#sean and Kieran are 2 spoilers i already know as well as what happens in st denis
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A great deal of rdr has already been spoiled for me but i think its become one of the games where i actually give a shit about being further spoiled. I was trying to look up stranger missions to make sure i didnt miss any and i was like speed scrolling past certain things like oh fuck, oh god
#not fallout#kal talks#rdrposting#i usually dont care about spoilers but man...#burned the tobacco fields with sean last night that was a lot of fun#im having so much fun committing crimes!!!!!!!#sean and Kieran are 2 spoilers i already know as well as what happens in st denis#but im like eihaihsbishiabs dont tell me i just wanna experience
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1/ I wanted to thank you for writing ACW, you are doing an amazing job with the characterization and I'm dying at every interactions between Wolf and Arthur. I'm already ready to have my heart broken if your story ends like the game. I'm really looking forward the next chapters ! You have a lot to cover between the canon story and the original stuff you add, especially everything covering the TB, I don't know what you're planning to do (and whatever you will do I will love it !)
Part 2:
âââââ
Ah! Thank you anon! Youâre too gd sweet and Iâm so happy to see all of the love you have for my work as well as the amount of confidence you confide with me!
And as for my health, Iâve been doing a lot better! My tendinitis was caused by a pinched nerve in my neck from sleeping on it wrong for a week straight and having a bad pillow, and Iâve since gotten a new one and viola! Worked like a charm! ;)
Personally, Iâm enjoying to really get to the parts Iâve been DYING to get to for MONTHS since I first started this fic. What you all are reading has been plotted out since we first started chapter two and were in Horseshoeâ not even kidding.
And we havenât even touched the best parts of Wolf and Arthurâs relationship, nor have we gotten to its true depth yet, and Iâm so god damn excited to get these next few updates out to truly begin venturing into the actual substance of their relationship.
I wish I could talk about what I intend for the ending of this story, but more importantly, the ending that I have planned for our beloved Wolf and Arthurâ but unfortunately that would be such a huge spoiler and I want you all to actually get to EXPERIENCE what is in store rather than have it whipped out in a superficial ask reply haha â not that you are asking to have it spoiled, but just that I wish I could have the proper discussion over what is to be with you!!!
As for Arthur being alone in the game in chapter 6/post TB diagnosis, itâs true. Arthurâs ticket for death separated him from everyone. Dutch saw him as useless, Micah saw him as a weakness, and everyone else saw him as a dead man walking. All Arthur was faced with was pity and apology after apologyâ âoh, Arthur, thatâs awful Iâm so sorry.â
The two who were truly best at processing Arthurâs TB was Sadie and Charles. They kept him busy and didnât treat him any differently in terms of blockading him from helping or writing him off because heâs not as capable as he used to be. Granted, they checked up on him and made sure he was handling himself alright, but they didnât see Arthur any lesser because he was gravely sick and dying slowly and in an agonizing way.
And itâs not that John was awful either, but he tried to spare Arthur. Arthur felt like a fragile, cracked tea cup, a shadow cast by a man who used to be his rival when he showed up, practically snarling and feral at thirteen or so. He and Arthur always had competition, who was better, who was capable. And suddenly, Arthur canât run without coughing, is weak, is fainting, is dying, and suddenly everything is different. Suddenly it feels like heâs lost in the worst way possible and Johnâs prize is that he isnât coughing up blood every so often. How trivial their rivalry had been, and to what conclusion did it bring?
Sean. Kieran. Hosea. Lenny. At this point they all had died, and for what?
And what was Arthur dying for, even?
And thatâs when Arthurâs atonement truly began to shape when he was dying.
As he says in the game, you see everything so much clearer. There isnât a bigger picture, not anymore.
He wasnât gonna worry about moneyâ after all, what good would it do him? The Pinkertons? Well, I might be dead come tomorrow, so I donât care if they are close to catching me.
Every single concern he ever had just got washed away. Worries that blinded him, fears that misguided himâ all were gone, and all Arthur could see was the fear and greed that grew within the members of the gang.
Arthur spent the last couple of months to weeks of his life living them for everyone else, trying to save who he could, all the while feeling regret because everything that he ever told himself that could âwait till Iâm doneâ wasnât possible anymore. No running off with Mary, no farmland to become his ranch out West.
