#seriously guys this might be my favorite horror film ever rn

[bred-is-a-dumb-name]

I really liked this movie btw.. lee harker is so everything to me...

[stfuisaac]

hello hello it’s lucky again and,, sadly,, we don’t have the technology that makes the thoughts we have just.... appear onto our screens yet... so this took a hot sec and still isn’t perfect bc i don’t plan on proofreading :\ but! here,, is,, my new,, drummer boy,, parumpumpumpum

‹ avan jogia, he/him, cis man, bisexual. › ISAAC BAROT is the TWENTY-SEVEN year old from SAN JOSE, CALIFORNIA. when a friend asked them what they thought of the manor they said,  ❝ I HEARD THIS IS WHERE THEY DECIDED TO MAKE THE TWILIGHT ZONE. ❞ they claim GET OUT is their favorite scary movie, and if they were to die in a horror film they would BE OBLIVIOUS TO THERE EVEN BEING A KILLER UNTIL IT’S TOO LATE. their fears include MANNEQUINS, HITCH-HIKERS and DYING WITH NOTHING TO SHOW, and they don’t know we know, but… HE GOT INTO A (MUTUALLY) NEAR FATAL ALTERCATION WITH A STRANGER HE GAVE A RIDE TO (YES, HE WAS AN UBER DRIVER - HIS GREATEST SHAME). hope they enjoy their stay. ‹ PLATANCHOR requested by JOAKIM from STRESSED OUT penned by, LUCKY, 20, EST. ›

QUICK FACTS:

full name: isaac benjamin barot

date of birth: september 12, 1992

*does not perfectly reflect the below Big Three zodiac chart because that’s so much math

zodiac big three: virgo sun, taurus moon, libra rising

gender & pronouns: cis man & he/him

sexual orientation: bisexual

occupation: session drummer + lyft driver + ex-uber driver

mbti: entp

enneagram: 5w6

the song i listen to on repeat while i write the intro: “deja vu” - roger waters

BACKGROUND INFO:

alright. so.

isaac's backstory is neither tragic nor easy. his father was an immigrant who married his mother solely to get a green card (y’all, to be fair... the citizenship tests are whack). there wasn’t any real romance between the two, but the drop-ins always said otherwise. no, outside of putting on a show for government officials, isaac’s father and mother were friends at the best of times.

the best of times culminated in a son who grew up in an interesting dynamic. his father and mother never even attempted to be anything more than friends (with, as you can see, the occasional benefits). after the check-ins finally stopped, his father and mother even began sleeping in different rooms. his mother would trade in her queen for a double and replace the space his father used to take up with his cradle.

it was nothing like the ‘unhappy marriage’ trope, though... again, because they barely ever pretended to be married. they would take their wedding rings off when they went out with friends. sometimes they would even take off their rings around each other and talk the other up to someone attractive.

so it was unorthodox, but it was much better than his parents pretending to be in love in that way and giving him a skewed version of what romance should look like.

one down-side to it, though, was that isaac never knew who he was supposed to go to for what. usually it’s just a given that “if you need/want x, go to the matriarch, if you need/want y, go to the patriarch” but... what happens... when your parents are basically just your friends?

so thank god for growing up in the age of technology. like,, ya,, a literal baby can’t google things like “how to say ‘mom’” but a 15y/o can google “how to shave”

so... ya... his parents were his friends, the internet was his parent(s?).

one thing the internet couldn’t do? give him drums. it could introduce him to the likes of ringo starr, john bonham, keith moon, and ginger baker, but it couldn’t give him drums... not when he was only, like... 10, at least.

so he put a set on his christmas wishlist and figured they would divide amongst themselves.

so ya, his 10th christmas, he got a shitty little rockwood hohner kit that he would use for the next nine years.

he never received any professional training. again, he didn’t know who to ask and... youtube wouldn’t exist for another three years. he tried to teach himself using a few books and, if nothing else, figured out a few simple beats and how to gain independence.

after learning those simple little beats and not knowing if he wanted to buy the next book, he decided to take a break and, instead of going back to professional books, he’d just listen to some of his favorite tracks... most of which were ginger baker... which made things kind of hard when he only had one bass drum, two tom-toms, and one floor tom. those, plus the really low quality pearl cymbals. still, he did his best to make it work.

