#she’s gonna be so annoyed about my white tank for sure it has algae :3
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shewhoeatssand · 9 months ago
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YEAHHHHH WE STAN FISH LOVER TOUKA
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FINALLY SOME FISH ENJOYER REPRESENTATION 🤝 I think she would be so interested in having a pleco but realistically she might have an angry asf betta in a 15gal, maybe 6 of some smaller tetra and amano shrimp to spice things up? I think she’d have a very rocky hardscape with only a few twigs, then some hairgrass, guppy grass and cryptocoryne varieties for plants. She’s absolutely got marimos and java moss btw
For the character list thing you reblogged: Touka, Koutarou, Kaneki, or Ginshi! :)
i debated doing all of them but i got lazy uhhhh i've had touka on the brain recently so !! was gonna do shiragin too but someone else also sent him
favorite thing about them: i just love her ugh i love how she keeps a really tough exterior to hide the fact that she's actually quite caring
least favorite thing about them: i think that uhhhh maybe she should not have been pregnant for the climax of :re because i would have loved to see her have a more full strength development like other characters got. she was so badass at the beginning and ishida kinda robbed her of the chance to kick major ass
favorite line: "there's nothing here that belongs to you" TELL HIM TOUKA
brOTP: i love her relationship with nishiki after he joined anteiku
OTP: gotta go with the lesbians. touka and yoriko <3 that being said im still pro touken i think they're cute
nOTP: i havent really seen her shipped with anyone but yoriko and kaneki, both of which i think are really cute, so idk if i have one? ig anything other than those two would be a no from me
random headcanon: not a cat person, not a dog person, but a fish person. other people think its boring, but she thinks they're cool and pretty and loves to watch them swim around
unpopular opinion: i dont think this is unpopular but i would love to take this moment to acknowledge how overhated she was back when tg was more popular
song i associate with them: there's no reason for this, but judas by lady gaga
favorite picture of them: i love her kagune sm can you tell i love this moment
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slytherinbarnes · 4 years ago
Text
Sub Rosa [65]
vii. acceptable losses
Pairing: Bellamy Blake x reader
Word Count: 5.3k
Warnings: mentions of anxiety, nausea, creepy parasitic worms, death.
Summary: Preparations for the war against the Eligius prisoners continues, and you and Monty make a horrifying discovery in the process.
a/n: i’ve been enjoying reading everyone’s reactions for s5! there’s a little less drama in this update, but things start to pick up again on friday! the taglist for this series is open! I hope you enjoy, please let me know what you think!!!
previous chapter // season masterlist // series masterlist
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You sit behind Madi, braiding her hair for the day, while Clarke fills up a canteen from the nearest water source. She returns just as you finish up the last braid, and you pat Madi on the shoulder, letting her know you’re finished. She shoots to her feet, beyond excited for a day of training, but Clarke stops her as she tries to make a dash out the door. “Whoa, whoa, whoa, hey. Canteen.”
Madi gives her an annoyed look, and you hold back a bite of laughter when you recognize it as the same annoyed look that Clarke gives others. Like mother, like daughter. “I'm pretty sure they're gonna have water there.”
“Take it anyway.”
“Clarke, I'm not a baby anymore.”
Clarke puts her hands on Madi’s shoulders, holding her in place, giving her a serious look. “I know, which is why people are more likely to notice how special you are. That's why you're gonna suck today. You're not gonna stand out in any way. No one can think that you'd make a good Commander, not Gaia and especially not Octavia.”
“Clarke, I understand.”
“Once Echo gets that camera in the sky down, we all get to go home to Shallow Valley.”
“Great. Maybe when we fight the war there, I won't have to suck.'' Clarke gives her a scolding look, but Madi ignores it and presses a kiss to her cheek before pressing one to yours and slipping out of the tent. You look at your twin, who lets out a loud, exaggerated sigh, and you burst into laughter at the interaction. “She’s so much like you.”
Clarke glares at you, “She gets the sass from you though.”
