#she's a politician. she will act in her own interest

[botanicalbasilly]

Posted by @/gretathunberg on Instagram.

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[solarrsims]

greek mythology legacy challenge

hi loves. i’ve spent so much time trying to find a legacy challenge that interests me, and i stumbled upon this one on the forums. however, i decided to put my own spin on this theme, and create my own goals and rules. use the hashtag #greek mythology legacy so i can see your gameplays!!

also, feel free to bend the rules to your liking. if you don’t have a pack i mention, you can bend that rule, or you do have a pack that i don’t have that you think would fit, you can add that in however you’d like.

gens/rules down below or in this doc

edits because of @nom-de-plumbob her ideas were so much better than my og ones!

overall rules:

- you may only use free real estate cheats when you first start

- you can only move onto the next generation when you’ve completed all of the goals

- i recommend setting your life span to normal or long

- you can use any gender for any generation!

- you don’t have to actually name them the god’s name if you don’t want to. be creative!

- try to use their assigned colors in some way (clothes, hair, skin, house, etc!)

GENERATION ONE: ZEUS

god of the sky, king of the gods - white

you have had a rough childhood. your father was abusive towards you and your mother, which resulted in your mother taking you and fleeing town. the two of you settled down the snowy mountains in mt. komebri. she became very over protective of you, rarely letting you out and about in case your father ever found you.

traits: non-committal, ambitious, charismatic

aspiration: successful lineage

career: politician (politician branch)

goals:

have a weather machine

max out career

marry and have two biological kids with partner

have many affairs

have 3 other kids with different partners

live in mt. komebri

GENERATION TWO: POSIEDON

god of water, the ocean - blue

you grew up in a very competitive household. your father was a well-known and very competitive politician whom had many different affairs. you eventually grew restless of the competitive life and decided to move for a simpler life—sulani.

traits: child of the ocean, loves outdoors, erratic

aspiration: beach life

career: marine biologist

goals:

move to sulani when turn young adult

become a mermaid

discover rare underwater treasures

try to keep sulani clean

advocate for marine conservation

marry someone you meet on the island

have at least one kid with partner

GENERATION THREE: HERA

goddess of marriage, women - purple

this sim grew up living a very calm and collected life by the beach. as a child, they loved watching movies and love, which grew into a passion for acting. so, you fled the beachy town and went to del sol valley to achieve your dreams.

traits: ambitious, romantic, jealous

aspiration: world-renowned actor

career: actor

goals:

become a famous actor

marry a celebrity

get jealous and become a controlling spouse

live in del sol valley

have more than one kid

you should favor your other children over the youngest, whom will be the next heir

GENERATION FOUR: HADES

god of the underworld - black

you’ve always despised their mother as a child. your mother favored your sibling(s) your whole life, and always saw you as a disappointment and not being able to live up to your older siblings. because of this, you decided to go on your own, and live up to being a criminal.

traits: loner, materialistic, gloomy

aspiration: criminal mastermind

career: criminal

goals:

max out aspiration

reach level 10 in mischief skill

become enemies with 5 people

have only one child, and don’t be close with them

GENERATION FIVE: ARES

god of war - red

this sim grew up in a rocky household. you’ve always had a strong sense of patriotism and bravery, and you’ve always dreamt of going into the military. despite not wanting to follow in your father’s footsteps, you still have.

traits: athletic, hot-headed, ambitious

aspirations: athlete

career: military (officer branch)

goals:

achieve level 10 in the fitness skill.

start at least 5 fights with different sims

reach level 10 in the officer branch

have at least 2 children

GENERATION SIX: ATHENA

the goddess of wisdom - silver

you grew up in a very competitive household. you were definitely the outcast child, as you prefer to read books or play chess instead of working out. you move out when you become a young adult with little funds.

traits: genius, bookworm, perfectionist

aspiration: nerd brain

career: scientist

goals:

achieve level 10 in three different skills.

complete the nerd brain aspiration.

reach level 10 of scientist career

eventually travel to alien world with wormhole generator

if you have discover university: get physics degree

GENERATION SEVEN: APOLLO

the god of sun, light - orange

you grew up in a very close and loving family. growing up in an environment that fostered creativity and intellect, your mother always encouraged you with your talent: music. your mother’s guidance not only nurtured your musical talent but also instilled a thrust of knowledge and an understanding of music.

traits: art lover, outgoing, music lover

aspiration: musical genius

career: entertainer (singer or musician)

goals:

start playing instruments as a kid

listen to music often as a toddler

achieve level 10 in the singing/one instrument, and level 5 in the other instruments

complete musical genius aspiration

play on the street or at bars for money

if you have discover university: get the fine arts degree

become a famous singer or musician by writing songs and licensing them

marry someone who has the music lover or art lover trait

GENERATION EIGHT APHRODITE

the goddess of beauty, love - pink

from a young age, you found yourself entangled in the intricate dance of romance, captivated by the myriad emotions that love invoked. however, your journey was not without heartbreak. you, in pursuit of love’s beauty, experienced the shattering pain of a broken heart multiple times. yet, with each fracture, you discovered an unparalleled strength to mend.

traits: romantic, high maintenance, party animal

aspiration: serial romantic

career: fashion influencer (stylist branch) or social media influencer (internet personality)

goals:

have at least 10 romantic relationships in your life, starting as a teen

reach level 10 in charisma

as a teen, get the party animal trait

go to parties often as a teen/university student

reach level 10 in either career branch

achieve serial romantic aspiration

have children only from one night stands or blind dates

GENERATION NINE: HERMES

god of trade, travel - brown

your mother never really paid much attention to you and your siblings growing up. you lacked the guidance you needed, leaving you and your siblings to fend for themselves. your nasty habit of kleptomania started as a teen, from stealing your mom’s stuff to stealing items from public places.

traits: active, kleptomaniac, you pick

aspiration: friend of the world

career: astronaut (interstellar smuggler branch)

goals:

live in at least 5 different worlds throughout your life once you become a young adult

reach level 10 of astronaut career (interstellar smuggler branch)

attempt to swipe at least one item per day (or every other day)

befriend at least 15 sims from various ages

marry a co-worker

have only one child

GENERATION TEN: ARTEMIS

goddess of hunt - yellow

your days as a child were spent in the outdoors whilst your parents worked, and you have lived in multiple different towns. once you moved out, you decided to built a house on an empty lot with a small farm. your farm began to flourish, and you hound solace in the tranquil landscapes, surrounded by your family and your animal companions.

traits: loner, family-oriented, animal enthusiast

aspiration: friend of the animals

career: veterinarian

goals:

own your own vet clinic

as a child, befriend at least 5 animal

have at least 3 pets!

achieve level 10 in the dog training

you may never marry. either adopt or have a science baby only once.

OPTIONAL GENERATIONS: TBF

GENERATION ELEVEN: HESTIA

GENERATION TWELVE: DEMETER

[pearlbubbles]

Okay I have a lot of thoughts about this season, and maybe bc I never played lol that this season felt like a mess to me but I think a lot of it was due to poor writing choices,

Jayce calling Mel out for “manipulating” is insane to me. When he doesn’t hold the same sentiment for Cassandra or Victor (who was the one to allegedly give him that stone in the first place?). He acts like he had no control of his actions and I guess it’s easier for him to pin the blame on someone else than admit his faults.

Mel is a politician, he knew that when he met her. She did not make it a secret that she was basically sponsoring his research. But at the same time, she was one of the few people who advised him against making hextech weapons specifically, and went out of the way to make sure that that technology did not fall into the hands of bad actors.

however, it was Jayce and his poor decisions that kept making hextech weapons even though it went agonist his ethos, he even made weapons for Caitlyn’s special strike team, something Mel did not tell him to do lol,

like this entire time Jayce was able to use Mel’s statues and influence to get what he wants (social capital etc)

and when they get together romantically, Mel only treats him as an equal, supports his ideas (which basically let’s him do what he wants on the council bc of her influence), and is a source of emotional comfort.

so it’s really strange that he starts to view her as someone who used him, we never really see Mel confiding in Jayce besides that one time which served as a way to give the audience insight to her backstory. She’s always the comforting him, the one providing for him etc, she even serves as a buffer for Jayce against the manipulation from others, so to have him pin all the blame on her is so deranged to me lol

I also fill like the narrative of the story does nothing to counter his claims, they don’t address the other actors in the corruption of hextech for warfare (*cough cough* Caitlyn lol)

there were interesting places they could take this, there were interesting ways to explore this dynamic, but instead it got boiled down to Jayce pinning the blame on someone else because he refuses to live with the consequences of his own creations

[jaijeijayjei]

I'm starting to realize people perceive Mel with the assumption that she has bad intentions, so that's all they see in her.

