#schauwerk

[steven-dddd]

The power of reading. @schauwerk museum sindelfingen #schauwerksindelfingen #schauwerk #goldberg #sindelfingen #kunst #art #artwork #aesthetics #aesthetic #museum #hochregallager #kreisböblingen #badenwürttemberg #germany #deutschland #germany🇩🇪 #deutschland🇩🇪 #badenwuerttemberg #europe #europa #europ #europe🇪🇺 https://www.instagram.com/p/CqUHBz0oLIR/?igshid=NGJjMDIxMWI=

[igustav7272]

Artist: Antony Gormley (UK) Exhibition Title: Learning to be At: Schauwerk, Sindelfingen Germany When: 13 June 2021 — 24 April 2022

“Learning to be” by Antony Gormley – Barbara Picci

[suemnick]

Lange Nacht der Museen im Schauwerk - Doug Aitken

Wir machen uns auf zur Langen Nacht der Museen in Böblingen/Sindelfingen und im Mittelpunkt steht das Schauwerk in Sindelfingen. Insbesondere auch deshalb weil wir von einer Ausstellung von Doug Aitken gehört haben. Der sagt uns zwar nicht viel, ist aber mittlerweile sehr bekannt und war auch schon in verschiedenen großen Kunsthäusern wie der Schirn (Migration) oder im MOMA (sleepwalkers)…

[barbarapicci]

#AntonyGormley. Exhibition “Learning to be” at #Schauwerk, Sindelfingen Germany, 2021—2022 #mostre #scultura #sculpture #artinstallation #installazione #installation #installationview #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #artaddict #artistsoninstagram #amazing #artwork #instacool #instaart #followart #artlover #contemporaryart #artecontemporanea #artmuseum #artcurator #artwatchers #artcollectors #artdealer #arthistory https://www.instagram.com/p/CZoKiRhg6Br/?utm_medium=tumblr

[qellippa]

🍟 by @tomsachs #qellippa #qllp #tomsachs #mcdonalds #twintowers #schauwerk #sindelfingen #arts #fashion #stayhome (hier: SCHAUWERK Sindelfingen) https://www.instagram.com/p/B--SJdwIfba/?igshid=1xkylnvoa3uo4

[karldietz]

#ARTmooc im Schauwerk Sindelfingen — view on Instagram https://ift.tt/3hUUwoo

[aviel]

Tom Sachs at the SCHAUWERK Sindelfingen museum

[dominikruisinger]

Strange but relaxed people who hang out in the exhibition of ANTONY GORMLEY at the Sindelfingen Schauwerk show. Nice encounter, really. 🎭🖼🎨🕴 #schauwerksindelfingen #schauwerk #exhibition #artwork #artexhibition #museum #ausstellung #sindelfingen #stuttgart #antonygormley #artofinstagram #artmood #sculpture #sculptureart (hier: THE SCHAUFLER FOUNDATION SCHAUWERK Sindelfingen) https://www.instagram.com/p/CQL8OTGHU01/?utm_medium=tumblr

[picum-eu-blog]

Der #ordnungshüter aus unbesäumter #eiche, mehr #unikat geht nicht. Dieses tolle Stück und noch viele weitere gibt es am 02.07. auf dem #handmademarktimgrünen auf dem #alterflugplatzbonames in #frankfurt zu kaufen. @h.m.m.i.g #ordnung #picum #ordnungkannsoschönsein #maßgefertigt #schlüsselbrett #flur #ordnung #handgemacht #interiordesign #interior4all #germaninteriorbloggers #germanblogger #nordichome #danishdesign #decoration #pinnwand #regal #recycling #upcycle #ikarus #connox #moodboard #etsy #etsyfinds #dawanda #etsystore #schauwerk #interiorinspiration #möbel (hier: Frankfurt, Germany)

[phonglaart110]

Week 4 – Artists OTW – Tom Sachs & Johanna Fateman

I recently found out about Tom Sachs from a recently released shoe. Nike did a restock on a “General Purpose Shoe” which is being resold for a ridiculous amount of money above the retail price. From the looks of his art pieces, I think that his core ideas come from iconic items. I have noticed that he has a lot of art pieces involving spaceships and NASA, along with the concept of combining multiple items to have one piece. 

