#she's got like basic empathy unlike her book counterpart

[radlymona]

Possibly a controversial opinion but I don't think that Rhaenyra is entirely a good person in the show even if she isn't the propoganda "Rhaneyra the Cruel" version we see in the books. Like she's still a selfish, hypocritical person who is a major proponent of Targ exceptionalism (and that impacts how she treats non-Targs) and I think her interest in the prophecy is meant to be a nod to how Targaryens often have delusions of self-grandeur (Aegon I, Rhaegar, maybesortofdipsintobutdoesn'tfullygothere with Dany). I think there's going to be a gradual descent into paranoia and violent behaviour that won't be because she's an inately horrible person (or so the Maester pov has us believe)

[bakubabes-and-ramble]

Headcanon: The Gundalian culture is based on individualism, the Neathian culture is based on collectivism

Race interpretation part one: Neathia

Summary: The Neathian culture is built on the core values of communities and collective thinking. While conformity within the society is of a high level, they pursue a 'closed gate' diplomacy towards other races - resulting in a 'bubble' phenomenon and becoming vulnerable to losing their sense of belonging. Centralised urban system, with regional reciprocity and redistribution, whereby the Queen plays a coordinator role, and exists as a unifying symbol along with the military.

(Wall-of-text warning ; with block-breaker illustrations, but a huge amount of information ahead.)

Okay, this topic is something I was thinking about for a long time, and I finally hit the point to collect my thoughts and write them down. I've seen a lot of people trying to build up/further and enrich the cultural and social-political features of the alien races we've seen in the series (namely Vestals, Neathians and Gundalians), and I felt some inspiration to put my take on these things into words.

It's not only intriguing to try one's hand on the world-further-building, but I felt, I have to explain how I imagine the build-up of the Neathian and Gundalian culture and society to make the story of the 'Neathian Special Squad' ('NSS') more understandable 'symbolically' and from the aspect of a 'cultural clash'. /For those, who follow the NSS: This is something that definitely happens later on, you just don't know about it yet./

I have to put a small disclaimer here: This entire piece of writing was conspired out of fun and passion towards the series. It was not meant to be a 100% professor approved scientific research, but a seemingly logical untangling of my personal train of thoughts concerning the fantasy creatures of the third season. And this means, there is going to be some personal opinion mixed in as well (especially at the rewriting parts).

I wish the readers to enjoy reading it regardless. You are always free to disagree or not to take it seriously. :) To me, headcanonizing and imagining things always meant to be fun.

Side note: I'll add canon elements as examples or refer to the events of Gundalian Invaders, although I have to admit, I'll do this mostly from memory. So If I get anything wrong, or just remember incorrectly, you are welcome to add-in or correct me! :)

Season: Bakugan: Gundalian Invaders (and Mechtanium Surge)

Language: English dub

Okay, let's go!

Gundalian Invaders - Slightly rewritten

The first and foremost reason I actually started writing this post, is because I had some issues with the characterisation of the Gundalians and Neathians in the third season. One side is depicted blatantly, purposelessly and one-dimensionally evil, while the other is portrayed to be the goodie-two-shoes victims with no backlashes. I wanted to swing over this simplicity and make an attempt at explaining, how I imagined these races to function. These interpretations were explored with the intention of both keeping the main features of the races, staying canon-compliant where possible, but change canon elements/propose ideas to turn the races into interesting (and on a theoretical level functioning) societies.

For these added or assumed ideas to work, some lore elements have to be changed or removed: For example the way Bakugan got to be on the planets. For this explanation see: a further point below.

This post discusses only Neathia for now. (Gundalia will probably get it's own post, as there is much more canon-divergence to be talked about.)

Neathians

1. The beginnings and core values

Due to the power of the Sacred Orb, almost the entire planet have relished in a lush fertility since the beginnings. (And this is why there are huge plants in their jungles. The wildlife also experienced a great upsurge by the life-force of the Orb.) This prosperity quickly enabled the Neathian race to organize into a peaceful and sharing society, because the wars over resources became redundant and unnecessary. The established racial mindset reallocated the focus from the individual needs to the communal efforts, and gives a ground for the Neathian values and collective thinking up to even the days of the season.

Neathians think mainly in groups: Let those be pairs (e.g. Fabia and Jin as fiancés; Linus and Neo Zipperator as brawling partners), teams (Neathian Special Squad; Friendship circles), communities (Castle Knights), and the biggest of them all, their entire race. These are all bigger or smaller communities within communities, and they play a major role in how Neathians perceive the world and themselves. Being in these relationship structures defines their place, grants them their basic mental frame, which they are able to think in, and not only their resources, but also their goals are shared with each other. This kind of goal assimilation is what makes them really efficient team players, and also provides them a strong social support from a mentalhygiene perspective. This important role of the sense of belonging makes Neathians both empowered while being in close social constructs , and extremely susceptible to losing these connections.

Thinking like this, when Fabia lost her fiancè or Linus lost Neo, their grief extended further than their deaths or the traumatic events. Losing strong bonds like these put Neathians in a technical identity crisis, as it is a part of their personal perception and mental frame which were dismantled through these events. We have seen Fabia going to extremes to retrieve Aranaut - and to retrieve that part of her, which was lost with Jin. Just as when Rubanoid was handed to Linus, a new connection was formed to either replace or continue the old one in a different form. Fabia's communal bonds were successfully restored, when she also became a member of the brawlers.

The Neathian society is based on caring and cooperation to achieve a collective well-being. This is why communities play such a major role in their self-perception and world-perception.

2. Open-sources, but enclosed diplomacy

For most part, I've always imagined the Neathian race as an although proud and generous, but closed society. They share commodities with each other - within their society -, but it is very important, that only within it. The outside world (meaning outside of their habited planet) is fundamentally shut out of these transactions.

I often refer to this phenomenon of enclosedeness as the 'Neathian bubble':

Not only their mindset operates in closed communities, but their diplomacy too. They are generally passive towards other races, missing trust and a reason to pick up the communication /Up until the Gundalians came and the war started/. This perspective could be applied to understand, why could they be more insistent on and better at operating defensive mechanisms (layered shield generator), than initiating communication with the rest of the universe (Unlike Gundalians, Neathians have no ships or bigger means of transportation. Yes, teleportation is accessible for them, but I don't think they use it that often outside of Neathia.)

I treat this as an explanation for why Neathia had only asked for outside help after the second shield generator went down - the situation became desperate and already being involved in the conflict, it was time to try and reach out for aid. According to these headcanons, I also think, Serena wasn't putting - or at least shouldn't have put - faith in the Brawlers so easily. The reason they weren't tested to prove their trustworthiness further than one question, is because she trusted Fabia's judgement. Without the support of a Neathian, outlanders are almost automatically dismissed. Their (or their Queen's) empathy and compassion may overwrite this code, but even by then they have to be made certain by proving the cause.

Just as when Fabia accepted Ren, because she had seen how much he tried to prove himself. Winning Neathians’ trust is supposed to be a big and determining moment, because they ‘internalise’ you into their scoiety.

Neathians are capable of empathy and kindness (this is something they actively practice among each other), even towards outsiders, they just need time and proof to accept them. Trust is just not automatic towards them, and even so they keep their distance until they get used to it.

3. Personal paralel counterparts - Night elves and the Highborne of WoW

When I think about Neathians, I often put them into paralel with the Night elves and the Highborne from World of Warcraft. For most part, I use their artistic motives, architecture, fashion and cultural approach as an inspiration for Neathians, as they are recognised as 'The pretty space elves' in my book too.

Beside the above mentioned, what could be imported from their WoW counterparts is a rather matriarchal social apparat. For example, Neathians traditionally having a Queen, and women being present in the military or in higher positions, playing important roles. //Just as by the Night elves leadership, religious and military roles being traditionally occupied by women (priestesses, wardens, sentinels).//

Another elven impression, which is more or less universal, is their sense of pride (I like to say it as the expression of 'Neathian pride '). Highborne in World of Warcraft are a quite prestigious race and are usually said to be a little 'aristocratic'. I can imagine the Neathians being lightly less, but somewhat similar on these terms, when it comes down to interacting with their own or other races: For example being proud of their appearance (Emphasizing their unique V-shaped forehead with adequate clothing and accessories), structuring buildings and constructs based on aesthetic instead of real functionality (using diamond as the main material of construction, structuring buildings with elegant but futuristic shapes), or being confident and showing immovable standing and opinion on things (towards outsiders).

As far as I know, the Warcraft elves used to be similarly passive and uninitiative - even mistrusting - towards other races too. And in this, it played part, that they also had exclusive access to a powerful source of power and prosperity, the Well of Eternity (an almost one-on-one counterpart to the Sacred Orb).

While the half-tribal connections of the Night elves derive from their ancient bonds with nature and druidism, the Neathian society feels more likely being based on a futuristic envisionment of these social relations. A civilisation that perfectly blends technology (teleportation technology, communication devices) with classic fantasy elements (knights), while still remaining tribal in the core (shared communality is just put into a modern environment). /Although I like to lean more into the fantasy setting, the technical advancement is undeniable there./

4. Overall economy

If we wanted to negotiate about their economy, I would say reciprocity and localised redistribution are the dominant mechanisms of it. The basic definition of economy builds on the premise of distribution of scarce resources. In this case, resources are not scarce, in fact, due to the Orb they are very much prosperous and renewing. This accessibility discounts the value of the traditional market trading, and supports the establishment of semi-centralised recollection and redistribution. The semi-centralisation here means regional production and consumption, whereby the accomodation of the population happens mainly territorialy, but these regional centres still have a connection to each other and the capitol. This economy is based on caring and well-being, and the high level of conformity and trust within the collective society results in a lack of currency usage (so, my headcanon is basically, that they don't use money).

5. Urbanisation and territorial layout

The reason we talk about a more physical apsect of the planets, is because the core values of the races both play a role, and mutually affect how I imagine their civilised hubs being developed. Communities form hubs and cities with strong connections - just like their society!