Every dream or hope or future shattered with the words, âIâm so sorry, son... itâs a hell of a thing.â
Knowing that he was going to die made him so alone because everyone else... they all were trying to survive.
No matter what happened to them. If the gang stayed together, if Dutch got caught, if Micah died and Dutch killed him, if they broke apart and went on to live the rest of their livesâ Arthurâs end was certain.
Arthur was going to die.
He already was dying.
And it made him feel like he was separated from every damn person around him, because they were so scared for their life, so greedy for their futuresâ and Arthur, he had none of that.
Only regret. Only a certainty that he would die a miserable and painful death, and soon.
Arthur lived the last part of his life trying to ensure others had their own, and that he didnât die with the regret that he couldnât save them too. He was a lost cause, a gonerâ and while that made him feel like he was on the outside looking in, he knew that it was the last thing he could do before his body finally couldnât keep going anymore.
For ACW, their fight has been important to me. So important. I grew extremely attached to Arthur, and in the time Iâve written her, Wolf as well. They are so important to me and in so many ways.
I get emotional in a lot of ways for what they are going to go through, and how their story will conclude. And I just want to ask you guys one thing: please keep going, even if the story and events seem so bleak, that you donât stop to avoid its conclusion.
With fan fiction, the sad part is that, to an extent, your story is already told. You all know what direction this story is to go, and what events transpire in the game.
I wish I could tell you more anonâ I wish I could write down all of the feelings Iâve had and all of the planning and dedication Iâve poured into just figuring out how this story is mine is to end, and everything leading up it to and in between.
With Arthur, but more importantly, also with Wolf.
And I have been restraining myself for nearly the entire time Iâve written this fic for everything that were about to reach to here in a few updates.
Have faith.
Continue reading and pushing until you get to the very last god damn word because despite Arthur knowing his ending, he kept going.
But please, have it within yourself to continue. Thatâs all I ask!
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Of Sons and Daughters Ch 13
Summary: Arthur is tasked by Dutch to watch over a young woman who had just lost the last member of her family she had left. That young woman just so happens to be the daughter that Dutch told no one else about.
This is a non canon AU with no major spoilers
Fandom: Red Dead Redemption 2
Pairing: Arthur Morgan/Original Female Character
Status: Ongoing
Contains: swearing, PG 13 smut
Intended for readers 18+ of age only
Masterlist in my bio
Itâs been a while since Iâve actually sat down to write, I guess. Things have been real quiet after all that mess we cooked up in Saint Denis at Colmâs execution. But quiet donât mean I ainât been busy. Especially since things have been a little harder since we still been laying low.
Me and Charles have been hunting quite a lot. Even convinced Marston to join us a few times. Donât think that boyâs properly hunted in a long time, but he picked it back up real quick. Thereâs a bunch of wild hogs living around Shady Belle, so the eatingâs pretty good. The pelts are plenty useful (and valuable), too. Plus, Emmeline and Hosea have been fishing, since weâre right by the water. They both got a knack for it, so everyoneâs bellies have been kept fairly full even without us buying food from the store.
Those of us whoâs more recognizable have had to stay out of the city, so the girls have stepped up to make us some cash to buy other things like ammo and medicine. All of them are mighty good at pickpocketing. And Karen and Mary Beth have some con devised to relieve gullible men of their money. Something about being poor widows looking for work, I guess. Itâs working out, anyway, and they insist itâs all safe. Lenny and Kieran usually back them up just in case something would go wrong. It donât bring in as much money as weâre used to, but weâre making do.
Emmeline tells me that when Iâm not here, sheâs been spending a lot time with Dutch. Sheâs happy to get to know him and he seems happy to make up for lost time with her. I guess heâs been telling all kinds of stories, trying to educate her on the evils of society like he has with all the rest of us. Thatâs what she tells me anyway. I havenât really talked to him much actually. When I see him with everyone else, he seems like the old Dutch, like how he was before Micah came. Before Blackwater. But he still seems a little different with me. He donât talk to me the same way, not exactly. I canât really describe it, but he just seems a little off. And I ainât so sure I like him talking to Emmeline so much.Â
Just the other day, I came back into camp and found Dutch and Emma sitting on the back porch overlooking the swamp. Neither of them knew I was there listening in, which I guess ainât such a nice thing on my part. Still, I didnât say I was there and just listened. He was telling her a story about something that happened years ago. I had run across this church that raised a ton of money from its parishioners to build this orphanage in the next town over. Something about it just didnât seem right, so I dug into it. And I was right. It turned out, there was no plans for any such orphanage at all. The preacher was just raising money for himself so he could gamble it away or spend it on whores. So me and Hosea came up with a plan to steal all that money and dropped it off at the nearest actual orphanage. Strung that bastard up in his own church, too, so his followers could see him for the scoundrel he was. Now thatâs what actually happened. But thatâs not what Dutch told Emma. He told her he was the one that found the church. He thought there was something going on. He came up with the plan all by himself and he did it all. He didnât even mention me or Hosea.