“Me?” You throw the blanket beside you at her, laughing in indignation. “I’ve never been sassy a day in my life.”
“Yeah, right.” Clarke laughs along with you, but you can still see the worry on her face. You reach out for her and squeeze her shoulder in reassurance. “She’s gonna be okay.”
“And what about you? Now that Echo and Bellamy are broken up, are you going to tell him you still love him?”
You think back to the long conversation you had with Clarke last night, after the drama died down and Madi went to sleep, and how good it felt to talk about everything you’re feeling with your other half. She understood all of your conflicting feelings, and reassured you that it was normal to be unsure of how you feel. The whole time she talked with you, her fingers played with the cluster of stars that hang around her wrist, and you’re positive that she was speaking to you from her experience with Finn. Still, the last thing you decided before going to sleep, is that you’d let Bellamy come to you. “No. If what Echo said is true, Bellamy seems to be pretty confused about how he’s feeling. I don't want to show up and confess my love, just to confuse him further. I’ll wait for him to come to me when he’s ready.”
“You might be waiting a long time.”
“Maybe. But Bellamy is worth the wait.”
Clarke smiles at you, and you can tell that she’s relieved you’re no longer completely heartbroken. Being a twin means sharing the pain whether you mean to or not, and you know it hurt her to see you upset. But now things are seeming better because you have hope. If what Echo said was true, Bellamy still loves you. And it might take him a while to remember, to get over his feelings for Echo, but you have hope that he will, and that he’ll come back to you. Because you and Bellamy belong together, that much you’re sure of. One day he’ll remember that you’re his love, his radiant moon, and the two of you will fall back together, the way you used to be. So even though you’re still broken up, you’re starting to feel less broken.
Clarke changes the subject by reaching into her pack and pulling out two items, handing them to you. You take them, looking down at Jasper’s goggles and his note to Monty, and she whispers, “I thought you might want to give it to him.”
“Yeah, I would. Thank you.”
You stand and she stands with you, “I’m gonna keep an eye on Madi, and I’ll swing by to ask Bellamy about the eye so you don't have to.”
“Thanks.”
You two leave the tent together and head towards the bunker, splitting off as she heads towards the tech room and you walk towards the sleeping quarters. On your way there, you see Harper walking towards you, and you call out to her. “Harper, hey!”
You both hug in greeting, the first time you’ve really had the chance to since reuniting a few days ago. Everything has happened so fast since then, and it’s hard to believe it hasn’t been that long since their descent from space. “I was just looking for Monty, do you know where he is?”
You hold up the goggles and the note, and you see the flash of sadness in her eyes before she points you down a separate hallway. “Knowing Monty, I'm sure he’s with the plants in the hydroponic farm.”
“Thanks.”
You both exchange goodbyes before you follow the halls to the farm, and you push the doors open to see Monty standing amongst the dying plants. He glances your way as you get closer, and you smile at him. “Harper told me I might find you down here.”
“I miss my algae farm. I thought being around all this might help.”
“Does it?”
“Most of the crops are neglected, and the equipment needs repair. I give it 3 weeks until this place is as dead as the wasteland.”
He walks closer to you, and you let his words wash over you, your anxiety instantly rising. You hope that Echo can get the eye down and the rest of you can get into Shallow Valley soon, otherwise, you’re all in danger. Monty glances down at the belongings in your hands, and you follow his gaze before looking up and locking eyes with him. “We've been meaning to give this to you.”
He takes the note and peers down at it, his voice soft. “Jasper's handwriting.”
“We found it at Arkadia, not long after Praimfaya. Clarke nearly read it a couple of times, but I made sure she didn't.”
He nods, and you can tell he’s about to say something to you, but the doors at the end of the hall open and the lights flick on. You turn and peer through the dying crops towards the intruder, seeing Cooper wheel in a body just as you hear her say, “Guard the door. I'll just be a minute.”
