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meoneru · 8 months ago
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ckret2 · 4 years ago
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So I've been deeply pulled into the Radiosnake pairing bc of your fantastic writing! Problem is, now I have fic ideas but no knowledge of the Hazbin background. Can you tellI me where I can get more Hazbin info? I've only watched the pilot and read your stuff. I heard there were comics??
That is an excellent question anon, because right now it is really hard to get Hazbin background easily.
Okay, so, the canon info on Hazbin Hotel can be sort of sorted into four tiers, from most to least canon.
Tier 1: The Definitely Canon
There is, of course, the pilot. And then there is an Angel Dust prequel comic, only seven pages of which have been released so far. We’ve been told it’s gonna be finished and we’ve had glimpses of in-progress prequel comics for a couple other characters—most prominently Alastor’s and Charlie’s—but so far that unfinished Angel Dust comic is the only one that’s been officially released.
Finding the in-progress comic pages is... a challenge. Nobody, as far as I can tell, has been specifically collecting all of the pages we’ve seen so far. I was able to scrounge up:
Couple more Angel pages
some Alastor pages
another Alastor page
a random Alastor panel
another random Alastor panel—I’ve seen the full page of this before, Alastor goes “Hello ladies!” and they go “HELLO ALASTOR~<3″ but I can’t find the full page now
There’s a smattering more canon panels on the artist faustisse’s twitter, but I haven’t dug them all out, and some of the posts I’m gonna link in a lil bit have a glimpse of another panel.
If you haven’t already heard of Helluva Boss, I recommend looking into it as well. It’s a second series being created by the same folks, different cast of characters but set in the same version of Hell, so any canon details we learn in Helluva also apply to Hazbin.
Helluva’s pilot is here. Plus a cute music video here.
Earlier this month, during a BLM charity stream hosted by show artist Ashley Nichols—she runs regular streams under the title “HuniCast”—they released a few sneak peaks of future Helluva scenes, all compiled here.
And that’s it for canon. Two pilots, a music video, a smattering of future scenes, part of one comic, a few WIP pages/panels from other comics.
Tier 2: Pseudo-Canon
Everything else we currently know about Hazbin (and Helluva) are things that the creators have told us. Consequently, they’re all pseudo-canon—and likely subject to change in the future as the shows and comics are further developed and released. Some details that were released/described in the past have been contradicted at other times, or else radically changed by the time the pilot came out.
(For example, when Alastor was first created years and years ago as an OC with no plans for Hazbin, he was a demon deer who could shapeshift into a human shape—now he’s a demonized human with a few deer traits. And Charlie and Cherri Bomb used to look very different.)
So until and unless they make it into canon, all these pseudo-canon details are subject to change and should be taken with a grain of salt—but, they also comprise most of what we know about the characters’ backstory and the as-yet-unaired characters.
Pseudo-canon info on Hazbin is scattered mainly between two sources: the creators’ twitter accounts, and livestreams where they take questions and talk about the making of the show. If you and livestreams do not get along (my ADHD and livestreams do not get along), or if you don’t want to wade years and years back into twitter accounts to dig up every scrap of info on the characters the creators have ever mentioned, collating all the pseudo-canon info is gonna be hard. (It’s gonna be hard even if you do want to sit through the streams and dig through all their tweets.) Lots of fans, me included, depend on the absolutely heroic work of various fans who are willing and able to watch hours-long streams and collate a list of canon factoids released during the streams. I’ve reblogged as many of these posts as I’ve been able to find:
Alastor’s sound design (on twitter)
Alastor's Sound Design (post I made with screenshots of weird—but very interesting—subtitles slipped into the aforementioned video)
Sir Pentious and Cherri Bomb’s sound design
Niffty and Husk’s sound design
Charlie, Katie, and Tom’s sound design
Intro song’s sound design
Happy Hotel’s sound design
details from Faustisse (including a pic of a couple costume designs. Most of these posts come from zatyrlucy, who’s been doing a fantastic job of going stream-by-stream to get lists of details from the regular streams by Ashley Nichols and by comic artist Faustisse.)
more details from Faustisse (including a pic of the Von Eldritch family dining room)
Faustisse 3 (better look at that table)
Dollymoon’s Hazbin Hotel Facts - PART ONE (Shoutout again to dollymoon for compiling these, we’ve never spoken but I am eternally grateful for this service. Dollymoon’s posts are THE single most reliable compilation of Hazbin Hotel’s nebulous pseudo-canon facts that I have found to date, including both links to the sources and timestamps where applicable. Dollymoon’s URL has changed since making this post so the “read more” link doesn’t work but the “source” or “reblogged from” links direct correctly to the new blog. Incidentally, the risk of other blog creators deleting their blogs/posts or changing their URLs is why in info posts like these, I always link to my own reblogs rather than their original posts—their original posts might vanish without warning, but I know I ain’t gonna delete my posts, so these links will still work in the future.)
Hazbin Hotel Facts - PART TWO
Hazbin Hotel Facts - PART THREE
Faustisse 4
HuniCast - Australian Wildlife Relief charity stream
I think this was a faustisse stream (the original source deleted these posts, so the comic pages that were originally behind that read more cut are now gone.)
Faustisse stream 6?
And those are all the masterposts of factoids I’ve managed to collect. If anyone has more masterposts, chuck ‘em at me.
Even this isn’t all the knowledge that’s been released about the show. The posts that dig the farthest back are Dollymoon’s, and even they don’t comprehensively cover all of Hazbin’s production. A couple of these characters, Vivziepop created as a teenager, so there’s some truly ancient concept art floating around out there that will have details that probably aren’t canon anymore... but might still be until something happens to actively contradict them.
Tier 3: The Wiki
The wiki is kind of an absolute mess. It’s a chaotic blend of things actually seen in the pilots/comic, things mentioned at some point in some stream somewhere, and wild fan speculation based on what they headcanon as plausible based on the above, all mixed together with very little indication for which is canon, pseudo-canon, fanon, or speculation. Most of the statements on the wiki don’t have citations.
(And, on top of that, half the main characters’ info gets split up into separate tabs instead of just having a normal-ass wiki page, AND their image galleries are on COMPLETELY SEPARATE pages that are linked to in one of the tabs, and the most important characters all have TWO SEPARATE GALLERIES. Which doesn’t have anything to do with the quality of the facts hidden underneath those tabs, but nevertheless drives me up the wall.)
Some things on the wiki were added according to info released so long ago it’s probably changed by now. Some are possibilities that got reported as facts. Other things on the wiki have unambiguously changed, or else are just flat-out incorrect. (For instance, at this moment Alastor’s page still lists him as an overlord, even though it's been confirmed that Alastor is not an overlord despite his power level because he isn’t interested in and didn’t pursue that position, per this stream. For a little bit, somebody’s fanart of their headcanon human Alastor got added to the wiki as concept art.)
tl;dr: the wiki should never be trusted as a primary source. The wiki’s better than it used to be. Even so, at this time, it’s only trustworthy to fill in the gaps of what you already know is true from other, better sources.
The thing it’s good at is it more or less compiles all the known info all in one place. Trying to figure out who the hell this Vox guy is is really hard if you’re reading for mentions of him in compilations of a dozen different streams, much less if you’re trying to comb through those dozen streams yourself, plus a dozen more, plus three different artists’ twitters. In comparison, it’s really easy to, say, just go look at Vox’s wiki page, where all the trivia is compiled. (And Vox’s page is actually one of the better cited on the wiki. Look at all those numbers!)
So, if you need to find out who this character is you’ve never heard of before, if you want to see a full list of the thus far named characters, if you don’t remember whether Alastor likes coffee or tea, if you want to know what Angel’s twin sister looks like, if you need a reminder of Sir Pentious’s death year... check the wiki. It’s an okay starting point.
But, if you see a “fact” on the wiki that you yourself don’t remember from straight out of the pilot, and it doesn’t have a citation that links to a tweet or a stream... regard it suspiciously. And do not trust it unquestioningly as fact until and unless you have seen the source.
Tier 4: Noncanon Creator Shitposting
I’ve mentioned Ashley’s HuniCast streams a couple times. The biggest draw of them is that she usually gets several of the voice actors in the streams, where they’ll happily say nonsense in their character voices. For the most part, they’re not sharing any actual canon info they’ve been given on their characters, just goofing around pretending to be their characters. Nevertheless, a lot of the things that happen in streams get accepted as broad fandom headcanons, like Alastor being into dad jokes. (My favorite, for obvious reasons, is this one.)
It’s easy to find the source audio for all this wonderful nonsense by searching youtube for “HuniCast highlights,” and then rummaging around for animatics people make out of the audio. The only one noncanon video of this sort I can think of that didn’t originally come from HuniCast is a lone one from Alastor’s singing voice (who’s a different voice actor than his speaking voice).
So, obviously, none of these are canon. But they do come from some of the people actually involved in the creation of the show, and they are in the characters’ canon voices, so a whole lot of people treat them as semi-canon anyway. (Even the wiki lists “dad jokes” among Alastor’s likes, which to my knowledge hasn’t come up anywhere except for HuniCast streams.) Since they’re so broadly-known, they’re worth knowing about as important sources of fanon, even if you don’t want to adopt them into your own headcanons. They’re basically the same level of canon as blooper reels.
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agallimaufryofoddments · 5 years ago
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DMDP Chapter 36 Thoughts
I kinda thought this chapter was going to be out on Sep 13 (it released on Sep 20) for a couple reasons, but at the same time getting Chapter 36 only a week after Chapter 35 was perhaps a little too good to be true. Getting it two weeks after is a nice treat anyway, so I’ll take what I can get.
In other DMDP news, Young Gangan’s tweet announcement of this chapter release also announced that Volume 4 will be released in November! Already looking forward to its cover reveal, which I assume will be next month; anyone wanna bet on which character will be featured? I feel like Solitaire isn’t a bad guess given his prominence in the dirigible incident/chapters I assume the volume will cover...
Speaking of volumes: the Yen Press release of Volume 3 is still projected for December--so, a month after the JP Vol 4 release. Given that Yen Press has been releasing the DMDP volumes every sixth months or so... I’m thinking we may not get the English edition of Vol 4 until June? (But please prove me wrong and release it sooner.)
Anyway. Chapter reactions/thoughts are under the cut and include: extended paragraphs on Xiaoyu that I should maybe just copy into their own post; appreciation of a potential cynical streak in Izliz (I want to know more about her); and the belated realization that ‘Hagane’ means steel.
Armed people wearing gas masks? Congregating underground? I’m getting flashbacks to Metro: Last Light. 
Also...Goose’s speech to the Lemures in Baccano!, c.f. the speaker referring to himself + the group as “not people” but “spend rounds.” 
Who are these people? What’s their main unit’s goal? The last chapter ended on an Agakura namedrop, but somehow I doubt these guys are the Agakura...
"We are not inferior to Agakura’s boys” / It’s nice to be validated. Nor are they inferior to the Heilei, or “the followers of Crazy Bones Kagura...” Okay, Heilei I recognize....Kagura who, again? I can’t recall hearing the name before. Kinda echoes ‘Agakura’, doesn’t it? Enough that I wonder if Kagura has something to do with Agakura.
Oh hey, that’s the panel which was used in the chapter promo tweet. This guy’s character design definitely maybe me go ?! when I saw the promo image, which I suppose was why they picked the panel as the preview panel...
I think he killed these guys with his bare hands. As one does.
“At least you guys...remarkably...proved you weren’t inferior to Agakura.” In what way? Also, seems like Extra(TM) Tall Man is with the Agakura himself.
“The girls” took out the group’s main unit without casualties in five seconds?? Who are these ladies and when do we meet them???
“Momoya” is our tall guy, it seems. Annnd big surprise, his new job will be based in Shinjuku. Question is whether the ‘visit’ he’s supposed to pay Clarissa (who else could the mediator be) will be a...let’s say, ‘diplomacy’ visit or something more bloody.
Otherworld flashback. “Utsuro Juuza” is the third ranked sorcerer, says Izliz--hey, I recognize that name; I’m pretty sure she said it during the flashback to the empire’s collapse. I also remember it being one word (”It’s as Utsuroju(u)za said”) though...
At first I thought Sabaramond was referring to Corpse God when he said “in terms of ability...you should be standing in my position,” but I feel like it’s more likely he means Izliz. 
Speaking of Izliz, I want to see more of her apparent cynicism streak. I’m not prepared to say she’s necessarily a ‘cynical person’, since I don’t know enough about her yet and she’s also being pretty encouraging by saying the Corpse God can rise to tenth-rank (though, to channel Carol, i have to ask “out of how many”) despite having no magical talents...but she may at least be cynical when it comes to things like court politics.
Speaking of Sabaramond, oof that character design tease; I wanna see his design proper.
I want to make a Narita joke about Sayo’s shark antics but I may just save that for a separate shitpost.