The writers have said Mel was written to seem as a one-dimensional manipulator, but in reality she is a multi-layered individual with complex motivations. Rewatching her earlier scenes with that in mind brings her into a completely new light.

(justification for these interpretations under the cut)

"Mel invested in Hextech for power and influence"

Or, she invested in them because she believed in Hextech's potential to change the world for the better?

"Mel pressured Jayce to reveal his new inventions so she can cash in on the profit"

Or, she understands Heimerdinger is stuck in the past and doesn't want him to hinder Jayce's progress?

"Mel sleeps with Jayce to make him more pliable"

Or, she genuinely admires Jayce and sees a way to be free of her family's bloody legacy by working alongside him.

"Mel turns Jayce into a corrupt politician for her own gain"

Or, Mel believes protecting Hextech's interest is more important than trade laws.

"Mel wanted Hextech weapons to make Piltover more powerful"

Or, she only wanted weapons as a last resort and for self-defense.

"Mel will do anything to prove herself to her family"

Or, Mel also wants to prove that ruling with diplomacy is superior to ruling with cold pragmatism and brute force.

Yes there are times Mel acts out of self-interest and a desire for power, but those aren't her only motivations. Mel subverts the "shady corrupt politician" trope, she is not defined by it.

I believe Mel is being genuine in her conversation with Jayce in S1 E5, about wanting to give back to the world. In her argument with Jayce in S2 E8, she explains why she invested in Hextech to begin with. She saw two brilliant scientists, capable of impossible things, rallying the hearts of a nation. Mel believed in Jayce and Viktor's potential to do good. Also, she has shown the wellbeing of Piltover (and in S2, the safety of Zaunites), are more important to her than personal gain.

Jayce specifically went to her for advice, and she gave it. Doesn't this imply Jayce views her as an ally or advisor as well as an investor? He clearly values her opinions.

During Mel's whole childhood, her family and homeland tried to shape her into someone she was not- a cold, pragmatic ruler willing to do anything to maintain power. Her way of ruling was scorned by her mother as "soft spined" and foolish, but with Jayce she found someone who believed in and appreciated her. Plus she was personally affronted when he left her in bed. It's more than likely she acted out of genuine attraction and admiration.

Side note: Jayce has already shown he's alright with breaking the rules for the greater good. He illegally experimented with magic, broke into Heimer's lab, and led an unsanctioned attack. Jayce and Mel are more aligned in this way than he realizes- Mel believes securing Hextech's future is more important than breaking a few trade laws. Jayce was in a vulnerable position, with a target on his back. She could have used that against him, but didn't.

Mel is a pragmatic pacifist, even from childhood. Mel is very much anti-war because she understands how destructive it is, having grown up in Noxus.

Mel's rift from her family is an ideological one- she values leading with diplomacy is disgusted by Noxus' brutality. If she can make Piltover successful, it proves that there are better ways to rule than what Noxus insists upon. Mel has also shown her morals are more important to her than power. She turns down opportunities to elevate her position tremendously by siding with her mother or advocating for an invasion because it goes against her moral compass.

[khazzman]

Vi, the Undercity rebel who thinks with her fists, who hates the Enforcers for what they have done to Zaun and its people. Vi who falls in love with an Enforcer, Vi who joins them, because above all she desires a "family" again, but then after everything is said and done, an Enforcer is all she has left. Until she doesn't. Then what does she have?

Jinx, the crazed killer, who talks to herself more than she speaks with others, who doesn't just kill strangers but those closest to her. Especially those closest to her. Jinx the revolutionary, who in a single act, shakes the pillars of power and oppression in Zaun. Jinx who will be a rallying cry for for the oppressed and a symbol of revolt against the powerful. All without her desire or intention to be one.

Caitlyn, the idealist, who shuns the comfort of her family's wealth to serve her city. Who runs toward danger instead of away from it. Who sees a "good heart" in Vi and the dangers of "a government who doesn't give a shit". Caitlyn the Enforcer, who sees her mother die at the hands of her love interest's sister. Caitlyn who suddenly has the weight of her House on her shoulders and all its responsibilities. Who sees the attacks on Piltover not as the defense of the oppressed but as the lashing out of "animals". Who twists her mother's philanthropy to become a boogeyman of Zaun, and then dictator of her own home. Who throws away love for vengeance.

Mel, the manipulator, the puppetmaster. She plays politicians like a fiddle and revels in the games of corruption and intrigue. Who takes a tool originally built to improve the lives of the many and ensures it stays in the hands of the rich. Who asks that weapons be made, against the wishes of its creators. Mel, the pacifist, who has seen all too closely the cost of war and the spilling of blood. Who is also quick to limit the use of the very weapons she requested. Who pushes back against her mother at every turn because she knows deep down, she refuses to ever be "the wolf".

And these are just some of the complicated characters in Arcane! I could go on about Silco the Crime Lord and Silco the Father. Jayce the Golden Boy and Jayce the Mad Scientist. Viktor the Dying and Viktor the Savior. Sevika the Stooge and Sevika the Kingmaker.

The characters of Arcane possess multitudes and THAT is what makes it a good show. Because they are walking contradictions but at the same time, make complete sense. They are so... so... human.

[ddollfface]

Can I please request a Yandere Hanayama Kaoru head canon?

𝐀 𝐒𝐥𝐞𝐞𝐩𝐥𝐞𝐬𝐬 𝐃𝐫𝐞𝐚𝐦

𝙆𝙖𝙤𝙧𝙪 𝙃𝙖𝙣𝙖𝙮𝙖𝙢𝙖 𝙔𝙖𝙣𝙙𝙚𝙧𝙚 𝙃𝙚𝙖𝙙𝙘𝙖𝙣𝙤𝙣

Warnings; reader is afab/described a girl, yandere behaviors, stalking, I talk a lot, lots of ramblings, probably doesn't make any sense, bad writing, more stalking, Tumblr is trying to silence me, ngl Hanayama is growing on me... If I missed anything, then please let me know ♡ Bro, I'm so sorry that this is super rushed, seeing as I hit the word limit??? I'm super confused because I barely wrote anything, but whatever. A lot of my headcanons are based around @yandere-writer-momo. Also, sorry for being offline for so long lol, kinda forgot I had Tumblr ngl :/

Okay, to start this off, I think that realistically, it'd be very, very, very hard to get Hanayama's attention. He's shown to be stoic and stone-faced, only showing respect and warmth toward specific people (Baki and Shiba included). And I think it's important to mention that the people he does respect is due to their fighting spirit and/or strength, that or they were there during his childhood (like Kizaki and his mama).

And that's just for him to show basic affection toward them, not even accounting for being loving. For you to catch his attention, I think that you'd have to be either a really strong fighter (meaning having impressive skills of some sort) or have a strong will, either one will work. (Though, a lot of the time, both go hand-in-hand).

When I say a strong will, I don't mean you get up after being punched over and over, instead, it can just be standing up for others. Similar to Katsumi, I can see Hanayama being attracted to a person who's selfless, in the sense that they're brave. Someone who's willing to push through their fear and do it, whatever it is. Now, that catches his attention.

There's a never-ending list of cowards who'll run with their tails between their legs at the sight of discomfort, willing to abandon everything just for their own gain, and Hanayama encounters these men all the time. Let's just say that it gets boring, annoying even. So when you see someone who's spitfire, ready to jump into danger for themselves or others. Now, that's impressive.

Whether or not they can actually carry through doesn't matter too much, it's the fact that they got back up, not letting their dignity lay to rest. Personally, I find that Hanayama would be far more interested in someone who's genuinely acting selfless in this way, acting from the heart.

Going more into his childhood, I think this type is rooted in Hanayma's relationship with his mother. Though I haven't read the manga, from the wiki, I've gained that he was close to his mother, loving her very much. We don't know much about her. Hell, we don't even know her name, but we do know that she was kind.

That's the only information we're given, but even from that, I can make an analysis. From this, I know that Hanayama was likely a Mama's boy, though still being trained to be a Yakuta. I don't mean Mama's boy in the traditional sense, I mean it in the way that she was his peace, his way out of the Yukuta world, his destiny. Being raised in a gangster lifestyle isn't easy, nor is it soft, so just imagine the damage that type of environment can put on a child's brain?

