#she's made similar remarks regarding me but I just left it lmao

[melivora]

Not my housemate acting lowkey surprised when my grew up in 99% white society black dad is dating a white woman in a majority white country after having already married and dated white women

[breeeliss]

i heard some people don’t know about the Taang/Kummi theory

So this was originally supposed to be a response to an ask I had gotten about this ATLA theory, but because Read More links on Tumblr asks seem to break once you edit them, I’m reposting so that people can actually see the post lol 

For anyone who wasn’t a part of the Toph x Aang LiveJournal fandom in the early 2000s, buckle up, because this bugged me out as a 13 year old. 

Remember the end of “The Swamp” (Book 2, Episode 4)? We find out the swamp isn’t haunted, Huu was just protecting it the whole time, and then he explains to Katara, Sokka, and Aang why the swamp is so mystical and sacred.

The swamp is just one big banyan grove tree that’s grown out over miles and miles. All the branches and trees they see are connected because they’re one big breathing organism. And that extends to life as well. We’re all living beings. We all share the same roots. We all are from the same tree, even if we don’t act like it. Everything is connected! Cool stuff.

But when Katara asks what her seeing her mother and what Sokka seeing Yue meant, Huu explains that “in the swamp, we see visions of people we lost, people we’ve loved, folks we think are gone, but the swamp tells us they’re not. We’re still connected to them. Time is an illusion, and so is death.” So Katara never really lost her mother and Sokka never really lost Yue because the connections we make in life transcend death and time. They’re not gone. They’re still a part of us. The swamp reminds us of this.

Now, to keep in theme with this, we probably would’ve expected Aang to also see visions of people he’s lost and loved before (Gyatso, the other Airbenders, his culture, etc.)

But for some reason, Aang sees...Toph. Someone he doesn’t know.

Huu doesn’t really give Aang an explanation for this, he sort of just lets Aang figure it out for himself. And what we’re left is “okay well if time is an illusion and this isn’t someone I’ve made a connection with yet, it’s someone I will make a connection with.” We’re made to accept that as viewers, but why was Aang’s vision so different? Was it really just to lead him in the direction of his Earthbending Master so that he can continue on with his destiny?

Or was it because, unbeknownst to Aang, Toph actually was someone that he had loved and lost before? Just not in this life. In another life. A past life. When he wasn’t Aang, but rather Avatar Kuruk, the Southern Water Tribe Avatar that came before Avatar Kyoshi.

✨Basically the theory is that Toph is one of the reincarnations of Ummi, the southern water tribe woman that fell in love with Avatar Kuruk and had her face tragically stolen by Koh, the Face Stealer.✨

Stay with me, because it gets way deeper.

Who are Kuruk and Ummi you ask?

We formally meet Kuruk during “Sozin’s Comet Part 2: The Old Masters” (Book 3, Episode 19) when Aang is appealing to his past lives for wisdom with regard to what to do with Ozai. Kuruk was a “go with the flow” (lmao) Avatar and sort of just let things play out and it seemed to work for him. He met a girl named Ummi, they fell in love, they were gonna get married, cool.  

According to the comic books, Koh I guess was kinda off-put by Kuruk’s arrogance? So as punishment this spirit straight up abducts Ummi on their wedding night and steals her face (ultimately killing her). He blames himself, saying if he’d been more attentive and active he could’ve saved her. He tried to kill Koh out of revenge over it, but could never do so. Koh alludes to this when Aang visits him in “The Siege of the North Part 2″ (Book 1, Episode 20) and shows Aang Ummi’s face. All in all, super tragic.

The Avatar never really “dies.” He’s constantly being reborn. The reason Aang is able to consult his past lives for wisdom is because all of his past lives are him. If the point of the swamp is to get you to understand that death is an illusion, then the swamp understands that the separation between Aang and Kuruk is also an illusion. They’re different people but also the same person all at once. They’re still connected.

So, assuming that Aang was no different from Katara and Sokka and was also seeing people that he’s loved and lost in the past while in the swamp, maybe Toph really is someone he’s met and known before. He just lost and loved her in a past life that neither of them remembers back when they were both completely different people.

But wait, what’s the proof that Ummi is one of Toph’s past lives?