When I mentioned localised redistribution, I was also refering to the urban structure of the Neathian planet. Important to note, that Neathia is not just a city, or a country - just like Gundalia, it's the entire planet. What we've seen in the show is the capital of their urban system - which makes sense to be technically built around / in the immediate enclosure of the Sacred Orb, for it's the source of the relishing power. Assuming this, along the capital there could be a centralised territorial layout with rural areas (cities, villages), and untouched wilderness (due to the overflourishing flora and fauna; the urbanisation doesn't affect the entirety of the planet, there are a lot of uninhabited/uncharted areas).

Here is a simple schematic illustration of the above.

The rural hubs not having physical connection with other centres due to the dangerous and untamable wilderness (see: Giant plants in the show) could have lead to the advancement of the teleportation technology. The cities are connected through this port-system, and also with the capital, which serves as the centre of the network.

6. The role of the queen and the military

The main purpose of the current Queen is an overall governance with the direct help of a council consisting of the local leaders of the hubs. The queen bears not only a political, but a symbolical importance to the people. The concept of the Queen is a unifying symbol, someone who watches over the nation. The Neathians can stand behind her and being represented by her. But it's important to note, that her status is not as glorified as to be a despotic being, and her power is not extending much further than overall policies, diplomatic representation and helping the transactions of the local leaderships. There is much more power and independence shifted into the regional governance, rendering the Queen's position to be an effective coordinator between them and unifier, who keeps the nation together. /Still thinking about the way the queen is chosen/comes to the throne, but I had the idea of the next Queen being elected by the current Queen, so the order of succession is not based on the Queen’s family, nor being a community vote of the people./

The peace-oriented existence in itself doesn't require a military to exists, therefore I treat the Castle Knights as a mainly defensive organisation. This military serves as Neathia's defenders, bearing symbolic and community building purposes. Among the Castle Knights - just as the name itself suggests - the traditional medieval knight values show up primarily, such as loyality, humility, courage, faithfulness and the act of mercy. In their comprehension, being a Castle Knight is an act of service towards their country and the Queen, and is not mainly for warfare reasons. (To some extent, I assume martial arts and other forms of fighting - even brawling - is essentially a spiritual activity, which they pursue in order to keep their inner- and physical balance.)

As we've seen it the show, I assume the Palace also functions as the military's operation base. The head of the military is the current commander (formerly Jin, recently Elright), and under them operate several divisions with captains as division leaders. The separate divisions are Physical Fighting (both with weapon, like those defensive shock-sticks the guards are using - formerly offensive melee weapons until the fall of NSS - and hand-to-hand combat, e.g. used by Fabia), Technical staff (operating the shield generators and overseeing their areas) and Bakugan Brawling (this headcanon part is still under construction, but Elright used to be the former leader of this, and the reason he was promoted to commander after Jin’s death, is because the Neathians' realisation of the war swinging in favor of the Bakugan fights, so it was logical to put him as the next 'general leader'). /There may be other divisions outside of these, I just put out some ideas here./  Every guard receives education to some extent in all of these fields, but they end up specialising in something.

//The Neathian Special Squad (NSS) had it’s own divison under Captain Pyrehart, they were a special strike team with a unusual task: Staggering, forcing back or just divide the Gundalian leadership’s attention from focusing on their assault. Basically poking them with melee weapons until they either go away, or can’t concentrate on helping their Bakugan on the field and their monsters get defeated. According to the story - made up by me of course - after a tragedic mission this unit wasn’t restored, and the war effort shifted onto long-range fighting with Bakugan, Gear and Bakugan Assaults.//

7. So...where are the Bakugan?

They have been mentioned here and there, but I'm sure, whoever made it this far into this theorising information dump, may wonder at this point: 'But what about the Bakugan?'

My simplest answer is, that I firmly want to believe, both Gundalia and Neathia had a civilised and established culture before the Bakugan appeared there.

According to the original lore, Bakugan existed on the planets since almost the beginnings. Now, this is part of those lore bits I would definitively change during a rewrite: I want to believe, Bakugan only appeared in their very recent history, almost as recently, as on Earth and Vestal itself.

Perhaps a Bakugan lore- and GI rewrite explanation deserved it's own post, but for the further understanding allow me to explain here a little: A similar event of raining cards - what the first season started with - occured on Neathia and Gundalia too, caused by the dimensional boom of Michael Gehabich and his transporter. The twist on this - and the effective solution to the problem of possible timeline inconsistencies - is that although the explosion caused this interference at one point in time, across cosmos and universes time flows differently. So technicaly the result of it - the raining cards and Bakugan being transported into the particular worlds - could happen at different point of their relative times - even years earlier or later! On Neathia and Gundalia it could happened a few years before on Earth, which covers most of the questions of the timeline-consistency /such as Ren being assigned to watch over Linehalt as a child etc./

Bakugan coming to these places has only an added effect: Just as on Earth, they are not (yet?) integrated into the society and culture of the planets so deeply to be any kind of pillar of their existence or basic civilisation. There could be a start (as having specialised researches, technology revolving around Bakugan, taking part in the war,..) regarding this internalisation process, but it still runs on the surface, and not in the 'veins' of the culture.

I hope this breakdown made sense in some form or another. I just felt an urge to pour out the content of my head. Looking back,this became longer and more detailed, than I originally intended, while also surely missing things because there is no worldbuilding without holes or further questions. The attempt to lay down the basics was made regardless haha!

As always, feel free to disagree and follow your own visions concerning the races and worldbuilding. :) This post was made to reflect back my personal interpretation of Neathians - just for fun and thinking out loud.

For the very end, I leave a disclamer here, which was supposed to go at the beginning, but it felt redundant to put there, so here it is:

I tried to approach it from a more sociological side, as focusing on a bigger, overall picture, common features, than create exact statements. (I would rather call this a speculation regarding the features of the races themselves, their core values, common attitudes, mindset - and this doesn't mean other questions are fully out of the picture. We are just discussing things, which can be derived from the features of the society itself, and make up a more or less coherent chain of thought for now. Other 'for fun' or miscellaneous headcanons, like fashion or physical traits will be covered another time.)

Thank you for coming to this TED mambling!

[bestworstcase]

farran rereads lost lagoon: chapters 16-17

back at it.

re: romance novel: “I saw a patch of red flowers, and I thought they would be striking against Cass’s dark hair. She wasn’t exactly a flower wearer, but maybe she’d let me pin one on her dress? The color would set off her fair skin so perfectly. And she could at least keep some in a vase by her bed. I refused to believe there was a person alive who didn’t feel better with freshly cut flowers in her room.” that’s gay rapunzel

i do admittedly have some ambivalent feelings about this passage. on the one hand it’s - yes, very gay. but also it feels to me like such a clear illustration of the difficulty rapunzel has with empathy and listening to other people when their experiences or expectations or needs diverge from hers; she acknowledges that cass isn’t into flowers, but follows it up with “but maybe i can get her to wear some anyway,” and of course there’s the whole refusing to believe anyone could feel differently about having flowers in their room than she does. and it also has this weird undercurrent of - god, i don’t know how to phrase it in a succinct way.

this specific passage was on my mind when i wrote this bit in moonless air chapter 4: 

Still. She plucks at the stitches of her jack-of-plate, self-conscious.

It’s the nicest thing she owns. Soft green velvet sewn over sturdy layers of canvas and steel. Armor. She’d saved up for more than a year to buy it for herself on the anniversary of her adoption two years ago, and at the time it had been nothing but a frivolous luxury. Stupid, really. She’d never had real reason to wear it in Herzingen, not for anything besides teaching herself how to move with its weight and entertaining ridiculous fantasies—but last night, Moira had intimated that their destination in Vardaros is fancy as well as dangerous. So the jack seemed… appropriate.

Sharp. She twitches.

Clothing—fashion isn’t– Cassandra’s always hated dresses. It’s a trait that demands a certain amount of indifference to what other people think of her appearance.

And she can do indifference. Cassandra has indifference in spades. But nobody’s ever paid her a compliment quite like that before: baldly appreciative. Straightforward. Not like all the times Rapunzel coaxed her into tolerating crowns of late-summer flowers because the colors look so nice with your complexion! and not like the Commander’s gruff praise for how grown-up she looked in the hideous pastel gowns that had come with the lady-in-waiting gig.

because – like, cass is butch, and “not a flower wearer,” and here in lost lagoon we have this passage where rapunzel expresses this pretty straightforward attraction to cassandra but in the context of imagining cassandra presenting in a much more feminine way than she is comfortable with - in a dress with flowers in her hair etc - and it just... rubs me the wrong way a little bit. and this is not to say like cass can’t be butch and put a flower in her hair but when it’s paired with rapunzel specifically acknowledging that cass doesn’t WANT to wear flowers then it - yeah i feel weird about this passage. 

and that translated into cass having a whole little crisis over being complimented for her appearance without implicit pressure to be more feminine for the first time ever

anyways

i still can’t get over the name monsieur lefleur 

rapunzel summarizes hervanian culture as “brash but can be funny; distrustful but not mean-spirited” so, basically, they are americans

she is feeling very Prepared to meet with them, in contrast to every other time she’s met with foreign dignitaries or nobility before this. eugene tries to warn her that cass is PISSED with her and she just brushes him off, as one does, by saying that cass is “not all bubbles and moonbeams” but that she is “a softy” inside. 

of course this leads up to cass blowing up and going off while rapunzel tries to calm her down and just - groan this line. 

“People don’t change! You told a criminal a detail that puts my entire future at risk!”

how many times have i said “cass doesn’t act this way in tts” i feel like it’s a constant drumbeat. but i have to say, again, that cass doesn’t act this way in tts. i don’t think it’s unrealistic for her to think like this, given that her father is essentially corona’s chief of police and she idolizes him, but i feel the need to reiterate that there is zero sign of cass having this mindset in tts proper. and it does sort of bother me when people read this into cass’s character because it undermines and delegitimizes her dislike of eugene in early s1. 

which like. tts itself sort of frames their mutual dislike as a mutual problem, but it’s... really not? and imo the best illustration of this is in this exchange from cassandra vs eugene: 

CASSANDRA: Unbelievable. Did you eat all the cookies?

