#shoutout to the monster high + ever after high creators who made these i love you

[starstruckodysseys]

you kids and your newfangled “character playlists.” back in my day we just had “songs i associate with [franchise] characters” videos on youtube. and we were HAPPY

[chroniclerdl]

Seven Fundamentals to Writing Better Yu-Gi-Oh Duelfics

Ever wanted to write a duelfic just as good or better than canon?

Done right, duels are memorable action scenes.

Done wrong, duels shatter the suspension of disbelief. It’s already a big ask to imagine the world revolving around a card game.

You don’t want the tragedy where your readers yank the scrollbar past your duel, or worse, close your tab. Even the small pool of duelfic readers/writers like me will skip huge chunks of your chapters when the duels sag.

By implementing basic storytelling techniques tailored to dueling, you can hook your readers into following the play-by-play.

High Stakes

Consistent Rules

Sneaks Checked

“Balanced” Gameplay

Foreshadowing Victory

Engaging Description

Dramatic Tension

1. High Stakes

When you advertise your story as a duelfic, your first duel tells readers whether or not what you wrote is worth their time.

If your characters duel without a concrete reason to rip the opponent’s throat, readers already know the outcome:

You lose.

Why? The game is pointless. Who’s dropping whatever they’re doing just to read the equivalent of your characters sipping afternoon tea? If you’re introducing the setting and characters, why can’t you introduce exciting threats?

No reader expects your first duel to decide the fate of the world, but your characters still need to bet.

Characters wager life chips.

If your character loses, they suffer death or suicide-inducing despair.

Is it too much to start with life-and-death? No. Think of the life chip as the culmination of hopes and dreams.

As the story progresses, the stakes will rise, must rise. How? Others will entrust the main characters with their own life chips, and/or the life chips acquire additional meaning. Consider this loose analogy: at the end of a poker tournament, gamblers sit at the final table with stacks built from the chips of others.

Life chips mean different things to different characters. Let’s take the Duelist Kingdom arc.

Yugi’s life chip is the hope to save his grandfather (and later, his own soul)

Joey’s life chip is the hope to win the prize money to fund his sister’s medical operation

Kaiba’s life chip is the hope to save his little brother (and later, his own soul)

You don’t even need your final showdown to revolve around the fate of world; it just has to be one or more things that matter to your characters.

Also, make sure to communicate the stakes, or why the characters accept uneven bets.

If you have the chops, you can also play around with disguising the stakes. As in, your character thinks they’re wagering something small, but it’s actually their life chip. However, your readers still need a vague reason to believe that a defeat will devour the character.

Always make sure the characters stake one or more life chips!

2. Consistent Rules

If you watched the Duelist Kingdom arc and tried to understand the moves everyone made, your head exploded.

Ask yourself: will the clever scheme that your hero invented drive readers crazy?

If I write a magic system that requires a wand, this applies to all. I cannot become a genius and suddenly wave my hands to cast magic.

Demonstrate the rules early, preferably in the first duel, and keep them sacred.

If you must make an exception, establish it early. In that case, the exception becomes a well-defined branch of the rules that the readers can anticipate.

Can the players magically draw the card they need, whenever they want?

If you can establish the when and why, by all means. The readers proceed with the understanding that the players can reach into their deck like a glorified toolbox.

For example, Duel Links has a concept called “skills” that function like a player’s special ability. At the time I wrote this, Yami Yugi’s “Destiny Draw” skill lets the player take any card from their deck once per duel after losing 2000LP (and even if they stacked the top of the deck earlier!).

Card should also have the same, predictable effect. If the card prevents attacks, I doubt the text discusses physical properties or mentions holding things in the air. But you knew that, right?

The rules are the laws of the universe.

3. Sneaks Checked

I love duels. I also love getting what I want.

Why does getting what I want have to be through a duel?

If we talk, maybe we can come to an agreement. If I blackmail you, maybe you’ll give in to my demands. If I shoot you, I can loot your corpse. Give the readers a good reason as to why your characters would bother with the hassle of honest dueling and can’t wiggle from the consequences of losing.

Often, the duel takes place in the context of a tournament. Hopefully, the tournament officials are keeping a good eye on the players and cracking down on cheaters.

However, even that’s not a guarantee. What’s the key concept?

Power.

The competitors have equivalent capacity for coercion (usually violence) or have a neutral referee presiding over the match with the most capacity for coercion (shoutout to gambling manga Usogui).

Anyone who enters a game otherwise has lost before the first move.

In Yu-Gi-Oh, magical and sci-fi enforcement are common. The Shadow Realm can trap the loser in a desolate hell. In a digital world, the loser suffers deletion. Or just have good tournament officials.

Be vigilant when your duel doesn’t call upon these tropes.

Your amoral characters won’t mind blindsiding your other characters, and they won’t mind blindsiding you with a plot hole.

If you’re not careful, the readers will ask you why they played uncharacteristically fair.

4. “Balanced” Gameplay

Duels should be fair and fun…for the villain.

Ostensibly, everyone plays a balanced game, designed to give both sides a sporting chance. In reality, the villain tilts the field to their favor with one or more tricks up their sleeves. Why would your villain ever fight fair?

But that’s fine. We love rooting for the underdog and watching the villain get their comeuppance.

Overpowered ability to let the villain read minds? Deck full of unbalanced cards that makes the villain’s monsters invincible with no drawback? Creator who knows every strategy in the game? Readers will turn the page as they wonder how the hero will prevail.

The more obstacles you can throw in the hero’s way, the better.

Got custom cards? No problem, just follow a couple guidelines. After all, some duelists are more equal than others.

The hero’s deck is full of regular cards that have a cost to use. For every play they want to make, their cards insist that they give up their attack, discard to play, etc.

The villain’s deck is full of rare cards that power up their game for free. So long as you can justify why the card made it to print, the villain can play whatever they want.

For every step your hero takes, the villain gets two.

5. Foreshadowing Victory

How many times have you watched a duel where the protagonist comes up with this never-before-seen card that does exactly what the protagonist needs to clinch the win? In the final showdown, no less? It’s like the writers begged to be called amateurs and idiots.

No other genre tolerates such laziness.

However, readers don’t want an infodump of the characters’ decks. Show the cards in action. To cover the deck, you'll probably need multiple duels.

This also implies you have more freedom in how your character defeats their early opponents in the duelfic.

Does that previous statement contradict what I said about never-before-seen cards clinching the win as the mark of laziness? No, because here’s the rule:

Tolerance for the hero’s new cards decreases as the story progresses.