Something about the interaction makes the hairs on the back of your neck lift, and you decide to trust your gut instinct, turning to face Monty in alarm. You push him backwards lightly, urging him to duck between the maze of crops, and he does so without question. Cooper pushes the gurney past the two of you, and you tense up, worried she’ll see you, but she walks right up to a door on the other side of the room. She types in a code, pushes the door open, and nudges the body inside before turning and walking out. You and Monty melt into the shadows as she walks on by, oblivious to your presence, turning the lights off on the way out and closing the doors to the farm behind her.
As soon as you and Monty are the only two people left in the room, you both head over to the door to check it out. Monty tugs on the handle but the door doesn't budge, clearly locked, and Monty looks around for tools before his eyes settle on some pruning shears nearby. You watch in confusion as he grabs them, and you mutter, “Monty, you can't pick a lock with pruning shears.”
“Ye of little faith.” He uses the shear to pry off a magnet that holds the tools in place, and then he sets the shears down and heads back to the door, moving the magnet over the door handle. “The keypad energizes the solenoid, pulls the coil and pin back. A magnet can do the same thing.”
A second later the lock clicks and he pushes the door open as you smile at him. “Monty, I love your genius brain.”
But your excitement dies out quickly as you step into the lab, Monty right behind you. You see the body that Cooper just brought in, along with test tubes and other lab related items. None of that concerns you though. What concerns you is the large tent in the back of the room, white and zipped up, secured from the outside world. Monty whispers, “Biocontainment lab? What the hell is that for?”
“Let's find out.” You walk forward and unzip the tent to the lab, stepping inside as Monty protests, “I don't like this.”
You ignore him and walk up to the large glass container a few feet from you, the contents inside hidden behind a large sheet. You pull the sheet back slightly and reveal a young woman, dead, and you feel the hairs on your arm lift, your subconscious already aware that you’re not gonna like whatever is going on here. You take a deep breath and pull the sheet the rest of the way off, the woman’s stomach now in view. You feel a wave of nausea roll through you and your skin crawls as you peer down at it, crawling with the sandworms from the desert. You gasp out, “Oh, my God!”
“I thought you all said no one else was bitten.”
“They weren't. I don't-'' You look at the worms in confusion, not understanding, until the pieces slowly slide into place. Octavia has already proven she’ll stop at nothing to win Shallow Valley. “They're breeding them.”
You and Monty exchange a worried look and you step over to the second glass container, pulling the sheet back to reveal a young man, still and unmoving. There are no worms bursting from his stomach, but it only takes a second for you to see one slither beneath his skin, making you shiver. Monty looks at the controls of the glass tank and mutters, “The cold must slow them down. If Octavia can deliver these worms in a defector-”
He cuts himself off when the man inside takes in a deep breath and his eyes fly open in alarm. “He's alive.”
The man opens his mouth again, and you think he’s about to gulp more air when he suddenly starts to cough, worms spilling from his mouth. You and Monty exchange another look and you mutter, “We have to tell Bellamy and Clarke.”
He nods in agreement and the two of you toss the sheets back over the tanks, step out of the tent, and zip it closed behind you. You sneak out the door, making sure it locks behind you, before the two of you head towards the tech room, knowing that’s the last place they were both in. However, when you arrive, Harper lets you both know that they went to the mess hall to sneak a few extra rations out for her and Madi. You and Monty turn and leave Harper without another word, and Monty guides you through the bunker to the mess hall, your eyes searching the room for your twin and your former lover. You find them both sitting a table across from each other, talking quietly, and you rush over to them, feeling panicked from seeing the worms.
Following your instincts, you sit down beside Bellamy, your brain forgetting that you’re no longer together, but by the time you realize, it’s too late. Monty takes the one next to Clarke, and they both look up at the two of you in surprise, sensing the anxious energy around you. “What is it?”
You and Monty explain everything that you saw, including the worms and the live test subject, and as soon as you finish, Bellamy shakes his head. “My sister would never approve of human testing. I don't care how crazy it's become down here.”
Clarke muses, “Desperation has a way of making the unimaginable a necessity.”
