#see this is why I love longform written/print journalism

[sunburnacoustic]

What's the musical version of Star Wars? Muse are getting there. Who else is mad enough to try?

Q Magazine on Muse's Drones tour, April 2016

[cooperjones2020]

Second City, chp. 2

Betty is a basic bitch and I’m not sorry. 

This fic is quickly spiralling into a love letter to my favorite city. I’m not sorry about that either.

Also, let’s pretend Jughead and Jellybean are slightly more than six years apart, like eight, or even ten. That would make my underachieving ass feel better.

(ao3-->http://archiveofourown.org/works/11409360/chapters/25619850)

(part one)

In which Betty Cooper is a stereotypical millennial who can’t make a phone call

It has been three weeks since Jughead drove her home, stroked her arm, and called her Betts.

She is on her third re-read of The Final Fissure. Her airport copy is now nearly as worn and marked as her hardcover from the first print run.

She could never read it through just once. Each time she picked it up, she went through at least three re-reads. Pencil sketched out her initial thoughts. Blue pen compared Betty’s memories, her knowledge of the case notes, to Jughead’s narration. Green pen underlined the phrases and passages that made her want to weep and shake Jughead. To ask him how he strung together phrases that swept through her like fire, that absolved like the sea. Green pen underlined the places that laid bare the relationship between the man who’d written the words and the boy who’d lived them. The green pen underlined the places where he’d laid her bare.

She is reading on her lunch break, green pen tucked behind her ear, when Cynthia walks in.

“Aren’t you kind of behind the times? That came out over two years ago.”

“Oh I’ve read it before.” She sets the book down and moves the pen to the spine to mark her place. Cynthia sees her annotations. “Jeez, you in a book club or something?”

“What? Oh no, I just went to high school with him.”

“Him. You went to high school with FP Jones III.” She picks up the book and holds the back cover, with Jughead’s headshot and author blurb, up next to her face. Her eyes slide to the picture on Betty’s desk of her and Archie with their parents at their high school graduation. “What is in the water in your town?”

It’s a joke people have made about Sweetwater River before. For years in fact. But, since Betty was in high school, those jokes have centered on murder and corruption and cover ups. They have come perilously close to touching her family.

Cynthia does not know about that. Or, if her background checks have turned up anything tangential to Jason Blossom’s death more than ten years ago, she has been kind enough not to mention it. So Betty just shrugs and gives her a smile that turns down at the corners.

“And how are you settling in?”

“Good, I think! I’m putting the finishing touches on the profile of the independent bookstores in different parts of the city.”

“Great, you can send it to me to look over when you’re done. But I meant how are you settling in in general? Are you getting around okay? Do you need suggestions? A brunch date? A social life?”

Betty swallows the grin she can feel pulling on her face. She loves Cynthia—had missed her when she left New York a year ago—loved that she’d personally reached out to Betty and wooed her to the Tribune right when she was ready for it. But sometimes the woman acted like an overbearing aunt.

“The answer is, still, good. The rest of my boxes finally arrived and I got a Divvy Bike subscription for the summer. And you’re not the only person I know here, Cynth. I had dinner with my ex’s mom a few weeks ago.”

“Well, I’m glad for that, but I don’t think it counts.”

“Hey, it so does! And we have plans to go to a farmer’s market and her boyfriend is getting us tickets for a Cubs game. And I ran into Jughead — FP — while I was there.”

“Again, all good things, but that sounds more like her social life and — Jughead? FP Jones goes by Jughead?”

“It’s a childhood nickname thing.”

“Wait, Betty—you know FP Jones. Like, nickname-level know him.”

“Uh, yeah, I guess.”

“You need to interview him!”

“What? Why?” Her heart kickstarts into a merengue.

“Well for one, he has a new book coming out soon so someone from the paper needs to interview him. For two, I hired you specifically for Printers Row.”

Cynthia gives her an appraising look, then continues: “Look, I know this job is downsizing for you. I know it’s less money and I know New York is the center of the writing world. It’s not investigative journalism. You’ll probably have to write more puff pieces than longform for a while. I practically had to promise you my left kidney to get you out here. But I meant it when I said I thought this move would be good for you, that an Arts beat would be good or you. You write better interviews than anyone I know. FP Jones is a rising star. It would be a great opportunity. For both of you.”