(Notice that I specify the hero’s new cards; your villains exist to make life harder by inventing unfair tricks.)

When you must include new cards for the hero late in the duelfic, at least find a way to make them first backfire.

Now, some writers have lots of knowledge about the card pool and metagame. Can they assume the readers a priori know the hero has access to any of the available cards in a given archetype?

I’d err on the side of caution and properly foreshadow the cards before they appear late in the duelfic. Not every reader is a walking card database. They have no reason to assume something exists unless you show the card.

Take the tolerance rule into consideration when planning your duels. If you know the awesome combo you want to use for the final turn in the duelfic climax, that’s your cue to scatter the cards into the earlier duels.

Plan the last duel first and your early duels last.

6. Description

Every reader wants a front-row seat to the action.

They’re paying you their time, so make it worth the admission: sleek combatants & budget-busting fights. Kaiba invented Solid Vision technology for a reason, so help readers envision your duels.

Who’s fighting? Describe the point-of-view’s impression of the monsters’ appearances. Red-Eyes Black Dragon should be self-explanatory.

What about a decorated monster like Time Wizard?

You could go into detail about how the red clock humanoid has yellow gears that form epaulets and purple, pointy boots and a green mustache made from clock hands and so on, but such a level of minutiae bogs pacing and invites skimming.

Readers just need to hear about a purple-caped, red clock humanoid with a wand to form an image. Their imaginations can handle the little details.

Paint appearances in broad strokes and one or two brief sentences.

How are the monsters fighting? Duel Monsters is a game where the target takes the aggressor’s attack like a champ. That doesn’t mean you can’t spice it up.

For example, my opponent’s dragon attacks my weaker knight with a fireball. My knight, interested in not dying, raises his shield. Unfortunately, he screams as the flames engulf him.

You wouldn’t just stand still with a straight face if someone armed with a knife lunged for your gut.

A fight scene is a string of action and reaction.

Most people also experience life in more senses than just sight.

A dragon’s fireball is a bright reddish-orange, hot, dries the air, smoky, and explodes with a boom on impact. I never tasted a fireball, and I hope I never do, but that’s still four senses: sight, touch, smell, and sound.

Include multiple sensory details.

Let’s spare a moment to talk about the heads-up display (HUD).

In Yu-Gi-Oh, cards have multiple stats and abilities. You’re free to mention whatever you deem necessary. No set formula exists. On one extreme, you can mention nothing to keep the narrative clean at the risk of confusing the readers. At the other extreme, infodumps about the monster’s abilities provide great detail but wreck the pacing. But there’s a cozy middle.

State only what you need from the card.

If your duels occurred before the era of Synchro, you don’t need details about levels. You can just display the basic stats to determine the stronger monster. If a deck has Pendulum monsters, just mention the scale numbers when they're played as scales. And so on.

You can also make an index of new cards at the end of a chapter.

BONUS TIP! Understanding show, don’t tell.

What is show, don’t tell? At its core, this concept refers to immersing your readers in the senses and feelings instead of exposition. Unfortunately, that definition is a bit vague to execute. After writing for a while, I had my lightbulb moment.

Don’t TELL the readers how to think or force-feed them a conclusion.

SHOW your readers the evidence.

Here’s a written example from Joey vs. Rex in Duelist Kingdom. See if you can spot what makes this prose telling instead of showing.

“Joey watched nervously as Two-Headed King Rex stomped Baby Dragon. He messed up his Baby Dragon-Time Wizard combo!”

You can see two failures: “nervously” and the second sentence.

Adverbs like “nervously” and other “-ly” friends get a bad rep because rookies tend to use them as telling crutches (especially beware adverbs after dialogue tags!). “Nervously” tells me how Joey reacts. But what does “nervously” look like? One character might bite their thumb. Another might fidget in their seat. The adverb in this context lacks nuance.

We also have the second sentence: “He messed up his Baby Dragon-Time Wizard combo!” When you’re explaining the “why” to something, you’re telling. It’s like talking down to your readers.

Contrast with the next example.

“A bead of sweat rolled off Joey’s face as Two-Headed King Rex stomped Baby Dragon. He stared at the Time Wizard in his hand.”

The first sentence shows me Joey’s physical reaction. I see him sweating, so I think he’s nervous.

We also see a second physical reaction: “He stared at the Time Wizard in his hand.” This comes on the heels of the first sentence, and I also have knowledge of when Joey used the Baby Dragon-Time Wizard combo in a prior duel. Combined, I think Joey is ruminating about a missed chance.

Readers are smart; they’ll catch your intention if you show the proof.

7. Dramatic Tension

I bet you know what it's like to draw a bad hand.

Imagine: The hero staggers into the arena, and the villain just needs to win one duel to take over the world. The villain draws a bunch of powerups with no monster, but the hero draws a one-turn-kill combo.

Anticlimactic. The readers throw that duelfic straight into the trash.

Don’t just write real-life duels. “It really happened” doesn’t mean it’s emotionally satisfying.

That’s why we have literary structure.

Success and setback pace together with progressive intensity to maximize dramatic tension and emotional payoff.

I’ll spare the nitty-gritty theory detail, but your duels should look like this on a basic level:

Part 1: Villain’s basic threats. Introduces the villain’s deck and style.

Part 2: Villain’s minor strategy. The villain’s first serious attempt to defeat the hero.

Part 3: Villain’s major strategy. The hero’s reversal! But the villain has worse in store.

Part 4: Hero’s imminent defeat. The hero must break through, or else will instantly lose!

Ideally, you’re also integrating the story itself into the duel; themes and duels synergize to create a stronger effect.

You may notice how the format resembles the three-act structure.

Act I is Part 1

Act II until the Act II midpoint is Part 2

Act II midpoint until Act III is Part 3

Act III is part 4.

I’ll use Yugi/Pharaoh vs. Pegasus in Duelist Kingdom as an example.

Part 1: Mind scan. Pegasus can read minds to counter combos.

Part 2: Toon World. Indestructible, cartoonified monsters attack.

Part 3: Shadow game. Toons destroyed! But playing a shadow game weakens Yugi.

Part 4: Yugi passes out. The Pharaoh must find a new way to stop Pegasus’s mind scan!

Figure out each part of the structure for your duels before writing the turn-by-turn plays.