“Still, if she weaponizes those things and sends them into the valley, then Echo, Raven, Murphy, Kane, your mom-”
Monty cuts him off, “Not just them, all of us. Unleashing an invasive species on the last arable land on Earth is a monumentally bad idea.”
Bellamy sighs, scrubbing a hand over his face in frustration before whispering, “Even if Octavia does know, she won't listen to me. We need help.”
You all follow his gaze to the other side of the room, where Indra sits at a table eating with a few others. You all nod, agreeing with him, and Bellamy stands as Clarke urges, “Be diplomatic.”
“Yeah.” He immediately heads over to Indra, and the three of you watch him until Monty mutters, “He was there when Pike shot her and killed 300 of her people.”
Clarke and Monty both turn their gazes towards you, knowing you’re the best equipped at keeping the conversation calm, and you reluctantly nod, already accepting the role of peacekeeper. “I'll go with him.”
You come up behind Bellamy as he reaches Indra’s side, hands tucked into his pocket, looking nervous. His voice is low as he asks, “Can I talk to you? Privately?”
Indra doesn't address him, and nobody at the table moves, so you cut your eyes to them. “Hey, we need to talk to Indra. Ban au.”
Get out. You say the last part in Trigedasleng, hoping it will get them moving, but instead they look up at you in shock and get more comfortable in their seats. You glare, but no one moves until Indra nods her head, sending them away. As you move past Bellamy to take the seat across from Indra, he whispers, “Real diplomatic.”
You roll your eyes at him but say nothing as you settle into your seat, Bellamy at your side. He leans close, voice low and quiet as he asks, “Indra, would Cooper do something without my sister's approval?
“Only if she got mine first, but since I don't know what the hell you're talking about, it's hard to say.”
You look around you, making sure no one’s listening before you inform her, “She brought back the worms.”
Bellamy adds, “She's breeding them, experimenting on defectors. One of them is still alive.”
“Why would she do that?”
“Our guess is, she’s trying to find a way to keep them dormant long enough to deliver them in the next defection.”
“Good plan.” She pushes her tray away, and starts to stand. “Show me.”
You follow her from the room, motioning for Clarke to follow. She catches up as you get down the hall, and Indra types in the code for the room, holding the door open for the rest of you. You walk past her and unzip the biocontainment lab, pulling back the sheets from both glass tanks, showing Bellamy, Clarke, and Indra what you and Monty discovered. Matching looks of horror pass over each of their faces, and you see Indra recover first, setting her jaw. She walks over to the still living man, puts her arms into the gloves attached to the tank, and clamps her hand over his mouth and nose, smothering him. He only fights for a minute before dying, and Indra whispers, “Yu gonplei ste odon, Tarik kom Louwoda Kliron Kru.”
Your fight is over, Tarik from Shallow Valley Clan. As soon as the words leave her mouth, the keypad on the door starts to beep and Indra turns to face the approaching party, muttering, “Let's get this over with.”
The door swings open and Cooper and Octavia step inside, looking towards your group in surprise. You, Bellamy, and Clarke stand slightly behind Indra, watching the approaching pair as Octavia seems unsurprised by the contents inside the room. This seems to shock Indra because she states, “You knew about this.”
“Of course I knew about this, it was my idea. We're up against an army with superior firepower and every geographic advantage. This is how we overcome that.”
Clarke snaps, “What happens when your secret weapon destroys the valley you're fighting for?”
“I ran some tests.” You all look towards Cooper, waiting for her counterargument. “The worms can't survive in a green environment for more than a few days, long enough to kill everyone they come in contact with before we get there.”
You shake your head in disbelief, and find that Bellamy feels the same, because he questions, “Are we really having this conversation? Our friends are there, people we love.”
“Acceptable losses.” Your brows shoot up, surprised to hear the words come out of Octavia’s mouth. “Cooper, check on the worms.”
Cooper brushes past all of you to step inside the lab as Octavia turns her anger on the three of you. “Come on, big brother. How many innocent lives have you sacrificed? What about you, Wanheda, Wanlida? This is no different. You were just trying to save your people, so am I.”
