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[sheisjoeschateau]

misha's masterlists

Hi, I'm Misha. Thank you for diving into my stories and supporting my writing :)

My fanfics [+this blog] are dedicated to Steve Harrington. All fanfic series, one-shots, blurbs, etc. listed below are written by me. Do not repost or share anywhere without proper credit. Thank you.

SERIES MASTERLISTS:

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"Oh, so we DO love Steve..."

Steve Harrington x Bauman!fem!reader enemies to lovers, heavy angst, hurt/comfort, upside down mayhem, S2-S4, post S4 universe hot-take, end-of-the-world / dystopian setting, ugly fights turned smut (...but with hella plot). 18+

[PART I] | [PART II] [PART III] | [PART IV] | [PART V] [PART VI] | [PART VII] | [PART VIII]

[Part IX - blurb] | [Part IX - full]

[Part X] | MORE COMING SOON

SUMMARY: WHEN THE UNEXPECTED NIECE OF MURRAY BAUMAN GETS THROWN IN THE MIX, THE GANG HAS NO IDEA JUST WHAT THEY'RE IN FOR. SCRATCH THAT - STEVE DOESN'T KNOW. YOU GET ALONG WITH EVERYONE WELL. YOU BANTER WITH THE ADULTS, WHO APPRECIATE YOUR HELP. THE KIDS LOVE AND WORSHIP YOU. YOU'RE HELPFUL ALL AROUND. BUT AS FAR AS STEVE IS CONCERNED, YOU'RE JUST NUISANCE. AFTER ALL, YOU'RE THE REASON HE LOST THE LOVE OF HIS LIFE AND MISSED OUT ON A LIFE THAT "COULD'VE BEEN." IF YOU HAD JUST KEPT YOUR SORRY ASS OUT OF THE PICTURE... IF YOU HAD NEVER GONE WITH NANCY AND JONATHAN AFTER THEY LEFT YOUR WHACK-JOB UNCLE, MURRAY BAUMAN'S, BUNKER? HE WOULD BE HAPPY. SO F*CKING HAPPY. BUT HERE YOU WERE. YOU WERE BASICALLY THE COOLER (...AND SURE, MUCH MORE ATTRACTIVE) FEMALE VERSION OF MURRAY BAUMAN. YOU WERE SARCASTIC, QUICK-WITTED, TOO SMART FOR YOUR OWN GOOD, AND APPARENTLY BUILT FOR THE WAR. SURE, YOU WEREN'T AS BRASH AS YOUR UNCLE. BUT IN STEVE'S EYES, YOU WERE SOMEHOW FAR MORE OBNOXIOUS. HE DOWNRIGHT HATED YOU.

HE WILL FOREVER HATE YOU...

BUT WILL HE?

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"You're there. You've always been there."

Steve Harrington x OC!fem!reader Childhood friends to lovers. Sloooowburn. Angst. Romance. Smut with plot. Action. Told from second-person view, reader is Nicole (character from S1), different POV, hurt/comfort, upside down mayhem, pre-S1-S4, eventual post-S4 universe.

[PART I] | [PART II]

Summary: Steve Harrington was six years old when he met you: Nicole St. James, the girl who carries the other half of him. Since 1972, the two of you have been inseparably tethered by the soul. You give Steve a home in his big house with no parents, and he gives your introverted heart a longing for someone. The King of Hawkins High and princess of this small town, you tell each other absolutely everything...except that you are in love with each other.

Everything changes that one afternoon at school, when you catch the school's social outcast -- Jonathan Buyers -- has been stalking Steve, his posse and his girl, Nancy. Little do you both know, the monsters in your favorite fairytales are real. And you're both going to have to fight them together.

You both share the best days and worst days, through childhood and teen years, until you both find yourselves roped into the perils that exist beneath your feet in Hawkins.

But through it all, despite all the doubt, Steve knows one thing: you're there. You've always been there.

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"At the Chateau, We'll Be Alright."

Steve Harrington x Jonathan Byers x fem!reader A crossover au inspired by Saltburn and Call Me by Your Name. Additional Inso from Joe's theater performance as in Spring Awakening. Song Inso: "Chateau" by Djo

Strangers to best friends to lovers. Slowburn. Angst. Romance, with polyamory themes and schemes. Smut with hella plot.

[MULTI-PART SERIES] COMING SOON. Click here for a preview.

Summary: The reader lives with her parents at a fancy chateau, in France.  This year, her father offers their home as a housing sanctuary to a select student or graduate.  He decides to invite two graduate students to live with their family over the summer, coming from different working class backgrounds, and help with their academic paperwork as a professor of archaeology.

Steve Harrington: a rich kid from a swanky boarding school with a bad boy reputation and too much charm for his own good.  Surprisingly, his grades say otherwise.  A’s and B’s, his parents claim that is seeking one-on-one tutoring so that he can progress in his studies — but it sounds more like an excuse to ship him off for longer periods of time, giving them an out for having their son around during the summer.  The pretty boy’s all about ladies…but that’s only because he hasn’t met a boy who awakens his bisexuality.  Yet.

Jonathan Byers: a kid from the lower working class, excelling in his studies and AP programs at the same boarding school as Steve which he only got into because of community sponsorship and grants.  Quiet wallflower, little to no friends, a bit cynical.  A closeted gay, he’s more determined to stick with being perceived as “ace” than come out of the closet.  Until he goes to stay at a chateau with a handsome boy, and a beautiful girl who understands him.

Twists, turns and terrifying risks, you all put your hearts on the line that summer at the Chateau. Add the reader's cousin Eddie into the mix, along with her best friend Robin, Steve's ex-girlfriend Nancy, Jonathan's estranged mother and your progressive parents alongside Steve's absent parents -- it's a cruel summer.

[space-invading-pigeon]

Steve is the Mom Friend™, officially the most reliable member of the Party; it would be Dustin, but Dustin insists that they'd be lost without Steve there to help them. Steve doesn't argue, but he disagrees. He thinks he's too volatile to really be considered for Most Reliable.

For most of his childhood, he was isolated from his peers, who he was Not Allowed To Talk To Because They Aren't Worth A Harrington's Time, Stephen. Steve is young and still wants his parents to love him, so he obeys. He's a good boy, if a little sensitive, and therein lies the problem: he feels so much, and he doesn't have a clue on how to express any of it. He can't process his feelings, they're too big to fit in his body. It overwhelms him easily and makes his throat tight- impossible to speak. His father scolds him when he has these overwhelmed episodes, as if Steve is purposely ruining his off time at home by crying; his mother ignores him if he acts childishly. There isn't really anyone who teaches Steve how to cope with being a human.

Steve remembers that he was always angry. It felt like an itch under his skin, a low but steady humming in his veins that could explode at anything, and even back then, he despised that feeling, scared that it meant he would end up a Bad Person. He'd started getting into fights (the first one he could remember was when he was eight and Keith pushed him to get to the playground faster. Keith got a bloody nose and Steve got detention for a week) and never really stopped. By twelve, his entire school is afraid of him, except for a select few kids: Tommy H, whose dad worked with Steve's dad, Barb Holland, who thought Steve was both a good person and a blockhead, and the new Munson boy, who didn't say much of anything, but especially nothing about the time he caught Steve crying in the woods in April after his parents missed the sixth birthday in a row.

It didn't really get better until high school, when his father demanded suggested he sign up for the basketball team; practice and drills helped diffuse a lot of that stifled anger, and for the first time, Steve feels like he can breathe. He doesn't have to be angry all the time anymore, even if most of his calm is just a lack of energy. That isn't to say the anger is gone; he still gets into fights often, but he manages to tone down the violence and rely more on a sharp tongue and a lazy confidence whenever fighting is brought up.