just a side-note that, because of videos of ginger, isaac used (and still uses, out of habit) a mix of traditional and matched grip.

he went back and forth between the books and mimicking the patterns of other drummers (mostly ginger) up until he was around 16 and his friend, ribs (y’all), decided to teach him a few more technical skills. what you want to learn for this song are polyrhythms, but those are hard and no, ginger isn’t using a crash there, he’s using a splash and do you want a discount on some better cymbals and drumheads from my parents’s music shop because this is a very functional kit but it kind of sounds whack

he continued using the same whack kit, but replaced the heads with aquarians, as per ribs’s recommendation (but evans and remo are also good) and, after literally examining baker’s kit, replaced the cymbals with various zildjian collections

even though we stan istanbul agop in this house.

he also started listening to more drummers than... pretty much just baker with a hint of john bonham, keith moon, and ringo starr. as his friend suggested, he tried out drummers like buddy rich, art blakey, travis barker, dave grohl, karen carpenter, neil peart, nick mason, simon phillips –– even was told to listen to ac/dc songs just to see how a successful band could be made using essentially the same beat over and over and over.

so now he had some split time. school. work. practice. figure out who the hell was making dinner that night/if there was someone making dinner last night because they might both be talking each other up.

although he applied to various colleges, and although some of these colleges actually accepted him, he ultimately decided not to go. instead, he moved from san jose to los angeles in the hopes that he’d find something bigger than himself... and a new drum set...

he found the latter in a ludwig kit with two bass drums, two tom-toms, and two floor toms. then he just added a bunch of stuff and tried to make it like ginger baker’s. pretty much spent all of his money on it and then some.

when his friends formed a band and found success, he was very very happy for them... but... he found himself stuck... driving ubers.

and lyfts!

he’d seen the twilight zone before. he loved that show. he’d seen the episode ‘the hitch-hiker,’ so he was really driving for the companies against his better judgment. 

his worst uber story? the time a guy got into the car, had pinged a location that was still marked as a store on the uber gps but had recently been torn down, and tried to attack him when they got there :\ he 110% fought back, though. was fired because the other guy was the one who made it out injured.

only drove for lyft after that :\

he did take on a few projects, but he... proved to be too much of a roger waters for people who just wanted to chill and have fun. there would be adverts for people who wanted to form a band and he’d be like “hell yeah! finally! a band!” then he’d get pissed that they advertised it so seriously but really... just wanted to jam. did not have any plans to try to do anything with it.

the few projects he did join that involved people who wanted to actually achieve success... if they were slacking, you best bet his inner roger waters came out! which is why he never stuck around in any projects for too long!

but ‘projects’ and ‘jam sessions’ were totally different. you want to do ‘wipeout’ in a project? he’s gonna take that intro that literally everyone on the planet knows SERIOUSLY. you want to do ‘wipeout’ in a jam session? LET’S HAVE SOME FUN WITH IT.

he does some session/studio drumming for other artists to make some extra money while doing something he genuinely enjoys... but... still... it is no project™

in between things right now, he got a call from joakim that, while muffled and staticky, sounded like it said ‘get here, please’ and clearly stated where he was.

of course, voicemail lines were crossed and many many many essential words were left out – words that were basically saying the exact opposite ahfsdkjl. the shadow’s really playin them :\

so here he is, in all his glory.

TL;DR:

i was gonna kms if i didn’t play another drummer, so this is my ginger baker fanboy whose parents were literally just best friends and, as a result, were also both his friend. the internet raised him. started playing drums when he was 10 on a low qual kit with low qual cymbals that his parents got him for christmas, but literally why would you get a beginning a good set? continued playing. eventually moved to los angeles and tried to form many successful projects, but was too much of a roger waters. was summoned up here by the shadow man fucking around joakim. his greatest shame is how many ubers he has driven.

PERSONALITY INFO:

he will always say his proudest moment was when he learned how to play ‘toad’ by ginger baker cream all the way through.

big ginger baker fanboy.

loves the twilight zone and will just spill a random fact out about it every now and again.

a lowkey control freak which completely goes against the way he dresses and the vibe he gives off. 

is only a dick about it if you’re part of one of his ‘projects’ but aren’t taking it seriously tho :\

ok i’m too tired 2 write a personality section rn when im already rly bad at them but!! again!! feel free 2 j refer to the zodiac big three + the personality types!!