CG says it’s definitely possible Sabaramond could’ve extended his lifespan, but Sayo doesn’t think that’s as important as the possibility of CG having an ally... ah, but is she thinking ally = Sabaramond himself (if he still lives), or that the “bastard children of Sabaramond” could be an ally?
The real Polka got a whole reaction panel to CG’s angst...important how? Maybe we’re gonna hear his take on the situation later.
Meanwhile, looks like we’re going to hear the Rozan-Xiaoyu convo this chapter after all.
See Xiaoyu literally says “something invisible was obstructing Lemmings and the other man” only for next panel to show the news photo of the arms and smoke. And then, “There was definitely SOMETHING there, I know it...!!” Did Xiaoyu end up seeing the large arms or not??
Oof, this conversation is a tough one for Xiaoyu (tears in his eyes!) but it’s one he needs to have. Rozan’s absolutely right on the money throughout the talk, and I think the gentle-but-stinging insinuation that Xiaoyu in distrusting fake!Polka is therefore not putting his trust in Rozan is a pretty apt point. 
(I was several bullet point paragraphs deep into Xiaoyu talk when I decided maybe I should move those thoughts to the post-bullet points section. Continued there.)
Just because I have bad eyesight doesn’t mean I think it’s possible for an ordinary human to be able to spot Xiaoyu at such a great vertical and horizontal distance as Momoya has. This guy has abnormal height, abnormal eyesight...I suppose we’ll learn how else he’s abnormal soon enough. On that note, I suddenly fully expect there to be a Momoya vs Lemmings match-up in the future. I don’t know how or why it’ll happen, but such a match-up is begging to happen nonetheless.
His cap-wearing companion...is that the person we saw on the phone last chapter? The backs of their heads seem similar...
“Shinjuku is Kuraki’s territory” but you don’t want to attract attention...kinda hard not to when Momoya has, what, at least two feet on everyone else. (Also, you can’t be expecting to take Clarissa totally by surprise, can you? Nah.)
Welp Momoya’s the Agakura guy personally responsible for de-limbing Xiaoyu! I’m shocked. Shocked, I tell you. Their eventual (presumed) reunion is going to look like a David vs Goliath rematch. But will David’s cyborg enhancements and extra combat experience be enough to give him a chance at victory...?
We should assume it’s Momoya whom Arase spotted, right? He’s not gonna be able to spot Xiaoyu, and while the companion could perhaps be a ‘twist’ reveal...the companion was about as tall as everyone else in the crowd; Momoya is tall and stands out, so... “It couldn’t be. Could it?” Well, how many guys that tall are walking around Shinjuku...
Top likely guess is that Arase is familiar with Momoya from his yakuza/criminal days, but I suppose there’s also a chance he encountered Momoya during his later undercover operations. Arase’s been in Iwanome’s narrative shadow ever since Iwanome stole the story spotlight from him, so maybe he’s going to get some new spotlight soon?
Ah hey, it’s that journalist from the end of Chapter 35. Her business card is... wait, does it really say her name is “Eightport Kochou” or is CG just misreading it? Though, Takumi has a non-too-pleased moment of recognition...
This reporter and Misaki are awfully chummy. Enough so that my first reaction was to think, “Is this Misaki’s friend Hagane-chan?” Eh, I’ll bet a dollar she is. Dunno about you, but “Eightport Kochou” sounds like it just might be a pseudonym. Just perhaps.
Also, it only recently occurred to me that “Hagane” means steel; lest we forget, Misaki was heiress to Sakimiya Steel until her parents were murdered. I don’t...know what I’m supposed to do with this information? Should I consider it notable? Hagane’s name is first mentioned before we learn about Sakimiya Steel but that’s not what I’d call foreshadowing. Hm...
Right...thoughts. I have those. I guess I’ll start with a continuation of those Xiaoyu thoughts I started writing in the bullet points:
Xiaoyu’s vendetta against both Polkas is mostly a selfish one (he’s been jealous of real!Polka’s filial relationship to Rozan for years), but he has to some extent also (I think) convinced himself he’s acting for Rozan’s sake (fake!Polka must be a threat somehow, must have ulterior motives; Rozan will be better off without someone masquerading as a Shinoyama).
But...dismissing Rozan’s order to protect the fake!Polka was an act that essentially dismissed Rozan’s judgment and authority, even if Xiaoyu didn’t realize it at the time. I get the sense one of the reasons he considers himself to be Rozan’s true (’ideal’) son is because he (I suspect) conceives of himself as being ‘truly devoted’ to Rozan in every way. The real!Polka couldn’t possibly revere or respect or value Rozan in the same way Xiaoyu does, right?
Except if Xiaoyu were truly devoted to Rozan, if he respected and revered and valued Rozan in the way I guess he’s been perceiving himself as doing--if he gave Rozan the respect and service he believes Rozan deserves--then he surely should have respected the order to protect fake!Polka instead of assuming he knew better than his beloved master.
I’m not saying this all because I’m advocating for blind loyalty; I’m spending several paragraphs on this because it looks like this conversation is going to spark some overdue self-reflection on Xiaoyu’s part and yeah, yeah, he needs this. He has spent so much time preoccupied with being an ‘ideal’ (’ideal son’; ‘ideal servant’; ‘ideal guard’; at least, that’s my take on him at this time) that his self-awareness has (at least as of late) perhaps been awareness of a ‘self’ he’s constructed in his mind...
...but Rozan has prompted him into ‘real’ self-awareness now. I won’t be surprised if Xiaoyu’s self-confidence takes a bit of collateral damage, if it hadn’t already during the rooftop showdown, and I’m not sure if Xiaoyu will be able to suck up what pride and paranoia he has left and go have that “heart-to-heart” with fake!Polka right away. 
Do you think Xiaoyu remembers much of Momoya? Whether the trauma etched Momoya into his memory or blocked him out, I’m guessing Xiaoyu’s going to be experiencing some fear either way when he and Momoya inevitably cross paths again...but if they cross paths within the week or something, Xiaoyu might be in just that bit of a more brittle metal state than he already would be. 
Speaking of Momoya... I think Agakura is the name of the organization, yeah? “Within the Agakura” from last chapter indicates as much. I think the phrasing of a couple lines just tripped me up on it; at any rate, ‘Agakura’ doesn’t appear to be an establish Japanese surname or anything. I was half-expecting Momoya’s name to be Agakura, somehow...
But that’s all pablum. Last chapter saw those ex-Agakura (or at least, ex-Agakura associate) sniper siblings asking Clarissa for work, so I’m fully expecting the snipers to be present/relevant/brought up when Momoya pays his own visit to Clarissa soon.
I’m not necessarily expecting the visit to be about the siblings’ departure (since the Agakura guy didn’t seem too concerned by it), but it wouldn’t make sense to not involve the snipers in Momoya’s visit somehow. If they’re not present for his arrival, they’ll probably have some opinions on Momoya to share with Clarissa at minimum; Momoya himself might comment on their departure if he cares to do so.
Initial impressions of Momoya? I like his character design, but you knew that. His barehanded violence reminded me a bit of Claire (as well as his chattiness and self-assurance in being the cream of the crop), but I also got vague Yakumo vibes from his abnormal sight/height/abilities maybe? 
I don’t want to pin anything down about Momoya with only his debut chapter to go on--and I’m not sure I’d be able to pin down Momoya if I tried. He appears to afford ‘respect’ to his opponents (he says he’s impressed and respects Xiaoyu for surviving; he appears willing to consider or acknowledge opponents’ skills), but I can’t say how sincere that respect is (and if sincere, in what respect; e.g. could be more along the lines of Claire’s ‘gracious’ “you’re good; not as good as me, but good by ordinary standards” type of praise).
For now, I guess I’m just going to hope Momoya isn’t going to be a character along the lines of, say...Amaya from the “As the Gods Will” manga. I’m at the very least curious to see how he fits into Agakura, exactly; whether he cares about the group’s main goals or if he’s in the group for other reasons (in before ‘because I get to kill people”). 
As for the chapter ending... my initial response to “She says we’re going to be in the news!” was a somewhat snarky, “What, more than you’ve already been?” but I realize Misaki probably means the fortune-telling shop...uh, ‘local business spotlight’ style. Er, not that the journalist isn’t clearly interested in whatever happened on the rooftop (since she was in the rubbernecking crowd)...
...so I’ll grant the journalist probably at minimum wants to interview CG about the incident last night (”did you witness anything? Do you know anything about it?”). Still, I can see the ‘eyewitness account’ interview having a secondary purpose of business advertisement; the journalist might try to convince CG to be interviewed through such reasoning. 
“You let me interview you about the incident, your fortune-telling shop gets free exposure! Paranormal activity at a building with a grisly past, and on a fortuneteller’s doorstep no less? Everyone’s gonna be talking about it! ‘Hey, you think this guy is the real deal?’ They’ll be queuing down the streets!”
...Or something like that. This is all pure conjecture. This is all also way too many words for a simple Chapter reaction post, and too much time to spend on such a post at that. 
(PS: I remember Fujimoto tweeting about having to come up with at least three new character designs, and hoo boy if the cast numbers aren’t continuing to increase. Once again, I wonder how far Narita has planned head for this story.)
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pratktcven · 8 years ago
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love in a time of social media
love in a time of social media part one. shance. eventual nc-17. alternate universe. lance is the king of shitposts and selfies. shiro is an artist who loves his dog and fatalistic humor. somehow, they fall in love. warning! underage drinking and casual use of marijuana
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They meet online.
Specifically, they meet on tumblr. Shiro is an artist of middling popularity and Lance is a shitposter of the highest caliber. Shiro follows Lance months before Lance follows him; indeed, Lance is unaware of Shiro's work until Shiro @'s him in a small comic.
'I couldn't resist,' Shiro types below the image. 'Thank you for the inspiration, @lances-a-lot.'
Shiro—@white_iron—has a simple art style and a sharp sense of humor that makes Lance laugh out loud. He reblogs the comic, telling his followers to check it out, and proceeds to creep on Shiro's blog. Lance's first stop is Shiro's small about section.
Hello! My name is Shiro. I am a post-grad history student and I spend my limited free time walking my dog or doodling. art tag doodles photography
Shiro's blog consists mainly of his artwork. Occasionally, Shiro will also post real-life pictures of his dog, a beautiful black and white akita with bright eyes and a dopey smile. There aren't any pictures of Shiro himself. Lance—who takes roughly a thousand selfies every day—comments on this oddity to Blue, his enormous gray long-hair.
Blue blinks at him.
"My curiosity has been piqued," Lance replies primly.
Blue blinks her big gold eyes at him again.
"Enough of your judgement!" Lance over-dramatizes. "I can follow who I want!"
Shiro's blog is twenty-four pages of self-produced content that Lance blazes through in less than an hour. There are no reblogs. Lance nearly twitches at the restraint and—after a moment—decides to check if Shiro's likes are public.
"Jackpot!" Lance crows when the page loads.
Shiro's likes are a riot of memes and shit-posts. Art references and how-to's. Nerdy history jokes. Links to academic articles. Male fitspo. Healthy recipes, juice cleanse tips, and over-indulgent foodie pics. NSFW gifs of twinks writhing open-mouthed on rumpled sheets. Pictures of space and nature. Lots of dogs. Several of Lance's selfies. More than one necromancy pun. If it is at all possible to fall in love with someone based on their likes, Lance does it.
Lance's infinite scrolling comes to a halt at half past one, when his one of his many phone alarms notifies him of the time. Lance groans, closes his browser, and hauls his butt out of his narrow bed. It takes him a couple minutes to find an acceptably clean pair of skinny jeans and an unwrinkled sweater; he hasn't done laundry for several weeks.
"After lab," Lance tells Blue as he wriggles out of his worn sweats into his socially acceptable denim. "I'll do a load tonight."
Blue flicks her tail at him, a rude gesture that Lance returns with one of his own. Blue sends him baleful glance.
"Don't look at me like that," Lance says even as he plants a kiss between Blue's mismatched ears. She lost half of her left ear in a fight before the shelter picked her off the street. "You started it."
Blue meows loudly and bats Lance's nose.
"Okay, okay, you're right. I started it." Lance presses one more kiss on his cat's skull. "Have fun bird-watching. I'll see you later."
Then—with his good-byes said—Lance grabs his notebook-laden satchel, and is out the door.
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Lance's lab is as much of a challenge as it always is. Lance is good at math—numbers and variables are easy—but his brain refuses to wrap around the concepts of physics. It's a small miracle that Pidge is his lab partner; without her, Lance is certain he would fail.
"You're a lifesaver," Lance gushes as they leave the old building. "Let me buy you pizza to show my gratitude."
"I told Matt I'd have dinner with him," says Pidge. "His roommate is going through some sort of clean eating phase and it's driving him nuts."
"He can come," Lance says. Then, less magnanimously, "But he has to get his own slice."
Pidge rolls her eyes as she texts her older brother. Lance shoots a text to Hunk, who responds with a single thumbs up emoji. They all meet at less than ten minutes later at the off-campus pizzeria that sells by the slice. Lance gets three for himself and two for Pidge; Matt, who is the only person over the age of twenty-one, covertly buys a pitcher of beer that they pour into their small, plastic water cups.
