#second wave of corona

[katakaluptastrophy]

I want to continue pushing my 'Magnus Quinn wasn't actually a terrible swordfighter' agenda.

Obviously, he wasn't on the same level as professional duelists Babs or Pro, or soldiers Marta or Jean. He was a guy who did some kind of fencing in high school and then picked it up again in his 30s, presumably with some degree of seriousness.

When Gideon joins the other cavaliers in the training room, Magnus and Jean are sparring. He jokes about how badly Jean is beating him, but he must have some degree of competence for aspiring soldier Jean to find him worth training with. Babs then mocks him for getting beaten by a teenager and Magnus jokes, describes himself as "absolutely no good", and praises Jean's abilities...before giving Babs such a death glare he gets obviously embarrassed.

It's worth bearing in mind that there's some degree of tension between the Third and the Fifth. Babs will have know Magnus since he was small and has almost certainly seen him fight before. But the Fifth, their relationship, and the relative freedom that Magnus has to not be a perfect fighter (because his necromancer values him as a human being) is clearly something that rankles the Third. In TUG, when Ianthe talks about Babs, she explicitly references Abigail and Magnus. And what's interesting is that she makes a comparison not just between Abigail's husband-with-a-sword and her perfect tool to be moulded and used, but also to Corona's aspirations to swordcraft:

IANTHE (Playing a card) She’s not here, so let me be fully honest, Sextus: my sister is not a swordswoman. She loves to wear big boots and wave a sword around, and she looks wonderful doing it, but her actual competence … well, put it this way: she’d lose to Magnus Quinn.

PALAMEDES Magnus Quinn was a cavalier primary.

IANTHE No, I mean Magnus Quinn now.

There's...a lot...to unpack here: the comparison of Corona to the husband-cavalier is intriguing in and of itself on a psychosexual level, as is the contradiction between Ianthe and Corona's own versions of Corona's competence. But Palamedes' response is also interesting, suggesting that Magnus was up to an acceptable standard for a cavalier, which Ianthe's joking response seems to back up.

So Babs' rudeness towards Magnus and Jean may have a lot to do with the internal dynamics of his own necromancer-cavalier relationship and not necessarily be an accurate reflection of Magnus' abilities.

Likewise, Judith's comment in the Cohort Intelligence Files that the Fifth is 'undoubtedly chagrined" to have "schoolboy fighter" Magnus representing them had to be read against the fact that we know from the Sermon on Necromancers and Cavaliers by Second House stooge M. Bias that the Cohort has a very low opinion of unranked "social cavaliers". And Judith Deuteros may have her own reasons for being disdainful of a cavalier who is so...cavalier...about his intimate relationship with his adept.

Magnus' own self-deprecating comment on his ability is:

"I didn’t get to be cavalier primary due to being the best with a rapier. I’m cavalier primary only because my adept is also my wife. I suppose you could say that I—ha, ha—cavalier primarried!”

But again, there's a difference between becoming cavalier primary because you're the best sword fighter and getting up to a vaguely competent level once you've become cavalier primary (guys in their 30s with high powered jobs tend to be scarily into their hobbies...) He is definitely the worst cavalier there (or would be, if Pro were actually alive), but on a general standard he probably isn't as terrible as people like to joke.

Another important bit of context here is that all of his comments about his own ability occur in the context of Corona trying to get him to fight Gideon. The shy, silent 18 year old from the cult planet whose practice of cavaliership is generally acknowledged to mostly consist of carrying buckets of bones.

She gets paired with Magnus because they assume she's not going to be much of a fighter and Magnus - neither a professional duelist nor a soldier - would therefore be the fairest opponent. Magnus is clearly uncomfortable. And Gideon is certainly Intimidating. But when you consider that most of his previous interactions with her have been trying to coax her out of her shell and clearly feeling rather sorry for her, his comments take on a bit of a different tone.

Does Magnus worry Corona has dragged along this poor kid out of interest or curiosity, and that she's going to be humiliated and never want to interact with them again? As Corona says “Come—Gideon the Ninth, right?—why don’t you try Sir Magnus instead? Don’t believe him when he says he’s rubbish. The Fifth House is meant to turn out very fine cavaliers," Magnus is politely dissembling, telling exactly the sort of jokes that would appeal to a teenager.

As everyone else mocks or is intrigued by Gideon's knuckle-knives, Magnus is trying to look her in the eye through her sunglasses, bewildered that she doesn't know to take off her robes or glasses to fight and then...suddenly realising that she is dead serious and perhaps he has dramatically underestimated her.

After his defeat, we hear him saying to Jean "I'm not quite that out of form, am I?". Gideon's abilities were totally unexpected: she severely tests a top duelist like Babs, and Magnus is surprised to be beaten in three moves. That suggests he's been holding his own rather more comprehensively in previous sparring.

And while he certainly wasn't up to Gideon's standard, he may have managed to draw his sword before Cytherea took him out...

[jacobsbigmelons]

Jacob has the visceral need of breeding his bf

Creaking Wood

Jacob Custos x Male Reader

IM BACK CHAT (for the most part) expect hopefully more activity from me 😭

cw: Nsfw, slight alcohol consumption, jacob being fine asl, Breeding (obv), and a top bunk holding onto dear life bc it has to hold up two guys going at it…

The crackling of the fire pit, aroma of beer and whistling of the wind set the perfect scene as the summer councilors sat around the fire conversing with one another. Your conversation with Emma came to a close, though as you felt as if someone was watching, lo and behold the hunk of meat who just couldn’t keep his doe eyes off you.

You took a sip of your almost finished Corona as you stare at Jacob back, your face beginning to tingle a bit from the beer but you also can’t help but feel it’s because of your boyfriend. You both stare for what felt like slight eternity until Ryan made a comment.

“Someone’s distracted” Ryan said to your left as he directed his gaze to Jacob than back to you

“Pfft, yeah okay.” You scoffed playfully, rolling your eyes in the process as you got up as you finished off your drink, crushing it up making sure to dispose of it properly. “I’m gonna go charge my phone inside i’ll be back though!” you explained to the group as you began to walk backwards, hands up, phone in one of them.

“Ay wait lemme come with!” Jacob yelled out, not even paying attention to Abby’s warnings to be safe on the walk…or maybe that was the alcohol. He walked over as you finally turned around walking correctly, giving a slight wave to the people still around the fire.

The stairs up to the cabin you and him shared creaked with each step you guys took, the darkness not helping with illuminating expect for the occasional lamp and or phone flashlight

“So w..what made you wanna come with?” You questioned, voice barely slurred.

“I mean if you want me to turn back I can~” Jacob playfully teased as a Tsk left your mouth and Jacob began to laugh

“Dumbass you know that’s not what I mean” Though a smile couldn’t help but come through before Jacob wrapped a hand around your waist, the floors creaking as you two walked inside. Soon closing the door as he pulled you a little closer to him, your walking paused as you allowed him to just hug you for a bit. The buzz of alcohol rushed across your face in the moment, even sober you know Jacob wanted to be around or in some way holding you so a buzzed Jacob is definitely gonna be clingy.

“So how long does it take for your phone to charge?” He questioned though the tone sounded a little suggestive, you took the time to go and climb your bunk as Jacob followed behind. “It’ll take a bit for it to charge, a good bit honestly so…do with that what you will” You said as you watched your boyfriend join you on the top bunk, his arm going around you as the silence fills the air for a second.

“Their tipsy~ they won’t check on us” Jacob said in an almost mischievous tone, his arm around you slowly moving to your face to move your lips towards his, though for someone with little brains he at least knew how to be a good kisser. It didn’t take long after that for Jacob to end up giving your bunk a run for its money. Jacob’s hand had your mouth covered as you felt his other hand keeping your back arched while he fucked you into the mattress.

“Fuckk babe you feel so good~” He moaned a bit as he got close to speak into your ear, looking back he’s even wearing his backwards hat which somehow just made the whole scene better even if you couldn’t fully see your boyfriend in what little moonlight there was.

All you could do was make muffled noises as you felt him go in and out, still making sure he’s got a good hold of you but now his hands moved down to hold you by the lower back as he made sure he made it all the way inside of you by going fast and pulling out until he begins to keep thrusting. “Shit i’m close-“ Jacob said almost like he was wincing, as if he didn’t want to finish yet.

You began to push yourself back into him as you gripped the bedsheets, being just as close, you needed that last bit of effort to bring you and Jacob to the edge. The fast thrusting soon coming to an end as you felt his cum slowly dripping as he pulled out, breaths heaving as the dopamine begins to pass until you ask a question both of you need to figure out

“How do we clean this up-“ D:

[bullet-prooflove]

51.He's sitting in the corner with a six pack of Corona - I can so see that for Dean Winchester 👀🥺❤️

Tagging: @kmc1989 @district447 @cosmic-psychickitty @volumesofforgottenlore @spaghettificationandpretzels

Wow this one took a turn I wasn't expecting...

The sun’s just starting to set when you realise you’re being watched. It starts as a pricking on the back of your neck as you run your last lap around the field in Mill’s Park. You try to ignore the sensation and push on with the last hundred metres but it gets worse with every step because you can’t stop thinking about the last time you felt like you were being watched in a fire tower out in the woods.

Your Fleetwood Mac t-shirt clings to your form, the evening breeze ghosts over your balmy skin as you finally slow to a jog. You use the back of your wrist to brush the hair away from your face and that’s when you see him, sitting there on the fence at the corner of the field. There’s an untouched six pack of Corona resting by his feet and that’s when you know that this isn’t Dean Winchester you’re looking at.

You contemplate running but honestly you’re curious. It could have killed you at any point during the last five minutes but it hasn’t, it seems more interested in disguising itself as the man you love rather than harming you. As you approach, it tilts it’s head as if studying you. It’s gaze is curious and analytical, instead of the heat you’re used to from Dean.

“Are you going to share those?” You ask gesturing at the beer and it simply gestures for you to take one. You do, popping the cap off and tucking it in your pocket because you’ve spent too much time as a forest ranger cleaning up other people’s messes.

“You’re not Dean.” You say taking a sip from the beer and it smiles back at you showing far too much teeth.

“No I’m Michael.” It introduces itself. “How did you know?”

“The beer was the initial tip off, he’s usually on his second by the time I’m finished running.” You say gesturing to the rest of the Corona. “After that your body language, your eyes…”

“Ah yes.” Michael says his eyebrows furrowing into a frown as if he’s trying to recall something. “I should have kissed you shouldn’t I? You always respond very well to that.”

A flush creeps across your cheeks because you realise, this thing it has Dean’s memories and if it has those, then it knows you intimately.

“Are you going to kill me?” You ask Michael and he seems to take a moment to debate.

“No.” He says finally as he hops off the fence and takes a step towards you. “I just wanted to see what all the fuss was about.”

“I don’t…”

He touches you then and you freeze at the sensation of his fingertips brushing lightly over your cheek as he looks into your eyes.

“He loves you, you know?” He murmurs, his nose tracing lightly along yours. “Do you love him too?”

“Yes.” You whisper.

“I wonder what that feels like…”

Before you have a chance to pull away, his arm wraps around your waist pressing you against him. His lips brush over yours and it’s like an explosion tearing through your nerve endings, igniting every single one of your synapses.  A wave of ecstasy crashes through you, followed by another and then another until you’re drowning in the euphoria, unable to keep your head up above the water. You try to pull away but he pins you to him, biting your lower lip as he grinds his hips against you. It’s too fucking much, something inside of you erupts like a star and before you know it, you’re coming in the middle of the fucking field you’ve been running track in since you were a teenager.  

“You fucking asshole.” You spit at him when he releases you and he looks mortally offended as you stumble back a step or two.

“Maybe if we did it together…”

“Do not fucking think about it.” You snap and he sighs as if you’re the one that’s being unreasonable.

“Don’t you want one last night with the man you love?” He asks you as he tucks his hands into the pockets of his jacket. “It could be so much better than it was before…”

“But you’re not the man I love are you?” You say, your voice surprisingly steady. “You’re just wearing his body, thumbing through his memories.”

It’s like talking to a sociopath or a narcissist. He simply looks at you with an expression completely devoid of emotion and that’s when you realise maybe you aren’t too far away from the truth with that assumption.

“You can’t feel anything of your own can you?” You ask him, placing your hands upon your hips. “You can do the physical shit but there’s no emotional component is there? You don’t understand why that might not have been enjoyable for me because you don’t understand the concept of intimacy or love, they’re just words to you aren’t they?”

He looks stricken in that moment because until then, you don’t think he understood the disconnect between him and humanity. He doesn’t say anything in response to your words, he simply turns his back and walks away, leaving you pissed off in the middle of a field with soaked shorts and flushed features.

Your hands are still trembling just a little when you slip your cell phone out of the pocket of your shorts and dial a familiar number.

“Sam.” You respond, your eyes still fixed on Michael as he retreats into the distance. “What the fuck happened to Dean?”

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[fabricated-misslieness]

ᴘᴀɪʀɪɴɢ: tyler owens x cowboy male reader

ꜱᴜᴍᴍᴀʀʏ: there's a new cowboy at the rodeo tyler used to ride for, and tyler's itching to get to know him.

ᴡᴏʀᴅ ᴄᴏᴜɴᴛ: 4.06k

ᴡᴀʀɴɪɴɢꜱ: plenty swearing, implied death in an acted play

ᴍᴀʏʙ'ꜱ ɴᴏᴛᴇ: cowboy slang vocabulary

☾⋆☆⋆☽

Rodeos are basically a second home for the famous Tornado Wrangler, Tyler Owens. This particular one he visits as often as he can, on weekend evenings to watch the show he used to ride for.

Sometimes, he misses it. He misses the blinding lights that make him forget he's in a glorified pit rather than a stage, and the whistling cheers and claps as he's fighting for his life on the back of a bull; most of all, he misses seeing his cowboy friends damn near every day for practice, especially the old rats that twister-signals him every time they spot each other.

Speaking of, he always tries to waive the fee for his ticket, and when he's too stubborn to accept, they bump down the $15 dollar price to a $3. Not that he ever agrees to that, either. He wants to support them.

All that history means he can always tell when they hire a new cowboy for the show, and this one, well, whew. Isn't he a looker?

Probably, anyway. The cowboy poncho's doing nothin' for his figure, and he's got his scarf up over his nose like the less pleasurable corona's still going around, but he's always had a little thing for cowboys with rat tails and hats over their eyes. Silly little things they are to want to act a mystery–fellers'll often get exposed one way or another–but there's just something about you that lassoes him in.

When Liam sees him walking over after the show, a purposeful look in his eye, he has to ask if he's coming back. "You finally quittin' your storm chaser business, cowpoke? We're startin' to miss ya."

"No, not today. Maybe when I'm forty." Tyler indulges him with a far off idea, like he always does to make small talk, but today he just can't wait to get to the point. "Who's the tenderfoot?"

"Oh, (Y/N)?" Liam chuckles, like a pleasant memory already brightens his mind just from the name. "He's good, ain't he?"

"Yeah, y'all train 'em for three months beforehand." Tyler brushes it off. He was good, but that wasn't the point, and–

"He's a total Bronc Buster, actually."

"Yeah, yeah," He dismisses it once more. "why the scarf? And the hat over his eyes?"

"We're starting a new thing next week." Liam strikes him with that famous excited grin of his, the one that often makes you forget how stern he can get, "Theatre plays on horseback."

"Plays on horseback–?"

"Yeah!" He replies with a nod like it's nothing. "Well, it's just regular plays without a stage, proper backdrops or a light crew," He lists off, then realizes just how depressive that must sound, "and real horses."

"Yeah, that's great, Liam, but why does that matter, exactly?" Tyler still had that one objective in mind, and that's finding out the mystery behind the newest cowboy on horseback.

"He's playin' the villain, of course. Gotta tease the man before we premier the show, builds up the anticipation, obviously."

"Right, right..." Though he trails off, he tries to act as though he knew the obvious marketing strategy, because obviously you put a man in a poncho and obstruct his vision so he looks like a good villain—that aside, he can't deny it worked.

"Look, dabster," Liam's the one waving him off this time, "he'll do fine, we'll do fine! We've rehearsed a lot, and we're sure it's a good idea."

"Uh-huh?"

"Just make sure to come on Friday rather than the weekend." Liam digs his finger into Tyler's chest, looking him in the eye so the man knows he's serious. "I mean it. We're only airing this thing on Fridays, it's long as all hell, Ty."

"How long?" Tyler deadpans.

"Pfft." Liam waves it off, "Long. Like Broadway up north. Lotta acting, intermission to push our food sales, then more acting. Climax, boom, tears and victory."

"Y'know the famous ones like Hamilton run for under three hours, right?" Tyler raises a brow. "Like a movie?"

"Like they say, you can't rush art, Tyler." Liam pats Tyler's shoulder twice reassuringly before he's pushing past and calling out his goodbyes with a yell. He had to leave with a one-liner, huh?

The buckaroo's just yammering, Tyler thinks to himself as he watches his old friend walk off. He only notices that he didn't get to ask for the new guy's number when his faraway figure gets to the size of a bean.

☾⋆☆⋆☽

"Flee, Danika, flee!" You shout to your horse as you barrel dive into cover. She does as promised, fleeing just far enough away that she'll hear your whistle once you've dealt with these bad, bad men.

With your back pressed against a rock and bullets just wooshin' past, you let the empty shells fall from your chamber to the ground and replace them. One by one, pressure's on, your fingers twitch, but they don't hesitate.

You'll get out of here alive, you always do.

You heave a breath, then another, a steady stream of inhales n' exhales, you're calming your heartbeat and will shoot with its rhythm.

Three, two...

Leaning over the edge of the rock, you aim.

Three, two, one.

Three men gone, off their horses and thudding against the harsh, hard ground, but there's more, ridin' in from the east and already prepping their aim. You scramble to get off your ass and into proper cover, the hay shed will do.

There's sweat over your face, it's making your scarf stick. You can't think about taking it off now, lest any of those boys make it out alive and see your face.

As the beat of the hooves comes to a stop, you peak 'round the open side of the shed and shoot.

Three, two, click, click, click.

Gods be damned, you've run out of bullets. You rush to flick open the chamber and empty the shells to replace them; the process is as natural as breathing to you, but not quite as fast.

A man rounds the corner, and you instinctively whip your revolver at his head to result in a crack that sounds all too real.

As the man thuds behind you, you peek around the corner with fresh bullets.

"We'll get you, you sonuvah gun!" The last of the reinforces is a coward, or a scout, as he's now ridin' away on his horse, but he's too gracious a host to consider leaving you without a parting gift.

The bullet that was meant for his head gets the dynamite that's gliding its way towards you, catching it mid air and detonating it early, before it gets you.

The force of the faroff explosion nearly knocks your hat off your head and your ass to the ground, if you hadn't already been there.

"Lord almighty..." You let your revolver fall to the ground harmlessly–which bounces off a little more than it's really meant to–and sigh.

The hat comes off, then the scarf, and you breathe, breathe, breathe.

You're alive, and you've got more enemies. Oh, who cares? What's a few more names to the list?

☾⋆☆⋆☽

As the crowd finally sees the villain's face for the first time, people whistle and ooh at the him.

Tyler's gut feeling was right: he is a looker.

That aside, the storm chaser had to admit, old Liam was onto something, even with the noticeably fake props. The only thing he's wondering is why it's been one hour and the regular rodeo show is resuming as usual. It's not intermission, cause they're not pushing food marketing as Liam said they would.

He doesn't have to ponder very long as he meets up with his old friend again.

"I took your advice to heart, actually. I knew the ol' star would be exhausted after all of it, so I thought we'd split it over a month, and play the same section all weekend. More ticket sales."

Tyler raised a brow at the mention of the protagonist, "Ol' star? He had one scene."

"Not him," Liam says it like he should know, like they're both back in front of the drawing board again, "(Y/N)."

"The villain's the star?" Tyler deadpans.

Liam chuckles in turn, "Didn't you hear the crowd when we finally revealed his face?"

"Oh." Tyler shakes his head, "Well, ain't he dyin' later? Stars don't die."

"Ehhh..." Liam waves his hand and shakes his head side to side in a kind of gesture. "It's implied."

"It's implied?"

"Endings are best left up to interpretation!" The man flourishes with a grand gesture, heaving more energy around than Tyler's used to seeing from him. This thing must really be a passion project. "Don't ruin it, for me, son."

Tyler raises both his hands in surrender at that. "You won't see nothin' from me, old man."

Tyler lets him walk off this time, he deserves that much; only then does he realize that he hasn't got the new guy's number. Again.

☾⋆☆⋆☽

"Negotiations? I don't do negotiations." You're huddled behind cover, hidden from view as you talk with the alleged big huncho of the mining camp. He brought reinforcement, nothing you can't handle, but it could still spell trouble.

"I like to look at a man when I'm talkin' to him."

You scoff. "Like hell I'll peek. You'll blow my head clean off if I try."

"I'm a man of my word." He insists, his deep jazzy voice just screaming a man of wealth and contracts.

"And so am I, but you wouldn't trust that." Idly, you check the chamber of your revolver, having learned from your mistakes. Six bullets, not shells, ready to be fired.

"Touché, good sir."

"Good sir?"

"As I understand it," The man says, his voice is strong to reach your ears but it ain't threatening, "you just want a cut of my money."

"And if I do?" You click the chamber back in place, listening for out of place sounds like footsteps.

"I'm willing to pay." Oh, that haughty bastard really thinks he's gonna get you with that?

"Like hell you are." You laugh, a loud thing so you make sure he hears that you're not gullible.

As the big man begins to speak again, surely more lies that are meant to coerce you into taking the bait, you throw a stray wood chip up into the air.

Bang!

The split second after it sees the light of day, the wood chip is shot to splinters, right as you'd expected.

"I think negotiations are over, sir..?"

"Cornwall." The man sighs out his name. "Good day to you, sir."

"Good day, sir Cornwall."

☾⋆☆⋆☽

As he often finds himself doing nowadays, Tyler goes around searching for Liam to talk about a particular someone. Little does he know that where he usually finds his old friend, he'll finds someone else.

"Excuse me," He begins politely, not recognizing the man from behind. "have you seen Liam?"

When you turn around to reply instead of another cowboy he might know, his little stunned gaze makes your words take on a confused tone. "He's playing his part in the pit..?"

"Oh." Tyler has barely any time to register that Liam's actually taking part in the acting biz before he's scrambling to greet you properly. "You're (Y/N), right? The new guy?"

"That's me." You nod your head and take a sip from your bottle. In a couple minutes you'll be back in the show again, so you're making the most of your small break. "And you?"

"Um, Tyler. Tyler Owens. Does Liam not talk about me?"

As the star of the million-follower YouTube channel Tornado Wranglers, Tyler thinks he's kind of a big deal around Oklahoma, especially around here as he used to ride for the local rodeo. He's usually not an arrogant guy, unless he decides to play it up for the competition, but...he finds that his ego is a little bruised now.

"I'm just playin' with you, poppet. Liam never stops singing his praises 'bout you." You offer your hand for a shake, a well placed gesture if you hadn't just called him poppet.

Tyler flushes a little, because, well, poppet's quite an endearing term and you're hot and there's something about men that are sweaty and out of breath. He manages to shake your hand without making a fool of himself anyway. "What does Liam say about me?"

"He said that you've taken a million kicks from bulls and you still managed to go an get yourself a fancy degree, that you're tough as nails and can always tell when he slips you belly wash." You list off a couple of less than good things about him in detail so excrutiating that Tyler knows Liam's said them time and time again. "Oh, and that you always rode pretty well."

Tyler comes out of it a little embarrassed, and his voice therefore comes out meek, like he hasn't spoken for a while. "Yeah?"

"Yeah." You laugh and pat his shoulder. "You know how Liam is, he'll point out how you're a hill of beans and then praise ya."

His shoulders deflate with relief and he laughs along with you. "Yeah, I know 'im."

"Truth be told, it's kinda nice to hear about the real man as opposed to the Tornado Cowboy persona." You say it kind of sheepishly, which is rather nice to see when he's only ever had a cocky you to compare to.

Plus, you'd just admitted that you watch his videos, making his grin widen. "You a fan?"

"Don't get too full o' yourself, cowboy." You point a finger at him, huffing a laugh. "I see you in the stands every week."

He could just say it's because this play is an ongoing thing with a new sorta 'episode' each week, which is the truth, or he could flirt along. "You caught me," He hisses like it's a big deal and it's embarrassing to be caught. "I am your biggest fan."

"You like anti-heroes, do ya?" You chuckle, narrowing your eyes at him.

"I'm as gullible as everyone else, darlin'. I'll like any villain so long as they're hot n' ride good." He sends a wink over, because there ain't no subtlety when there's a crowd just a ways away you've gotta shout over.

You wolf-whistle in turn, "Is that so, poppet?"

"I'm being simon-pure." He insists, tipping his hat for extra measure.

This is going well for Tyler, you're responsive to his flirting and you can match it too. Unfortunately, good things always have to come to an end.

"Listen, Tyler," You indulge him with a laugh but unfortunately point towards the stage. "I don't wanna miss my cue, so I've got to...well, you know. What I'm saying is..."

"Wanna grab a root later?" Tyler takes the opportunity to ask first, eagerly at that.

"Yeah," You smile, grateful that he took the opportunity. "yeah, uh, want my number?"

It's the fourth week in a row Tyler watches another figure walk off on a Friday evening, but this time he's got his prize secured, and he's left more hopeful than regretful.

☾⋆☆⋆☽

These stubborn miners are just setting up more and more defenses, to the point where you're pondering what marks the difference between a mining camp and a Pinkerton camp. Is it gun count or armed miner count?

You settle into prone on a ridge overlooking the camp to make your figure less noticeable amidst the bright sky–earning you a couple strange bird caws from onlooking eagles–and scout out with your binoculars.

"Tall fences," You begin to mutter under your breath. "sniper outposts on the roof, a guard at the wagon rail, no, two; several on each little path in and out."