EUGENE: I’m not a pig, Cassandra. I ate all of your cookies; I’m saving mine for later.

CASSANDRA: Ugh– you are nothing but a self-serving, inconsiderate, arrogant freeloader!

EUGENE: [scoffing] You know, I can rattle off insulting adjectives describing your personality, too, but to do so would imply that you actually have a personality, and I just wouldn’t feel right about doing that!

this is the dynamic every time they squabble in early s1. 

1 - eugene does something selfish or thoughtless - in this case taking all the cookies and milk for himself. 

2 - cassandra calls him out for it, and he doubles down, often taking a potshot at her in the process. 

3 - cassandra gets mad and calls his behavior what it is (self-serving, inconsiderate, arrogant)

4 - eugene gets defensive and insults her as a person, typically with variations on calling her icy / unfeeling / humorless / joyless. 

which is to say, their fights are initiated by eugene’s poor behavior, and cassandra attacks his behavior but eugene attacks cassandra herself. like, eugene is the dude who insults you and then goes “pfft why can’t you take a joke” when you get upset with him. that’s what this is. 

moreover, when eugene’s, for lack of a better term, residual flynn rider-ness starts to taper off, cassandra’s criticism of his behavior also tapers off, AND she gets much gentler about how she phrases this criticism once he starts to actually take it on board. but there’s no accompanying shift in the way eugene speaks to and about her - the jibes about her being humorless or cranky or soulless literally never stop and at no point does he ever seem to consider that cass might not appreciate them as much as he thinks she does. 

(to be clear, i don’t think they bother cass very much if at all - but they do create and reinforce a perception on eugene’s end that cass Doesn’t Have Feelings and the background radiation of that contributes to the toxicity that develops in season 2.)

like again, pulling from cassandra vs eugene here, eugene is extremely insulting towards cassandra even when he’s ostensibly coming to her defense: 

RANDOM THUG: Look at that, Fancy-Boots has got something to say!

EUGENE: Name-calling? Come on, we’re better than that, aren’t we? Sure, we could sit here and make fun of each other—tease Cassandra for her chronic joylessness, or me for my uncommonly good looks, or you for your poor dental hygiene, tragic fashion sense, robust body odor, and what are clearly woefully misguided decision making skills, but do you really want to go down that road?

ALL OF WHICH IS TO SAY - besides demonstrating an obvious willingness to give eugene another chance once he starts doing the bare minimum to not be a dick to her, cassandra doesn’t like eugene because eugene is an asshole to her and takes the enormous privileges he is given completely for granted. 

saying “well she doesn’t like him because he was a criminal and she doesn’t believe criminals ever change” erases that completely and reframes the conflict as cassandra treats eugene unfairly because of bigotry that she needs to unlearn. lost lagoon takes this even one step further in that lost lagoon eugene is genuinely trying to be responsible, he is taking his new lot in life seriously. he doesn’t need cass to tell him off for acting like an ass because he doesn’t act like an ass. he shows actual interest in getting to know cass and makes an effort to break through her hostility in order to get along. unlike his tts counterpart, lagoon eugene really doesn’t do anything wrong, and that makes cassandra’s intense hatred of him on the grounds that he was a thief look completely irrational and, like i said, bigoted. 

it’s just very frustrating to me.

anyways

rapunzel tries very hard to persuade cass that it’s actually totally fine that she told eugene the secret because she just can’t keep secrets from eugene (except the lagoon which she has arbitrarily decided is totes fine to keep secret and i am pretty sure this contradiction never gets pointed out) - and cass is having none of it, and of course arianna interrupts before anything can get resolved. 

they rush out and monsieur lefleur interrupts them, asking questions about the lost lagoon. he reveals that he heard an ~elegant cloaked person~ inquiring about it in the library. he asks for the book. they say no. the red herring smells to high heavens, and the chapter ends with rapunzel subtly telling cass to hide the book ~for the safety of the kingdom~ and oh my god i just can’t handle the low stakes. 

seventeen picks up from there with cassandra’s point of view; she’s suspicious of lefleur and angsts a lot about how she has no time to train and she needs to get out of corona yada yada. her plan is literally to just walk until she finds someone to hire her on as a guard which. lol. this kid.

i feel like this is the strongest passage in the whole book: 

She said there couldn’t be any secrets between Eugene and her. But why—especially when it meant sacrificing my future and everything I held dear? I’d read about romantic love in poems, and it seemed to me like a spell. Sounded great for the lovebirds, but what about the other people.

Did I just not matter in the face of this love, even though I had been the one to risk everything to show Rapunzel the world? Was I just supposed to fall on my sword because Eugene was uncomfortable that he didn’t have every last piece of information about Rapunzel?

she has a brief argument with owl, who is a pretty obvious stand-in for her own doubts / feeling that she truly belongs in corona and doesn’t actually want to leave. but she has no choice! but it’s stormy, so she can’t leave! oh no!

(i think if tts really strongly felt she had no choice but to free corona, a measly thunderstorm would not be enough to stop her.)

[korora12]

Ladybug Week Day 8 - Free Day

Day 7

Word Count: 2381

Narrow-beam transmission from the direction of the Draconis system, picked up by a receiver on Patch, the only moon of the planet Vale. Transcription as follows:

I went to a funeral today. I’ve been to funerals before, of course; Grandma’s was the most recent. But this one was different. Have you ever been to the funeral of a man you killed?

His name was Adam. I’ll save the full story of how we met him for another time, but I can give you a quick summary. In brief, we took a job from a biologist named Doctor Merlot, things got weird, Weiss and I rode a dinosaur into battle, Blake’s ex-boyfriend showed up, attacked us, and then died. I don’t know the full story of what happened between the two of them. I might never know, and I think I’m okay with that. There’s comfort in knowing someone so well that you can predict what they’ll do before they do it. A solidarity that comes with knowing someone else sees the same world you do, even if you have to borrow their eyes to see it. But the danger of knowing everything about someone is that they can no longer surprise you. Blake has an air of mystery about her, and I’ll be happy if that never goes away. It’s one of her more attractive features.

Whatever mysterious past the two shared that culminated in deadly violence, Blake still felt some connection to him. Enough that she didn’t want to leave him out to the elements. Or maybe she just didn’t want his face to see the stars anymore. Either way, we buried him ourselves. She didn’t speak the entire time we worked, nor did she glance back at his body even once. I didn’t want to interrupt her thoughts, so we dug in silence. It wasn’t until the hole was filled again, slightly fuller than before, that she found her words.

Don’t ever let anyone tell you that FAUNIS are unfeeling machines, because I’ve held their emotions in my arms and cleaned them from their face. Their emotions are just as wet, messy, and wild as ours.

Blake seemed better after that. There was a party later that evening; we’d saved an entire town at some point during that mess, so they made us guests of honor at their celebration. Blake smiled during the night, and even let me dance with her a bit! There was a huge bonfire in the center of town and the townspeople were playing instruments and singing. After a few drinks I swept her into my arms and we danced around the fire. She laughed the whole time! It was the most beautiful thing I’d ever heard and, lit by firelight, she was the most beautiful thing in all the universe. A thought hit me as we twirled away: I could do this forever.

I almost tripped as soon as I realized what I’d just thought. Is that what my counterpart, the queen in that other universe, felt when she danced on her wedding night?

I’m sitting in Crescent Rose’s cockpit now. Everyone else has gone off to bed, but I couldn’t sleep, so I figured I’d come talk to you. Maybe I can work through some of the thoughts these last few days have brought.

The universe is huge and empty. You really get a feel for how big it is when you’re out here. We took a job last month to escort a survey ship to one of the nearest stars; it was uneventful, but I’m sure I mentioned it to you in passing. We warped space around us until we were falling through the void too fast for light to keep up, and even then it took weeks round-trip. Lightyears of empty space broken only by a brief flash of starlight up close.

It was a stroke of luck that humans and qedem first found each other, and their later discovery of the materia was just as unlikely. We found each other’s radio transmissions and honed in on each other like missiles. But we didn’t fight each other; we were too happy to have found someone else, too afraid to risk facing the boogeyman of the unknown alone. Solidarity in familiarity.

Since then we’ve colonized over a hundred systems and surveyed and explored thousands more, yet we haven’t found anyone else. We don’t even use radio waves much anymore, so our odds of finding anyone may have actually gone down. In order to get a fourth intelligent species, we had to make them from scratch.

And then there’s the grimm. Monsters whose only goal is destruction, not unthinking but also not able to be negotiated with. I don’t need to explain the grimm to you; you know them better than most. Some people say that grimm are proof that the universe is actively hostile and doesn’t want us in it. That it sees life, or at least intelligent life, as something that warrants stamping out.

I don’t think that’s true.

There’s another theory out there, less common since we found the grimm but one that still gets bandied about. It says that intelligent life is the universe’s way of understanding itself. It’s a pretty notion that posits some special place in existence for us few, special things whose atoms aligned in just such a way. Those who hold this belief, like their more pessimistic counterparts, also believe that the universe has some sense or intelligence and has noticed our existence.

I killed a man today, watched up close as life left his eyes. Then, a few hours later, I danced and laughed and realized the depths of my love for a woman. And I don’t think the universe cared about either of those things. There is no higher power watching us and judging how we live our lives, but conversely, there’s no one who cares if we die. We could keep on going.

I could do this forever, and the universe wouldn’t care.

It’s been said before that nothing matters. But it’s also been said that it doesn’t matter that nothing matters. You don’t need some great, overarching meaning to live your life.

When I first met Blake, she asked me why I wanted to make a life in the middle of nowhere. I told her I wanted to be a hero and she latched on to that part. And it’s true, I do want to be a hero. Not because I think it’s inherently the right thing to do; I don’t believe that there’s some absolute value of justice or goodness baked into the fabric of reality. I just want to live in a world where heroes exist. I want to live in a world where people help each other not because they have to, but because they can. And the only way I know of to make that world is to play my part and live by example.