Horrible, huh? So I like to think that Hanayama's mama, before she passed, was far softer to him, giving him some sense of security. this is possibly why he felt such sorrow after she passed, discarding the natural pain we feel when our mama dies (seeing as there's a primal connection we have with our mama, but that doesn't matter too much at the moment).

Hanayama is a very monotone kind of guy, who, I imagine, doesn't like people with some type of alternate motive. Like, y'know how politicians or businessmen talk? Like they're hiding something from you? Yeah, Hanayama loathes those kinds of people, especially if they're trying to pursue him. I belive that he wants someone who'll keep his life steady; be his calm, if you will.

He wants someone who will be upfront, express themselves clearly, and won't keep what they're thinking from you. To him, this is a breath of fresh air. Hanayama is constantly surrounded by lackeys trying to kiss up to him, speaking with a hidden motive (which isn't really hidden in retrospect). If they're not trying to appease them, then they're quacking in their boots, ready to piss themselves.

But you're not like that, no, not at all. You're different. Hanayama can tell, you aren't some coward, instead, you're someone to respect. He can imagine you sitting next to him, all pretty as a Yakuza's wife. Yeah, he likes the sound of that. Well, the only problem is that you don't know who he is, not yet at least.

I imagine that you wouldn't know who Hanayama is, at first, seeing as he never spoke to you. He likely witnessed you acting selfless in some type of way, expressing your kindness by helping a grandma get across the street, something like that.

You didn't notice him, but he sure noticed you. At first, it wasn't anything too special. Hanayama just found you interesting, wanting to see what you'd do next, so he had one or two of his men keep a tab on you--nothing serious. It continues like that for quite a while, and Hanayama learns more and more about you. He knows that you like to sing when you cook, tapping your feet to the beat, and swaying side-to-side. It's cute, he thinks. And Hanayama feels closer to you, as if you know each other, like you're friends.

But then one of his men reports that you're not at home, not following your usual schedule. Instead, you were at some dingy cafe, drinking crappy coffee with another man, some slumbag who looked like he hadn't showered in a hot second. For some reason, which Hanayama doesn't know, he gets ticked off.

Someone as sweet, kind, and damn pretty as you shouldn't associate with someone like him, someone so gross.

He doesn't do anything, no, no yet. It'd be too brash, and too stupid. And Hanayama isn't stupid. No, Hanayama can keep himself composed, now knowing that he needs to get your attention. Afterall, he can't have you running around with other men, not when he's right here! Well... you don't know that, yet.

Few weeks pass, and you've completely forgotten the trashy date you had gone on, but Hanayama hasn't. You begin to notice new outfits appearing in your closet, clothing you certainly didn't have previously. They're far too expensive, too revealing for you to own.

You'll be confused, especially when these dresses, heels, and coats are no longer just appearing, but instead, being presented. Now, instead of being hung up or nicely folded in your closet, they're being laid out on your bed, accompanied by a pretty, black leather box with silk insides. A little note is stuck on top of the shimmering dress, causing you to gulp, looking around as a shiver racks through your body.

Who the hell is buying you a dress? (though, it looks far more like lingerie, seeing as you'd never be able to wear it out in public). You don't know, but you can't help but feel the heat rise to your cheeks as you lift the velvet cloth, feeling the lace slip through your fingers. Once you tried it on, listen, you couldn't help but feel curious, you gawked at how it fit you like a glove, hugging your curves, and accentuating your hips and bust.

It's fucking creepy, that's all you can think, but it gets worse, way worse. Throughout the weeks, you notice more and more gifts show up at your doorstep. The dresses get severely revealing, much to your discomfort. So do the notes. They get too detailed and too accurate to your day-to-day. By now, it's clear that you have a stalker, a rich one at that.

I'd have to say that this is the worst part of being with Hanayama: the courting. It's hella weird! You'll never feel alone, always having someone watching you, mostly Hanayama. He doesn't have his lackeys watching you anymore, seeing as he's far too jealous for that. He doesn't want someone as low at them to see you in such an innocent, vulnerable state. No, that's only for him to see.

Don't be surprised when he shows up at your door, your last hookup's head in hand and a bundle of roses in the other. After all, it's time for you to come home, no?

[rowie264]

Councilors vs Chem-Barons

Remember that creators wanted to "show there is merits and flaws on both sides"? While I still feel that agenda in the first season, the second season is... well.

The easiest way to see that creators wanted you to be more sympathetic to Piltover is to look at the rulers of both cities. The Council is flawed but mostly fine, while Chem-Barons are purely bad.

You can protest that 'wait, but in s1 we saw that the Council is corrupted' and... i agree with that. But let's take a closer look at all members with information from both s1 and s2, hmm?

Torman Hoskel was portrayed as silly and easily manipulated person. He is the worst among them.

Salo makes the same appearance as Hoskel in s1. But in s2 he becomes disabled. This is the easiest way to manipulate you into sympathizing him. Of course, this wouldn't change your view of him completely, since his personality remained the same, but you can understand his anger (his suffering is shown on the screen). Besides, later when Viktor heals his legs, Salo changes, losing his arrogance and becoming a good person.

Irius Bolbok is strict, composed and slightly harsh ruler (remember him saying to find the culprit no matter what). But he isn't shown as bad as Hoskel and Salo in s1. He is quite decent.

Shoola was portrayed as reasanable ruler from very beginning. She was the first who said "They [zaunites] may not be your preferred consituents but they're still our people." She was the first after Mel who voted for Zaun's independance. In s2, we see how she cares about people rather than acting in the interests of revenge like Salo.

Cassandra Kiramman was also showed as good person even in s1. She might not be active Zaun's simpathizer but she did schedule an audience for Caitlyn and Vi giving them a chance to change Councilors opinion about Zaun (ofc it's bc Cait is her daughter but Cassandra could just deny her). Also in s2 we learn that she built a ventilation system which makes her the only Councilor (beside Jayce) who actually did something for Zaun.

Mel Medarda is shown as a woman who does things for her own benefit, manipulating others. But she still did vote for the independence of Zaun (albeit for personal reasons). You also can't say that she's a bad person or that she's done really bad things for her cause (like Silco for example).

Jayce is a bad politician and has made few mistakes, but at the end of the day, he is a good man.

Heimerdinger is portrayed as good person as well.

Even though we know that all of them are corrupt (except Heimer) and that they have ignored Zaun for decades, only one of them has no good traits and completely unlikable (Hoskel).

But what do we have with Chem-Barons?

Finn is an idiot and power-hungry.

Rennie is too. She lost her son, which to some extent makes you understand her attacks on memorial (not justify, just understand), but the show itself does not even focus on this fact, ignoring that little nuance.

Chross's goons force children to work in the mines. He also fights for Silco's chair to gain more power.

Smeech's business is connected to shimmer (i guess he provides it after Silco's death?). Only, unlike Silco, Smeech isn't shown as someone who uses shimmer simply as a tool to achieve a higher goal (nation of Zaun). He is just power-hungry like others. Also s2 shows that he doesn't value his own people.

Margot is unloyal as well. "I'd rather favor my chances with Topside". She fights for power like others.

Silco is the only one who commits bad deeds for a higher purpose. All he wants is an independent Zaun, not power itself. We see his positive traits such as dedication to his city, love for Jinx and others, which makes him the only really likable among other Chem-Barons.

Of course the government doesn't represent people themselves. We saw that there are good people in Zaun and there are bad people in Piltover. But you know what it does represent? Creators' true view of Piltover/Zaun conflict.

Despite everything Piltover was ready to grant Zaun independence. The Council was shown flawed but the characters themselves were not completely bad persons. You, as a viewer, can understand and sympathize them. Creators made sure you will sympathize them.

But Zaun? Bandits and criminals who don't think beyond their pockets. The only person who did and tried to do something good for Zaun was wrong, bc s2 promotes us "violence is not the answer" and "power of forgiveness" agenda.

So where are the "merits and flaws on both sides" again?

[tanadrin]

Imagine one day a new social trend starts spreading. It’s something unbelievably dumb. Not harmful per de, but truly silly to believe. Let’s say, I dunno, healing crystals start going mainstream. Everybody’s talking about their crystals. It becomes impolite to criticize people who believe in healing crystals. They become a big part of people’s personalities, and people on TV start talking about them, and one day years down the line politicians are debating funding for crystal-based medicine. And through it all you are sitting there going, what the fuck is happening. I thought we were all on the same page on this. You want to get along and be friendly and open minded but you cannot pretend to believe in healing crystals, this is nonsense, and when the topic comes up you refuse to lie about it. This eventually starts to have social consequences—they’re that popular!—but what can you do? You cannot pretend a lump of quartz can cure the flu or whatever. It’s just all so unbearably embarrassing.