And...is that a Gatling gun? "Ugh, seriously?"

"What is it, my darling?" Your sweetheart calls from behind you. Before you can answer, she's rolling you over onto your back and settling half on your lap. The geese in V-formation above caw louder.

"Nothing to worry your pretty little head about." You assure, a nice smile on your face as you steady the gal.

You couldn't worry her, no, you're doing this all for her, after all. It's not her fault her daddy got their family into a deep, six foot grave kind of debt before the man got himself killed in a fishing trip gone wrong, after all.

"There is always somethin' to worry over." She giggles, hands trailing over your chest, pulling your attention away for the moment.

"I know, poppet, but–"

"You're worryin' right now." She points out, drawing circles over your heart with her pointer.

You sigh, "I know."

"Let me take your handsome lil' mind off it, can I?"

She's already leaning down before you can even say no.

☾⋆☆⋆☽

As soon as you start kissing up that pretty girl in that pit you take for a stage, Tyler looks down at his phone. He taps the screen impatiently, almost as if you'll answer him right now while you're up there, all busy.

Hey, it's Tyler. It was nice meeting you.

How does six at the Hay Shed sound?

"He ghosted me." Tyler groans. It's covered up by the sound of the ooh-ing crowd, but he doesn't much care if it's heard or not. "Seriously, I find a man as fine as cream gravy, and he ghosts me?"

It was too good to be true. You're hot, you called him poppet, and you were receptive to his flirting; too good to be true.

...

"Liam, hey! Can I borrow a horse?"

Nothing's better for clearing the mind than a good horse ride right before sunset, it's like long walks at the beach. Tyler often found that it was also great for dealing with break ups or, in this situation, not even making it to the talking stage.

He doesn't check his phone, doesn't even realize it's vibrating in place with it in the saddle bag. Instead, his eyes are straight ahead.

He's riding towards the sunset like it's the end of a movie, and what a poor, short movie it is.

It's fine. It's fine, it really is. It's not like he was already mashed, anyway, no sir! He's just disappointed. It's a big cavernous feeling in his chest like it's empty, when it's really filled with something none too good.

"Ah," Tyler sighs out, hopefully exhaling all them feelings. He pats the horse, watches its ears twitch as he talks. "You understand me, big guy?"

He's too caught up in feeling sorry for himself to hear someone else riding up beside him.

"Perfect spot for a first date, huh?"

"Holy shit, what the fuck?" Tyler damn near falls off his horse. He has to hold onto the reigns with white knuckles in order not to.

"You done airin' your lungs, poppet?" You only grin in return, pointing out your shirt pocket, at your phone. "I shot you a text."

Tyler huddles closer to his horse's neck. Though he's still heaving recovering breaths, he finds the sass to say, "About a week late."

"Yeah, 'm sorry about that." You rub the back of your neck, your smile melting with shame. "I'm kind of a busy man."

"Oh, yeah?" He shoots back with furrowed brows and a scowl.

"Yeah, I totally deserve that." You bow your head a little, "It's just, I work the show all weekend, and I was so exhausted comin' back in on Tuesday that it totally slipped my mind."

Oh.

"Let me make it up to you?" You ask hopefully, looking at him with those sheep's eyes, and it makes him feel a little guilty.

"I'm sorry." Tyler says quickly, straightening up and all and mirroring your apologetic look.

"No, no, it's totally fine!"

"I mean, I totally didn't realize–"

So there you both are, spewing excuses to be sorry for each other, guilt eating away at you like worms do a book. There seems to be no end to it. Your pseudo-argument stretches as far as the horizon, up until the sun sets below it.

"Seriously, let me make it up to you." Before he can even reply, you continue. "You said the Hay Shed, yeah? I'll buy our dinner, no big deal."

"I–" Tyler starts up, but you shoot him a pointed look, quieting him down. "Okay."

"Okay, good." That nice, charming smile of yours builds up again, and he almost swoons.

"Race you?" He smiles back, tipping his head forward.

You're already shifting into proper form. "Oh, you're on, cowboy."

☾⋆☆⋆☽

You're sitting in your porch in that old rocking chair of yours, your white hair sweeping off your forehead as an easy breeze blows past. Your fingers tap to the rhythm of your boy playing the guitar and his mother singing along. Ranch life has treated both you and Danika well. The old girl gets to snack on sugar cubes every day while you got to lock your revolvers away and sip on fine liquor every night after dinner.

It's been a good life, you think as you watch the sun set. Your sins are long behind you.

...this isn't how you planned to die.

No, not in this damn cave away from your girl, slowly choking on fumes, trapped in by a cave in.

Somewhere, distantly, you can hear that good for nothing hero laughing like old Saint Nick himself, shouting to the world his victory.

It's not even his, you think stubbornly, because you won't give him the victory of thinking your death is his to brag about, it's this damned fire and these damned rocks.

You were so, so close. You've killed dozens of men just to get in this gods-damned gold mine and steal a couple nuggets for your girl, and you almost made it out.

This is how you'll die, all alone here choked by a fire.

Oh hells. If you're going to die you might as well die by the hands of a man who's actually worthy of the kill.

Shakily, you lift your hand.

This world was shit. Hope the next is greener.

☾⋆☆⋆☽

"Ah, oh god, fuck off!" Tyler shouts, and despite all that fight to shove your lips off his chin and his face, he's laughing.

"What, am I not pretty enough for ya, darlin'?" You pull him closer with warm–noticeably not scalding–hands at his waist, puckering your lips playfully at him.

There's black makeup, soot, over your face: on your cheeks, 'round your eyes, on your forehead, everywhere.

"Go boil your shirt!" With one shove, he pushes you so hard you fall into your vanity chair. The flimsy old thing rocks from side to side before settling back down with your weight on it.

You roll your eyes, picking up a makeup wipe once stabilized to begin cleaning yourself off. "If you didn't like me, you just had to say so."

"Don't be like that." Before you can answer, he's turning your chair and sitting on your lap, though when you try to kiss him, he pushes you away again. "You're not done yet, cowpoke."

You huff and whine, and you'd kick your feet if you could, like it's the worst shame in the world.

"Don't pitch a fit at me." He points a finger at you and you laugh in turn.

"No, of course not, darling."

Tyler waits patiently as you wipe the makeup off, realizing as he does that he's been through worse shit: the biggest tornadoes, the harshest thunder storms, and the stickiest mud. Although to be fair, he hasn't had mud that transfers as easily as this cheap makeup does on his face before.

"That good enough?" He shakes his head, prompting you to huff and wipe your face again. "Now?"

It's still not good enough for him. Fortunately, he snatches up the wipe and passes it over your face himself. It feels as rough as a cat's tongue or your dad hosing you down after you tracked mud around the house, and you're fixing to speak your mind about it.

"There you are." Tyler's face emerges from behind the wipe, a wide, teasing smile on his face that tells you he was wiping you off longer than he needed to. "Apple-pie order."

His lips are on yours right after that, drowning you with a toad strangler of love. Your complaints die out right on your tongue, because how could you ever be mad at him?

Answer is: you can't.

☾⋆☆⋆☽

ɴᴏᴛᴇ: i watched this movie in spanish so i don't know what tyler's cowboy nickname is in english and i've also forgotten some details in the movie (ex: if it was mentioned that scott and javi are ex-boyfriends, i literally did not notice until i read the wiki)

[domoz]

Another drabble trade with @doveywovy, this one had the prompts 'Blessed' and 'Forbidden Technique'

Technically, all of the techniques unlocked by the mangekyo are forbidden.

A few generations ago one of Izuna's ancestors went through the painstaking process of trying to document just how severe the vision loss caused by each technique was. Not a single one could be used without damage.

(Shortly afterwards, that ancestor tried to catch the entire clan in a genjutsu and died from the chakra drain -- the notes Izuna had read had posthumous notes added with theories about how the mangekyo might affect the mind as well.)

But for a shinobi, being forbidden does not mean a true ban. The label stands only as a warning: Using this technique has consequences. If you are to use it, be aware of it. Izuna has heeded them -- he's never once used the higher abilities of his eyes, because if Madara is to have them someday they need to be in perfect condition.

He has Tobirama pinned at the end of a ravine. There's cover enough to make it defensible; normal fire won't do a thing here, and they're matched enough that Izuna can't be assured of victory if he tries to finish him with his sword -- especially when they're both as exhausted as they are. Every moment Izuna allows his opponent to catch his breath is another moment he might find an upper hand

It's not a quite snap decision. Izuna has imagined the easy victory he could win ever since he first manifested the mangekyo, he's just never allowed himself to act on it until this moment.

Ameterasu is the most self-damaging technique there is -- but he only needs to use it once.

The mangekyo manifests into his eyes with a dry burn, which quickly becomes a searing pain as Izuna pushes more chakra into them then he ever has before.

"Ameterasu!"

Black fire twists and flows. Izuna can see Tobirama's alarm at the new technique before the scene becomes blurry with the blood that wells from his eyes. He counters with water, as he usually does -- a huge wave of it, a panicked last defense that would have worked on any other technique Izuna could have tried. The suiton explodes into steam without slowing Izuna's black flames at all. It gives him enough space to wipe the blood from his eyes -- to see Tobirama burn.

Only there is no screaming, no scent of burning flesh. The steam drifts up and away and Izuna stares.

His fire remains, the pull on his chakra and the stinging of his eyes is proof that it's his, but it's changed. Where it's clung to Tobirama, the flames of Ameterasu have turned white, a corona of holy fire burns across his shoulders and makes the red of his eyes gleam.

They had been a sign, every Uchiha had known it. The second son of Butsuma Senju very well could have been blessed, but no one had ever tried to prove it. He's Senju. It was easier not to know.

Now Izuna has gone and given himself irrefutable proof. Tobirama is blessed by Ameterasu, so much so that her fires will not harm him.

(Izuna had always thought he'd seemed a little inhuman. This is just confirmation, really).

Tobirama tries to brush the fire away only to spread it to his hands, to drip from his fingers down his sword.  He's still wary, not yet ready to discard it as a genjutsu trick as long as he can't dismiss it, and Izuna must have some sort of expression on his face that makes him pause further when he sees it.

There's no time to catastrophize about what it all means. Izuna shuts his sharingan and the fires fade away, the sense of his chakra burning next to Tobirama's disappears and leaves a new emptiness behind. He sheathes his sword, bows, as though Tobirama is an honorable opponent, and takes the opportunity to retreat.

Izuna will just have to bring him home next time they meet.

[apod]

2024 February 19

Looking Sideways from the Parker Solar Probe Video Credit: NASA, JHUAPL, Naval Research Lab, Parker Solar Probe; Processing: Avi Solomon; h/t: Richard Petarius III; Music: Beethoven's Symphony No. 7, Second Movement; Music Credit: Wikimedia Commons

Explanation: What's happening near the Sun? To help find out, NASA launched the robotic Parker Solar Probe (PSP) to investigate regions closer to the Sun than ever before. The PSP's looping orbit brings it nearer to the Sun each time around -- every few months. The featured time-lapse video shows the view looking sideways from behind PSP's Sun shield during its 16th approach to the Sun last year -- from well within the orbit of Mercury. The PSP's Wide Field Imager for Solar Probe (WISPR) cameras took the images over eleven days, but they are digitally compressed here into about one minute video. The waving of the solar corona is visible, as is a coronal mass ejection, with stars, planets, and even the central band of our Milky Way Galaxy streaming by in the background as the PSP orbits the Sun. PSP has found the solar neighborhood to be surprisingly complex and to include switchbacks -- times when the Sun's magnetic field briefly reverses itself.

∞ Source: apod.nasa.gov/apod/ap240219.html

[first-edition]

Firework Confession

Billy Hargrove x reader

Sum-You take billy out to the firework show and he finally opens up to you about everything, his mom, his feelings for you and why it’s only you have cares about. 

CW- trauma, mention of abuse, kissing, cussing, mention of alcohol, use and mention of smoking, confession.

You giggle as you take billy by the hand and lead him over to the edge of the Parking structure. 

“Y/n think we gotta hurry.” He says chuckling at your actions. 

“fire works are starting in a bit we gotta get the best spot.” You say. You lean against the railing looking up at the sky all the stars and city lights beyond. 

“here you’re fucking stupid for not bringing a jacket.” He says taking his off as hes got a flannel under. He wraps it around you ceasing your slight shivering. The smell of his cologne and leather fill your nose such a comforting smell.

“I wish it was like this all the time.” Billy says you look over to him as he take out a pack of cigarettes and pulls one out. 

“like what?” You ask. He sighs placing one between his lips and shakes his head. He walks to his car grabbing a stray match and the two bottles of corona then walks back to you. He waves his finger telling you to come to him and you listen. 

He hands you the bottles before leaning close to your chest stricking the match on the necklace he used to wear but gave to you. He lights his cig putting the match you and blows the smoke out. 

“billy?” You ask. He licks his lips leaning against the edge. 

“like this you know…just me and you, no one to come in a fuck shit up? Im only….” He pauses. 

“im only like this, myself, with you.” He says you put the bottles down moving closer to him. As he drags out another breath of smoke. Blowing it to the side. 

“my uh..my folks they are the best people.” He says 

You already knew about Billy’s mother leaving and how its just him his father and max. His fathers current girlfriend living with them. 

“a couple weeks ago i told you dropped the bar on my side yeah?” He says you nod. 

“i didn’t. I am that stupid to do it but-my dad he like to throw me and max around. I take most of it so she dosnt get hurt but i cant always protect her. That’s why im always at yours.” He says you look up at him. 

“the black eye wasn’t football either?” You ask he shakes his head. You nod. A tear falls down his cheek. You reach your hands you brushing your thumb against his cheek and smiling at him. He sniffs and takes another breath if smoke holding it for a second before breathing it out.

“Billy..w-why didn’t you tell me sooner?” You ask.

“Its not important.” He says.

“Of course it’s Important!? You’re important. You’re important to me.” You say.

He chuckles shaking his head leaning against the railing.

“Damn baby you’re gonna make me blush.” He chuckles reverting back to his Billy mask.

“I mean it Hargrove.” You say lightly punching his chest your fist comes incontact with his pec and he takes a hold of your wrist keeping it there. Your fist open letting your palm rest against him.

“When my mom left she’d gone with no warning just one feat got up and left. She that was the first time my pops really beat the shit outta me. Max was just a baby…I remeber staying up all night in her room making sure he wouldn’t come in and do that same to her.” He says his fingers brushing against your arm. Once again inhaling before throwing the cig off the edge.

“When I saw Nate bothering you at the party I didn’t think much until he put his hands you. I didn’t want anyone, friend of or other wise to fucking touch my girl.” He says as you move closer to him a small smile forming on your lips.

“You’re so important to me. You’re kind to me and tell when what I do wrong without being a bitch, you take care of me and you’re..your so so good to me….I lo-“ you wrap your arms around his neck kissing him deeply he kisses you back just as soon as you do.

His hands grip im your waist. The loud boom of a fire work and a bright colorful light pulls you away as you look up at the show starting. Bill moves your face back to him keeping you looking at him.

He smirks looking down at you.

“I love you y/n…I don’t want anyone else telling you those words I just want you.” He says you smile placing you hand on his cheek brushing your thumb against his skin.

“I love you too billy” you take away your hand balling it into a fist and lightly punch his arm.

“Took you long enough!” You giggle he chuckles and nods.”

“Sorry.” He says gripping your waist pulling you into him pressing his lips against yours once more.

[thousandfourhundreddays]

52. “I’m worried about you” prompt with mason plz! Reader has come down really sick and mason is really worried it’s making him upset to see her like it…turns out she’s pregnant 🥰

DAD MASON INCOMING❤️‍🔥❤️‍🔥

A/n Heyyy!! Thank you so much for your request, I really enjoyed writing it. Hope you enjoy!!

P.s. my writing is always so soppy, I’m so sorry🫠

The Best Surprise

Your body scrunched over the toilet, the cool bathroom tiles against your knees a stark contrast to the thin layer of sweat that now covered your skin. You stayed still for a moment, not daring to move in case another wave of nausea came over you. You’d lost count of the times you’d found yourself in this position over the past week, you felt like you couldn’t go more than a few hours without having to rush off to be sick, and between that, you’d never felt so drained in your life. You’d put it down to a bug, with the weather turning cold, you’d assumed it was a pre winter virus you’d caught, despite the constant post corona paranoid hand washing. Tears slipped down your cheeks as you eyes began to water, a burning feeling settling in the back of your throat. Your mind felt hazy, a familiar sensation over the past few days, before you suddenly felt a warm hand rest against your back as Mason began to rub calming circles against your skin. Only stopping a few seconds to tie your hair back with a hair tie that’s he’d now taken to keeping on his wrist for this exact reason. He’d subconsciously fallen into a routine since you’d been ill, every time remembering to tie back your hair, staying by you side until he moved swiftly to get a glass of water from the bathroom tap, encouraging you to get rid of any clothing that might make you too hot, but keeping them close by for when your sweat inevitably became a cold one.

Once you felt sure enough that the sickness has passed, you let yourself topple backwards, clumsily resting against the bathroom wall, keeping your eyes closed firmly in an attempt to fight off the dazed sensation that clouded your body. Mason brought his hand up to brush any stray strands of hair from your face that’d fallen loose due to his awkward makeshift pony tale as he crouched in front of you, His hand drifted to you cheek as he ran the back of his fingers over your skin soothingly, letting you lean into his touch.

“Do you need anything” he spoke softly. He’d realized a long time ago that asking ‘are you ok’ was pointless when you’d just heaved up the whole contents of your stomach not even thirty seconds ago.

“No, I’m ok” your voice was weak and horse, and summed up exactly how you were feeling right now.

Mason simply let out a sad sigh. He must admit, he felt a little lost as to what to do at this point. He didn’t want to annoy you, but he couldn’t watch you go through this any longer, and he definitely couldn’t hear you tell him that you ‘just have to let it pass’ again.

“I’m really worried about you, babe” he whispered

You knew he was right, and you definitely couldn’t take feeling like this for any longer. Letting your eyes flutter open, your brows creased as tears began to stream down your face, a mix of exhaustion and frustration and a million other feelings taking a toll on you.

Tiredly, you nodded your head, and you didn’t need to speak a single word for Mason to know that was your way of agreeing to get some help. Relief washed over him as he moved to sit next to you on the tiles, wrapping his arms around you tightly, holding you close to his chest whilst placing a soft kiss to your hair.

-

Mason managed to get you an emergency appointment at the doctors later that day, what persuasion techniques he used on the receptionist, you didn’t want to know.

He drove you to the doctors and insisted he came in with you. You told him he didn’t have to but secretly, you were relieved to have him with you.

-

And just over an hour later you were back at home, sat side by side on the sofa, shocked.

You were pregnant.

The drive home had been quiet. Mason grasping your hand tightly, refusing to let go as he drove you home as your doctors words played on repeat in your mind. You couldn’t quite describe the feeling, uncertainty sat in the pit of your stomach. The chance of you being pregnant hadn’t even crossed your mind. It hadn’t been anything like you’d imagined, there was nothing magical about the way you’d felt over the past few days, not like other people describe when they’re pregnant so the possibility never even occurred to you. You’d felt nothing but weak, drained and exhausted, but your doctor had assured you that it would get better after the first trimester. You couldn’t even begin to bring yourself to think about trimesters or baby scans or birthing plans yet. Of course, you’d thought about the prospect of having children, those frequent late night conversations about your future whilst wrapped up together in the duvet often ended in discussions of baby names and bets on whether you’d have a boy or girl, but you didn’t think those plans would come so soon. At the ripe age of 23, you were both at the peak of your careers, often skipping a good nights sleep for a night in town, stumbling home to eat a takeaway on your living room floor whilst watching a film with a target audience of an age at least a decade younger than you.

But beneath that lingering fear, there was the most undeniable love, stronger than you could ever imagine. And god you couldn’t imagine doing this with anyone other than your Mase.

You turned your gaze towards Mason, him intuitively doing the same. His eyes glossy with tears, mirroring your own, both of you overwhelmed as you both let out shaky, synchronized breathes, and for once, you were unable to read him. Until, he caught his bottom lip between his teeth, trying to withhold the grin he so badly wanted to let out, desperately trying to read your thoughts the same way you were, but he couldn’t quite hide the way his lips tugged at the corners, finally giving you an insight to his thoughts. Your shaky breaths faded into a bewildered laugh.

“We’re having a baby” you breathed, almost trying to get used to the unfamiliar words,

Instantly, Mason pulled you into his arms, holding you impossibly close. Resting your head against his chest, you felt his body begin to shake as he cried the happiest tears he’d ever shed in his life.

Reluctantly pulling back, he held your face between his hands as he brought his lips down to yours, the kiss so full of love and pride and excitement for what was to come and suddenly, timing didn’t matter. Everything felt perfect as you sat soaking in the realization that you were having a baby with the love of your life.

“This is the best surprise ever” he whispered against your lips, his voice barely a whisper, words kept for just you, him and your baby.

“The best surprise”

[lanitaminaj]

lolita ౨ৎ

in which the reader finds herself crushing on her dad's best friend, miguel o' hara.

cw: sexual themes

the first thing you noticed about him was how beautiful he was.

he was tall, for one. his body length towering over the silver-shining refrigerator in the kitchen. although he was fully covered, you could see the indentations of his pectorals and his abdomen muscles peeking through his royal-blue pressed t-shirt.

he was talking with your dad in the kitchen, the two men hunched over the marble-designed island as they casually talked. they held corona bottles with limes on the rims, the men occasionally taking sips in between their words.

they hushed, however, when they heard you pad across the sycamore-wood flooring as you halted just ten feet away from them.

"papi," you voiced to your father, yet your eyes took frequent glances of the taller man. "can i go out tonight?"

"en español, mi amor."

"ugh," you huffed, rolling your eyes right after to further show your annoyance. your father exchanged an "ay," but you didn't yet notice how your dad's friend's eyes darkened at your action.

"jessica quiere que yo salgo con ella." jessica wants me to go out with her.

"y tu tarea, te acabas?" your dad asked, taking another swig from the bottle. and your homework, did you finish it?

"si, papi," you nodded your head cheerfully.

your father sighed, another swig from his corona taken. "bien," he spoke, waving his hand as a dismissal. "pero te quiero que tu regresar a las doce. tu me oyes?" but i want you to return at twelve. you hear me?

you squealed, sprinting over to hug and kiss your father's cheeks. "gracias, papi!" you sung, practically running out the door as you heard your father screaming at you to "tranquillate!" calm down.

your father sighed once again, the man downing the last of his bottle as he looked up to stare his smirking friend in the eye.

"hijas," your dad said, shaking his head with a hint of a smile on his lips. "tú sabes cómo es, miguel."

miguel's eyes, which were mischievously squinted, had suddenly softened. his smirking lips pressed against the lip of his corona bottle had then been pulled into a frown.

"si, chamaco," miguel responded, his hand gently placing the half-empty glass bottle on the marbled island. "yo se cómo es."

yes, kid. i know how it is.

-

the second time you've seen him was on a hot summer day in queens.

you were sitting on the porch outside of one of your friend's houses, eating from a melting vanilla ice-cream cone as you watched the men at work. they were pouring and flattening cement on the potholed-filled road, the men all sweaty and gross and dying.

you, on the other hand, was adorned in the cutest outfit as you rested; a floral-printed sheer tank top, a sky-blue denim mini-skirt, and a pair of strapped white sandals.

miguel took a peak at you from across the street, a smirk growing on his lips as he watched the angelic vision of you resting peacefully on that porch. he approached you, the bubble of his gradual form growing closer and closer was obscured by the darkness of your blackened sunglasses.

"chamaca," he greeted once he approached you, a friendly smile growing on your lips. "what you doing here?"

"my dad didn't tell you?" you responded, taking another lick from your ice cream. miguel's eyes were trained on your tongue. "i'm grounded."

those words made miguel's eyebrows shoot into his wrinkled forehead. "grounded?"

"yeah," you waved your hand nonchalantly. "for some dumba- for some stupid reason."

"no, i mean, aren't you an adult?"

"what? oh, yeah," a hint of a laugh escaped your ice-cream coated lips. "i'm in college and everything but, you know my dad. he still thinks i'm still a little girl."

miguel's smirked softened into that of an endearing one.

"speaking of your dad," miguel crossed his arms across his chest. "you know he's not here, right, chula?"

the way he pronounced the nickname, like velvet slipping off his tongue, made a shiver go down your back.

"i know," you answered, your legs bouncing off of the porch as your shorter frame stood to meet miguel's impossibly taller form. "i'm not allowed to walk home alone for a while by myself, so..."

miguel laugh-snorted, before pointing his head towards the direction of her home. "cmon, kid," he spoke, his lengthy legs striding down the street as you followed behind him. "let's get you home."

you trailed him, the slightly-heeled soles of your sandals slapped against the concrete-pavement of the sidewalk. you burned your eyes into the back of miguel's figure. your eyes entranced by how built and muscular his trapezius muscle was. you felt yourself blush a bit, your conscious forcing you to blame it on the hot weather.

"how's school?" miguel questioned, an attempt on his part to stifle an awkward walk home.

"it's okay," you shrugged. you managed to catch up to him, the pair of you walking side by side now. "i finished my prerequisites, so now i'm just waiting on the next semester to start."

"congrats, kid," he spoke, a sincere, closed-mouth smile on his lips caused you to smile again.

it was there when you really took in his features. you could tell he was older, the subtle wrinkles on his forehead and the hints of silver-streaked tresses peaked through his cocoa-brown hair. but, that didn't take away from how beautiful he truly was. his hair had volume and was pushed back, reminding you of a 1960's hollywood actor. his eyebrows were thick and long, and sometimes they furrowed when he was heavily focused in a game in dominos with your dad. he had prominent cheekbones, and his nose. your favorite part about him was his nose. you loved how long his bridge went, and how slightly wide his nostrils were. you told him once that he had a nose "como una zanahoria," a carrot, but you hoped he knew you were just joking. and his lips, his full, salmon-pink lips.

you wondered if miguel knew how beautiful he was; how his chestnut-brown eyes could make grown women swoon at him, or how his voice could make even the most menacing tiger bow to him.

he watched you stare at him, not realizing how the both of you had stopped walking. you both stood in place, his almond-shaped, tired eyes meeting with your sparkling, adorning pair.