I also told Blake that I was out here to have fun. I think Yang, thrill-seeker that she is, understands that reason better than Blake. Happiness, pleasure, love, joy, these things aren’t any more meaningful than anything else. But I prefer them to the alternative. A life spent buried in good books, surrounded by friends, and elbow-deep in the guts of a ship engine, trying to figure out why it won’t work this month is just as valid of a lifestyle as someone who spends every waking moment fighting for the rights of people he’ll never meet, even if he uses violent methods and intends to benefit himself more than the ones he helps. However, that equality in validity doesn’t mean I have to take his actions lying down.

Nihilism isn’t an excuse to be an asshole. We wouldn’t have made it where we are today without empathy and cooperation. Without that we’d still live in a world where the stars were out of reach, and I don’t want to be stuck like that. I want to run the length of the universe and see every speck of light it holds.

I will fight for the world I want to live in, and it doesn’t matter if it doesn’t matter. Because I am here. Not in spite of the universe, and not because of it either. I just am.

I wish you were here too, mom.

…

Do me a favor? Don’t tell dad anything I just said. I don’t want him to worry about me. Oh! We’ve decided to pay a visit to civilized space, so we’ll be stopping by when we hit Vale. I look forward to seeing you and dad again soon, and introducing you to Blake in person.

Until then, this is Ruby Rose, captain of the Crescent Rose, signing off.

I love you.

x-x-x-x-x-x-x

CGT transmission, pre-recorded video sent from node 72.97457.4452.4698 in the Draconis system to node 55.13896.3481.7774 in the Menagerie system. Transcription as follows:

Hi mom, hi dad.

I know. I haven’t talked to you in years, and now, when I finally reach out, I send a video instead of calling. I’m sorry.

I wanted to let you know that I’m doing alright. I left the White Fang. Actually, I haven’t been with them for a couple years now. After I cut ties I went and got a decent job on Vale that paid for food and an apartment. I made friends and started making a home for myself.

Then I threw all of that away for a woman I’d only just met.

God, you should meet her. She’s amazing. She’s smart, strong, cute, funny, heroic; basically everything I wanted Adam to be, way back when.

You were right about him, by the way. Of course you were. You don’t have to worry about him anymore, though. No one will have to worry about him ever again.

Anyway, the woman. Her name is Ruby Rose and she’s human. When I first met her, she offered me the opportunity to live in a tiny room on a small ship, where I could enjoy an inconsistent workload that occasionally involved fighting for my life against hordes of grimm. For some reason, I said yes, and it might’ve been the best thing I’ve ever done with my life.

I’ve since upgraded to sharing the captain’s room with her. Actually, we knocked down the wall between our rooms to make one big room, but same effect.

Life isn’t perfect, but I’m happy now. I haven’t been happy in a long time. I was angry for so long, and then I was mostly scared. I thought I didn’t know how to be happy anymore, but it’s so easy here. I woke up this morning and Ruby was laying there next to me, curled in a ball and snoring, and it was the most perfect thing ever. If I could wake up every day and have her face be the first thing I saw, I think that’d be enough.

…

Oh god, I can’t believe I just said that.

I’ve been living only in the present for years, but now I’m starting to think about the future again, and every picture in my head has her in it. I can’t imagine my life without her anymore. There’s a part of me I lost, carved out bit by bit by a hundred different hands, that I’ve managed to find again. She’s given me some of her hope, to fill in the gap where mine used to be.

When I was young, I used to believe in a higher power and concepts like right and wrong. I thought that there was some cosmic scale to be balanced, and if we just did enough good things, the universe would tip in our favor and everything would be okay. But everything I’ve seen since leaving Menagerie suggests otherwise. You can fill your life with one good deed after another, and you’re never guaranteed to get good things in return. So after a while, I stopped expecting good things to happen to me. It seemed like all the cruelties I faced, whether from strangers or from people I trusted, were just an inevitable and unavoidable part of life.

I kept trying to help people anyway. It wasn’t until the White Fang started going too far, hurting the people we were supposed to be helping and hurting strangers as collateral damage, that I realized I couldn’t keep considering myself a good person if I stayed with them. I was lost for a while, not sure where to go or what to do, and then Ruby was there, like a life preserver in a storm.

When I’m with her, it’s easier to believe that things might be okay someday. It might not ever be perfect. Maybe we can only ever trade one inequality for another. Maybe society can’t function without someone on top, and someone else crushed beneath their heel. Maybe no one deserves more than they can fight for and grasp with their own two hands. But that doesn’t mean you don’t try to make things better. There is value in the effort. Perfection isn’t a goal but a direction you choose to march in, and what’s important is that you keep marching.

I can carve out a place for myself where I can be okay, and then I can use what energy is left to help others carve their own place. I don’t have to fix the world, I just have to try. I just have to be okay. And I think, someday soon, I will be.

I’m sorry, I didn’t mean to drop all that on you like that. I just wanted you to know that I’m in a good place right now. I may not be changing the world out here, but I’m helping. There are people who would be less happy and less healthy if I hadn’t come out here. I’d like to tell you all about them some day.

We’re going to be taking a break soon, heading back into better-charted space. If it’s okay with you, I was hoping to pay you a visit. You could meet my crewmates and I could see what you’ve done with Kuo Kuana since I left.

I love you guys. Hope to hear from you soon.

x-x-x-x-x-x-x

*dies*

That is, by my count, a total of 31,413 words written in a single month, or about 1000 words per day. Dear god am I exhausted. This was the largest single writing project I’ve ever completed, and I’m really glad to know that I can do it. That being said, I very much plan on cutting back my daily word count following this.

Ladybug week may be over, but I don’t plan on giving up on this AU. I do, however, want to take a break. I’ve got some work to do in the background, worldbuilding and what-not, as well as other projects I’d like to work on. If we can get an @freezerburn-week going again this year, I’d love to revisit this world then. I really didn’t do enough with Weiss and Yang in these bits, and I’ve got ideas for freezerburn content meandering about my skull.

Regardless, if I’ve sparked your interest, keep an eye out for more of The Last Frontier here, or on my FF or AO3 accounts.

[the-desolated-quill]

The Defenders blogs

Well. This is it. We’re finally getting our street level Avengers. The Defenders have arrived on Netflix. Which means it’s time for another series of reviews from your’s truly.

Now let’s quickly recap on what I thought of the previous Netflix shows.

Daredevil Season 1 is arguably the best of the Netflix shows. It had a compelling and dramatic season arc that was finely tuned and well executed. It felt like each episode had a significant part to play in the ongoing narrative, containing emotional moments and tense, edge of your seat moments. Charlie Cox did an amazing job as the title character, giving a lot of depth and weight to Matt’s internal conflicts. I loved the friendships and bonds he formed with Foggy, Karen and Claire. And of course there was the Kingpin himself. A beautifully written antagonist that was often complex and surprisingly sympathetic, but was always intimidating and downright terrifying when he needed to be.

Jessica Jones presented the most adult and mature story ever to come out of the MCU, and I applaud how the show handled its very difficult subject matter. Krysten Ritter was incredible as the title character. While not always a sympathetic protagonist, she was compelling throughout. The show also gave us arguably the best villain of the entire MCU. David Tennant gave a chilling performance as Kilgrave, and the show’s efforts to humanise him made him all the more sickening and disturbing to watch. While the show did suffer slightly in the middle due to a pointless and nonsensical subplot involving Will Simpson and some supersoldier drugs, it all culminates in a satisfying finale.

Daredevil Season 2 sadly paled in comparison to its previous season. While it started strong in the first four episodes with its Punisher storyline and exploration into Matt Murdock’s psyche, questioning the true motives behind his vigilantism, it all went downhill when Elektra showed up. A hateful, arrogant  and badly written character made worse by the fact that we’re clearly supposed to feel empathy for her despite the fact that she has no redeemable character traits. Bearing almost zero resemblance to her comic book counterpart, I honestly can’t see how Matt could possibly be attracted to someone as sociopathic and unlikeable as her. From there Season 2 only got worse with its convoluted plot involving the Hand, the Punisher storyline being unnecessarily dragged on to the point where it actually undid all the good that came before, and it all ended in a god awful finale that was cliched, stupid and boring in equal measure.

Luke Cage was a revelation, at times rivalling the brilliance of Daredevil Season 1. Embracing the character’s black culture and influences made the show feel utterly unique and distinct from the rest of the MCU. While the introduction of villain Diamondback halfway through caused the show’s quality to dip, its strong characterisation and rich setting kept the show going. Mike Colter gives the strongest performance I’ve ever seen in one of these shows, the character of Claire Temple was finally put to good use, and the growth and transformation of Misty Knight over the course of the season was definitely a highlight.

Iron Fist was a complete and total shambles from start to finish. A boring, stupid, sloppily constructed, incoherent mess that seemed almost ashamed to be a superhero show. There were hardly any decent fight scenes, the show instead focusing on tedious corporate subplots, and the whole chi energy thing barely got a look in, with the writers constantly finding convenient ways to shove Iron fist back in his box just when things threaten to get exciting. The plot is all over the shop, the threat and goal is not clearly defined, characters are inconsistently written and their motivations constantly change from episode to episode. All of this would have been vaguely tolerable if the main protagonist was at least semi-likeable, but he’s actually the worst thing about this show. Danny is an ignorant, spoilt and unlikeable little piss-weasel played by an actor with all the charm and emotional depth of a teaspoon. It also doesn’t help that Finn Jones clearly can’t do the martial arts required for the character, forcing the other performers around him to slow down in order to accommodate him. What a pain in the arse!

So basically if I was to list these Netflix shows from best to worst, it would go:

Daredevil Season 1

Luke Cage

Jessica Jones

Daredevil Season 2

Iron Fist

I wonder where the Defenders will fit in. Only one way to find out. You know how this goes. 8 episodes, 8 reviews, 8 days and 1 nitpicking old fart who has deluded himself into thinking his opinion actually has any sort of value or worth. See you tomorrow.

[amorremanet]

OC asks/questions: 8, 15, 21, 25, 32? Also if that's not already too much: finish the sentence meme for Lucy?