Cue season one! Steve, at the top of his game, the bloody, undisputed King of Hawkins High, is absolutely head over heels for sweet, shy Nancy Wheeler. He bares his soul to Nancy, who, after hearing what he has to say, promises that she'll be there for him. They're together now, they look after each other. It's everything Steve had ever wanted.

When he finds out about the creepy photos Jonathan took of them at Steve's pool on the night Barb went missing (and I love Jonathan, I really do, but what the hell man), he feels that anger starting to boil over again and panics. He was doing so well! Nancy would help, though, just hearing that find "You're an idiot, Steve Harrington" would cool him off. But it worsens when he tries to sneak in to Nancy's room and Jonathan is SLEEPING in Nancy's bed, half-curled around her. Steve doesn't want to get the cops called on him again, so he goes home.

The next day, it all boils over. He tried to stay calm, really, but it was like using a wine cork to stop a volcano; he stands by while Carol and Tommy spread rumors about Nancy, smirks cruelly while Carol spray paints the slur on the movie theater sign, and does not give an inch when Nancy calls him an ass, tears in her eyes and flanked by Jonathan. He's trying his damnedest to keep his hands to himself, though (his father wasn't happy the last time Steve got arrested, and somehow Steve knew that he wouldn't be happy if it happened again), so he's caught off guard when Jonathan starts throwing punches. (Later, Steve will admit that he doesn't really remember what he'd said to make Jonathan so angry that he'd actually try to fight Steve, but he'll apologize anyway. Jonathan is quick to forgive, and apologizes for starting the fight, as well). Steve's memory gets spotty around this time; he remembers a sharp pain in his head, just above his left ear, and being so dizzy that he struggles not to throw up, but he doesn't remember Jonathan landing any other hits (he has three bruises, two around his sternum and one under his eye, as well as a split lip), and he definitely does not remember running from the police trying to break up the fight.

It takes him a few hours to calm down, but it's largely due to the gap in his memory keeping him confused and panicked; he can't remember what he said, and Jonathan Byers may be a girlfriend-stealer but Steve remembers that he's also the kid who held funerals for the mice caught in the traps behind the school gym. Whatever he said had to have been really, really messed up, and Steve genuinely hates that he gets angry, that it isn't uncommon for him to lose time to his anger, that his first response to anything is always anger. So he goes to apologize.

The loaded gun pointed at his face is somehow the least upsetting part of that night.

During season 2, there's a lot going on. Steve has been working so hard on his anger, on keeping a lid on it and actually processing his emotions (thank you, therapy that Hopper demanded Hawkins Lab provide), but it wasn't enough. Nancy resented him, had actually blamed him for Barb's death, and that bitterness came to a head on Halloween.

Without Nancy, Steve struggled a lot more. He had nothing, no one; he didn't have anyone to tell about his parents' death in early June, and he didn't like talking about his wealth. There was no support system- until Dustin decided that Steve was going to help him. The kid was relentless and demanding and trusted Steve to help him almost immediately. Steve could hardly keep up, but he loved the feeling. And, when they ended up in a junkyard bus surrounded by demon dogs, he had three people depending on him, and suddenly he had a way to channel his anger (Dr. Harris would be so proud when he told her). He had a bat and enough unresolved trauma to rival those people his dad used to talk about with shell shock, and by the gods he was going to use that. He went apeshit on some demodogs, saved the kid's lives, and apparently became a big brother to a genius boy and a little girl that could probably fight God and win. He also got his third concussion when Max's stepbrother threatened to kill Lucas, but the order of events for that night is skewed; he blames the concussion. The doctor Hopper forced him to go to after said that he may never hear out of his left side again.

Season 3 sees Steve with a little family that he built all on his own: there's Will (who's shy but has a smile like sunshine when Steve asks him about anything), Jonathan (who cried when Steve asks if they can be friends and then proceeds to infodump on musicians every time he hears Steve so much as hum in a mildly musical manner), Max (the girl with a keen sense and a quick wit, whose older brother terrifies Steve because that's exactly how he could have turned out had he not gotten help), Lucas (who treated Steve like the big brother he never had and often called him racist for trivial things ["Steve, can we order pizza?" No. "Is it because I'm black?"]) Erica (who just sorta showed up with Lucas on occasion and reminded Steve just how fun it could be to be That Bitch), Mike (who alternated between passive assholery and cartoon-esque assassination attempts), Nancy, shockingly (who sat Steve down soon after the massacre at the hospital and apologized for blaming him for- well, everything. They'd talked for a long time, hashing it out, and by the end of it, Steve felt like he had a friend), Eleven (who comes by every Wednesday and Saturday for homemade waffles and a secret knitting circle), and Dustin (who became like a real little brother in the span of three days and never looked back. Steve vowed to keep Dustin safe with everything in him that night in the tunnels.).

He meets Robin when he gets a job at Starcourt (he may be set for life but Hop had told him that hard work built character, and Hop was the kind of man Steve wanted to become). She's wary of him, at first, especially when she watches him break the ice cream machine in a (now rare) fit of anger after a customer blew up at him for their ice cream melting before they finished it. But then he stammers through an apology and brings her a batch of cookies the next day, and tries to explain that he's better now, really, and Robin decides that he's a good person deep down. Maybe not too deep down, though, because his cookies are the best she's ever had. Besides, watching his face turn cherry red as he hides behind the shelves to spy on the repair guy is the most entertaining thing she's seen all summer, possibly in her life.

("Steve, you're drooling," she warns, and Steve hurriedly checks his chin.

"I'm making sure he doesn't get his hair stuck in the machine!" He tries to defend.

"First, his hair is under that bandanna. Second, Eddie Munson would rather die than ruin his rockstar hair.")

Their ice cream machine breaks six more times before Dustin comes back from camp, and each time Steve is a flustered mess talking to Eddie Munson. To his credit, Eddie only gives Steve a half-fond, amused smile before chatting with him about nothing in particular. After the third time, Eddie starts calling Steve "big boy" and lightly teasing him over the fist-shaped dents in the side of the machine.

Steve fights the Russians in the secret Starcourt base, not because they're coming at him, but because one of them reaches out for Dustin/Erica. The edges of his vision blurs, and distantly he knows that he's experiencing something like his childhood episodes: all his can feel is fire in his soul, burning straight through his body, and he has to get it out, he has to protect his brother-

"Wow, Steve won a fight!" Dustin crows as Steve is coming back to himself, his whole body trembling with leftover rage and no one to take it out on. Steve just clutches Dustin to him and tries to breathe. Dustin allows it for two minutes, then starts to squirm, but Steve doesn't release him until they hear footsteps.

With Dustin and Erica safe, Steve surrenders pretty easily- he needed to save his energy. But then they started the "interrogation," and Robin sounded so scared, and they hurt his hands and there were drugs-

Steve faintly remembers jumping onto a man (so tall and broad that Steve briefly felt like he was just a backpack) and biting him, locking his jaw and clawing like a feral cat. Robin remembers Steve promising to "smack the red right out of you commie assholes" while forcing his way through the tunnels, but she can't be sure if it was real or the drugs they were given. Dustin recalls Steve giggling at the movie they were hiding in, like a dork. Erica will never forget that Steve has a Berserker mode, or that he protected her even though she was in the process of blackmailing him for free ice cream.

In October of '85, Jason Carver catches him in the high school parking lot one night as he waits for Hellfire to get out. Steve denies all memories of what was said between them, but Jason walks away without need for an ambulance, so he counts it as a win.