Emma, she thought the story was amazing, completely enthralled with Dutchâs knack for the dramatic. And the way she looked at him, like he was some kind of folk hero... I froze. I couldnât jump out and tell her he was lying, as much as I wanted to know why he did it. I couldnât break her heart like that, knowing that her father was lying to her right to her face.
But the thing is, Dutch has plenty of stories like that he could tell about himself. Thatâs practically all he and Hosea did when they was starting out. They was known as âgentleman scoundrelsâ for years because of it. Theyâd rob banks and trains, but never took from those who looked like they was poor. They even gave a bunch of the money they took away. It wasnât until we started picking up more people that things really changed. Money got tight having to feed more of us, so we stopped giving it away. But Iâm just wondering, whyâd he take my story? Out of everything, whyâd he choose to leave me out of my own story that he decided to tell Emma? I canât quite figure out what heâs thinking. And thatâs making me even more anxious for the day that Iâll have to tell Dutch Emmelineâs with child. I guess because I ainât quite sure how heâs going to act. And it wonât be too much longer before weâre going to have to tell him and everyone else.
Emmaâs belly has started to swell. You canât tell much when sheâs clothed, but when weâre in bed alone together, I can see it. Sometimes if she falls asleep before me, I just look at her and see how much the babyâs grown already. Itâs amazing and beautiful and terrifying all at the same time. I know this baby is coming and when it does, Iâm going to have to be a father. I donât rightly know what Iâm doing in that regard.Â
What if Iâm like my own father? I donât want that. Not at all. He werenât a good father. Will I be like Dutch? Or Hosea? Or even John? Iâm not sure if I want any of that, either. I guess Johnâs doing better now, but he ran away scared at first. And I suppose Dutch and Hosea taught me a lot and they didnât raise their hands to me or nothing, so that ainât too bad. But I donât want to raise a child on the run. I donât want to teach my son how to beat people or my daughter how to pickpocket. Or sell herself, god forbid. I donât want my children worrying that if they donât lie well enough to con some poor sap out of their money that we wonât have the means to eat. I donât want them to think some lawman is going to come and take their daddy away and hang him in the town square.Â
I donât want none of that.
 âArthur?â Emmelineâs voice draws him out of his thoughts.
He closes his journal swiftly and looks up to her. âEverything alright?â he asks as she approaches him.Â
Before she says anything, she takes a seat next to him on the ground. Though the air is hot and muggy, Arthurâs spot is nicely shaded from the large trees standing tall above them. He had seen the little clearing while hunting in the woods just outside of Shady Belle and thought it would be a nice place to get away from camp life without actually traveling too far.Â
âEverythingâs fine,â she answers his question after situating herself.
âWhat are you doinâ out here? You shouldnât wander too far from everyone.â
Emmeline laughs at Arthurâs overprotective nature. âItâs not that far from camp. I could practically see you the whole way over here.â She stretches her legs out in front of her and leans back on the fallen tree behind her to get more comfortable. âAre you alright out here?â
He looks over to her. âCourse I am.â He puts his arm around her shoulder and pulls her into him. He isnât usually so forward, but since they are away from prying eyes, he indulges in the contact. âJust wanted a little peace and quiet.â
âOh. If you want me to go, I can-â
âNah. I like havinâ you witâ me. When I came back from hunting, I went to find you. I saw you readinâ with Abigail and thought that I didnât want to interrupt while you was busy.â
âOh, yeah. Sheâs doing really well with it. When she went off to get Jack something to eat, I went looking for you, actually.â She giggles at their shared behavior. âSean told me you walked off this way after you came in, so I followed. I knew you didnât go too far since you left Sparrow behind.â
âHadnât written in my journal in a while. I thought itâd be nice and relaxing to do it out here.â
âWere you drawing something?â
âDidnât get that far, honestly. But since youâre here, mind beinâ my model?â he asks with a mischievous smile.