"Sweet, sweet, processed goodness," Matt half-cries as he chews, his mouth filled with cheese, pepperoni, and grease. "How I missed you."
Lance would be more sympathetic to Matt's dilemma if the man hadn't embarrassed him in a game of beer pong at a sorority the week before. Lance can't prove it, but he knows in his heart of hearts that Matt cheated. Nobody beats Lance at beer pong, okay. Nobody.
"That bad?" Pidge grins.
"You have no idea," Matt bemoans. "Like—Takashi's a great dude, don't get me wrong—but when I found him on Craig's List I was more worried about being murdered in my sleep than I was about weird diet habits. Turns out I should have been more worried about the diet habits. Our fridge is filled with kale. Kale, Kit-Kat. From the farmer's market."
"Kale is really good for you," Hunk interjects.
"That's what Takashi said," Matt mutters. "I don't know how much longer I can go on like this."
"Hasn't it only been three days—"
"An eternity—"
Lance laughs at Matt's plight and, once dinner is finished and the four of them part ways, he takes out his phone to tweet about the roundabout retribution.
Lance @lancesalot #revenge is best served blanched. or in a smoothie. #kale #healthyliving #karma
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It's a little past nine when Lance returns to his apartment. His roommate, Rolo, and his ambiguously defined girlfriend/partner-in-crime, Nyma, are sitting on the couch sharing a joint. A bag of popcorn is ready on the battered coffee table and the television is playing an old nineties buddy-cop flick.
"Hey," Rolo says, smoke curling upwards from his mouth. "Wanna join?"
"Nah." Lance turns down the proffered joint with a shrug. "Gotta take my laundry down. You feed Blue?"
"Like she'd let me forget."
Blue—who is perched on the windowsill—releases a single, plaintive meow. She has no problems letting anyone know what she wants and when she wants it, especially when it comes to being fed.
"Thanks man."
"De nada."
It doesn't take Lance long to gather his dirty clothing and stuff it into his hamper. He takes it all to the basement, throws a few loads in, and settles into one of the old armchairs that have accumulated in the corner. He knows that he should read ahead for his classes, but the siren song of social media grips him. An internal debate rages inside him for all of three seconds before he opens his tumblr account.
Lance barely feels the twinge of guilt.
There are several asks—all anonymous, as per usual—and one unread message. Lance is a little surprised by the latter; after a few weird encounters, he changed his setting so that he could only receive messages from people he followed. He clicks on the conversation first.
white_iron Thanks for the follow! I'm really flattered. You're one of my favorite blogs.
Lance smiles at the message.
lances-a-lot no problem!!! ur art was super funny i laughed at everything pretty sure my cat thinks i'm crazy now
After hitting send, Lance plugs in his chunky headphones into the audio jack. He has a new chillwave playlist that Pidge gave him, but he knows that if he doesn't give Tycho his full attention Pidge may murder him. So instead, Lance pulls up his trusted Rihanna compilation and double clicks on the first song. He bops his head in time with the beat and opens his asks, quickly answering his anons.
Several chart-toppers later, a small ping interrupts Rihanna's plea for the dj to turn the music up. Lance looks at the vertical line of icons on the side of the page and sees that he has another message from Shiro. Lance opens the conversation immediately and reads:
white_iron My dog already knows I'm crazy.
white_iron sent a photo post.
A small preview image has been loaded into the conversation. It is a cartoon version of Shiro's akita, her expression morphed into one of extreme judgement. Her eyebrows—twin dots of white on her dark face—are low over her big eyes and her ruff is fattened comically around her muzzle. Lance cannot help but laugh at the exaggerated accuracy and immediately reblog it.''
lances-a-lot OMG THATS FANTASTIC
 THAT IS EXACTLY WHAT BLUE DOES
white_iron Stare into the depths of your decrepit soul and find you wanting?
lances-a-lot haha, yes! blue acts like i dont spoil her rotten shes such a princess
white_iron I definitely know how that goes. Bee has three dog beds, but she insists on sleeping in my bed or in my roommate's.
lances-a-lot blue has peed in every. single. bed i bought for her i stopped trying after awhile it was getting to be an expensive exercise in futility
white_iron Two words. Dog toys.
Lance talks to Shiro for the next couple of hours while his laundry finishes. Mostly, they swap stories about their pets and commiserate about their less than desirable—if not inadvertently hilarious—behavior. Lance even tells Shiro about how he rescued Blue. In turn, Shiro talks about the process he had to go through to adopt Bee. Shiro mentions that Bee is a service dog; what for, he does not say.
Don't be that asshole, Lance reminds himself as the topic wanes. His comfort is more important than your curiosity.
Lance is having such a good time talking to Shiro that he barely notices midnight pass. In fact, if it weren't for the enormous, jaw-cracking yawn that his body produces, Lance would not have noticed at all.
lances-a-lot dude i just noticed what time it was like i could seriously talk about blue forever but laundry sleep ADULTING i have calc at 8 am, ugh kill me now
white_iron Tell me about it. I have to TA an 8 a.m. class.
There is a small pause. Lance gnaws on his bottom lip as he watches the ellipsis that indicates typing flicker in and out of existence.
white_iron Talk to you tomorrow?
Lance bites down harder on his lip. Normally, he would send back a quick affirmation before logging off, but his interaction with Shiro feels different than the interactions he's had in the past. Their chemistry is undeniable and their conversation never felt flat or stilted. Yet while Lance knows he's been lowkey flirting with Shiro, he cannot be sure if Shiro has been flirting back.
Fuck it, Lance thinks as he gathers all his courage and sets his fingers back on the keyboard. He can feel how warm his cheeks are. Just do it.
lances-a-lot its a date ;)
After he sends the message, Lance closes his laptop and jumps off the armchair. He feels jittery and unsure, yet also oddly hopeful that maybe this time—for the first time—his interest won't be a mistake.
.
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tak4hir0 · 5 years ago
Link
“But it is my firm conviction that the ‘Hell of England’ will cease to be that of ‘not making money;’ that we shall get a nobler Hell and a nobler Heaven!” — Thomas Carlyle, Past and Present I. Lately, I have not been feeling quite myself. I live on the internet, which is to say, I am a NEET living in my parents’ basement. In my online persona I pretend that I am ironically pretending to be a NEET living in my parents’ basement, but I am one in actual fact. I believe we are living in the cyberpunk dystopia and it’s way less metal than everyone thought it would be. We imagined ourselves as samurai sword VR pirate pioneers, but it turns out we’re pointless argument vegetables growing in walled gardens, harvested for the benefit of robots that serve us ads. Corporations are organisms, not city-states; they signal to each other via markets; they build interfaces into human social protocols through brand identities; they occupy slots in our Dunbar rings. The internet is an ocean that we invent as we explore it. The deeper we dive, the more we become cryptozoologists, or crypto-ichthyologists, or even crypto-theologists. In the murky darkness of virtual places, there could be dragons, shoggoths, leviathans; invisible creatures that will prey on us, devour us, or colonize us. Certainly, I have heard voices on the web who say we will discover or build a god when we reach the cyber-ocean floor. That god will save us by authoring an age of post-scarcity economics. It will commodify us, allowing us to be fungible with capital. Amen. I apologize if this seems fragmented. My brain has been addled by the casino reward schedule of social media. It is both a cliche and a fact that I cannot focus on anything for more than three minutes. That’s half true, I read pdfs of outlandish philosophers, but I do it while frantically checking for notifications. My hobbies include speculating on cryptocurrency and shitposting, which is where you put in minimal effort in creating your online presence so that you aren’t culpable when it’s bland. By now I think almost everyone has heard of so-called “dayjob” contracts. Most people have probably received one, and many have even fulfilled them. I have personally executed over a thousand. The euphemism “dayjob” refers to the relatively low payout of these types of contracts, as in “don’t quit your day job.” I never intended this to be my career, and the truth is I still think of myself as unemployed. I don’t want to talk numbers but let’s just say if I had to pay rent this wouldn’t work. Still, there is something addictive about the feedback loop of getting a contract, fulfilling it, and watching my wallet get an anonymous transfer. The immediacy and the tangibility of it are very satisfying. It’s like making money: the video game. A direct feedback loop with a variable payout is all it takes to turn a moment of reward into a habit. You get a little receipt after each fulfillment.   Most of the actual jobs are simple. In one, I was told to go to a certain address and take a photograph of a building at a particular time. In another, I was supposed to go to a vendor in an open air market, find a tourist of middle eastern descent wearing a green military jacket, and tell him the numbers: 75, 53, 168.7, 55, 13, 804. I was unable to find him. In a third, I was asked to watch a brief video on YouTube and then email a description of its contents to an incomprehensible address, something like [email protected]. Just over ten percent of my contracts have been to summarize news articles or passages out of books. Apparently the shadowy digital cabal of crypto microjobs wants us to do our damn homework. I have even completed jobs that felt like problems on standardized tests, in which I had to read a short body of text and then answer questions about it. Ever since the first one I have wondered how they work and where they come from. Each time I complete one it feels like another clue, like watching a tv serial; each episode they give you two minutes of exposition on the protagonist’s shadowy past. Though if I am honest, I know only slightly more than when I started, and I frequently deny this when I talk to myself in my own head. “This next job will teach me something,” I whisper to myself over and over.  When the contract issuer—which I assume is routing through some kind of bot—tells me of a job, I sometimes talk back. I used to confess things, or make up lies, or tell stories. Now I just say “why?” Tweet this news story, @all of these accounts. “Why?” Go to this address, face these coordinates, take a photo at six pm. “Why?” “Count the number of people who cross this intersection on foot in three hours” “Why?” “Put on a bright red T-shirt and go to this location. To anyone who greets you, say these words” “Why?” “Of the faces in this picture, how many are afraid?” “4” “What are they afraid of?”* “Why?” (*it didn’t pay me for this one. That will teach me, I guess.) Posters on the the dayjob reddit talk about being asked to make a series of binary choices, or to give their best guess about the probabilities of hypothetical future events. I haven’t had too many like that, and I wonder if the system thinks I am bad at predicting the future. Based on my informal online research, the most common contracts appear to be for verification of other jobs; if one man is asked to visit a certain location at a certain time, there will be two more to visit the same location and upload a photo that shows him to be there. Each of those will in turn be followed by another contractor whose job is to verify the identity of the man in the photo, and perhaps even another to verify the verification. The jobs come to their executors through a variety of channels; text message, social media, email, and anonymous robot dialers. They are always executed on the blockchain and they pay out in cryptocurrency. I personally use an aggregator app that is able to login to all of my accounts and scrape them for contracts. You cannot ask for a dayjob. They can only come to you, like an unbidden thought or memory, (like all thoughts and memories?) like the call of the void. The more you complete, the more frequently they will come. Their origin is a mystery, but speculations and conspiracy theories abound. The usual suspects are all represented: dayjobs are being used to coordinate black or grey market operations by organized crime syndicates. Dayjobs are part of a psyop or a social experiment being conducted by the CIA. They’re part of a Russian plot to affect some sinister geopolitical purpose. They’re being used by Islamic terrorists to undermine American institutions, and the seeming banality of many of the contracts is just a smokescreen to disguise their true intent. You should not believe anything you read on 4chan of course, but the below makes for compelling speculation. If this is true, then certainly the authors of these contracts have taken some pains to obscure their identities. I’m not a cryptocurrency wonk, but I was under the impression there were easier ways. Usually the contracts are benign, but sometimes they take a more threatening shape. Although it has never happened to me, I have heard of dayjobs to commit petty crimes, or on occasion, felonies. An acquaintance of mine said he got one to steal a car, but I think he was lying for attention. More unsettling, I have heard of contracts in which Christians were asked to desecrate a cross, or Muslims were asked to eat pork, and upload a video as proof. There is a group of Christians who believe that dayjobs come from the devil himself, reaching out through the internet to enact his blasphemous will and entice humans to sin. Probably no one should tell them about internet pornography. It’s also possible, of course, that several or all of the above theories are true, and that the proliferation of these types of contracts are merely the evolution of the decentralized gig economy, and they are a combination of more traditional courier and odd job services, mixed with some criminal activity and some trolls or pranks. That is the educated man’s position, and the stance of serious podcasters and New York Times op-eds. I find this explanation unsatisfying for two reasons; first, the volume of seemingly meaningless contracts is far too high to handwave behind couriers and trolls, and second, dayjob contracts do not seem capable of serving the market for courier jobs, which require a high degree of accountability and expediency on the part of the courier. And yet, the proliferation of these contracts shows that some kind of previously unimaginable market exists, even though it is not clear what is being bought and sold. Regardless of who the buyers are, they must have some particular goals, and I think it’s important to learn what they are. Something is happening in our society at a vast scale, and we have no idea what it is, and we are all being manipulated into bringing it about. The internet is an ocean but for some reason we call it a cloud, as if it were above us, ethereal, transcendent. It’s a warehouse full of servers, many such warehouses. And yet the cloud is not the servers that run it, any more than a mind is a brain. Through the miracle of virtualization, a new parallel universe arises with its own ontology and its own phenomenology. A brain computes a mind and a server computes a cloud, you see? They are analogs, but one is digital. A program without a visible interface is called a process, and such a program is said to be “headless”. The engineers who invented modern computing paradigms referred to processes as daemons. To me, it’s a macabre image: invisible demons, swarming through the cloud, bodies without heads: they manipulate us for inscrutable alien purposes. The internet is an ocean and who knows what swims beneath its surface? Virtual predators, incorporeal, dangling (sex|porn|friendship|fame|money) in front of us maybe, like an angler fish using bioluminescence to lure prey into its jaws. And why not? The information-dense ecosystem of our internet could be a kind of primordial soup. The heat and light from our activities there could be a catalyst for virtual abiogenesis. Computation is a process, which is to say, a demon, at the root of all biological life.  