"what you thinking of, hm?" miguel muttered. you could see the playful twinkle in his eyes. "i got something on my face, nena?"

"no," you retorted, your voice barely above a whisper. you made yourself shake your head, an effort to shake off whatever trance miguel had unknowingly put you in. "it's just..."

"just what, chula?"

you stayed silent for a few beats, before you averted your eyes to look at the pearl-white straps on your shoes. "nothing," you eventually said, your legs resuming the stride to your home with miguel hot on your tail.

at last you made it to your house, your hand dumping out the little remainder you had of your ice-cream cone out in the garbage can just outside the buildings home.

"thank you, migs," you thanked the man, your body already ascending up the porch's stairs.

"no problem, mama," he shrugged off. "just be good." taking off, the man halted just as you inserted the key to the door.

"hey, kid. what exactly did you get in trouble for?"

with the most delinquent smirk on your face and an inkling of a laugh about to escape your lips, you answered miguel in the sweetest voice he'd ever heard.

"neighbors caught me fucking their son in their yard and told my dad. how stupid is that?”

-

the sexual thoughts didn’t arise until july.

your uncle, your father’s brother, was hosting his annual summer party at his long island home.

your father, your uncle, and some other men were gathered around the backyard’s pool. while your dad was grilling some hot dogs, you could see your uncle, from your inside view of the glass-pane sliding door, smoking weed on his pool-side chair.

meanwhile you, sitting inside the air-conditioned living room with your cousins, ate your cherry-flavored popsicle as you listened to them gossip about some recent family drama. you froze, however, when your bambi eyes landed on him.

apart from the maroon-red swimming trunks he wore, he was bare from any other clothing. the protruding abs that always peeked out from underneath his thin shirts were on display now, his stomach shiny from the pool water and from the sharp ray’s of summer’s sun.

he held a cigarette in his fingers, his canine-teeth on display as he laughed at whatever joke your uncle had made. telepathically, his cocoa-brown eyes seemed to find yours, a glimmer in his irises as he did so. he winked at you, the corner of his lips pulled up as he watched you shudder from his simple action.

“y que pasó, mami?” your older cousin, giselle, noticed the sudden shiver racing down your spine. “too cold?”

“no,” you shook your head, your eyes facing your ruby-red polished toes before they glanced up, miguel’s backside facing you as he conversed with another one of your uncle’s guests.

mariana, your second older cousin, trailed your sight of vision before she cracked a smile on her pink sugar summer friday’s lip-balm adorned lips.

“que guapo,” she purred, her tongue poking out from her teeth as she laughed. “wait, he’s not one of our uncles, right?”

“no, stupid,” giselle smacked her knee. “that’s the guy her dad brought. he is mad fine, though. where y’all found him at, hm?”

“ask my dad,” you simply shrugged, swallowing the rest of your cherry-flavored popsicle that you had left.

eventually, the three of you joined the men in the pool, laughter and screams erupted from each other’s lips as you splashed at each other all afternoon long. after the sky began to turn a shade of tangerine-orange, however, the party was soon called to an end.

your older cousins had disappeared somewhere upstairs, a majority of the guests all thanking your uncle for the party as they ventured away in their ford trucks and honda’s.

your father and uncle were conversing about whatever inside the house, while you leisurely laid underneath a baby-pink towel on the lawn.

“hey,” a familiar velvet, resonant voice called out from above you.

laying on your back, you pulled down your raven-black square-shaped sunglasses just to fight back a gasp.

there was miguel, of course, standing above you with an amicable smile on his full, pink lips. his abs were regrettably concealed by a baggy, white shirt. he was still wearing the maroon-colored shorts, but now there was an obvious, huge tent in them.

diós mio. you were sure from his smirk he noticed how your neck bobbled as you swallowed. he moved toward your side, crouching as you rested up on your elbows to meet his eyes.

"you tanning?" he questioned, an eyebrow raised as his eyes drifted towards the becoming sunset.

"drying off," you shrugged. "i'm working with what i got here."

he chuckled, before his eyes found themselves glancing at your father and uncle. he got up on his feet, the sudden action causing you to get up yourself.

"you're leaving already?" you slightly pouted, an act you didn't realize you were committing but an act that miguel's eyes refused to unrecognize.

"party's over, cariña," he uttered, his fingers slipping a piece of loose hair behind your ear. "and your dad and i got work in the morning."

"i know," you whispered. miguel's rich voice whispered back little shh, shh, shh's, the same fingers trailing from your ear down to your chin. he held your gaze, his eyes narrowing while your own pair softened.

"no te pongas así, mamita," he purred. don't be like that. "what's got you upset, hm?"

"i'm not upset," you let a little laugh escape through your teeth. "i'm just used to seeing you around now."

"yeah?" miguel puffed his own laughter out through his lips. "don't worry, nena. you'll see me around more."

"really?" your eyes twinkled. he playfully flicked your chin before he smoothly pulled away.

"really," he parroted. his towering frame strode toward's his navy-blue chevrolet truck. "tell your dad i said thanks for inviting me. see you, chamaca."

"bye," you waved off, watching him get into his truck as he drove off.

your dad came out from behind you, his hand shutting the glass door behind him shut.

"hey, amor. ready to go home?"

-

that night, after your long shower, you laid peacefully still on top of your bubblegum-pink silk bedsheets. your hands were rested on your slightly bare stomach while your legs were crossed.

you thought about the events from today. the party, your cousins' gossip, miguel.

miguel.

the memory of his abs shining from the sunshine, his bare shoulders and chest, his hardened print protruding from his swim-trunks.

you couldn't help it. it was all too much.

you didn't realize when your fingers started to trail downward, the tips of your nails trimming the pear-white lacy ending of your olive-black cami-silk top. your fingers slipped underneath your matching silk shorts, a quiet gasp escaping your lips.

the thought of miguel left you soaked, your mind racing with the reminders of the little nicknames he gave you, the way his voice deepened when he spoke to you.

your fingers traced the growing bud that was between your thighs. little breaths left your mouth as you circled around it, carefully applying pressure as you did.

blood rushed to your ears, your cheeks glowing in a hue of rosy-pink as your eyes squeezed shut. your thighs spread wider, your fingers rubbing faster as your unoccupied hand pulled down your cami top to let your tits be hardened by your room's cool air.

your mind was racing with pictures of you and miguel. you thought about his lips on yours, your hips sitting on his lap while his hands caressed your side. you thought about his mouth on your tits, the way he'd groan and curse when your cunt squeezed around his cock.

"coño," he'd whisper in your ear. "como una pinche zorra."

harder, you'd rubbed. your other hand raised up to play with your tits, your bottom lip caught between your teeth as a beg to yourself to not make any noise.

it didn't take long for you to unravel; slipping your middle and ring finger inside of you, your eyes went lax as your lips formed a little 'o'-shape. you pretended they were miguel's cock instead, his dick fucking roughly into you as he filled you up completely.

"take it," you pictured him growling to you. "eres mía."

"eres tuyo," you'd whine, your body going rigid as you came around your fingers. your chest heaved as deep breaths puffed out your lips, your thighs fluttering as you came down from your high. pulling your fingers out from you, you saw how they were coated with a mixture of an iridescent-shine and an eggshell-white cream.

fuck.

-

you didn't realize how bad it would hurt.

since your first trimester of your second year in college began, you've found yourself talking to this boy from your english class. he was sweet, of course, the boy taking the time to court you with baby breath flowers and two tickets to watch priscilla. you thought all was good, even taking the time to get dressed in a cute two-piece outfit; a linen-white skirt and cropped-vest top which you styled with a white bow in your hair, ankle socks, and some academia-inspired onyx-black loafers.

you found out just this morning, however, that he'd gone back to his ex.

you should've know. you should've know since he mentioned he just got out of a relationship, how he couldn't stop talking about his ex for fifteen minutes straight. but he was so sweet, so you overlooked the possibility of him seeing you as just a rebound.

so of course, it stung.

walking home, you opened the front door with tears prickling in your waterlines as you were consumed in your thoughts.

"hey, chamaca," you heard a voice call out from your dining room, but you were too distraught to even face the owner. you plopped your bag down near the sofa, rushing to your room as the same tears threatened to fall.

"chamaca?"

you practically jumped on your bed, not even bothering to kick off your shoes or unclip the bow which was stabbing the back of your head. you sobbed, your arms cradling your cotton-soft lacy trimmed pillow as you buried your face into it. faintly, you could hear rushed footsteps approaching your door, the sound suddenly halting before they resumed their way to you.

"oh, nena. qué pasa?"

you felt a dip on your bed beside you, a sudden warmth masking you as you felt yourself being rolled onto your back. through your watercolor eyes, you could see the silhouette of a familiar figure with broad shoulders and that signature pushed back, somewhat curtain-styled chestnut-brown hair.

"miguel," you hiccuped, letting yourself be pulled into the man's lap as his strong arms held you.

"what's wrong, baby?" he let slip, the affection going unnoticed by either of you. "what's got you crying?"

"a boy," you cried. "why are you here, where's my dad?"

"your dad's at the corner store and he told me to wait here until you got back safely. now tell me, a boy hurt you?"

"mhm," you whimpered. "he left me for his ex. i thought we were so good."

"i know," he soothed. his arms rocked you seamlessly, the action bringing him memories of him from a different life. "let it out, chiquita."

for a beat, you allowed yourself to be calmed in miguel's thighs, his arms lulling you to sleep as he hummed sweet lullabies to you. your tears subsided, your breath evening out as your heavy gasps came to a stop.

"i just wished they wouldn't leave me," you confessed, your voice minimized to a whisper. "no matter what i do, no matter what i give them, it's never enough."

miguel's rocking ceased.

you peered up at him, your doe, watery eyes pierced into his softened eyes. "please don't leave," you begged him, your wobbly, clear-gloss coated lips pleated. "i don't want you to leave."

for miguel, looking down at the little bunny in his lap; your cheeks warmed from crying and your body shaking in his lap, his answer came from that of his utmost sincerity.

"i won't leave, cariña."

"you promise?"

without missing a beat, "te prometo."

[mslanna]

Who Has been Sleeping With My Shape?

Chapter 6 of Be My Guest now up at AO3

Once is happenstance. Twice is coincidence. Three times, is Raphael's kink.

The incident doesn't repeat itself for some time. Tav almost thinks they imagined it. But then it happens again the day the second intruder appears. Tav greets him, well-prepared as ever, but the high elf is haughty, above dealing with simple minions.

He insist on seeing Raphael, so Tav complies. He doesn't even see the hit coming that knocks him out cold. Tav drags the unconscious elf through the house by the scruff of his armour, greaves and boots bouncing and banging on the floor the whole way.

Since they have leave to disturb the devil under these very specific circumstances, Tav drags the elf right into the war council. Raphael actually preens, showing off his well-trained human. Despite their annoyance of being reduced to "the mortal" Tav feels a flush of pride. A small wave of pink that definitely shows on their face as Raphael takes the intruder of their hands.

"Well done." Rare praise from his lips and in front of an audience.

Tav tries to shrimp up into themself, embarrassed and unwilling to show the effect of two simple words on the colour of their face. "It is as we agreed," they get out, each word a stumbling stone on their tongue.

"It is indeed." Raphael lifts their chin with a clawed finger. His smile is mesmerising, indulgent and commandeering at the same time. "I knew we would understand each other."

In response, Tav only tries to nod, but their chin is caught on the fiend's finger and not moving. "Do you need me for anything else?" Tav tries to make him look good before the other devils while they fight the pull of his black-hole eyes. They grow deeper, coronas blazing at their words and it feels good to have found the right ones for once.

"Not now, my -" Raphael stops himself. "Not now. You may leave."

Dazed, Tav turns and leaves the room, acutely aware of the many eyes following them. The door falling into its lock behind them is a blessing. Tav takes a deep breath and returns to their room. The set of armour returns to its place in the wardrobe and they fondly run their fingers over the metal that always feels a little too warm to the touch.

Later that day, reading a most gory murder spree for later sharing with Haarlep, Tav feels it again. A soft tingle, the caress of warm air, almost non-existent. They slap at it like at a bug, which doesn't help. Without wine to dull their senses, Tav sits it out, squirming on the chair they fled to from their comfortable nest.

Some patron must have really liked their performance. Tav winces. But neither ignoring the recurring hints of touch work, nor does concentrating on something else. At least this time the end is clear, like a soft kiss to their very core resolving all hidden tensions. Tav buries their face on their arms and can't even cry. This, they chose themself; this, they brought on themself.

They carry on best as they can, but even Raphael notices they are distracted and dismisses them from their literary skirmish sooner than usual. That hurts. Tav enjoys the conversations on the balcony, battling with words over words and none of it of consequence. They pull themself together and leave dejected.

Haarlep offers no explanation and Tav is not keen on divulging which of the attending fiends fond interest in their shape. At least they are safe at the side of the incubus. While they share their gory novels with giggles and bloody jabs, nobody else can demand Haarlep’s services.

"This is not very well researched," Haarlep chuckles. "How much blood does the author think an average human holds?"

Tav lies on their belly, chin propped up on their hands as they read to the incubus. Not a necessity, but fun. They like doing the voices and Haarlep is a grateful audience. As long as they can drag for inaccuracies of which there are many. "At least 15 litres by the descriptions so far." Tav rifles back a few pages.

"Plus a major organ punctured and the blade removed."

"For an extra five litres of blood," Tav nods.

"Alright, go on." Haarlep nudges them. "But be aware that poor Adoralina is dead at least two times over by now."

"Somebody should start a fund for the cleaning crew." Tav runs their finger down the page to pick up the story again.

"Maybe get some spawn on it? I heard you know of a hand bunch?"

Tav giggles into the pages, wagging their feet in the air. When a voice behind them booms, head and legs drop flat.

"What is going on here?" Raphael makes a strategic pause after the first word and comes towards the bed with long strides. "Haarlep?"

On the one hand, Tav is glad to be out of the line of fire for now. On the other hand it burns to be so ignored. They turn to their back and glare at the approaching devil. "What does it look like?"

"It looks like you are wasting Haarlep's precious time," the devil snarls. He takes in Tav's figure rolled out over the red sheets, book pressed to their chest.

Under the devil's glare, Tav might as well be naked. They hold the book tighter though it doesn't even cover anything important. Black and gold eyes lie on them heavy enough to force the air from their lungs. Tav swallows, ready to defend themself and Haarlep but the incubus is faster.

"As we are want to. Tav and I share delight in literary exploits. Maybe not on the same level of, ah, learning as you do." They open up their front in a peace offering. Raphael does not take it, though.

"There are patrons waiting," he says and points towards the closed curtains. "Patrons who will leave, unlike our – little house guest."

"Alright, alright." Haarlep rolls over seductively, showing off all assets their body has to offer. "Just mentioning here, that usually Tav gets a whole hour of my attention and we are way under."

If devils could turn red, Raphael just might have. "You will do well to remember your station, incubus."

"Oh, but I do," Haarlep smiles easily s they help Tav off the bed. "At the beck and call of every wish our little mousling may have. And humans have such interesting needs. You leave now, dear. We will continue the physically impossible exsanguination of Adoralina Bellheart at a later time."

"Okay," Tav mumbles. "Sorry."

"Don't fash you little head about the inscrutable problems of fiends. It will only give you a headache."

Tav only winces a little, when Raphael's hand descends between their shoulder blades to lead them away. "I will take better care in the future, I promise."

"You, I will forgive," the devil growls, "but Haarlep knows better. The war has many fiends on edge and there is a very easy way to smooth things with them. What are the needs they alluded to?"

Tav tilts their head but Raphael looks straight ahead. Still his presence is somewhat comforting in a boudoir brimming with fiends – some of them making their own entertainment, none of them wearing anything. "Companionship, I guess? I talk a lot when the day is long and every day here is long."

Raphael drops his hand from their back. "Is that so."

"I am not blaming you, as you said, war." Tav shrugs. "And-"

A devil prowls past without a care in the world, almost tripping into Tav. A protective wing snaps up around them, pushing the wayward fiend aside. Tav moves closer to Raphael. "Thank you." They didn't like the look on the other devil's face one bit and are glad to pass into the corridor.

Raphael doesn't leave them though. "To the library?" he asks, scanning the hall for more rowdy patrons.

"Yes, please." Unthinking Tav slips a hand into his. "They usually leave me alone. Maybe I should remember how heated tempers are next time I hog Haarlep."

"Nobody will dare touch you in my house," Raphael assures Tav. "If anybody oversteps their boundaries, you let me know. Immediately."

Tav nods. "I will. Thank you." They smile at the devil at their side, But Raphael still stares straight ahead. "I will see you later then?"

Raphael snaps out of whatever reverie he was caught up in and looks down at them. "Later, yes, as per usual."

"Great." Tav smiles. "Looking forward to it."

They catch themself just before rising on tiptoe to peck him on the cheek. A most inappropriate urge that only abates when they close the heavy door behind them. That was close. One day they will slip up and that will likely earn them a claw down the face. If Raphael feels lenient.

For days Tav has dropped little signs, like saying they look forward to seeing the devil again and he picked up on none. All he eve does is lay those black eyes on them with the weight of the universe behind the gaze.

With a sigh they sit down to read. But Tav's mind can't settle. Something is nagging at the back of their mind. After reading the same paragraph three times, Tav gives up. Maybe a nap will help. It's not as if there is anything to miss.

As soon s Tav stands the nagging feeling returns with a vengeance. The familiar ghost of a touch is more insistent than ever. Where at first it was but the memory of wind, the touch now hones in, seeps with practised ease under their skin and moves through their body with singular intent. Tav finds themself lurching as the feeling crests inside them.

For a moment they close their eyes to gather themself. Never before has the experience been so intense. They can almost make out fingers in the caress ghosting over their skin. And the feeling lingers, does not retreat as it used to but builds up again. Tav curls both hands around the backrest of the chair and tries to breathe deeply. They give up on the idea of walking anywhere, least of all out in public.

Aeons pass until the touch vanishes with a last deep impression. The lingering longing makes Tav's face burn. This is not tenable. It doesn't matter who wanted their shape for whatever reasons. It needed to stop if they are to function properly. It needed to stop, full stop.

It is something to bring up to Raphael later. The thought of that conversation keeps Tav's face from cooling down for a long time.

[katakaluptastrophy]

So we all know how Ianthe became a Lyctor for “ultimate power—and posters of [her] face.”

And I'm sure someone made a nice icon.

But you know who would have definitely gotten a poster of their face? Coronabeth.

Think about it: every House but the Ninth has lost a scion. In a culture that thrives on melodrama and the conspicuous consumption of death, there is a wave of hysterical funerary fervour to mourn their lost leaders. And the Third - the House of glitz, trendsetting, and political intrigue - has lost its beloved Crown Princess.

We don't know a huge amount about funerals in the Nine Houses, but we do know a bit about Third House funerals:

The front coffin is distinguished from its fellows by its gorgeous arrangement of flowers and wreaths. The flowers are all in hues of gold or violet, and are fake. The coffin is hinged open at the front, with its contents hidden from view by the flowers. A tray of meat is rested on the closed bottom half of the coffin. A queue of gaudily masked mourners process past the coffin, slowly, each one taking a strip of meat, then stopping by the head to lean within—kissing or feeding; we can’t be sure. - TUG

Apparently, a Third House funeral - unsurprisingly for flesh magicians - focuses on the physical. The reverence of/fear of/(lust for?) the body. A wake on steroids. But they received no body for Coronabeth. So I can only imagine larger than life posters of Corona decked with flowers, the weeping crowds surging through the streets of Ida, etc etc... Poor Ianthe, second place once again to a 'corpse'.

Moving past Ianthe to House funerary customs in general, and to the awful aftermath of the Lyctor trials in particular, it seems especially unfair that neither of the flesh magic Houses got a body back to mourn. Obviously Corona wasn't actually dead, but for those who believed her to be, the lack of a body for such visceral funerary rights must have been traumatic.

We don't have as many details of Seventh funerals, but the House famous for it's "beguiling corpses" likely also focuses much of its post-mortem ritual around the body. Dulcie suggests that the deceased might even leave specific instructions in their will about the appearance of their corpse:

That drawing looked nothing like me. I loved it. You don’t know this so it doesn’t help, but I included it in my will and put down that I wanted to look like that after I died. I thought maybe it would give you a laugh at the funeral, you know? - TUG

Meanwhile, the Fourth, Fifth, and Eighth receive their perfect pairs of "statuesque and incorruptible" bodies, preserved beyond the wildest dreams of the Seventh. These Houses are all spirit magicians. The Fourth, for whom thanergetically detonating oneself on a battlefield far from the rays of Dominicus isn't unheard of, almost certainly have funerary rites that don't presuppose a body. And the Fifth, whose necromantic practice is far more concerned with the spirit than the body, likely centre their most significant funerary rites around the ghost.

Y'know, the bit they don't have? Just as the flesh magicians of the Third and Seventh would have been unable to mourn their lost scions with rites around the body, the Fifth would have been unable to call their ghosts, trapped in Harrow's River bubble.

So amidst all the grief and awfulness, and the Emperor refusing to answer any questions about what happened (why are they all dead? Why are so many bodies missing? Where are the ghosts? Why are the bodies so creepily perfect?), half the Houses can't even mourn their dead in the way they normally would.

[drowning-in-cacophony]

Life Ring

Written for @flashfictionfridayofficial Prompt 265: galaxies away

She can still feel it, is the thing.

A constant friend, always dodging in her shadow steps. Wound around her as surely as barbed wire, every breath digging those spikes in a little harder. Her chest, a climbing frame for a painful plant, for gratefulness and horror all in one. So close, she can’t tell the difference between them.

A hand on her wrist – not his. It reminds her of his, the way it’d cup to her waist, fitting to the natural curves of her body like that was what it was designed to do. Its whole damn purpose, to hold her, and the way he’d beheld her would always make her certain that’s what he thought to. Her ears too bear their ghosts. The delicate swallow of his throat, always dry mouthed when they were alone. The soft flutter of his lashes, the softer twist of his lips, and the way her heart would thump just to bear it. She feels it, and she feels it, what they did.

The cord they’d put through their rib cages, a tugging security, connecting them through any wave. With this, we’ll always find our way back to each other, he’d whispered down her ear one colder day, where the chill had tried to work its way down the neck of her flight suit and been vanquished with the heat he’d flushed up against her jaw. Their life-ring, for someone cast overboard in a storm. Their panic soothing connection, keeping them secure throughout all the dangers thrown at them. How she’d wrapped her hand around it once, when he’d slipped off his ship and plummeted stranded in the mountains – she can still feel the relief he’d put between her teeth when she’d stumbled into him. How he’d yanked her surely to safety as she’d taken her dive off the viewing platform, narrowing avoiding the clouds of billowing smoke. Their insurance. Their guarantee, but the thing is she can still feel it, and-

Galaxies away. Wormholes tattered, skies painted a myriad of different shades. The viewable universe reversed for them both: what is dark to her is light, and her light his shadow. Galaxies away, a ferocious gorge never to be crossed. Their presence irrevocable.

She feels it. The cord looped through her curving bones, buried so deep in her that removing her end would just tear out her heart. The cord stretching, sinew pushed past the point it was ever meant to go, a permanent strain keeping her ever aware. Across a universe, the one who owns every emotion she’s ever wanted to breathe life into. Across a universe, someone who needs her to pull him back. It shouldn’t be like this. It should have broken, shattered like their hearts, rebounded with a shocking crack. Yet she’s here, feeling it, every second of a counterweight she will never hold in her arms again.

It hurts, is the other thing. It hurts, a constant tightening her muscles so much she’d not be surprised to see scars embedded into the flesh. She stares over a different viewing platform – this one with two suns lashing down at the glass, a kaleidoscope to dazzle sensitive eyes and the prettiest thing she’d ever seen was the sunrise reflected in his shiny coronas. She brushes the spot under her ribs, delicate dancing fingertips to contrast the raw hole she’d bored into herself the moment she’d ran where he’d pushed.

She doesn’t know if it’s a comfort, the cord. It could be: knowing he’s out there, still beating and yanking for her.  But it could be a horrible reminder even more, that he’s out there somewhere and she will won’t see him again.

Her eyes sting.

Maybe somewhere out there, he’s feeling the exact same way.

[itsgerges]

Best Regards

There's A Light Beam Moves By Speed 1.16 million km per second

or

or

Abstract

Preface –

If the speed 1.16 million km per second is Not Measured, How Can Prove It?

The planets data analysis proves it-let's explain how this method works

Example No. (1)

The moon daily displacement =88000 km and during 29.53 days, the displacements total be = 2.598 million km = 2π x 413600 km

The data tells the moon orbital apogee radius should be 413600 km and the moon must revolve around the Earth through this orbit (413600 km) along month and can't revolve around the Earth through any more near orbit!

Not Facts because -the moon orbital apogee radius =406000 km and the moon revolves through more near orbits and reaches to the perigee radius (363000 km)! 

