#she is constantly reminded of how different she is from rebecca (wrt beauty wit boldness etc etc)
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Rebecca (1940, dir Alfred Hitchcock) // Vievee Francis, "Apologia" (Excerpt) // Daphne du Maurier, Rebecca
#THIS WAS THE POEM BTW. that no one asked for but I am offering regardless <3 <3#''SHE LOOKED ALMOST TRIUMPHANT'' !#rebecca#just gonna tag this under#web weaving#for organizational purpose#has anyone else been ruminating over this scene for years or has it just been me#she is constantly reminded of how different she is from rebecca (wrt beauty wit boldness etc etc)#but in retrospect with this confession rebecca's negatively perceived traits such as selfishness#are intended to be the unspoken additional differences maxim et al see between them#but then she hears maxim's confession and as the shock wears away-- she feels something akin to giddiness#selfishness one could say!#a triumph at last--right there in the chamber. it does feel like she's echoing rebecca a bit#(even if it is a hollow triumph imo)#and do I even need to go into fontaine's acting here. just so good#rebecca is really one of the most interesting iterations of the bluebeard tale#the last wife does still die in a sense. but it is alongside her bluebeard as a pair of unmoored ghosts#while the story remains forever enclosed in the first dead wife's fist#I'm now thinking about that rebecca fanfiction I wrote as a teenager where the first and second wife meet#and maxim just wasn't there lmao. shows my priorities#anyway i'm forever fascinated by both ladies in this story goodnight and thank you#myedit#lit tag#🎬.mp4#it is the key that leads to the kingdom of the unimaginable
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