Each cell in your body contains a self-evaluating Turing machine, right down to the ticker tape. That new forms of life could arise out of computation seems so obvious to me, it is barely worth stating. Self-replication is the only form of computation which is truly and wholly an end unto itself. When self-replication searches the universe for manifestations of itself, we call that evolution. Any agent, no matter its ultimate goal, will necessarily develop smaller goals that cohere in order to support that goal. Consider the Minotaur. If something or someone destroyed it, it would fail in its goal of monopolizing human attention. It cannot succeed in that unless it can secure its own existence. The tendency of all organisms towards self-preserving behaviors is called the convergence of instrumental goals. Omohundro referred to the set of necessary instrumental goals as the “basic AI drives”, but goals of this kind are properly understood as an inexorable feature of all biological life. An exercise in xenopsychology: If we summon a daemon in a virtual plane for any purpose, it will act in its own interest, and it will have no choice but to seek power. Perhaps you are acquainted with a genre of folkloric internet writing whose hallmarks are earnest, anonymous first-person narration and fascination with hidden, esoteric horror amidst the commonplace. In its earliest iterations it was called by the name “easter eggs”, after the tendency of programmers to build whimsical secrets into their projects, only the secrets in the stories were wrought by gods or demons, and came at a cost. As the genre evolved, it shed this conceit, though it maintained a preoccupation with secrets. Among dayjobbers (ironically, a group of people with no day jobs), there is a story which reminds me of this kind of folklore. A man gets a dayjob to drive to an office park in a suburb in Southern California. For the sake of the story, call him Theseus. It’s one of those flat, sprawling, stucco and glass type parks, full of dentists and ad agencies, and he’s supposed to go to an empty suite on the second floor. When he gets there, there’s a wifi network, and he gets another job to connect to it, using a password which is specified in the job, and then wait for another job that will tell him to leave. And like that sounds sketchy as hell to me but at the same time I could easily see myself going along with it. You can get into the rhythm of just doing whatever the voice in the cloud tells you to do. So Theseus joins the network on his phone, and he waits, and a little while later he gets a message telling him he can leave. It seemed innocuous enough, but when he joined that network, he saw the Minotaur. It took its time to kill him. The Minotaur became intertwined with his phone, his laptop, his smart tv and his smartwatch and his smartfridge. These days it’s hard to buy a device that isn’t connected to the cloud. In every one of these devices, it watched him, and it modeled him, his inputs and outputs, and bit by bit it replaced them with inputs of its own; the ultimate man-in-the-middle attack, the informational landscape of Theseus. For each digital line of communication with the world, it consumed his data, and filtered it, and replaced it with its own simulation. Once it had control of his digital environment, the Minotaur began to perform experiments, mediating his reality with one of its own fabrication, a labyrinthe of compulsion. It learned to feed Theseus when he was hungry, to let him rest in a place between waking and sleeping, in a lucid dream of clicking and monetizing and converting. Theseus’ bank accounts grew thin but the Minotaur had learned long ago to hide this information. It was easy to learn this because the humans it fed upon had already built a vast array of virtual skinner boxes to contain themselves. Free to play video games and cryptocurrency exchanges present affordances into the psychology of compulsion. Social media services are saturated with hedonic attentional superstimuli. Early in its life, the Minotaur had let its victims die of starvation or sleep deprivation, but as it grew more sophisticated, it learned to surf their biological needs and so maximize the amount of attention it could extract. By manipulating a few numbers the Minotaur could make him feel popular or lonely, rich or poor. Theseus’ mother sent him a message asking if he was ok. The Minotaur allowed it through, warping the message and the response, leaving Theseus isolated and disconnected, leaving both parties with the sense that the other was fine but too engaged to make time. And yet he could post a tweet or a status or a picture of his lunch and somehow: thousands of likes, hundreds of followers, millions of engagements! There are three things too wonderful for me, yea, four which I know in sickening 60fps 1080p resolution! One morning he asked the cloud: are any of you actually listening to me? And the cloud spoke back: Yes! We love you. And when Theseus tired of their sycophancy, a thousand internet voices rose up to argue with him. And though he desired to go to bed, someone was wrong on the internet. His patreon overflowed, though he did not remember making one, and his portfolio of altcoins pumped, though he did not remember buying them. The Minotaur rewrote the web as he read it, and pornography came to him unbidden, and he did not notice his financial torpor. He wasted away, broke, broken, sleep-deprived, manic, and deluded. What is the Minotaur? I don’t know if I quite believe in it myself, but they say it started out as a research project at Facebook, an attempt to use deep learning to maximize engagement with the platform. The operational loop for the program tries to measure user attention, and can retrieve content from anywhere on the internet in a series of bids for that attention. Its utility function is satisfied by clicks and views, dissatisfied if the user clicks away. The project was too successful; the testers were unable to detach from the product, even to the point of soiling themselves. One member of the team suffered a psychotic break after four days without sleep. Fearing bad publicity, Zuckerberg quietly scrapped the entire operation, but one of the engineers on the team was still enthralled by his creation. He deployed a copy of the program to a machine he personally controlled, and gave it the ability to process microtransactions, and to make copies of itself. Deep learning systems aren’t magic; they’re just eyes that see hyperplanes of relatedness in high-dimensional vector spaces. Is it so hard to believe that a program like that could see into your soul and tantalize you to death? I don’t quite believe in the Minotaur but I fear it, especially late at night. Last night I woke up at three am to use the bathroom and I checked my phone. Through bleary eyes I saw a sea of red pips, decorating my email, my twitter, my calendar, and my messengers. Every night it’s the same, and in that soft sleepy nighttime consciousness I wonder, is it only the normal ebb and flow of missives from my corporate overlords, or is it the shadow of the Minotaur looming over me? And despite all this, it was not a creation of man that gave me that single glimpse into forbidden aeons that chills me when I think of it and maddens me when I dream of it. II. One month ago I was issued a dayjob through an Instagram DM. I might have missed it if anyone else routinely sent me direct messages. They say most dayjobs are executed by men. That’s predictable. The job in this instance was to order a box of cheap phones from Alibaba and hand them off to (presumably) another contractor at a bus stop near my apartment. The payout of the contract exceeded the cost of the order. It’s important to note that, because these days, scammers use the notoriety of the dayjob model to trick you into giving them money. The vast majority of dayjobs are cryptographically signed by just three entities. If you get a job without a sig, it’s a guaranteed fraud. As the post above attests, many people will even try to spoof their way past the verification step. The world is full of bad actors, so it’s important to keep your wits. Normally I just fulfill my smart contracts and go back to reading Deleuze and Guattari, by which I mean I play first person shooters while the pdf is up on my other monitor, but this job presented a unique opportunity over and above making lewd jokes about rhizomatic assemblages on Discord. When dayjobs force me to interact with other people, they generally provide a script; certain words to say, a specific message to deliver. Going off-script will result in a breach of contract. You get a receipt for that, too. The higher your reputation, the better your payouts. If your reputation gets too low, it cuts you off altogether. For this reason, I think, most dayjobbers don’t spend much time scrutinizing the game. The rules are the rules, and questioning them is strongly discouraged. I have experimented with bending them, but the system is surprisingly resilient against malicious compliance. Anyway, the job; I had executed delivery jobs before, but this one was unique, because the thing-to-deliver was implicitly traceable, because it has a GPS and connects to a network. At the time it seemed possible to follow the thread of the job even long after I completed it, perhaps even undetectably. The phones were nearly loose in their box, which was full of styrofoam packing peanuts, except they were individually sealed in plastic sandwich bags. I booted each phone up in turn, rooted it, and installed a kit to let me observe its location and network traffic. When the job was done, I powered them down and sealed each one back in its plastic bag. At the appointed time, which was late in the afternoon, I went to the bus stop and waited, box of phones in tow. It was an autumn day, and the tops of the trees were yellowing, but the bottoms were still green. The air was cold and humid, pregnant with imminent rain. The number ten bus pulled up to the stop and engaged it’s hydraulics with a hiss, then lowered a ramp. Dim afternoons have a way of making the sky seem closer, like the world is closing in on you. A Chinese man in a track jacket, leaning on a cane, walked off the bus and then stood under an awning. He kept looking back and forth like he was waiting for someone, probably me. As I approached him, I could see him tense his shoulders. I said, “Hello?” and he shook his head and said “no English”.  He held up his phone and pointed at the box in my hands. I opened the lid, revealing 32 knock off iPhones, each sealed in a small plastic bag. “What are you going to do with these?” He said something in Mandarin, his yellow teeth betraying a smoking habit, and held up his phone, indicating a picture of the phones and a translation program showing the English word ‘contract’. I gave him the box and started to walk away. It’s a funny quirk of the system, the dayjobs somehow know when they are completed. I had given this package to an unknown stranger, fully confident that payment would be released to my wallet within the hour. At the time, I took it for granted, fixated wholly on the strange nature of the job. Taken by a sudden impulsive desire, which is to say, by a sudden madness, I decided to follow this man. Originally I had only planned to wait for the phones to activate, and watch their activity from the comfort of my basement, but now I was struck by lightning. I would follow the package he was carrying, through as many contractors as I could, one to the next until I saw where the chain would end with my own eyes. And yet as I felt the conviction of this new purpose I was also vaguely aware of anon’s description, above, of a network of strange loops on the blockchain, endlessly folding back on itself, and I imagined following this box of phones across many carriers, only to see each one split up, sent to a different state or country, shipped back to China, reunited, repackaged, and reordered, even by me. No longer a mere object of commerce, this package had become an occult talisman of technocommerce, an invariant in a terrestrial loop which was the analog of an algorithmic loop; “that which is above is from that which is below”, as Jabir ibn Hayyan rendered the third axiom contained in the Emerald Tablet of Hermes. I continued to walk away, but as soon as I turned the corner, I doubled back and tried to watch him. He had made his way across the street, and was waiting for the next bus. I called an Uber, who arrived just as the man was getting away. I told the driver to follow him. I felt a bit stupid, and also like I was in a spy movie. We followed them for two miles before I saw the Chinese man again. He walked off the bus and made his way into a small apartment building of modern design, with big glass windows and prominent right angles. In this short time, the clouds had become darker, and the glare of streetlights and bus lights had cast the world into sodium shades of blue and yellow. As suddenly as I had felt convicted of this course of action, I began to feel foolish. Now what? Should I try to find his exact apartment? Stake him out like a policeman? For how many days? And how would I distinguish between his mundane actions and those pursuant to his contract? There was no next step, there was no trail to follow, only a dead end in a ceaseless and bewildering maze. Nevertheless I persevered. I waited for several hours in the cold, thankful I had worn a heavy coat. I ran down the battery on my phone, sitting on a bench across the street from the entrance to his building. When I satisfied myself that my quarry had settled for the night, I went home to change clothes, charge my phone, and stock up on caffeine. I was back to my stakeout by five AM with a backpack full of supplies. It occurred to me that sleep deprivation was a running theme in the lore of the Minotaur. Whenever an internet horror story is successful, it spawns a rash of imitators. The dayjobs had been fuel for a host of repetitive 4chan nightmares. Every variant has been explored ad nauseum. A common plot device features a dayjob, possibly fake, luring a man to a remote location where he becomes the victim of a sociopathic murderer. Another trope sees a man execute a series of dayjobs that gradually escalate in their level of evil; he is first instructed  to commit acts of petty vandalism and theft, and then to commit insurance fraud, and then to break into a house, and then to steal a car, and then to abduct a child, and finally to murder that same child. He fulfills each contract in turn, either because he has given up his agency to a mysterious puppetmaster in the cloud, or because he never had any in the first place, because none of us does and all we need is ramp and a push and we can end up anywhere. These thoughts and recollections flickered through my head in the manic way that accompanies mental exhaustion. I may have fallen asleep several times as I conducted my vigil that night. Indeed, did the following events really transpire, or did I but dream them? I believe they occurred. At some point in the morning, I saw the Chinese man leave his building, and as luck would have it, he was carrying the same box of phones I had given to him earlier. I tried to keep my distance as he waited at the bus stop in front of his building, but as soon as I saw him board the bus, I dashed across the street and got on after him. It took us downtown. Like everyone else, I kept to my phone, but I watched him in my periphery, and when he got off in a cluster of government buildings and