Okay, I did intend to do the finish the sentence meme, but as it stands, it’s almost 4AM and I’ve been binge-watching old Outside X-Box list videos to stay awake, so…… I’ll get back to that one

8: What’s the most common physical characteristic of your OCs? What about personality trait?

Physically, a lot of my OCs are ridiculously tall. I blame having my concept of average human heights skewed when I was a child, due to having several ridiculously tall relatives, and then having my ideas further skewed in my adolescence by a mix of shoujo and magical girl anime/manga (where the hottest characters, like Tenou Haruka, or designated love interest characters, like Chiba Mamoru and Kashino Rei, the “troubled but cute” pretty boy from MARS, are tall), and the Vampire Chronicles (where most of the vampires are tall, beautiful, and incredibly gay or bisexual)

Personality-wise, “troubled but cute” is probably my most overused character type. Even more specifically, “troubled, but cute, and they have a good heart, they’re trying their best, but they’re still troubled and sometimes (often) make incredibly bad decisions because I felt like it would be a fun time to make them do so”

15: Do you have any AUs? — Short answer: yes. Longer answer: yes, and some of them are going to be canon, because I have the self-restraint of a magpie, and figured that…… eh, whatever, screw it, I’m nixing several of the other more credulity-straining and ridiculous elements of the by-its-very-nature ridiculous and credulity-straining superhero genre, so I can have a canon multiverse if I please. Which I do, because it’s fun. For me. Anyway, some of the canon AUs are:

The AU where most of the major points are still the same, but also, Silent Hill. Not that it will actually be called, “Silent Hill” because of blah blah copyright, but I primarily got the idea of, “horrible demonic monsters conjured out of people’s guilt and psychological issues” from the Silent Hill series, and I’m not going to pretend I didn’t.

Also, unlike Silent Hill proper, the nasty pieces of work in this universe do not have the decency to just stay confined to one small town in Middle of Nowhere, Maine. They’re everywhere.

Anyway, some of the characters from this AU get dragged into the prime timeline (tentatively) in book three, as part of a Totally Brilliant (not really) scheme by a handful of the fascist supervillain douchebags to distract that annoying ragtag band of misfit anti-fascist heroes from the actual evil plan going on. Nobody is happy about this.

Especially not when some of the monsters decide to join in on the universe-hopping fun-times. Whoops.

The AU where a lot of the major points are more or less the same, but human technology is more advanced and, in keeping with some of the more idealistic mid-20th century sci-fi concepts, while our cast in the prime timeline are dealing with neo-fascism and shit, humans in this AU are getting welcomed into It’s Not The Federation From Star Trek Because I Don’t Want to Get Sued, But It Is Basically The Same Idea, and dating aliens.

Pete’s AU counterpart got into what is basically an alien university’s MFA program in theatre. He’s the first Terran to do so, period. He has an alien boyfriend, he has never been to rehab (though, uh. He’s still an addict. And still using. So, there’s that), and his prime-timeline counterpart is going to initially think he’s pretty awesome, and progressively get super sick of basically everything about him.

The AU where Seb, Pete, Stephen, Josie, and Todd are essentially a boy band. Because of reasons. Anyone who gets dragged into the prime timeline from this AU is going to be really confused by literally everything else, because this AU is probably the closest one to how our own universe works, so like…… Imagine that you abruptly get yanked into [pick a superhero comic book universe], after a lifetime of believing that it’s all, “just stories.” It would be confusing and more than a bit alienating.

Which is not to say that this AU is all rainbows and kittens or whatever, but the problems facing the main cast are things like, “Everyone in the band has to be closeted because there’s still homophobia and transphobia,”

“Pete and Josie have probably never gotten treatment for their respective eating disorders, and Stephen may well have developed one from the fact that, boy bands are generally not allowed to have fat members, which would also mean that he’s ridiculously unhealthy since his body’s happy, healthy place? Just so happens to be fat,”

“On one hand, Todd and maybe Pete have probably never had substance abuse problems. But on the other hand, Seb still has and it’s probably very seriously exacerbated by several factors,” and so on.

Which isn’t to say that those things aren’t important and complicated problems, or that the prime timeline characters DON’T have to deal with similar things just because they’re in a superhero world (since…… they DO have to deal with those things or at least very similar ones)

But there’s a pretty significant difference between things like, “trying to stay clean” and, “trying to prevent a bunch of neo-fascist supervillain douchebags from staging a bullshit fake attack at a debate between potential Republican nominees for the US presidency, which will probably end up killing a bunch of people if it’s allowed to go on, and is part of a longer-running, slow-burn scheme to essentially make this dickbag senator from Virginia the President-in-All-But-Name”

And the boy band AU characters are super-unprepared to deal with the latter sort of problem

The AU where it’s a vaguely cyberpunk dystopia because I felt like it, that’s why.

The AU where instead of superpowers, everyone has magic

Which is going to frustrate Lucy to no end, when she has to meet her AU self from this universe, because sure, this AU has different systems and rules for how the magic works, but no one can tell her what the Hell makes it go aside from, “idk, it’s magic” and that’s not an acceptable explanation to her

—But, as she’s going to hear from someone, this isn’t actually any different from how superpowers work in the main timeline, like? They know that the superpowers are caused by genetic mutations. They can figure out different ways of handling said superpowers and systems of how to approach and understand them……

But if we look at Josie’s telepathy/empathy, Lucy’s hemokinesis, Sara Grace’s super-speed and neato super-voice tricks, Seb’s “they don’t call it lycanthropy but only because that’s already a thing; it’s essentially lycanthropy with a shot of therianthropy, animal empathy, and a healing factor that would make Deadpool jealous,” Yael’s ferrokinesis and magnetism powers, All-Star Doctor Delphi’s status as the resident flying brick with heat vision, Elizabeth’s telepathy/telekinesis, Conrad’s telepathy/mental manipulation, Julian’s empathic abilities and emotional manipulation that can be a super-effective Jedi Mind Trick and then some when used effectively, Sylvia and Vince’s essentially omni-shapeshifting, the fact that Annie can turn her own tears, saliva, and blood into all kinds of fun chemicals (from toxins and acids, to myriad medicines), ET CETERA?

……Yeah, uh. In the end, the best explanation that anyone has for why any of that works, in-universe, is essentially, “Because it just does.”

So… essentially the same explanation as, “A wizard did it,” but it’s pretending to be scientific.

Lucy does not like being confronted with this hypocrisy, but she’s just gonna need to put on her big girl shoes and deal with it.

The AU where I don’t actually have most of the details about it worked out, but in the prime timeline’s December 2007, it abruptly became the new home of All-Stars member Penumbra (nee Victoria Brandt) and supervillains Dr. Neutron and Necrotara. They all got dumped in it when Penumbra stopped them from unleashing a super-plague on New York City… by opening up a rift in space-time, throwing them into it, and plunging after them because that was the only way she knew to seal it before it ate New York.

This AU will also get dragged into the prime timeline, though: 1. that’s more of an accident because Titus, Dezi, Eddie, and Tamsin have no goddamn idea what they’re doing and are meddling with forces they can’t control (especially not Dezi and Eddie, who have no powers to speak of and are miserably inept at pretty much everything);

and 2. It’s a bigger deal to the All-Stars than to the main cast, especially to Ruby Marvel (Penumbra’s on-off girlfriend), Zephyr Haze (who really looked up to Penumbra, and she was one of the few team members who believed that he was ready to be anything more than Doctor Delphi’s sidekick), and Slingshot (her on-off boyfriend, who has totally failed to move on from what happened, and if not for Captain Firebrand and Platinum Man revoking his ability to get into R&D without a babysitter, he likely would’ve broken space-time to get Penumbra back years ago)

Like, I’m not saying, “He has handled this like Silver Age Spiderman trying to kill the Green Goblin as vengeance for Norman Osborne murdering Gwen Stacy.”

I’m saying, “Slingshot has handled Penumbra’s effective death like that thing I just said magnified by a power of ten because, as far as he knows, getting her back into the prime timeline could potentially be cataclysmic, and he does not care. He has also spectacularly failed to listen to any and all attempts at getting him to respect her choice here, and the only reason he hasn’t gone full grimdark like a mid-90’s to mid-2000’s Dark Age drama-bomb of toxic masculinity and manpain? Is that he isn’t allowed into R&D at All-Stars Tower without a babysitter.”

However this AU works, Adelaide’s AU counterpart is going to be kind of a mess at getting dragged into the prime timeline, on one hand because her prime timeline self doesn’t have powers but decided to affiliate herself with a bunch of heroes anyway (while dumpster fire AU!Adelaide has superpowers and has been a hero and it’s gone Other Than Well for her), and on the other because her prime timeline brothers are alive and haven’t gotten killed by her supervillain nemeses

Dumpster fire AU!Adelaide is going to be more of a mess over a lot of things like, “On one hand, her little brother lived past 20 and swears he’s got a good life and his boyfriend is nice (yay!), but on the other, he’s a mentally ill recovering addict and also a superhero and for some reason, her prime timeline self is, as far as dumpster fire AU!Adelaide can tell, just okay with this”

And, “Her prime timeline self has a niece who actually knows what it’s like to have a father in her life, because dumpster fire AU!Adelaide’s Max got killed off while Linda was pregnant and Linda is probably a great single mom, but dumpster fire AU!Adelaide wouldn’t know because after Seb and Ambrose had both gotten killed (albeit by different villains), the common theme that emerged was the boys getting killed by supervillains and having a superhero sister, and okay, Linda did not explicitly blame Adelaide (Linda’s feelings about all of this are conflicted and messy)

“—but dumpster fire!Adelaide decided that the best thing to do was to basically cut herself off from friends, family, and loved ones, barring her AU’s Pete, who has become her co-hero, and a dog, because like her baby brother, Adelaide loves dogs and sometimes uses them as a substitute for interpersonal contact and connections”

Prime timeline Addie is seriously weirded out by her AU self’s complete lack of chill. Which says a lot, because Addie-prime actively repels anything that even vaguely resembles chill.