In December of '85, the day that the kids all get out for Christmas Break, Chrissy Cunningham finds him in the parking lot and they sit for nearly an hour talking about projects for their secret knitting circle with the police chief's daughter. As hellfire let's out, Chrissy leaves, and Steve gets to watch as the older members walk his kids to his car, like awkward little nerdy gentlemen. Eddie always hands them off with a flourish and a wink. ("The children, Your Highness," he would say confidently, his three nerds behind him giving him nervous looks. "Perhaps you'll join us next week, my liege?" Steve pretends to be unamused by his theatrics, but Eddie has an infectious grin and a genuinely happy shine to his eyes.)

Season 4, Steve is definitely on edge, twitchy as they search for Eddie. He's worried for Dustin, who is attracted to trouble and smart enough to drag everyone else into it too, but also for Eddie, who occasionally popped by Family Video to talk with Robin. According to Eddie, he's allowed in the break room and behind the counter because he and Robin are "friends of Dorothy". Steve doesn't even know a Dorothy. (Eddie usually waits until Steve walks away in a flustered, confused huff before whispering to Robin, "Dorothy says: be gay, do crime.")

Eddie held a jagged glass bottle to his neck and Steve didn't feel anything. He wasn't scared for his life like the news promised he would be, nor was he angry like he'd expected he would be. Eddie shuffles around nervously, but the only thing Steve feels is concern for him.

He gets dragged through the Watergate and immediately attacked by those godawful bats- he was almost in the boat, they had to help Max, he would not lose his baby sister, and boom, he's back to fighting. He fends them off with the help of Eddie, Robin, and Nancy, all of whom he is furious with for following him into the Upside Down like idiots.

"Harrington's got her. Don't ya, big boy?" Eddie teased, and Steve felt electricity through his whole being. His face flushed red and he stammered an affirmative, not noticing Robin or Eddie as they grinned at each other. Eddie stuck close the entire time they were in the RV, and if Steve didn't know better, he'd say Eddie was flirting with him. But he did know better, there was no way Eddie was flirting. He was on the run and desperate for human interaction.

Separating for the plan was the hardest thing Steve had ever done. While Dustin was getting ready, Steve pulled Eddie aside. "Please keep him safe. I'll do anything you want, just please, don't let anything happen to him," he begged, desperately clutching Eddie's sleeves. "He's my brother, Eddie, I can't lose him-"

"I promise, Steve," Eddie had interrupted. "I'll guard him with my life."

"Guard him with mine," Steve insisted. Eddie didn't get it at first, but it would hit him later that Steve wanted Eddie to keep them both safe.

Steve would never tell a soul, but he liked confronting Vecna. Armed with chemical weapons, Robin stayed a bit behind, but Nancy emptied round after round into One, and Steve? Steve got to use his bat.

It was exhilarating; as much as he hated his anger problems, he could not deny that it felt good to attack the source of all their problems. His arms grew tired after a while, though, and Vecna seemed distracted, disoriented, so Steve resorted to his usual tactics. He never fought fair: biting, scratching, clawing his way to victory in everyday scuffles, there was no way he'd give up this opportunity.

Something in him twists suddenly. He feels sick to his stomach and scared, but he has no idea why. All he can think about is Eddie and Dustin- he's hurt he's hurt he'shurtheshurtheshurt. So he makes the decision to go back; Nancy and Robin technically have the injured Vecna under control. He runs.

Eddie is being swarmed when he makes it to the trailer. One minute, Steve watches as they descend on his friend(?), and the next, he's supporting an injured Eddie as they hobble together to Wayne Munson's truck, Wayne on Eddie's other side and rambling about "what the hell is going on" so similarly to Hop that Steve feels the hollow sting of loss. Later, as they rest in the living room of Steve's empty house, Dustin tells Steve about what he saw: Eddie, going to the ground, unable to fight them off any longer, hope lost and grief already tearing its claws into Dustin's chest, and then out of nowhere Steve appears, covered in bits of vine and rock. He tells Steve about the enraged roar he could hear from the trailer (ten feet behind Dustin as his hobbling came to a stop) and the nail bat that had yet to leave Steve's hand swinging at each assailant with such a precision that, for a brief moment in the chaos, Dusting could hear the sounds of an orchestra playing a symphony, Steve as their ragged, bloodied maestro. He tells Steve about the wild look in Steve's eyes as he carried a half-conscious Eddie into the trailer, snarling about how stupid and careless Eddie was, and how moronic Dustin was for jumping through a gate the way he did. He tells Steve about the stray demobat that burst through the door, how Steve grabbed it with his bare hands and ripped it in half- Dustin's got stars in his eyes as he relays this, even now, days later.

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This kinda got away from me I'm sorry

I'm still new to people wanting to read what I write so I'm just gonna tag the one person I know was also excited about steve being feral: @amoris-no-smut-allowed

[jujumin-translates]

[A3!] ★ Main Story | Act 14 - DREAM CATCHER | Episode 7 - Medium-Hot Review

Yuki: The clean copy is done.

Hato: Thank you. I appreciate the help. Well then, you’re free to go for today.

Yuki: Good work.

Koro: Woof, woof!

Yuki: You went for a walk just a bit ago.

Hato: Koro, it’s time for Rurikawa-kun to go home, so he can’t play with you anymore. It’s time for you to say goodbye.

Hato: Ah, that reminds me… I’ve been asked to design costumes for an upcoming play, but I’m a bit short on staff…

Hato: Since you have experience with stage costumes, I was wondering if you’d be able to help me, Rurikawa-kun.

Hato: I can’t give you any of the details yet, but have you heard of Aiko Kataoka-san? They do costumes for Hollywood movies--. 

Yuki: --I’ve heard of them.

Hato: Good. Since you do costume design, I was certain you would.

Hato: What would you say if I told you that the same Kataoka-san is involved with this project?

Yuki: I’d love to do it, but… I’m more busy with my theater company at the moment.

Hato: Right. It is an important time for you guys right now, isn’t it?

Hato: Well, I’m sure there’ll be another opportunity like this at some point, so I’ll let you know when that time comes. Good job today.

Yuki: …

· • —– ٠ ✤ ٠ —– • ·

Passerby A: Yua Troupe’s performance was so novel and interesting~!

Passerby B: I honestly thought they just created a theater troupe for clout, but they called in some real hardcore theater people to be on their production team, so it was way better than I thought it’d be!

Passerby A: The contents of it had that typical Yua Troupe feel that gives things a sense of stability, and the audience was packed with OG fans, so overall, the whole thing seemed to be going pretty strong.

Passerby B: I’m gonna write a review on Encom!

Yuki: (Encom, huh… I’ll check it out just a bit, for the sake of researching other theater troupes.)

Yuki: …

Yuki: (That Yua Troupe they were just talking about was selected as a notable troupe. And they were ranked pretty high during the pre-voting…)

Review: “And the costumes were cool too! They didn’t look a whole lot like stage costumes, but Yua Troupe’s got such good taste~.”

Yuki: …

Yuki: (There’s a MANKAI Company review too… I don’t know if I really want to see something like this, but, well, it’s for research…)

Review: “Spring Troupe’s performance was literally the best thing ever! I never thought they would’ve done a sequel, but the way you could feel how much they’ve grown had me sobbing!”

Review: “I can’t wait for Summer Troupe’s either~. If they go with this trend, that means it’ll be a sequel to their debut, right?”

Yuki: (Seems like people generally liked it…)

Review: “The costumes had that same stable feel they always have. But don’t you think that as Yuki Rurikawa’s become more established as a creator, his costumes have started to lack a bit of surprise and unexpectedness?” 

Review: “Maybe I’m just noticing it more after seeing Yua Troupe. I guess it’s just inevitable when you have the same designer do things every single time~.”

Yuki: --.

· • —– ٠ ✤ ٠ —– • ·

Troupe Member: Good work today, Ikaruga-kun. There are only a few more shows left, but let’s keep up the good work until the end.

Misumi: Ka~y! Good work~.