This theory hinges on the assumption that the Avatar isn’t the only one who is capable of being reincarnated. So if you keep with that assumption, there are a few moments highlighted by the theory that connect Toph and Ummi.

The most obvious of which is that Toph is blind. Seeing as how Ummi lost her face when she was a human (and Koh still has it), it would make sense that her future reincarnations would potentially have some kind of loss of their senses attributed to, you know, getting your face ripped off. BUT, another detail that is, in my opinion, a little more interesting is one of Aang’s anxiety nightmares from “Nightmares and Daydreams” (Book 3, Episode 9). Specifically the part of the nightmare where Toph is featured looking like this:

(so creepy ;A;) But why does Toph manifest in Aang’s dream this way, devoid of life and devoid of a face of all things?

This dream that Aang is having is over his anxieties/fears over losing his friends. Sokka, Toph, and Katara all succumb to some sort of horrific end in this dream and Aang is unable to save them. It seems like his anxieties over losing Toph manifested through showing us Toph as a lifeless husk with...no face. Maybe when Aang was having this nightmare, some of the fears and anxieties felt by his previous lives were bleeding in. It would make sense that Kuruk’s greatest anxiety/fear would be losing his loved ones as well, after he failed to protect Ummi from having her face stolen.

And if we assume that Toph actually is Ummi (i.e. a reincarnation that Aang subconsciously remembers), it would make sense that Aang would see Toph standing there in the darkness. Her face stolen. Helpless to save her.

And then in “The Avatar and the Firelord” (Book 3, Episode 6), after learning about Zuko’s lineage and Avatar Roku’s relationship with Sozin, it’s Toph who remarks, “do you really think friendships can last more than one lifetime?”

It’s interesting that Toph would be the one to ask this. And it’s interesting that Aang is the one that reaches out to hold her hand first and tell him that he doesn’t see why that can’t be possible. Because these connections that transcend lifetimes aren’t limited to just the Avatar. They’re apparent in everyone’s lives, no matter who you are. And the fact that Toph and Aang were able to share that brief moment and give each other that reassurance makes sense if you consider that, several lifetimes ago for them both, they were a lot closer than just mere friends.

And are there other connections between Taang and Kummi?

The theory supports some interesting parallels between Kuruk and Ummi’s relationship and Toph and Aang’s relationship. Kuruk and Aang are very similar in that they both avoided their Avatar duties. Kuruk because of his lackadaisical nature and Aang because he was afraid.

Ummi ultimately ended up being Kuruk’s punishment for not being able break from this passivity and actively pursue his responsibilities as the Avatar. But, by contrast, Toph ended up being Aang’s greatest asset with regard to helping him break from his passivity and learn to face things head on no matter how impossible they may seem.

The Earthbending portion of “Bitter Work” (Book 2, Episode 9) is exclusively about this. Aang is passive by nature, hence why Earthbending is such a hard element for him to master. As Toph so eloquently put: “You had a perform stance, and a perfect form, but when it came right down to it you didn’t have the guts.” The whole episode she’s goading him into being strong and firm. She mercilessly lays into him for not being direct. For being a pushover. For not facing his problems. For not standing up for himself. For being passive. The very thing that was Kuruk’s downfall.

But the pushing works because Toph unlocks something very powerful in him. Toph taught him how to be active. To face his struggles head on. To not flinch before responsibility or danger. That moment where Aang stands up to the moose lion and promises Sokka that he won’t leave him alone (that he will be there to protect him, and he’ll stand staunch in the face of danger) is a really important emotional milestone. It’s a role that’s very different from the one that Katara plays in Aang’s life, but it’s no less important.

Katara has always been someone who cared deeply for Aang’s emotional needs, who understood the reasons why he was afraid, why he wanted to run away, why he wanted to avoid responsibility. But Toph was very much someone who took a much rougher approach to Aang. Because Aang needed it. Because Aang’s inactivity also threatened to be his downfall in this life because it got in the way of him mastering the Earth element. Toph and Aang became a victory instead of a tragedy. Toph wasn’t used as a way to hurt Aang, like Ummi was used to hurt Kuruk. Toph was one of Aang’s greatest sources of strength.

And it was their connection to each other -- their connection that transcended lifetimes -- that brought them back together as friends.

And maybe more if you feel like adding a ship to your repertoire.