I think what the centrist/liberal/center-left reactionary turn driven by culture war stuff feels like. And I think the key emotion is probably cringe. Not hate, not fear, though those emotions may reinforce the turn. I think in a lot of cases people who imagine themselves pretty open minded and flexible have as part of their worldview something they thought was bedrock social consensus—on the level of “healing crystals are silly woo”—so bedrock maybe that it didn’t even need to be a conceptual boundary they actually policed in their minds.

For instance, when she started her anti-trans turn, JK Rowling made a big show of not being really anti trans, just arguing that Some People Had Gone Too Far. She wasn’t a frothing religious reactionary, after all. And I believe that’s probably true! I think Rowling probably did have a mental model of sex and gender with a little bit of give in it—of the “we can humor the odd weirdo” type. But as the discussion of trans rights in the UK got more serious over her lifetime, trans people went from “the odd weirdo” to “a recognized minority,” and eventually this ran against a bedrock belief that on some level men are men and women are women and never the twain shall meet. To act otherwise was just too embarrassing. And she wasn’t going to embarrass herself in the name of political correctness.

Other people whose brains have been eaten by the anti-woke mind virus (as @eightyonekilograms calls it) have something going of the contrarian in them, who enjoys yelling “up yours, woke moralists!” or w/e. Im thinking of ppl like Glenn Greenwald here, or Dave Chapelle, people who seem not to feel alive except when people are mad at them. That’s a separate but interesting dynamic. And there are people like Graham Linehan who become totally unhinged through this process of auto-radicalization, moths drawn ever closer to a particular source of validation within their chosen reactionary subcommunity, until they are truly parodies of themselves. That is also an important dynamic, but it’s one that only takes hold after the initial turn has begun.

I think the role of that feeling of cringe, that refusal to entertain an idea because it is too embarrassing (even if it does actually have a decent body of research behind it, unlike crystals) is important to think about, because I am interested in how to get people over it. I know that feeling has affected my own thinking over my lifetime. I wasn’t raised particularly conservative, but I had to learn not to cringe at a lot of feminist thought before I could appreciate it and learn from it. I explicitly didn’t have that cringe when it came to gay people for whatever reason, so it never entered my mind that it might be a problem. I remember being surprised to learn when I was very young that some boys wanted to marry other boys, but my response was “huh. Go figure.” Because for whatever reason I had not picked up that this was something I was supposed to be grossed out by. A general doctrine of empathy, of trying to understand people on their own terms, can help forestall some of this stuff, but it’s not foolproof in either direction—I don’t want to believe crystals have healing powers if it becomes socially popular to do so, just because it is socially popular to do so! And if they do, I don’t want to not believe they do just because it is socially unpopular!

(Obviously the crystals thing is not a one to one metaphor for the trans thing, so don’t read too much into that. Maybe astrology would have been a better analogy. Also I’m not talking just about people whose reactionary turn is predicated on trans issues—I think this dynamic applies to everything from gay rights to the Tridentine Mass. But trans issues are a handy example bc, as the adage goes, somebody posts once about trans people and they never post anything normal again. I think the classic rapid-onset trans derangement syndrome is closely tied to the fact that gender norms are a really deep element of many people’s social-consensus-based worldview, and so challenged to that worldview are felt as really cringe.)

I’m curious if other people who grew more liberal in their thinking over time had a similar experience of having to overcome what was basically a feeling of embarrassment at certain ideas.

[adragonsfriend]

Supreme Chancellor Grandpa and his Spectacular Vibes

"'Busy as always, I’m afraid. But very glad of this evening’s reprieve.' He says, smiling warmly, because Chancellor Palpatine is the picture of a harried but caring and active leader."

This is going to be part commentary on canon, part my response to the fairly common supposition that Palpatine acts openly rude or prejudiced as Chancellor, part thought experiment.

(quotes from Biting his own Tale (mostly The Supreme Chancellor's Diary) in purple because if I don't do breakdowns of my own writing, who will?)

I pose the question, what is it actually like to be in Palpatine’s presence?

At the heart of it, it's incredibly reassuring:

He is always solving problems for people—often by taking on extra responsibility! It is genuinely difficult to come out of a meeting with Chancellor Palpatine feeling as though some weight has not been taken off your shoulders. Be it emotional (he has lent a sympathetic ear: gained personal information about you), logistical (he’s offered to mention your problem to someone: gained a tacit, informal favour in return), personal (he’s given you advice: shaped your decisions), or logical (he’s always up for a challenging puzzle: he’s always looking for opportunities to take advantage of).

He's a good public speaker, and his speeches gesture at large goals, out of the individual person's reach (I went to a school that had students give these speeches to the whole school twice a week about what ever (school-approved) topic they wanted and trust me, the fastest way to alienate a general audience is to ask them to do something achievable. depressing i know). People—even senators who are aware of his rhetorical tricks—consistently leave his public appearances with a vague but incredibly strong sense that big problems will all be resolved naturally, or by someone else. "She starts reading over one of Palpatine’s oldest speeches, from nearly twenty years ago. …Our Sector is made strong by its partnerships with our neighbors…Naboo will always maintain those relationships bring Prosperity to young and old…The new trade bill will ensure Peace and Security for decades to come…  It has a familiar, empty quality that makes the speaker sound full of ideas, but really only rouses emotion."

He’s no comedian—his jokes are typically chuckle-worthy at best, indeed they are often a little awkward—but he takes such clear delight in causing joy in the people around him that it is hard to resist smiling even when a joke is stilted or slightly out of touch. "'Knight Skywalker didn’t stir at all, I’m afraid,' Sidious inserts a little self-deprecation into Palpatine’s tone, “But it’s reassuring to know he’s in the most capable hands here, Master healer.' / 'We certainly do our best, Chancellor.' Master Che’s expression is polite, but she doesn’t smile. / Not taken in by flattery for a moment. Palpatine approves, 'And I’d best let you get back to it.' He sighs just audibly, and squares his shoulders, 'And get back to it myself.' He crafts a smaller smile, and this time he catches the faintest hint of amusement in the twitch of her lips."

You are a corrupt politician who has gotten in some trouble, but don't worry—your friend Palpatine is there to take care of it. He'll ask a few favors on your behalf, only because he knows you deserve a second chance, and besides he says, what you did wasn't really all that bad in the first pace. He's not doing anything bad by helping out a friend. "'But I'm not! Ventress is getting stronger and I'm still too weak. I should’ve killed her when I had the chance—' [Anakin] cuts himself off, glancing nervously at Palpatine—Sidious arranges Palpatine’s face like a deck of cards so it shows only dedicated interest. Anakin continues, reassured that Palpatine sees no problem with killing his enemies."

You are a leader of your people, worried about how you are going to help them. Palpatine is also a leader, and of even more people than you—but he sympathises, he's made time for you, he worries about his own home planet even as he puts that worry aside to care for the whole galaxy. He suggests someone you might speak with.

You are a clone in the coruscant guard, whom many citizens and senators dislike either for enforcing the law or simply for being clones, but Chancellor Palpatine is always polite to his guards. He confuses you for your brothers sometimes, but he always apologizes and clarifies your name. Sometimes you catch him muttering names and ranks under his breath, trying to remember all of them—he is always faintly embarrassed when this happens, but he keeps doing it.

You are a Jedi, reporting that one of your people has died in tragic, violent circumstances. Out of the many-faced mass of the Senate comes Palpatine to lead the condolences. He maintains a steady sympathy, but beneath it, you can see that he truly feels the loss. Even the seemingly apathetic Senators around him have been moved to nod their heads in true sympathy—in a galaxy that grows cold to your people you more and more, he makes your loss felt to others when you cannot. "[Padme]'s hardly ever irritated by Palpatine when she’s in his presence, only after she leaves, when she’s picked through all the pleasantries and misdirection. Just this week, she’d watched him frown upon hearing about the death of Knight Wu Mengxiang, and caught herself nodding along with his condolences to the Jedi who’d come to inform them."

You are the queen of a planet in danger, and here is someone who is willing to do something drastic to help you. He will take power, and help you fix all the injustice if you will only ask him for help. Yes it may take a few days, but he is doing all he can—it is not his fault the incumbent Chancellor is too attached to his position to realize another could do better in his place. "He’d used them, encouraged them to attack Naboo, and then used the crisis to force a vote of no confidence against Valorum. Only force isn’t the right word is it? He’d made a suggestion, and Padme had jumped at the chance to spare her people."