By the way, modern real-life Yu-Gi-Oh duels don’t suit drama because the rules provide weak constraints to creating strong boards. A good modern deck usually establishes a scary turn one board and jumps straight into Part 4, whereas other card games like Magic: The Gathering and Hearthstone force the powerhouse cards to wait several turns until the player builds the mana to pay costs.

You can still write a good modern duel. Here’s a basic outline of Arc-V’s duel between Sora and Shay. Technically, “tragedy” is the structure of this duel, so I’ll make Shay the “hero” to flip it and keep matters simplified.

Part 1: Basic monsters. These clash before a monster appears from the Extra Deck.

Part 2: Frightfurs. They come one after another to crush Shay’s Raidraptors.

Part 3: Sora’s wrath. Rise Falcon survives! But Sora’s malevolent nature comes to light.

Part 4: Frightfur Chimera. Sora chomps candy and summons his biggest fusion horror!

If following the four parts is too difficult for you, that’s okay. They're just logical extensions of one basic concept. Keep the following in mind, and you’ll never go wrong:

The villain’s subsequent threats become increasingly overwhelming.

Conclusion

Much of writing a duel boils down to storytelling technique.

Let’s tl;dr the main takeaways.

High Stakes: Minimum ante is the life chip, worth a character’s hopes and dreams.

Consistent Rules: Everyone plays by the same logic.

Sneaks Checked: Characters can’t skip the duels with violence and coercion.

“Balanced” Gameplay: Villains enjoy advantages.

Foreshadowing Victory: Readers have a chance to predict the winning combo.

Engaging Description: Immerse senses and invite reactions.

Dramatic Tension: The villain makes progressively stronger threats.

As a duelfic reader/writer, I can gauge a writer's ability by measuring their duels with the fundamentals. Many fan writers struggle; even the canon writers struggle.

But writing a duelfic isn’t rocket science. With practice, minding the fundamentals will become second nature.

And don't forget to tag your story as a duelfic. It's a whole genre in fanfic, so sort it properly and help readers from the future find you.

May the heart of the cards be with you.

…

Want to see in-depth examples of my advice? I rewrote the Orichalcos arc to reimagine its untapped potential without the failures of the canon presentation. You can find it on FFnet and AO3.

[stealing-jasons-job]

Fic updates & timeline 🥰

Here is my current prompt list and potential timeline. 

I’m currently participating in the @t100fic-for-blm initiative, and I am working through those prompts in the order I’ve received them. I appreciate all of you guys being patient (especially with my WIPs that have taken a backseat for the initiative), and I’m excited for what’s coming down the pipeline! At the moment, I am not accepting new prompts until I can work through this list. <3 

The rest is under the cut, but here is an up-to-date look at my fic list: 

Current ongoing projects

Upcoming fics 

WIPS I swear I haven’t abandoned 

Current ongoing projects

Wreck Jroth Club Fic Collab 

Would you choose the end of war and suffering in your own lifetime if it meant the end of every other universe, too—including ones where you, your friends, and your family are happy and at peace?

Or, the S7 finale rewrite where Clarke experiences some of these other lifetimes and makes the ultimate choice of whether or not the end of suffering in her own reality is worth sacrificing infinite others where things might have gone differently.

An angsty fic collab where different writers from the Bellarke fandom write different chapters as part of an overarching story. Each intro is written by me, as well as the first chapter, last chapter, and a few sprinkled in the middle. Follow @wreck-jroth-club for updates! 

Bellarke Big Bang - Find me in the light 

While I can’t unveil the premise just yet, I am a writer, creator, and mod alongside @animmortalist for Bellarke Big Bang 2021! First chapter will publish in June, but I’ll be working on this fic in my spare time between now and then.  Y’all, get ready for some ANGST. I haven’t been this excited about a fic in a long time. 

_______________________________

Upcoming fics 

Linctavia prompt — official title TBD

Prompted by @1munequita

Linctavia as sexually frustrated parents whose daughter continually interrupts them. 

Cross my heart - official title TBD 

Prompted by @thecspenciskillingme

Gallagher Girls AU! 

Normal 18-year-old girls graduate high school and then go off to college with their friends. Maybe they join a sorority. Hell, maybe they get a boyfriend or girlfriend and fall in love. They sleep in and skip class and stay up late with their equally normal friends.

But Clarke Griffin has never been normal.

It comes with the territory of being the daughter of two renowned spies for the CIA. Clarke had been raised to speak seven languages and be able to change her entire appearance with nothing but a pair of nail clippers and some shoe polish. She wasn't built for normal.

Angsty. Spy shit. Multi-chapter. 

I see a monster’s eyes in the mirror - official title TBD 

Prompted by @constellationbellamy 

S6/7 AU — Bellamy got nightblood in S6 when Josie took him prisoner, and Bellamy is who Slim Sheidy "takes over" in S7. Fulfilling all of our void!Bellamy dreams without the religious indoctrination ala Steve and Etherea. Also, there will finally be a reason why no one killed Slim Sheidy as soon as they realized he was back. 

Is this potentially the angstiest idea I’ve ever had? 120% But don’t worry, it’ll have a happy ending. My name is not Jason. 

Criminal Minds AU - official title TBD

Prompted by @constellationbellamy​ 

A Bellarke Criminal Minds AU. 

Song prompt: Let You Down by NF

Prompted by @edgelessness

Everyone thinks Clarke has the perfect life, including her best friend's older brother Bellamy. But that's far from the truth.

Angsty AF.

Bear Grylls AU - official title TBD 

Prompted by @slyth-princess 

A collab between myself and @writetheniteaway for Beardcave. 

Don’t expect me to fall in love with her, too - official title TBD

Prompted by @writetheniteaway

Against all odds, Steve Doucette fell in love with Bellamy Blake. And Bellamy fell for him, too. But once they start rebuilding back on Earth after the "the last war” and transcendence turns out to be a myth, Steve starts to realize exactly what Bellamy meant in the cave when he said Octavia and Clarke were the most important people in his life.

As he gets to know the blonde, he can see the deep connection that exists between her and Bellamy. They are part of each other’s souls, and Steve can’t help but admire the way they are together. He’s not going to stand in the way of their relationship, whatever it is — after all, he was raised believing you could love more than one person equally. He knows Bell loves him, and he’s okay with the knowledge that Bellamy loves Clarke, too. But just because he understands why his boyfriend loves her doesn’t mean he has plans to fall in love with her himself.

Then again, you know what they say about well-laid plans.

Angsty. Sappy. <3 The OT3 we deserve. Multi-chapter.