She laughs. âIâd be honored.â She fluffs up the hair around her shoulders to try to make it a little more presentable in its half up do, then changes positions so sheâs resting her right arm on the log with her legs bent underneath her.
Arthur moves as well, finding a spot across from Emmeline to draw her in profile. Before he starts drawing, he leans back over toward her to smooth her skirt out around her legs, making it look better. âNow stay still.â He puts the pencil to the page, starting to roughly sketch the pose as she sits before him.
Sheâs never officially posed for anything before, but from pictures and illustrations that sheâs seen, she figures a somber expression is what she should be portraying. After a few minutes of posing, though, she finds that the more serious she tries to look, the harder it is to suppress her giggles.
âYou ainât holding still that well,â Arthur comments as he flicks his eyes between the page and Emmeline, continuing to sketch. Though heâs acting all business on the outside, heâs trying hard to keep his composure as well.
âI canât help it!â she says between giggles, her whole body shaking with the motion. âNothingâs even funny, but I canât stop laughing!â
It seems to be contagious as Arthur breaks out in a smile, though heâs still busy sketching. âItâs alright. Iâm almost finished anyway.â It takes a few more minutes for him to put the finishing touches on his masterpiece. Once he deems it finished, he stands up and goes back over to her.
âLet me see it,â she requests impatiently, making grabby hands at him before he even gets to her.
He sits down beside her then finally hands the book over. âWhatcha think?â
She laughs at first as soon as she looks at the page. The picture isnât anything like what she thought it would be. Instead of the careful pose that she had thought would look best (and failed to do), Arthur had chosen to capture the way she looked trying not to laugh. Her shoulders are hunched slightly, one hand trying to cover her smiling mouth and the other is laying across her stomach. âIs that really what I looked like?â
âAs best as I could get it,â he replies gently. âI like the way you look when you laugh.â
She smiles up at him. âReally?â
He tucks a lock of her hair that had fallen out of its pin behind her ear. âYeah.â
She leans forward to kiss him, though the smile never leaves her lips. When she pulls back, she looks down at the journal still in her hands. âHow many pictures of me do you got in this thing?â she asks teasingly as she hold the leather bound book up.
Arthurâs cheeks redden before he can answer. âA few.â
âCan I see them? I remember asking once before and you told me you would at some point. But you never have,â she remarks, continuing her teasing tone.
He clears his throat nervously. âUh. Sure.â Taking the book from her, he flips through a few pages to find one of his better drawings. âHereâs one.âÂ
Instead of taking the book from him, she leans over him, practically laying her head on his shoulder. The drawing depicts her sitting at the small desk in their room as she writes in her own book. Sheâs only in her nightgown, so she figures Arthur must have drawn it early one morning.
âI like it,â she comments cheerily. âThough you couldâve asked me to brush my hair first,â she jokes, referring to her rather bushy looking tresses.
He flips through more pages quickly, trying to find another good one. In the process, he skips over one that heâs a little embarrassed about, hoping that Emmeline wouldnât notice it. Despite his speed, she catches a glimpse of it and sets her hand over his, stopping his motion.
âWhat was that one?â
âWerenât nothinâ.â He tries to flip though more pages, but Emmelineâs hand doesnât budge.
âArthur.â She looks over to him and he relents, allowing her to flip back a few pages to see what caught her eye.
Emmeline can tell the picture is definitely of her, seeing as she can see a lot of herself. Sheâs laying down on her side in their shared bed in Shady Belle, a thin blanket draped over her hips, only partly covering her lower half. Her torso is completely bare, with both her hands tucked underneath her cheek. Her hair is loose and unkempt, though there is an ethereal quality to it. The prominent shadows on her body indicate that Arthur had more than likely drawn the picture by lantern light late at night and it was probably quite recently.
She looks over to him, but heâs looking away, obviously embarrassed that he was caught with the risquĂ© drawing.Â
âArthur,â she repeats, trying to get him to look at her.Â
âIâm sorry, Emmeline,â he responds, still not looking up. âYou just looked so- I donât usually draw things like this,â he stutters out, obviously flustered.