Body language and charisma are incredibly powerful (random statistics like 'oh 80% of all human communication is through body language' are not sufficient to communicate the extent of this power), and one of Palpatine’s most extraordinary traits is is ability to keep up and act—probably to an unrealistic extent.

Lots of real life advice on how to discover manipulative people is simply to wait and observe their actions over a longer period—eventually, they will slip up and reveal who they truly are. This certainly happens with Palpatine in ROTS, but it takes a very long time, not months or even years, but decades.

And his suspicions behavior in ROTS is a deliberate ploy! He uses it three fold:

To incite cognitive dissonance and uncertainty in the senate—most of whom have regarded him as trustworthy and in accord with their specific interests up to this point—so that he can push through his most obviously suspicious empire-making pieces of legislation.

To cause the Jedi to be suspicious of him in general, so that they investigate and eventually attempt to arrest him, allowing him to label them traitors and usurpers.

To cause the Jedi to be suspicious of him specifically to put Anakin, who either does not register or does not acknowledge any change in behavior, at odds with the other Jedi.

"'The upside,' Padmé counters, 'Is that it means even Palpatine is limited in what he can push through without sacrificing his [public] image—' / Ekkreth cuts her off, 'If you ever do find him obviously suspicious, it is too late. That is his endgame for the Republic.'"

The only point where he compromises his act to his own detriment is in Return of the Jedi with Luke, who has the twin advantages of knowing exactly who Sidious is and only having been in the same room as him for all of ten minutes.

People like the Jedi on the Council and the leaders of the Delegation of 2000 (potentially including) Padmé Amidala who manage to partly pierce the veil and form actual distrust of Chancellor Palpatine as an individual are the exception, not the rule. They are extraordinary in being able to both know the man and even semi-accurately analyze his actions.

I say potentially about Padmé because it is very much the last days when she remarks upon anything, and the delegation of 2000 deleted scene reads to me as though she is being read in on a plan others have already made—ergo she is not one of the initiators.

People who are aware of him only as a public figure are not at any great advantage either. His speeches give much the same air of worn but steady reassurance, and it is difficult to trace any particular wrong doing back to him—he took over of a paralyzed, unpopular leader, he was in favor of unity and so opposed the war, he has a great origin story going from troubled youth to orphan to responsible leader, his greatest scandal is a slightly expensive taste easily excused by his role.

Sidious has a distinct advantage in that any obviously violent or cruel end he wishes to pursue can be achieved through Dooku and the Separatist military (want to kill a Jedi who knows too much? Dooku can have Ventress do that. Want Anakin to suffer extra this week? Dooku can arrange that. Want this or that artifact/weapon stolen or destroyed? Dooku can assign a general to do that. Want a clone army? Dooku can get Syfo Dyas to do that. et cetera), and there is no paper trail of any of it. The only way in which Chancellor Palpatine has to get his hands dirty is making the pragmatic decisions necessary to the Republic. "No matter how much more obscure the methods for obtaining those records has become since the Government Information Acts—which she recalls Palpatine calling a deeply unfortunate necessity of these troubled times—were passed, they are still legal."

Long story short, Anakin is special only in the individual attention he receives—he is the microcosm of what Palpatine does to almost everyone he comes into contact with. Invoke trust, take on responsibility, absolve guilt, corrupt. Palpatine's greatest strength is not in his long-term schemes—many of those are set up for him, or mainly managed by Dooku—it is in his opportunism, and that includes in his ability to become the right person for every given moment.

Long story even shorter, Darth Plagueis did not name his apprentice Darth Sneeky McSneekface so people could try and convince me Chancellor Palpatine is randomly rude to people.

Edit: changed some phrasing--nothing substantive

[about-faces]

Batman: Caped Crusader, Episodes 1-2 thoughts (SPOILERS)

First things first, Harvey is as bad as I’d expected. I honestly can’t tell whether this is worse than the version we got in the last Timm-produced animated Batman show, “Beware the Batman.” That Harvey was a humorless prick straight out of the William Atherton school of jerkasses, while this one is a smug sleazebag who would be someone you’d love to hate if he weren’t also a complete inversion of a great tragic hero turned villain.

I’m just so sick of people portraying Harvey as a politician first and foremost, performing for the cameras and thinking about his career ambitions. I’m sick of him being a corrupt asshole and even an authoritarian. I’m sick him being two-faced, when the irony of his character is that he himself never WAS. Now that that’s out of my system, I’ll move on, because I know he has an arc in store that may prove more interesting than the usual Asshole Harvey takes.

They tried several things with the Penguin, and I’m not sure they gelled into anything that worked for me this time out. Making her a woman, that’s no problem, and I appreciate her classic style and appearance in a time when everyone just wants to turn Cobblepot into a boring Tony Soprano knockoff.

Ultimately, though, it all just served to make her a standard “Ma Barker” archetype. You know, the alleged matriarchal crime boss who was killed by Hoover’s FBI, who may have dragged her name through the mud to excuse their killing of an old woman? There used to be several takes on her in pop culture, although nowadays the only famous one is probably Ma Beagle from “DuckTales.”

With that in mind, they should have just cast Margo Martindale. Excuse me, didn’t use her full name: Beloved Character Actress Margo Martindale. Minnie Driver is a fantastic actress (I’m still mad that “The Riches” was not only cancelled but totally forgotten), but it was a waste not to let her use her real accent. As it was, she was fine, but she didn’t bring anything special to match the physical design. As an actress, she deserved more to play with.

Also, “Oswalda” is a terrible fake name. Like come on guys, you can do better. That’s on par with Revolver Ocelot’s real Russian name being “Adamska.”

The biggest problem with this take on Penguin is that she’s set up as some kind of brilliant mastermind, only to act incredibly stupid, reckless, and gullible. She kills not one but two innocent goons, including her own son, without so much as an investigation or even keeping tabs on the suspected rats to use them as pawns against Thorne! To paraphrase Dijkstra from the “Witcher” books, you don’t kill spies, you USE them. You feed them misinformation! You blackmail them into being double agents! This Penguin is bad at her job, so no wonder she loses everything within hours. It’s amazing she was able to build a crime empire in the first place!

I also dislike Bullock being a corrupt cop in the mob’s pocket. That fits Flass perfectly, but Bullock? Fuck no. Bullock IS dirty, but he’s dirty in a very acceptable way to cops. He’s brutal, he cuts corners, he’s crass, and he’s probably not above planting or concealing evidence, but selling out to the mob? Hell no. That’s just wrong. Hate that choice. Unless it’s a misdirection. This show sure does love its misdirections from what I’ve seen so far.

Batman himself is… fine. He’s Batman. He’s not a bad Batman. He’s serviceable but unremarkable. But at least he wasn’t an irritating asshole, which is more than I can say for most Batman depictions these days. I liked Bruce trying his “falling off a boat” joke a second time, delivered verbatim after it flopped with Barbara.

Barbara being a defense attorney is a rather contrived choice, one that gets to put her at odds with Harvey while also giving her a professional in with both Batman and Gordon. Essentially, she’s in the role Harvey Dent is supposed to play. Except here she’s a defense attorney, which SHOULD put her at odds with her dad, since lawyers and cops don’t seem to like one another, for SOME reason!

And Harvey, even as District Attorney, can’t be in the role of legal ally to either Gordon, because the story is far more focused on making him a mayoral candidate who throws people under the bus for his own advancement! Feh.

Anyway, that was episode one. It was fine, I guess.

The screenplay is by novelist and DC veteran Greg Rucka, so of course Renee Montoya is the central focus. Seeing her interact with Sleazebag Harvey gave me war flashbacks to what Rucka did with Renee and Harvey in the comics: setting them up with a poignant dynamic of tenuous respect and kindness before dashing it all with “Gotham Central: Half a Life,” which solidified the perception of Harvey as a creepy, obsessive stalker for a generation of fans. That version of them was very much of display here. Sigh.

Also, Lucius Fox is Bruce’s lawyer now? Why? And also, what the hell? God, poor Lucius. He starts off in comics as the guy actually running Wayne Enterprises, then “Batman: The Animated Series” makes him Bruce’s right-hand-man, then Nolan and Goyer get the inspired idea to make him the Q to Bruce’s 007, while the comics don’t know what to do with him and even make him an authoritarian to cause friction with his vigilante son, and now this? It’s such a random choice. There’s no reason why this character should be Lucius. Hell, Lucius could have shown up there WITH the lawyer and that would have been fine. As it is, it’s just weird.