Two sides of a coin — official title TBD

Prompted by @sparklyfairymira

Bellarke/Jeresa crossfic for all you QotS fans! Teresa and James are trying to establish themselves in the Dallas market, but DEA agents Clarke and Bellamy are determined to not make it easy. Throughout the fic, both sides will start to understand the other a little more and learn how to coexist without sacrificing their livelihoods or their integrity.

Angsty AF. Multi-chapter.

WIPs I swear I haven’t abandoned 

Since joining the BLM initiative, my focus has shifted away from WIP updates and toward completing prompts as they come in. To be honest, I was not expecting to receive as many prompts as I have (which is amazing on so many levels), so I apologize for how long it’s been since some of my fics have been updated. 

I appreciate you all being patient, but here are the WIPs I swear I haven’t abandoned! If anyone wants to prompt chapter updates for the BLM initiative, that will help get these on the prios list sooner. But otherwise, these bad boys will still get done. Albeit more slowly.  

I'm gonna get myself back home to you 

S4/5 AU where Bellarke gets together before he goes to the Ring, and he never believes she’s really dead. Told from multiple POVs before, during, and after the Ring. 

Next update: Ch. 6 — March 2021 

Intertwining Your Soul 

Arranged marriage grounder fic. 

Next update: Ch. 12 - March 2021

Amor vincit onmia 

S7 rewrite to spite Jason. 

Next update: Ch. 2 — March 2021 

There are some things written in the stars

Timeless AU

Next update: Ch. 4 - April 2021

Choices We Make 

Greys Anatomy AU. 

Next update: Ch. 9 - April 2021 

___________________________________________________________

If you’ve made it to the end of this long-ass update post, I commend you. lol But hopefully for those of you wondering when certain things will be published or what upcoming fics you can expect from me, this provides some clarity! 

You may have noticed I took off the expected publish dates. I’m trying like hell to stick to a schedule, but I can’t make any promises and I hated letting anyone down if something didn’t get published on the expected date. 

Shoutout to my BAHSA babes for keeping me sane, thebellarkes Discord for enabling my angsty-ass fic ideas (and for prompting me for BLM to write a ton of said ideas). Forever grateful for a community of people who support my writing! 

Come hang out with me on AO3 @stealing-jasons-job or Twitter @stealjasonsjob! 

[miyoron]

Miyo’s Anime of the Decade though Actually Just 2019

***Before I start this list, I would like to continue to send out good vibes and hope to all those affected by the Kyoto Animation arson attacks this past summer. It still hurts and I hope things can get better for everyone affected by it, even though I'm sure some things will take a long time to heal, if they ever will. Just know that you will always have me wishing you the best I can and sending out hope for you to recover at your own pace.***

I like writing these things every year. Whether it lets me know if my tastes are changing or staying the same, or if I'm just sentimental, writing about things I like is fun. Anime is good and I like watching it. I watched a good amount of stuff this year even if some seasons I couldn't find anything I say would fit this list.

For example, I started watching the Symphogear series and it's fun but I wouldn't say I liked it as much as any of these shows. Anima Yell is a very cute show but I didn’t have much to say about it, same for Aggretsuko again. I liked the main characters of JoJo part 5, but I wouldn't say I liked watching that, especially as the villain was revealed more and more. Fire Force was fun for me for like 5 episodes or so but then I bailed so take that as you will.

But I don't want to sound too mean here. No, this is for stuff I liked a lot and I wanted to write about things I enjoyed. This year I actually kept track of shows I liked as opposed to figuring out what I'd go on this list at the last moment. Crazy, I know, but this could be a good idea. Don't worry, I didn't take TOO many notes so this will be pretty off the cuff of my head like normal though I'm sure. As always, I will be using whatever title is easier for me to write/preference.

With this bit of text out of the way, let's la GO!  In no particular order (as always)...

Mob Psycho 100

This entry counts for both season 1 and season 2. I kind of sped through the first one a little so I could catch up in time for the second one. I feel it stuck with me just as much though. Mob Psycho is a solid action series with very silly things going on in the background of it...and foreground honestly). I suspect ONE is very good at making this sort of series. Honestly though, every character in this show is great and there's so many feel good moments. Mob  himself is a wonderful character. The most powerful psychic force in the universe but he just wants to get buff to go out with his crush.

There's a lot to like about this series. The humor is on point and anything with Reigen is going to be hilarious, especially if it takes a while. Animation is consistently top notch, especially in season 2, and I love the psychic effects. They end up looking like an old 90's video filter or trapper keeper or something. However, the most impressive thing this series does is show that maybe fighting isn't the way to do things all the time and that the most important thing you can show isn't just sympathy, but empathy.

Mob is a really good show and both of the OVAs are fun as heck. I dunno why I originally slept on Season 1, but I'm glad I came aboard.

Kaguyasama: Love is War

You probably know this one from that one ending with the pink haired girl dancing, that was going around for a while even though it was only for one episode. This series actually took me a little bit to get into mainly due to being WAY too tired to keep up with it. The set up being that the smartest boy and girl in the most elite high school both want to ask the other out. However, being the one to ask the other out would be to give up all power and admitting defeat. Basically it's a battle of two love struck idiots trying to get the other to ask them out.

As dumb as that sounds, the setups are often hilarious. Seeing the main characters trying to out scheme each other and keep a straight face while watching is a challenge in itself. It's like that 4th dimensional chess but the end result is seeing who will hold the other's hand first. Then throw in the wild card of Chika who seems to both not know what's going on while understanding how easy it is to end up on top in these battles and...look it's very funny ok? Even if sometimes the joke is just "weiner".

Shows that made me tear up count: 1

Kemurikusa

Similar to the Kemono Friends and its big gold star award, I felt like Kemurikusa deserved a shoutout this year. It's still janky like Kemono Friends before it, but after everything that went down with that series, it was definitely telling when this was the better of the two. This is a weird series and only some of that is due to the animation. The studio does a wonderful job of making a world that's both interesting and haunting at the same time. Everything that happens all ties to a big mystery that isn't revealed for quite a while.

The characters are fun enough. From the serious Rin to the caring Ritsu. From the voracious Rinas to the dweeby Wakaba. It's a fun cast going on a road trip throughout the apocalypse as they try to find good water for their big plant friend that drives around their husk of a bus. It can get pretty dark at times even with the neon bright colors the titular kemurikusa shimmering softly in the background. Oh also there's a roomba friend and a girl with sharp teeth so I mean, it's got something for everybody.