The AU where Margot and Seb didn’t get to be friends in undergrad, and her parents never disowned her, and she wound up filthy rich in her own right and having far fewer near brushes with death…… but also wound up: closeted and basically leading a double-life to keep from getting outed; very lonely; more miserable than she would like to think; and taking more than a few cues from Adrian “Ozymandias” Veidt of Watchmen

—Which is to say that, while she still doesn’t have any literal superpowers, she is deeply closeted and convinced that the only way to save humanity from itself might just need to involve doing something extreme that successfully makes humanity put aside their differences and unite against a perceived larger threat (and also distracts them so that Margot and her loosely affiliated AU associates can, “solve the underlying problems” unimpeded)

As prime timeline Margot will definitely point out: ideas like that literally only work on paper or in theory. In practice, humans are chaotic and messy and impossible to predict with any real accuracy, so there is no possible way to guarantee that killing a bunch of people and blaming it on aliens or whatever will make everyone decide to get along and sing songs underneath of a rainbow like some vintage Coca-Cola commercial.

Oh, and if Ozymandias AU!Margot actually thinks that nobody will notice if she and her cohorts, what, like…… use the world banks to redistribute the world’s wealth and make sure that the 1% can’t get it back (which would include AU!Margot herself and her cohorts, even though most of them don’t know she’s planning to do that), change a bunch of laws and policies they don’t agree with, and institute some kind of secret shadow government over the entire world?

Here’s a hint, Ozymandias AU!Margot: people will definitely notice that, and a lot of them won’t be too keen on letting you get away with it.

Furthermore, not only will people definitely notice that, but it won’t actually fix things as much as you want it to do. It would have some benefits, sure, and some of the ideas you’re trying to put into practice here are not inherently bad — like redistributing the wealth and putting hella restrictions on the same patterns of capitalist exploitation that made you rich in the first place — but one of the underlying flaws in AU!Margot’s approach is that, again, she’s ignoring the human element of everything

In other words: sure, redistributing the wealth is a nice idea and it would definitely have some positive benefits, but you cannot magic away the scars of aforementioned capitalist exploitation by throwing money at them, nor should you expect people who have been exploited, dehumanized, murdered, etc. under said patterns to not be upset about their suffering just because they now have money.

More generally, expecting people to always react in predictable ways is a bad idea. Expecting people to be okay with things that you erroneously think you would totally be okay with, if you were in their position is a bad idea. Behaving like a supervillain, even if you think you’re doing it for the right reasons and even if there might be some temporary short-term benefits? Is a BAD IDEA (especially when your plans have some major, egregious oversights).

Also, ew, Ozymandias AU!self, but out of all the ladies with whom you could be having a secret affair, why the fuck are you having it with your AU’s Melanie Drake (the firstborn daughter of the guy who the prime timeline Biggest Bad wants to put in power as his puppet, who is, herself, an active and enthusiastic participant in fascist supervillain hijinks).

In Ozymandias AU!Margot’s defense, her universe’s Melanie still has the conviction that everything she’s doing is for the Greater Good, but although she hasn’t gotten away from her nuclear reactor meltdown of an abusive shit-show family, she did come to believe in a different vision of, “the Greater Good.”

I mean. The nicest thing that can be said about it is that her vision of, “the Greater Good” isn’t a fascistic one and is, much like Ozymandias AU!Margot’s entire scheme, largely born out of good or at least okay-ish intentions, but really fucked up wrt the execution. But it’s not like Ozymandias AU!Margot is having a secret sexy affair with a neo-fascist supervillain.

She’s…… uh. Having a secret sexy affair with someone else who, in their AU, considers herself to be, “one of the heroes that this world needs but won’t accept,” and both of them are pretty fucked up, morally and ethically speaking, though not so much so that they wouldn’t be horrified by the Melanie of the prime timeline (who is, in fairness, pretty horrific. She’s also engaged to Titus, who is equally horrible but for some different reasons)

Anyway, the point is that Margot-prime super doesn’t expect any Melanie to be the secret girlfriend for any of her AU selves, and she’s really not happy about it, but also biased due to shit like, “Melanie-prime is an actual facts fascist supervillain”

And shit like, “Melanie-prime has hurt Margot-prime’s friends, and no, she doesn’t care that it was always in a superhero vs. supervillain fight, or that Seb has a healing factor, or that Pete accidentally made shit get violent on at least one occasion by running his mouth when he knew that he should have shut up, or that Lucy has run headlong into situations where a little bit of chill could’ve gone a long way and then people started throwing punches, la la la, go away context, Margot can’t hear you, Melanie has hurt her friends And That’s Terrible”

The mundane AU where, in addition to not being superheroes, Seb and Stephen met each other about ten years earlier and were a lot less gun-shy about being super into each other, not least because neither of them had been burned too badly in romance before (even given that they’d both had some negative experiences with it), and while both of them still had some big deal underlying issues with self-esteem, neither of them played any weird little head-games with himself to the tune of, “Oh, I shouldn’t voice my interest because he’s probably not interested in me because reasons, he’s probably just being nice”

On one hand, this AU wound up sparing both of them certain shitty experiences that their prime-timeline counterparts dealt with in their 20’s (not all of them, granted, and like — this AU’s Seb is still a recovering addict, and this AU’s Stephen has still dealt with a ton of bullshit about body image and fatphobia).

But on the other, they broke up and it’s…… amicable? Mostly? But still kind of emotionally tense for several reasons, not least of which is how instead of playing any, “he’s probably not really interested” head-games with themselves at the outset of their relationship and working through it, they were together for a long time, and danced around the idea of getting married…

…but neither of them told the other about wanting to get married because each of them thought that the other would never be into that idea because Reasons. Presumptions were made, miscommunication ensued, they eventually split up, each of them took it as a definite sign of, “I was right, he never would’ve been into getting married,” and they’ve mostly moved on and repaired the non-romantic friendship parts here.

Until they get dragged into the prime timeline and find that their counterparts are significantly more messed up as individuals but actually making a relationship work, but also at a point of, “They’ve been having some issues that have nothing to do with the superhero thing, and each of them is kind of seriously thinking about proposing but keeps getting cold feet about it”

Watching your alternate universe selves get engaged in the middle of a drag show on one of their birthdays is…… special.

Doing so after telling one or the other of them why you ever broke up is…… uh. Let’s just call it, “double special” and move on.

Also, powerless AU!Seb…… will be really conflicted about his prime timeline self being a superhero, partly out of concern (since this hero business seems to be working out okay, but it all sounds stressful and dangerous, and yes, Seb-prime literally can’t get intoxicated anymore — at least, not on any of the, “normal stuff,” i.e., “psychoactive substances that were not created by other mutants” — but…… how is being a superhero NOT a relapse trigger waiting to happen. To paraphrase Joan Watson, how is being a superhero NOT a giant gun filled with drugs and alcohol, pointed right at Seb-prime)

…partly out admiration (because the superhero stuff actually is working out decently, and powerless AU!Seb has to respect his prime timeline counterpart’s hijinks and dedication to helping people)

……and partly out of jealousy and getting kicked in the, “you’re kind of a worthless fuck-up, aren’t you?” feelings

because yes, powerless!Seb has found his own bliss in academia, and he is more or less at peace with it, most of the time……

but he’s torn because he wants to be helping people, and he largely went down the academic track to help himself

—which, in this case, means, “to something to work on and do with himself that wouldn’t feel like a complete waste of time, even if it didn’t exactly make him feel fulfilled, because he needed something to do other than, ‘try to find peace and sobriety by isolating himself from as much of life as possible,’” so it’s not like he is being selfish in a way that actively screws over anyone else; he is being selfish in a way that displays self-preservation—

—and okay, powerless!Seb has a list of things that he tries to tell himself about how this life-choice isn’t antithetical to the idea of helping people because he mentors students, and his research helps in X or Y or Z convoluted fashion, and he uses his access to academic databases to get around paywalls for other people who don’t have that access and to then hook them up with what they need……

But that’s still not the kind of helping people that he wanted to get into and it doesn’t really feel like he’s helping anyone, and it’s a pretty big kick in the stomach for him to get yanked into the prime timeline and see Seb-prime… actively helping other people as a superhero and ostensibly doing better at staying sober because of the superhero thing, rather than in spite of it, and what the fuck, how is this FAIR, how come he can do that and powerless!Seb CAN’T)

Even without the part where Seb-prime literally can’t get intoxicated on, “the normal stuff” anymore, the situation is a lot more complicated than powerless!Seb thinks it is, but in fairness to him, he’s probably only been stuck in this unfamiliar timeline for two weeks, max, when he has this little jealousy-induced meltdown

He probably ends up getting helped to chill out by Stephen-prime, which is its own messy and confusing kettle of monkeys for both parties because of intricate, complicated ontological questions like, “Is it cheating if I don’t actually do anything with my (ex-)boyfriend’s alternate universe counterpart, but feel attracted to him and definitely THINK about doing things with him?”

……The sad part is that all four of these losers WOULD actually make that complicated question, but it would be less because of the actual thorny issues about being and the nature of existence, and more because all of them would have a mental double-standard like, “Well, if I did it, then it would definitely be wrong, but it wouldn’t be wrong if my boyfriend did it because of reasons”

Seb and Stephen-prime may not need to deal with that specific question but the whole underlying, “Things that other people are allowed to do are wrong when I do them because of reasons” business is something they have to suck it up and work on, as individuals and in the context of their relationship

The AU where Josie actually got to go into fashion design, because they didn’t have their entire career ruined before it began by a mix of a douchebag ex-boyfriend whose parents were in good with Anna Wintour, and an abrupt, stress-triggered anorexic relapse that led to an even more stressful superpower awakening

Keeping with the, “mirror mirror on the wall, it’s fuck with my characters o’clock, let’s go…… all” theme among a lot of these AUs and the different respective versions of the characters, fashionista AU!Josie has a lot of things that Josie-prime wants and a lot of aspects of their life make Josie-prime jealous, but they are actually a huge mess in their own right

I’m still working out how, exactly, they are a huge mess, and so far, all I’ve really thought of is that it would amuse me if they were dating their AU’s Todd, but I’m not sure where I want to go with that and it’s also not actually going to be an issue for a while yet, so the idea has time to percolate

and the canonical coffee-shop AU.