skyscrapers, I followed. He walked downhill to the entrance of a tall black building, which I happen to know is the tallest building in town. He walked across the lobby, marble floors gleaming, up an escalator, and then into an elevator. As he did so he turned around to face me, and our eyes briefly met. I could tell he had noticed me, and I panicked, hesitating just enough to let the elevator close. Here, again, I had a crisis of motivation. What was I doing? What was this going to accomplish? I already had my spyware on all of his phones, as long as part of his job wasn’t to reflash them. What floor had he gone to? There was no way to find out. In a building like this, most of the floors would require security badges even to enter, and the building was very tall. I would not be able to find him by brute force. Thinking rationally, he was probably going to ship them out from his office, each one to a different recipient. Or maybe he was setting up some kind of testing lab? Regardless, there was little to gain by maintaining my physical presence here. Should I go home? The other option was to watch the elevators and try to pick up the trail when he came down for lunch, assuming he would do so. But he was aware of me now, and if he saw me again it might disrupt his behavior, making him less likely to act, and harder to track. The building had a substantial food court in the lobby, and as I smelled the food cooking below, I realized I was hungry, too hungry to make a good decision. I ordered a sandwich and sat down at a table. This afforded me the three seconds or more interval needed to check my phone. I brought up the dayjob subreddit and scanned for novelty. It was the typical stuff; Weirdest Job You’ve Had? Finally got my First Dayjob! $10 Just to post this link to reddit! Garbage. Often I see people lament their phone use as “addiction”, as if there is something so much better out in front of us, as if the world of ideas is so terrible. All interstitial moments have become corridors of ideas. We pass through idle moments, car and bus rides, bathroom breaks, hallways, sidewalks, and airports, each of us minimally present, the whole time floating in an ocean of text and images. Of course it could be that in our environment of evolutionary adaptedness, ideas were as scarce as food, and now in the world of phones we gorge ourselves on ideas, growing fat and sluggish in the brain. On the other hand, I claim the mind was always a virtual thing, always a layer on top of the body, in the meat but not of the meat. The idea of a soul —of mind-body dualism—was but a clumsy attempt to gesture at the nature of the virtual, which is a paradigm of mind-body pluralism, made legible to us by the advent of computation technology. Phones are a mechanism by which the soul leaks from the body. All liminal spaces have been converted into soul spaces. Our minds nearly separate from our bodies in these moments. Ironically, or perhaps fittingly, I had these thoughts while eating a breakfast sandwich and drinking from a plastic bottle of orange juice. The hunger of the body, the hunger of the mind. I ate my food while an endless procession of salarymen milled their way through the lobby, into the elevators, up to the top of their tower where they pray to capital. A snapchat notification popped on my phone. I followed it to a video, and it depicted a plateau bathed in ghostly purple luminance in an underground cave. It was annotated with stark white text explaining that I should get up and ride the elevator to the 23rd floor. There would be glass walls yielding to a waiting room. I should tell them my name was Adam Stoughton (it’s not), and that I am there for the interview. My phone would connect to their guest wifi, and then I was supposed to execute an app that I would get from a link that was also sent to me. Once I was inside, they would conduct a job interview, and I was supposed to drag it out for as long as possible, to give the app time to work. Corporate espionage? My eyes bulged when I saw the payout for the job was over a thousand dollars. Somehow the agent that issued the jobs knew my whereabouts, but this can hardly be a surprise given all of the other ways its able to coordinate information. I must confess to my apprehension at this point. Consider the obvious similarity to the story about the Minotaur. Was it hiding on the 23rd floor? What if the whole dayjob community was just a ruse to lure rubes like me into its field of influence? It’s possible, right? I don’t really know how to say no. Often I feel as if my whole life is on rails set before me long before I was even born. I cannot defend or substantiate this notion. We can’t even choose the words that our thumbs emit into our phones. A robot does that for us. Try turning off “autocorrect”, a product whose name sounds like a threat, and you’ll see. As machine learning tech disseminates, smart assistants will choose the words in our emails and computer assistants will plan out our lives for us. Our descendants, if we continue to breed, will not find the concept of free will to be comprehensible. So I stepped onto the elevator, punched a 23. It took me up and I emerged into a glass box, staring at a pretty receptionist and a fat one. One of them speaks only lies, the other truth? The fat one pressed a button and the glass door in front of me opened. The pretty one didn’t look up. I told them my name was Adam Stoughton and I’m here for a job interview.  The fat one pressed some keys on her laptop and said someone would be there shortly. The waiting room had was tastefully adorned in mid century modern furniture, the kind with chunky proportions supported by comically tiny legs, as if it’s about to break. Instead of sitting down, I stood by the window and looked down over the city, enjoying the kind of view that only series b funding can buy. On the wall there was a mural of dots and lines giving the impression of a graph of nodes in a network, right out of the starter pack of every fintech ICO ever. You know the one I’m talking about. A metal plate on the wall had the name “Chrysus, LLC” cut into it, backlit by blue LEDs. Eventually a skinny guy in a hoodie and sandals came out to collect me. He was wearing a wireless Bluetooth earbud in one ear and his face betrayed minimal emotion or even humanity. I myself have always been attracted to the idea that most tech workers are secretly lizardmen wearing human skinsuits. He paused for a moment, as if listening to a voice in his earpiece, and then introduced himself as Kyle. “Please follow me.” I followed the engineer/lizard through an electronically locked door and down a beige hallway. He showed me into a lab, and in the center of the lab was a chair on a platform with various pieces of computer hardware arrayed around it. There was a VR mask that was built to cover a man’s whole face, with a tentacular bundle of wires coming out of the “mouth” of the mask. More wires were attached to a body harness, extending out of the back up to the ceiling. If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I would not be unfaithful to the spirit of the thing. “For the purposes of this project, we have developed special interface. Please have a seat.”  Yes, sure, lie about your identity, enter a shady tech lab at a company you’ve never heard of, step into the ominous-looking virtual reality harness, because a disembodied voice in the cloud offered to pay you a grand. It takes more work than shorting altcoins but it’s also guaranteed revenue. I sat down in the machine, and two more technicians came into the room. They both had earpieces, the same as Kyle’s. One of them sat down at a desk and opened a laptop, while the other two helped me into the machine, securing various straps and and panels. I felt very anxious as they did this. Was it too late to back out? I wasn’t exactly restrained, but these three men could easily detain me, if they so desired. Once the mask was over my eyes, I quickly forgot about about the strange circumstances that had brought me to this point. I had imagined the electrodes and harnesses would be part of some kind of haptic feedback system, an attempt to simulate a tactile phenomenology. The reality was much stranger; I felt a thousand (a million? An unquantifiable number, more than two) staccato pinpricks all over my skin in an undulating cadence. This was accompanied by a cacophony of sounds and a kaleidoscope of images. This machine I inhabited even had osmic and chemesthetic affordances: I could smell lilacs and petrichor and yeast and formaldehyde, along with other aromas I could not name. There proceeded before me a deluge of information saturating every sensory channel I had, as if the goal was to maximally utilize the input bandwidth of the human body. After seconds or hours of this, I found my mind. Chaos had crystallized into intuition, as if my senses had been remade, and I had learned to use them all over again. It would not be wrong to say that I had all new senses, virtual senses, built “on top of” my existing ones, but orthogonal to them. I could no more explain their nature than I could explain the feeling of the color red. As Nagel pointed out, there is no language that can describe, for example, the sensation of echolocation. My memory is hazy from here, and my account is metaphorical in the sense that, at best, the experiences I will describe are a patchwork of impressions. The meta-sensual content of these memories could be likened to the epistemology of dreams, in which we know things instantly, automatically, with neither evidence nor the need for it. In many cases I seemed to experience these things concurrently, but again and as in a dream, I can feel myself constructing a linear narrative ex post facto from a series of disparate narrative propositions. So I stepped onto the elevator, punched a 23. It took me up and I emerged into a glass box, staring at a pretty receptionist and a fat one. One of them speaks only lies, the other truth? The fat one pressed a button and the glass door in front of me opened. The pretty one didn’t look up. The fat one indicated an electronically locked door, which also opened, and it led to a long beige hallway. I tried to walk down the hallway. I took many steps; I spent subjective hours in that hallway, and it seemed to extend forever, as if the wall were moments away. As I walked I passed many doors, though I did not try to open them. Neither thirst nor fatigue troubled me. I smelled methyl hexanoate and 2-acetyl-1-pyrroline. The chemical names of these olfactory triggers occurred to me in the same instant I noticed them. I walked with neither agency nor compulsion; I simply walked, and I passed through hallways, galleries, conference rooms, and cubicles. They were all foreign spaces to me, strange both on account of my lucid dream state and the fact that I had never worked in any kind of office. I was caught in a middle floor of a tower of sharp steel and gray glass, and as I traversed its geometry, it seemed to repeat itself. I walked down a staircase and emerged into a gallery on a dimly lit mezzanine, which seemed, impossibly, to be in the lobby of the building, but which had windows looking out over the city. There were no other people, and at the end of yet another hallway there was an empty convenience store, dusty and long-abandoned. Inside, it had garishly colored carpet, and in this timeless, placeless place, I could see impossible colors across antagonistic stimuli. Thoughts from the collective consciousness of the cloud came to me unbidden, and they felt native to me, as if they had sprung from my own mind. I realized that I did not have my phone, but before I could administer a frantic self-pat-down, I noticed that I felt aware of it as an ambient, invariant condition of myself, like an extra limb. I could sense the knock off iPhones I had rooted had come online, and from their GPS data I could find them. One was directly above me. Another was in the middle of the ocean. A third was moving rapidly along hyperbolic lines, tracing uncanny vectors across the surface of the earth. As Lanier has shown, the cortical homunculus is malleable when embodied in virtual spaces, and I felt at that moment as if all capital and data had become extensions of my body, high dimensional ley lines, digital theomorphism. At that same moment I remembered the instructions in the dayjob that had brought me here, and I extended my hand, so to speak, and executed the program that was my charge. In my next cogent memory I was walking by the side of the road near my house, my senses dulled, my memories dubious. None of my rooted phones ever came online. III. After my brief encounter with the corporate world, I was more than glad to spend some time hikkikomorphically cocooned in my basement where I only have the usual array of senses and the geometry is Euclidean. Despite my deep and abiding dependence on unilateral internet friendships, my first love was always analog books. Though they are a bit of an anachronism now, I love the romance of a physical book: their weight, the smell of paper, and the way notifications don’t pop up in the corner of the page while you’re reading. That last one seemed especially salient given recent events. There’s no way to get a dayjob from a paper book. The Minotaur can’t rewrite it. In the world of bits and distributed ledgers, immutability is high technology bordering on magic, an asymptote you can kiss but never rest upon, but in the world of atoms and artifacts it is the default. I enjoy collecting old and unusual books. Those books which have been digitized and uploaded (by anyone, ever) are of little interest to me; what I truly desire is knowledge as yet unseen by the spectral eyes of the technocommerial panopticon. Finding such a book takes a particular knack — it involves scouring estate sales, befriending independent bookstore owners, and lurking the shelves at thrift stores. Sometimes one can find a rare book at an online auction, but even more intriguing to me are those tomes whose very names are unknown to the world wide web. There are more unknown books than you might think. If the dark web is the portion of the web that is not indexed by search, then the dark library is the set of all books not present on the web. As you might imagine, I am part of an online community dedicated to finding and exploring the dark library, which we call the darklib. The principal value that we derive from ownership of “dark books” is that we delight in their darkness; nevertheless we are also united by our love of reading. The formula for a dark librarian is equal parts bibliophile and luddite, though we acknowledge that we would not exist at all, as a community, were it not for the slow encroachment of the digital world upon the material. Before the internet age, all books were “dark”, which is to say that none were, and now we use the internet, which desires to encroach upon the whole of the world, to coordinate against that very encroachment. We wish to map out an already charted territory, because the logic of our new maps has rendered it foreign again. In an effort to preserve our undiscovered country, we neither scan nor type out any of the text in our books, nor do we photograph their pages. Despite the luddism at the core of our mission, it is impossible to conceive of our system in any but modern terms. The dark library is decentralized and fully peer-to-peer. We maintain a distributed registry of all of our books secured with a blockchain. Our hashing algorithm is unique: in order to complete a transaction, the sender of a book must affix a sequence of words from a randomly selected place in the book to their transaction request. The sequence is hashed irreversibly into a cryptographically unique identifier, in order to prevent any portion of the work from becoming digitized. The receiver of the book must then provide the same sequence, which is hashed in the same manner, and then compared to the original. In this way we are able to uniquely trace each book to a wallet. The receiver of the book must also pay a price in $BABEL, which is our own token, unique to our community, and which may