Hitoribocchi

This series is a cute little show with a setup which is potentially mean if you think about it. Bocchi's best friend is afraid she won't ever be able to make any other friends since they're going to different middle schools. Because of this, she says they can't be friends again until she befriends everyone in her class. The biggest hurdle to this challenge being Bocchi is horribly shy and socially awkward which just makes things seemingly impossible for her to overcome. Luckily, this is a cute comedy series.

The show is basically about Bocchi trying to make new friends so she can hopefully one day reunite with her bestie from the past. As I said before though, she's kind of bad with knowing how to communicate with people so she has a bad habit of say following friend making tips she read in books or online to a t and not deviating from them. Thankfully she is able to meet with lovable weirdos like blunt Nako, pitiful Aru and ninja girl Sotoka. It's a cute little series that also has a lot of heart, especially if you've ever had to overcome your own social anxieties to interact with others before. It's also funny too so there's a bonus even.

Shows that made me tear up count: 2

Carole and Tuesday

Shhhh. Don't let Netflix know I finished this before they did. Carole and Tuesday is a fun show from the creator of Cowboy Bebop, as evidenced in the fact it takes place on Mars and uses the same currency. It's a fairly simple plot, two girls meet up one day on the streets and start playing music together. One's an orphan who's basically lived alone for most of her life, the other is a rich girl running away from her politician mother (whose politics are a little too close for comfort these days). They just wanna make music man, and with a former big time agent with them, how can they lose!

Carole and Tuesday are fun characters and the show has a fun future sci fi vibe while still being grounded in reality. One of the biggest highlights is definitely the music though with lots of new songs in every episode and a good number of them being certifiable bangers. There's an overarching plot that also hits too close to home at times but the big finale at the end made it all worth it in the end really. This is an easy show to recommend and I am doing so to you right now. Go see these girls trying to make it to the big time!

Shows that made me tear up count: 3

Fruits Basket (2019)

I skipped out on Fruits Basket the first time around. I always told myself I'd go back and check it out but, knowing how I do things, this never actually happened. Part of me is kind of glad I waited to check it out though since I really like the style of the new show compared to the one from the early 00s. What I'm saying is I should have checked this out a lot earlier than I did but I don't feel visually bad for doing so.

Fruits Basket is a show featuring Tohru, the most helpful lovable girl, and a cast of characters who all start to love her because she is the most helpful lovable girl. This might sound like a bad thing but it's not. All of the characters are really fun, save one who I don't know WHY they don't just beat up, and I love seeing all their interactions. I just grew really invested in all of them and keep hoping everything will end up ok for them in the end, while in some cases waiting for a really big shoe to drop and biting my nails in the process.

I dunno if I have a super bunch to say about it other than my favorites are Uo-chan and Hana-chan and I can't wait until part 2 shows up. I am ready to see more of these Zodiac weirdos get hugged by Tohru and become animals and have her solve their problems in that order.

Shows that made me tear up count: 4

....Now, as usual, I will take a break to talk about the Precures I watched this year...

Futari wa Precure

This year, my friend Cheapsteaks and I decided to go after the OG Precure scene by watching the series that started it all. School girls run into fairies being pursued by weird monsters from another dimension/world/whatever and have to become legendary warriors to help them out. It's a story we all know well, just with lots of dropkicks and judo tosses.

As much as I like Honoka and Nagisa, and the opening theme...Futari wa has a lot of growing pains which is to be expected. Being the first one, it feels more like other magical girl series of the time compared to the style of later Pretty Cure series. From the rather uninspired villains, including one named Pissard, to the bland crush of Fuji P-senpai, and especially the obnoxious fairies, this is definitely one of the weaker series in my eyes. Again, it's probably not fair to judge it though since they didn't know what they were doing yet with this series.

That being said, there is a dumb fun to watching the Crunchyroll subs for a nostalgic taste of hard yellow subs and often not great audio. Again, the best parts of this are Honoka and Nagisa and I can see why they still get to be super popular today.

Smile Precure!

The other older series we checked out this year was Smile Precure which is much more my speed. The characters are all really good and they're all super good friends and it just makes me feel good. Like just in general they'rea really good and strong cast and I love all of them. Reika/Cure Beauty is the secret funniest character just by being the straight man on a team of doofuses and it works so well.

Miyuki's desire to make everything around her "Ultra Happy" just makes you feel good seeing a character who just wants others around her to be as happy as she is. All she needs is a smile and that makes me also smile. Akane is fiery and powerful, Yayoi is a big sweetie whose artistic trials and tribulations I SUPER identify with, Nao is a super cool big sister and I already brought up Reika being great. This is really one of my favorite Precures I've watched so far and I'm going to be sad to see it go in a few weeks.

I'd also be remiss if I didn't mention that I love the stupid villain trio. Especially Akaoni. I love you big red oni doofus. (Please see oni times in the link below)

https://www.youtube.com/watch?v=eXA5jfSJz_c&feature=youtu.be

Shows that made me tear up count: 5 (ANY NAO EPISODE AAAA)

Star Twinkle Precure

The newest Precure series! One we also dragged fellow anime friend Metalray into and I feel like it was a fun enough one. Cute alien encounters trying to help space zodiac princesses with a fluff unicorn and a tentacalien? Sign me up my dudes. Star Twinkle is a fun series and has a lot of things going for it, while also having weird similarities to Smile sometimes like soccer related attacks from good big sisters and prim and proper arrow girls.

The characters as always really make the show I feel when it comes to Precure and Lala is adorable enough to carry it entirely herself? But the enthusiasm of Hikaru is always fun because it usually just involves her being really into outer space and everything in it. Hey there's even Elena who is Mexican-Japanese and the show even explores a bit of her growing up being different from others so like, that's pretty cool I think? If it helps little kids learn to accept others and be cool through lil hermit crabs and dog space police officers, I think that's a real good thing.

...Now Precure time is over but I'm looking forward to next year's offering and seeing what old ones we go after next. (Spoilers, we will probably do Max Heart and Fresh!)...

How Heavy are the Dumbbells You Lift?

So this series has some problems in that like...wow sometimes during the exercise segments of the show, it just gets way too horny like...I dunno if I needed to see sensei in nothing but a bedsheet to show off how she worked her lats fellas. But I digress.

The main reason this show is on here is because it affected me enough to actually look at myself and start wanting to become healthier? Like the show is just a framing device for jokes and showing off exercise routines but the characters are all really sincere and the translation of the opening is even moreso? Like I feel this show helped me out a lot and I'm gonna let you all know about it cuz maybe it can help you out too if you need it.