That said! I overall liked this episode an awful lot! For DECADES now, I’ve wanted to see someone remember that Basil Karlo was an older actor in the classic horror movie vein (his name is literally a combination of Basil Rathbone and Boris Karloff), but ever since “Batman: The Animated Series,” everyone has just tried to make him BTAS’ Matt Hagen. Like, I really liked the “One Bad Day” issue for Clayface, where he gradually killed his way to the top of Hollywood stardom, but even that was still BTAS Hagen, the Serious Actor, not Karlo, the old horror ham actor.

But with this episode, someone finally drew on the old Hollywood horror roots of the character, and they found a way to combine his shape shifting abilities into the mix! I’m so happy!

Of course, this is me, so I still have criticisms. Like, I think it was unnecessary to frame it as a mystery, because that added unnecessary complications. I know the original Clayface story was a whodunnit and you can’t do that now that everyone knows that Karlo is Clayface. I was annoyed by the misdirection of Karlo’s “death,” in part because I feared this would be another Clever Subversion, just like how the animated adaptations of “Gotham By Gaslight,” “Hush,” and “The Long Halloween” purposely went against expectations from the source material in stupid ways. Hell, they’re doing the same thing now with Penguin (“But wait, there’s a twist: she’s a woman!”) and Harvey (“But wait, there’s a twist: he’s an asshole!”), so I was afraid this Clayface would end up being someone else entirely. I was okay with it in the end, but I’m annoyed at the cheap fakeout as a plot point.

Furthermore, I don’t get why Basil disguised himself as the doctor (whose name I don’t remember) for the benefit of the actress (whose name I don’t remember) he had chained up in his hideout. What benefit was there in making her think he was the doctor? She was already aware she was a prisoner and was scared, so why the facade? It served no purpose in context, only just to misdirect the viewers.

This is what happens when you try to make something a mystery when it would work better as a thriller. Stop trying to wow audiences with twists and surprises when you could just be focusing on telling a good story. So what if everyone figures out Karlo is Clayface? Who cares! Just go with it! Let them be in on it while Batman and Montoya figure it out themselves, that’s where the tension lies! Stop trying to be clever.

Regardless, I really liked this episode. I want this to now be the canon comics origin for Basil Karlo’s Clayface. Just explain that the treatments for his face gradually affected his whole body, and boom, you’ve successfully explained how classic Slasher Clayface became Mud Monster Clayface. This is how Karlo should always be written from now on. If you really want a sensitive, angsty lug Clayface, bring back Hagen. Let Karlo be the gloriously hammy monster with aspirations of stardom.

[agentrouka-blog]

A stans conveniently forgetting that she doesn't want to be a lady in the first place. A would probably be very disappointed with them and would be the first to protest LOL

If we didn't have Sansa, Arya's arc could be a very bitter-sweet path of disillusionment and sober acceptance of duty.

She runs out on lessons and hates the life prescribed for a lady, is comfortable with her privileges while ignoring the accompanying duties. She ignores class boundaries because she can - without understanding the power and privilege she retains unlike actual smallfolk. She is violent when she's upset, impulsive, inconsiderate of the needs of others (unless she personally likes them). (While also being sweet, curious, funny, sensitive, obviously.)

And then she gets adventure and travel in the most horrendous way, all her naive dreams destroyed. Just injustice, war and murder. And when she eventually makes her way home, she willingly takes on the duties she had hated. Sitting still, accepting contrary views without immediate blind refusal, reading and studying, negotiating, stationary administrative work, complex decisions, patience, prudence, self-control, marriage and children, sacrifice of her freedom...

All lessons learned through pain and suffering on her travels. A subdued, somber Arya who turns her scars into lessons and gives her life over to serving her people, no matter how she yearned for something different.

But.

Sansa exists. Who has a different arc, going from being perfectly raised to do the job of a consort (with all the attendant study and diplomatic skill), through observation, painful mistakes, and growing experience, to realize that she cannot take refuge in passivity, she needs to exercise power and privilege when she has it in order to achieve the kind of justice or harmony she wants to see in the world. A reluctant ruler, who is equiped with the necessary education and skills, but needs to develop the determination and confidence to act.

This alternative frees up Arya for a much happier ending better suited to her skills and desires, as well. A wiser, more patient Arya, more aware of the power structures and her own privilege, who doesn't have to restrain her boldness as a politician but rather can exercise it as a traveler, a constant representative of the interests of the smallfolk, as an explorer, as a diplomat in the interest of the North, a living legend, Oberyn's Northern counterpart.. just anything that doesn't tie her down with paperwork and the minutiae of administrative necessities.

GRRM loves Arya. I know which ending I think is more likely.

[animanga-bonanza]

Mel Medarda: Manipulator or Mentor?

One of the common fandom narratives re: Mel is that she manipulated Jayce in season one. But after re-watching season one and taking detailed notes on Mel's scenes and her interactions with Jayce, I think this narrative is an oversimplification. I think Mel should be seen as a Mentor Figure to Jayce rather than a manipulator.

This post is going to get VERY long under the cut, but here are my main points: (1) Mel never deceived or tried to control Jayce, rather she always advised him in good faith; (2) Mel parallels other characters who act as Mentors; (3) the audience's perception of Mel is shaped by the subtext rather than the literal text in her scenes; and (4) Mel is a flawed Mentor who unintentionally corrupted Jayce in season one.

Mel's Characterization

The word “manipulation” implies deception, selfish intentions, and control of another person. According to Merriam-Webster, manipulation is defined as “to control or play upon by artful, unfair, or insidious means especially to one’s own advantage.” In other words, a manipulator is someone who uses other people, using shady tactics, for personal gain. This description does not apply to Mel and Jayce's relationship.

In Season One Act One, we learn several things about Mel. (1) She's a shrewd and charismatic politician. (2) She is unimpressed by wealth and status because she's already the richest person in Piltover. (3) Her main goal is to raise Piltover's standing in the world, to "put Piltover on the map." (4) She is interested in "revolutionary" ideas that go against the grain. (5) She is capable of manipulating people.

Her first act of manipulation on screen is directed at Councilor Hoskel, who is characterized as a foolish and greedy man. Mel uses false flattery (containing a veiled insult) to ingratiate herself to Hoskel: she gives him a child’s toy and tells him it was “made for only the sharpest of minds.” This moment is noteworthy because it establishes that Mel manipulates people whom she does not respect. However, Mel develops a genuine respect for Jayce.

Mel's Respect for Jayce

Initially, Mel did not think highly of Jayce. During his trial, she was ready to dismiss him as "a boy meddling with things he doesn’t understand," until he confessed to experimenting with magic. Both Mel and Viktor became interested in Jayce from that moment on. When she catches Jayce (and Viktor) trying to break into Heimerdinger's lab, Mel is impressed by his ambition.

"Willing to risk exile for your endeavor. That's quite the conviction."

Jayce persuades Mel to give him and Viktor a chance to prove themselves, and they succeed beyond their wildest imaginations. This solidifies Mel's respect for Jayce. Here is a bright young man with the potential for greatness, someone who will bring revolutionary ideas that transform Piltover and the world. In Jayce, Mel sees the leader that Piltover needs. The Man of Progress.

Later, in Mel's first appearance in Season One Act Two, she expresses boredom with Piltover's elites. She salutes Amara with a friendly smile, then rolls her eyes when she turns away. Again, Mel is unimpressed by wealth and status. She cares about people's ideas and what they can do for their city.

"These people have nothing new to offer me. The only one actually worth my time is him."

Mel's boredom with Piltover's elites mirrors Jayce's discomfort with his fame. Earlier in S1E4, Jayce left Cassandra Kiramman's side, while she was in the middle of introducing him to some people, to go converse with Caitlyn. He similarly seeks out Mel in the middle of the fundraiser party. Contrary to fanon belief, Jayce is not a foolish person who is easily led by others. He can tell genuine people from fake ones. And because Mel has a genuine interest in supporting Jayce, Jayce respects her and seeks out her advice.

Furthermore, Mel never tries to control Jayce. There are times when Jayce goes against Mel's wishes.

The first time is when he changes his Progress Day speech and chooses to delay Hextech's development; this frustrates both Mel and Viktor, who wanted him to go full speed ahead. But Mel doesn't punish Jayce for this. Instead, she figures that his hesitancy is caused by his lack of agency & authority, so when the opportunity comes, she advocates for Jayce to become a council member.