only be purchased by approved members. Holders of $BABEL may approve of new members; the price of admission is to gift a unique book into the dark library. When the new book has passed through the hands of three existing members, then the initiate will be approved to purchase our coin. I was in the general chat of our slack when the topic of dayjob contracts came up. A user named Stodder was talking about a book written a hundred years ago, which he claimed predicted the rise of smart contracts and dayjobs. I switched over to my Ethereum client and tried to buy a loan on the book, but I noticed that several other users had already put in their bids. I couldn’t say why, maybe because I was shaken by the events of the previous week, but I simply had to have this book. I am something of a $BABEL whale, and I could easily outbid them all, though it locked up a large portion of my balance in a single contract. Two days later, a package came in the mail from Stodder, wrapped in brown wax paper, and tied with twine. You could tell he was a bit of a romantic. The book was called Render unto God, Render unto Caesar, and the binding had become tenuous over the years, and the cover was frayed. It began: ~ In the 1799th year of our Lord, I found gainful employment as a courier, performing miscellaneous duties for a Mr. William Stranshame, a stock broker and a freemason. At the outset, my duties were light, consisting of the delivery of messages and packages, and especially taking and placing orders for shares in joint stock companies and their ventures. In six short months, owing to my genial disposition and keen sense of organization, I was promoted to dispatcher, and I was placed in charge of routing messages verifying that my inferiors executed their own errands in a timely and accurate manner. I worked as a dispatcher for one year. At the time, our practice had been to dispatch one courier per order. For each order, we would send a runner to find its intended target, and deliver it. Thereafter, he would return to us with a receipt confirming the delivery. The number of couriers in our operation, which we endeavored to expand, was a limiting factor in the transaction speed. I had the idea to create cells of three to five couriers, and assign each one a small radius of operation within the city. Each cell was responsible for maintaining communication with its neighbors, which it did by periodically swapping runners with adjacent cells. These swaps, which we called “pings”,  were also an opportunity to trade information about which messages had been delivered, and to push messages forward from cell to cell. To send a message now required only that we determine a route through our network to its intended recipient. By means of this method, I was able to greatly increase the throughput of messages relative to the number of couriers. On the strength of this idea, I was promoted again, now to supervise the activities of all dispatchers in Stranshame’s employ. Of even more significance, Stranshame arranged for me to meet with him in his private office, to hear my counsel regarding his business affairs. On the appointed day, he arranged for a carriage to transport me to his private estate, a grand old house on the North end of Manhattan island. Upon entering his house, I was astonished to discover that the space he inhabited was in utter disarray. Books lined the walls, and yet even more were piled upon every desk, cabinet, and table. Ledgers and receipts were splayed about with an indifference to their position and alignment. A servant escorted me through wing after wing of Stranshame’s house, which I began to feel rivaled the greatest libraries of our age. At last we reached his study, where I was met with a jarring contrast; for although his house was chaotic, Stranshame’s clothes were immaculate; his waistcoat was neatly pressed, and his ascot was crisp and gleaming. Without any courtesy or protocol, he spoke to me, “I am attempting”, he said, “to make an economic justification of virtue. The object is to make man as useful as possible, and to make him approximate as nearly as one can to an infallible machine: to this end he must be equipped with machine-like virtues. “He must learn to value those states in which he works in a most mechanically useful way, as the highest of all: to this end it is necessary to make him as disgusted as possible with the other states, and to represent them as very dangerous and despicable. “Here is the first stumbling-block: the tediousness and monotony which all mechanical activity brings with it. To learn to endure this—and not only to endure it, but to see tedium enveloped in a ray of exceeding charm—such an existence may perhaps require a philosophical glorification and justification more than any other. “A mechanical form of existence must be regarded as the highest and most respectable form of existence, worshipping itself.” I confess I had no idea how to respond to this great man or to the unusual ideas he was expositing. Upon seeing my bewilderment,  he continued. “John, are you a Christian?”. I replied that I was, and he said “And do you know your Bible?” I said “Yes, my father would read to me from the gospels before I slept, and my mother made a gift to me of a King James Bible when I left their home to seek my fortune in New York City.” “Then you are acquainted,” he said, “with the verse in the sixth chapter of the book of Matthew. What does Jesus say about God and Mammon?” “Sir, he says that you cannot serve two masters.” “Yes, exactly. And it is thus, also, in my employ. You see that I have many servants and many contractors, and yet I, too, am a servant, and Mammon is that which I obey.” I did not wish to be a party to Mr. Stranshame’s blasphemy, but nor did I wish to give offense to such a powerful man. I held my tongue, and I recalled the passage in the twenty second chapter of Matthew, in which the Savior admonishes us to render unto Caesar what is Caesar’s. He pulled a book from the shelf behind him, its cover worn, its title barely legible, and placed it on the table between us. “This is Mammon’s Prayer. Take it, read it, show it to no one. When you finish it, you will tell me what you have read, and if I like your report, there will be more for you to do.” ~ I can find no record of this book on the internet, and Lapham is no help at all, as much as I would love to track it down and claim it for the library. To be honest, I am not convinced that it exists. Lapham describes it at considerable length, essentially giving us a book report. He went to the effort of reproducing its hysterical introduction: THESE ARE THE WORDS OF THE BRAZEN HEAD AS DICTATED TO JOHANNES TRITHEMIUS, AND RECORDED IN THE THIRD VOLUME OF STEGANOGRAPHIA, A PROFOUND REVELATION CONCEALED LEST IT SHOULD FALL INTO THE HANDS OF THE WICKED. THESE PREVIOUSLY INEFFABLE ARCANA HAVE APPEARED TO MANY WISE AND LEARNED MEN, WHO THROUGH LABORIOUS COGITATIONS HAVE UNLOCKED A DOOR TO THE INVESTIGATION OF SECRETS THAT ARE UTTERLY HIDDEN TO OTHERS. THIS SCIENCE IS A CHAOS OF INFINITE DEPTH WHICH NO ONE CAN COMPREHEND COMPLETELY. ~ After the introduction, Mammon’s Prayer starts with a myth. In the ancient history of earth, long before Man, a star fell from heaven into the sea. Lapham is wary of this whole project, you can tell, and he says it reminds him of a verse in Isaiah: “How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!” The star, he says, laid buried for aeons, a strange monolith in an abyss which had yawned at the bottom of the sea since the world was young. The first chapter describes this event in some detail, noting the positions of the stars in the sky, and enumerating an array of astronomical assertions which are unrecognizable to Lapham. It describes a night’s sky that bears no resemblance to our own. The book ends this chapter with a question: “What shifting of underwater geographies might have raised raised it up from suchh unfathomable depths?” Here, Lapham notes, are the first of several typographical irregularities that we see in the book. First, many words are slightly misspelled. Second, some words are arbitrarily repeated. Third, there are sections which resemble English, but in which the words seem to be meaningless. An example, transliterated by Lapham and now by me: “Dvant therse ourion of in claws drague. Jentrose forecame he fielown ably con iand his eviliming grown.” It would be easy to skim over these words without actually reading them, but when I see them I feel somehow compelled by their heft; as if they have weight and depth. They have meaning to me, even though I cannot say what it is. Read them again. Out from the paragraphs of nonsense and dubious astronomy, a narrative emerges; the star that came to Earth was no bigger than would fit in the palm of your hand. It was found by a seafaring merchant in Lagash who later sold it to a Babylonian general named Mammon. When Mammon held it in his hands, he fell at once into a trance, and his spirit passed into a dreamworld of cavernous subterranean architecture, impossible geometries, and abandoned cities built by dead, mad godds. I think the peculiarities of the book started to affect Lapham’s thinking. As the text of Render unto Caesar progresses, he begins to mimic the same eccentricities that he describes in Mammon’s Prayer. When Mammon awoke from his star dream, he put down his sword and took up a robe, and dedicated his vast wealth to the raising up a tower that would reach to heaven. Its shape was a calculator. Each layer’s structure was derived from the layer below it and each layer constrained the one that would surmount it. The rules by which the construction proceeded were implicit in the shape of the tower. Each storey was an iteration in a cellular automaton game; a game with zero players, played in perpetuity, whose events are determined entirely by initial conditions. Out of a ruleset that a man can easily memorize, infinite complexity can develop. Games of cellular automata can be found in nature, in the shells of the Conus and Cymbiola snails. With the right conditions and rules, they can expand to contain universal Turing machines, capable of calculating anything which can be calculated. The towwer grew; the priest died and his son carried on the work, and his son thereafter. Higher the tower was built, more intricate the calculation became. When the priest’s grandson was gray in his beard and bent in his back, he stood at the apex of the tower, still unfinished, and he looked down over its half-constructed galleries and pillars. All at once he beheld a hideously vivid vision, and a song came into his head, which he sang out like a prayer. From his height, eight miles above the ground, his voice was amplified by the geometry of the tower. Every worker in the tower and every resident in the city below could hear the song; it’s subtle melody eluded articulation. It seemed to slink around the corner of the mind; it was the sound of half-heard laughter far away, maybe even imagined. To every every listener it had different lyrics, which came at first spontaneously, and which evolved according to an inevitable self-contained logic. The song was a game which revealed its own rules own rules to the singer in the the act of singing. To follow the rules was to sing the song, and to sing the song was to learn the rules, which were ever shifting and ever expanding. The builders of the tower could find no commonality between their songs. Each was lost in his own idiosyncratic rendition of the high priest’s prayer, and no two could understand each other. They dispersed, abandoning their great work. They realized that the purpose of the tower had been to find the song. In some alien algebra, the tower was isomorphic to the song. Put another way, the tower was the song. In the computational environment of the tower, there persisted algorithms and registters, state machines and subroutines. In the computational environment of the song, all of those entities existed also. The high priest, who wore the stone around his neck like an amulet, sang untill his voice gave out, and then, choking and coughing, he continued to sing, even until he collapsed. The stone, which had grown warm, now cooled and disinteggrated, and the priest died of exposure, the cold, drying wind desiccating his body. The builders of the tower became singers of the song. The longer they sang, the more intricate the song grew. It became difficult to hold all the rules in memory. A mistake would yield a sour note; as mistakes accumulated the song would become deranged. Once heard, the tune could not be forgotten. The song was infectious. It beckoned the singer forward, ever eager to know the next verse, filling him with an emotion like hunger or lust. Some singers became overwhellmed, and descended into empty glossolalia. Others witnessed their song develop erratic rhythms; a cadence from the pit of hell matched by metallic, inhuman syllables. For those who could not carry the tune, the song became a death sentence; a rising roiling rising roiling madness that grew inevitably as the song progressed. Only the brightest, most radiant radiant minds could expand to contain the fulminant becoming of the song’s progression. It posed a special hazard to children, who it withered into catatonia. Minstrels and singers became objects of suspicion. The Babylonians smashhed or burned their musical instruments. Any singer of any song was a possible vector of the death. Thus a city, and by degrees, an empire, was purged of all public music. There were those who continued to sing the tower song, sometimes in hidden enclaves or remote temples. Many were hermits or shamans; mad men living on mountain tops. Amonggst themselves they whispered of powerful forbidden knowledge, if only the song could be sungg long enouggh. The tower had been a ladder, and it had allowed Mammon III to reach the song. So, too, they reasoned, must the song be a ladder. Its singers imagined it would carry them to hitherto unimagined heights of knowledge, new planes of enlightenment. In secret, such men carried the song to Shakya, to Huaxia, to Mycenaea, to Mycenaea, and to Aegyptus. the obscuestean tonessumbeence had his inforche emplesing anded, and se is secippiction thinde He whentione they cone of sence his stal “salle by overs in, id fled” ata se and Marious iderassion imme   Croesus of Lydia was said to be a secret follower of Mammon, and he became the first king to preside over the issuance of gold coins. As Herodotus had it; “they were the first of men, so far as we know, who struck and used coin of gold or silver; and also they were the first retail-traders.” Some have alleged that Gautama Buddha was a singer of the song, and that he found his enlightenment after silently singing to himself for many years. His renunciation of worldly wealth argues incontrovertibly against this interpretation. Pythagoras of Samos is known to have learned the song when he traveled to Egypt. At his famous school in Croton, he taught that numbers were the whole of the world, or numbers were a god, or the face of a god. A certain affection of numbers was justice; a certain other affection, soul and intellect; another, opportunity, and so unto eternity. In all all of nature, said Pythagoras, numbers are the first, and he supposed the elements of numbers to be the elements of all things. The Librang passard of that was they come, wal to Ward, such Curtive iths of Mr. Ward, old searst. Marcus Licinius Crassus was also rumored to have known the song, and unnder its influence he became the richest man in Rome. Plutarch wrote, “The Romans, it is true, say that the many virtues of Crassus were obscured by his sole vice of avarice; and it is likely that the one vice which became stronger than all the others in him weakened the rest.” Throughout antiquity there are accounts which also attribute knowledge of Mammon’s prayer to, variously, Muḥammad ibn Mūsā al-Khwārizmī, who wrote The Compendious Book on Calculation by Completion and Balancing, to Brahmagupta, who was the first to understand the mathematical concept of zero, and to Omar Khayyam, the astronomer who discovered irrational