In this creation by Tom Sachs titled Nusty’s McDonalds, it appears to be expressed in a very retro feeling. It seems like the material used for the pieces are things you may find at a construction site by the looks of plywood and metal materials. I’m getting a mid 1900s vibe because of how compact, yet open the McDonalds replication is in the open space. There appears to be a station as the main attraction and also a place for people to order their food. I think what Tom Sach is trying to say that no matter how a constructed figure looks, if there’s an iconic symbol then people will enjoy it. This piece of art speaks to me in a way of demonstrating a different view of potentially a whole nother dimension. It does somewhat strike a chord with me because I am very familiar with the large franchise McDonalds, along with the fact that I have seen a retro world. 

Going on to the next artist, Johanna Fateman is a writer, art critic, and a co-owner of Seagull Salon in NY. From the looks of her artwork, I believe that she draws inspiration from society. There isn’t really much background information about her or a designated website, so I had to base off my review from her art gallery. So from the art pieces being displayed in her art gallery, the concepts and styles seem to be very abstract. 

In this painting, it appears that there’s a large group of people standing around a coffin. Everyone is wearing some sort of colorful clothing, except for one person who is wearing a white t-shirt, which allows them to stand out in the crowd. The difference in color could be a way of demonstrating the person’s status amongst the group of people. The way I am interpreting this painting is that people are mourning for someone who made a big impact in a community. It is very similar to how people have a lot of respect for Martin Luther King jr. I could relate to this painting, since if someone truly speaks to me and has an impact on my life, I would surely attend events to pay my respect. 

Zines in these two pieces of art could be seen in different ways. The way I see zines is that it is a small magazine that tells a story. In Tom Sachs’s art, each part of the art could be amplified and have a backstory. The same goes with Johnana Fateman’s art, certain pages can zoom in to people’s facial expression and their relation to the person that has passed away.

[sivaagressiva]

— Die Brücken. “Where art connects” ____________________________ . Die Brücken is an art exhibition created by 16 people from diverse countries and backgrounds, brought together through a @ejbmagdeburg volunteership program with the European Solidarity Corps. . The aim of our work is to highlight a connection in between different kinds of Art and topics of solidarity, contrast, loneliness, discrimination and diversity, and more relevant now – war. ! For people who think that someone can't publish content other than the war in Ukraine, I want to inform you. We are volunteers and we try to do something for others with all available for us resources. Immediately after the exhibition, our organization takes in Ukrainian refugees and will only help them. ____________________________ #nowar #europeancommission #europeansolidaritycorps #volunteering (at schauwerk.) https://www.instagram.com/p/CaunoWxI5pR/?utm_medium=tumblr

[ownerzero]

Showing: Tom Sachs – “Timeline” @ Schauwerk Sindelfingen (Germany)

Over the weekend, Schauwerk Sindelfingen in Sindelfingen opened the first retrospective exhibition in over 15 years in Germany from American artist Tom Sachs. A master of the DIY aesthetic, the New York-based artist is known for using his unique bricolage technique to remake motifs influenced by everyday culture, the consumer world, and history with common materials and found […]

The post Showing: Tom Sachs – “Timeline” @ Schauwerk Sindelfingen (Germany) appeared first on AWorkstation.com.

source https://aworkstation.com/showing-tom-sachs-timeline-schauwerk-sindelfingen-germany/

[qellippa]

Electrocution by @tomsachs #qellippa #qllp #tomsachs #hermes #schauwerk #sindelfingen #arts #fashion #stayhome (hier: SCHAUWERK Sindelfingen) https://www.instagram.com/p/B-9tviVIY7s/?igshid=bqwsj4e0x99s