The canonical coffee-shop AU is a horrifying dystopia where the bad guys won before most of the main cast were even ten years old — like, that AU’s Lucy and Sara Grace literally have no conscious memories of life ever being any different, they were that young when everything went to Hell — and that AU’s version of Senator Huntington (R-Virginia), the aforementioned Biggest Bad, took a lot of cues from Brave New World about how to run his dystopia

Like, there are several things that he would nix

e.g., the ostensible sex-positivity and alleged sexual equality of Aldous Huxley’s dystopia that is, in its own way, just another way of creating sex/gender-based INequality and blah blah blah

That would go right out the window because as far as dystopias go, wrt sex and the (im)morality thereof? Huntington thinks that Margaret Atwood’s Republic of Gideon from The Handmaid’s Tale had more or less the right idea, though he would also acquiesce that, if you want it to work, you’d need to build up to that, rather than dumping it on everyone all at once

He would also nix some of the more scientific aspects of the BNW dystopia, because he realizes that they’re not actually as likely to work out decently as Huxley seems to have thought in the novel

Like, Huntington would definitely still want there to be several strata of social inequalities that all serve to support a big pyramid that he can be on top of

……but he wouldn’t want to have those things artificially created in a lab because he thinks that sex is the best way to control a lot of the people under his power because even the ones who aren’t “perverts” — which, to him, means basically everyone who isn’t a heterosexual who only ever wants to have sex in the missionary position for the express purpose of procreation — are still “weakened” by their dependence on human connections (read: any desire to have meaningful human connections), and all of them inevitably want those connections to be expressed through sex because they’re all idiots in the end

For the record: Huntington’s attitude about sex is derived from the attitudes of real-world right-wing Christians in the States who love to play the game of shaming anyone who has any sexual desires, ever, because even though they also say that said desires come from God because they’re expressions of love and whatnot, they could just as easily come from Satan if the preacher in question doesn’t approve of them, personally.

The religious aspect only seems pasted-on whenever Huntington talks about any of this because…… Well, for him? It is. He doesn’t actually believe in God, or Jesus, or much of anything beyond his own power and his own right to have whatever he wants because he showed up and decided he deserves it.

Any time he talks about God or religion, he’s merely catering to his constituents by playing a version of himself who DOES believe in God because he’s reasonably certain he would never hold any elected office if he didn’t project the image of being a righteous, God-fearing man who is filled with the love of Jesus. But I digress.

So, yeah. Brave New!Huntington wouldn’t want to have all of his social inequalities baked into the population due to how people are grown in laboratories, but the general idea of, “keep the populace medicated into submission, throw them some bread and circuses and maybe a bit of pasted-on happiness, don’t let them think for themselves but give them the illusion of thinking for themselves, etc.”? Huntington is all about that.

Another reason why he vetoes the, “let’s grow all humans in laboratory test tubes lmao” idea is that he figures he can better play into the idea of all people being essentially equal, which helps keep the populace docile as long as they believe in it, if he lets them handle their own relationships and procreation. Like, regulate it in certain ways, and only give The Gay Agenda (i.e., everyone who isn’t straight) as much wiggle room as will keep them from noticing that equality is a lie, but don’t interfere too much because getting hung up on all that interpersonal drama keeps them from noticing the actual problems

Either way, the canonical coffee-shop AU is a horrid, dystopian hellscape and the main cast’s counterparts in that AU are okay with their lots in life — where, for example, Conrad actually is just a wacky eccentric uncle and not using that façade to try and teach Marie a kiddie version of Why Fascism Is Totally Cool, just in case she ends up being a mutant too, and Julian is a provocateur in that he argues with anyone who tries to sit in His Spot at the coffee-shop, rather than because he uses his platform and charisma to pick at prejudices and stir the pot in ways that incite violence — because they’re all drugged, they’re all being lied to, some of them don’t remember life ever being anything else, and when some of them get yanked into the prime timeline, uh.

Well.

That will be interesting to me, personally, because there’s going to be a lot of disagreement among all involved parties about all of this and what it all means

But ngl, this canonical AU literally started because I was reading coffee-shop AU superhero fics, looking at my own ragtag bunch of superheroic misfits, and going, “God, what WOULD it take for them to actually exist in a coffee-shop AU? Because the conventional coffee-shop AU set-up wouldn’t even allow for any of them to be recovering addicts or abuse survivors, much less actively upset about any injustices in the world (beyond maybe being a Soapbox Sadie type for a scene or two before getting swept up in the inevitable romance that will dominate literally everything about the fic) or affected by shit like homophobia, racism, ableism, sexism, etc. (because if we dealt with those issues, it might not be sexy or romantic, or at the very least, it would seriously distract from the OTP and their amazing love story). The most anyone is ever allowed to be in a coffee-shop AU is pleasantly eccentric or Troubled But Cute With The Emphasis On Cute”

Which is all a long-form way of saying that I came up with an entire canonical dystopian coffee-shop AU in a thought exercise that came out of being tolerant of coffee-shop AUs but also really bored with them and low-key frustrated about their dominance of fanfiction things for the past few years because while I understand the appeal of the escapism that’s inherent in most of them (and there are some that I even enjoy), I find it kind of depressing that so many of them end up being such that you could probably find and replace the names of one fandom’s characters with another fandom’s characters and it would essentially be the same story, and all of the things that drew people to the original stories will be gone while almost none of the problems of the original stories will actually be fixed (—and at that, the most likely, “fixing” is probably going to be, “a white cis M/M otp is injected into things where, in their respective canon, they are Just Dudes Bein’ Bros”)

……Which is a long-form way of saying that I did the thing out of frustration with coffee-shop AUs (and probably a bit because rereading all the classic dystopian lit pieces at once isn’t really the best idea ever, whoops)

21: Describe each of your OCs as shittily as possible.

okay, I did these all out of order, and after going in so hard on the AUs and polyships questions, it’s 3:15 in the morning and I’m just going to phone this in

Sebastian: yes, he’s a human disaster and a serious mess, but at least he’s trying, okay

Pete: local man delivers scathing verbal smackdown and makes you say, “thanks” for the honor

Margot: the mean chain-smoking lesbian with a heart of gold that your parents didn’t warn you about but should have, probably

Josie: local goth makes everyone else look under-dressed, feels bad about things

Todd: hipster garbage who isn’t nearly as underground as he thinks

Lucy: okay but have you guys considered how superpowers could be used to address public health crises

Stephen: the human embodiment of that moment when you get so excited about the punchline of the joke you’re telling that you laugh at it preemptively and can’t finish the joke but hey, at least everyone is smiling now, right

Sara Grace: local ballerina princess will probably never get over her physical inability to cuddle every cat on the planet

Conrad: “hey why are you getting upset i’m just trying to deny your right to be considered fully human unless you fit my specific ideas about what that is lmao”

Julian: sinnamon roll that you bought at a backwoods gas station at three in the morning, then lost on the floor of your car for two years, and now it’s all grody and probably a biohazard

Annie: perpetually screaming, just at life in general

Adelaide: she’s not telling you what to do, she’s just saying that her way is probably better even when it likely isn’t

Yael: is probably your favorite Jewish lesbian grandma, unless you think that she should chill, in which case not so much

Max: had his younger sister be his best man when he got married, out of his depth with most things, *glinting glasses of intimidation*

25: What sorts of symbols/items/~aesthetics~/colours represent each OC?

and it is now 3:30 and I’ve got absolutely nothing for this one beyond the fact that Margot, Josie, and Pete all wear a lot of black

Josie because they’re still something of a teenage goth queen at heart despite being a responsible adult

Margot because it’s both professional and somewhat intimidating, which she likes because she’s compensating for only being 4’11”

and Pete says it’s because he works in the theatre, which isn’t wrong, but even if he didn’t, he’d still wear a lot of black because he thinks it looks good on him (which is fair enough because it does)

Conrad and Max are associated with gray (though Conrad is also associated with white and “that annoying shade of blonde that is very nearly white but not exactly; the Draco Malfoy or Any Given Member Of House Targaryen shade of blonde”)

Sebastian gets a lot of dog associations (partly because he has six of them and partly because he is, as mentioned, essentially a werewolf though that does slightly depend on your definition of, “werewolf”)

and Stephen loves hot pink and eye-searing acid green, sometimes simultaneously

32: Do you have any polyam ships with your OCs?

Well, I already sort of went there in the AUs question, but personally, I would love Seb-prime/powerless!Seb/powerless!Stephen/Stephen-prime — but in general, I always love any and all ships that involve selfcest, whether they’re polyships or not, so I don’t really think this one counts

The polyship that I’ve probably given the most thought to so far is Seb/Stephen/Todd, and ngl, I’ve given it said thought largely due to the fact that……… well.

I wouldn’t call them a love triangle, exactly, but let’s be real: SMeyer and SCollins didn’t want to call Bella/Edward/Jacob and Gale/Katniss/Peeta, “love triangles” either, and while I’d agree that the latter case is a bit more complicated due to how Katniss spends the majority of the series having no interest in either one of the boys involved, the Twilight example is definitely a love triangle, and anyway, my point is that I’m no better than SMeyer and SCollins about going, “Oh, it’s not a love triangle!” because I fear the messy associations that come with accusations of writing love triangles even when I am blatantly doing so

And in general, I do believe in the sentiment of, “Less love triangles, more functional polyamory” — but the, “functional” part of that is a big reason why Seb/Stephen/Todd is not going to canonically go in the polyamory direction. It could, and given the canonical multiverse, there are definitely a few universes where it does

But in the prime timeline, a polyamorous relationship with those three would probably be a disaster — and frankly, a lot of it would be on Todd because Seb and Stephen both also have issues with communicating, self-esteem, honesty (with Stephen’s issue being more that he encourages everyone else to be honest while also trying to at least partially censor his own feelings in the interests of keeping the peace, while Seb’s issue is that he constantly lies to himself to try and convince himself that everything is fine because he feels like he’d just muck up everything for everyone by ever being Not Fine), and a laundry list of other things

But they’re also trying to work on those things.