FEARS:

mannequins: they’re already creepy enough when you really think about it, then you add in that episode of the twilight zone where the characters wake up in an unfamiliar house and go outside and basically everyone is just a mannequin? ya he hates mannequins.

hitch-hikers: so, as we have just seen, he’s had it bad enough with people who were registered to an app, paying, their personal information readily available, etc., etc... so then what would happen if it was just a complete and utter stranger who didn’t have any personal information, any ping, and was the sole focus of a different twilight zone episode? he... is going... to drive past you. he’ll feel bad about it, but...

dying with nothing to show: here’s the money shot! here’s the deep fear! as has been shown throughout, isaac craves success and some form of a legacy. if he dies with nothing to show for his life, then was his life ever worth it in general?

WANTED CONNECTIONS:

ok,,, it might be bc im tired rn,,, but i have the most basic list that will hopefully be updated tomorrow bc it is SO VERY BASIC:

friends

fwb

ons

exes

enemies (much easier to get on his bad side than it is w/ fluke)

BRAINSTORMING AND/OR SOMETHING FROM YOUR WANTED CONNECTIONS AND/OR WHATEVER YOU HAVE AN IDEA FOR!!!!

[josephfrancismazzelloiii]

Okay, sorry, I had to go return some video tapes (make cookie dough) before I write an incoherent essay.

Off the bat, Ravenous is my favorite movie, so I can definitely appreciate humor and wackiness and tonal shifts in horror-- but I also think this movie would have been better if kept simpler, bc the writing is just not there to carry it. Anyway, problems:

The tone of this movie is like, dismally noncommittal. I get the vibe that the writer worries you won't take it seriously in the scary moments, so it undermines itself with over the top visuals and gags-- the baby bottle, the mother leaping through the air, or crashing through a wall LIKE A CAR. This keeps it from ever really being scary for me, so idk what other folks are responding to.

This is aside from the larger tonal dissonance that Justin Long's character brings-- he's way too cartoonish to fit in with the rest of the film.

On the other hand, the comedy isn't focused or funny enough for it to go the other way as a full-on comedy horror (but Long's delivery of WHAT'S UP FAGGOTTTT did get me both times lmao, and it's a fun "punchline" to his character setup, as much as I think his character writing sucks and is bad)

The writing largely just doesn't feel fully thought through, politically, logically, logistically. The inclusion of Detroit's housing crisis/poverty feels a little trite and underexplored. The stuff going on under the house just. doesn't make sense (sorry to be that guy). A lot of the things the characters do doesn't make sense. It doesn't feel grounded, even within its own fiction.

My BIGGER ISSUE is the uh, sloppy politics of the film. I genuinely would not usually center this criticism, but this movie feels so so so distinctly Written By A Man to me. Soapboxing throughout about women's pains and fears and The Evils of Men (bc see, you're one of the good ones, of course), and then you're really going to have the main scare factor of the film be a naked, ugly, unfuckable woman. And we're just not looking the hypocrisy. Okay. (No, actually see, it is okay, because despite consistently using her gross naked body as a horror device, she was a victim in the end, which means something, I guess, and erases the entire framing, definitely.) This is obviously a bit of a trend, I guess an evolution of the oversexualizing of women in film, and horror in particular-- where you subvert the audience's expectations that nudity is to titillate by showing them shocking images of untitillating bodies. They did it in X, for instance; and both of Ari Aster's films; def others I'm not thinking of rn. But it felt SO stark in this film because it dedicates so much of it's story to the ways women are harmed by men. How can anyone write this obliviously?? It makes me feel insane LOL.

I'm cutting myself off there because jfc, I can get deeper (trying to translate the politics of the breastfeeding scene alone is giving me hives), but I will just sound crazy and I have things to do rn, but. yeah, I think it's a bad movie. I might not be articulating myself perfectly, but I think it was stupid and not scary.

Ooh what did you hate about barbarian?? I've been dying to hear from someone that thought it sucked lol

OKAY SO, god. I'll get into it, but let me try to list the things that did work for me first, bc that will be a lot quicker:

The first third was overall good, the night with the two tenants had some good building and tension, and I particularly liked the "reveal" with the house/street in daylight.

I like the big editing jumps, at least conceptually

That's it? I think? Yeesh. Okay, gimme a sec to type up the rest of my thoughts in a reblog.