How Can The Moon Do That? The intelligent moon creates an angle (θ) between its motion direction and its orbit by that the real displacement (L) through the orbit be (L = 88000 km cos θ), that causes the real displacements total be less than (2.598 million km) and enables the moon apogee to be decreased from 413600 km to 406000 km-

 

Example No. (2)

The physics book tells the sun rays are created by the sun nuclear fusion- I refuse that

My theory tells – The Sun Rays Are Created By The Planets Motions Energies Total- The Sun Is Not Doing Nuclear Fusion To Produce Its Rays

Instead the planets motions energies total is used as the source of energy for the sun rays- means- the planets were found and revolving around a point in space and the sun is created later on this point of space- No planet moves by the sun gravity- also the sun doesn't create a gravitational field and the gravitational waves are produced by the planets motions energies-  

That explains why the sun corona temperature is (5 million Kelvin) but the sun surface is 5800 Kelvin!? Because the energy is Not produced by the nuclear fusion but by the planets motions energies total –means- the energy is Not come from the sun mass to out but the energy is sent from the out into the sun mass- by that the corona temperature is the energy from which the sun surface temperature is created. 

Let's summarize this theory here

Planet motion produces energy (1/2mv^2) and this energy is stored in the space in waves form (the energy isn't stored in the planet because it raises its temperature) Means - the planets motions energies are stored in the space in waves form

These waves are the gravitational waves– means- the gravitational waves are produced by the planets motions energies and not by a gravitational field moreover  the sun doesn't create a gravitational field- my paper proves that

Let's explain how the sun rays is created-

The planets waves (the gravitational waves) are unified into one unified wave and this wave moves relative to the sun

The relative motion has two players (the first is the unified wave motion) and (the second is the sun point of space)

(the first player) The unified wave velocity equal the planets velocities total (176 km/s) but this velocity is increased by the planets motions energies accumulation- the planets motions use different rates of time to increase this wave velocity till be equal (speed of light =C= 300000 km/s) – means- this unified wave moves by speed of light (300000 km/s) relative to the sun point of space-

(The Second Player)- My theory tells – the planets matters and their distances are created from one light beam energy and the planets are geometrical points found on this light beam and move by this light beam motion- means - the planets are similar to ships on the sea of water they move by the sea waves motions- (and the planets velocities are less than speed of light because the planet use different rates of time for their motions) 

Here- the second player is the sun point of space and this point is a stationary point its velocity is (1 km/s = Zero approximately)-

Shortly- we have a relative motion between 2 players- the first moves by speed of light 300000 km/s and the second is stationary point (1 km/s =Zero approximately)

BUT

How can a stationary point be created on the moving light (or on the sea water)?

Before The Sun Creation -

The planets revolved around a point in space- the revolution creates two velocities on both sides, the two velocities are equal in value and opposite in direction- their total is Zero- means- the revolution motion design creates a stationary point in the revolution center-

The relative motion is done by the unified wave (176 km/s) relative to the sun point of space (1 km/s= Zero approximately= stationary point)-this relative motion stores the planets motions energies

we remember – the unified wave velocity (176 km/s) is increased by the planets motions energy accumulation till this velocity be equal speed of light 300000 km/s

Shortly- we have a relative motion between two players – the unified wave moves by speed of light (300000 km/s) relative to the sun point of space which moves by (1km/s= Zero approximately= stationary point)- means- this relative motion causes a motion by speed of light to be done by the gravitational waves – let's prove that

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article tells - the gravitational waves can move by speed of light and can produce A Light Beam–

Shortly- the article proves my theory that the gravitational waves move by speed of light (300000km/s) relative to the sun point of space

The Sun Rays Creation 

We have a relative motion between (the unified wave) and (the sun point of space) – the different velocity = speed of light = C= 300000 km/s

The energy is reflected in the solar system- the reflection of energy causes to square the velocities by that the speed (C=300000 km/s) is squared to be (C^2)- and from this value (C^2) The Sun Rays is created – means – the sun rays is created from the gravitational waves motions energies- the article proves that also 

My Theory Major Proof

My paper discusses many powerful proves- also – the logical reasoning is in my side and against the sun nuclear fusion theory- Simply- because- the planets motions produce energy (1/2 mv^2) that means the solar system has massive motion energy- so logically this energy should be used and the sun rays is the only available energy source- means- the sun is the outlet for the solar system energy-

BUT

I still have One Major Proof can kill the sun nuclear fusion theory – let's provide it

My theory tells the sun rays are created from the gravitational waves motions energies- means- the sun rays production method is The Relative Motion-

Why is this useful?

The relative motion is done between two players – (the first player is the unified wave) and the (second player is the sun point of Space)

Let's remark the sun point of Space as (Point X)–this is a defined point in the space means- No any point in the space can be used- we use only the revolution center because it's a stationary point and its velocity is 1 km/s (= Zero approximately) 

Now- the sun point of space (Point X) is different from any other point of space because the other points move by different velocities and they can't be stationary points where there's only one stationary point in the revolution design

Shortly, the sun rays is created by a relative motion between 2 players, (the first player moves by speed of light 300000 km/s) and (the second player moves by 1 km/s = stationary point)- based on this different velocity the sun rays is created

Now- the second player is a point in space- but not any point in space can be used- we need one selected point which moves by 1 km/s (stationary point)- only and just only by this point (Point X) the sun rays can be created- any other point of space can NOT do this same job and the sun rays will never be created

The Conclusion

The Analysis Tells The Sun Point Of Space Is Found In A Geometrical Design

Means-

The solar system geometry and the solar planets motions create One Geometrical Design for the sun point of space to cause its velocity to be 1 km/s

Means- the sun point of space must be found by Mathematical Calculations- 

an old question asked (Why Do We See The Sun Disc= The Moon Disc?) because

(the sun diameter/ the moon diameter) = (Earth orbital distance/ Earth moon dis)

Always, the explanation for this data was (Pure Coincidence) –let's see better 

DATA

4900 million km = 1.392 mkm x 3475 km = 406000 km x 12104 km = 384000 km x 12756 km = 363000 x 2 x 6792 km = 51118 km x 49528 km x 2 (Max error 3%)

where   

4900 million km    = Jupiter Orbital Circumference

1.392 million km   = The Sun Diameter

3475 km                = The Moon Diameter

12104 km              = Venus Diameter

12756 km              = The Earth Diameter

6792 km                = Mars Diameter

406000 km            = The Moon Orbital Apogee Radius

384000 km            = The Moon Orbital Distance

363000 km            = The Moon Orbital Perigee Radius

Shortly- the data proves that, the sun point of space is found based on mathematical calculations take into considerations the planets data-

Why are these mathematical calculations necessary?

Because, the sun rays is created by a relative motion between 2 players- the unified wave and the sun point of space- for that reason- this point of space (Point X) is designed geometrically accurately to cause its motion velocity to be 1 km/s because this is the cornerstone to produce the sun rays-if the velocity of the (Point X) be 20 km/s (for example) the sun rays will never be created

Notice (1)

Here we can understand why the planet day period is important tool in its motion- because the day period defines this planet position relative to the sun point – and even if the sun is not found- the planet day period still defines this planet position relative to the same point of space (Point X)

The planet day period shows there's A Relative Motion must be found behind the solar system design.

Notice (2)

In my current paper I use similar analyses and arguments to prove my theory tells

The solar planets matters and their distances are created from one light beam energy and this light beam moves by speed 1.16 million km per second-

This light beam is the original source of energy for all things in the solar system and for that any data analysis proves this light beam is a fact and its speed 1.16 million km per second is a fact also regardless Einstein hypothesis.

The Paper hypotheses

The paper provides 4 hypotheses with their explanations and proves – let's provide them in following

Hypothesis No. (1)

The space is created from one energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space proves the speed is a fact.

Hypothesis No. (2)

The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field– Moreover- The Sun Does NOT Produce A Gravitational Field And It Has No Massive Gravity- 

Hypothesis No. (3)

Mars original orbit was between Mercury and Venus and Pluto was The Mercury Moon (Pluto size was equal Mercury size) But these two planets had migrated from their original orbits as a result for a collision- the planets migration caused a risk for the solar system geometrical design- Uranus and Jupiter the Two planets worked to repair the solar system design– that caused Jupiter orbit to be the main orbit in the solar system design- Jupiter orbit proves the speed 1.16 million km per second is a fact.   

Hypothesis No. (4)

The Sun Is a phenomenon created by the planets motions

The sun rays is created from the gravitational waves motions energies and the gravitational waves are produced by the planets motions energies-

Based on that 

The Sun Is A Phenomenon Created By The Planets Motions

And

The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- instead- The Planets Motions Energies Total Is Used To Produce The Sun Rays

The Sun Is Created After All Planets Creation And Motion –

Means

The Planets Are Created And Moving In Their Orbits Around A Point Of Space Before The Sun Creation- And The Sun Is Created On This Point Of Space around which the planets revolve –

And

No Planet moves by The Sun Gravity (Newton is Wrong) –

And

The Sun Doesn't Produce A Gravitational Field (Einstein Is Wrong)

And

The Sun Is A Phenomenon Created By The Planets Motions– means-The Sun creation and death depends on a cycle – means – after this current sun death another sun will be created for the solar system.

The Hypotheses Explanation

The abstract provides the hypotheses explanation and the paper provides their proves and discussions- In following the hypotheses will be explained in details 

NOTICE –

The creatures and all matters on the Earth are created from the sun light energy and the sun light speed is 300000 km/s, because of that, the creature realization is limited to the speed 300000 km/s and can't realize the original speed (1.16 million km per second) that means the speed 300000 km/s is a limit for the creatures realization and not for the universe design.   

Hypothesis No. (1)

The space is created from an energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space which proves the speed is a fact

The Hypothesis Explanation

I- The Space Is Created By One Light Beam Energy- And This Light Beam Speed Is 1.16 million km per second

I-1 Preface (the main idea)

I-2 The Space Creation Method (the distances are one network)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

I-4 The Matter definition (based on my planet diameter equation)

I-5 The Planets Creation

I-6 Can The Time Machine Be A Fact?

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-1 Preface (The Main Idea)

The solar system (planets and distances) is created from one energy and this energy is provided by one light beam and this light beam moves by speed (1.16 million km/s)

The space is created before the planets creation-

Let's write the whole story in following

The light beam (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto orbit– by that– we consider Mercury orbit is the origin point-

Now- we should notice- No planet is created yet- the motion from Mercury orbit to Pluto orbit defines the motion direction- and No planet is created before this motion end nor during this motion- the planets will be created after this motion is finished means when the light 1.16 million km per second reaches to Pluto (orbit)- after this event – the planets will be created –as I will explain later  

Notice

The light (1.16 million km per second) creates the distances by its motion- means- the light moves from Mercury point to Venus point– the distance from Mercury to Venus was not found and is created only by the light motion through it for first time- means – before the light motion this distance was NOT found- It's found after the light moves through this distance for first time-    

This is similar to the blood motion through the arteries, the blood creates these arteries and the blood moves through these arteries, but the blood created these arteries with its first motion and that needed energy- but – after the arteries creation the blood move through them without any energy is required- means- the first motion is the most important one because by it the arteries are created

Shortly- The space is created from the energy of this light beam its speed 1.16 million km per second – NOW- after the Space creation- the light beam energy is decreased because of the energy consumption in the space creation process- and the rest energy is one light beam its speed is (C=300000 km/s =the light known speed) – But - We understand that- it's the same one light beam- its speed was 1.16 million km /s before the space creation- and the light created the space and that caused to consume the light energy and that caused to decrease the light speed to be 300000 km/s

Shortly- the light beam started its motion from Mercury (orbit) with speed 1.16 million km /s and reaches to Pluto (orbit) with a speed 300000 km/s because of the energy consumption in the space creation process  

Let's give example to explain this idea

Imagine we create A Sea Of Water- we use energy to create this sea of water- now we have some energy and we use this energy to create this sea of water- BUT- our energy is NOT spent completely But there's a small part still rest with us – this small part of energy is used to create one wave moves through this sea and this wave speed is 300000 km/s (I suppose the space is similar to the sea of water)

Now – the rest energy is found in one light beam its speed 300000 km/s and this light beam is found NOW in Pluto Orbit – and this light beam will be reflected from Pluto orbit toward the inner planets– means- the rest energy will move in the reflected direction to the original light motion direction.

This idea will be explained in details in the next point- shortly

The light beam (300000 km/s) will be reflected from Pluto toward the inner planets

AND  the light 300000 km/s will meet the original light beam (1.16 million km per second) in the origin point (in fact – beside the origin point) and there's a coherence of light is done between the light beam (300000 km/s) and the light beam (1.16 million km per second) – this coherence of light is proved strongly- we have to ask (how can that be possible while the light beam 1.16 million km /s is consumed and the new light beam 300000 km/s is the rest energy? how this light beam (300000 km/s) can meet the original one (1.16 million km per second)? in points no. (I-3) and no.(I-6) I answer this question.

Notice (1) I suppose the rest energy is a light beam its speed is (C=300000 km/s) but this idea is for simplicity- the rest energy can be in any wave form its speed (C=300000 km/s) – no necessity to be in visible light beam form

It's simply energy moves by the known speed of light (C=300000 km/s)

Notice (2)

All Planets Orbits Are Defined Before Any Planet Creation-

The light used the distance from the sun to Pluto as one area and create one geometrical design for this area before any planet creation 

Notice (3)

The planets are created from the rest energy its speed (300000 km/s) – means- the space is created by the light 1.16 million km per second and the energy is consumed in the space creation and the rest energy is one light beam its speed 300000 km/s (or one wave moves by the known speed of light C=300000 km/s) – the solar planets are created from this one wave its speed 300000 km/s and that means all planets orbit are created and defined before any planet creation

Notice (4)

The Sun Is Created After All Planets Creations And Motions

The sun is a phenomenon created by the planets motions energies total

The sun doesn't produce a gravitational field and doesn't have massive gravity

Logically – No planet moves by the sun gravity

(The Planet Moves With The Energy From Which The Planet Is Created – Newton is wrong- later we discuss the proves)

Notice (5)

The child (fetus) inside his mother is created by the blood motion- the blood motion creates arteries for this child and through these arteries the blood moves also but the arteries themselves are created by this same blood motion- Similar to that- the distances are created by the light motion energy and the light moves through these distances also but originally these distances themselves are created by the light motion energy-  means the distances creation is done with the first time of the light motion through them - that required energy- but after the distances are created no more energy is required- the light (or planet) can pass simply through these distances

I-2 The Space Creation Method (the distances are one network)

Data

778.6 = 1.16 x 671

721    = 1.16 x 621

629    = 1.16 x 543

543    = 1.16 x 468

5906  = 1.16 x 5127

These numbers are distances in (million km)

778.6, 721, 671, 629, 551 are Jupiter distances to the sun, Mercury, Venus, Earth and Mars respectively- 5906 and 5127 Pluto distances to the sun and Jupiter respectively     

468 = 936 /2 where (940 million km = the Earth orbital circumference)

Discussion

(1)

The previous data tells us how the light beam motion creates the distances-

Simply the light uses a distance as (a period of time) and travels through this period another distance- that can be understood clearly from Jupiter distances- let's look deeply as possible

The light beam (1.16 million km per second) uses the period 629 seconds to pass a new distance = 729 million km (Mercury Jupiter distance is 721 million km error 1%) – where 629 million km = Jupiter Earth distance

Also  

The light beam (1.16 million km per second) uses the period 671 seconds to pas a new distance =778.6 million km (Jupiter orbital distance) 

where 671 million km = Jupiter Venus distance

by this method the light creates the distances based on each other- and that makes all distances to be created depends on one another and that makes all distances in the solar system to be One Network where all distances are created based on the same One Geometrical Design

(2)

The data shows the creation method- and we understand that- the distance 551 million km (Jupiter Mars Distance) is created firstly and the light (1.16 mkm/s) used this distance as a period of time (551 sec) and the light travels during this period a distance =(639 million km where 629 million km is Jupiter Earth distance error 1.5%) and then the light uses the new distance (629 mkm) as a period of time (629 sec) and the light travels during this period a distance = (729 million km – where 721 million km = Mercury Jupiter distance – error 1%)

The data shows the method clearly and we understand the light original motion started from Mercury orbit to Pluto orbit because the distances are created based on one another in that direction of motion as explained clearly

(3)

New data NO. (1)

2723 sec x 2 x 300000 km/s = 1622 million km – where

2723 million km = Uranus Earth Distance

1622 million km = Uranus Neptune Distance

The data shows- the light beam its speed (C=300000 km/s) is in proportionality also with the created distances but this proportionally is found in Reflected Direction

Logically, The light can NOT move from Uranus to Neptune and after that the light returns to move from Uranus to the Earth- it's simply reflected direction  

The distances are NOT created by the motion of this light beam (300000 km/s) – but the distances are created by the motion of the original light beam (1.16 million km per second) but the proportionality between the distances with the light (300000 km/s) is found because there's a proportionality between the original one (1.16 million km per second) and this light beam (300000 km/s) – AND 

Because the light (300000 km/s) moves in the reflected direction of the original light beam (1.16 million km per second) that causes the proportionality between the distances and the light (300000 km/s) be in a reflected form

New data NO. (2)

2094 sec x 300000 km/s = 629 million km

2094 million km = Uranus Jupiter distance

629 million km   = Earth Jupiter distance

The light (300000 km/s) moves in reflected direction- for that- the distance 2094 million km is used as a period of time to pass a new distance (629 mkm)

The data proves the idea clearly

Notice (1)

The proportionality between the light (1.16 million km/s) and the light (300000km/s) will be discussed in point no. (I-3)

Notice (2)

In Point (**) I prove the gravitational waves are produced by the planets motions energies- and I prove that – the planets motions energies move toward Pluto and this energy is reflected from Pluto toward Venus- this fact is proved by powerful data and proves- for that – I don't explain in details the light motion trajectory from Pluto toward the inner planets because this motion trajectory is studied in details in the hypothesis No. (2) of this discussion- understandable that- the planets motions energy trajectory is the same trajectory the light moves through it – means this trajectory is studied in details and powerful proves in point no. (**)

Notice (3)

Jupiter Distances Analysis shows that Jupiter orbit is the central orbit for the light (1.16 million km per second) based on which all planets orbits are defined.

But – this is not the first creation case –

The light (1.16 million km per second) created the planets orbits based on each other starting from Mercury orbit moves toward Pluto orbit – this is the fist creation case – and this fact is proved strongly in point no. (I-9*)

BUT

Mars had migrated from its original orbit (Mars original orbit was between Mercury and Venus) and Pluto had migrated also (Pluto Was The Mercury Moon revolves around Mercury and Pluto size was equal Mercury size)

The planets migration caused a serious risk for the solar system geometrical design- Uranus was the first planet tried to repair the solar system geometrical design and to save it- by that

Uranus created a vertical effect on Jupiter orbit to fix Jupiter in its orbit and prevent it to migrate with the migrant planets- and based on Jupiter orbit the other planets orbits are modified – that supported the solar system original design and saved it which causes to protect the geometrical design from the destruction.  

As a result

That causes Jupiter orbit to be the most important orbit in the solar system- the paper third hypothesis explains the planets migration and Jupiter orbit analysis is done with the solar system design analysis (I-11*)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

(1)

The Coherence Of Light

The previous explanation told us that we have 2 light beams-

The original light beam its speed (1.16 million km per second) and it started its motion from Mercury orbit to Pluto orbit (where Mercury orbit is the light motion origin point) – and this light beam created all distances in the solar system and lost its energy in the space creation process and the rest energy is one light beam its speed is (C=300000 km/s)

The other light beam is the rest energy- its speed is (C=300000 km/s) and it moves in a reflected direction from Pluto toward Venus and Mercury-

Now – we have a coherence of light between these two light beams- the coherence is proved by powerful proves BUT firstly we have to ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy is this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??

Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??

Let's write the answer

Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) – that can enable the light (300000 km/s) to meet the original one (1.16 million km/s) in the past and the coherence will be done there in the past- and we see the coherence results and effects on the solar system -

Means – the light (300000 km/s) moves into the past and found the original light (1.16 million km/s) in the past

Notice No. (1)

The original light beam (1.16 million km/s) can NOT move toward the future to meet the light (300000 km/s) because in the future the original light beam (1.16 million km/s) is NOT found –by that – the coherence can't be occurred in the future - But – the light (300000 km/s) can move into the past because this light beam (300000 km/s) was found in the past because it's a part of the original light beam (1.16 million km/s)

Notice no. (2)

I prove the coherence is done by powerful proves- that tells- this idea is a fact–means- there's a strong proof tells (in fact the light beam 300000 km/s moved into the past) and if we can use this feature practically we can get photos from the past events and by that we can have photos from the catastrophe which killed the dinosaurs and know much better about what had happened really in that time - This can be a real machine of time – the light motion into the past is a strong method to perform this invention. 

Notice no. (3)

Why Can NOT We Move Into The Past As We Move Into The Future?

This question is answered in point no. (**)

(2)

The Light Coherence Proves

First Proof

The planets order is typical to the interference of Young –

In the double slits experiment, Young Interference is consisted of bright fringes and dark fringes - If we consider planet diameter is equivalent to bright fringe – we will see that- the planets order is typically to Young interference because

Jupiter (the greatest fringe) is in the middle and the fringes width is decreased gradually on both sides – typically to the planets order

Notice / I have proved that (Mars original orbit was between Mercury and Venus) if we restore Mars to its original orbit the order will be typical to the Young Interference

(I prove this fact in point no. **)

Second Proof

The planets velocities are defined based on the speed (1.16 million km per second) and the planets velocities analysis shows the speed (300000 km/s) is the planets motions limit- means- the planets velocities are defined based on both velocities (1.16 million km per second) and (300000 km/s) I prove this fact in point No. (**)  

Third Proof

The light coherence defines the solar day period (24 hours) which is the solar system design cornerstone 

(1.16 /0.3) x 2π = 24.3

By this equation the space and time are created- the equation tells–the space is created in curves (2π) and the time is created in units each unit is (24 hours) 

Please note – the solar system geometrical design depends on the light motion in a solar day (24 hours = 86400 seconds) 

The light (1.16 million km per second) moves in a solar day (86400 seconds) a distance  = 100733 million km (= the planets orbital circumferences total)

Fourth Proof

The planets data prove there's a speed (1.16 million km per second) found in the solar system but the sun light beam moves by speed (300000 km/s) that tells the two speeds are facts and found in the solar system and the coherence between them is a logical result

The hypothesis proves discuss many powerful proves for this fact-

Notice- the coherence of light is a very important fact because it tells the light (300000 km/s) moved into the past and by that gives us a proof for the motion on the time axis- for that – many powerful proves support this fact.

I-4 The Matter definition (Based On My Planet Diameter Equation)

(1)

Let's remember my planet diameter equation

Planet Diameter Equation (v1/v2)= (s/r)= I

v = Planet Velocity                                                          

r = Planet Diameter

s= Planet Rotation Periods Number In Its Orbital Period

I= Planet Orbital Inclination        (example, 1.8 degrees be produced as a rate 1.8)

v2, s, r and I are belonged to one planet and v1 is belonged to another planet

The planet (v1) is defined by test the minimum error 

Earth Equation uses Neptune velocity

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter)

(The Equation works from The Earth To Pluto) (the discussion explains the reason)

Example

Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8         

89143          = Neptune rotation periods number in Neptune orbital period

49528 km    = Neptune diameter

9.7 km/s      = Saturn velocity

5.4 km/s      = Neptune velocity

59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)

1.8 degrees = Neptune Orbital Inclination

(the equation is proved and discussed in details in point no. **)

(2)

Can We Define The Matter Nature Based On My Planet Diameter Equation?

The equation tells, the matter is created based on its motion! means Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s!!

That tells the motion with velocity 5.4 km/s is defined before Neptune diameter is created! Can we understand such definition for the matter nature? let's try

(A)

The Matter Nature

The space and matter are created from the same original energy and they move with this original energy motion- BUT the matter has a distinguish picture and different velocity from the space picture and velocity (notice- The Gravitational Waves Prove That The Space Has A Motion)  

If we suppose the space is similar to the sea of water, the matter be similar to a whirlpool or a vortex found on the sea page- means- the matter is a geometrical design has a distinguish picture from the space- as the whirlpool, it's created from the sea water but it has a distinguish picture from the sea waves picture

Means

The whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.

Also

The whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created

Also- the whirlpool is created but the creation requirements are needed every day- means- even if this whirlpool is found since years it can be changed immediately if the water motion features are changed- means- the whirlpool creation process is NOT a historical one.

Also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.

Shortly

The Original Energy Was Found In Motion By Itself (As Moving Light Beam)

From This Moving Energy The Planet Matter Is Created

The Created matter dimensions are defined by the features of this original energy motion (means the planet creation data is defined by the energy motion features)

After the planet creation- The Planet Moves With This Original Energy – means- the created planet moves a motion depending on the motion of this original energy because the planet moves with this original energy motion- and – the planet moves by this original energy motion (No mass gravity is required to cause the matter motion)

The planet creation data is in full harmony with its motion features- this fact is produced logically because the planet data is defined by the original energy motion features.

This explanation tells (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s)

Example For Explanation

We agreed that the space is similar to the sea of water and the planet (matter) is similar to a whirlpool found on the sea page-  this picture explains the idea clearly- because

We see the whirlpool doesn't move by the sea water waves velocity but by another velocity and that shows a distinguish in form and motion between the whirlpool (the planet) and the sea waves (the space)- BUT- the whirlpool dimensions are defined based on the sea water motion features- and if the motion features are changed the whirlpool dimensions will be changed also- also the whirlpool moves by the sea water motion even with a different velocity relative to the sea waves velocity but the whirlpool motion still is  caused by the sea water motion- based on this picture we can say (because the water motion velocity is 80 km/h that causes this whirlpool diameter to be 2 meters "for example') – this is perfectly our sentence – let's remember it     

(because Neptune velocity is 5.4 km/s that causes Neptune diameter to be 49528 km)

This idea is proved by my planet diameter equation (my fourth equation) (point No.**)  

(B)

Now The velocity is a motion in (A Defined Direction)

Means– the matter is created because it depends on a motion in a defined direction- as we have seen- Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s but this velocity is a motion in defined direction- and that tells Neptune creation depends on a motion in the direction of the (x axis positive "+x ") (for example)

That tells, if this motion moves in (x axis negative "-x ") that will cause Neptune diameter to be changed or perished

Means- the matter creation needs a motion in A Defined Direction

Now let's ask our question

Why Can't The matter (creature) Moves Toward Its Past?