She takes his chin in her hands and pulls his face up to finally look at her. When he sees her softly smiling face, heâs a little confused.Â
He blinks a few times before saying anything. âYou ainât mad at me? For drawinâ ya like that?â
âNo, Arthur. I like the way you draw me. And I like the way you see me. It makes me feel wanted. Loved.â
âReally?â
âYeah. Besides, if I didnât want you to see me disrobed, I wouldnât do it in front of you.â
He smiles bashfully as his cheeks redden more. âI suppose thatâs good to know.â
âHowever...â she takes the journal out of his hands, âI think itâs only fair that I get to draw you, too.â She opens it to a blank page and pulls the pencil from the binding, ready to start drawing.Â
Arthur shakes his head. âYou donât wanna put my ugly face on the page.â
âYou ainât ugly, Mr. Morgan ,â she asserts with a smile. âHow any times do I have to tell you that?â
âI donât know.â He looks at her with a sheepish smile. âA few more times wouldnât hurt.â
As they continue to look at each other, she finds it hard to think anyone would ever call him ugly, let alone himself. To her, heâs the most handsome man sheâs ever seen and she canât fathom thereâs a better looking one out there.
She leans forward to give him a sweet kiss. âIf there was a set of them cigarette cards for handsome men, youâd be number one.â
He throws his head back and laughs heartily, thinking the sentiment funny. When he looks back down, heâs ready to refute her claim, but sheâs quick to shut him up with another kiss. This time, it doesnât stay a sweet peck on this lips. The privacy of where they are spurs them both on to deepen the kiss, but both of them are unaware that someone is approaching.
âAhem,â the unmistakable voice of Dutch Van Der Linde calls out from behind them.
Both Emmeline and Arthur back away from each other quickly and turn their heads to the older man.
âHello, Dutch,â Emmeline calls out, hoping to get past the awkwardness of the situation. âDo you need something?â
âArthur,â Dutch answers with a wave of his hand. âCome with me. I think we got a job.â
Arthur stands without a momentâs hesitation, then helps Emmeline to her feet. âSure. What is it?â
Dutch quirks his head in the direction of the house. âWeâll discuss it back at camp.â
As the three of them walk back, Arthur canât help but be excited. Even though heâs been more than happy to settle down a bit and get away from the outlaw jobs, thereâs that part of him perking up that Dutch is asking him for help again. Heâs actually more excited about the prospect of Dutch counting on him than doing whatever job he has lined up. Despite everything thatâs happened over the last few months, Arthur canât change the fact that thereâs still a deep seeded need to have Dutchâs approval. That hasnât changed since he was in his teen years. Itâs what has made him such a good gunslinger, brawler, and rider. All those years wanting to hear âGood job, sonâ from Dutch have shaped the man he is today.
As the men continue on to the house, they part ways with Emmeline as she heads to the tents to help Tilly with the laundry. Once the men turn into what was the dining room, Arthur sees Lenny sitting at the old wooden table, apparently waiting for them to arrive.
Dutch holds his arm out to Lenny. âOur boy here has come to us with what has the potential to be a big score,â he explains enthusiastically. âItâll be enough to finally get us out of here,â he adds wistfully.
Arthur doesnât take a seat, but rather leans his shoulder on the nearby archway, facing Lenny. âSo whatâs this job?â
Lenny clears his throat and leans forward on the table before starting. âI was in Saint Denis waiting for the girls when I overheard some of the cops talking. One of them said he was being moved to patrol near the bank because they just moved a bunch of money from all over the state and stored it in the vault. He said theyâre trying to keep it quiet so far, since theyâre waiting to get some military men in to guard it. Right now, thereâs just a few extra policemen walking the street.â
Arthur listens to the young man eagerly at first, but the more he says, the more suspicious Arthur gets.