Misumi: (Being on a stage other than MANKAI’s was a little weird at first, but once I got used to it, it’s been fun~.)

Misumi: (It’s interesting to see all the different actors, scripts, and stage direction~.)

Syu: …Good work.

Misumi: Huh? What are you doing here~?

Syu: My bad. I didn’t have your contact info, so I just had to wait for ya to come out.

Misumi: Did you see my performance?

Syu: Yeah. I happened to know someone who was in the show, so I came to watch and was surprised to see you there too.

Syu: While we’re at it, I thought I’d invite ya to come have a drink with me.

Misumi: Sure~. And after that, we can exchange our LIMEs~.

· • —– ٠ ✤ ٠ —– • ·

Syu: So you’ve been doin’ a few guest performances here and there lately, huh? Didn’t think ya were the type.

Misumi: Director-san and Tenma and all the others suggested it. It’s been really fun getting out there!

Syu: Is that so? Well, with actin’ talent as good as yours, I’m sure you’ll be in high demand.

Misumi: And they also said that I can grow by gaining lotsa experience on different stages~!

Misumi: I’ve also gotta try even harder for the Fleur Award.

Syu: Huh, I’m surprised you’ve thought about it that much.

Syu: Did Hakkaku-san teach ya about theater?

Misumi: Nope. But he showed me videos of old MANKAI Company performances~.

Syu: I see. Well, given the way Hakkaku-san was, I dunno if he was really the type to take his grandkid by the hand and teach ‘em everything he knows step-by-step.

Misumi: What was it like performing on stage with one of Gramps’s scripts?

Syu: Let me think… Well, simply put, it was excitin’.

Syu: I like Hakkaku-san’s scripts and I was happy to be the first to read ‘em before they were released to the public.

Syu: Hakkaku-san’s scripts ain’t just interestin’ to talk about, they’re pretty actor-friendly too.

Syu: He made sure to think about how to make each and every role shine onstage.

Syu: You could really feel that he trusted ya as an actor, which in turn got ya fired up.

Misumi: I see~. I wish I coulda also been on Gramps’s stage before he died~.

Syu: Did you start actin’ when you joined the troupe?

Misumi: Yep.

Syu: Gotcha…

Syu: Your actin’ has its moments where it shines, but it lacks depth. If there’s anythin’ you should be more aware of in the future, it’s that.

Misumi: Depth…?

Syu: Ya can’t control your own life experiences, but ya can experience the lives of many different actors on stage.

Syu: The more experiences ya have, the more depth your actin’ will have.

Syu: In that sense, you’ve made a good move by adding guest performances to your deck.

Syu: I know you’re prolly busy with the Fleur Award right now, but if you’re interested, get in touch with me. If it’s you were talkin’ about, I’m always ready to welcome ya.

Misumi: Okay, got it~.

[ ⇠ Previous Part ] • [ Next Part ⇢ ]

[cherryblossomcinephile]

Eden of the East: A Reflection on Modern Society

Anime has long been an artform that blends entertainment with topics that make you think and Eden of the East is no exception. Created by Kenji Kamiyama and released on Fuji TV in 2009, this anime masterfully intertwines action, adventure, mystery, and politics. More than just an intriguing story, it serves as a compelling social commentary on issues affecting Japan and the world as a whole. 

The series opens with Saki Morimi, a young woman on her graduation trip to the United States. She stands before the White House attempting to toss a quarter into its fountain. Her seemingly innocent act attracts the attention of security officers, but before she gets into trouble, a mysterious, naked man appears—carrying only a gun and a cell phone. 

This man, who has no memory of his past, soon discovers a collection of passports with different names in his apartment. He ultimately chooses to identify himself as Akira Takizawa, setting off on a journey to uncover his lost identity. Meanwhile, Saki, who had briefly crossed paths with him, seeks him out again to retrieve her misplaced wallet and passport, only to become further entangled in the mystery surrounding him. 

Upon returning to Japan, Saki helps Akira find his home, which turns out to be an abandoned shopping mall or theater. There, Akira begins to piece together the puzzle of his past, uncovering more about his connection to a clandestine organization called Selecao. 

As the story unfolds, we learn more about Saki as she faces the harsh realities of post-graduation life. She is part of a startup with her friends, working on a social media-like website called Eden of the East, while also job-hunting in hopes of securing a stable future. Her struggles reflect a universal challenge that many young graduates face – being denied a position based on lack of experience or how one views the world. This highlights the difficulties of standing out in an increasingly competitive workforce. 

At its core, Eden of the East explores pressing social issues, particularly those faced by Japan. The series frequently references the term “NEETs” (Not in Education, Employment, or Training), drawing attention to the rising number of unemployed individuals. Through its narrative, the show challenges the audience to reflect on society's role in shaping the future. 

A pivotal revelation in the series is Akira’s involvement in Selecao, a "game" orchestrated by an enigmatic figure known as "Mr. Outside." This program selects individuals deemed capable of "saving Japan," granting them the resources to make significant changes. This concept serves as a powerful metaphor for social and economic challenges, prompting viewers to consider how individuals, even those seemingly powerless, can make a difference. 

Eden of the East is a captivating series that grips viewers from the very beginning. While Akira's mysterious past initially draws you in, the deeper themes of social responsibility and self-discovery make it stand out from the others. It not only entertains but also encourages reflection on how even the smallest actions can lead to meaningful change. 

With 11 episodes, this anime is a short but engaging watch, followed by two sequel movies that further expand the story. If you’re looking for an anime that combines action, suspense, and thought-provoking themes, Eden of the East is a must-watch. 

CherryBlossomCinephile Rating: 9.6/10

Animation: 10/10; Animators put a high amount of detail in their artwork giving 2D animation an almost 3D appearance. Items such as cell phones look incredibly close to their realistic counterparts and vehicles look computer generated despite the hand drawn animation.

Sound: 9/10; Soundtrack was phenomenal! Normally, I skip the opening and end credits that way I can jump right into the episode but the music invokes the exact emotions that I feel the creator was trying to express. The opening song is "Falling Down" by Oasis and being an Oasis fan myself, it instantly caught my attention.

Writing: 10/10; The story is captivating from the very beginning. This is an anime that cannot be taken for face value. It has the perfect mix of action, humor, mystery, and even more. The story telling was off the charts and I feel it would appeal to any audience

[tranquilglobal]

Project Spotlight: Home Theater Acoustic Panels in Pune – A 2000 Sq. Ft.

When it comes to creating a world-class cinematic experience at home, the key lies in perfect acoustics. Our latest project in Pune showcases how thoughtful design and cutting-edge materials can transform a 2000 sq. ft. space into an audio-visual paradise.

Project Overview

Location: Pune, Maharashtra

Area: 2000 sq. ft.

Purpose: High-end home theater

Scope: Design, supply, and installation of acoustic panels

Challenges and Objectives

The project presented unique challenges that demanded innovative solutions:

Sound Clarity: Ensuring pristine audio quality by minimizing reverberation and echo.

Aesthetic Appeal: Blending the acoustic panels seamlessly with the modern interiors.

Custom Design: Tailoring the acoustic solutions to suit the room’s size, shape, and intended use.

Time Constraints: Completing the installation within a tight deadline without compromising quality.

Our Approach

We adopted a holistic approach to address the client’s needs:

Acoustic Analysis: Our team conducted a detailed analysis of the space to understand sound propagation and problem areas.

Material Selection: We recommended high-performance materials, including fabric-wrapped fiberglass panels and wooden acoustic panels, to achieve the desired sound insulation and absorption levels.

Customized Solutions: Each panel was crafted to meet specific design and acoustic requirements, ensuring both functionality and elegance.