[lumiloser]

«ILoveArt!» What to... What not to... #art #museum #neonart #lightart #led #artmuseum #neon (hier: SCHAUWERK Sindelfingen)

[karldietz]

Tweeted

I've just posted a new blog: SCHAUWERK Sindelfingen in 12.2021 ... #ARTmooc https://t.co/X2xrF5DHi4

— karldietz (@karldietz) Nov 25, 2021

[micaramel]

Artist: Susanne Paesler

Venue: Barbara Weiss, Berlin

Exhibition Title: Pattern Recognition

Date: January 25 – February 22, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy the Estate of Susanne Paesler and Galerie Barbara Weiss, Berlin. Photos by Jens Ziehe.

Press Release:

In matters of appearance

The paintings are abstract. Lines intersect and overlap to build grids. The compositions are neither calculations nor inventions. They’re based on simple observations, lifted.

These are fabric paintings. Transformed, cropped and copied patterns: argyle socks, checkered tablecloths, the Berlin U-Bahn’s camo. Paesler selected fabrics that reminded her of something.

They’re on the tip of our tongue, a blurred memory of a bourgeois jacket. There is an anecdote somewhere. Grotesque nostalgia for markers of class distinction.

The textile stands in for texture. Paesler responded to a demand for texture in painting. “Being creative,” Anni Albers argued, “is not so much the desire to do something as listening to that which wants to be done: the dictation of materials.” The textile prescribes the painting.

Paesler’s paint embellishes canvas, wood and most often, thin aluminum. Lacquer on metal like car paint, Minimal art’s hang-up on permanence. And Sherrie Levine’s chess and backgammon boards on lead.

As a technique, the pattern is a framing device that creates a limitless sequence of confined spaces. Like the fabric squares she works from, Paesler’s patterns are contained. She frames the framing device, dissects and brackets it.

“Allegorical imagery is appropriated imagery,” writes Craig Owens in Allegorical Impulse (1980), “the allegorist doesn’t invent images but confiscates them.” To copy an image is to double it. Tautologies.

Often translucent, one atop the other, Paesler’s lines are linked, concatenated (con = together + catenare = chained). Braids and chains and knitted loops are superimposed on plaid grids. Like Michelle Grabner’s paintings from crocheted blankets—subversion of the woven as a metaphor.

“It was about controlling time,” says Grabner. “The repetition, the redundancy, the predictability of these domestic backdrops.” Similarly, Paesler claimed the fittings of the early nineties middle- class. Paying attention to the familiar, she unravels and extends what it means.

Like sentences, one swath of paint is read through another. The surface becomes a palimpsest, as if the pattern and its abstraction obstruct each other, coexist.

The co-dependence of the abstract and the concrete is always at play. That’s the crux of the doubling. By transforming familiar fabrics into abstract compositions, Paesler reproduces the way in which tartans and argyles are abstract signifiers of social status. Let’s double down: Paesler’s paintings are an allegory for the abstracting codes of cultural value through which society is organized.

It is a matter of appearances.

Tenzing Barshee & Camila McHugh

Susanne Paesler was born in Darmstadt in 1963 and died in Berlin in 2006. She had one-person exhibitions at Berlinische Galerie, Berlin (2005); Kunsthalle zu Kiel, Kiel (2010); Kunstmuseum Bonn, Bonn (2016); Schauwerk, Sindelfingen (2016). Susanne Paesler’s work is in the collection of the Museum Ludwig, Cologne; Kunstmuseum Bonn, Bonn; Kunsthalle zu Kiel, Kiel; Berlinische Galerie, Berlin, Kunsthaus Zürich, Zurich.

Link: Susanne Paesler at Barbara Weiss

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from Contemporary Art Daily http://bit.ly/2vLLKo7