It is true that Jayce never wanted to be a politician, but for Mel, the choice was either to let Hextech die (as Jayce threatened to do) or risk Piltover's safety, and she sought a reasonable compromise. Plus, this decision put Jayce on an equal footing with Mel, which is something Mel would not have allowed if her intention was to control him.

The second time is when Jayce pushes for Heimerdinger's forced retirement. Mel is shocked by this and clearly reluctant to support Jayce's motion, but does so anyway, because she trusts and respects him.

In summary, Mel has a genuine interest in helping Jayce. Her intention is NOT to manipulate him like she would Councilor Hoskel or Amara; rather, her intention is to HELP him become the leader she believes he is destined to be.

Mel's Pragmatism

When you look closely at the advice that Mel gives Jayce, it is always reasonable, even if it's flawed.

Mel, in season one, is the Fox. Cunning and persuasive. She intuitively understands people and power and knows how to play the game of politics. And if Jayce is going to be Piltover's next big leader, he needs to be a capable politician. So, Mel takes it upon herself to advise him and advocate for him behind the scenes, setting up deals and putting out fires.

In S1E5, the scene in which Jayce makes deals with Piltover's wealthy elites at the behest of Mel is directly placed next to the scene in which Vi teaches Caitlyn how to get around in the undercity. Jayce and Caitlyn are the proverbial fish out of water, and Mel and Vi are their guides helping them navigate an unfamiliar and treacherous environment. And for both of these couples, S1E5 is when their romantic connection begins to bloom. Vi's advice to Caitlyn also encapsulates Mel's advice to Jayce:

"If you really want people to talk to you, you have to let them think you have what they want."

Even Mel's most controversial advice -- to make Hextech weapons -- is rooted in a very real fear of civil war and foreign invasion. In fact, earlier in the episode where Mel, Viktor, and Jayce discuss the prospect of Hextech weapons, Mel is notified of her mother's impending visit and the fact that other countries are aware of Jinx's attack on the Academy square; as Elora says, "Piltover looks vulnerable."

In short, Mel always advises Jayce in good faith. Her advice is still flawed, and I'll get to that later, but when it comes to Mel's intentions, she's quite genuine.

Mentor vs Mentor

Heimerdinger is the archetypal Mentor Figure. Old, wise, and a tad whimsical. Like Mel, he sees the potential for greatness in Jayce. The opening scene to S1E4 (and Season One Act Two) establishes one of the main themes of Jayce's character arc. Heimerdinger invokes the example of Stanwick Padidly, one of Piltover's founders, who unbeknownst to many, was a scientist.

"Stanwick set his personal ambitions aside and focused on something far more important. Our future. […] You certainly have something to live up to, my boy."

Jayce respects Heimerdinger and takes his advice to heart. And he does the same with Mel. He seeks out her counsel whenever he's uncertain about something, and in Season One Act Two, Mel disagrees with Heimerdinger. Whereas Heimer believes Jayce's ambition must be curtailed for the sake of Piltover's future, Mel believes that Jayce's ambition is the key to Piltover's future.

"[Heimerdinger] only ever sees the past. Piltover needs a leader who looks forward. Someone like you."

In short, the narrative draws direct parallels between Mel and Heimerdinger. Mel is a Mentor Figure, like Heimerdinger, but she's also a foil to Heimerdinger. Where Heimerdinger encourages caution, Mel encourages boldness.

Subtext vs Text

Mel also has parallels with Silco, another Mentor Figure. And like Silco, Mel has (mostly) genuine intentions toward her mentee, but the subtext clues us in to the fact that she's a flawed mentor.

Many are aware of the sexual subtext in Silco and Jinx's relationship. Obviously their relationship is not ACTUALLY sexual -- for the characters themselves, it's purely familial, they see each other as father and daughter. However, there are moments in which their body language is designed to evoke romantic/sexual intimacy, and that's done ON PURPOSE to make us, the audience, uncomfortable! It's subtext, and it's being used to signal to us that there's something wrong with their relationship.

Silco believes that he's bringing out Jinx's true potential and helping her become the person she was meant to be, but in truth, he's corrupting her. Warping her personality. Frankly, Silco's behavior toward Jinx is actually manipulative, unlike Mel -- Silco lies to Jinx.

In a similar vein, there is an uncomfortable subtext in some of Mel and Jayce's scenes together. Even before they first meet, we see Mel discussing Jayce with Elora, and then picking out a child's toy that she later uses to manipulate Hoskel -- this makes the audience wary of Mel's intentions.

In S1E4, when Jayce seeks Mel's advice re: his Progress Day speech, they're standing in her office. It's sunset, the room is dimly lit and cast in shadow. This visual cues signal to us, the audience, that Mel is guiding Jayce down a dangerous path. She speaks of investors who are interested in Hextech.

"Everyone wants Hextech for themselves. It’s your speech. Give the people a glimpse of the future."

Jayce and Viktor had already spent years having to develop Hextech according to the Council's guidelines, and they wanted the freedom to develop Hextech their way. Would these investors be another Council, trying to develop Hextech in a way that maximizes profits?

In another scene, Mel warns Jayce not to alienate Piltover's elites, who have the power to sink his career.

"There are those who covet your power over the wealth the Hexgates afford. And would take any opportunity to seize it from you. [...] These are simply favors among friends."

Jayce wants to stamp out corruption, but Mel persuades him to become complicit instead. Once again, the subtext is showing us that Jayce is in dangerous territory. Visually, he's compared to a performer on a stage, with frenzied music and stormy imagery. Mel applauds Jayce after his "performance."

In summary, although Mel is not literally trying to corrupt or control Jayce, the subtext lets us know that Jayce is becoming corrupted under her guidance. I believe that the reason why Mel is often called a "manipulator" is because of the subtext, not her actual intentions. People are picking up on the subtext and projecting that onto Mel's actual characterization.

This would be like if people thought Silco was literally grooming Jinx because of the sexual subtext in their relationship.

Mel's Mistake

A character flaw can be expressed as the character's False Belief. Mel is a flawed mentor (like Heimerdinger and Silco). Her False Belief is that politics is the opposite of violence, and Mel opposes violence because she equates it with tyranny.

In truth, politics without justice is tyranny by another name.

Mel truly supports Jayce's dream of bringing Hextech to the masses. But her proposed methods, while pragmatic, risk destroying Jayce's dream. Investors can corrupt Hextech to maximize their own wealth rather than help the poor. Hextech weapons can escalate a civil conflict into all-out war.

There's a great video essay by Fashionable Crow that examines the theme of ambition in Arcane (linked here). She points out how several characters in Season One follow a pattern of recklessly pursuing their goals until they're about the cross the line of no return, before attempting to pull back.

Mel is a ruthless politician until her mother shows up and forces her to take a hard look at herself. At her own naivete. She thinks she's the opposite of her mother, but Mel is more like Ambessa than she realizes.

"War is coming. You’ve let the problems of your undercity fester too long."

While Mel was focused on keeping her hands clean, she failed to see the inherent violence in Piltover and Zaun's relationship. The inherent violence of two idealistic scientists' dreams getting swallowed up by greedy plutocrats and out-of-touch politicians. She thought it was fine, that she was in control as long as she wore the mask of the Fox. She thought Jayce would be fine as long as he wore the mask of the Fox.

Until the season finale, Mel failed to realize that the true violence of Noxus, and of the Medarda clan, does not lie in their willingness to go to war. It lies in their willingness to exploit and oppress people.

Because of her False Belief, Mel led Jayce down the path of corruption. Fortunately, they were both able to step back before they went too far.

But then Jinx killed Silco and blew up the Council building and everything spiraled out of control.

TL;DR

Mel does not manipulate Jayce. She mentors him. But because she's a flawed mentor, she corrupts him. The audience views Mel as a "manipulator" because of the subtext in some of her scenes with Jayce (although racial and gender bias, plus shipping rivalry, also influence their perception).

[moltensmusings]

Arcane season 2 spoilers:

Mel has been my favorite character since season 1. The hate this fandom has for her is insane, the way they try to reduce her down to some heartless harpy who used Jayce, how almost no one considers her in her arc beyond her connection to Jayce or Viktor. She's such a fascinating character. Pushing against what her mother tried to shape her into, having empathy leading her actions more than she'll admit. She's smart and careful, she will always speak first before she even considers acting.