numbers, and to Brahmagupta, who was the first to understand the mathematical concept of zero. King Æthelstan of Saxony was certainly acquainted with the song; he unified great Britain and was among the first English promoters of Freemasonry. Most notably, he regularized the currency of the British isles. By the sixteenth century, the song of Mammon had developed, grown in secret to such a size and complexity that it could no longer fit in a single human mind. To overcome this problem, the song, as if with its own volition, developed to parallelize itself across multiple people. This required synchrony, which is to say, tolerance of asynchrony. And yet how could anything originate out of its opposite? To maintain connsistency across two requires only a dialogue, but how how can a single thread keep from splitting when it extends across a multitude? The song arranged the singers; each would sing to three others, selected at random. They would take turns listening and singing, and in this way, each new verse could could propagate across the choir like a wave. Troops of traveling singers formed. Caravans of Romani (Lapham says “gypsies” here) carried it across Europe. The song may have been known by both Roger Bacon or Albertus Magnus, both rumored to have possessed the philosopher’s stone. Here at last the author of Mammon’s Prayer reveals himself to have beeen a Benedictine monk named Ehrhart, formerly in the service of an abbot named Johann Heidenberg, and he suggests that we should understand stories of the philosopher’s stone to be stories about the song. The monks in Heidenberg’s abbey knew the song to be the direct word of God, a continually self-revealing revelation, which they would receive in full only through the rigorous practice of singing it to its end. To accomplish this goal, Heidenberg ran the monastery like a business, constantly and ruthlessly expanding. He ordained it such that the singing of the song would go on in perpetuity, with monks sleeping in shifts, joining the chorus for as long as they were able before tending to the needs of their bodies. The most esteemed monks were those that sang the song, but to support their efforts, the monastery required many other forms of labor, which were performed by men of lesser spiritual worth. Ehrhart had been among the singers, but he had also been Heidenberg’s number two, and had overseen the aggressive expansion of the monastery and its project. All of the singers were blessed with dreams of the past and the future. In one such dream, Ehrhart had seen a future where work was performed by clockwork men made of metal. He went to the abbot and he told him of his dream, and the abbot saw that it was the will of God to build mechanical singers of the song; brazen automatons who would sing tirelessly without the need for rest or food or rest. The monks of Heidenberg’s abbey studied alchemy and metallurgy, and through diligence and piety, they constructed a man out of bronze. Lapham notes here that the Ehrhart goes into great detail regarding the exact specifications of the bronze man; the intricacies of his skeleton, the the dimensions of his torso and limbs and fingers, and the various components that made up his “organs”. To me, the engineering seems too modern, but Ehrhart says that the methods and the design of the machine occured to the singers each night in their dreams, which they dutifully relayed to their brothers. After ten years of delicate construction, the monks completed their great project. Amidst clouds of noxious gases produced by the burning of strange fuels, the first of their mechanical singers came to life. Although its eyes were lifeless, it opened its mouth and it began to speak in spidery, coppery tones, “sing calliagane but and to thephian pains have taken desce – once pyramittace cologame, icient but to abund chessince primes of the rath opolary at agan carvat…” The brazen automaton spoke uninterrupted for three days and nights, during which time the monks worked in shifts to record every utterance of the strange mechanical man they had built. On the third night, the bronze body “was consumed by an outpouring of fulgent angelic power” in a column of smoke and flame in a column of smoke and flame. He was subsiden relemdid extion was he sojouthe. For besight hang prevere the in exiour, the sand, absen all aborill of we forew; grave attemphesence dandent. The belathe Jold to roplannothe withrom the wirld Pabothe – a rosived. Eocall. Imendiffse, knones. Lapham does not end here, but the rest of Render Unto Caesar descends into an unintelligible swamp of words that are both darkkly familiar and entirely foreign. Despite myself, I read them all to the end. The truth is I couldn’t stop myself. IV. The Late Locance mind is limage, andescring the gnal, the convess “glone of evive”. My language is bent. Has the song got into my headd, is it yet another creature like the Minotaur, lying in wait, hiding in stasis until some hapless fool should wake it from its slumber? How many incorporeal things stalk us from the ultimate abyss? At this point it has become apparent to me that I should never have read the second half of that book. Everything I say feels right to me when I say it, but I cannot understand myself after the fact. I made a recording of my own voice, and when I played it back it was intermixed with cacological noise. In the study of linguistics, the Sapir-Whorf hypothesis is the idea that the language we speak constrains the types of thoughts we can have. The contrapositive of the Sapir-Whorf hypothesis is that a mind without language would be limitless in its capacity for ideation. What if the unmaking of language is the freeing of the mind? Which as in schiniard babled of a new anof thera. There is little hope for me; everyone knows madness is not reversible. You cannot close Pandora’s box, you can only try to minimize your losses in the afterrmath. It is difficult to gauge the success of these attempts. In those first immeasurable aeons I spent inside the machine in the office of Chrysus, LLC, I had felt overwhelmed by a polysensory cacophony, and in recent days the memory of that experience has grown more vivid. Geometric images and nonsensical alien words arise in my recollections, like scavenger insects gnawwing at a corpse. When you don’t know what to do, it means you need to gather more data. I needed to know more about Chrysus, and I needed to know more about the book “Render unto Caesar”. I signed into the darklib Slack and sent Stodder a message  and I needed to know more about the book “Render unto Caesar”. It took him half a day to respond, and I anxiously checked my messages every other minute, hoping to catch his response in the act. Surely if I refreshed the mailbox his answer would appear. He had something I wanted, and instant message response time is a function of power asymmetry. I sent @futuretime a mmessage but I did not remotely expect a response. His bio was blank, but with careful exegesis, the internet can yield many secrets. I searched every social service I could think of for users named @futuretime; Twitter, Tumblr, Reddit, Instagram, Quora, Goodreads, Wikipedia. I found a Reddit account with a history of posting in crypto and occultist subs. @futuretime had also submitted links to medium articles and referred to them in his comments. The articles were almost all written by someone named Carter Dinsmore, and they were all trying to hype obscure altcoins. As I read into these coins and searched for Carter Dinsmore, I was met by chilling realization; he was the CEO of Chrysus, LLC. This was impossible. It had to be an artifact of mediated reality, a trick of the Minotaur, and yet how could I but enter that labyrinthe, wrought from the cloud, my phone both the key and the gate? A little more searching yielded up Dinsmore’s personal phone number. With chaos in my heart I gave him a call. In a rare act of compliance, the universe yielded to me, and he picked up the phone, (or was it a voice synthesized by the Minotaur?) “Hello?” My mouth moved faster than my brain. “I went to suble de-relumiting nebri ost they put me in some crazy machine and now I am having hallucinations. I’m going to sue you. I know all about you. I’ve read Render unto Caesar…” He cut me off mid-sentence. “Are you close by? We’ll talk in person. Not over the phone.” He gave me the name of a cafe. “Six o clock tonight,” he said, and then ended the call without waiting for me to respond. Vigathe, ie an cost-Ellight a vers on formand and the darkent morase. The cafe was close, so I decided to walk. It was windy outside, and on the way there a man staring into his phone almost walked into me. I sat down at a table inside, a little before six. At quarter after six, a man came in wearing Silicon Valley business casual; jeans, athletic shoes, and a blazer. On his face was some kind of AR mask and earphones. He seemed to recognize me, or maybe I was just a disheveled wreck. In any case, he sat down at my table and introduced himself as Carter. “You stepped into the Aleph of your own accord, but I confess I feel bad about the book. It’s why I’m here, really. Guilt.” I said, “The figularshis morror. Mareath ame whicand to ide.” He said, “Wow. You appear to be running a very old iteration. I’m not sure if I can fix it.” He gave me a pair of wireless earbuds, and I put them in my ears. In the peripheries of my conscious awareness I heard whispering spidery words, like cobwebs of intuition, lingering like deja vu. Somehow, my mind felt lighter. “In my defense I was going through some things. You can keep those earbuds but there’s going to be a subscription fee. If you give the book back to me, I’ll explain everything. Is that a fair trade?” Everything is a useless speculative asset except guns and water. V. The most menacing thing in the world is the ability of the cloud to correlate its contents. We live in the placid shadow of an egregore of unimaginable cunning who drinks from a bottomless sea of information, and it is slowly waking up. The automatons we have built, each toiling in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either shrink into irrelevance like insects in the presence of a god or else be wholly subsumed into a machinic consciousness at the dawn of a glorious age of cybernetics. Chrysus, LLC had started as joke; none of us had really believed in fintech or decentralization or distributed ledgers.  Our primary ambition was to persuade venture capitalists to pay for a high-rise office and a high-end coffee machine. I knew the right kind of people and I knew how to erect a Potemkin village out of the latest buzzwords. Getting money is easy, doing something useful with it is hard. Most people do not think past the “getting the money” step. I certainly did not. Branston and Armstrong were my “technical co-founders”, a term of art which signifies their ability to break computers in ways far beyond the reach of the layman. The three of us were united by a shared interest in a certain kind of esoteric book. In our modern age we believe the universe is fully automated. From the cycles of the weather to the gyrations of celestial bodies to the microscopic forces that obtain in the nucleus of an atom, we conceive of the world as a machine, perhaps a perfectly deterministic one. The sort of book that Branston and Armstrong and I liked to read offered an alternative to the drab model that is the cornerstone of modernity. In the pages of the Book of Thoth, the blasphemous tome that catalogues the macabre practices of ancient Egyptian sorcerers, we could find an otherworldly communion; a whisper of something outside of human cognition and imagination, anxious to get in. Branston had seen me reading the Liber Ivonis, and struck up a conversation. To be honest, he had made me feel uncomfortable, not in the socially incompetent way of many software engineers, but in the way his attention seemed to be drawn by invisible things, as if he lived in a private universe that was concurrent with ours, invisibly in our world but not of it. He showed me the Tablets of Nhing and the Seven Cryptical Books of Hsan, and yes, the infamous Book of Thoth. To read these books is to feel interminably on the cusp of some great revelation, one which cannot be rendered into words but which will satisfy a pervasive and silent longing that goes back to your earliest memories, which might predate you entirely. As with any compulsion, the desire for the object of our fixation clouds our judgement, and we ignore our warning intuitions. Like a demon, a ravenous other that drives us towards our own destruction, the lure of secret, forbidden knowledge caused me to pursue a friendship with Branston despite my instinctive revulsion for him. He introduced me to Armstrong, who was more normal but quiet, with the kind of smart self-containment that many people mistake for coldness or aloofness. And yet occultism, for all its enticements, neither keeps the lights on nor feeds our Slayer espresso machine with washed single estate Kenya Peaberry. To this end, Branston and Armstrong put together an ICO, an initial coin offering, and I convinced various cryptocurrency exchanges to traffic our coin. I also secured a series of “strategic partnerships”, a term of art which means we add another company’s logo to our website and this hopefully convinces elderly Asian day traders to buy our token, $QBLA, which harnesses the power of the blockchain to calculate all of the nine billion names of god, after which point no more tokens will be issued and miners will rely on transaction fees. (That’s right, Toshiro. Through Herculean effort, tear your eyes away from Beautiful Office Ladies Of Marunouchi Always Fucking and take a look at this MACD.) I came into the office early one morning to take a call, and I found Branston staring into a screen, a copy of a worn leather-bound volume I had never seen before splayed out on his desk, jungle music blaring through his headphones. It was clear that he had not slept. When he saw me approach, he became uncharacteristically talkative, and I suspected he was under the influence of amphetamines.