âSee?â Dutch jumps in once Lenny has finished. âItâs an easy job. A bunch of money laid out for the taking,â he says gleefully. âItâs the perfect score .â
Arthur finally pushes himself off the wall and walks closer to the table. âI donât know, Dutch. It seems real risky.â
âThereâs no risk if we hit it soon, before they call in reinforcements,â Dutch explains pointedly. He had hoped that Arthur would fall in line on this without question like he used to.Â
Arthur shakes his head, looking away from the leader. âDonât it seem too easy? Too perfect?â He shakes his head. âAnd I remember more ân once Hosea tellinâ me the perfect score donât exist.â
Dutch canât hold back the look of disdain in his face. âThat was when you was young and dumb, coming to us with jobs youâd need twenty men to pull off!â He lets out a huff, then wipes his hand down his face to calm himself. âThis ainât like that. Weâve caught the law unawares before. They can make mistakes.â
âI know they can, but this just seems too convenient, Dutch,â Arthur asserts. âNot too long ago, Sean and Bill overheard a rumor about them taking all the money out of the Saint Denis bank in a train. They wanted to hit it, but I said no. It seemed like a setup to me. Like the Pinkertons was layinâ a trap just for us. Now we overhear that all kinds of money is just sitting in the bank with no one guarding it?â He lets out a huff. âDonât that seem like an awful big coincidence? Like, we didnât take the bait the first time so theyâre tryinâ again?â
Dutch glares at Arthur for a moment before he turns to Lenny. âWill you give us a moment?â
Lenny looks between the two men before standing from his chair. âSure, Dutch,â he replies, a little confused before heading to the door.
Once he leaves, Dutch turns back to Arthur. âWhen exactly did this happen?â
âWhat?â Arthur asks, not sure why thatâs really important.Â
âWhen did Sean and Bill come to you with that job?â Dutch almost growls out.Â
âWhen you was...â he trails off, not knowing what to really say.Â
âWhen I was what ?â Dutch presses.Â
âIt was right after we got here. You wasnât yourself, Dutch.â He can see the rage start to build behind the older manâs eyes. âI didnât wanna bother you with it so I told them to back off from it.â When Dutchâs face seems to drop more, Arthur adds, âLook, that ainât important. Whatâs important is us not fallinâ for this trap.â
âYou think you know better than me, Arthur? Whatâs wrong with you?â
âAinât nothinâ wrong with me.â
âThen whereâs your faith in me?â
âI got faith in ya, Dutch. I just donât wanna get killed.â
Dutch lets out a huff, but he tries to steady himself. âWeâll be fine . We always are,â he tries to convince the younger man.
Arthur shakes his head. âThere just too much to risk.â
âWhat are you talking about?! We ainât got nothing ! Food in our bellies, but thatâs it . And that wonât last! Especially if we have to winter here.â He goes over to Arthur and lays both hands on his shoulders. âWe should have more . We could have more with this score.â
Arthur shakes his head again. âI canât...â
âWhy not? Youâve never had a problem before. You were always the one I could count on,â he tries to persuade, thinking he has Arthur on the hook.Â
âIt ainât...â He lets out a heavy breath, his mind conflicted.Â
Dutch thinks he has him, though. Arthur never was too hard to convince. Sure, there were maybe a few times that the younger man had some doubts, but Dutch always knew what to say to get him on board with whatever he wanted. He figures he only has to say a few more words before Arthur jumps on board. âCome on, son.â He pats him on the cheek. âOnce we got the money to get out of this godforsaken place, itâll be like old times again. But in Tahiti . Weâll make a new life there. A better one. But we need this money for that to happen. Itâs the only way, Arthur.â
Arthur stares at the man for a moment, thinking it all over. He could easily say yes, like heâs done a thousand times before. Dutch was always much smarter than him. He always led the gang straight before. Without Micah around, that is. And Micah isnât here, so maybe Dutch really does know better. But Arthur canât seem to ignore the feeling of dread in his chest.Â
Dutch sees the wheels turn behind Arthurâs eyes. Just as heâs is sure that Arthur is going to relent, the younger man says, âIâm gonna be a father, Dutch.â
Dutch instantly takes his hands off of him and takes a step back.Â
Arthur continues despite Dutchâs reaction. âEmmeline... Weâre gonna have a baby. And I donât wanna get myself killed. I never cared much about it before; I never mattered. But I canât leave her alone with a baby on the way. I canât Dutch. I canât take that risk. This job... it could lead to the rope. Easily.â
Dutch takes another step back but doesnât say anything.Â
Arthur still continues. âI ainât really sure what we should do for money, but I know robbinâ the bank in Saint Denis ainât how we should do it. Even if it ainât a trap, they gonna know it was us after and the Pinkertons will be right on our tail. Weâd hafta move again. And I donât know where-â
Dutch suddenly lurches forward and swings at Arthur with all his might, punching him hard in the temple. It easily sends the younger man to the floor. Dazed, Arthur canât even try to stand up before Dutch heaves him off the floor by the back of his collar and drags him to the front door.Â
âWhat are you-â is all Arthur gets out before heâs thrown off the front porch and onto the ground outside the house, catching everyoneâs attention.Â
âArthur,â Dutch calls out to the gathering people, âhas decided to leave us!â
âWhat?!â Arthur groans as he tries to right himself. Heâs only vaguely aware of the gasps and murmurs of the rest of the gang around him.