It's why I adored the way they wrote her in Act 3. No, there's no way in the world. Mel Medarda, the politician, the charmer, would attack her mother without pleading her case. She'd never strike first because that's not who she is. But we saw in the black rose prison that when pushed, she'd do what was necessary. Not out of maliciousness, but out of duty.

With her character arc only just beginning I truly can't wait to see her next season. Everything we've heard about Noxus in the show is setting up for some very interesting tension and potentially stressful back and forths. I can't wait to see Mel growing into her own as the head of the Madarda's, becoming a force to be reckoned with of her own making. Not what Amebessa considered correct, but something new and imposing.

I have a feeling ambessa's failure and death is going to be a major thing in the next series that causes friction between Mel and those in power who would try to see her gone.

Legitimately I can't wait to see the next series.

[nazrigar]

All-Sparks: Members of the United States Government.

Because a Transformers story isn't complete without exploring human governments and how the Transformers deal with 'em! These are just the most important folks in the context of the AU of course!

Senator Lonzo R. Wilkinson of Michigan: A reformed criminal during his youth, he uses the experiences he learned growing up as well as his time in G.I. Joe to lead to him to go for public office. A native of Detroit Michigan, one can say that he had a hand in turning it from "Motor City" to "Robo City", as he was responsible for helping build the legislative foundations that allowed Sumdac and his technology to flourish. Also the chair of the Senate's intelligence committee. A member of the original Adventure Team, alongside Colton. He's still friends with Colton, but definitely concerned about Colton's inner rage, and doubly concerned about Colton's obsession with Scarlett and the reasons for her asking for a discharge all those years ago.

Senator Henry Masterson Sr. of Michigan.: a man who'd take a bribe with a smile. Supposedly under Blackshore's payroll, but in reality Masterson has no "real" paymaster. He'll appeal to any lobby if it interests him, and he'll switch positions (flippantly or gradually) depending on the "client". He considers himself first and foremost however, a survivor, and his "true" paymaster, in his eyes, is power. Has a son with wild ideas on robots. Based off the Inhumanoids character.

President Alexander Holt: Colton's Puppet President, knows it, and resents it.

An opportunistic politician who came into office in order to further his business ambitions, this in turn led him to be dependent on Colton to give him the image of a "strong American man who wants to keep America strong", and no one helps project strength like Joseph Colton himself. Being an energy mogul, his main motivation for seeking office was, in an act of extreme personal pettiness, was to try and get a leg up against Blackrock, to make sure that Blackrock's alternative energy solutions was as expensive as possible. He riles up the populace with bluster and theatrics, making people think he cares, when he actually doesn't.

He's really trying to find ways to undermine Colton's iron grip on the government, he's the President damn it. He should be the most powerful person on the planet, not Colton.

Based off an obscure character from IDW's Transformers run.

Secretary of Defense John Keller: Technically the only person below President in the chain of command within the United States military… and came into the office expecting such, but quickly realized many of the officers within the military have more respect and loyalty to one man, and it's certainly not the President. A man that truly believes in the rule of law and the use of appropriate force against whatever danger is presented to him, the concept of internal division of loyalties within the United States is a terrifying prospect for him. His strongest ally is Sector 7, insulated from Colton's influence only because it has remained a secret for so long within government, and its members are quite insular and cagey. The advent of Cobra however changed all that, and now Colton even has paws on them, if only in a limited capacity. With Cobra's defeat, John Keller has even more incentive to try have at least ONE government branch with firepower that operates independently from the Original Joe.

Senator Barbara Larkin of Oregon: Perhaps one of the rarest kinds of politician: born to wealth and status, but completely and utterly dedicated to public service for the greater good, much to the horror and disgust of her own parents. What Wilksinson is to Detroit and Sumdac Systems, she is to Portland and Blackrock Enterprises, because she is fully commited to the dream that energy shouldn't be expensive and energy is a basic need for a country like the United States. A vehement opponent of President Holt.

Is Col. Clayton "Hawk" Abernathy's lady wife. There are times when she wished Clayton would retire, not simply because she worries about him as we hunts whatever enemy still lurks in the world… but also because she doesn't want him to end up a jaded man who only sees the worst in the world. She believes Clayton has so much more to give to the world based on his experiences.

Based off Barbara Larkin from the Marvel comics continuity of Transformers.

Gabriella Constanza: The Woman of the Big Words. Literally, she's infamous for sparsing her words with material that one would need a dictionary AND a thesaurus to decipher.

Picked by Holt to be a completely nothing Secretary of State beholden only to him. After all, she's just some nothing teacher from a nothing town called Jasper with no other credentials besides running for Mayor of the nothing town, and she's easy on the eyes.

To the shock of everyone, she's actually really good at her job. She can talk to people well, is personable and pleasant to others, and can whip up a story on-the-spot. She's just occasionally confusing through the use of said Big Words(tm).

Based off Gabriella Constanza of the Unicron Trilogy.

[karuvapatta]

buckle up, I'm gonna bitch about Arcane season 2 for a while.

disclaimer: the animation and art direction is absolutely stellar, writing and voice acting is mostly solid, music ranges from good to amazing, sound design is great, and it's a great show overall.

HOWEVER:

There were so many interesting subplots and ideas, but not one of them had enough room to breathe or time to develop organically.

(spoilers under cut)

Caitlyn - I love the subplot about her becoming a fascist dictator and Ambessa's pupil, I really do. But then it sort of fizzled? She faced no repercussions for installing a police state and using chemical weaponry against civilians? The last one got to me especially - her mother built this system claiming that "the people of Undercity deserve to breathe" and Caitlyn then turned it against them. Okay, Vi and Jinx both called her out and it left to her rift with Vi, but... she's still in charge at the end, having seemingly learned no lessons?

Vi - uh, she was there. Sort of. Most of the time. Again, she joined the Enforcers, and it led to SOME conflict, but... is she going back to being an Enforcer? how does she feel about that? Who knows - Vi was mostly there for Cait and Jinx's subplots than her own.

Jinx - her subplot with Sevika and Isha was my second favourite thing about this season. The idea of her becoming a symbol and uniting Zaun is great. That little moment in the prison was awesome. But, ultimately - it didn't amount to much. Her sacrificing her life for Vi (or not, I don't know if she actually dies) didn't hit as much because we already knew she was actively suicidal.

Isha - had the potential to be super annoying, but like I said, I ended up really liking her character. Her death rubbed me the wrong way, however - it was very emotional, but the framing was very strange. Were we supposed to find it inspirational? Tragic but beautiful? Proof that Jinx isn't irredeemable?

Sevika - again: loved her, loved her interactions with Jinx and Isha.

Silco - I found it weird how this season consistently framed him as a good guy. Jinx and Sevika remember him fondly, he was the only thing holding Zaun together, there are cute flashbacks / AU versions of him and Vander being happy... he's a complex character and we love him for it, but let's not forget his many, many crimes.

Singed - kinda weird that he got what he wanted with no repercussions.

Mel - all right, her subplot bothered me perhaps most of all. Mel is a joy every time she's on screen, true, but last season she had been established as a savvy politician and businesswoman, motivated by her mommy issues, and a corrupting presence on Jayce. She pushed for progress at all costs to fulfil her own ambitions and prove something to her mother. That's a great setup! But what we got in s2 is... random superpowers out of nowhere. Mel always had power - she was the richest woman in Pilltover and basically ran its Council - but now instead of confronting her with the potential side-effects of Hextech, the consequences of her ambitions, and the futility of proving herself to her abusive warmongering mother, she just gets... more power. Out of nowhere. And validation from Ambessa. It was just weird.

Jayce and Viktor - easily the most compelling part of this season, and my favourite subplot. And STILL - it felt rushed and incoherent. I thought at first that Viktor would become jealous and resentful because Jayce is everything that he isn't, and I am honestly so glad they didn't take that route. But instead, Viktor gets... brainwashed by the Hexcore I guess? Ascends to a higher plane of existence? His Jesus Days and his cults were fascinating, but I didn't get the philosophy behind them at all. I can see why Viktor would want to shed his physical body for a machine that has none of its weakness, and how he might convince others to follow that path, but instead he chose to brainwash his followers and then assimilate the entire human race? What? There were so, so many potential sources of conflict between himself and Jayce - the Hextech weaponry Jayce built, Pilltover's fascist takeover of the Undercity, Jayce reviving him against his will and not destroying the Hexcore, accidentally poisoning Ekko's tree through their irresponsible use of Hextech... but the conflict we got didn't built on any of that. And I don't understand why.

(But I get you, Jayce/Viktor shippers. You won this round.)