#seriously i love her videos

[babychosen]

ANgeLA!!!!

[tategaminu]

Seriously it pisses me off so much some saying Rayla is ruined or OOC in arc 2‚ mostly because two reasons:

1- her character core was never about her physical strenght or being a badass. It was about self worth issues‚ love and opening about emotions. Seriously how do you watch the series and come to the conclusion that her being a "slay queen" is her biggest personality trait? She has always been an awkard disaster‚ just more open about it now. Also her strenght hasn't disappeared you know?

2- if you get angry at this kind of character development don't go around saying you want complex female characters. Just admit you want girlbosses that like breaking men's skulls‚ being sincere is not that hard.

Arc 2 Rayla is a blessing and some people don't deserve her (inside and outside of the show) and If I see more slandering comments in her next bday post I'm gonna get rabid btw

[seirei-bh]

This is the only way I can imagine an episode at the fair if you go with your Devenementiel coworkers and you find Jason there

You can insert Roy/Amanda/Thomas/Elenda/Brune instead of Devon as Lisa here too. You're Milhouse in the middle of that chaos.

Plus points of chaos if you're on Jason's route.

[heavenlyascent]

I can hate on Rebirth for its flaws any day of the week but I can never truly hate it because it unequivocally gave us on screen proof that not only are Tifa and Aerith best friends but also that they undoubtably love each other.

Like there's no playing around with this like people do with the OG. It's not in subtext or in silent background moments where you see them together. Tifa and Aerith are friends, they care so much for each other that on the brink of death one of the people Tifa imagined calling and reaching out for her was Aerith.

They say, to Cloud and the audience's faces, that they are friends. Aerith was ready to punch that one girl in the face for trying to be catty with Tifa.

I don't EVER wanna hear from this fandom again that Aerith and Tifa do not care about each other or that they would let Cloud of all people get in between them. They were close in the OG and they're close in the Remake. FIGHT ME.

[soulzerofever]

"everything goes dark, and you die."

little blurry cause i wanted to try out a GIF BUT!! ive been HOOKED on @blacktabbygames 's new game slay the princess!!

i've been talking my friends ears off about this game so im pumped i finally got around to making some art for it! :]

PLEASE check this game out it is SO SO SO RAD WOWIE!!

[reflectionsofgalaxies]

The POWER she holds 👀

Anyway go watch A*Pop’s Thirst Tweets video if you haven’t yet:

[cipherr]

[firstofficerkittycat]

every time someone makes a video about the worst dw episode in terms of badly handling social issues and mention multiple chibnall episodes but not spyfall i feel like im losing it

[brainlessbaguette]

Y'all I am so scared. This could either be great or an absolute dumpster fire of a movie. Why live-action? No seriously why live-action??? For Zelda, the games that are so wonderfully cartooney even at their most serious? Why is Avi Arad producing a Zelda movie? His mixed bag of movies aside I DON'T THINK HES DONE FANTASY??? Like correct me if I'm wrong but I believe its mostly sci-fi, superheroes and stuff.

I know I'll enjoy it regardless, trashy movies are my jam. But if we want more it can't flop like 1993 mario(love that movie) and thats the bit thats got me nervous.

I'm gonna anxiously hold out hope solely becuase the tweet opened up with "This is Miyamoto." Just DON'T do BOTW/TOTK. I know you want to pick the cash cow Nintendo, but video game movies are WAY more likely to flop if you pick the one where everyone would rather just play the game. The bigger the fanbase the worse the odds get, so I am begging you not to come out of the gates with an adaptation of the ones where everyone and their mother has played it.

[lookmomitsmytmblr]

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A post shared by Ali Woods (@aliwoodsgigs)

This gives me serious Ten/Donna vibes.

[punkitt-is-here]

The dice try arrived awhile ago, and I have figited with it more than I have used it as a dice tray.

10/10 product, the buttons have a very fine click to them.

The buttons are the BEST PART ‼️‼️‼️

[brave-symphonia]

Having played through the Thousand Year Door Remake, I can say I definitively do not have a favorite partner, I love them all equally.

Now, I may have had Vivian out 80% of the time after getting her, but that's, that's completely unrelated.

[my-current-obsession]

My hyper-specific type when it comes to otome guys:

- Absolutely pathetic - Cannot speak to a girl normally to save his life - Tries to be calm/aloof, but turns tsundere when flustered enough - A good and pure man at heart, yet does some questionable things - ...Little Red Riding Hood???

[givemeanaccountalready]

Musings on Deep Cover

So, I was fiddling with my ladies of Milgram post, and uh, I started thinking about Kotoko's diss track.

The lyrics transcribed on the Deep Cover video are:

UNDER Doltish 001 Parasite / UNDER Obscene 002 Slut / UNDER Incessant 004 Phony Queen / UNDER Doomed 005 Dissection Pawn / UNDER Concealing 007 Deceiver / UNDER Inept 011 Guard

My favorite is Ninjastic Cheetah's fan edit on YouTube which has these lines:

UNDER A worthless 01 parasite / UNDER A vulgar 02 slut / UNDER A stubborn 04 perjury / UNDER Unsalvageable 05 dissection / UNDER Lying 07 madman / UNDER Unloved 11 prison guard

Again, I love the psychic damage of "unloved" being Es's insult, but that's not the point I want to discuss before I turn in for the night.