Precision Installation: Our expert team executed the installation with meticulous attention to detail, ensuring optimal placement for maximum impact.

Key Features of the Installation

Sound Absorption: Advanced panels reduced unwanted noise, providing a clear and immersive audio experience.

Eco-Friendly Materials: PET acoustic panels, made from recycled materials, aligned with the client’s sustainability goals.

Aesthetic Design: Panels were available in a variety of finishes and colors, complementing the room’s modern decor.

Durability: High-quality materials ensured long-lasting performance and minimal maintenance.

Results Achieved

Enhanced Acoustics: The client reported a significant improvement in sound quality, with minimized distortions and enhanced clarity.

Visual Harmony: The home theater acoustic panels seamlessly integrated with the home theater’s sleek design, adding a touch of sophistication.

Customer Satisfaction: Delivered on time and within budget, the project exceeded client expectations.

Why Choose Us for Your Acoustic Needs?

This project highlights our expertise in delivering tailored acoustic solutions. Whether you’re looking to enhance a home theater, corporate space, or recording studio, we’re committed to combining functionality with style.

Get in Touch

Are you planning to upgrade your space with premium home theater acoustic solutions? Reach out to us today and let’s create something extraordinary together.

[stlivingla]

Brand New Townhomes in Hollywood

Brand New Townhomes in Hollywood by Stlivingla

Hollywood, the epitome of glamour and entertainment, has always been a dream destination for many. Imagine not just visiting but living in this iconic neighborhood, surrounded by a vibrant lifestyle, breathtaking views, and unmatched convenience. With Stlivingla's brand new townhomes in Hollywood, that dream can now be your reality.

Luxury Living Redefined Stlivingla brings you a curated selection of townhomes that blend modern architecture with luxurious amenities. Every detail has been meticulously designed to cater to your lifestyle needs, ensuring a perfect mix of comfort, style, and functionality.

Key Features of the Townhomes: Contemporary Design: Each townhome features sleek, modern interiors with open floor plans, high ceilings, and large windows for abundant natural light. Premium Amenities: Enjoy state-of-the-art kitchens, spa-inspired bathrooms, and energy-efficient appliances. Private Outdoor Spaces: Relax in your own backyard or rooftop terrace, perfect for entertaining guests or enjoying a quiet evening. Prime Location: Situated in the heart of Hollywood, these townhomes provide easy access to iconic landmarks, dining hotspots, and vibrant nightlife. Why Choose Hollywood? Living in Hollywood means being at the center of it all. From the bustling streets of the Walk of Fame to the serene hiking trails of Runyon Canyon, there’s something for everyone. Whether you're a movie enthusiast, a foodie, or someone who loves the urban buzz, Hollywood offers a lifestyle like no other.

Convenience at Your Doorstep: Entertainment: Minutes away from theaters, concert venues, and art galleries. Shopping: Proximity to high-end boutiques and trendy stores. Connectivity: Easy access to major highways and public transport, ensuring seamless connectivity across Los Angeles. Stlivingla: Your Trusted Partner in Real Estate At Stlivingla, we understand that finding the perfect home is about more than just square footage. It’s about discovering a space that resonates with your lifestyle and aspirations. Our brand new townhomes in Hollywood are designed with that vision in mind, offering you the opportunity to experience modern living in one of LA’s most iconic neighborhoods. Schedule a Tour Today Ready to take the next step? Explore these stunning townhomes and experience the best that Hollywood has to offer. Contact Stlivingla today to schedule a tour and make your dream home a reality.

[d-criss-news]

Napa winery offers Broadway star Darren Criss fertile setting for intimate outdoor concert

[UHQ] Broadway star Darren Criss performs at Napa’s Carneros Resort and Spa as part of the Broadway and Vine series on Friday, July 28. (Photo by Bob McClenahan)

Broadway star and “Glee” actor Darren Criss is the latest star to make a compelling case for staging more musical theater events outdoors.

Performing against a backdrop of pink skies and rolling vineyards on Friday, July 28, the San Francisco native and Emmy-winning actor was exceptionally charismatic as he tackled classic show tunes and covered a dizzying array of artists. “Welcome to my wedding,” he joked upon taking the small outdoor stage facing several hundred folding chairs. From there, he was off, serving as a one-man jukebox as his selections veered from British alt-rockers Keane to singer-songwriter royalty Carole King. Between sets, Criss peppered in stories from his strange journey to stardom.

-------------

The intimate outdoor concert provided a perfect opportunity for Criss, best known for the five seasons he spent playing Blaine Anderson on the popular Fox series “Glee,” to formulate a set list that doubled as an autobiography of sorts. At one point, he introduced a cover of “The Luckiest” by Ben Folds by explaining that he’d originally intended for it to be his character’s last song on “Glee.” It’s hard to say Criss made the wrong choice, given the original number he ultimately wrote (“This Time”) would earn him an Emmy nomination in 2015. But his take on Folds’ lovelorn ballad, played at the piano, was a breathtaking glimpse into what might have been.

Later, he dusted off  “To Have a Home,” which a small subset of the audience may have recognized as one of the songs Criss penned for a Harry Potter parody musical he made with friends back in 2009. It was a gesture of appreciation to an audience built from many factions of fandoms. By the end of the night, Criss had done an admirable job of catering to as many of them as possible. 

Alternating between piano and guitar, he managed to imbue every note with a lively joy, be it a take on Tom Petty, his version of “Grease” torch song “Hopelessly Devoted to You,” or his spot-on Kermit the Frog impression. He even invited fans to make requests of songs his character did on “Glee,” which he then compiled into an improvised medley for his encore.

But the moment that best encapsulated the evening was watching Criss belt a faithful rendition of “Somewhere Over the Rainbow” as real birds flew past him and merrily chirped away into a backdrop of the Napa Valley sunset. 

And yet, there was another highlight that may have topped it all, this one in the form of an unexpected guest.

As part of the series, each Broadway and Vine show typically includes a duet or group performance where local students are given a chance to sing alongside their idols. On Friday night, Criss welcomed Amarech Mendez, a 17-year-old student at Burlingame’s Mercy High School, to cover Bob Dylan’s “Make You Feel My Love.”

Arranged in the style of pop singer Adele’s recent rendition, the presence of Mendez was clearly no favor but a well-earned honor as she belted out her parts with impressive conviction. It was a moment that instantly reminded Susana Gonzalez, 57, of the time her own daughter, Diana, now a student at Stanford, was invited to sing a duet with musical theater star Shoshana Bean in 2021 as part of the Broadway and Vine series’ first season.

“This is a real gift,” Gonzalez said. “Jacob is an ambassador, not only to the community but to the kids. It allows them to dream and think about the fact that they can do anything. I mean, where else do you get a performer singing ‘Somewhere Over the Rainbow’ and get actual birds?”

Nic Meerholz, 40, of Napa, was also impressed with the show, which should be welcome news to Criss, who saw Meerholz’s hand go up twice early in the evening when he asked if anyone in attendance “didn’t give an eff about musical theater” and was “dragged here by their partner and has no idea what’s happening.”

Criss thanked Meerholz for his honesty and dedicated the rest of the show to making a convert of the man. 

At the conclusion of Criss’ 16-song set, Meerholz confirmed the artist accomplished his mission.

“I came into the show not knowing anything about musicals or Broadway and it was just absolutely fantastic,” he said, “ I didn’t even know who Darren was. I’ve never watched ‘Glee.’  Nothing. Magical! It was just a magical evening.”

[y2klostandfound]

Sony PLM-A35 Glasstron on PC Format (2000-11)

Translation in English:

Take a properly folded 507 monitor

and put it in your pocket...