[ryouverua]

Trial 6 - Flashfiction (4)

FLIP THAT CHESSBOARD, SWEETCHEEKS!

Trial: 1 / 2 / 3

it’s what kokichi would have wanted

DRV3 HOW DARE YOU HOLD OUT ON THE CUTEST DAMN TSUMUGI SPRITE OF THE ENTIRE GAME

how can mirrors be real if our eyes aren’t real

And we found it in Kokichi’s lab of all places. Why? Had he been able to get access to it ater all? Why was it just lying there so awkwardly - not hidden or neatly put away at all, but just tossed on the floor like an afterthought?

...... thinks about the state of Kokichi’s dorm room

yeah the chance that he left it on the floor like a bored 12 year old or me is not 0%

Wait.... is there??? The only one that stands out to me is the method of applying vs being scouted...

So we go over the events again, or as the game would probably put it, comb over The Longest, Most Ridiculous, Most Despairing Backstory to look for discrepancies.

Don’t look so pleased with yourself!

YES THANK YOU SHUICHI THANK YOU FOR STOPPING HER BEFORE SHE GOT STARTED AGAIN

It.... it doesn’t???

as;dflksdjf

U-Uuuuh Monokuma??? Are you just allowed to namedrop the title like that???

A-Anyway, this one was sort of vague - not sure if the game did too good a job of hiding it or not, but I certainly didn’t clue into this immediately because, well, I’d argue that Junko was ultimately the cause of this? And she was the original Ultimate Despair, even if Mukuro got roped into it with her? This felt a bit like being at a multiple choice exam where there are a few answers that are sort of right but not exactly right and then I cry

AND MUKURO!!! I WILL NOT STAND FOR THIS MUKURO ERASURE, DAMN IT!!! can you tell she was one of my favourites in the first game if not my favourite

“And that’s why, even though you are technically right, you are also wrong, and therefore will not get any points for your answer to this question.” sweetcheeks you sonuvab -

despite the mukuro erasure, consider me team maki

“Can it, nerd.”

It would have been really nice to have Maki in the first game.

We really are going over this piece by piece.

Okay, so now we’re reviewing the first game. They were forced to kill each other, then Junko was found out and killed herself in the end, which led to the eventual end of the Despair side....

Shuichi is clearly onto something that I haven’t quite latched onto yet. 8′D

This makes me think of how cool it would have been to have this text style in the previous games. Have I mentioned enough about how much I like the typography in drv3? Because I don’t know if that’s possible.

OOOH that’s right - I forgot! Or, well, I didn’t forget, but it didn’t really occur to me that we were remembering that they were literally trapped in the school by Ultimate Despair, I guess.

I guess the gist of it is that they’re remembering - well, not witnessing the events, but being told things were one way vs another. They would have been too young to have been alive at the time though, right? It seems to me that, though the game clearly wants us to take it a different way, we can also interpret this as them just being told the wrong thing within the memories themselves as opposed to the actual memories being entirely falsified. What if the reports at the time or the commonly-known story was that they had been locked in by Ultimate Despair, and it’s only the properly researched books like this that have the correct accounts? It’s not exactly an uncommon phenomenon for there to be widely-held mistaken knowledge/generalizations of famous events, unfortunately... 8′D

Anyway, I’m getting distracted because like I said, this is really not the angle the game is going with at all.

BULLSHIT

AND ALSO

WHY WOULD A BOOK EXIST THAT DIRECTLY CONTRADICTS THE MEMORIES YOU GAVE THEM

LIKE

WHY DOES IT EVEN EXIST IN THIS PLACE AT ALL

I’m seriously fixated on this book!

also

I love Shuichi just casually ignoring Junko!Tsumugi lmao

I’m calling her Junko!Tsumugi I refuse to call her Tsumugi!Junko I REFUSE TO GIVE UP ON TSUMUGI’S AUTONOMY

This.... this one has to be it, right? This was the one thing I remember getting really confused by when they talked about applying! In fact, I had thought the whole reason Shuichi was considered the Ultimate Detective was because of the homicide case and if that resulted in him being at Hope’s Peak, it was because word of that had traveled - but then if it was an application, that means either his parents or his uncle would have applied on his behalf, right?

this was a detail I remember remarking on and loving btw I got really sad when in Chapter 5 it started looking like they were all in the same class

I think more than the others, this is the big one. All that other stuff can be attributed to mistaken hearsay - but this? This is something they would have ‘directly experienced’.