I don't have a whole lot more to say but I will leave you with the opening I mentioned. Turn on the captions for this banger and remember that you can do it too!

https://www.youtube.com/watch?v=qxi2Y4-NNXY

Wasteful Days of High School Girl

Hey, so can I say something amazing? Much like Asobi Asobase last year, this series was a very weird comedy that I absolutely ended up loving a lot in the end. The cast is full of delightful idiots, one aptly named Baka by her friends being the standout moron of the cast. The title pretty much says it all but you will find all sorts of high school girls here just wasting their youth away in their favorite ways.

You want a girl who draws BL doujin while listening to vocaloid tracks? We gotchu. What about a girl who is more invested in micro organisms in Petri dishes than her friends? Yo, we're set. A dipshit chuuni who climbs on top of absolutely anything tall and regularly needs to be rescued/leap out of trees because of it? Yea, that's here too. The show is not afraid to be weird any chance it gets and there's something I can respect about that. This series also had one of my number one laughs in an anime this year in one of the last episodes too and it still makes me laugh as I recall it right now.

Also like Asobi Asobase, it has the plus of having a lovable witch girl who is as pure as she is into weird occult shit. Majo you're a sweetie. Even if your room is creepy.

The Demon Girl Next Door

This show feels like something that should have come out about 5 years ago in terms of animation style, story set up, characters and even the jokes. I don't think this is necessarily a bad thing though because not only is it pleasant and cute, it also knows when to step back from teasing its unfortunate main character. Shamiko, the demon girl formerly known as Yuko by everyone who isn't her family, is a kind of pitiful character and this series could easily just make jokes that punch down and humiliate her way more than it did.

Thankfully, the show actually does it's best to show that she is comic relief but also that she is genuinely a good person. She's not very good at being a demon as she is still learning so maybe she gets easily tricked by resident blase magical girl Momo more than she should. However, she will go out of her way to make sure her rival is eating more than the crappy instant food she frequently microwaves. Like I said, it's ultimately a silly, kind of dated feeling series but the character interactions are nice and it's just genuinely good

hearted to see these girls become friends, even if sometimes it's due to trickier. The show makes sure not to be mean at all times to Shamiko compared to say Satania in Gabriel Dropout's treatment, or the snake girl in that Dropkick show I dropped after one episode. Shamiko is good and hopefully one day she will be able to use her demon powers to rule the world so her family can have a bigger, non cursed, budget to live on.

O Maidens in Your Savage Season

Puberty is hard. Puberty is also maddening, wanting to drive you up the wall with new urges you are not used to. Simple joys like trains are replaced with weird videos you order off websites or somehow get from the back of a video store. Puberty is an inherently frantic time but it's also kind of funny if you think about it enough.

Maidens explores the tales of the Literature Club members as they go through this important stage of life and that's the fun of this series. All of the girls are each trying to find out exactly what it is they want out of a relationship. Is it just friendship? Is it Ess Ee Ecks? There's a lot of fun to be had as the series goes on. Whether it be Kazusa trying to get a bit further with a childhood friend, President Rika questioning her stance on relationships being even proper to have in high school or the writing adventures of HItoha going to sex chatrooms, there is a lot of different things going on in this show.

It's got a very good sense of drama as well; there were more than a few episodes where I found myself worried about what would happen next and hoping things would be ok. Niina's arc is very intense and gave me creeper vibes any time her old mentor appeared. The show is very good in general at just showing emotions and none of it felt like it was shoehorned or phony. The writing is top notch and I love all these girls. Puberty is a weird time but...they got this I'm sure.

Here are a couple of other shows I watched that didn't come out this year but enjoyed a lot!

SSSS.Gridman

Thank God Trigger was able to come back from its previous offering to give us Gridman. At first I was afraid that all of its Transformers color scheme easter eggs were just trying to lure me in with a mediocre show. This was not the case because Gridman just rules hard. A sequel/spinoff to the old 90's series, localized here as Superhuman Samurai Syber-Squad, this show was a love letter from the creators to the show and other tokusatsu shows in general.

Kaiju appear to devastate the city, shown from low angles that just make it seem even more like you're watching an old toku show. The toyetic nature of Gridman's various powerups and the design of Gridman himself just further pay homage to this. There was one Kaiju for a moment I swear you could see a string operating it (for the record, it was not a string but was in fact part of the Kaiju). It's not just a cheap nostalgic trap though because the animation is superb, the action is top notch and the main theme song just kicks ass. This is a really cool series and if you have any passing interest in toku shows, are a Trigger fan, or like seeing Actionmaster Thundercracker's color scheme, go and check this thing out!

Other highlights include another version of Inferno Cop and Rikka's mom who is always fun and good.

Dirty Pair (TV series)

Dirty Pair is a series I watched a good chunk of before but never actually finished. Thanks to the #DirtyDecempair hashtag though, I finally went and did it and well...Dirty Pair is still really good y'all. It's got space babes who kick ass and are not afraid to go after hunks along the way. Seriously, it's great when you watch a show older than you and it lives up to its hype.

Kei and Yuri are really good characters because they will snipe at each other but in the end, they are still besties and will mess up anything that gets in their way. I appreciate that they always try to get more PTO and pay out of their boss. Even more, I appreciate that the chief will put up with all their shit, whether it be the aforementioned blackmailing for vacation or the sheer amount of destruction they leave in their wake,  and still is 100% behind them. He knows they're the best he has and nothing will get in their way.

So yea, Dirty Pair. Still a good show over 30 years later. You should check it out next December! Or sooner, whatever!

That abut wraps up my list of anime I watched this year, but I'm also gonna throw a little bonus round on you! Some anime movies I watched and liked! Lightning round go!

Promare Good fucking movie, good fucking soundtrack. Good Trigger things this year. It lives up to its hype for sure. Go see this when it is out on DVD and Bluray!

Sound Euphonium - Our Promise: A Brand New Day This was a nice movie that felt like a good third season condensed into about 2ish hours.

Love Live! Sunshine!! The School Idol Movie: Over the Rainbow I actually like the music from this one more than the movie itself but seeing Ruby's arc gaining confidence is good and I love it.

Bonus Saint Snow Track: https://www.youtube.com/watch?v=oUNNWxK2Dfs

Redline A movie I kept meaning to see and finally did thanks. Stylish and cool as hell, and the dub is really good too.

Dragon Ball Super: Broly They made Broly a compelling character finally, holy shit. Also some good Frieza comedy.