“Okay, we’ll blow past the drama queen antics for now. No bodily organs were exchanged in the making of this job contract. Jughead and I…aren’t on the best of terms. We haven’t even talked since high school. We just both happen to come from the same small town is all. We know the same people.”

“Well that could be better! You know—you’ll be able to be more objective about him while breathing life into the background, really telling the story. You can give us another lens on what makes Riverdale tick — that whole seedy underbelly of small town America schtick he’s working with.”

Betty capitulates with a groan. She could see she wouldn’t get out of this without a fight she isn’t ready have while this new on the job.

“Look, I don’t have a way to contact him. But I’ll try. I can call Archie’s mom.”

“Perfect.” Cynthia folds her hands over her crossed leg and cocks her head at Betty.

“You want me to try now?”

“Why not?”

“Okay, fine,” she grumbles. She prays Mary is in court.

Her prayers are not answered.

“Hey Mar! No, yeah I’m good…You?…No sorry, I didn’t mean to interrupt. I just wanted to ask if you had Jughead’s email address. I had a—a work question.” Her eyes bulge when Mary offers her his number instead, and she quickly looks down to the hand picking at her skirt hem. Cynthia knows her tells. “No, no, his email’s good for now. Thanks. Talk to you soon. Love you too. Bye.”

When Cynthia waltzes out ten minutes later, Betty’s inbox already contains an email from Mary with Jughead’s contact info, so she leaves with a Cheshire Cat grin on her perfectly made-up face.

Betty sighs. She really doesn’t want to do this. It feels like taking advantage of an old relationship. An old friendship. She doesn’t want to make Jughead uncomfortable. But she also doesn’t want to make herself uncomfortable.

She looks at the book on her desk, moving her thumb to trace the curve of his mouth, the slope of his jaw.

It takes her four hours to write the email. Not that she just sits there and stares at the computer screen for four hours. She’s still Betty Cooper. She sends other emails, sets up meetings, finishes proofreading her article. She takes a power walk around the block with the running shoes she keeps stashed in her purse. She does a ruthless purge until she hits inbox zero. She multitasks.

But always in the back of her mind: Dear Jughead? Dear Jug? Dear J?…Dear Jones?…Would ‘Hi’ be better than ‘Dear’? Ugh I hate myself.

Finally, at quarter to five, she shuts her eyes and hits send, then immediately begins packing up for the day.

When she goes to log off her computer, he’s already responded. Fuck.

“Hi Betty,

Of course we can set up an interview. Unfortunately all that stuff has to go through my agent and I’m sitting at a gate at O’Hare at the moment on my way back to Riverdale. If you don’t mind waiting, we can set something up next week. But if you’re up for it, I have a Skype call with him on Thursday and we’re due to talk about my promotional schedule anyway.

Let me know whatever works.

Best,

J.”

He certainly didn’t spend hours stewing and overthinking every damn syllable.

She agrees to set up the call for Thursday afternoon. Cynthia is so pleased with her she gives her permission to work from home for the day.

In Betty’s lexicon, ‘work from home’ means go on a really long run to burn off excess adrenaline and come home with a sugar coma-inducing drink from Starbucks.

So, she stands on the edge of Promontory Point, still shivering a little in her gym shorts in the early morning breeze off the lake. She forces herself through some Ujjayi breaths. One of the biggest differences she’s noticed thus far from New York is the sheer variety of scents in the air. No one leaves their trash on the curb here. There’s a chocolate factory downtown and its aromas waft over the city with the afternoon heat. In the mornings, the lake exhales a melange of algae and minerals as it laps against the rocks.

Today is the first time she’s felt panicky since moving to Chicago. Moving debacles aside, the whole experience had been pretty damn empowering. She found a sublet for her old apartment and a gorgeous new one. She hired a moving van. She made the calls to end and start her utilities. She told Alice Cooper where to stuff it when she tried to make Betty feel guilty. And she ended a relationship that wasn’t making her happy anymore, appearances her damned.

She takes a picture of the skyline across the lake and instragrams it with the skyscraper emoji and the caption “Sweet Home #Chicago.” Then, she tightens her laces and takes back off.