âHe will be leaving immediately!â Dutch further explains. âHe doesnât want to be a part of our family anymore!â
Everyone looks on in confusion, including Arthur.Â
âI never said that!â he tries, but Dutch yells over him.Â
âHe thinks heâs better than us!â
As soon as Emmeline rounds the house and comes upon the scene, she rushes over to Arthur, seeing that heâs unsteady in his feet as heâs still feeling the effects of the powerful blow to the head that Dutch delivered. âWhatâs going on?â she calls out once she reaches him.Â
Before Arthur can answer, Dutch does. âEmmeline, come here.â
She doesnât move from Arthur as she examines the blooming bruise on his cheekbone. âAre you alright?â
âEmmeline!â Dutch tries again. This time heâs successful in getting her to look at him. âCome here.â
She looks away from him and back to Arthur, her worry for the man outweighing everything else. âAre you alright?â
âListen to your father!â Dutch booms and everyoneâs eyes snap to him. âSay goodbye, darling,â he says more sweetly. âArthurâs leaving.â
âWhat? No. If he leaves, Iâm leaving, too,â she announces defiantly.Â
Without hesitation, Dutch lunges forward and grabs Emmelineâs arm, harshly pulling her over to him. âI said come here!â
Arthur retaliates automatically, throwing his own fist into Dutchâs nose. It sends the older man reeling, but he doesnât fall to the ground. Before Arthur can wind up again, Dutch pulls the pistol from his holster and points it right at Arthurâs head.Â
Everyone, including Arthur is frozen in shock. Heâs had a lot of guns pointed at his head, but none of them were being held by someone he thought he could trust with his life.Â
âYou gonna shoot me , Dutch?â Arthur almost whispers. âAfter everything Iâve done for you?â
âLeave,â Dutch spits back. âI donât ever want to see you again.â
When Arthur doesnât move to leave, Dutch tenses minutely. Before he can do anything he might regret, Hosea finally steps between the two men, in front of the gun, though heâs facing Arthur.Â
âYou need to leave,â he says calmly to the younger man, knowing that the situation will only escalate if Dutch and Arthur remain in the same place. âTake Emmeline with you.â
Dutch doesnât object, but rather, holsters his gun and turns away to start walking back into the house. Before he gets to the door, he calls over his shoulder, âEmmeline, when you come to your senses and leave him, youâll be welcomed back. You always will. Youâre family .â With that, he walks through the door and into the house calmly, like nothing had even happened.Â
Arthur canât even say anything, like his brain is two steps behind. Itâs not until Hosea pats his chest that he snaps back to reality.Â
Once Hosea has Arthurâs attention, he starts to speak. âItâll only be a few days. Iâll talk some sense into him and weâll come to bring you back.â
âI told him,â is all Arthur can say.
Hosea nods, though, knowing what he means. âHeâs still not right, Arthur. Iâll talk to him while youâre gone.â
âBut-â Arthur starts, but Hosea doesnât let him protest.Â
âYou and Emmeline need to leave now,â he insists. âIâll see you in a few days.â
Still thoroughly confused, Arthur just nods, not wanting to fight it. When he looks over to Emmeline, she has tears in her eyes. She has no idea why Dutch kicked Arthur out, but she knows that sheâll never leave Arthurâs side. When she wordlessly takes his hand in her own, he realizes it, too.Â
#arthur morgan#arthur morgan x oc#arthur morgan x original female character#arthur morgan / oc#Arthur Morgan / Original Female Character#writehavoc Of Sons and Daughters#of sons and daughters#red dead redemption 2#Red Dead Redemption#rdr2#rdr#writehavoc writes
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