Oh apparently he chose to come... despite feeling awkward about his title.

I wonder if he was pressured into it by his family....?

Or, uh. Let me correct myself. I wonder if, in this mistaken memory, he remembers being pressured into it by his family?

I-I feel like I would trust the book over you guys especially considering the whole ‘we remembered Kokichi Ouma as a Remnant of Despair and got him killed as the fake mastermind’ situation tbh.

well technically ultra despair girls is

That is a good point. I mean, it could quite possibly happen underground, but I suppose the same could be said of the Jabberwock Island one - there’s no reason that should be public knowledge.

“I mean, I know it’s nothing new, but bear with me here.”

H A L L E L U J A H

REALLY

REALLY

MAKI, REALLY

YOU OF ALL PEOPLE SHOULD KNOW BETTER

FUFCKFUCKING HELL GUYS YOU’RE KILLING ME HERE

sdfkdslfj fukging

noOOONONO

aND YOU! YOU SHUT UP TOO!!!!

“Also have you seen their outfits? Do you realize how terribly they would clash? ‘Oh Saihara, why would that matter what do uniforms have to do with anything surely Kokichi and his uniformed clown posse could just be a branch under the Remnants’ NO THAT WILL NOT FLY WHEN THE HEAD OF THE ENTIRE ORGANIZATION LITERALLY DOUBLES AS THE ULTIMATE FASHIONISTA!!!”

this level of reasoning is possible for saihara shuichi

.... what do you think, everyone?

And he still has the Supreme Leader title, even if these aren’t really their talents... there has to be something to that, right?

Shu -

Shuichi

The words DICE were written in big words over his giant hella awesome throne

He has a checkered scarf which brings about a certain ‘game’ feeling

he literally challenged you to card games

I’m.... I’m just gonna throw it out there, but there’s a pretty good chance the group he led was called ‘DICE’.

YOU SAW THE VIDEO YOU SAW IT DAMN YOU MAKI I KNOW YOU’RE BETTER THAN THIS YOU ARE SMARTER THAN THIS!!!!

“Maki also said he literally said he didn’t know what she was talking about when she interrogated him with a crossbow literally aimed directly at him but surely that’s unrelated -”

s o b s

I 100% bet Tsumugi was not counting on them finding this room. So.... beginning the trial, she tried to do a Kaede/Kaede’s twin mastermind thing. Then she switched tactics to being solely ‘Junko’ and her lackey Kokichi setting up the game with the last survivors of humanity as... revenge for Hope’s Peak, I guess? Or something.

So where are we going from here? Are we about to discover this was all a simulated scenario then?

Sort of like they’re trying to test different outcomes and scenarios - with different talents, maybe? Is there the selected 16 (15? 14?) talents that can be switched around at will, or is there a larger database of students’ talents? That’s what I really want to know.

But “there are an endless possibilities for lies,” a certain person may say.

why are you all ganging up on me also how when two of you are literally the same person and the other one is an AI acting as an extension of you -

It sort of hit me but this is a weird echo of Korekiyo’s trial, with Junko and Tsumugi switching back and forth with each other the way Korekiyo and his sister did. I wonder if there’s something to that, or if it says something about Tsumugi in general...

(one hangman’s gambit later...)

TALENTS ARE NOT THEIRS AND POSSIBLY ARBITRARY CONFIRMED

I WOULD KILL FOR KOKICHI TO POP OUT OF THE GRAVE TO SHOUT IT’S A LIE RIGHT NOW

FUCK YOU BEAR

ghggkhgkh

that is a dangerous precedent to set

But you weren’t planning on revealing this, right??? Right???? Your hand was totally forced! Don’t play this off like it wasn’t!

I swear I had a similar idea when I was coming up with how they could see themselves in photos/pictures if the students weren’t actually who they thought they were - about how their brain filled in the gaps and placed their own faces where they’d expect to see them (like in the funeral scene with the portraits, etc). Glad to know I was kinda right on that regard!

I really like it when they combine Junko and Tsumugi here. There’s probably something to that - when it’s Tsumugi herself acting as the mastermind, as opposed to just being ‘Junko’.