KonoSuba! Legend of Crimson Imagine a village full of dipshit chuuni wizards. This movie was fun and funny as shit. Warning: It does have one awkward joke related to gender but it thankfully passes by it real quick.

So I think this is my list. I hope you enjoy it. The next time you'll see one from me will be in the distant future of 2020! Hopefully things will be cool by that point to go with the good anime.

[kylermalloy]

My Official Unofficial Ranking of The Originals Seasons That Literally No One Asked For

So, these rankings turned out hilariously chronological. It’s not that I think each season just got progressively worse—it’s just that when I laid out the good things about each season, and the bad things that outweighed them... this is the order I ended up with.

MAJOR SPOILERS for The Originals ahead! Also, as a disclaimer: this is all opinion-based, and I reserve the right to change my mind at any time.

5 - Season 5

So...I kind of hate the last season. Part of it is my bitterness about how the writers messed up the character dynamics, and part of it is amazement that the (mostly) same team of writers wrote the masterpiece that was season 1.

So, the overarching story for this season is...? “We’re making a spinoff with Hope next year so we have to get rid of all the characters who are close to her who don’t want to be in yet another dumb vampire show”? That’s my impression of the writers’ goals when they planned this season. Although there are a few pertinent themes about hatred and prejudice (the irony of the Nazi-esque bad guys opposing Klaus when Klaus himself had a Nazi-esque crusade back when he first showed up on TVD is not lost on me) none of the themes have a lasting impact. They’re not developed in a memorable way. We get these purist losers to serve as villains for the first half of the season, then they’re unceremoniously taken out after they’ve killed a sufficient amount of main characters.

Then the rest of the season is just...wheel-spinning. A game of hot potato as we speculate who’s going to die at the end.

Don’t get me wrong, there was some powerfully good stuff in this season. I fully support the ending, even though the majority of fans didn’t like it. I loved it. I thought it incredibly fitting for the show to end as it began—with Klaus and Elijah side by side. Facing death together as they faced life. Dying for Hope. Their family’s legacy.

HOWEVER. A few good moments at the end of the season doesn’t make up for all the crap the writers pulled throughout the season. They had NO RIGHT to kill Hayley. They had NO REASON to separate Elijah from the family—the entire show, basically—for over half the season, or to make him complicit in killing Hayley. And that darn time jump from season 4 to season 5 is just...I have no words. Klaus and Hope were jipped out of so much time together, just because the writers wanted a teenage Hope. So many sloppy decisions were made in this season, both storywise and character-wise. It really calls into question the writers’ understanding of the characters they’re writing. So much of this season undercut what the last four seasons of the show were working toward. And the regressions we see in this season have no lasting impact—like Klaus’s murder relapse, or his estrangement from Hope. They’re nothing more than cheap excuses to make the plot happen.

(Clearly I have feelings.)

What this boils down to is that the narrative in season 5 has no structure. It’s a patchwork of lazy storytelling and fanservice—a few good moments between characters we already know and love doesn’t excuse that. Although the series ended with a bang, it’s clear that this final season was nothing more than the scattered, picked-clean bones of the show I fell in love with.

4 - Season 4

So this season is much better in terms of plot—the story is tightly paced and clearly planned out.

The problem is that it’s boring.

The narrative that the writers presented this season required lots of moving around and doing things and characters talking to other characters, and hardly any of it was interesting. Klaus and Elijah spend most of the season separated in one way or another. Freya is separated from her family for a large part of the season, and I’ve only just recently rewatched the entire show—so I can definitively say that Hope and Elijah don’t have a single conversation in this whole season. Elijah, the one who first believed in and fought for Hope—before Klaus, before Hayley even, really—Elijah isn’t important enough to talk to Hope. Elijah gets shunted off to his dark arc mostly with Vincent—all to facilitate a completely unnecessary breakup with Hayley.

The one thing I have zero complaints about is Klope. Klaus and Hope were flawless in this season. They were everything I wanted. Klaus’s unsure parenting, his determination to make this change-for-his-daughter thing last, his SOFTNESS around her...that part of the season was stellar.

Klaus’s arc of healing his relationship with Marcel was also good. I don’t think it got enough screentime, and by the end of the season it wasn’t fully resolved, but I liked how it was actually addressed. (This show has a tendency to brush off Marcel sometimes)

The other thing I really appreciate about this season is that Klaus, the main character, wasn’t given a love interest this season. After his major love interest died the previous season, the writers did not try to give him a new one, or even try to pair him up with his baby mama. His relationship with his daughter was his main focus for the season, and it was beautiful.

So, season 4. Not as insulting as season 5 in terms of plot, but this plot...and this’ll surprise everyone...took too much focus. We spend more time learning about the Hollow this season than developing Mikaelson family relationships, and that’s honestly a crime. Any story that doesn’t develop the Mikaelson family dynamics is dead in the water.

3 - Season 3

At a glance, this season is awesome. I know a lot of hardcore fans liked it. I also know a lot of fans hated it. Me, I both hate it and love it. I think the idea they were trying to accomplish was a good one, but the cost? Very high, too high. The story, though it has great stakes, is actually quite shaky in places.

Personally, I never liked the Trinity storyline. The idea of the Originals facing their first sired was not interesting to me, especially when Tristan was boring, Lucien overstayed his welcome and became annoying, and Aurora turned out to be nothing beyond a silly soap opera plot device.

I did like the ending, though. Marcel finally reaching his last straw. Rising above his creator and finally showing us what would happen if the power dynamics were reversed. It’s sick and scary and exactly what I want from a monster soap opera.

But there’s a lot of things I don’t like. I don’t like that Cami was killed. Double-killed, actually. Davina’s arc was in complete shambles the entire season. Hope was out of focus for most of the season. And the werewolf drama that had caused Hayley so much grief last season wasn’t even background noise—it straight-up didn’t exist.

Like I said, I liked what the show was trying to do, but I think the writers chose an ending and forced it to happen instead of letting the pieces fall organically. There were probably some outside factors involved too, like the fear of not being renewed, actors wanting to leave, etc. My personal theory is that, out of worry that season 3 would be the final season, the writers killed Cami in an attempt to push Klaus to glorious redemption mode (don’t even get me started on how dirty they did Cami’s arc) thus giving us the conflicting death/vampirism/permadeath Cami arc in the back half. Which makes sense—but it’s still messy from a storytelling perspective.