Because the matter depends on a motion in one defined direction- that causes the matter moves into (the future) always and can't move into (the past) let's discuss this question more deeply in point no (I-6)

Notice

No Planet Moves By The Sun Gravity (Newton is wrong) – logically because- the planet moves by its creation force- means- the planet creation and motion should be done by one force only (one energy only) because if two forces have effects on the same one planet- this planet will be broken- this fact is proved strongly with the gravitational waves source discussion (Point no.**)  

I-5 The Planets Creation

I summarize the main idea in following and the idea proves and discussions are found in point no. (**)

(i)

We know, the solar system is created from energy of one light beam its speed is 1.16 million km per second- and – the light created the space (the planets orbits) firstly and the energy is consumed in the space creation- and for that- the rest energy is found in one light beam its speed is 300000 km/s - And

From this light beam 300000 km/s the solar planets are created

Shortly

before the solar planets creation

The solar system was one light beam (or one wave moves by speed of light (300000 km/s)- by that – the solar system is One Wave moves by speed of light (300000 km/s)

Now

The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving one wave (300000 km/s)

This is the basic information in the solar system design-

The solar system needs to create a stationary point relative to the wave motion- by that – two velocities will be found which are (v1= the wave its speed 300000 km/s) and (v2= Zero= the stationary point velocity relative to the wave motion)–these two velocities produce a relative motion with different velocity 300000 km/s– this relative motion is the solar system design cornerstone.

Shortly – the solar system needs to create A Stationary Point 

Notice– The solar system is carried by the light beam motion, NO stationary point can be found here – it's similar to a ship on the sea water- Nothing can stop- because the motion is done forcedly by the sea water –

The stationary point will be similar to the whirlpool (vortex) on the sea page-  BUT

The solar system needs to create this stationary point - Now – let's try to create this stationary point in following - The solar system uses two procedures to do that,  

(ii)

The first procedure

The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates A Stationary Point in the center of the revolution. 

The second procedure

The previous idea is correct- but –the velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex process– for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the original wave its velocity 300000 km/s) 

Why Are These Small Waves Required?

Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the unified wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)  

Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity 

Shortly – the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities – let's prove that here

(iii)

300000 km = 7.1 x (205.8)^2 where

7.1 is Lorentz length contraction effect for speed 297000 km/s (99% of speed of light)

205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity

(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)

Why does the data use the squared value (205.8)^2?

We know the answer- but - Let's remember it

The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of time– for example-  Mercury velocity = 1.6 the Earth velocity- that means – one hour of Mercury clock = 1.6 hours of the Earth clock- Why??

Because Mercury and the Earth are carried by the same one light beam- the light moves one motion and passes one distance in one period of time- by that Mercury and the Earth have to move this same motion and to pass this same distance in this same period of time- but the two planets velocities are different- for that- the planets use different rates of time based on their velocities rates and by that the planets move equal distances in the same period of time –

Now- the velocity (205.8 km/s) moves relative to the stationary point (Zero) and creates a rate of time (1 second = 205.8 seconds) –

(one second of the unified wave clock = 205.8 seconds of the stationary point clock)

But – the energy is reflected in the solar system (I prove that in point no.**),

The energy reflection reflects the players – means

(one second of the stationary point clock = 205.8 seconds of the unified wave clock)

The stationary point will be THE SUN – by that

(one second of the sun clock = 205.8 seconds of the unified wave clock) – means

(one second of the sun clock = 205.8 seconds of any planet clock) –

Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means –

During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1

That creates the different velocity 300000 km/s between the sun motion and the wave motion-

Notice 1

The wave (205.8 km/s) moves during 1461 seconds a distance = 300000 km, and we know the Earth cycle (1461 days = 365 +365 +365 +366)

That tells, the speed of light (300000 km/s) is performed by the rate of time and that causes to create the Earth cycle-   

Notice 2

Planet velocity is created by the rate of time- means- if no rate of time can be used – No planet velocity can be created – instead- all motions will be only by speed of light (300000 km/s)- the planet can create a small velocity because it can use rate of time

We realize that clearly because

The planets motions depend on the light motion- by that – the motion is done by One Motor only which moves by speed of light (300000 km/s), the planets can only move by speed of light or create a rate of time for their smaller velocities - No more options are provided.  

Notice 3

We understand that, the planets are geometrical points on the same light beam, means

The planets are similar to carriages in one train and the light motion is the train engine  means the planets are carried on the light beam and move with this light motion

I-6 Can The Time Machine Be A Fact?

To answer this question we need to review basics facts we have studied – let's do that in following

(1)

The solar system is created from one energy and this energy is provided by one light beam

(2)

The light moves simply and freely in any direction (for space) and (for time)- means- the light can move into the future (as matter does) or into the past (which the matter can Not do)

(3)

We know, the solar system is created from one light beam, and this light moves by a speed (1.16 million km per second) - And

We know, the light (1.16 million km per second) created the planets orbits firstly before any planet creation and the energy is consumed in the space creation and because of the energy consumption the light speed is decreased from  (1.16 million km per second) to the known speed of light 300000 km/s – also

We know, the light (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto- that means- the light (1.16 million km per second) started from Mercury orbit with speed (1.16 million km per second) and the light created all planets orbits till Pluto orbit- before any planet creation- and by that- the light lost its energy and the light beam in Pluto orbit reduced its speed to be 300000 km/s as a result for the energy consumption in the space creation process

(4)

Also we know the energy is reflected from Pluto toward Venus (the inner planets)

By that the light beam (300000 km/s) moves in the reflected direction to the original light beam (its speed 1.16 million km per second) 

And – we know-

The light beam (300000 km/s) reaches to the original point (Mercury Orbit) from which the light (1.16 million km per second)  started its motion 

And we know that

A coherence of light is done between the original light beam (1.16 million km per second) and the light beam (300000 km/s)

BUT  we don't know how such coherence can be occurred? Let's analyze that deeply in following

(5)

The produced light beam (300000 km/s) moves in (the reflected direction) to the direction of the original light beam (1.16 million km per second) (In Space)  and reaches to Mercury orbit (the origin point)

But– logically – the produced light beam (300000 km/s) can NOT find the original light beam (1.16 million km per second) there because the original light beam is consumed already in the space creation process and the rest energy is this produced light beam (300000 km/s) – based on that –

How Can This Coherence Be Occurred? Means-

How can the produced light beam (300000 km/s) meet the original light beam (1.16 million km per second)?  The answer is

The produced light beam (300000 km/s) moves (in the reflected direction) to the motion direction of the original light beam (1.16 million km per second) (In Space) and (In Time) Means- the produced light beam moves into (Its Own Past) and in the past this produced light beam (300000 km/s) was (A Part of the original light beam 1.16 million km per second) and because of that the produced light beam (300000 km/s) can meet the original light beam (1.16 million km per second),

And

The two light beams create a coherence (in the past) and we see the results of this coherence in our present time-

The idea is very important because – the coherence of the two light beams (1.16 mkm/s and 0.3 mkm/s) is proved strongly and with powerful proves and any explanation for this coherence will prove that the produced light beam (300000 km/s) must move Into The Past to enable this coherence occurrence- and that tells clearly- the travel through the time is possible and fact

BUT

Can the matter moves into its past as the light does? NO

Why?? Because

We know the light can move simply in any direction (+ x, + y, + z, + t) by that the light can move into the future and can move into the past BUT

The matter creation depends on A Motion In A Defined Direction-

let's remember this idea

Neptune diameter =49528 km because Neptune velocity is 5.4 km/s

(This Fact Is Proved By My Planet Diameter Equation)

Now, Neptune velocity is a motion in a defined direction

(for example a motion in +x direction)

The energy moves in this direction (+x direction) and because of this motion Neptune matter is created and Neptune diameter is defined- now if the energy moves in (opposite direction "–x direction") that will change Neptune diameter or cause to perish its matter at all

Means- as long as – Neptune is found- that means – the energy moves in one direction (and not two directions) – for that Neptune can move into the future but can NOT move into the past.    

Notice

The matter can not move into the past but the light can do that-

Means- we have the time machine already- we need to know how to send the light into the past and by that we can have photos from the past events- and this will be The Time Machine

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time?

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-7 The Proves Logic Analysis

Why can we prove that, a light beam its speed 1.16 million km per second is found in the solar system? also, the theory tells this light beam energy is consumed and the rest energy is found in one light beam its speed 300000 km/s (the known speed of light), if this light energy is consumed, how can we prove its existence?

There are two major reasons, which are

The Planets Orbits Are Created Before Any Planet Creation- And These Orbits Are Created Based On One Motion- And This One Motion Is Done By A Speed 1.16 Million Km Per Second.

The Planets Matters Are Created Based On Their Orbits – means- the planet is similar to a tree and the orbit is similar to a ground and the tree is planted in the ground-

NOTICE

after the planet creation, the planet can migrate from its original orbit to any other orbit - as Mars and Pluto did and that will not cause to destroy the planet. 

Shortly-

the planet matter and data is created based on this planet orbit- the orbit is defined before any planet creation and based on the orbit the planet matter and data is created (we remember- the space is similar to the sea of water and the planet matter is similar to a whirlpool found on this sea page- that tells the whirlpool is created based on its place in the sea of water)

Shortly- The Planet Matter Is Created Depends On This Planet Orbit

The speed 1.16 million km per second is registered in the planets orbits because the orbits are created from the energy of the light beam (1.16 million km per second), and the planet matter is created from this planet orbit (energy)

Shortly

The light beam (1.16 million km per second) is the source of energy for (everything) in the solar system-

All orbits are defined by its energy, all matters are created by its energy, and all motions are done by its motion-

Can we prove this light beam is a fact? YES we can

The analysis for any data or any motion will discover this light beam because it's the source of energy for everything

Shortly the light beam (1.16 million km per second) is The Source Energy of the solar system

The mother of all children can be discovered by analysis these children data 

A QUESTION

Can the solar system design uses a rate 1.16 and I can't understand that but wrongly consider this rate (1.16) as a speed of light 1.16 million km per second?

NO- this can't be possible – Because

The light beam (1.16 million km per second) behaves typically to the known light beam (300000 km/s) – as we will see in the data discussion

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

DATA

My 5th equation (v1v2=322)- the planets velocities prove it–let's see that in following  

322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                    

322 = 35 km/s  (Venus velocity) x 4.7 km/s (Pluto velocity) x 2             

322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2      

322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)               

322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)

DATA ANALYSIS

The previous data tells the planets velocities are defined by three features

(1st Feature)

The planets velocities are complementary one another –means - each planet velocity is complementary with another planet velocity– means– The planets velocities are defined in pairs and not in single planets. 

(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8 that proves the effect of the rule (v1v2=322) on the planet motion)

Ceres velocity tells the idea - Ceres is used as the main point - as a result the outer planets be complementary with the inner planets – for that the rule (v1v2=322) controls the planets velocities- that means- The planets velocities are created based on One Design- Ceres velocity is used as the main point for this design

(2nd Feature)

Why the constant is 322? because 1160000 seconds = 322 hours – means- there's speed of light = 1.16 million km /s - Shortly

Mercury (47.4 km/s) moves during 6.8 hours a distance             = 1160000 km 

Uranus (6.8 km/s) moves during 47.4 hours a distance               = 1160000 km  And

Venus (35 km/s) moves during 2 x 4.7 hours a distance             = 1160000 km 

Pluto (4.7 km/s) moves during 2 x 35 hours a distance               = 1160000 km 

Earth (29.8 km/s) moves during 2 x 5.4 hours a distance             = 1160000 km 

Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance        = 1160000 km  And

Mars (24.1 km/s) moves during 13.1 hours a distance                = 1160000 km 

Jupiter (13.1 km/s) moves during 24.1 hours a distance             = 1160000 km  And

(Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 km  - (between 33.2 and Venus velocity 35 km/s the error 5%)) (Data Max error 2%)

The Data Proves, The Planets Velocities Are Functions In The Speed 1.16 Million Km Per Second. That proves the speed (1.16 million km per second) is A Fact

(notice the planets velocities are complementary one another also based on the known speed of light 300000 km/s, the paper provides this data) 

(3rd Feature)

The planets velocities limit depend on the known speed of light 300000 km/s

Let's explain that in following

The 9 planets velocities total is 176 km/s (I add the Earth moon velocity 29.8 km/s)

The 10 planets velocities total is 205.8 km/s

300000 km = 7.1 x (205.8)^2

The speed 297000 km/s (99% speed of light) causes Lorentz length contraction effect with the rate 7.1

The velocity (205.8 km/s) moves during 205.8 seconds a distance 42253 km

Where 300000 = 7.1 x 42253 km BUT 42253 = (205.8)^2

The squared value (205.8)^2 is found because of the used rate of time

We have studied this equation in point (I-5**) -the data shows, the planets velocities are defined as parts of a complete system of velocities starts from (Zero = stationary point) and reaches to the speed of light 300000 km/s and between these two values the planets velocities are defined to support this same system- that tells- the planets velocities are defined with limit to the speed of light (300000 km/s) - The data proves the speed (1.16 million km per second) is a fact -and also the data proves the coherence is done between the light (1.16 million km per second) and the light (300000 km/s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

(1) Mercury Motion

During 310s light its speed (1.16 million km per second) travels 360 million km

During 310 s light known speed (300000 km/s) travels 93.1 million km

BUT

93.1 million km x 2π = 586 million (this value will be used by Venus as a period) 

Where 360 million km         = Mercury Orbital Circumference

(2) Venus Motion

During 586s light its speed (1.16 million km per second) travels 680 million km

During 586s light known speed (300000 km/s) travels 175.8 million km

BUT

175.8 million km x 2π = 1104 million (this value should be used by Earth as a period) 

680 million km            = Venus Orbital Circumference

(3) Earth Motion

During 810s light its speed (1.16 million km per second) travels 940 million km

During 810s light known speed (300000 km/s) travels 243 million km

243 million km x 2π = 1526 million (this value should be used by Jupiter as a period) 

Where 940 million km       = Earth Orbital Circumference

BUT

During 940s light its (1.16 million km per second) travels 1104 million km (error 1%)

That shows the direction reflection between the Earth and Venus because of the reflection of energy- I proved that in point no. (**)

Notice –

Jupiter is the next planet after the Earth based on the light motion design for that the Earth value (1526 million km) should be used by Jupiter because Mars is a migrant planet and Mars original orbit was between Mercury and Venus and the next planet for the Earth was Jupiter- the confusion in data is made by Mars migration effect

(More explanation is provided in the comment on the data)

(4) Mars Motion

(Mars Is Exceptional)

During 1235s light its speed (1.16 million km per second) travels 1433 million km

During 1235s light known speed (300000 km/s) travels 371 million km = 2π x 59 mkm Where 1433 mkm = Mars Orbital Circumference

(5) Jupiter Motion

During 4224s light its speed (1.16 million km per second) travels 4900 million km

During 4224s light known speed (300000 km/s) travels 1267 million km –

4900 mkm  =Jupiter Orbital Circumference

1267 million km x 2π = 7960 million km (this value be used by Saturn as a period) 

Notice

Mars is a migrant planet for that – the Earth value isn't used for Mars orbit- but it's used for Jupiter orbit- and because of the reflection between Venus and the Earth- the Earth produces the value directly (1526 million km) without using the light speed (1.16 million km per second) where

1526 million km = Jupiter Orbital Distance 778.6 million km x 2 (error 2%) 

Notice

During 4224s light its speed (1.16 million km per second) travels 4900 million km

4900 million km = Jupiter orbital circumference while 4222.6 hours = Mercury day period- if (one hour of Mercury = One second of light clock) that will connect Jupiter with Mercury strongly- this is a fact because- the solar system depends on Mercury clock in its motion and the planets orbits are defined based on Jupiter orbit after the planets migration- that makes Mercury and Jupiter the two heads of the solar system unified motion. 

(6) Saturn Motion

During 7960s light its speed (1.16 million km per second) travels 9007 million km

During 7960s light known speed (300000 km/s) travels 2388 million km

9007 mkm = Saturn Orbital Circumference

2388 million km x 2π =15004 million km (this value be used by Uranus as a period) 

(7) Uranus Motion

During 15559s light its speed (1.16 million km per second) travels 18048 million km

During 15559s light known speed (300000 km/s) travels 4668 million km

18048 mkm = Uranus Orbital Circumference

4664 million km x 2π =29305 million km (this value be used by Pluto as a period) 

Notice

The transported value from Saturn is 15004 but the used value is 15559 (error 3.5%)

(8) Neptune Motion

(Neptune is exceptional)

During 24348s light its speed (1.16 million km per second) travels 28244 million km

During 24348s light known speed (300000 km/s) travels 7305 million km

28244 mkm = Neptune Orbital Circumference

(9) Pluto Motion

During 31983s light its speed (1.16 million km per second) travels 37100 million km

During 31983s light known speed (300000 km/s) travels 9595 million km

37100 mkm  = Pluto Orbital Circumference

(10) The Earth Moon Motion

During 639s light its speed (1.16 million km per second) travels 724 million km

During 639s light known speed (300000 km/s) travels 191.6 million km = 2π x 30.5 mkm – BUT  

30.5 mkm     = 88000 km x 346.6 days

The moon displacements total during 346.6 (solar days) = 30.5 mkm

346.6 solar days= The nodal year and  88000 km     = The moon displacement daily

742 mkm = The distance is passed by Uranus in 30589 hours -  The data tells, the moon orbit regression be done by effect of Uranus motion.

THE COMMENTS ON DATA

(1)

We should note that, the data follows the rule perfectly- as we see in Mercury and Saturn data – the confusion in data is found by the planets migration – let's prove that

680 mkm (Venus Orbital Circumference) x (1.16 mkm/s) ^2 = 940 mkm

28244 mkm (Neptune Orbital Circumference) x (1.16 mkm/s) ^2 = 37100 mkm

(Max error 2.5 %)

940 mkm = Earth Orbital Circumference

37100 mkm = Pluto Orbital Circumference

Clearly the confusion of data is done for the Earth and Jupiter (Mars migration effect) and for Pluto and Neptune and Uranus (Pluto migration effect)

Shortly

The light (1.16 million km per second) created the solar system distances based on one another as the chess board distances- perfectly the light created the distances based on one geometrical design and as one network- But – The planets migration caused confusion for the data- by that the planets orbits data is confused and no longer be seen as designed by the light motion- specially because the solar system design repair needed to make Jupiter orbit as the central orbit based on which all planets orbits are modified- by that– the discovery for the light motion effect on the solar system distances creation needed deep analysis in data to remove the confusion.

Notice

The Earth data produced the value (1526 mkm) and this distance is used by Jupiter as a distance (1526 mkm = 2 x 778.6 mkm Jupiter Orbital Distance) (error 2%)

And

Uranus data produced the value (29305 mkm) and this distance is used by Neptune as a distance (29305 mkm= 28244 mkm= Neptune Orbital Circumference) (error 4%)

The behaviors are typical tell that by the same effect the modifications of both planets data are done- 

Notice

680 sec x 1.16 million km /sec = 789 mkm (Jupiter orbital distance 778.6 mkm error 1.3%) – the data shows – Jupiter is the mentioned planet after the Earth because Mars original orbit was between Mercury and Venus by that the light motion moved from the Earth to Jupiter directly- Mars is not seen in this motion-

(2)

The inner planets distances ( 93.1, 175.8, 243, 370.6) can be used as cycles periods

175.8 solar days =Mercury day period

243    solar days = Venus rotation period

370.6 solar days are near to 365.25 days (error 1.5%),

(93.1 days x 2π= 584 days =the period of periodical meeting of Earth and Venus)

This equality depends on the rate 1mkm = 1 day

That  tells each planet creates its PREVIOUS NEIGHBOR CYCLE PERIOD

And the outer planets distances in blue color (1267, 2330 , 4664, 7305, 9595)

2330 = 2 x 1165             = 2π x 371

4664  = 4 x 1165             = 4π x 371

7305 = 2π x 1165           =2π2 x  371

9595 = 8 x 1165            = 8 π x  371                                                 (error 3%)

This data cornerstone is the number (371), (the Earth year 365.25 days)

The data refers to the Earth year because of the Earth effect on the sun creation

NOTICE

The data proves each planet orbit is defined based on its neighbor – my first equation (Planet orbital distance equation) proves this fact –

In following I put my planet orbital distance equation for revision

Planet Orbital Distance Equation

(My First Equation)  (d^2 = 4 d0 (d- d0))

d = A Planet Orbital Distance

d0= Its Direct Previous Neighbor Planet Orbital Distance

The equation depends on the planets order, for that , just 2 neighbor planets can be used in this equation, means if (d is Venus distance, d0 be Mercury distance) 

The equation exceptions are,

Earth depends on Mercury Not Venus – and Mars depends on Venus Not Earth And Pluto depends on Uranus Not Neptune

Note, we don't use the forma (d=2d0) instead we use the forma (d2 = 4d0 (d-d0)) because it uses the distance between the 2 planets and that decreases the errors

Let's test the equation

(1) Venus Motion

(108.2)2 = 4 x 57.9 x (50.3)                                        

d= 108.2 million km  = Venus Orbital Distance

d0= 57.9 million km    = Mercury Orbital Distance

50.3 million km          = The Distance Between Venus And Mercury 

Venus Depends On Mercury

(2) Earth Motion

(149.6)2 = 4 x 57.9 x (149.6-57.9)                                      ��           (error 2.8%)

d= 149.6 million km  = Earth Orbital Distance

d0= 57.9 million km   = Mercury Orbital Distance

Earth depends on Mercury and doesn't on Venus 

(3) Mars Motion

(227.9)2 = 4 x 108.2 x (227.9-108.2)                          

d= 227.9 million km   = Mars Orbital Distance

d0= 108.2 million km = Venus Orbital Distance

Mars depends on Venus and doesn't on Earth 

(4) Ceres Motion

(415)2 = 4 x 227.9 x (415-227.9)                      

d=  415  million km      = Ceres Orbital Distance

d0=  227.9 million km = Mars Orbital Distance

Ceres depends on Mars

(5) Jupiter Motion

(778.6)2 = 4 x 415 x (778.6- 415)                     

d= 778.6 million km = Jupiter Orbital Distance    

d0= 415 million km = Ceres Orbital Distance

Jupiter depends on Ceres

(6) Saturn Motion

(1433.5)2 = 4 x 778.6 x (1433.5- 778.6)           

d = 1433.5 million km = Saturn Orbital Distance    

d0  = 778.6 million km = Jupiter Orbital Distance

Saturn depends on Jupiter

(7) Uranus Motion

(2872.5)2 = 4 x 1433.5 x (2872.5- 1433.5)                  

d= 2872.5 million km = Uranus Orbital Distance    

d0 = 1433.5 million km = Saturn Orbital Distance  Uranus depends on Saturn

(8) Neptune Motion                                                                          (error 4%)

(4495.1)2 = 4 x 2872.5 x (4495.1- 2872.5)

d= 4495.1 million km = Neptune Orbital Distance    

d0 = 2872.5 million km = Uranus Orbital Distance     Neptune depends on Uranus

(9) Pluto Motion

(5906)2 = 4 x 2872.5 x (5906- 2872.5)

d= 5906 mkm = Pluto Orbital Distance    

d0 = 4495.1mkm = Neptune Orbital Distance     Pluto depends on Uranus

Notice the error is less 1% for all planets except (Earth 2.8%) and Neptune (4%)  

The Equation Discussion

(a)

The Equation tells each planet orbital distance depends on its previous neighbor planet orbital distance – but – there are 3 exceptions which are –

Earth depends on Mercury not Venus –

Mars depends on Venus not Earth–

Pluto depends on Uranus not Neptune–

(b) 

The equation shows – the distance from the sun to Pluto be distributed based on one geometrical design – means – the distances be created together as one group in one a network form – the distances be similar to the chess board distances- they are distributed geometrically and in one network based on one design -

Shortly

No Single Distance be Created independently or individually – We deal with one network of distances - 

Means

By Using Mercury Orbital Distance (57.9 million km) (one data) We Can Conclude All Planets Orbital Distances (9 Data) By Using Mathematical Calculations Only

(c)

Kepler stated (Planet orbit defines its velocity) – this concept is used in my third equation (d1/d2) = (v2/v1)2 where  d= Planet Orbital Distance and v = Planet Velocity

The concept tells– If we know a planet orbital distance, we can conclude its velocity by mathematical calculations only    

Shortly

By Using my 1st equation (d2 = 4d0 (d-d0)) and kepler law and the One Data (Mercury orbital distance = 57.9 million km) we can conclude by mathematical calculations only All Planets Orbital Distances, Velocities And Periods (27 Data)

That proves the concept (Planet data be created based on exact equations)

Planet Orbits Are Defined By Very Accurate System

Each planet orbit is defined based on an angle, these angles are reflected also – let's prove that  (I suppose –There's a right triangle by the three points The Sun, Mercury and Venus) - Now

Venus angle is (61 degrees) because Venus orbital distance (108.2 mkm) x cos (61) = Venus Mercury distance (50.3 mkm) -

Here we can replace Venus with any other planet in the same triangle to define this planet angle based on similar calculation – as a result

Earth angle is (51 degrees) because Earth orbital distance (149.6 mkm) x cos (51) = Earth Mercury distance (91.7 mkm)

Mars angle is (41.7 degrees) because Mars orbital distance (227.9mkm) x cos (41.7)= Mars Mercury distance (170 mkm)

Jupiter angle is (22.2 degrees) because Jupiter orbital distance (778.6 mkm) x cos (22.2)= Jupiter Mercury distance (721 mkm)

Similar to that – Saturn angle is 16.5, Uranus angle is 11.6 deg, Neptune angle is 9.2 deg and Pluto angle is 8 deg- these angles follow the same system – for example

Pluto angle is (8 degrees) because Pluto orbital distance (5906 mkm) x cos (8)= Pluto Mercury distance (5848 mkm)

NOTICE No. (1) The right angle and its triangle is (a hypothesis) – we Can prove it because (v1/v2) = (θ1/ θ2)

means – these angles are rated with their planets velocities – for example

(Neptune velocity 5.4/ Pluto velocity 4.7) = (9.2 deg /8 deg)

Shortly -the angles which are defined based on the sun perpendicularity on Mercury orbit – all of them- are the correct angles by which the planets orbits are defined – that because the planets velocities are rated with these angles and Kepler stated (Planet orbit defines its velocity)- means- the planets orbits are defined based on these angles and that causes the angles rates to be equal with the velocities rates - Shortly -That tells indeed the sun position is perpendicular on the (inner planets orbits) – in fact – the sun is perpendicular on the Earth moon orbit- and this perpendicularity has effect on all inner planets because of the small distances among them. 

