#she isn't given a name. she's played by a non-actor. and there don't seem to be any future plans w her.

[beheworthy]

I love how in Thor4 it's clearly shown that Thor is with the Guardians for a very long time - enough to get back in shape, go on multiple galaxy-spanning adventures, and even form drinking routines with Quill but James Gunn says he was with them for only 2 weeks. It's quite literally not possible but of course Gunn wouldn't want his beloved characters to spend any time with the bumbling buffoon bully.

I hope the same is done to the rando kid going forward. Say Thor took care of her for 2 weeks and then she left to be on her own. Or better yet, do what Feminist Waititi did to Jane - 'respectfully' discard her with a throwaway line.

[dodger-chan]

So, I spent the last week rewatching* Deadloch to determine if it really is a fair play mystery, and my answer is: yes, kinda. Yes, in that you do get all the information the detectives do before the reveal (though sometimes the information will be withheld for a scene or two for dramatic effect). Kinda because the clues given in the first seven episodes** are not enough to point the finger at the murderer without looking at the show as a piece of art, and considering what its themes are and which of the viable suspects would best reflect those themes. Specific spoilers under the cut. Do not read until after you have watched Deadloch, which you should do as it is amazing.

*reading the subtitle files and watching a few key scenes

** I'm not including the 8th episode, where the killer is revealed, because by that point you're not getting clues, you're getting answers.

Every clue I noticed that implicates Ray, with commentary

(episode one) Cath mentions going to treat Ray's pet: Not super useful, as we see Ray with Lou later, and learn that Lou is old and likely to need medical treatment. It doesn't mention the pentobarbital, though presumably Lou is Ray's excuse for getting it from Cath. It also gets his name in the show right away.

(episode two) When Ray takes Eddie to the shack, he mentions Skye O'Dwyer is his best friend. We also know he works for her mom at the bakery, and seems to care for the whole family. So when we start considering who would kill Sam O'Dwyer, he's definitely close enough to the family to be a suspect.

(same scene) We learn Ray isn't from Deadloch, but has been living there for some time. But the line is vague on when specifically he moved. It would have been helpful to know he moved before Sam was killed.

(same scene) Eddie lets Ray know she's leaving as soon as they find Sam and his boat, where she thinks (correctly) the murders happened. It's not a secret, but he's the only non-police character we're shown specifically being told this information.

(episode two) Ray doesn't have any lines after he leaves Eddie at the shack, so I watched the end of the episode and he doesn't rejoin the other main characters at the Bush Wolf. Not suspicious in and of itself, but if you go back and look for alibis, it's clear he doesn't have one for planting Sam's body/setting the boat on fire

(episode three) Sam's body is planted immediately after Eddie keys in on him as a suspect. Amusingly, this seems to be less about Ray wanting to show he's smarter than to cops and more about making sure Eddie stays in town.

(episode three) Eddie again tells Ray she's leaving as soon as they have the DNA match, then leaves him after taking a swab. The next guy in line goes to Ray to get swabbed for the test. This implies it's possible he didn't submit his sample and that's why the blood on the boat didn't match him. It's also possible that the blood was from a previously undiscovered victim. I don't think we ever find out which was the case. My assumption is the latter, because why would he hand over a DNA sample if it might implicate him?

(episode four) Kind of an anti-clue: Ray at the beginner swimmer class. An experienced sailor isn't necessarily a good swimmer, and he used a boat for the first five (discovered) victims. Of course, this turns out to be a lie and Ray's actually an accomplished swimmer, but it doesn't make sense that he'd be pretending to need lessons.

(episode five) Ray is one of the first people to find Jimmy's body and reports it, fits with killer wanting to see other people reacting to his art.

(episode five) Another anti-clue: Ray vomits when he sees the body, and again while telling Eddie about it. The character might have been able to fake it that first time (he was preparing food, he could have snuck a slurry into his mouth like the actor actually did) but I think the character had to be genuinely vomiting the second time.

(episode five) Even with my glasses on I couldn't read the list of names the priest faxed over while it was on the tv. Taking a screenshot and zooming in gave me a better look, but while one of the names looked like it might have been Ray McLintock, it wasn't clear. Given that Eddie didn't know his name (he told her when she took his DNA, but it didn't stick) I think it would have been fine for us to see his name on the list, but not have it ping with her. (Spouse and I were calling him "Ray Pies" when we talked over the episodes, so I doubt the name would have pinged for me, but it would have been nice to have confirmation he knew about the religious stuff).