Sometimes she worries that by moving here she’s settling — for a smaller job, a smaller city, a smaller life than she’d promised herself — but then she remembers the other things her younger self used to want and shakes those anxieties off. Maybe people don’t decide whether their lives will be large or small. Maybe life decides for them. Maybe the correlation between size and value is smaller than she’s been led to believe.

And that is okay. She is learning that that is okay.

A few hours later, she sits on the floor in front of the coffee table, her laptop propped on a stack of books, and waits for Jughead’s call. This she can handle. This is business. There will be a chaperone, for god’s sake. She’s purposely made sure she’s in the latter part of their agenda, so there’s no chance Jughead can call her before adding his agent to the call.

So she might be a little bit of a coward. She’s okay with that too.

She almost misses the call thanks to the inanity of her inner monologue. When she answers, she sees a split screen of Jughead and an iron-haired man with wire frame glasses, and hears Janis Joplin’s cover of “To Love Somebody” pulsing in the background.

“Hey Betty — this is David. David—Betty Cooper, Chicago Tribune. She…ugh, give me a second. Those speakers carry farther than I thought.”

He disappears from the frame and the music grows softer, though it doesn’t disappear.

When he returns, they talk through some of the preliminaries — she gives them an idea of some of the questions she’s brainstormed over the past few days, of the pitch she and Cynthia have crafted. “We’re thinking a two-parter — the interview, and then I’ll review the ARC, and color it all with my own background in Riverdale. You know, add some human interest.”

Jughead opens his mouth to speak, but David jumps in before he can.

“That sounds perfect, Betty. In fact, Jughead mentioned you gave him his first writing job in high school — that the character of Betsy Coleman might in part have been inspired by you.” Jughead is clenching his jaw, looking as uncomfortable as Betty feels, so she averts her eyes.

“We’re thinking we’ll run extracts of the interview on J’s blog and the publisher’s website — maybe take out an ad in the Times when the publication date draws closer. We’d love to get some official photos.”

“No.”  She looks up, startled at the vehemence in his voice. He runs a hand through his un-beanie-ed hair. A move that apparently still signals his exasperation. “Jesus, Dave. She just moved here. Give her a chance to build her own life before we start plastering her face all over buses.”

David’s face tells her they’ve already discussed the photos. That he is well-aware of Jughead’s opinion on the matter and is attempting to go over his head. She fights — and fails at — suppressing her urge to help, to fix, to placate.

“Maybe we can revisit that idea if the interview is well-received.”

“As you say. Well, I think that’s all on my end then. Betty, make sure your office contacts mine with the small print stuff. I’ll leave you two to set up the details. J, call me when you’ve looked over the new copy for the book jacket.”

“It’s not a surprise, Jughead,” she says softly when David has left the call. “I have read the book.”

“I know—I know. And I didn’t try very hard to mask the details. But you haven’t read the second one yet.”

“Well, I will soon.” She shoots for light, casual. She probably misses, if Jughead’s face is anything to go by. He’s still grinding his teeth.

The music has been getting steadily louder. “Here, I’m gonna take you with me and go outside. Jelly’s graduation is tomorrow and she’s started celebrating early.”

Of course. The music. Jellybean would be 18 now. When he settles the iPad on what she assumes is a patio table, she realizes that, though he’s in Riverdale, she actually has no idea where he is. It seems like his patio overlooks the woods.

He still knows how to read her face. “It’s—uh—a little house off Pine.  For Dad and JB. The down payment seemed like a good use of my first advance.”

She feels her expression soften. It’s exactly the kind of thing he would do.

He pulls a pack of cigarettes out of his shirt pocket and lights one up. “Look — I’ll be back on Monday night but I have some things to take care of. Would Wednesday be okay for you? Say around 8?”

“Yeah, that’ll be great.”

“Thanks. I’ll think of a good place and get in touch.” Then he looks up at something beyond the screen. “Jesus Christ. Her friends have arrived. They’re heading for the fire pit.

“I’ll talk to you soon Betty.” He’s gone before she can say goodbye. She makes a half-hearted attempt to wipe the sappy grin from her face before she calls Cynthia.