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s) Data

(1)

(1.16 million km /s) x 300 sec   = 348 mkm (300 mkm = Earth orbital distance x 2)

(1.16 million km /s) x 348 sec   = 470 mkm (470 x2 = Earth Orbital Circumference)

(1.16 million km /s) x 470 sec   = 551 mkm                       (Mars Jupiter Distance)

(1.16 million km /s) x 551 sec   = 629 mkm                       (Earth Jupiter Distance)

(1.16 million km /s) x 629 sec   = 721 mkm                       (Mercury Jupiter Distance)

(2)

(1.16 million km /s) x 108.2 sec x 4 = 500 mkm        (108.2 = Venus orbital Distance)

(1.16 million km /s) x 500 sec   = 580 mkm                      

(1.16 million km /s) x 580 sec   = 671 mkm                       (Venus Jupiter Distance)

(1.16 million km /s) x 671 sec   = 778.6 mkm                    (Jupiter Orbital Distance)

(1.16 million km /s) x 778.6 sec x 2    = 1806 mkm

(1.16 million km /s) x 1806 sec           = 2094 mkm          (Jupiter Uranus Distance)

(1.16 million km /s) x 2094 sec           = 4900 mkm/2  (Jupiter Orb. Circumference)

(3)

(1.16 million km /s) x 5127 sec = 5906 mkm                    (Pluto orbital Distance)

(1.16 million km /s) x 4437 sec = 5127 mkm                   (Pluto Jupiter Distance) 

(1.16 million km /s) x 3825 sec = 4437 mkm                   (Mercury Neptune Distance)

(1.16 million km /s) x 3244 sec = 3825 mkm  (=π x 1205 mkm Mars Saturn Distance)

(1.16 million km /s) x2872sec=3244mkm (=2x1622 mkm Uranus Neptune Distance)

(1.16 million km /s) x4900sec=2 x 2872 mkm (Uranus Orbital Distance)

(4)

(1.16)2 x 170 sec             = 227.9 mkm                            (Mars Orbital Distance)

Where 170 mkm = Mercury mars Distance

(5)

(1.16 million km /s) x 1980 sec           = 2296.8 mkm

(1.16 million km /s) x 2296.8 sec        = 2644.6 mkm       (Mars Uranus Distance)

(1.16 million km /s) x 2644.5 sec        = 3033.5 mkm       (Uranus Pluto Distance)

1980 million km = the orbital circumferences total of (Mercury + Venus + Earth)

(6)

(1.16 million km /s) x 3717 sec           = 4310 mkm          (Earth Neptune Distance)

(1.16 million km /s) x 4346 sec           = 5040 mkm          (Jupiter Pluto Distance)

3717 mkm = Jupiter Neptune Distance –

(Earth Neptune Distance 4345mkm "error 1%" and Jupiter Pluto dis. 5127 mkm error 1.7%)

Discussion - the data tells the idea clearly, it tells 

The distances in the solar system is created together based on one design and by one motion- this one motion is the light motion (1.16 million km per second) and the light creates the distance and after that the light uses the created distance as a period of time to create another distance, and by that, the light created all distances in one network together based on one geometrical design and this creation of the distances is done before any planet creation- the data clearly and strongly proves the hypothesis. 

NOTICE - The total distances in the solar system (the orbital and inner distances) are 45 distances, the previous data used almost 50% of these distances (because many distances are equal in the solar group – for example – (Saturn orbital distance = Mars orbital circumference)- this distances equality makes the previous data behave in place of around 50% of all distances- and no logic to suppose these all distances are rated by the way with the rate (1.16)!!

The logical explanation is my theory I have explained- the light (1.16 million km per second) creates the distances based on one another by using the distances as periods of time - Also this behaviors is typical to the behavior of the known speed of light (300000 km/s)– as we have seen before - During 2094 seconds the light (300000 km/s) moves 629 million km (=Jupiter Earth distance) where 2094 million km (= Jupiter Uranus distance)- Simply it's typical behaviors tells the fact that the speed 1.16 million km per second is real fact and used in the solar system design)   

I-11 The Solar System Geometrical Design Proves The Hypothesis

Data (1)

(A) (1.16/0.3) x 2π = 24.3

(B) 1.16 million km per second x 86400 seconds = 100733 million km

(100733 million km = The Planets Orbital Circumferences Total)

Data (2)

(a) 4224 x 1.16 =4900

(b) 100733 = π x 32200                                        

(c) 1.1318/0.3 = 5906 / (778.6 /2)  

Discussion

Data (1)

Data no. (A) - (1.16/0.3) x 2π = 24.3

By this equation the space and time are created- because it shows the coherence of light between the light (1.16 million km per second) and the light (300000 km/s)

The equation tells – the space is created in curves (2π) and the time is created in units each unit = (24 hours)

Shortly- the time essential units are 2 units (the second and 24 hours) because of the rate of time (one second of light clock = 24 hours of planet clock) by that the period of the (one second) (for light motion) is comparable with (24 hours) for planet motion that means- the period (24 hours) is one unit can't be divided and it's similar to the second period which is a unit can't be divided

Data no.(B) 1.16 million km per second x 86400 seconds = 100733 million km

The data tells the light (1.16 million km per second) moves in solar day (24 hours=  86400 seconds) a distance = 100733 million km = The Planets Orbital Circumferences Total - that proves the solar planets orbits creation is done by the motion of this light beam (1.16 million km per second) - the data proves the solar system design depends on this light motion.

Data (2)

Data no. (a) 4224 x 1.16 =4900

The data tells, the light (1.16 million km per second) moves in 4224 seconds a distance = 4900 million km = Jupiter Orbital Circumference

But – Mercury day period is 4222.6 hours (4224 hours approximately)

If (one second of light clock = one hour of Mercury clock), that will make the period (4224 s) as Mercury day period – and – we know that Mercury day period is the main period in the solar system because the sun rate of time is created based on it as I explain in the second and fourth hypotheses of this paper-

Shortly- while Mercury is the solar system head- Mercury day period is the main period in the solar system and this period is used for Jupiter orbital circumference because all planets orbits are defined based on Jupiter orbit after the planets migration- this fact is discussed in the third hypothesis is details – let's summarize it

Mars original orbit was between Mercury and Venus, and Pluto was the Mercury moon, and Pluto size was equal Mercury size- But- Mars and Pluto had migrated from their orbits- the planets migration caused serious risk for the solar system geometrical design- And Uranus provides a vertical effect on Jupiter to fix it in its orbit and prevent Jupiter to migrate with the migrant planets- after Jupiter be fixed in its orbit all other planets redefined their orbits according to Jupiter orbit – by that – Jupiter orbit be the most important distance in the solar system-  

Notice- later Uranus caused to create Saturn to support Jupiter role- Saturn creation is done after the Earth moon creation because the energy reflection caused this delaying  

The data shows how the solar system design depends on Jupiter orbit

Data no. (b) 100733 = π x 32200

32200 million km = the different distance between Pluto orbital circumference and Jupiter orbital circumference

100733 million km = The Planets Orbital Circumferences Total

The data supports the same idea- Jupiter and Pluto orbits create the general design of the solar system- because Jupiter is the main orbit in it and Pluto the last orbit.  

Data no. (c) 1.1318/0.3 = 5906 / (778.6 x 2)  where

5906 million km              = Pluto orbital distance

778.6 million km             = Jupiter orbital distance

1.1318 million km           = Jupiter motion distance per solar day

0.3 million km                = speed of light 300000 km/s

The data shows the distribution of Jupiter and Pluto orbits are in proportionality with speed of light (300000 km/s) and speed of (1.16 million km per second)

BUT the data shows Jupiter velocity daily (1.1318 million km per day) in place of the speed of light (1.16 million km per second) Why??

Another question asks (Why do all Jupiter distances depend on the speed of light 1.16 million km per second?) as we have seen in the previous proof No. (1-10)?

The story told the facts, Uranus provided effect on Jupiter and as a result Jupiter orbit be used as the main orbit in the solar system- BUT- what's this effect Uranus provided on Jupiter? What had happened really?

Uranus sent a light beam its speed (1.16 million km per second) to Jupiter for that Uranus velocity and Jupiter velocity both depends on the speed (1.16 million km per second)

Jupiter should move a distance 1.16 million km per solar day (24h) BUT Mars effect created more problems and caused Jupiter to use (Mars rotation period 24.6h) in place of the solar day and decreased the velocity with 2.5%

Uranus moves a distance 1.16 million km (in TWO solar days- error 1.3%)

The solar system basic design depends on (two seconds and not one second) as I explained in details in the fourth hypothesis of this paper- now – the system design uses two seconds in place of one second because Uranus moves the required distance 1.16 million in two days

Shortly – the force which is sent from Uranus to Jupiter was a light beam its speed 1.16 million km per second and by this force Jupiter helped the solar system and supported the planets in their orbits to prevent more migration in the solar system

I-12 The Solar System Distances Analysis Prove The Hypothesis

DATA (No. I)

50% Of All Distances In The Solar System Are Equal One Another (WHY?)

 (1)

Saturn Orbital Distance = Saturn Uranus Distance =1433 million km =

                                      = Mars Orbital Circumference 

                                      = Pluto Neptune Distance         (error 1.5%)

          = Pluto eccentricity Distance     (error 1.5%)

= Neptune Orbital Distance/π

= Uranus Orbital Distance /2

= Mercury Jupiter Distance x 2     

(2)

Neptune Orbital Distance     = Saturn Pluto Distance

Jupiter Pluto Distance          = Uranus Neptune Circumference

Earth Neptune Distance       = Mercury Saturn Circumference  (0.5%)

(3)

Jupiter Mercury Distance     = 2 Mercury Orbital Circumference

Jupiter Venus Distance        = Venus Orbital Circumference   (1.5%)

Jupiter Earth Distance          = Earth Orbital Circumference   (1.2%)

(Earth and Jupiter at 2 different sides from the sun)

(4)

Jupiter Mercury Distance     = Mars Orbital Distance x π      (0.6%)

Jupiter Uranus Distance       = Venus Jupiter Circumference  (0.8%)

Pluto Orbital Distance          = Earth Orbital Circumference x 2π

DISCUSSION

The data tells these distances must be created based on each other because all of them are parts in one design and one network- the data tells – it's impossible for these distances to be created univocally nor independently – but they are created by one motion based on one design and for one result. 

DATA (No. II)

(778.6/721)=(721/670)= (670/629)=(1433/1325)=(1284/1205)= (2872/2644)= 1.0725

These are distances measured in millions km – let's define them

778.6, 721, 670 and 629 are the distances between Jupiter and the sun, Mercury, Venus and the Earth respectively.

1433, 1325, 1284, 1025 are the distances between Saturn and the sun, Venus, the Earth and Mars respectively.

2872 and 2644 are the distances between Uranus and the sun and Mars respectively.

MORE DATA (No. I)

629 million km (The Earth Jupiter distance)= (1.0725)^2 x 551 million km (Jupiter Mars Distance)

4495.1 million km (Neptune Orbital Distance) =1.0725 x 2 x 2094 million km (Jupiter Uranus Distance)

5906 million km (Pluto Orbital Distance) = (1.0725)^2 x 5127 million km (Jupiter Pluto Distance)

5127 million km (Jupiter Pluto Distance)= (1.0725)^2 x 4437 million km (Mercury Neptune Distance)

2.574 million km (Earth motion distance daily) = 1.0725 x 2.4 million km (TheMoon Orbital Circumference)

DISCUSSION

These distances are rated each other with (1.0725) this rate is created by Lorentz length contraction effect (as I supposed and proved)- but – regardless this rate reason the question is – How can all these distances be effected by this rate together?

That can be possible only if (these distances are parts of one design and this design is effected by this rate as a result all distances be effected together)   

The data proves the distances are created together based on one design and the distances are effected together by the same one effect – shortly- these distance can NOT be independent from one another but they are one group created based on one design.

I-13 Deep Analysis For The Planets Orbits

The Light Uses Each Planet Orbital Period To Move A Distance = This Planet Orbit + All Previous Planets Orbits Total

DATA

(1)

14 x 24 x (300000 km/s)           = 100.8 million km = 2 x 50.4

(2)

35.76 x 24 x (300000 km/s)      = 258 million km = 149.6 + 108.2

(3)

58.1 x 24 x (300000 km/s)         = 418 million km = 149.6 + (2 x 108.2) + 58

(4)

109.3 x 24 x (300000 km/s)       =787 million km = 58+ 108+149.6 +2 x228 (error 2%)

(5)

687 x 24 x (300000 km/s)          = 4900 million km

(6)

687 x 24 x (300000 km/s)          = 4900 million km

(7)

1710 x 24 x (300000 km/s)        = 12312 million km = 28244/(1.16 x2)

(8)

4868 x 24 x (300000 km/s)        = 17600 million km x 2

(9)

9517 x 24 x (300000 km/s)        = 68522 million km = 2 x 18048 + 32400

(10) 

14413 x 24 x (300000 km/s)      = 103773 million km

DISCUSSION

The data shows the rule (Planet Orbital Period "days"/2π) x 24 x Speed Of Light (300000 km/s) = A Distance = This Planet Orbital Circumference + All Previous Planets Orbital Circumferences Total – let's prove this rule in following

(1) Pluto Data

90560 days (Pluto orbital period) /(2π) = 14413 days

14413 x 24 x 300000 km/s = 103773 million km

The planets orbital circumferences total is 100733 million km  

Between 103773 mkm and 100733 mkm the error is (3%)

Pluto follows the rule perfectly- the light passes a distance = Pluto orbital circumference + all previous planets orbital circumferences = the planets orbital circumferences total

(2) Neptune Data

59800 days (Neptune orbital period) /(2π) = 9517 days

9517 x 24 x 300000 km/s = 68526 million km = (2 x 18048) + 32400

The distance 2 x 18048 million km = all planets orbital circumferences total before Neptune

32400 mkm = 1.16 mkm/s x 28244 seconds 

28244 million km = Neptune orbital circumference

Neptune follows the rule perfectly but because of the energy reflection the speed (1.16 mkm/s) is used one additional time- clearly we see Neptune follows perfectly the rule   

(3) Uranus Data

30589 days (Uranus orbital period) /(2π) = 4868 days

4868 x 24 x 300000 km/s = 17600 million km x 2

18048 million km (Uranus Orbital Circumference) (error 2.5%)

Uranus follows the rule perfectly because Uranus orbital circumference =18048 mkm and all previous planets orbital circumferences total is = 18048 mkm

(4) Saturn Data

10747 days (Saturn orbital period) /(2π) = 1710 days

1710 x 24 x 300000 km/s = 12312 million km

Jupiter orbit (4900) + Saturn orbit (9000) = 14000 million km

Light (1.16 million km/s) x 12312 seconds = 14282 million km

Means

The value (12312) equal (Jupiter orbital circumference)+Saturn orbital circumference

But the reflection of energy uses the speed of light (1.16) to have effect on the data

That tells Saturn follows the rule

Notice

12312 sec x 1.16 mkm/s = 14282 mkm = 28244 mkm/2

28244 mkm = Neptune orbital circumference – that tells the confusion in Saturn data is done by Neptune orbit effect   

Notice

We see the speed of light (1.16 mkm/s) has effect on Saturn data by division (12312 = 14282/1.16) but in Neptune data we have seen the speed of light (1.16 mkm/s) has effect by multiplication (28244 x 1.16 = 32400)

That tells we have opposite positions between (Neptune and Saturn) and the light connects them together by one motion- 

The data tells simply (A x 1.16 and B/1.16) this is effect of one light beam motion through both points.

(6) Jupiter Data

4331 days (Jupiter orbital period) /(2π) = 687 days

687 x 24 x 300000 km/s = 4900 million km

Jupiter orbital circumference = 4900 million km

The distance equal Jupiter orbital circumference only without the previous planets BUT - The inner planets orbital circumferences total be = 4900 million km

Let's prove that

360 (Mercury) + 680 (Venus) +940 (Earth) + 1433 (Mars) = 3413 million km

4900 million km – 3413 million km = 1433 million km

That tells – the data supposes the Earth moon orbital circumference around the sun = Mars orbital circumference = 1433 million km

By that 360 + 680 +940 + 1433 + 1433 = 4846 million km = Jupiter orbital circumference (4900 mkm) (error 1%)

(7)Mars  Data

687 days (Mars orbital period) /(2π) = 109.3 days

109.3 x 24 x 300000 km/s = 787 million km = Jupiter orbital distance 778.6 million km  (error 2%)

778.6 million km= 57.9 mkm + 108.2 mkm + 149.6 mkm + 227.9 mkm+ 227.9 mkm

Means- Mars Value (787 = 778 = the four inner planets orbital distances total + the Earth moon orbital distance to the sun (which is considered = Mars orbital distance)

Here the value provided the distances total and not the circumferences total

But Mars follows the rule perfectly because

The value (778) = the 5 planets orbital distances total

(8)Earth Data

365.25 days (Earth orbital period) /(2π) = 58.1 days

58.1 x 24 x 300000 km/s = 418 million km = 149.6 mkm (Earth orbital distance) + 2 x 108.2 mkm (Venus orbital distance) + 57.9 mkm (Mercury orbital distance)

The Earth follows the rule- the modification can be done by the moon effect on the earth motion.

(9)Venus  Data

224.7 days (Earth orbital period) /(2π) = 35.76 days

35.76 x 24 x (300000 km/s)= 258 million km = 149.6 mkm  (Earth orbital distance)+ 108.2 mkm (Venus orbital distance)

(10)Mercury Data

88 days (Earth orbital period) /(2π) = 14 days

14 x 24 x (300000 km/s)  = 100.8 million km = 2 x 50.4  

50.4 million km = Mercury Venus Distance

The Comment On The Data

(1)

We notice a deep interaction between Mars and Jupiter where Jupiter orbital period (4331 days /2π)= 687 days (Mars orbital period)  

And Mars value (109.3 days) enables the light to pass a distance 778.6 mkm

109.3 x 24 x 300000 km/s = 778.6 million km (Jupiter orbital distance) 

That shows deep interaction between Mars and Jupiter which is logical behavior because Mars is a migrant planet and Mars created an interaction with Jupiter to enable Mars to stay in its New orbit and prevent any more migration.

(2)

Mars orbital period 687 days = 88 (Mercury) + 224.7 (Venus) + 365.25 (Earth)

(error 1.5%)

Notice - 551 mkm (Mars Jupiter distance) = 57.9 mkm (Mercury orbital distance) + 108.2 mkm (Venus orbital distance) + 149.6 mkm (Earth orbital distance) + 227.9 mkm (Mars orbital distance) (error 1.5%)

(3)

The data shows very important fact

The data tells that (The Light Motion Is The Main Player Behind All Data)

Let's use the sea water as example

The sea water motion is the main player behind the sea waves, the ship sailing, the fish swimming and the cause for any motion in the sea - Different forms of motions in the sea we can discover but the motion reason and motor is the same one reason and motor –  This is the useful result of this data- it's simply a major proof for my theory- the light motion is the reason behind all planets motions and data-

Notice - Why Is The Planets Data Analysis Method Important?

The planets data analysis makes some anatomy for the planets data, by that, we can know how this planet data is created and what geometrical reason caused to create this data- the planets data analysis also enable us to discover if a planet violates a rule used by the other planets- and it shows the geometrical reason behind this violation-

(CONT)

Gerges Francis Tawdrous +201022532292

Peoples' Friendship university of Russia – Moscow   (2010-2013)

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[vvatchword]

A New Thing

The engine still dripped, stinking of sea and weathered steel. Its face shone with condensation, and steam straggled beneath its pointed snout.

Sinclair stepped out of the darkness. The first thing that struck Meltzer was that he was absurdly clean. His dress shirt was almost perfectly white but for some discoloration around the throat and armpits; it had clearly been ironed, as had the slacks. No patches, the stains few, and the man was smoking in a cigarette holder. The hair was black, slicked back, streaked with silver at the temples, and reading glasses hung 'round his throat. A pistol was tucked under his arms; ammo pouches hung on his belt. But for the pistol and pouches, he could have stepped straight out of a meeting.

“Meltzer! Chief!” Sinclair grinned at them, waving. “About time we met, eh?”

Meltzer sagged with relief. “Oh, thank god.”

Beside him, Delta scraped to a halt. At first, Meltzer thought nothing of it. Then Sinclair’s smile fell. A weird light illuminated his face.

“So there you are, Sinclair,” a young woman said.

Meltzer halted.

“Do you remember Sinclair, Father?” the young woman asked. Her voice was weirdly monotone, a British accent, and seemed to rise up out of the air around them—not loud, just omnipresent.

Meltzer whirled.

Delta swayed behind him, the light in his helmet weirdly dull and coppery. A corona shivered like a living fog around his helmet, gold and glittering.

The girl’s voice drove on.

“Do you know why he wants to leave, Father?”

Sinclair raised his hands in supplication. “Now hold on there, Eleanor. You know it was nothing personal.”

“Yes,” Eleanor whispered.

She wasn’t talking to them. Delta had turned toward Sinclair. Steam puffed up from his sleeves. He raised his drill and pointed.

“HOOO,” he said.

Meltzer flung himself in front of Delta, arms out.

“Whoah there!” he said. “Whoah there, Delta.”

Sinclair backed away, whipping out his pistol. He’d made it halfway to the train when Delta’s porthole flashed—the corona flashed a fraction of a second later—and Sinclair jerked—a full-body twitch—and toppled over backwards with a nasty thud.

“Sinclair!” Meltzer rushed to Sinclair’s side.

Delta grumbled and lifted to his full height, shaking out his arms. The corona dissipated, leaving only the faintest bubble of gold.

“Are you all right?” Meltzer panted, lifting Sinclair to a seated position.

Sinclair sucked for breath; his eyes were huge. He said nothing. He clawed himself upright using Meltzer’s arm and shoulder, whipping his eyes up to Delta.

“Subject Delta,” said Sinclair, leaning on Meltzer. “I’ve tried to put you out of my head for 14 goddamn years. Now you’d better stay out or I will absolutely refuse to take you to the promised land, you understand?”

“Pardon me?” Meltzer asked.

“It’s a long story,” said Sinclair. “And unnecessary. Look, Delta.” Sinclair stepped away from Meltzer, eyes dark. “You will not harm me or this deal is off. That includes going inside my head without permission. Do you understand?”

Delta swayed. The light in his helmet glowed a little brighter; the corona faded a little.

“Father and I are a new thing,” said Eleanor, her voice faint. She sounded resigned, faded. “He draws on me. I draw on him. We can’t control it yet.” Her voice grew frigid. “Maybe we could if someone hadn’t broken him.”

Sinclair threw his hands up. “Look, honey, it wasn’t anything personal. All I did was pay the bills.”

“Liar,” Eleanor said, grim but triumphant. “Do you know who you’re traveling with, Mark Meltzer?”

“I don’t know that I have a choice,” Meltzer said. His right hand twitched as though to grab his pistol, but he released his hand and dropped it at his side. “All I care about is getting Cindy out of this place.”

“Who is Cindy?” she asked.

“My daughter,” he said softly. “Blonde hair. Has my eyes and nose. Her mother’s ears and cheeks. Eight years old now.”

“Oh,” said the girl. “I know her.”

His mouth fell open. “You… where is she?”

“You can’t have her,” said the girl matter-of-factly. “She’s making ADAM.”

“What the hell is wrong with you?” Meltzer launched at Delta and lurched up on his tip-toes. “She’s my daughter! She’s my baby! My everything! You can’t have her! Where is she? Tell me!”

He slammed his pointing finger up on Delta’s gut. His voice broke.

No one replied. Delta slowly turned to regard him. The corona brightened briefly. Something must have been happening, but it was all internal; Delta swayed on his feet and purred, wrists twitching. Steam rolled up from the suit in curling waves. Meltzer could feel something stirring deep beneath the leather.

Then the heat and corona faded. All that was left was Delta’s burning viewplate, a weird greenish-gold that itself burnt into yellow.

Delta shouldered his rivet gun and marched into the train car. He stepped up on the stairs and the whole car leaned down toward him with a groan. He leaned in sideways, squatted, slipped inside. The door slid shut. A heavy groan, and the car slowly rocked upright.

A hand fell on Meltzer’s shoulder. Meltzer jumped.

It was Sinclair.

“Son,” Sinclair said in a thick voice, “you are a brave man, but I must recommend you don’t go charging Big Daddies.” He patted his shoulder, eyes rising to the car. “Let’s go to the engine. Nothing we do will be private now, but we can hope Eleanor will keep herself caged.”

“You’ve got to explain yourself,” Meltzer said as Sinclair ambled away.

“Oh, I will, just not here,” said Sinclair. “Come on. All of this is complicated.”