(episode six) “I’ve made some mistakes with women, and I’ve had some pretty weird interests” okay, it's not much of a clue by itself, but in retrospect, yeah, I think he has.

(episode seven) The six extra bodies surface and it turns out they were frozen and had defrosted over the last forty-eight hours. This means the killer started to defrost them around the time of the DNA testing. Also when Eddie told Ray she'd be leaving soon.

(episode seven) Eddie admits to actually liking Ray. She's a mess with shitty taste, there had to be something wrong about him.

That's pretty much it for clues within the show. It's not a lot, and I'd argue it's not enough to consider the mystery solvable. It's fine when clues don't seem to be relevant before you know who done it, but I think they need to be a little more conclusive when you look back over them. In the first seven episodes we don't know that Ray has access to pentobarbitol, or that his pet is still alive, or about Sam not being his first kill. At no point do we find out where he was storing those frozen corpses for years (sure, Skye has a cool room for her restaurant, but she would be using it) or how he got his hands on William Carruther's old car. And we don't know he moved to Deadloch before the murders began until we find out he was committing them.

Still, if you start with the theme of reinvention, and you eliminate suspects based on definitive alibis and not psychological profiles, Ray is one of the better suspects left, especially if, like me, you'd been assuming Margaret killed her brother from the moment we heard he'd left the country. Ray being the killer wasn't a shock, but I didn't know ahead of the scene in episode eight where Eddie finds Lou, even if I joked about Ray being the killer because Eddie liked him. So in conclusion: fair play, kinda.

[the-everqueen]

Wondering your thoughts on something I’ve noticed a lot in the Sandman fandom - namely, that every fanart or fanfic involving Daniel (based on the show!!) always portrays/describes him as white, despite the fact that show!Danny’s dad is a black man…

i think there's a few factors at work. first (and foremost) people trying to incorporate bits of the comix in the absence of "official" casting (almost every fanart and a lot of fanfics defaulted to Destruction as a white, red-haired man before the actor was announced). Danny in the comix is a blonde baby and then a sort of...ghostly amalgam of a young man who never existed and Morpheus as we knew him (disheveled hair, gaunt figure, sharp cheekbones, dark eyes). what would that look like in the show? i don't know! i'm hoping there's at least a nod to Daniel's human parentage (he's blonde in the comix BECAUSE he's Lyta Hall's son, and in the comix she's blonde), but i think there are a few ways that it could be cast. Danny!Dream as mixed, light-skinned, and/or racially ambiguous could be both really tragic and really compelling: the erasure of where he came from as metaphor for his personal losses (of family, of childhood, of "personhood" in a human sense), and the insistence on some reminder of his parents, his past, as a counter to his "function." i'd love to see that explored in fic! (as someone who also defaults to comix!Daniel - though there IS a reasoning behind this choice in the LA guard dog universe and non-Dreaming aus.)

at the same time, i think it's partially a function of fans getting attached to Tom Sturridge's portrayal of Dream. when s1 came out, i saw some discourse circulating about how already people weren't ready to "lose" him (and i think some of this filtered into the whole "retired" Dream headcanons, though that's another discussion). and i get that if someone else is cast as Danny, there's going to be a...reaction to both the actor figured as a "replacement" for Tom and the character as a "replacement" for the Dream that fans became attached to. which then becomes a possible burden on the actor. Rose's actor, Vanesu Samunyai, got significant backlash for being a Black woman to play a character who was white and blonde in the comix, and i could see that kind of racism seeping into people's reactions to Daniel. (also a fan grief/sadness at the tragic ending used as a "justification" for racism.) it's not clear to me how much support nonwhite actors like Vanesu get when they're cast in these roles where fans might "expect" a white actor. (like...Riordan told Leah Jeffries in the new PJO series not to listen to the haters because he chose her, which is great and all, but...is production working to ensure that she has someone she can safely process her experiences with, is she given reasonable accommodations, is someone else moderating her socials so she doesn't have to deal with trolls?) so that's another consideration.