WE ARE LOOKING FOR A TRUE GIFT Among SONY's video and multimedia accessories, a device that is as much a technical curiosity as a convenience. The Glasstron glasses are more than just something to wear for a night's reading, but anyone who thinks they're just another gaming controller or VR device is mistaken. The similarity ends there, as this device also has two small screens, but each with a resolution of 180 000 pixels. The question may arise, if it is not a toy, then what is the main function of the new glasses. According to the manufacturer, Glasstron provides a picture as if you were watching a 52" screen from 2 meters away - this is roughly twice the size of large 72 cm TVs. In this case, the story is not about games, but about movies, DVDs and videos. Accordingly, in addition to the high-resolution screen, the glasses also feature a high-quality, built-in dynamic stereo sound system that can be used with two headphones. The Glasstron has traditional composite and S-Video inputs and can display any image that can provide a signal for them. for home video or DVD set, digital camera and camcorder, PlayStation, as well as a computer with a suitable video output. This can be done by an ordinary TV, and for the same price you can get a pretty nice piece, even if it is not from the top category. The question is whether in what cases can glasses costing approximately HUF 200,000 be a good choice compared to a large-screen TV - for example, anywhere and anytime, where and when we don't have a suitable TV set or monitor. If you need an everyday example, the best is a long plane or train journey: 14 hours in a trying session can be quite boring. The traveling manager of our time, on the other hand, just pulls out the portable DVD from the depths of the crocodile skin reticle, connects the Glasstron, which also works from the power supply, and the ideal home theater set is ready. A non-ordinary example would be a photojournalist recording a jungle fight, who can view the material recorded during a long day in good quality in the evening for further selection, without having to carry around a large monitor in his pocket.

After a lot of theory, practice. The Glasstron was supplied with a bunch of different cables, so it was not difficult to connect it to any of the already listed compatible devices, and the live test could immediately follow. Where possible, we used the S-Video input of the glasses for better image quality. The effect is quite convincing, since the barely 1.5 cm screens - since they are located very close to the eyes - fill almost the entire field of vision.

The quality of the movies I watched was also satisfactory, although it was undeniably visible on the screen that it does not provide as sharp an image as a monitor, since the resolution is only 800x225 pixels. This is not such a big problem for moving images, but it can cause problems when separating fine lines, such as text. This resolution was still more than enough to read the subtitles of the Mátrixr DVD, for example, but when we connected the glasses to a computer, there were already problems with sharpness. We tested the usability of Glasstron at several resolutions - the games, for example, worked quite well, but when the text was important, there were already problems: we could comfortably run programs only from the icons on the desktop, since the Start menu was quite noisy. We also ran Word as a basis for comparison, and the 16-point letters were clearly legible on the glasses' LCD at a resolution of 640x480.

The sound of the two earphones was crystal clear during the movies, and the music DVD also sounded in impeccable quality, the built-in AVLS (Automatic Volume Limiter System - Automatic volume control system), which cuts off unpleasant volume spikes that lead to distortions.

The system can provide a really effective film edge, ex. in a comfortable armchair, first, in a staked room. While we're at it, let's talk about comfort. Glasstron is surprisingly light, the weight of 95 grams is dwarfed by old VR helmets, so there would be no obstacle to longer use of the screen. However, there was a unanimous opinion that the Glasstron is quite tiring for the eyes: after half an hour it was nice to have a rest, some people thought it was comfortable for even less time the glasses. 

The manufacturer also warns about the strain on the eyes, which is why it does not recommend using the device under the age of 15. The last point of comfort is also important, mobility. Glasstron can be operated both from the mains (it supports several voltages, so it can be used in any country) and from a rechargeable battery. The whole device is light even with the power supply, so it is really comfortable to carry.

Glasstron will certainly be a rather expensive toy for the few, as it can only compete with a large-diameter monitor or TV screen under special circumstances. However, one inevitably stops for a moment to marvel at the technology used: the glasses are feather-light, yet provide excellent sound and convincing image quality, all in a space the size of a vest pocket.

Although it does not protect against the sun, it is just right for DVD

One inevitably stops for a moment to marvel at the technique used.

Pros and cons:

√ Amazing size √ USB connection √ Picture and sound quality X dazzling X For how much?

Opinion: 84%

[gproduction]

Mastering the Art of AV Installation: A Comprehensive Guide

In today’s digitally driven world, audio-visual (AV) installations have become essential for various sectors, including corporate offices, educational institutions, and entertainment venues. Whether it’s for a high-end conference room, a dynamic classroom, or a home theater, a successful AV installation can transform any space into a highly interactive and engaging environment. This comprehensive guide will walk you through the key aspects of mastering AV installation, ensuring you achieve top-notch results every time.

Understanding the Basics of AV Installation

Before diving into the complexities, it's crucial to grasp the basics of AV installation. AV installation refers to the setup and integration of audio-visual systems, including projectors, screens, speakers, microphones, and other related equipment. The goal is to create an environment where audio and video components work seamlessly together to deliver a high-quality experience.

Key Components of AV Systems

Display Systems: These include projectors, LED walls, and large-screen displays. The choice depends on the room size, lighting conditions, and the purpose of the AV setup.

Audio Systems: This involves speakers, amplifiers, and microphones. Proper placement and configuration are vital to ensure clear and balanced sound throughout the space.

Control Systems: These are the brains behind the operation, integrating all components into a single, easy-to-use interface. Control systems can range from simple remote controls to sophisticated touch panels and voice-activated systems.

Connectivity Solutions: Cables, wireless transmitters, and network connections ensure that all components communicate effectively. Proper cable management and network security are critical for a reliable AV setup.

Planning Your AV Installation

A successful AV installation begins with meticulous planning. Here’s a step-by-step approach:

Assess the Space: Understand the dimensions, acoustics, and lighting of the installation area. This helps in selecting the right equipment and planning the layout.

Define Objectives: Clearly outline what you want to achieve with the AV installation. Are you aiming for a cinematic experience, a professional conference setup, or an interactive classroom?

Budgeting: Determine your budget early on. High-quality AV equipment can be expensive, but it’s a worthwhile investment for the performance and durability it offers.

Technical Considerations: Factor in the technical requirements, such as power supply, ventilation for heat-generating equipment, and network infrastructure.

Installation Process

Step-by-Step Guide

Pre-Installation Checks: Ensure all components are present and in working order. Test the equipment beforehand to avoid any last-minute issues.

Mounting and Placement: Install display systems at optimal viewing angles and heights. Place speakers strategically for even sound distribution.

Cabling and Connectivity: Run cables neatly and securely, avoiding any potential tripping hazards or interference issues. Test all connections to ensure seamless integration.

Programming and Calibration: Set up control systems to simplify operation. Calibrate audio and video settings for the best possible quality.

Testing and Troubleshooting: Conduct thorough testing of the entire setup. Identify and resolve any issues to ensure everything functions perfectly.

Common Challenges and Solutions

Even with meticulous planning, AV installations can present challenges. Here are some common issues and their solutions:

Interference and Signal Loss: Use high-quality cables and connectors to minimize interference. Consider signal boosters for long cable runs.

Audio Feedback: Properly configure microphones and speakers to avoid feedback loops. Use acoustic treatments to enhance sound quality.

Connectivity Issues: Ensure all devices are compatible and up-to-date. Regularly update firmware and software to maintain smooth operation.

Conclusion:

Mastering AV installation requires a blend of technical expertise, precise planning, and a keen eye for detail. As you embark on your AV installation journey, partnering with a professional can make a significant difference. G Production stands out as the best choice for AV installation in India, offering unmatched expertise and a commitment to excellence. With a team of skilled technicians and a portfolio of successful projects, G Production ensures that every AV installation delivers superior performance and reliability. Trust G Production to transform your space into a state-of-the-art audio-visual haven, where technology and creativity meet seamlessly.