[oliverreedmasterass]

Sam Kiszka Sees God While Eating Spicy Wings | A Hot Ones Parody

Words: 7.9k

Warnings: language, drinking, mentions of incontinence, just overall nastiness, milk

Synopsis: Sam Kiszka goes on Hot Ones and experiences an exceptionally devastating fall from grace

Notes: thank you @jmkho​ for reminding me how awful it is to rub your eyes after touching something spicy!!

_______________________________________

“Hey, what’s going on everybody!” Sean Evans smiled wide at the camera. “From First We Feast, I’m Sean Evans and you’re watching Hot Ones. It’s the show with hot questions and even hotter wings.” 

Across the table, Sam was sitting with his hands folded in his lap, patiently waiting for his introduction. 

“Today I’m joined by Sam Kiszka of the rock group, Greta Van Fleet, who is releasing their third studio album, Starcatcher, on July 21st.” Sean turned from the camera to acknowledge Sam. “It’s great to meet you, Sam.” 

“Likewise, Sean,” Sam called back. With a grunt, he leaned over the table to extend a hand to Sean to shake. Sean seemed thrown off by the gesture, but scooted forward in his stool to grab Sam’s hand and give it a firm shake. “I’m starving, I could really go for some wings right now,” Sam joked. 

“How do you handle hot things?” Sean leaned back in his chair and studied Sam, as if sizing him up. From the look on his face, it seemed like Sean was skeptical that Sam’s thin stature would be able to handle the scorching heat of the hot sauces that were coming his way. 

“I’m all for it,” Sam waved Sean off. “I’m into this kind of shit, permanently damaging my taste buds and destroying my stomach for days on end. This is what I do to feel alive.” 

“I feel like you’re being sarcastic.” 

“A little bit,” Sam chuckled. “But I do like a bit of spice to my meals. I’m the guy in my family who needs to put a little Tabasco on everything.” 

“Some of these are gonna be a step up from Tabasco,” Sean warned him. “Are you ready to go?” 

“Just about,” Sam replied. He gently pushed the full glass of milk in front of him onto Sean’s side of the table and then hoisted a 24 pack of Corona Lite in front of him. Sean watched with interest as Sam tore into the cardboard casing and retrieved a bottle, pulling off the top with his teeth. “Want one?” Sam asked. 

“Sure?” Sean guessed. Sam started to open a second bottle with his teeth, but someone from the crew quickly forced a bottle opener into his hand before he could. 

“Oh, thanks?” Sam asked, looking around to see who had given him the instrument. He didn’t understand the point of bottle openers when teeth literally exist but, because he was on film, he popped off the cap like a normal person and slid the drink to Sean. 

“Do you find that beer takes the edge off of the spiciness?” Sean asked. Sam shrugged back at him. 

“I just wanted an excuse to crack into that 24 pack,” Sam replied after shoving a lime into his drink and taking a thoughtful gulp.  “So, what’s the first level?”

1. The Classic - Chili Maple (Hot Ones Hot Sauce) - 1,600 Scoville Heat Units

“We’ve got The Classic Chili Maple sauce coming in at 16,000 Scoville Heat Units,” Sean shared. Sam stared down at the vegan wing in front of him and gave it a testing poke. 

“Say,”  Sam had to ask, “has anyone ever tapped out after one wing? I mean, don’t get me wrong, I’m definitely gonna make it to ten, I just want to know what I’m up against here.” 

“We’ve had a few guests definitely not finish the interview,” Sean replied with a grin. “DJ Khaled and Ricky Gervais had a pretty rough time. Not as bad as Bobby Lee though.” 

A few of the crew members groaned behind the cameras, which made Sam perk up. 

“What happened to Bobby?” he leaned forward to conspire with Sean. 

“Let’s just say his body rejected the wings pretty harshly,” Sean slowly thought out his words. “From the back end.” 

“Fuck,” Sam choked out and then took another sip from his bottle. “Well god, I sincerely hope that doesn’t happen to me.” 

“For the sake of me and the crew, I hope so too,” Sean said. Then, he held up his wing and Sam followed suit. 

“Cheers,” Sam said with a cheeky smile, raising his wing up to Sean. They both took a hearty bite and immediately Sam groaned outwards. “This is the shit,” he said with his mouth full. “It’s so sweet and tangy.” 

Sean watched as Sam proceeded to devour the rest of the wing, to the point where the sauce formed a ring around his mouth and covered all of his fingers. 

“Do you want a napkin?” Sean let out a laugh. Sam waved away a crew member that was trying to hand him a paper napkin.

“Nah ah,” he said, food still in his mouth. “I’m saving all of this for later.” 

“Okay, Sam,” Sean tried to regain Sam’s attention, “I do have some questions.” 

“Fire away,” Sam motioned for him to go with one hand while he licked the other. 

“So, legend has it, your older twin brothers, Jake and Josh, would drag you down to the basement when you were in grade school to play with them. At what point did you realize that music was something you wanted to do, and not just something your brothers were forcing you to do?” 

“Oh thank god, I thought you were gonna ask me about Frankenmuth,” Sam breathed out a sigh of relief. “Every single interview, I swear, we have to talk about living in a small Bavarian town in Michigan with the world’s largest Christmas store.” 

“I’ll take that question off my list,” Sean joked, pretending to scribble something out on a paper next to him. “No, I promise you’ll get some questions you haven’t heard before.” 

“Hot wings and new questions, now we’re talking!” 

Sam continued to lick at his fingers, but then shot back upright when he remembered that he hadn’t answered the question. 

“Oh, uh, being the youngest sibling has its trials and tribulations. I feel like I was fortunate that Jake and Josh paved the way for me, in a sense, setting expectations and showing me the right and wrong things to do. I’ve always admired them.” Sam stopped and whispered to Sean, “Actually, cut that out, I don’t want them knowing that, it’ll feed into their already massive egos.” 

“Cut that part out,” Sean turned to call at the producer.

“My parents raised my siblings and I in a musical house: my dad plays blues with some local guys, my grandpa is in the Polka Hall of Fame, so I feel like I have these musical genes coursing through my veins. Jake was the first one to really take music seriously and, of course, anything he does, Josh will follow suit since the two are practically inseparable. Sure, when I was younger there were other things that I wanted to do than practice for eight hours straight in the basement, but it is something I pretty quickly grew to love. I enjoy building things, and creating music is a fascinating experiment, trying to connect with people sonically. I think from a young age I recognized the value of human connection and wanted to keep pursuing that.” 

“So, going back to the musical genes, it’s almost like you were meant to do this,” Sean clarified with Sam. 

“God, that makes me sound conceited, doesn’t it?” Sam scrunched up his face at the thought. 

“Not necessarily,” Sean tried to assure him. “It just means that you’re on the track that feels right to you, which is something I’d hope everyone can accomplish.” 

“That’s a good way to look at it,” Sam nodded. He thoughtfully licked the remaining sauce off his fingers. 

“You look ready for another wing,” Sean observed. 

“Hell fucking yeah I am,” Sam said. 

2. Banjee Ranch - Shaquanda’s - 6,200 Scoville Heat Units

“This one looks good,” Sam commented while he took in the mustard-colored sauce. “I can see the herbs in there, I already know the flavor is going to explode in my mouth.” 

Sam dug in and, once more, looked like he was experiencing heaven. Sean cut in before Sam started moaning again. 

“Last year you were featured on a song with Stealing Oceans and Scott Avett called ‘Stars on the Ceiling.’ On this track you bust out a pretty impressive guitar solo, which I heard you came up with on the spot. How did your brother, Jake, feel about that?”

“He didn’t believe me when I first showed him the song and told him I was the guitar,” Sam chuckled. “He called me a shithead.” 

“Was he a little threatened?” Sean guessed.

“He knows he’s better than me, he’s got nothing to worry about,” Sam shook his head. “He did have a few pointers for me afterwards about different tones and effects I could have used to make the track sound more complex, but I’m really happy with how it turned out. At the end of the day it’s just a fun, jazzy, funky love song, which I think the world could use more of.” 

“How do you feel about dipping your toes in other genres?” Sean asked after enjoying another bite of his own wing. “Jazz and funk stray pretty far from Greta Van Fleet’s sound.” 

“I’m all for it,” Sam couldn’t hide his enthusiasm. “I mean, even within Greta Van

Fleet, sure, we’re a rock band at our core, but if you compare our sound from our first EP to now, there’s a massive difference. Yes, we aren’t producing a hip hop album or country or something like that, but we really enjoy experimenting with sound and blending genres to create something innovative and attention-grabbing.” 

Sam seemed content with his reply since, when met with a second of silence, he finished off the rest of his wing and, to Sean’s dismay, let out a long, deep groan. As if that wasn’t out of pocket enough, Sam wiped the last part of his wing around his mouth, gathering the sauce from the first round to enjoy. By the time he was done, his face resembled that of a toddler after an especially messy meal. 

“This is a walk in the park,” Sam told Sean. “I’m having an absolute blast.” 

“You’re doing great so far,” Sean extended a compliment where it was due. “You’ve still got a ways to go though, don’t get too cocky.” 

“You sound like my bandmate, Danny,” Sam chuckled. 

3. Cadejo - Donis - 15,000 Scoville Heat Units

“Are you ready for a step up on the heat scale?” Sean asked as a crew member placed a new wing in front of Sam. Sam grabbed the hot sauce bottle from the line in front of him and inspected it. 

“Habanero? Now we’re talking.” 

Sean gaped while Sam dumped a hearty pile of the sauce on his plate and then, with his sticky fingers, rolled his wing in it so it covered the entire surface, not missing a single spot. 

“You don’t have to do that,” Sean tried to talk Sam down, but his competitiveness had entirely taken over. 

“I think I do, Sean,” Sam looked up at the host with a surprising amount of intensity. Sean had to take a split second to ponder if he had made a massive mistake letting Sam on his show, but he cleared his throat and returned to his list of questions while Sam practically inhaled his sauce-drenched wing, entirely unaffected by the heat. 

“So, Justin Bieber,” Sean started. 

“Oh boy,” Sam let out a loud laugh. “Justin Fucking Bieber. Has he ever been on this show?” 

“Nope.” 

“Damn, I was gonna ask how well he did.” 

“We’ll get him on here and you can come back and have a wing-off.” 

“You think I’m joking, but I’ll be there,” Sam stared Sean down. “We have a lot of unfinished business.” 

“Speaking of which,” Sean cut in, “you claim that he stole your birkenstocks at Coachella back in 2018.” 

“He did,” Sam looked directly into the camera to confirm. 

“It’s been five years and I’m assuming he hasn’t given them back to you?” 

“Not even a sorry note,” Sam frowned. 

“What would it take for Justin Bieber to earn your forgiveness?” 

Sam leaned back and let out a deep exhale, looking lost in thought. The camera slowly zoomed in on his face, tracking his eyes that seemed to be searching every part of the ceiling. 

“This is a hard question,” Sam admitted. “My mom always encouraged forgiveness. She said that resentment was more of a punishment for the person feeling that emotion than the one it was directed towards. The problem is, I really liked those birks. I mean, they were my first pair: we’d been through a lot. So, I guess the rational answer is I would forgive him if he gave them back to me and they were in the same condition as when he took them. I’m sure he has some nice cars too, though. If he let me take one of those I would probably forgive him.” 

“Are you a big car guy?” Sean asked. 

“I am,” Sam nodded. “I mean, I have one car that I drive around, I don’t need to be that guy that owns 17 cars and only drives one or two of them a handful of times a year. But I think if Justin offered me a lamborghini or a ferrari, I would probably take it.” 

“You and me both,” Sean laughed. 

“I’d drive it to the grocery store, just doing mundane errands, going 25 mph like a law-abiding citizen. It would drive all the car enthusiasts out there insane.” 

“I respect safe driving,” Sean nodded. 

“Safe driving is cool driving,” Sam agreed. 

“Do you like any Justin Bieber songs?” Sean slipped in another question. 

Sam looked on the brink of snorting, but stopped himself short so he wouldn’t offend anyone. 

“His music is, uh, not quite for me,” Sam tried to be as civil as possible without expressing his intense disdain for pop music. “I respect what he does and I will admit that he’s a talented musician, but I wouldn’t go out of my way to listen to any of his albums.”

“Fair enough,” Sean shrugged. 

“I feel like I’m in the hot seat,” Sam joked. “I’ll go home and find that people on Twitter canceled me for having bad taste or something.” 

“I think you’ll be okay,” Sean reassured him. 

4. Los Calientes - Hot Ones Hot Sauce - 36,000 Scoville Heat Units

“Another Hot Ones sauce!” Sam exclaimed when he saw the next bottle. “You guys do a great job with branding, this is such a niche market.” 

“We were lucky the idea blew up,” Sean smiled. “You’ll find that this one has a lot of flavor packed in with a punchy blend of sweet, tart, and spicy. It’s one of my favorites.” 

“Oh, I can’t wait,” Sam grinned. He poured the sauce onto his wing and then shook a drop out onto his tongue. “Oh hell yeah,” he said, not breaking a single sweat. 

“We have a segment on this show called ‘Explain That Gram,’” Sean shared with Sam. Sam’s face contorted into a look of worry. “We look at your Instagram and you explain some of the photos that need a little extra context. First off, you look really concerned, why?” 

“I don’t remember what I have posted on there,” Sam admitted. 

“Nothing too incriminating, don’t worry,” Sean told Sam as he grabbed a laptop from one of the crew members and pulled up the first image. “Your Instagram is highly stylized, it looks like you put a lot of thought into it: where did the 3 thematic posts idea come from?” 

“I started doing that a few years back,” Sam tried to remember, “I’m pretty sure my now ex-girlfriend introduced me to the idea that you need to maximize the formatting of Instagram to make a page that deviates from the norm while looking pleasing to the eye. I’m not a huge social media fan, but there is something really satisfying about using that three column setup to create a string of posts that, as you scroll through them, almost look like they’re happening in chapters. It just feels more put together, I guess.” 

“It was nice to look through, I agree with you there,” Sean said. “I’ll need to take some notes.” 

“Hey, there you go, Sean,” Sam beamed. 

“Let’s look at this photo first,” Sean said, turning the laptop in Sam’s direction.

 Sam leaned forward and squinted at the photo of his homemade pickles. 

“Mmm,” Sam licked his lips. “That was a good batch.” 

“Pandemic hobby? Sean raised an eyebrow. 

“You got it,” Sam nodded. “Being stuck inside for that amount of time was like an out of body experience. After a week, I don’t know if this happened to you too, but I started to feel like I was in The Yellow Wallpaper or something. So I tried to dodge that feeling with homemade pickles. There was an article in a magazine I get monthly and I figured, eh what the hell? It didn’t take that many ingredients, I like pickles, the science behind food fascinates me, it all felt right.” 

“Do I see some chilis and garlic in there?” Sean asked as he studied the photo closer. 

“I put a bunch of shit in there,” Sam laughed. “I love experimenting with things. You know, it’s really stunning how many flavors a cucumber can absorb when it’s in brine. It’s like the sponge of the food world.” 

“I’ve never heard someone speak so fondly about pickles,” Sean mused. 

“I appreciate the little things in life,” Sam said. He took another sip of his beer, finishing it off, and nearly choked on the lime that had popped back out of the bottle and into his mouth. Sean lurched up like he was ready to give Sam the heimlich, but Sam spit the remains of the lime out onto the table before he could. Sam coughed. “Whooo lord, that was a close one.” 

“Are you good to keep going?” Sean looked concerned. 

“Absolutely,” Sam brightened up. “You got another Instagram photo?” 

Sean still seemed a bit worried, but he opened the next photo. 

“Oh man,” Sam snorted, “I should have seen that one coming.” 

“There’s a lot to explain here,” Sean agreed. 

Sam looked closer at the old photo of him with “Fuck” written on his forehead while he stood in front of an impressive fire. 

“I really don’t know if there is even any context to go with this.” 

“I appreciate that you tagged the Frankenmuth Fire Department as the location.” 

“Oh yeah, we definitely weren’t burning shit at the fire department,” Sam declared, but then widened his eyes and turned away from the camera. 

“I’ve got one last post that I want to highlight and then we can move onto the next sauce. There’s a short video of you and your bandmate, Daniel Wagner, out in what looks like the desert, wrestling with a snake?” 

“Okay, this is actually a funny story,” Sam clapped his hands together. “Basically we were doing the whole tour bus thing on one of our earlier North America tours and we were trying to hit as many national parks as we could. Daniel went into this gift shop at the Grand Canyon and secretly bought this fake snake because, you know, he thought it would be hilarious to prank my brothers and I. While we were at Monument Park, which is on the border of Arizona and Utah and absolutely stunning, Danny pulled this big old rubber snake out of nowhere and started to fight with it.”

“You booked it in that video.” 

It was a really realistic looking snake,” Sam exclaimed. “I like to keep my distance from things that slither.” Sam started to mess around with his wing but snapped his head back up to look at Sean. “There’s a reason why there’s no audio in that video,” Sam added. “I was swearing like a sailor. There were a bunch of kids nearby too, I don’t know how we didn’t get thrown out of the park.” 

“You’re just living the rocker lifestyle,” Sean kidded, which earned a hearty laugh from Sam. “Thanks for your insights, I’m sure quite a few peoples’ burning questions have been resolved after that segment, ‘Explain the Gram.’”

“Happy to help,” Sam continued to laugh. 

5. Ghost Pepper Hot Sauce - Brooklyn Delhi - 39,000 Scoville Heat Units

“We’re in the spicier terrain now,” Sean shared. 

“Ah yes,” Sam bounced in his seat. “This is the place I like to call home.” 

“Coming in at 39,000 Scoville heat units, this one relies on the punch delivered from India’s famed ghost pepper, bhut jolokia, which provides a long-lasting heat.” 

“I love it,” Sam rubbed his hands together in eager anticipation. “It’s been a while since I had a ghost pepper. I used to pop those puppies all the time just to feel something.” 

“I don’t think we’ve ever had a guest quite like you on this show,” Sean admitted. 

“I love expanding my palate,” Sam shared. “And knowing my boundaries when it comes to spicy food. Right now I’m pretty sure that boundary doesn’t exist.” 

“Considering you’ve been chugging Coronas like they’re water and I haven’t seen a single tear form in your eyes, you might be right.” 

“I’m just built different. I also used to eat fire ants as a kid, that might be helping me out too.”

“Did you really?” Sean looked beyond disturbed. 

“No,” Sam laughed at how gullible the host was. “Fire ants are native to the southern states, they haven’t made the great migration quite that far up north yet.” 

“You could have had me fully convinced,” Sean shared. 

“I’m not gonna crack at all while eating this,” Sam promised as he pointed down to his wing. Sean held off on biting into his wing so he could concentrate on Sam’s facial expression as he pulled a large chunk of fake meat off and chewed it around. His face remained as stoic as a marble statue. 

“No emotion at all.” 

The camera pulled closer to Sam to show that his face was blank, not a single expression creeping out. He gulped the food down and let out a large burp. 

“The seal of approval!” he pumped his fist. 

“Now, Sam,” Sean said after finishing his wing, “You’ve said before that one of your favorite hobbies is finding vintage clothing.” 

“Yup,” Sam nodded, “I love that shit.” 

“Your outfits for your Dreams in Gold tour, which just wrapped up recently, were some of the most detailed pieces I’ve ever seen. How do you and your team come up with the vision for your stage outfits, and what is the intersection going on there between clothing and your music?” 

“Greta Van Fleet is a band that loves symbols,” Sam replied. “Take one look at our album, The Battle At Garden’s Gate, and I think you’ll get it.” 

While he talked, Sam made a show of pulling his shoes off under the table with his feet and wiggling out of his socks. Sean made a face at the stench that was coming from beneath the rounded table but then tried to maintain a poker face while he listened to Sam’s response. 

“For this tour, we all agreed that every aspect of our show needed to contribute to a larger message. My brothers and I are all avid fans of film and, after watching enough movies, you start to realize how each costume is built with purpose. Pair that philosophy with my love for clothes and how they serve as a means of personal expression, and I became the largest supporter of teaming with a talented costume designer to prepare our outfits for the tour. Before our Strange Horizons tour we were wearing shit from thrift stores. I mean, it was fun to hunt around the day of a show for something to wear on stage that night, but nothing looked coherent. With our Dreams In Gold tour, we really took the first big step to define who we are as a band, and what we’re trying to achieve with our music. Jake and I have a lot of swords on our pieces, made by the ever exceptional Amber Doyle. We threw a lot of ideas at her, and she did a great job compressing them all into coherent designs.”

“That sleeve you’ve got on your left arm is something else.” 

“Thanks, yeah, I started using that sleeve design during our Strange Horizons tour. I was really interested in the designs of webbing and wings and just the overall movement that they can bring to a stationary piece. Amber really liked the design when we came to her, and she promised she would keep that look consistent for my new pieces.” 

“Does the wing ever get in the way of your playing?” 

“Amber’s a genius,” Sam grinned, “She managed to design it in a way where I hardly noticed it was there. That is, unless I wanted to show it off.” 

“Are you and your bandmates back at the drawing board now, planning your new designs for your upcoming tour, Starcatcher?” 

“I can’t reveal too much,” Sam wagged a finger at Sean. “That was a good try. But I can share that we’re branching out in a new direction. These costumes have become an integral part of our show, and they aren’t going away any time soon. The challenging part is finding that sweet spot where we can wear things that look visually stunning and nuanced while maintaining some level of comfort so we can perform to our best ability. We’re testing the limits now, and I’m excited to see what the reception is to our new pieces. It should be good.” 

“I wish I could have snuck an answer out of you on that last one,” Sean slapped his hand down on the table in joking frustration. 

“You won’t have to wait too long for an answer,” Sam tried to comfort him. “Our tour starts in July, so you only need to wait a few more months. I am really looking forward to seeing how fans will dress at our shows for this tour,” Sam thoughtfully added. “They take this fashion thing as seriously as I do - you should see some of the outfits, these fans look like they should be up on stage with us. They’ll make replicas of our stage outfits with their own hands. It’s something else.” 

“You’ve got an artistic vision that people can get behind,” Sean commended Sam. 

“It’s an exciting thing,” Sam nodded back with a twinkle in his eye. 

6. Mushroom Mayhem - Torchbearer Sauces - 68,000 Scoville Heat Units

“You’re vegan, right?” Sean asked Sam. 

“Yes sir,” Sam nodded. 

“I think you’ll appreciate this next sauce. It’s got a blend of mushrooms to provide a hint of umami, which contributes to an overall meaty flavor. But this sauce is about as vegan as they come.” 

Sam licked his lips. 

“Yummy yummy in my tummy.” He stopped for a second and reflected on what had just come out of his mouth. “Sorry,” his face turned scarlet, “that was weird.” 

“It was like you regressed for a second there,” Sean commented. “We’re past the halfway mark now, this is where things start to get a bit intense.” 

“Finally,” Sam remarked. He took a hefty bite and then chased it down with his second bottle of Corona. “Okay,” he said after clearing his throat, “that one did have a bit of a punch.” 

“The cracks are starting to show,” Sean teased him, which Sam responded to by rapidly shaking his head. 

“Nah ah,” Sam protested. “I took that one like a champ.” 

To prove himself to Sean, Sam took the bottle and, once more, shook some of the sauce onto his tongue. Sean watched him with his mouth slightly ajar as Sam swallowed it down and patted his stomach. 

“Delicious.” 

“You can take that home,” Sean motioned towards the bottle. “We let all of our guests take whichever hot sauces they like best, but man, at this point I think you need to just take all of the bottles.” 

“Oh good, I’m glad I don’t have to sneak these out under your nose,” Sam nodded. Sean pretended like he didn’t hear that comment and returned back to his questions. 

“You and your band released a series of short Masterclass parodies back in 2021. I have to know, what inspired the character, Cal A Bungah?” 

“I’m so glad I can finally address this,” Sam sounded genuine. “Cal A Bungah was the character that started it all: I had all the guys over and we were in the kitchen, making some appetizers and I just pulled this cocky chef character out of my ass like it was nothing. There’s an inside joke among my friends and family that I can’t cook for shit which, I don’t know about that, but I decided to roll with it. So was talking this big game about being a celebrity chef and knowing everything and how meat eaters like Gordon Ramsey are going to rot in hell, and Josh was like, ‘dude, we should make a video about this.’” 

“How much of that video was improv?” Sean asked. 

“All of it,” Sam grinned. “They put me in that goofy chef outfit, said ‘rolling’ and I just went to town.” 

“I have a few rapid fire questions for Cal, if he’d be willing to answer,” Sean looked Sam down. Sam beamed at the idea and let out a loud laugh when one of the crew members passed him a chef hat. Sam pulled it on over his long, brown locks, and gave Sean a dorky smile. 

“How do I look?” 

“Professional,” Sean replied. “Now, Cal, do your skills extend any farther than cutting veggies and making a margarita?” 

“I can’t believe you would ask someone with this much skill and prowess such a demeaning question,” Sam balked. “Pass.” 

Sean let out a short laugh and returned to his list. 

“What’s the problem with squash?” 

“There’s no problem with squash,” Sam said as he folded his hands in front of him. “That reaction I had on film was a raw response to something larger than life. When I saw that squash, you know, actually held it in my hands, I felt like I was holding a part of God. I think you’d be rendered speechless too if you went through the same thing.” 

“Fair enough. What makes the perfect margarita?” 

“I’ll show you,” Sam answered. Sean called out in shock as Sam leaned under the table and grabbed a lime, some tequila, triple sec orange liqueur, ice, salt, and a cocktail shaker. 

“You were keeping all of that under there?” Sean sounded stunned as he looked under the table to see if Sam was hiding any other secrets. 

“Dave Grohl got to bring drinks on here, why can’t I?” 

Sam twisted the lid off of the tequila and dumped a generous amount into the shaker before taking a swig of the booze straight from the bottle. 

“Just have to make sure it’s not poisoned,” Sam explained himself. “The key to a perfect margarita is measuring with your heart. I don’t know what one fluid ounce looks like and, at this point, I’m too afraid to ask. So you just kinda eyeball it and, when it looks like enough, you stop.” 

