooth pencil from this pack by Heygiudi
How/why do you choose a base color:
I tend to look at a few different things when deciding on a base color/color palette.
the overall color of the reference pic
the color i associate with who or what i am drawing
the feeling/vibe i want to give off with that drawing
color has a BIG impact on the vibe of a drawing, so it is something i keep in mind when im drawing.
Using a color as a base to start, helps a lot with my drawing process. It helps me pick out other colors so they match better. It helps me get light/dark values right. And the chalk brush i use, has gaps between the strokes, so the base color will always come through a little. Having the same color come through in the entire drawing, helps pull all the colors together if that makes sense? I always start with a solid base color when i am painting traditionally as well!
Advice:
PRACTICE!!! just keep drawing and practice. I know this is such generic advice but truly practice is The Way. Learn from other artists but don't compare yourself to them. Everyone's artistic journey is different and there's no "good" or "bad". And most importantly make sure that you have fun when you're making stuff :3
I also learn a lot by studying art I admire and love. Figuring out what it is I like about it. (for example, the line thickness or the shapes or texture etc), and try to incorporate that in my own style in a way that is not directly copying or stealing.
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erinwantstowrite · 5 months ago
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Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333
Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.
How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?
Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!
I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.
Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.
As for the question: I definitely am willing to share what my writing process looks like!
Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha
(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))
I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)
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My writing process is, as described by alighterwood:
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I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.
Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.
In another ask, startupkat asked me this:
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And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.
I write a truly insane amount of outlines in this notebook.
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This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.
Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.
Fic outlines and Chapter outlines look a lot alike.
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This is what I said in the other ask, but I didn't elaborate on it all the way.
I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.
Really simple example:
Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.
Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)
When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:
Needed to have:
More POV's from universe 1299 (Peter's home universe)
Tony's POV more specifically, how he's doing/feeling, what he's figured out
What they've figured out on 1299 side vs what's going on in 1300 (Gotham)
Explaining more about Peter's trauma/his past
Dick learning more about Peter, and vise versa
Wanted to have:
Ned being a more central character
Natasha :)
Loki being a little shit
Tony and Cap bickering
Peter talking to Nightwing again
The last name Grayson
Gymnastics!!
(This is the shortened list, because the chapters are so long)
When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.
I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.
That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):
scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.
scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.
scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."
scene 4- Nightwing and Peter.
Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.
Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.
I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.
As for other forms of organization:
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Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!
As for foreshadowing and plot points, I'll let you in on yet another secret:
Your subconscious is doing a lot more than you think it is.
Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"
Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?
Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.
My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.
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And sometimes, it's very purposeful. :)
I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear
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