[old-lorarri]

─ paper rings . . . ❨ send me a description of yourself + a fandom and gender preference, and i’ll ship you with a character. ❩

i couldn't miss out a good time! i had this previously done but it would be interesting to know who i'd match with! i copy pasted but i added some more that might help impact the results. expect me to come around for another if i may? maybe the next day or next week.

fandom: formula one

info abt me: female & prefers men!

my big three is: leo-gemini-pisces!

i am quite an adaptable individual, love sunsets, stargazing, animals and pets & divination or anything related to spirituality.

not quite fond of social media but i really love interacting with people whom i share interests with here in tumblr! lately, i am really trying to build friendships amongst f1 writers and even readers too.

i heavily value my private life and prefer not to tell people about my personal next step in life (preferring not to share private information unless i feel comfortable) and i don't post much in my social media accounts but i have an instagram solely for posting my well curated portraits with poems as captions.

i also love psychology, deep talks about life or anything very reflective, tell me a situation that had been bothering you and i will make you reflect and tell about yourself. (this scares some people because they always say i could read them like an open book)

having a lot of hobbies and interests (i couldn't stay still between one thing [e.g. i could love making music this week, next week i'd be into arts]). right now i am into writing fics and serving the people some entertainment lmao but i have to stop because for some reason my reach is not reaching idk what to do to alleviate that. i have a keen eye for detail and quite a perfectionist — selective even.

i have a small circle of friends in real life. they are the ones who i can trust my life with. i do believe that quality is better than quantity. but building new connections helps me discover about people more and reflect about life.

my talents are diverse mainly because in my country being an all out performer is a thing. schools were literally built here for you to show and perform like beyoncé or sorts to earn grades. singing while playing an instrument, dancing, acting, writing, you name it i could give it a go. i am a theater kid so i think it impacted developing these talents, they're very enjoyable regardless. 100% not picky with music either, music kind of reflects a person's soul. roadtrips are nice and they're quality time. that's how you also know which friend of yours is only there for clout and the ones who are there because they look forward to a journey of sharing the same space with another.

clubbing is not my thing. i am not fond of smoking or drinking alcohol. I AM HEAVILY TURNED OFF BY VICES but i don't mind an occasional wine for formal events. if you put me inside a club, expect me to sit down on a corner and watch everyone. i tend to attract men easily (i am not bragging but it's hard rlly) and i do believe clubs are not the best place to attract guys sorry •́⁠ ⁠ ⁠‿⁠ ⁠,⁠•̀ if you'd invite me to a party, we can have picnics or a dinner at your home or somewhere. i couldn't handle clubs, 100% would dip if someone say clubs or bars. they're too overwhelming.

i was raised in a quite conservative household so i preferably wear clothing that do not show much skin. i love statement outfits and prefer to make my own clothes or customize clothes rather than buying high-end branded clothing. my wardrobe is quite diverse, i can have masculine and feminine outfits. styles from fairycore, 50s, 80s, 90s wear, autumn wear, formal wear and officewear. i have gowns too! at this point i can build a boutique and often get teased about it by people in my circle💀 i grew up with relatives who doesn't smoke and only drink on occasion.

my love language (receiving) is acts of service and receiving gifts. my love language (giving) is acts of service and quality time / words of affirmation. i love solving people's problems and give them cheat codes in life hahahaha

idk if this would help but i have a stale lovelife, if i happen to put myself out there there there will always be a lot of guys wanting to pursue me ಥ⁠‿⁠ಥ i pull away immediately if this starts to happen because it drains me so much. i would then focus into my career and go into hermit mode again, the one who stays in my life and wait for me to regain my energy is what i think, is meant for me. tbh, i need someone who is patient and understanding towards me or it's going to be disaster lmfao ฅ[⁠ᓀ´⁠ ▾ `⁠ᓂ⁠]ฅ

LEWIS HAMILTON

very private person, both of you like to keep it that way especially when it comes to you relationship

both of you have very deep conversations about life each other certain topics and just life in general

you both love to reflect on stuff and help each other get stuff of your chest

you tend to do this while you cuddling with chill music in the background

lewis supports you though all of your different hobbie phases

love that your so open to trying new things

you both have a tight inner circle and you both value quality over quantity

the two of you def recorded a song together

you both hold fashion shows for each other after a massive shop

both of your love languages are is acts of serves

which sometimes turns into a funny competition of who can out do the other

is always patient and understanding when it comes to you

[dk-thrive]

When will this drama without theater —Or this theater without drama—end / So that I can go home? Where? How? When?”

When will this inner night—the universe—end And I—my soul—have my day? When will I wake up from being awake? I don’t know. The sun shines on high And cannot be looked at. The stars coldly blink And cannot be counted. The heart beats aloofly And cannot be heard. When will this drama without theater —Or this theater without drama—end So that I can go home? Where? How? When?”

—  Fernando Pessoa, from “Magnificat,“ A Little Larger Than the Entire Universe: Selected Poems (Penguin Classics, 2006) (via The Vale of Soul Making)

[kimstaana]

time is a monopoly : memory is a software

"moments later, i was all alone on a highway on pre-new year’s day thinking about what happened and hoping that that was one of those times we both lived in a state of self-regulating amnesia so that we can just forget."

does anybody feel the growing urge to take a trip down memory lane when the new year's approaching? the sudden feeling of going over how you spent the past 365 days of your life? and having void when you sense that you haven’t really taken enough time to fathom your recent memories or at least, grow past them? then, in an instant, you’re taken aback by how far you’re from moving on.

and does anybody ease the intensifying feeling by decluttering? by trying to fill the void in the act of both dumping and hoarding inanimate objects, may it be physical or digital? it can be old photos taken randomly in your memory card, expired negative film rolls you still used but didn’t bother to process, self-burned cds filled with illegally downloaded music and pirated films, hand-written letters from people you no longer talk to anymore, cake boards from your past birthdays, memorable and extremely tiring bus tickets, movie stubs from theaters you almost slept to, cringy high school slam book, and even failing grade school report cards.

i don’t know what got me into this high-functioning yet self-deprecating interest but truth be told, i’m a sentimental hoarder with ironic interest in decluttering. is it the self-reflecting facet? is it the fact that it brushes off the yearning? or is it because it reaffirms the need for a new start? i think it’s somewhere along those lines. i just know that there are times that i find comfort in decluttering anything lying around unused and projecting it as the better way to end the year—a restart to a clean slate.

the annual feeling clings to the overtly overused “new year, new me”, “new year, new beginning”, and “new year, new life” philosophy. surely, it’s about sentimentality but partly, it’s how it consoles the letting go and starts over the loop of life.