But despite all that complaining, there were some things I truly loved about this season. The Klelijah rebuild was solid, organic, and completely earned. They began in a fractured place, seemingly beyond repair, then forced to band together in the face of threats, and ended the season possibly closer than they’ve ever been. (their hug in the finale still messes me up, y’all. I’m weak!)

Elijah got some truly interesting stories this year. While Tristan and the Strix were both duds, I actually really enjoyed Elijah’s relationship with Aya. And his relationship with Freya! Let’s be real, season 3 was really the season of Freylijah. As weird and incestuous as the Mikaelsons come off sometimes, Freya and Elijah are the most married. In fact, I’ll just go ahead and give a shoutout to Freya altogether. A hitherto unexplored Mikaelson with a sketchy-at-best history with her brothers moves into their house full-time? This could have been an epic disaster, or at the very least could have turned Freya into Rebekah 2.0—but somehow neither happened. Freya held her own, and her addition worked very nicely.

*deep breath* I have so much to say.

2 - Season 2

(Yes this list is shaping up exactly how you think it is!) Okay. I’ve got so much love for this season, even though parts of it drive me up the wall.

I’ll start with the positives: the family feels. Almost every part of the family drama hit home. The resurrections of Finn, Kol, Mikael, Esther, and the surprise introduction of Ansel were all superb ideas, storywise. The recasts of Kol, Finn, and Esther (and eventually Rebekah too!) all worked VERY well—a special shoutout to DSharman for making me truly care about Kol for the first time! And having an old family member as the main villain works SO well for this show. Dahlia was really awesome—and in the end, almost underutilized. But Freya! The addition of Freya to the family brought forth a whole new tidal wave of emotions.

And do I even need to say it? Klope, y’all. They just give me all the feels. The midseason finale will always have a special place in my heart.

That’s not to say I don’t have my problems with this season. The narrative structure comes from a very bold place—in typical TVD fashion, the terrible threats we started out fearing are soon rendered obsolete by this much huger looming threat. Alliances are formed, backs are stabbed, hearts are broken, and the end of the season leaves us and the characters picking up pieces of our hearts off the floor.

I very much like the idea that Klaus, obsessively paranoid and fearful, would turn on everyone he loves to protect his child. However, I don’t think the necessary steps were taken in the narrative for us to actually reach that point. There was too much werewolf drama—for Hayley to care about them so much, shouldn’t we know more than three of them by name? And speaking of Hayley, I kind of hated the back half of her arc. As she ascends to werewolf queen, she loses all the braincells that got her this far and decides to trust Jackson and her new family over the Mikaelsons, the oldest, most ruthless and feared supernatural beings in the world. Huh?

Altogether, I just don’t think Elijah, Rebekah, and Hayley all turning on Klaus was well-deserved in the writing—especially considering how well they all worked together in the beginning of the season. I think it was another case of the writers establishing an endpoint far ahead of time, then pushing all the characters and events to fit their plan. Still, I liked this season a lot. Not as sloppy as season 3, but still not as masterful as season 1. And without further ado...

1 - Season 1

Here it is! The masterpiece. My baby. The year of television I can rewatch at any time and enjoy so thoroughly I forget the other million times I’ve seen it. And I can wax poetic about it for days, much to the dismay of my followers.

I’ve heard some people—fans, even—call season 1 unfocused or disorganized, cluttered, still figuring itself out...but I disagree very strongly. Since TO is a spinoff, and the three main characters were already well-established by the writers (well, as consistent as the writing on TVD ever was) I never saw TO as a show that had to figure itself out. It knew who its characters were, it knew exactly what it was trying to do, and it did exactly that. It just was never what the audience expected, and it took a storytelling route that we as viewers aren’t quite used to.

This show took on the monumental task of trying to redeem one of the biggest, baddest fantasy villains on television. A thousand year old mass murderer who had long since lost any drops of humanity. A tortured soul, sure, who’d made a few cursory steps toward semi-goodness, but still damaged beyond repair...or so we think.

Klaus’s redemption comes through this child that he fathers. But it doesn’t come for free. I often say that Klaus is both the protagonist and the antagonist of season 1, because no one is working harder against his betterment than he is. We as viewers have to learn quickly that Klaus accomplishing his goals is not necessarily a good thing. We expect his struggle with Marcel to end in triumph at the season finale, because that’s what generally happens with pilot plotlines. But instead, Klaus wins the Quarter in less than eight episodes, and his rule falls apart multiple times before the season ends. (I’m especially grateful for Marcel’s character not falling into the trope of “Klaus created a monster who ended up being worse than he is!” because that’s stupid— and why Lucien, who does fall into that category, fell so flat for me. It just doesn’t work with a character like Klaus. Nobody out-monsters him.) We expect him to get everything he wanted—because he’s the main character and things work out in the end, right? No. The entire season is a slap-in-the-face wake up call for Klaus. He can’t be worthy of this child that he can’t deny he wants unless he changes who he fundamentally is. He expects to rule the Quarter through his sleazy condescension and his larger-than-life threats, but he finds himself challenged and even overpowered at every corner. He expects to mistreat his sister, walk over her and rage at her like he always does, and ultimately win her inevitable forgiveness—but she can’t take it anymore, and she leaves him.

He expects to be able to control everyone around him, placing himself at the center of everyone’s universe, and that ought to create a suitable environment for his child to grow up in. But when she’s born, he can’t even keep her safe on her first day of life. And that’s when he realizes he can’t do this anymore. Despite being a master strategizer, this can’t be how Klaus lives and acts as a father. The season finale is a beautiful culmination of this realization, as he does what he’s never quite been able to do, and trusts the people around him—release control.

Of course, this realization isn’t the one-and-done redemption story. The walk back is long and arduous and full of setbacks, as the subsequent seasons prove. Klaus’s old temperaments get the better of him over and over and over again. He learns and unlearns and learns again. And I could just go on and on about how much I love this season.

Now, after all that gushing, I still don’t know how much of the season was planned, or if outside forces (actor contracts, availability, etc.) had a hand in shaping the story, but either by tight plotting or happy coincidence, the stars aligned and this season is darn near perfect.

There are definitely flaws and shortcomings, but the overall story is just so good that I can easily overlook them. Catapulting off TVD, which relied so heavily on shallow drama, TO did what most spinoffs can never do, and surpassed their parent show. This first season? It’s to die for.

(I realize this was far too long, and I don’t really care. I’m aware of my inability to move on from shows that have ended, and I also do not care.) I’d love to hear thoughts, discussions, opinions, anything!