T-Those are some pretty big inconsistencies though? Why would there be incorrect options in those flashback lights in the first place? What was there to gain for their being options where ‘Ultimate Despair trapped the first class in’ and ‘Junko is the end-all of Ultimate Despair’? At least Kokichi’s made sense to have on standby, but the other stuff? Isn’t their existence a bit weird?

It’s... nice to see Shuichi focusing on Kokichi. Being posthumous and all it’s a bit late, but it’s still nice - especially after all that talk of ‘not understanding him’ and ‘the embodiment of a lie’, having him finally clue in to Kokichi’s real place in all of this - a victim of the mastermind - is good. It’s the perfect example of ‘the enemy of my enemy is my friend’ and Kaito figured that out last chapter, so it’s long past due for Shuichi to drag himself and everyone else to that conclusion, kicking and screaming if he must.

(he was jealous of Angie)

because he was trying to stop the game!!!!!

Which, honestly, was pretty clever on her part. I think overall Kokichi will come out of this looking the best - he had so little going for him and almost succeeded in his coup - but the fact that Tsumugi was able to counter his surprise attack still says a lot about her own intelligence and her ability to adapt, because in that moment she also had limited options.

THANK

YOU

LORD

WE HAVE GATHERED HERE TODAY TO SAY FAREWELL TO REMNANT!OUMA THEORY

REST IN PIECES AND NEVER COME BACK

Pretty damn successfully, too.

While the fact that her first inclination was to straight-up murder Kokichi was very Not Good, it’s at least good to know that it took the extra nudge of the flashback lights to push her over the precipice. Basically, it took turning Kokichi into a complete monster in her eyes - Despair with a capital D - to strip away his humanity entirely. I do wonder if she still would’ve staged a rescue mission of sorts to rescue Kaito? For that matter, I wonder if Kaito had been on the outside (with the Flashback Light used on him and everything) and it was someone else being held hostage like Shuichi, would he have been able to talk Maki down?

It’s interesting how they’re turning hope itself into a weapon here. I think Junko talked about this in the first game, the idea of giving hope out to maximize despair, so it’s not the first time the mastermind has actively used hope as a weapon - but it’s never felt quite as dirty as it does here.

!!! We’re seeing her as herself in the room!!! I guess it’s the flashback light classroom, but still!

That is so unfair considering they were all being threatened with death, you were straight up messing with their brains and also that airlock exists??? And they straight-up collapsed after being exposed to the outside??? I’m 

I think Shuichi managed to break away from that a bit at the end... maybe. He seems more motivated by righting the wrong in Kaede’s case at this point, and of avenging everyone who died - but the same can’t be said of the others.

Man I even wondered what it would be like without Kaito and Kokichi there considering they’ve been the strongest ‘movers’ on both sides - and the answer ended up being ‘I’ll give you artificial motivation to act’.

SHE’S.... REALLY A KILLING GAME FAN GIRL AFTER ALL..........

Oh, this does feel dirty. She’s lusting after them in an abstract way - like pieces on a chessboard. Kokichi was able to compartmentalize and make people take certain actions to an extent, but even he had attachments that he wasn’t able to shake. I knew it felt like she had managed to keep herself from getting too close to them, with the sole exception of the protectiveness she felt for Gonta (which?? I want to know if we’ll hear anything about that specifically???) but this is... wow.

Actually, this is very Komaeda-esque isn’t it? She wants to see them succeed in their battles against each other in a similar way...

Junko only gets that look when she’s actually mad. So if Tsumugi is sporting that... well, she must be smarting a bit underneath all the gloating she’s doing. She was happily spouting off ‘hints’ before, right?

Oh??

me too tbh

OH THE TURNABOUT MUSIC IS HERE

THAT TRANSITION WAS SO GOOD AND SMART WHAT A GREAT WAY TO USE THE PORTRAIT STAND

oooh! OOOOH! OH WHAT A FANTASTIC POINT!

SHUICHI MY BOY YOU’RE ON A ROLL NOW! GET HYPED GET HYPED GET HYP -

AAAAAAAAAAH

AAAAAAAAAAAAAAAAAAAAAAAAAH

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!!!!!

hajimemed