You hear Cooper exclaim, “You killed him.”
Indra deadpans, “No, you did.”
Octavia looks towards the two women in confusion, not understanding the argument. “Cooper?”
“One of the defectors survived.”
You see an uneasy look pass over Octavia’s face, and Bellamy comments, “Looks like we found something that's not acceptable.”
“Blodreina, I'm sorry I didn't tell you, but the results were remarkable. The worms reproduced 3 times faster in a live body, and we need quantity as well as control. I found that-”
You can see that Cooper’s words are swaying the queen, and you cut Cooper off, trying to stop this in its tracks. “Octavia, you don't want to do this.”
“Spare me the hypocrisy. Miller told me about the man that you irradiated in Becca's lab.” She turns back to Cooper, interested. “And just how long did your test subject survive?”
“Long enough for a defector to board their ship and fly to the valley.”
You glance at Bellamy and Clarke, both of them looking equally as distressed at this news, and Bellamy starts to beg his sister to end this. “Octavia, please, don't do this.”
“I don't want anything to happen to your friends, Bellamy, not even Echo.” He freezes at the name, and judging by Octavia’s obliviousness, you realize she must not know that they broke up the night before. “But this is war. Once we control the eye in the sky, we send the worms. Cooper, choose one of the elite guards to deliver it. It's time for Wonkru to go home.”
She turns and walks out of the room, ending the conversation in the way she’s grown accustomed to, leaving the rest of you standing around, looking at each other in shock. Cooper and Indra disperse next, before you look between Bellamy and Clarke and nod towards the exit. “We should probably tell Monty and Harper.”
They nod, and all of you head straight to the tech room where the couple are waiting, both of them monitoring the eye in the sky. The three of you catch them up quickly before working on a plan to save those you love before the worms make it to the valley. Once the plan is in place, Bellamy looks at each of you one by one before repeating, “Okay, let's go over this again. As soon as Echo and Raven get the eye down, we take the rover. We drive across the wasteland, and we break out our people before Wonkru attacks with the worms.”
As you think through the plan, and the hundred different ways it can go wrong, you decide to voice your concerns on the first issue that comes to mind. “Octavia will expect us to do something like that, she'll post sentries.”
“That's too bad for the sentries.”
His jaw is set, and you see a flash of the man that he was under Pike’s rule, and you don't like it. It took so long for Bellamy to come back from that, so much healing that had to happen, and you don't want him, or those around him, to have to go through that again. You're about to argue his point when Monty speaks up first, shaking the letter that you gave him earlier. “This was supposed to be Jasper's suicide note after we pulled him out of the City of Light. He was gonna put a gun in his mouth and pull the trigger.”
Clarke mutters, “Monty, now's not the time.”
“Now is the perfect time.” He opens the letter, and begins to read, “'Monty, I know you're an optimist. You think better days are ahead, but that's not true. There is no light at the end of the tunnel. There's only the tunnel, another enemy to fight, another war. I've come to the conclusion that we're the problem, human beings, all of us.”
Your brows lift in surprise, Jasper’s note from the past voicing the very same concern you had a few days ago. You don’t want to believe that humans are the problem, that all of the war, and violence, and killing is just who you are. But sometimes, it’s hard to look at all the destruction that’s been left in your wake and not think that. Maybe the Earth would be better without all of you, but maybe the mess of human nature is what makes everything worth living. Clarke once told you that Lincoln had something similar to her: if death has no cost, then life has no worth. Maybe the death and destruction reminds all of you of the beauty of life. Without the bad stuff, maybe you wouldn’t realize how truly lucky all of you are. You’re alive, on the Universe’s prettiest planet, and you have each other. You have love and friendship and family. Maybe the fear of losing those things is what makes you keep going. Isn’t that why you’ve done the things you’ve done? To save Clarke or Bellamy or your people?
And maybe you shouldn’t need the terrible things to see the beauty in life. Maybe one day you can break the cycle, retire Wanlida and your Grounder knife for good. But right now, this war seems inevitable, determined to be fought by most of the people on both sides.