(obviously the "solution" isn't to never cast nonwhite actors, but there's been an increase in "diverse representation" in media without a discussion of how these predominantly white spaces have material impact on nonwhite creatives.)

last thing is just that i've noticed the sandman fandom generally seems...more reluctant to engage in alt. casting than say, musical theater fandoms, where there's an expectation that the principal actor won't always be in a role or present when you witness the performance. there's this automatic turn toward finding someone who fits, for example, Delirium from the comix in the absence of an official show casting, rather than playing around with the uncertainty. (personally i'm out here championing Bailey Bass as my Delirium face cast, and tbh if they cast the rest of the Endless sibs as white, she and Stephanie Hsu will remain my primary Del references.) which i think is common in fandoms that rely on a visual "text" for reference, and even more so for Neilman tv fandoms, where fans seem to want/expect "word of god" affirmation. again, another discussion, but i'll just say for now i think the fandom suffers for it.

[kristianhrabkolma32]

Rehearsal process

Opening Scene

- Veronica moves from left to right, opening the reading from her diary.

Beautifu, the name of the opening song introduces 'Baxter hill high' which is the school where majority of scenes take place. Veronica is still reading from her diary which reveals rest of the cast throughout the whole song.

At the very start of this song my mind always tells to count, counting beats in time and rhythm of a song is very fundamental skill to have in any practitioner repertoire.

My role at this point is a moody teenager, who always wanted to be with the popular kids but secretly hated them which lead him to express wearing dark clothes and really going into emo culture yet he's still a geek at heart.

Going into a bit more technical side of this, ensemble has 3x8 to un-freeze from each of their position. So the song consists of beats knowing the mean of beats is commonly used amongst musicians, musical theatre performers or just performers overall.

On the second count of 8s in the music, curtain is lifting and allows me to be ready in time so my professionalism is shown right from the start. There are 3x8 counts leading into 4th where ensemble joins in on the first count of 8 count sequences. Progressing each 8th count into the song the ensemble starts on different count for three times.

For exanple:

FREAK!SLUT! BUNOUT! BOGEYE! - we start on the first count of 8.

Moving into next section,

FREAK! SLUT! LUSER! SHORTBUS! - this time ensemble starts on the second count, which leads to third change and this time it begins on third count.

Knowing how to count enables me to be on time in my place positioned, which shows commitment to knowing & understanding my material.

This link contains footage of our rehearsal process , I wasn't able to insert actual video here so I'm taking a different approach. In the first 18 seconds of the video, you can see techniques of progressive counting as previously mentioned in the sections above.

As Veronica takes us through the song she reveals the rest of the cast thus showing her emotions and setting the scene which is reflected in the technical aspects in choreography. The choreography is strategically placed along with music to create what the director envisioned . Near the midway of Beautiful Heathers are being introduced, there is change in music to more minor, this is an expression used to describe mood of songs or melodies. As Heather's enter through the archway created by us the non-populars , this is a strategically placed choreographed exert to showcase class diversity within the school society.

This footage is only to support my analysis and to help demonstrate points mentioned above, it is not our final rehearsal footage therefore it serves as a teaching tool.

Dramaclasses (2020) "Verfremdungseffekt, or the ‘estrangement effect,’ was used to distance the audience from the play and is sometimes called the alienation effect. Brecht did not want the audience to have any emotional attachment to his characters, so he did various things to break it."

Thus confirming that Bertol Brecht technique uses several techniques to alienate audience, however it can be used in different situations such as in this instance. 

Following, the music comes off into a scene that takes place two weeks late, it is stated by Veronica as a clue for audience. Brecht technique is used to tell the audience there is time change or that something has changed.  Brecht technique consists of literally tell the audience actors mood, intentions or it can be simple character change , this is shown through either literal representation of the change or simply writing the representation and displaying it.

Candy Store

Leading into 'Candy Store' , the scene is showing use of power within school society by Heather's. They are telling Veronica that it is their "job" to keep losers like 'Martha Dumstock' in their place. Martha is Veronica's best friend,  although she thought. Veronica gets blinded by the limelight as she enters the world of Heathers, the Heathers want to invite Martha to Rams party as a joke but Veronica quickly realizes what is about to happen and try to stop them. This is when Heather starts Candy Store with the infamous " are we gonna have a problem…." line to tell Veronica you're either with us or against us. 