“A true master of your craft,” Sean had to quip. 

“Add a splash of triple sec,” Sam continued, and then squeeze some lime juice in there for good measure. Then you shake the shit out of it.” 

Sam stood from his seat after securing the lid over the cocktail shaker and made a show of moving around the set, shaking the drink like he was a part of the rhythm section for a fast-tempo song. When he was satisfied with his work, he grabbed a highball glass from seemingly nowhere and placed it over Sean’s head, in front of him. Sean gazed up in awe as Sam let the stream of margarita flow from the shaker down into his glass. 

“Rub some lime and salt around the rim and then give it a sip,” Sam coached Sean. “And you better tell me that you just had the best goddamn margarita of your life.” 

Sean followed Sam’s commands and brought the cup up to his lips, taking a cautious sip. He smacked his lips a few times, let out a small choke, and failed to hide a grimace. 

“It’s great, right?” Sam asked over his shoulder while he fixed himself his own drink. 

“It’s, something?” Sean failed to find the right words. Sam didn’t seem to notice how much pain he was putting Sean through since he happily took a gulp from his own cup and then settled back in his seat. “This is fun, I’m having fun,” Sam decided. Sean squirmed around in his seat. 

7. Dreams of Calypso - Angry Goat Pepper Co - 101,000 Scoville Heat Units

“Oh, this sauce is gonna go well with my drink,” Sam called out in glee as he observed the next bottle. “Tropical fruit and a fucking hot pepper? Now we’re talking!” 

“Is your stomach made of metal or something?” Sean asked after quickly passing his barely touched margarita off to a crew member to dump down the sink. 

“It’s all about your state of mind,” Sam explained. “If you tell yourself you’re going to feel pain, you’re going to feel pain. But if you tell yourself that you’ve had worse, you’re going to be fine. The brain is a powerful organ, it can make or break you.” 

“Let’s see that philosophy in action,” Sean encouraged Sam as he motioned down to the wing. Sam grabbed it with a look of determination and tore into it. 

“Not so bad,” Sam announced as he chewed. “You can hardly even notice the kick.” 

“Right,” Sean stared at Sam in awe. “So, you’ve rubbed a lot of elbows with some pretty big names in the music industry since you first started off, namely Elton John and Metallica. Are there any groups or musicians that you would want to either collaborate or tour with?” 

Sam started to think, but quickly got distracted by the flow of mucus that was starting to pool out of his nostrils. He tried to be covert about it, since he desperately didn’t want Sean to think he couldn’t handle spicy foods, so he quickly rubbed his nose. All that did was spread the snot across his face. 

“Well,” Sam grunted out, trying to act cool, “If John Denver was still alive, I’d have to say him.” 

To Sam’s dismay, even more snot was coming out of his nose, to the point where it was dripping down onto his shirt. Sam attempted to ignore it; maybe it was something the camera wouldn’t be able to pick up. 

Across the table, Sean gaped at the boogers flooding out of Sam’s nostrils like a waterfall. While Sam blabbed on and on about all of the jazz and blues musicians that he admired and wanted to tour with, all Sean could do was study his nose in wonder, guessing when the flow would finally stop. 

It was a relief that one of the crew members couldn’t take it anymore, since she passed a napkin off to Sam and, under her breath, begged him to wipe his schnoz. In grim defeat Sam let out a loud honk as he snorted into the tissue, and then wiped at his face, clearing the mucus away. 

“The short answer is John Denver, George Gershwin, or Howlin Wolf if they were still alive. Taj Mahal would be exciting though too.” 

“I think you need another wing,” Sean was ready to test Sam’s limits. Although Sam’s confidence was visibly wavering, he nodded his head. 

“Bring it.” 

8. Evolution Hot Sauce - Da Bomb - 135,000 Scoville Heat Units

“Still doing good?” Sean checked in with Sam. He liked to give his guests the opportunity to tap out before they shit themselves. 

“I’m fantastic,” Sam replied with certainty, his cockiness returning. 

“This one usually slows people down.”

“We’ll see about that,” Sam nodded down at the wing. In comparison to his previous large bites, Sam took a more inquisitive chew and was quick to gulp it down. Suddenly Sam’s eyebrows raised and his cheeks started to flush. He let out a short gasp and popped the top few buttons of his shirt. Sean watched him in glee, relieved that his strange guest was finally starting to be torn down by the scorching heat. 

“This is a walk in the park,” Sam gasped out, his eyes welling with tears. He downed the rest of his margarita, blew his nose into his hands, and then downed the remainder of his second bottle of Corona. As Sam heaved out gasps of air, Sean cheerfully returned to his questions. 

“You caused quite a stir amongst your fans with your impromptu visit to New York. What inspired the trip, and what touristy places are you planning on taking your bandmates when you’re back in September to play at Madison Square Garden?” 

“What spices did they use in this thing?” Sam heaved between gags, “stuff out of Satan’s asshole?” 

“Scorpion peppers,” Sean explained. “They’re pretty hot.”

“No kidding,” Sam coughed. Even though he was fighting for his life, his hands trembling at the overwhelming nature of the spice, he considered Sean’s question. “I wanted to go to New York,” he answered between coughs. After grabbing another bottle of Corona and chugging it, Sam wiped at his mouth with the back of his hand and continued. “Plane tickets were cheap, our management thought it might be a funny gimmick for me to announce our world tour in an unconventional way that was sure to get people talking. Um, Danny wants to go to the Central Park Zoo, I think Jake would enjoy the Hard Rock Cafe. Josh probably wants to go to Rockefeller Plaza.” 

“All great spots,” Sean agreed. 

“Shit, I feel so alive,” Sam groaned outwards. 

“Are you okay?” Sean raised an eyebrow. 

“This is great, I have health insurance, it’s all good,” Sam rambled, starting to sound incoherent. He brought the Corona back to his lips and tilted it back, accidentally splashing half the bottle down the front of his button up shirt. “Aw man,” Sam pouted down at his mess. Within seconds, a new napkin was in his hands, which he used to dab at his wet spots. “I haven’t stepped in any human shit yet on the subways,” Sam shared while he continued to clean himself, even though Sean hadn’t asked. 

“I can’t say that I’ve ever seen human shit on the subway?” Sean replied. 

“You’re not looking hard enough,” Sam answered back. 

“Are you feeling ready to move on to the next wing?” Sean changed the topic. 

“I’m feeling like I could get another wing in my mouth, Sean,” Sam said. 

9. Taco Vibes Only - Butterfly Bakery of Vermont - 638,000 Scoville Heat Units

“We’re two away from the end,” Sean congratulated Sam. 

“Nearly to the finish line,” Sam nodded before flushing out his nose into a tissue again. “I promise you, the nose blowing is a new one,” Sam continued. “This has literally never happened to me before, so I’m really curious what the hell you’re feeding me.” 

“Hot Wings,” Sean stated flatly. Sam squinted back at Sean, not buying what he was saying. It wasn’t often that Sam got knocked off his high horse. 

“This sauce uses a simplistic recipe so the peppers can really shine through,” Sean recited. “It features just lime juice-”

“Like the margaritas,” Sam cut in.

“Right,” Sean nodded. “And cumin and coriander to enhance the natural tangy and earthy notes.” 

“If I can taste anything other than fucking hot on this wing, I’m gonna impress myself,” Sam said. 

“It’s mostly so the viewers know what you’re dealing with,” Sean explained. 

“Well,” Sam looked across to Sean, and then into the camera. “Here goes nothing.” Sam did the sign of the cross for good luck and then bit into the wing. 

“Ho,” he almost immediately rasped, staring off into nothingness. “Hooooooooo hoooooooooo.” 

Sean chuckled as Sam started to breathe like he was giving birth. The tears were back in his eyes, and they were pouring down his cheeks so they splotched on the table cloth and Sam’s pants. “Agh,” Sam was making incoherent noises, and then he suddenly stopped fidgeting and sat upright, staring directly above Sean. 

“Oh shit,” Sam murmured, and then clawed at his tongue for a brief second. 

“What?” Sean asked, whirling around on his stool to try and catch a glimpse of what Sam was staring at, his mouth wide open. “What is it?” 

“God,” Sam whispered. “I see God. And he looks like a hot wing.” 

Sean stared at Sam. 

“Hello God,” Sam whispered. 

“I don’t think he’s okay,” Sean turned to the producer. “Maybe we should stop here.” 

“What’s that, God?” Sam asked louder. “Eat another wing? Sure thing, boss.” 

“Maybe don’t do that,” Sean tried to put a hand up to Sam, but it was already too late. Looking like he was lost in another dimension, Sam grabbed the bottle of hot sauce and dumped it into his bottle of Corona and started to slurp it down. 

“Oh Jesus,” Sean frowned. 

“My mouth feels disconnected from my body,” Sam hummed. He dropped the beer bottle back onto the table and then threw himself back so he nearly toppled over on his stool. By some miracle he was able to push himself back upright, and then grabbed another napkin to wipe his sauced up hands. He looked back up at the space above Sean’s head and gasped. “There’s two gods now,” Sam breathed out. “It’s so beautiful.” 

Sean was paralyzed in place, gawking at Sam, who had tears rolling down his cheeks again. 

“So beautiful,” Sam exhaled. He grabbed the napkin from the table and lifted it up to wipe his eyes. 

“Oh wait, no,” Sean tried to stop him, but it was too late. 

Sam was now the one frozen, his eyes wide with fear and shock as he realized his mistake. 

“SHIT!” he snapped out of it, hollering in pain as he threw his hands up to cover his eyes that now had hot sauce in them. “MOTHER FUCKER!” 

The producer nodded for Sean to continue going and, as disturbed as he looked, he cleared his throat and talked over Sam’s calls of immense pain. 

“In your song, ‘My Way Soon,’ your brother sings, ‘I’ve seen many places, there are so many places.’ For a 24 year old, I’m sure you’ve seen a lot: from the sketchiest dive bars to playing in front of thousands in packed stadiums, which places do you feel were the most monumental in your musical and personal journeys?” 

Sam hadn’t heard a single word that came out of Sean’s mouth because he was too busy dumping his glass of milk onto his eyes while begging for forgiveness from the hot wing gods. 

“Give me peace, oh mighty lord!” Sam cried tears of milk. 

“He’s not finishing this,” Sean decided with a sense of finality. He thought that Bobby Lee had gone through the worst experience on his show, but the kid from Michigan had experienced the most devastating fall from grace he had ever seen. 

Sam’s eyes were bright red, his clothes were beyond destroyed from all the milk, booze, and sauce he had spilled on himself, and his hair was plastered to his face from the sweat. He looked as though he had been to the farthest edge of hell and had to crawl back. Steam practically seemed to be pouring off him as he shakily stood from the stool and then plopped down on the ground so he could lean forward into a fetal position, his head up in his knees. 

“I fucking hate hot wings,” Sam groaned from the floor. 

10. The Last Dab: Apollo - Hot Ones Hot Sauce - So fucking hot the Scoville Heat Units don’t exist  

“Let me sub in,” Danny said, running from behind the camera to the table, extending a hand for Sean to shake in confusion. “I’m Daniel Wagner, drummer for Greta Van Fleet,” Danny introduced himself to the camera. “My buddy, Sam, was so close to making it. He told me beforehand that if he couldn’t do it, I would have to finish it out for him.”

“That’s a first on this show,” Sean seemed to be growing on the idea. 

Danny squatted down to Sam’s side and patted his arm. 

“I’ll close this out for you, Sam,” he promised his best friend. Sam opened his

bloodshot eyes for a second to look up at Danny and then squeezed them shut again and let out another deep, low moan. “He’ll be okay,” Danny assured the crew. “He’s been through much worse. He could probably use some eye drops though.” 

Danny gave Sam one more pat for a little extra reassurance, and then dragged him by the feet to the edge of the soundstage so he was out of the way. 

“Glaugh,” was all Sam could say. 

Danny returned back to Sam’s toppled stool and set it back on its legs so he could perch on it. 

“Last wing, right?” he checked in with Sean. 

“You got it,” Sean nodded. “Please don’t tell me you’re gonna handle it like Sam did on that last round. That was hard to watch.” 

“Trust me, I’m the sane one in the group,” Danny assured him. “Do you have a question that I can answer while I eat?” 

“Well, uh,” Sean was thrown off-guard. “It’s really more of a question for Sam.” 

“Try me,” Danny said as he added a dollop of hot sauce to his wing. 

“Your, or, Sam’s dog, Rosie, seems like a really important part of his life, appearing in a lot of the band’s instagram photos and tiktoks. If you knew she could understand you, what would you tell her?”

“That is a better question for Sam,” Danny agreed, his mouth already full of the wing. “This is delicious, by the way.” 

Sean gaped at Danny. The highest level wing hardly had an impact on him. He looked as if he had just bitten down on some celery. 

“I would tell Rosie,” Sam gargled from the side of the stage, “that her dad is a big old wuss for tapping out early on Hot Ones!” 

“You got close, Sam,” Danny turned around to tell his friend. “You got really damn close. “You’ll get ‘em next time.” 

“I’m a failure,” Sam sniffed. 

“The wings did kick your ass, bud,” Danny agreed. 

“We usually give guests the last part of the show to plug anything they might be working on right now,” Sean interjected. “There’s a camera there, there, and there that you can look into.” 

“Oh, sweet,” Danny perked up and set his finished wing gently down on its plate. “Okay, well, our single, ‘Meeting the Master’ is out now on all streaming sites, our album Starcatcher will be released on July 21st, mark your calendars, and we’re going on tour at the end of July. We’ve got a lot of exciting stuff for you down the road, I can’t wait to put it out into the world. Wanna add anything, Sam?” 

“Can I have some more milk?” Sam whimpered off to the side. 

“Of course, Sam,” Danny promised him. “Anything to add about any upcoming projects?” 

“Upcoming projects?” Sam asked. 

“Yeah, Sam.” 

“I’m gonna pump my stomach,” Sam shared. 

[miss-tc-nova]

A Small Adventure with Dad - Sora x Child!Reader

First off, hope you see this. I tried and failed to @ you.

Second, not gonna lie, I've been trying to write this since the request came in. It's been doing my head in and I rewrote it like 7 times. So I'm sorry it's not perfect, and probably not as fluffy as you hoped. And I definitely didn't do any edit/clean up, but I hope it at least entertains you a little.

Premise: The time has come to save the future

Words: 2,372

~~~~~

               The salty air breezes by, the sky raining warm sunshine down on us. Gentle waves rock the world while we bustle about in keeping Black Pearl sailing ahead.

               One of our men points out over the water. “Land ho!”

               “Land ho!” the rest of us holler out in excitement.

               It’s been a few weeks since I arrived here.

               And I don’t mean “here” by The Caribbean.

               The thing is, I’m not from around here. Where I come from, things are beginning to distort and fall apart. After my father and uncle vanished and my own existence began to flicker, we received a visit from a family friend who was able to point us in the direction of the event causing the chaos. It was tasked to me to fix this mess and with ample warnings not to meddle beyond what was required.

               So far, the hardest part has been finding my way without a version of myself here or losing my body, yet I did. It was sheer coincidence that I happen to run into Sora, Donald, and Goofy shortly after. There was some suspicion, but it pretty much evaporated when they discovered that I had my own keyblade. It’s been a comical series of events ever since. Everyone I meet asks how they know me or if we’ve met somewhere. Alternatively, they’re exasperated at the double chaos known as me and Sora. It’s not my fault we get along so well.

               I know it’ll end and probably sooner than I’d like, but until then, I’m going to thoroughly enjoy the time I have with my new friends.

               I get to work adjusting the sails as we divert course towards the island, singing that silly shanty at the top of our lungs as we have the whole time.

               “And really bad eggs!” Jack stumbles as the ship breeches the shore and goes tumbling over the edge.

               “JACK!” The rest of us run to the edge of the vessel to check on the captain. He simply lays in the sand, coming to terms with the fact that he’s ashore.

               Suddenly, there’s a little jingle. All eyes dart to Sora.

               “Sora!” Donald scolds, flapping his arms frantically.

               “Put it on silent!” I hiss.

               Instead, he answers it. “Hello?” he whispers loudly.

               “Sora, we—”

               “Shhh!” It’s kind of harsh, but in the name of the world order, we have no choice but to make Ienzo keep it down.

               “S-Sorry,” he says much softer.

               “What’s up?” asks Sora.

               “We’ve received some unusual activity in the Kingdom of Corona. Kairi, Riku, and King Mickey are already on their way, but I think it would be wise to send everyone to investigate this matter.”

               “It’s that big, huh?”

               I can’t help the goosebumps creeping up my spine. This might be it.

               “I believe so.”

               Sora looks to us for opinions.

               “What about Jack?” Goofy asks.

               Again, we peer over the railing to see the captain ambling off along the shore on his own.

               “He’ll be fiiiine,” I reply.

               “You think so?”

               “Look at him? He barely knows we’re here when we’re the ones manning his ship. I’m sure he’ll have gotten himself off the island and onto his next adventure without us.”

               We turn back to Sora who looks back at his GummiPhone. “We’re on our way.”

               “Great. I’ll inform the others to wait for you before proceeding.”

               The call ends there. One last glance is spared to the captain that still hasn’t acknowledged we haven’t joined him before we set out for the Kingdom of Corona.

               My boots meet the grass. Again, the sun blesses us with its warm kiss though the breeze lacks the heavy salt of The Caribbean. There’s significantly less water about, but instead the sea is of glorious, pastel flowers soaking in the radiant light from above.

               “This place is pretty,” I awe, taking in all the greenery.

               “About time our wayward pirates showed up.”

               Her voice captures our attention and we spot Kairi strolling closer, Riku and Mickey following after.

               “Hey guys!” Sora calls.

               “Do you guys have any leads on our Heartless?” I ask as we meet up.

               “Nope. We were told to wait for you,” Riku says. “Ienzo says it’s likely to be a tough one.”

               “Sounds fun,” I laugh.

               “Fun? Really?” Riku’s not nearly as entertained as I am.

               I shrug. “What? We’re investigating this whether or not we’re afraid. Might as well plan on beating it to a pulp.”

               Though he scrunches his nose in disapproval, there’s the slightest hint of a smirk in his expression. “I don’t know if you’re brave or crazy.”

               “Thanks! I inherited it from my father.”

               Well whatever expression he had, it all goes out the window, leaving him baffled. “Wha…What?”

               I wave my finger guns at him.

               Quite honestly, the conversation doesn’t get much smarter than that. So we set out, keeping eyes peeled for signs of this unusual Heartless.

               In spite of big words, my heart slams against my ribs, anxiety creeping into my throat. As we wander the woods, I elect to keep my mouth clamped shut. If this is what I think it is, they are not prepared for this and, quite frankly, I’m not even sure I am. But I can’t let on that I know—that would open too many lines of conversation I’m not allowed to divulge.

               The ground rumbles beneath our feet. My voice catches on that lump of anxiety, but Riku’s is clear.

               “Run!”

               Everyone manages to dive out of the way as the earth gives way. From the dirt rises a serpentine beast with a body littered in thorns. A trio of flowers sprout from the top, each snapping their razor-sharp teeth. The largest in the middle is the only real face with wild, spiraling eyes. On the chest of this beast is the tell-tale emblem of the Heartless. This is an ancient species of serpentine monster that disappeared well before even my father’s time; I’d only ever seen it mentioned in a book. And those notes were nothing good.

               With a roar, the beast attempts to bite down on anyone as it lunges at the group. This starts the wildest fight of my life. The triplet heads independently strike at lightning speeds and the thorns on its sides make it difficult to make a mark with our attacks. Even when they do land, the thick skin of the snake soaks the ones that do land. The heads aren’t even the only threat this thing has as the tail whips at us, crushing rocks when it missed.

               My heart stops when I watch Sora raise his weapon to top one of the smaller heads from chomping down on him. His arms strain to hold it back, leaving him wide open for the tail to come through. I have just a split second to get out of the way the brunette is sent flying back, colliding with the cliffside at our backs.

               It feels like a fist jerking on my heart and I stumble.

               This is bad. I knew they would struggle, but I don’t even know what I’m supposed to do against this thing. I wasn’t prepared to face a Thorned Snake.

               There’s the slightest movement at the cliff overlooking us. My eyes snap to the black coat observing the fight—that’s who summoned this monster.

               I narrowly missing getting bitten into as my blade changes into a glider and takes me up to meet the Organization member. The man with pink hair doesn’t even spare me a glance.

               “Stop! Stop this!” I shout, racing towards him. “Please, Lauriam!”

               A brow rises in my direction. “And just who are you?”

               “Someone who knows that if you do this, you will regret it.”

               I step back beneath his imposing figure. In a whirl of petals, he now wields his signature scythe. “Threatening me, are you?”

               “No!” I can’t raise a weapon to this man. I know him—I know the importance of the part he’s meant to play. “Please, just don’t do this!”

               “You have one last chance to run.”

               “Lauriam, please.” His second hand meets the staff and I cower beneath its rising blade. “I’ll give you a clue about what you’re looking for!”

               His body freezes, mid swing, and he turns on me with the look of a man gone feral. “What did you just say?”

               I barely have time to brace myself, yet I wasn’t really prepared to be hung midair by my neck.

               Voice deep, violent, desperate, he demands more. “Tell me what you know.”

               Unable to speak beneath the crushing force of his grip, I glance to the raging battle below. That grip tightens but I know that I have to hold out or this won’t be the end of just me.

               A frustrated huff signals that I’ve won. I hit the ground, gasping for air. His snap echoes in the air, followed shortly by the ground rumbling. In the battle below, vines burst from the ground, entangling the beast. It soon forgets my allies as it struggles against the bindings. Thorns pierce its skin, eliciting a roar of pain and I almost feel bad for the thing. There was no hope against the crushing vines as the Heartless soon releases its heart and disperses in a cloud of smoke.

               Immediately, Marluxia turns on me. “Now tell me. Where is it? Why am I here?”

               Collecting my composure, I rise to my feet. “You need to look into the Realm of Fiction.”

               He’s barely restraining himself in his frustration. “What does that mean?”

               “That’s all I can tell you.”

               “And why should I trust you? What’s stopping me from choking the life out of you right now?”

               Suddenly it occurs to me—the reason she was the one to visit and set me on this path. Reaching into my jacket, I pull the fabric she asked me to keep with me. In my outstretched hand I offer up the vermillion ribbon. All that animosity washes off him, replaced by weary heartache. Almost reverently, he accepts my gift.

               “Where did you get this?” he murmurs, not quite understanding his own reaction.

               “You’ll find out soon enough.”

               His green eyes scan me over once again. “You’re not from here, are you.”

               I shrug with a meek smile.

               “You know I can’t back down from this war, right? I will defeat them when the time comes.”

               “You do what you need to do,” I say. My feet carry me towards the edge of the cliff. “May your heart be your guiding key.”

               What I said stuns him. “What did you—?!”

               Marluxia’s question can’t be answered now. I take that last step off the edge landing on the glider that carries me down to the waiting warriors of light below. I can’t fight the smile on my face, having succeeded in my mission, averted a crisis, and set everything back on the right path.

               “You guys okay?” I ask as my feet hit the ground.

               “What happened?” Kairi asks.

               Riku has some idea. “What did you do?”

               “I just…had a heart-to-heart.”

               “With Marluxia?” Sora is full of skepticism.

               “Yep.” I let the smile slip. “But don’t let that fool you. He’s still just as much of a threat as he was before. Do not take him lightly.”

               “How did you do that?” Donald scratches his head.

               “I can’t tell you.”

               His feathers ruffle. “You and your secrets.”

               Mickey isn’t quite as bothered. “We’d better report back to Ienzo and let him know that the Heartless is gone.”

               Sora looks to me. “And we better get back to Jack and make sure he’s not still stranded on that island.”

               I’m not quite prepared for this. My time here was always meant to be limited but getting to know these people in this time is a memory I’ll always keep close to my heart. It’s really made me come to appreciate who they are.

               Still, it takes me a moment to get the words out. “Actually, I think it’s time for me to go.”

               Surprise crosses all their face.

               “Huh? Where to?” asks Sora.

               “Home.” A laugh escapes me. “My dad is probably waiting for me to tell him all about this.”

               A hand passes through his hair as he considers the non-existent options. “You’re from Destiny Islands right? We could probably make a pitstop there if you wanna see him.”

               “It’s a bit more complicated than that.” From my pocket, I produce a star-shaped gem.

               Mickey immediately recognizes the item. “That’s a star shard!”

               “Yep. There’s a detour I gotta make if I want to actually get home.”

               “So when are you coming back?” I knew that question would pop up, but I don’t know if it’s more or less painful that it’s Sora who asks.

               “It’s gonna be a long time,” I answer honestly. “You’ll probably have forgotten me by the time we meet again and you may not recognize me.” I offer a hand in the face of his confusion. “But we will meet again. Trust me.”

               The parting sadness in his eyes brightens, a small hint of happiness coming through.

               “Alright.”

               Sora takes my hand and I pull him into my arms. With a hearty pat, I step away from him and bid the rest goodbye in turn. The star shard in my hand begins to glow as I send it the thoughts of my destination. Memories of my time here swell in my heart. Muscles in my cheeks hurt from all the smiles, but I don’t even care.

               “See you guys.” The next words slip from my mouth before I can even think about it. “Bye dad, I love you.”

               Oh I messed up. It feels like the everything stops and I wait for the worlds to end.

               Instead, Riku points at me with accusation. “I KNEW IT!”

               Sora, himself, is confused out of his mind. “Wait, what?!”

               Kairi puts a hand on his shoulder. “Sora, that’s your—"

               “WELL!” I interrupt loudly. “I’ve overstayed my welcome and Wilbur’s parents are gonna kill him if I don’t get his ship back! Bye!”

               Before the star shard takes me away, I hear Sora’s voice.

               “Bye, I love you too!”