“you can't just throw out people the way you throw out things.”, protagonist jean says in nawapol thamrongrattanarit’s 2019 film, happy old year. it may come off as excessively dramatic but that’s how i ended 2021. not the usual decluttering, i was blunt and unfeeling as i throw out almost everything away, disregarding what they used to mean to me. i can reason that it’s because of the great isolation i was forced into that i began to pilot a general cleaning both literally and emotionally.

by the 1st of december last year, i was sorting every item that captured a moment in the past that hit pretty close to home. i knew my memory works as a self-defense mechanism, in its selectiveness, it archives my experiences that are most useful, regardless of them being good or bad that is why i made sure that i’d toss anything like it’s a done deal and that it will all be over if i throw things away already. but you know, sometimes, i feel like a lot of the things that i like to keep are from other people.

by the end of the month of the same year, hours between the 30th and 31st of december, i found myself declaring my love to my college best friend. it wasn’t rushed but it seemed totally abrupt. i’ve been thinking of confessing for the longest time but it was the admission of feelings that would outright stain the friendship that held me back. some people hold some memories dearer than others sometimes. i'm just like that and he's that memory for me. he is knotted to specific places that belong to the past even when it’s already been demolished. he is knotted to a specific time that belongs to the past even when it already happened. a still vivid memory that i’d keep. an intangible place that i’d go to. an irreversible time that i’d relive.

it was a long time coming, i told him i had feelings for him but i’m only doing it to let go of what feels like one-sided baggage i had to carry for a long time already. i don’t spill my guts to anyone and in his case, i felt like i already made it clear through my actions—he was my first confession and hopefully not the last. i told him not to say something or even react, he tried but i could tell he was overwhelmed and i was too devoid of departure.

that night felt like the longest night ever and it felt like we weren’t moving from the time and space that witnessed my confession. as we approach the terminal to call it a night, i didn’t let him come along with me like before, instead, i insisted to walk him up first so he’ll be the first to leave. moments later, i was all alone on a highway on pre-new year’s day thinking about what happened and hoping that that was one of those times we both lived in a state of self-regulating amnesia so that we can just forget.

the impermanence of things that used to remind me of him lets me translate what it means to “forget”—and why it isn’t bad if i still can’t get better while i’m at it. still, it’s not just about the bittersweet revelation that not everyone, even the closest people, can truly yield an ending they want, even if i pretend that that’s the case. it’s also the struggle with decluttering of relationships that we stored together in the things we shared.

sometimes, some things make me realize that moving on by decluttering is more than just throwing away things. it also means confronting the ghosts that come with it. from time to time, the mindless dumping reminds me to rue the day. to remember that a lifetime’s worth of very cluttered memories stands in the way and it’s not always about bypassing the painful parts—sometimes, moving forward requires a lot of attention and absorption.

it’s impossible to go full marie kondo or be out of our minds and just declutter things that don't spark joy anymore—to hurl things away without the slightest sign of hesitation but i felt like i did it that night. on the way home, i felt the inconsiderable regret of actually throwing something out, the heartbreaking reflection of something that cannot be changed. i know our own need to exonerate ourselves from feelings, regardless of the consequences for the other person, can sometimes ultimately be selfish especially when it’s all of a sudden—i’ll admit, my confession to him wasn’t for our friendship, but for my own closure.

oftentimes, i forget people and moments because there’s barely a physical totem to hold on but when sentimentality takes over, it becomes hard for me to let anything go, the least i can do is to remind myself that memories don’t live in things, it’s within me. everything that happened in the past had been recorded somewhere in my head already. after throwing some things, i’m going to remember what i’ve put into the trash bag one way or another anyway.

happy new year, friends!

[easylinksnet]

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[yourfellowhuman07]

Chance Encounter

A Phantom of the Opera Fanfiction

On his way to deliver a note to the manager, Erik hears a voice that immediately bewitched him. The voice belongs to Christine Daaé: Erik's muse and the love of his life. He determines he must train her voice because neglecting her talent would be the most vile of sins.

_____

Chapter Two: The Voice of Winter

Once again, the ballet girls were in their dressing room, removing their frilly costumes and chatting. It had been another successful night at the Opera, and everyone was still coming down from the high the roaring crowds offered. While they were sure Mme. Giry had notes, they did great. Still, many were eager to go home, except a select few who had plans with the various patrons of the opera that evening.

Christine Daaé was the former. She had been on her feet all day, and she had been fantasizing about a hot bath waiting for her at home since noon. Despite that, she still feels the rush of performing coursing through her veins. Oh, how she wished her father could see her now.

One by one, each of the ballet girls left until only Christine remained, sitting on a plush ottoman. Without the chirping of her fellow dancers, she was allowed to slip deeper into her thoughts. Visions of her on a stage singing came to her mind, standing alongside Carlotta and Piangi during their bows, looking across the crowd cheering just for her. Oh, how she dreamed of a life like that. If only she had the talent, then she might have the confidence to audition. How does Carlotta make it look so easy? Of course, if she had the money, she could take voice lessons, but a chorus girl’s salary is not gener-

What was that sound? No, that voice. A deep and rich voice coming from all directions sang to her a soft melody that hypnotized her, filling her mind with visions of a cold night.

“Hello?” She asked, rising from her seat.

“Good evening, Mademoiselle,” The voice purred, sending a chill up Christine’s spine. “Your performance tonight was sublime.”

“Who are you?” She asked, her heart starting hammering in her chest.

The voice paused, only serving to heighten Christine’s steadily growing anxiety.

“I am whoever you want me to be.” The voice replied.

Christine paused to ponder what the voice exactly meant. Could this be the elusive Phantom the ballet girls had spoken of? No, it couldn’t be. The opera ghost’s voice was commanding and boomed throughout the theater, even causing the chandelier’s crystals to tremble. This voice was different; it was cool and inviting, like snowfall in the winter. It almost sounded angelic

Angelic? Wait! Could it be?

“Are you the angel my father has promised to send me?” She asked, her eyes wide with hope.

Once again, the voice paused.

“As I said,” the voice finally replied, “whomever you want me to be.” It was Christine’s turn to pause; were angels always so vague?

“Why have you come to me now?” She blurted out, slightly more demanding than she had intended.

“Your voice,” The Angel mused. “I wish to help you train it, so you can become the new Prima Donna.”

“Really?” She sighed, her eyes lighting up like the spotlights that made up her dreams.

“Of course, to discard your talent would be the most vile of sins.”

Christine’s cheeks flushed at the compliment. She thought of all this could mean for her; fame, adoration, a chance to make her father proud. How could she say no?

“Teach me, please.” She begged, failing to withhold her obvious eagerness.

“Splendid. Come to the abandoned dressing room at the end of the hall tomorrow, I will begin to teach you all I know. For now, rest, you had a long day.”

“Yes, of course. Thank you, Angel.” Christine followed the angel’s orders and left the opera house after a few hasty goodbyes.

On the way home, she could not shake the giddy feeling that flowed through her as the Angel’s voice still stayed firmly in her mind. That beautiful voice that sang like a swelling winter’s gale. That voice of winter belonged to the Angel of Music, and she one day hoped she could reach some semblance of his talent.

_____

Erik felt light as a feather as he descended to his underground home. He spoke to her! His beloved Christine! And she agreed to let him teach her!

Despite his excitement, he could not cut the pang of guilt that tethered him to the ground. He did not want to lie about who he was, but what choice did he have? If Erik told Christine he was the Phantom, or even just a man living under the opera, she would run away screaming. Still, he hated to deceive her; however, did it matter? His only purpose was to teach her and make her the next prima donna, nothing more, no matter how he felt towards the woman.

Once more, he was resigned to pining from a distance, to keep the love of his life at arm’s reach. No matter what happens, his feelings can not get in the way.

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[tumblehcendrum]

Younger writers. Please, pay no mind to OP's broke ass. Cassette players with track skip absolutely existed*, that's midrange home decks (or high end portables).

Also, D-VHS/D-Theater absolutely had chapter selection**.

*Sometimes called AMS (Automatic Music Skip), it worked by keeping the playhead on the tape as it wound it forwards or back and stopping as soon as it detected silence. This would still mean waiting a couple seconds for the tape to wind (which it would do a bit slower than fast forwarding it normally) and obviously wouldn't work if there was no gap between the tracks, but ya know.

**Okay, D-VHS was four digit shit only sold between '02 and '04 but hey, what's a little intellectual dishonesty in the service of spreading the word about the time VHS tapes whooped DVDs' ass?

Younger writers. Please, just know that you could not skip to different songs on a cassette tape, that’s CDs. With tapes you pressed fast forward or rewind and prayed.

Also, VHS tapes did not have menu screens. Your only options were play, fast forward, rewind, pause, stop, or eject.

Y’all are making me feel like the crypt keeper here, I’m begging you 😭