“The cycle can't be broken as long as we're here. That's why I won't be here. That's why-” Monty cuts himself off, fighting back a wave of emotion, and Harper steps closer to him, comforting him. “Monty, it's okay.”
“Jasper was smarter than all of us. It doesn't matter what we do, coming back to the ground, opening the bunker, all we've done is made things worse. If a war is the only way to have the last survivable land on Earth, then maybe we don't deserve it.”
He turns and walks out of the room, leaving you all to watch him leave. You can see the tears in Harper’s eyes, the sorrow that she’s holding back before she nods once in goodbye and follows him out the door. You, Bellamy, and Clarke all stare at each other, unsure what to do now, before you eventually plop down into the chair in front of the computer screen. Clarke takes a seat at the table across from you, dropping her head into her hands and closing her eyes, and Bellamy starts to pace behind you, moving back and forth across the room. The three of you stay like that for a while, until you see movement on the computer screen from the corner of your eye. You move your gaze to the lower left section of the screen, watching as code starts to move across it, and you call out, “Something’s happening!”
Clarke and Bellamy run over to you, and you watch as the screen suddenly changes to an aerial view over Polis. You stare at the screen in disbelief and mutter, “We’re in, Echo did it.”
Bellamy turns and starts to walk away, but Clarke calls out to him to stop him. “Wait, Bellamy. As soon as we tell her, she marches to war and unleashes those worms.”
“That's why we’ve got to get there first. We take the rover, we get our people out, then we worry about stopping the war, okay?” You and Clarke exchange a look, having a silent conversation, and you can see the second she agrees with his plan. You nod at her, and she nods at you, and Bellamy, who catches the exchange, heads to the door again, “Good. I'll get Monty and Harper, you two get Madi. We leave tonight.”
The three of you head out the door and split off, you and Clarke moving through the bunker in search of Madi. You know she’s supposed to be training, so you check the room you trained with Octavia in, finding it empty. But as you stand at the door and start to think of where to look next, the sound of sword fighting reaches your ears. You and Clarke lock eyes, figuring that’s where you need to be, and your ears eventually lead you to the atrium. As you step into the scene, you see all of the Wonkru novitiates sitting in a group, watching two of their own fight each other with wooden swords. Octavia, Cooper, and Gaia stand at the top, watching, and you see Octavia’s eyes fall on you and Clarke as you enter the room.
You and Clarke see Madi in the group, and she glances at you before watching the fight in front of her end, one of the boys now victorious. The loser stands and heads back to his seat, while the winner keeps his place in the center, waiting for the next contender. Gaia calls out, “Jonas, you're next.”
“Wait.” You all look towards Octavia, wondering what she’s doing, and you feel a rush of anxiety when you see Octavia’s eyes are still locked on you and Clarke. You get a rush of fear, suddenly aware that the two of you, along with Bellamy, openly defied her wishes earlier. “Madi, you're up. Fight.”
Madi looks at you and Clarke in alarm, and you see anxiety pass over Gaia's features as she tries to argue, “Blodreina, she's not ready.”
But one look from Octavia, and Gaia backs down, looking towards you and your twin apologetically. You can feel the tension rolling off Clarke in waves, but she keeps her expression neutral as Madi grabs her practice sword and moves to stand across from the previous victor. “Be the last.”
Madi holds her sword, doing her best to look uncomfortable with it, though you know she’s actively fighting against the knowledge she gained from you and Clarke training her. The previous victor lunges first, sending a flurry of moves towards Madi that leave her defending herself and able to do nothing else. He manages to catch her off guard and knocks her onto the ground, and you can hear some of the novitiates snicker as she pulls herself to her feet. You see her grip on her sword change, and your stomach sinks, already knowing where this is going. Madi glances towards you and Clarke, and you see your twin give an imperceptible shake of her head, also aware of the shift in Madi’s attitude.