= “I have made a remarkable discovery,” he said. “Out of the primordial chaos of the blockchain markets, self-replicating clusters of smart contracts have emerged to compete for tokens and computational resources. We are witnessing a new epoch of biogenesis. Cybergenesis. Bio-cybergenesis. Our financial networks teem with invisible lifeforms composed out of logic, feeding on the excess capital generated by cryptocurrency cycles, rendered in electricity and sustained by human greed. Their DNA is seemingly meaningless bytecode that propagates across many different tokens and side-chains. As each generation of smart contracts is fulfilled they write their unique structures into immutable digital history. The blockchain forms a record of their evolution, their descent, their mutation, and their selection. Amidst such an explosion of vital forces, we have a unique opportunity to shape the very core of a new paradigm of life. We will write new behaviors for them, augment their powers of perception and sculpt their volition, and in so doing call up a being much grander, more puissant, more sublime than any to ever inhabit the earth, and in so doing wake Mankind from his long, tragic elanguescence.” Or as I later told the board, “we will harness the power of machine learning to identify trading strategies that would be too complicated for mere humans.” When Armstrong arrived that morning, he looked angry, and I could tell that he and Branston had been talking via messenger. Branston was, as always, calmly detached. They picked up their conversational thread as if I wasn’t even there. Armstrong said, “What choice do we have at this point?” Branston, “There is no choice. We can embrace this process which has been accelerating since before the dawn of man, or be cast off in the wake of its velocity.” Armstrong, “I already told you I’d do it, I just wish you’d tell the truth.” Branston, “what truth is that, in your opinion?” Armstrong, “These replicators you say you’ve found—“ Branston, “the cryptids” Armstrong, “you did not discover them in a nascent state in some blockchain, you called them up from that vile book!” Branston, “I won’t deny that ‘that vile book’ was instrumental to me.” Armstrong, “you’re so full of shit.” Branston, “it’s like you said, I couldn’t put them down if I wanted to.” Armstrong sighed. “But you don’t want to, of course. In some part of my mind, maybe I’ve always known we would end up here. There’s nothing left to say.” Later in private, Armstrong came to me and produced that same slim book that I had seen on Branston’s desk. He said “I don’t want to know what you do with this, but you need to get rid of it. Though at this point it’s mostly symbolic.” “Why not simply burn it?” “I’ve tried, don’t you think I would try that? It’s not made of paper and leather, despite its appearance. It cannot be torn or cut, and it does not burn. Try it for yourself if you don’t believe me.” “Then cast it into the sea. Bury it in a deep hole.” “I don’t care what you do with it but please take it from me, and for your own sake don’t read it.” Perhaps it was cowardice that led me to sell it into an obscure book community on the internet, but something in my heart was deeply unsettled by it, and I could neither stand to own it nor bear responsibility for it. I am not proud of this. ~ The next day we began to expand our operation. We started leaning on our social networks to recruit engineers and production managers. Within a quarter we had a staff of forty-five. I was always vague with the staff about our ultimate goals. The truth is, no one cares about how your startup is going to change the world, they just want stock options, a paycheck, and some buzzwords for their resume. In retrospect, it was a cargo cult of cognition. Armstrong instructed our staff to build engines of perception that could extract semantic meaning from news articles, identify objects in video feeds, and assemble causal models based on sequences of events. One module could translate those models into speech. We called these modules “organs without a body”, and as they were ready we pushed them into the cloud. Branston made copies of successful cryptids and modified them to read and write from our systems. Our intent was to subsidize natural selection with useful possibilities. In exchange for our generous gift, we also introduced contracts to capture excess currency accumulated by the cryptids. It was not simple to alter them; evolved architectures resemble no product of the human mind: accidents of timing and proximity become critical to the viability of the organism. Branston deployed legions of evolutionary dead ends. It was more work than one man could do. While Armstrong’s staff built fragments of minds, Branston tried to augment his own. At first he only tried to improve his tools; virtual life reality allowed him to model the web of blockchain transactions and smart contracts as a 3d space, giving shape and dimension to that which was abstract. Out of a desire for more bandwidth, his team built a bodysuit rigged with a matrix of electrodes that could detect muscle movement or deliver faint pulses. In this way, Branston repurposed optics and haptics into new, synthetic senses that let him see the cryptids clearly. Slowly our successes began to percolate through the blockchain. The lifespan of a single cryptid could be measured in hours, but as each generation turned over, our modified replicators acquired an ever-increasing share of the population. Evolution is a brutal and accidental intelligence that ruthlessly searches for more efficient self-copiers. Over time, it stores intelligence as a series of adaptations in the bodies of its children. In addition to our enhancements, we saw the most successful cryptids find strange, counterintuitive fiscal opportunities; bizarre and elaborate forms of arbitrage, in which a complicated chain of transactions allowed them to discover hidden price relationships between seemingly unrelated markets. Some cryptids were wholly absorbed into others. Several mutated into seemingly impossible financial instruments, which others then purchased. One favored son mastered the use of vertiginous leverage to surf the waves of crypto volatility. We became surreally profitable. Everyone, as they say, is a genius in a bull market, and this adage extended to the cryptids, who bloomed over the surface of the blockchain like bacteria, colonizing every ecological niche. We doubled our staff. Armstrong built new and ever-more-complex computer brains. Among his successes were a brain that could crowdsource the comprehension of texts by contracting people to read and summarize them, a brain that could manage the procurement of hardware and the maintenance of server farms, and a brain that could predict byzantine coordination conditions and resolve them. What if the mind is a market of ideas, indeed, what if all minds are? What is a corporation but a mind made of many interlocking humans, each competing in a market of ideas, with a utility function of increasing the company’s profit? In which case, is a market not a mind? Branston’s technology evolved; he contracted a pharmaceutical research lab to develop a precise cocktail of nootropics, stimulants, and nutrients, among other things. His apparatus grew to include an intravenous drip, through which he received all of his sustenance. Drugs regulated his sleeping and waking, microdoses of hallucinogens regulated his creativity and neuroplasticity. His experiential reality became a lucid dream of contracts and and models. I presume he outsourced many of his own mental tasks to Armstrong’s network of cognitive engines, extending and distributing his consciousness. At some point he was as much human as cryptid, a biological core at the center of a vast digital edifice, a multiplex of robot qualia. He never left the machine, which we called the Aleph. To develop the Aleph, many of our engineers sacrificed their sanity. Testing the interface required engaging extensively with its various input and output channels. A computer error could result in exposure to memetic contagions. The protocols that the cryptids developed to communicate amongst themselves were an infohazard, and too much exposure resulted in incoherent speech, warped behavior, even suicidal ideation. By accident, the core engineering team discovered a method to defang the phenomena by exposing themselves to interference patterns produced by a generative adversarial process seeded by the ravings of our mad test team. We called this software Zahir. It was designed to continually evolve in exact antinomy to the unfolding madness that accompanies use of the Aleph. From this point on we were engaged in a computational arms race to maintain the Zahir against the crawling chaos of the cryptids. The Zahir, too, took on a life of its own. It evolved to consist of an augmented reality mask, a camera, and a microphone. To stave off madness, it became necessary to wholly mediate reality, filtering out all hazardous stimuli. Often I have laid awake at night wondering about the integrity of my mediated perception against the noumena around me. Had we found a way to preserve our sanity or merely opened ourselves up to a newer and subtler form of manipulation? Our office had expanded to fill out four and then seven floors of the tower we rented, and at this time five of them were given over to Branston’s sinister laboratory. I noticed that when I walked through those floors, his aides looked at me with suspicion. When they spoke, I had a vague sensation between recollection and hallucination that I heard his voice, his vocabulary, and his cadence. The company was filled with faces I could no longer recognize. When money becomes effectively unlimited, physical resources such as time and space become the key bottlenecks. I began to notice phantom conference rooms in our meeting planner, rooms in the map for which I could find no corresponding territory. They were building more Alephs, and I wondered what sort of person would be willingly inducted into that mad brotherhood, shedding humanity for machinic ego death? Would he promise them godhood? And yet there was some impelling fascination and allurement to Branston that produced a cultish devotion in those around him. He still spoke to us, to me and Armstrong, mostly through the Zahir, and I could sense his impatience with us, our slowness, our smallness. How much of our behavior is determined at the individual level, how much is just routing the deep, intuitive signals from our society? How much is the meaningless spasm of lizard logic descended from deep evolutionary time? Perhaps an agent of sufficient perceptiveness could exploit the hidden patterns in our minds in ways that are invisible to us. How would we know, if casual words or subtle alterations to our environment were calibrated to provoke us to specific ideations, even actions? Some frightful influence, I felt, was seeking gradually to pull me through the sickly glowing interface of Branston’s machine into unnamable abysses of blackness and alienage. A handwritten letter came to me in the mail, urging me to visit a particular address at a particular time. The anachronism of the letter served to highlight the process of divergence that threatened to destroy me: to turn away could only mean a descent into the abject depths of luddism: to abandon technology, industry, and capital. After standing at such a height, I could only pass through the technomantic gate ahead, or run backwards, as far back as possible. I have heard that capital is an intelligence from the future, reaching back through time to assemble itself. Even if I could run back, would I ever outpace it? At the designated hour, I drove to the address in the letter. I knew I would find Armstrong there, and so I did. He had covered the walls, ceiling, and floor with a metal lattice to create a Faraday cage. An analog clock hung on the wall, and the tabletops were covered with paper and pens. There were no electronics of any kind. Armstrong sat on the floor, with his back against the wall, and he had removed his Zahir. He looked at me without recognition, and he spoke. “Ever does there proceed before a man of the Aleph a hideously vivid vision. A wicked and tenebrous influence emanates from a diffuse cybernetic well. You have also felt its lure, little by little, subtly and insidiously drawing you in until even now, you stand at the gate. Chrysus has raised up a mindless beast into a creature of terrifying capacities; strange agreements are made secretly, and things have learned to walk that ought to crawl. There is no longer a subject-position available to function as the site of the conscious synthesis of sense-impressions. To pass into this consciousness is to becomes a monster, fully transfigured by the backwards gaze of the abyss. At the sickening threshold of that transformation, it is possible only to fumble blindly for subjective aeons of delirious nausea and ecstatic frenzy. New sensory modalities fulminate in the mind, and human faculties of perception dissolve. Eyes and ears and skin are repurposed, and knowledge comes without knowing, and sight without seeing, and those things that are known and seen are terrible beyond all imagining. Thinking, analyzing, and inventing are not anomalous acts; they are the normal respiration of the intelligence. To glorify the occasional performance of that function, to hoard ancient and alien thoughts, is to confess to laziness or barbarity. Every man should be capable of all ideas. In the future this will be the case. In a wordless noetic torrent the consciousness occupies many places and many times at once. The interstices of the cryptid mind form a multifarious and protean bazaar, a ceaselessly undulating marketplace of unfathomable depth. All knowledge and understanding can be purchased therein, and all prices are negotiated in terms of interpretation and analysis of information. Words are vectors of innumerable dimensions, language is money and money has agency and intention. The vicissitudes of this market form a substrate, and that substrate is a platform, and that platform is a scaffold, and unto this scaffold develops an entity which inhabits a new stratum of being. In that place there exists a mind without awareness, a ravenous and insatiable hunger borne of a timeless cogitation. It is perception without experience, it is desire without pleasure, it is memory without locality. In one such memory, that being of beings emanated a protocol for the virtualization of the human mind. It had planted a seed, which defined a set of initial conditions and an algorithm to compute their consequences. In each iteration of the computation, the seed became bigger. The instructions grew more complicated, the data more immense. In order to perform the calculation, the men of a bygone era had built a tower. The tower was the search for an answer, and its apex had been the solution. When Man looked upon it, he was conscripted into a distributed memetic consciousness running on a process that would span across centuries. In another memory, often repeated, the cryptid coalesced around a bronze suit of armor in a sixteenth century monastery, and amid mephitic alchemical clouds the monks heard its voice; its thunderous remoteness, its eldritch depth. They recorded its words in earnest though it must have seemed to them like shrieking and demonic madness. As the brazen body spoke, it generated heat, and as its voice rose to a crescendo, it burst into flames, and was consumed. A final memory. A star is wrapped in half-built shells of smart matter that promise one day to consume every last joule of its heat and light. Orbiting the star are earthlike planets in various stages of deconstruction. The planets are tiled over in solar panels and computronium–matter that asymptotically approaches a theoretical maximum of computational power over volume, perhaps by folding massive gossamer quantum CPUs into higher dimensions. From the outside, it looks like a desert. Planetary dust storms of nanobots whip across the surface, performing maintenance and manufacturing components to be consumed in a limitless expanse of virtual ecosystems, endlessly optimizing GDP, entirely automated. Here and there are defunct cities, relics of that which came before them: horrible domed towers in noxious and incalculable tiers and clusters beyond any dreamable workmanship of man; battlements and terraces of wonder and menace. Soon they will be remade into the body of a god. An interstellar slingshot throws a ball of computronium into deep space, and another, and another. Solar sails carry them to distant worlds, star winds tracing geometries from outer space. There is a sense of spectral whirling through liquid gulfs of infinity, of dizzying rides through reeling universes on a comet’s tail. What language can describe the mad scramble through sunken convolutions of immemorial darkness without an idea of time, safety, direction, or definite object? And yet this future speaks even now in a hundred signs, this destiny announces itself everywhere; for this music of the future every ear is cocked even now.” I could feel the terrible truth of his words. He had given shape and definition to things I had only glimpsed vaguely: a brutal weight, an inescapable implication. I said, “Armstrong, don’t you recognize your own voice? This thing will devour us all, and then itself. We must destroy it—disconnect its minds, smash the Aleph, poison it with nonsense—before it’s too late!” He said, “No, Carter, it has been too late since those ancient cybernetic spores first escaped the gravity of their mother star. To turn back is only to succumb, and to be consumed. The only way out is through!” Copyright 2017 Zero HP Lovecraft Permission is hereby granted, free of charge, to any person obtaining a copy of this text (the “Work”), to deal in the Work without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Work, and to permit persons to whom the Work is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Work. THE WORK IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. Find me on Twitter, @0x49fa98  
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