Stephen is at a better place, wrt self-awareness and working on things, than Seb is, but he’s also been working on it longer and, for all the missteps he’s admittedly had in it because that’s just a part of this process for everyone, he didn’t have to deal with things like, “the aftermath of being kidnapped and shot by ecoterrorist ex-boyfriend who was not happy about getting dumped by a junky”

Or things like, “help, my brother’s unctuous brother-in-law keeps trying to befriend me after I drunkenly sucked his dick at my brother’s wedding reception and unwittingly broke up the marriage that I didn’t know the brother-in-law had, he keeps trying to befriend me despite my vocal lack of interest in being friends with him, also he’s been telepathically fucking with me for about eleven years”

Todd, on the other hand, has the self-awareness of a toothbrush, and that is a massive insult to toothbrushes.

He has worked on SOME things about himself, but usually only to the extent that he needs to work on them in order to feel like he’s doing an okay job on his own sobriety (which, in fairness, he is, but acting like sobriety is his only problem ever is disingenuous as Hell), and he isn’t working on most of his non-sobriety-related problems because, bless his heart, he doesn’t realize that they are problems.

I mean, this is a guy who is going to crash Seb and Stephen’s first morning after by showing up on Seb’s doorstep on a Sunday morning with a bunch of junk from his apartment, going, “Hey, so, I don’t mean to be a buzzkill when you look weirdly happy for once because it’s good that you look happy, I support you being happy, but also I might be getting kicked out of my place tomorrow and may also have been lying to you for several months about whether or not I needed money because I was totally sure that I could get everything figured out and then I didn’t but I didn’t want you to worry or try to pay for everything like a sugar daddy just because you CAN pay for it, and anyway, is one of your spare rooms open and…… oh. Hi, Stephen. ……He’s pretty shirtless for coming over for breakfast, isn’t he. Why are you wearing a shirt and he’s not.”

“Because he wasn’t cooking bacon and I was?”

“…………*slowly puts two and two together and realizes what he’s crashing* Ohhhh. Um. ……I can go bug Pete or Margot—”

“They don’t have room for you at their places—”

“So, can I stay?”

“Yes, obviously, but can we also talk about this? Like, maybe not right now, but in general, there are a lot of things that I’d like to talk about here???”

“………Why? Do you want to, like, charge rent or something?”

“No, god, why would I want to do that to you, but????”

So, yeah.

In fairness, Todd has a lot of good points. But he is also really bad at a lot of the things that you NEED if you don’t want a polyamorous relationship to completely implode — like communication, honesty, self-awareness, etc. — and he’s only going to start working on any of this when he finally realizes that…… oh. He’s jealous of Stephen and has been jealous of all of Seb’s previous boyfriends too, but in most of those cases, he also had some other reason to dislike them

For example: Harry was cheating on Seb with a Julliard violinist (who knew that Harry was also sleeping with Seb, but Seb had no idea that Harry’s violinist friend was his “real boyfriend”);

Francis was an ecoterrorist and admitted as much on their first date (though, as Seb has pointed out to several people, what kind of ecoterrorist actually admits to being one on a first date, so he feels he was justified in not believing Francis here), then shot Seb in the back, after kidnapping him and holding him for ransom in a basement in Ossining, all because Francis didn’t appreciate being dumped, especially not by a junky;

Josh didn’t really see the difference between rough sex and domestic violence, and was inadvertently responsible for Seb being the first family member to show up for the birth of his niece…… because he took Seb to the ER after giving him a concussion that made him seem to lose consciousness during sex (not that Josh stopped fucking him during), and then left him there “because he had something big to handle for work” (i.e., because he didn’t want to be there in case anyone called the cops), and while Seb was going to leave, he happened to see Max and Linda checking in and decided to just stay;

Rémy liked erotic asphyxiation but did not like asking for consent, and also had a thing for giving his partners rohypnol (again, without their consent), and he got away with it with Seb because, by the time they dated, Seb was no stranger to having intoxication-induced blackouts, and it was easy to tell him that he must’ve had too much to drink (and because of the way his half-latent healing factor and toxin filtering handled rohypnol, it was basically impossible for him to tell the difference between that and any of his more usual mixes of intoxicants);

Byron was a supervillain henchman-for-hire and also had a stunning lack of boundaries;

and Julian was mostly just annoying when he and Seb dated, and the worst part, at the time, was that they both tried to be helpful and supportive for each other but actually wound up exacerbating a lot of their respective issues, and now, he’s one of the less-bad exes but only because, “sends drunk texts to a recovering addict and unsolicited dick pics” is clearly on a very different level from, “gave Seb a concussion and ditched him at the ER” and, “literally shot him in the back”

(and then, when his involvement with the baddies comes out, he sort of skyrockets up the list of bad idea exes, but in fairness to Seb here, Julian didn’t get recruited by said baddies until after the second time that they broke up).

So, yeah, Todd has not been short on legitimate reasons to hate a lot of Seb’s boyfriends, and said legitimate reasons have allowed him to avoid dealing with his own jealousy for a while.

The fact that he and Seb have full-on dated before also helped for a while, as did the standing friends with benefits/“it’s complicated” that they’re in at the start of the story…… but see, Todd has always kind of been hoping that this would turn back into romance at some point

See, for all he isn’t self-aware about most things, he’s done enough work on himself to know that he is still in love with Seb (who does reciprocate but has an easier time reading Latin, or Proust in the original French, than he does of knowing what his feelings are doing and being able to verbalize it effectively)

So, Todd’s been leaving their relationship open-ended so he won’t have to feel like he’s tying Seb down to something Seb might not want. The idea that Seb might actually want it does occur to Todd, but he also dismisses the idea as completely ridiculous and silly, all out of some ridiculous idea that of course Seb wouldn’t want to be with him again for real, not until he perfectly self-actualizes in some completely unattainable way (which he doesn’t realize is completely unattainable because, bless his heart, Todd doesn’t get that he will never be satisfied with his ridiculous and ill-defined goalposts on the path to becoming his idea of what Seb’s perfect version of him is)

This is made all the worse by the fact that all Seb wants Todd to be, and all that he has ever wanted Todd to be, is himself.

He has said so practically since their first ever conversation, and the romantic subtext was there for him from the start of it all because when he went up to the cute bespectacled chubby guy in the Pink Flamingos t-shirt after the freshman orientation week meeting of the campus LGBTQ student union, Seb totally meant to ask Todd out.

Unfortunately, he got nervous, excited, an odd and potent mix of tongue-tied and rambling, and overwhelmed by how starved he was to make more friends (seeing as his only friend, at that time, was Pete, who was about an hour or so north, once you factor in getting to Grand Central, taking the Metro North to the right stop, and then either meeting him at the station or getting to his campus)

So, the romantic intentions got rather garbled and turned into a platonic-sounding coffee invitation, and as much as Seb had wanted to ask Todd out, he was okay with this at the time because he was en eighteen-year-old extrovert who’d spent his last two years of high school with only one real friend, who wasn’t even at his school because Pete was already in college, and in a school environment that was so emotionally shitty that his parents saw facilitating his trips down to see Pete and all their weird misadventures in the City not as a special treat but as what they needed to do for the sake of their son’s wellbeing

Either way, Todd misses the, “be yourself, that’s it, that’s all he has ever wanted, you colossal tool” point by a long-shot

So, by the time the story starts, Todd is working (he thinks) on his amazing and totally foolproof plan to become exactly what Seb deserves even if (he maintains) Seb doesn’t realize that he deserves it, Seb feels like there’s no way that Todd is still into him and feels like Todd is probably only hooking up with him until someone better comes along and is a hopeless romantic who’s pessimistic about love but also about most things in general, and their lack of talking about things is a Problem

It’s a Problem that Pete calls Seb out on, though in fairness, he brings that up less as a dig at the relationship and more because it’s part of Seb’s larger problems

But then, as part of his, “I am totally going to get my shit together, yeah!” “““plan””” (read: half-baked notion that he is at least really committed to), Seb decides to ask Stephen out (because Pete was just going down a list of things Seb could work on and one of them was, “Figure out your shit with Todd and either work things out with him or move the fuck on instead of mooning over him like you’re fucking twelve,” and Seb did the impulsive thing to go, “Oooh, look, not mooning over Todd now, am I”)

Seb doesn’t expect it to go anywhere because he doesn’t think Stephen could actually be interested in him literally ever, so he’s trying not to get his hopes up or end up feeling anything — except he does both of those things AND, due to how the events play out leading up to things, Seb’s just realized that he does still have feelings for Todd, and now, he’s not sure what to do and has to figure out his shit

The final nail in the coffin is that Todd, after several weeks of blowing off Seb’s attempts to talk about things (because you don’t need to talk about things if you just pretend they’re fine and stay the course, right?), gives him what is essentially an, “It’s not you, it’s me” line, and because, “It’s not you, it’s me” is so often used to break up with someone gently (including by Seb in different previous relationships), Seb takes it as them being done romantically and decides that they should stop having sex, too, so he can get serious with Stephen.

So, Todd has to live with the fact that he’s the one who opened the door to let Seb get serious with Stephen, and deal with his jealousy, which he can’t get out of at least recognizing because he can’t find a single thing about Stephen that indicates that he isn’t as kind and good as he seems. It’ll be good for him. He gets to grow as a person thanks to fucking this up for himself and unwittingly getting one of his best friends to commit to an actual decent relationship.

Then there’s the issue of Todd and Stephen’s leg of the relationship, but once Todd sorts his shit out about being a jealous little turd, they will actually get along just fine

They will probably end up having a bonding moment where they get laughing about weird or mildly irksome but not troublesome things that Sebastian does, because I love scenes like that

But, still. As a poly ship, I don’t actually see them working out in the prime timeline.