At this point ensemble wise I'm in the scene witnessing how this unfolds, obviously feeling scared by Heathers, I'm showing this through my timid positions and acting style as they burst through the crowd of students. 

I'm not singing in this scene as our director want to show female empowerment thus giving this song stronger meaning using the lyrics in quite literal sense as Heather C. Talks about school being her candy store. The viewer can see this as a very sexual innuendo situations as we are in school environment and these are three young adolescents students in mini skirts talking about how they 'own' everyone.  

Here is a footage of our Candy Store rehearsal, this is only to demonstrate and support points made above. This footage is not a final piece it is only a rehearsal at its beginning stage.

For our final show I thought it would improve my performance, stamina and focus if I make a timetable to be in that mindset constantly.

Here's an example of my timetable:

I've tried my best to keep in sync with it , from our last performance I understood that it is vital for an musical theatre practitioner to have some type of regime even if they are not performing.

This gave me some room for improvement and allowed me to see how simple regimes can implement massive changes in a short time.

This semester I have improved on my overall stamina/ strength which I'm more than pleased with , however it gave me more than that. I am able to understand and apply my skills where are needed.

Fight for Me

Moving forward we have another school scene just after Candy Store, this time we are in groups that we stay with for the majority of time. We are watching how things will unveil with Veronica's new status as she meets Jason Dean or J.D. for short.

We're in semi-circle of students now, watching a fight with J.D., Ram And Kurt who are other characters known as Jocks.

Going into three different positions at the beginning of this song called 'Fight For Me/Holly Shit', just like previous we have 3x8s of call and response from the female/male ensemble leading into 4th eight where we freeze frame as Veronica confesses her interest in J.D. as he fights those two Jocks, she finds this very arousing. Our role is to be interactive students just like in a normal school environment when you see fights. This highlights the overall relationship within society and how it molds pupils into bigots from a young age.

Kurt: " Hey, sweetheart. What did your boyfriend say when you told him you were moving to Sherwood, Ohio?"

Ram: "My buddy asked you a question."

Kurt: "Hey Ram, doesn't this cafeteria have a 'no fags allowed' rules?"

J.D. : "They're seem to have an open-door policy for assholes though. "

Kurt: "Hold his arms".

As its shown above in the exert from our script on the page 33, this leads into the begging of Fight for Me. J.D. gets into an alteration, this insinuate the societal mindset structure how pupils are raised up in this environment which they bring into their adulthood thus continue the cycle of abuse.

In Big Fun we have a scene with Ram and Kurt, following rest of the students arriving at Rams party.

The scene revolves around Heathers, Veronica, Jocks and Martha's relationship, it is shown throughout in a party environment of underage drinking takes place. As an ensemble member I'm one of the guests at this party having good time, nothing unusual for a teenager that age he's no stranger to alcohol or even pretends that they don't know what they're doing.

In the next footage you're about to see there is proof of rehearsal progress, from the instructions given by tutor I now know that at the time I was incorrect in the technical intention of the movement.

For example: in the footage you can see my counts and movement itself are correct however the speed of my delivery isn't. We have been given 3x8 of step,step,step drag behind, drag behind, drag behind. It is put in as a dynamic change to show off that we are affected by alcohol or whatever substances these teenagers consume.

You can see this from 2:20 minutes into the video, notice me in my green cap and buckle belt as I do those steps accurately yet incorrect.

I was able to correct this once I understood the intention behind this movement and what it was representing.

Which brings us to Blue , this is the last scene that I was a part of before this world wide pandemic occurred.

There is a scene leading into this song , including Heathers and Veronica as she is called into the woods for help yet instead is misled and offered up for a daterape.

This I a kind of thing people do to one another on daily basis, 'rather you than me' type of situation.

The song itself talks about teenage boys testosterone levels rising out of control, (this is the nicest way I can put it) boys from early teen hood develop testosterone levels high enough so they are ready to mate. In this instance it is forced upon Veronica by Heathers, knowing that parental views and opinions impact their children and how they treat on another, proves why Ram and Kurt thinks it is okay to treat women with such disrespect. Maccoby (2020) states, "There is clear evidence that parents can and do influence children."

You can see this throughout the footage , it is solely focused on how the boy needs help and would do anything for you once you help them.