Don't get me wrong. I love the diss track. I really do, but if I were Kotoko, I would have gone for the jugular and called out their insecurities when dropping names to emphasize how little I thought of how their justifications:

UNDER Fatal 001 leech / UNDER Lonely 002 little girl / UNDER Whiny 004 usurper / UNDER Short-sighted 005 savior / UNDER Selfish 7 manipulator / UNDER Misguided 011 pretender

Now, as fun as that was, this wasn't just a little aside. In Kotoko's diss track, she doesn't say anything that couldn't have been picked up from listening to voice dramas (if Kotoko did in fact eavesdrop on all the other prisoners' interrogations) or found within the timeline conversations. In their second trial interrogations, Yuno admits to being a sex worker and having an abortion, while Kazui laments the fact that he's lived his entire life as a liar and states that he should have kept lying for Hinako's sake. Shidou agrees with Es that his murders involved his work as a doctor and hints that pressuring families to donate the organs of their brain-dead loved ones wasn't the only murder he's done. I've kind of said it before when I said "Local man discovers empathy," but I think he pushed patients to undergo risky, new surgeries in hopes that it would treat their conditions, and it was only when his wife and two boys were in the hospital that he realized the terror those families felt when their loved ones went under the knife. Haruka admitted to killing things smaller than him to gain his mother's attention and his unhealthy dependence on approval from his "mother" figures is obvious in the second trial. Muu contradicts herself a lot when defending herself from what she perceives to be abuse and preens under the positive attention Haruka gives her. She does seem to think herself above approach like a queen would. With Es? I think it was Kazui who said it best back during the first trial: the only difference between Es and the prisoners are the roles assigned. Undermining their authority and implying they can't do their job is a surefire way to piss off Es. Why do I bring this up?

I think Kotoko may know less than we and Es do.

Mainly because it hasn’t really been explained how the song extraction device works. We know that it pulls memories from an individual’s subconscious and turns them into a musical number. We know that the in-universe explanation for the time gap between trial songs is that it needs to charge between uses. That’s stuff Jackalope told us back in the Welcome to Milgram video. From the voice dramas, we know the general procedure is that a prisoner is called to the interrogation room, Es arrives late as a power move and then interrogates the prisoner until the bell sounds and we can hear machines or something whirring and clanking in the background. Since it’s an audio, we don’t know what the interrogation room looks like before and after the bell tolls, but there seems to be an implication that the room changes and that the prisoners are belted into the chair. I’m not so sure if the chair is real but the first trial voice dramas have me an implication of the prisoners being restrained in some way.

If I had to guess, I would say that the round, bird cage like room we saw in Undercover and Deep Cover is the interrogation room. That would explain what the circular room on the map is (not the one with the numbered cells, the one opposite of that). Undercover implies that the song extraction device opens up to work, but we’re not told or shown how it pulls memories or how it depicts the music video. Es and the prisoner may very well be “asleep” while this process plays out mentally. Or it is projected somewhere within the interrogation room while the prisoner is “asleep” since none of them seem to remember what happens after the bell rings.

I have a thousand questions on how this device works. The only important one is how are the songs shown to Es, because if Kotoko knew exactly what some of the first trial Innocent prisoners had shown in their videos (namely, Haruka strangling his younger self and clearly bludgeoning something to death with a bloody rock, and Muu stabbing Rei), she most likely would have judged Es’s verdicts as faulty and attacked the prisoners based on how she views the crimes rather than relying on Es's verdict. I say this with confidence, because Kotoko has made it clear that her vigilante actives, both in Milgram and before, are a way for her to inflict punishment that others (namely the justice system) won’t dole out to the guilty. She has no problem with skirting the system to do that.

But, if the songs are only shown to Es and Es alone through some kind of mental link, then Kotoko is forced to take Es’s word on what they (and we, the audience) saw. Deep Cover made it clear that Es's refusal to condemn more prisoners is what ticked Kotoko off, since she sees mercy and compassion as weaknesses to be eliminated. Kotoko actually showed a remarkable amount of restraint when trying to sway Es back to her side. It wasn't until Es stood up to Kotoko that she lost her composure.

It also would partially explain why some say that Deep Cover is Kotoko’s musical version of a resume for the warden position. If there is stuff that Es knows that she isn’t privy to because of their warden position, then she needs to obtain either the warden status or an official deputy position to get that information to further influence how Es votes. If she is proving her worth to Es and Milgram, why wouldn’t her subconscious show her desire to be in control the way Es is?

[scarlettfevor]

How it feels to watch minecraft diaries as a 21 year old woman

[reflectionsofgalaxies]

and today on The Bird App -

What a genuinely hilarious first thing to like on Twitter since 2020. I love both of these women so much 💗