But Madi ignores you both and lunges at the boy, assaulting him with a barrage of moves that leaves him breathless and looking at Madi in shock. You glance at Octavia and see her step towards the fence that wraps around the atrium, intrigued, before the boy gets upset and dives towards Madi, wanting to prove that he’s better. Unfortunately for him, Madi spent years training with you and Clarke and she beats him easily, knocking him to the ground and preparing to swing her sword down towards him when Gaia calls out, “Enough!”
Madi offers the boy a hand up as you and Clarke stand watching, unsure what to do, but Octavia is the first to break the silence. “Gaia, fit her for armor and get her a real sword.”
She descends from her place at the top and follows the ramp down and into the atrium, coming to stand across from your niece. “Madi, we're about to fight a war on your land, for your land, and I could really use a second who knows the terrain when we get there. What do you say, Madi kom Wonkru?”
Octavia extends her arm out to Madi, who doesn't hesitate and never glances your way. She just takes Octavia’s arm, the Grounder way, and Octavia smiles down at her. “All right, then. We march as soon as the eye's down.”
Octavia turns to look at you and Clarke for the first time, her eyes solely landing on Clarke, aware that she plays the role of mother. “I need to borrow her for a strategy session. You don't mind, do you, Clarke?”
You both know exactly what this is as soon as the words leave Octavia’s mouth: a power play. Octavia is upset that all of you have defied her from the moment the bunker was opened, and she’s now using Madi as a pawn in her game to get back at all of you, especially Clarke. But Clarke knows she can't deny Octavia this, because it will only put Madi further at risk. So instead, you watch her swallow her emotion and shake her head. “No, it’s fine.”
She glances at you and you can see the panic in her eyes, so you smile at Madi and Octavia before turning and heading back into the bunker, walking toward the tech room again. Clarke walks beside you, and you can see her face fall as soon as she’s turned away from everyone, managing to keep her composure until you’re out of view. You see a few tears threaten to fall, and you thread your fingers through hers, whispering, “We’ll figure this out.”
Clarke switches from sadness to anger quickly, mama bear mode now activated, and she sets her jaw before muttering, “I already have.”
You don't get the chance to ask her what she means, but you have a feeling it’s nothing good, judging by the anger in her expression. She pushes the door to the tech room open, and everyone turns to look at you, obviously missing one person. Bellamy glances at you then Clarke and asks, “Where's Madi?”
“With your sister.”
Bellamy turns to fully face her, clearly exasperated. “Clarke, we don't have time for this. We have to leave now. As soon as Diyoza realizes what Echo did, she's dead. We have no choice.”
You’re behind Clarke as Bellamy lectures her, shaking your head at him, trying to tell him to shut up before he makes it worse. But if he sees you, he ignores you, pushing on and doing exactly what you thought he would: making it worse. Clarke muses, “You're wrong. We have one.”
She walks into the room, heading towards the table and grabbing the radio that Bellamy was using to contact Diyoza’s mothership. Harper and Monty both reach out for her, trying to stop her, and Harper asks, “Wait, what are you doing?”
Clarke turns her gaze on Monty, saying exactly what he wants to hear. “Stopping the cycle.”
He pulls his hand off the radio, and Harper follows suit, allowing Clarke to lift the radio to her mouth, turning to face you. “This is Clarke Griffin. I have a question for Colonel Diyoza.”
You see Bellamy hold up his hands in confusion, silently mouthing to you, “What the hell is she doing?”
You just shake your head and shrug, because you tried to warn him, but he didn't listen. You all look towards the radio as Diyoza’s voice comes through a second later, “Hello, Clarke. It's been too long. What the hell do you want?”
“What would it take for you to share the valley?”
“Share it? Well, let me see. Short of an unconditional surrender, nothing.”
Monty shakes his head, “Octavia will never surrender.”
Bellamy looks at Clarke, seemingly understanding what her next words are going to be before she says them, because he turns away, bracing his hands on the table. Clarke shocks the rest of you into complete silence by retorting, “That's why we're gonna take her out.”
-
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