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ROGUE ONE: A Star Wars Story

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Movie Mania: Top 15 of 2016

The first month of 2017 is nearly over, so what better time to release my best of 2016 list? What started out as a pretty sparse year for film quickly turned into one that churned out hit after hit. We can only hope that 2017 matches or exceeds the level of quality films that the last few months of 2016 produced.

This is the first time I have ever published a best of list, so I am excited to jump into it. My hope is that this list will shine a spotlight on some of the lesser-known films of the year and pique your interest in some of the bigger films that you may have missed. Read ahead confident that there will be no spoilers.

Honorable Mentions

Hidden Figures

What’s not to like about this endearing, educational biographical drama? Based on the nonfiction book of the same name by Margot Lee Shetterly, this film follows the story of three African-American mathematicians who work at NASA in the 1960s, when racial segregation was sadly still prevalent. Taraji P. Henson as Katherine G. Johnson and Octavia Spencer as Dorothy Vaughan are outstanding and bring so much energy and personality to the screen. Whereas this film could have been bogged down by complex mathematics and literal rocket science, Theodore Melfi expertly directs the film so that it is fast-paced and accessible, and while he acknowledges the racial prejudice of the time, he does not let it dilute his main story. Melfi and Allison Schroeder’s screenplay delivers witty and memorable dialogue throughout the film that feels natural to the characters.

Hans Zimmer returns to another space-related film to compose the score, but Pharrell Williams’ music really takes center stage. “Runnin’,” “I See a Victory,” and “Crave” are all great bets for your music playlist. Best of all, this film teaches audiences about historical figures that they would be hard-fought to discover in standard history textbooks, making it a film that should be shown in school classrooms throughout the country. While not really a negative, the film does slow down when the three women leave NASA after a long workday and return home to their families. As a biographical drama, the film is responsible for showing us different parts of these extraordinary women’s lives, but you are left waiting for them to go back to breaking barriers at NASA.

Rogue One: A Star Wars Story

Ah, my beloved Star Wars. How I wish this film could have actually made it onto my list! I will be the first to admit that I am biased as a Star Wars fan, so that may be why this film even gets an honorable mention nod. When Star Wars: Episode VII - The Force Awakens came out in December 2015, I saw it on opening night and three or four times after that before it left theaters. By contrast, I saw Rogue One on opening night and have not seen it since. No one can accuse me of not being excited for Rogue One, and I tempered my expectations by avoiding any and all reviews before seeing the film. I even read the canon Catalyst: A Rogue One Novel by James Luceno to learn about the backstories of Orson Krennic and the Erso Family before seeing the film.

Without spoiling anything, the weakest facet of Rogue One is its lack of character depth and development. I did not really care about most of the rebels in the film; in fact, there were a couple of parts where I was actually cheering for the Empire! I will say that Alan Tudyk was great as K-2SO with his dark comedic humor and Donnie Yen was a badass as the blind Chirrut Imwe, but when the droid has the most personality out of the bunch, you have done something wrong.

On the other hand, the cinematography proves to be Rogue One’s strength. Never before, not even in the original trilogy, have we truly experienced what it feels like to be a world occupied and controlled by the Empire; Rogue One does an amazing job showing the reach and power of the dreadful Empire. New planets like the tropical world of Scarif look beautiful. Additionally, Rogue One includes the first true space battle we have seen in a Star Wars film since the beginning of Episode III – Revenge of the Sith. It is a sight to behold, and the new ships and tactics used by the Rebellion are quite the thrill. Director Gareth Edwards does a great job with the space battle; it never feels too cluttered or hard to follow with choppy editing. Finally, who can forget THAT scene in the last ten minutes of the film?

I appreciate the novel approaches and risks the creators of Rogue One took. I enjoyed the references to other canon material like the animated television show Star Wars Rebels for fans like me who have cared to invest in them. However, this film has proved to me that Star Wars needs strong, fully-developed characters to succeed. It makes me wonder what Rogue One looked like before those infamous re-shoots.

Game of Thrones: “The Winds of Winter”

I know, I know. This pick is not a film; it is a television episode. That is why it is only listed among the honorable mentions. Let’s face it, though. Game of Thrones is practically a ten-hour film each season. The quality, scope, and budget of many of the episodes easily surpass those of several films. While “Battle of the Bastards” was outstanding in its own right, “The Winds of Winter” is my pick for the best episode of season six. The season six finale delivers on so many fronts for long-time viewers of the show after what can be argued was a very up-and-down season, and it is rich with emotion, suspense, and superb acting. What fan of the show did not get goosebumps and/or tear up when that music swelled up in the final scene of the season, and wasn’t that “Light of the Seven” piano piece at the beginning of the episode so chilling? I cannot really say more without treading into spoiler territory, so do yourself a favor and go watch (or re-watch) this masterful episode of television.

#15: Deadpool

Can we all extend a big thank you to Ryan Reynolds? His enthusiasm and dedication to the character of Deadpool may have been the sole reason this film was made. Thank goodness that test footage was “leaked” to the public! This Deadpool is a far cry from that unspeakable depiction in X-Men Origins: Wolverine. (Who thought it was a good idea to sew the Merc with a Mouth’s mouth shut?) From the opening credits, this film promises that it is self-aware and ready to break the fourth wall, true to its titular character. Deadpool embraces its R rating and runs with it. The crass humor and the no holds barred action scenes are great fun, and Deadpool’s interactions with Negasonic Teenage Warhead and Colossus supply some rib-busting laughs. (Deadpool at Xavier’s Mansion: “It’s funny how there’s only ever two of you. It’s almost like the studio couldn’t afford another X-Man.”) At a time in cinema where comic book films are a constant, Deadpool brings a refreshing breath of fresh air to the genre.

#14: Manchester by the Sea

Warning: This film is very sad and heavy. However, writer and director Kenneth Longergan manages to infuse some genuinely comedic moments in the film’s bleak landscape that somewhat lighten the mood when necessary. Lucas Hedges delivers as teenager Patrick Chandler, and this may be Casey Affleck’s best work yet as Patrick’s uncle, Lee Chandler. I went into this film with a very faint idea of what it was about, and I think that is the best way to approach it if you are going to see it. My two biggest complaints with this film are the Oscar-bait score and the ending. The score, in my opinion, detracts and distracts from the film, and the ending is one of those where it just abruptly cuts off. The film was on the longer side in terms of run time, though, so I guess I was sort of grateful for the ending too.

#13: Jackie

You can tell Natalie Portman poured her heart and soul into this film, and I am hopeful that she will be awarded for it with an Oscar. It is overwhelmingly evident that she spent countless hours studying and perfecting Jackie Kennedy’s accent and mannerisms, and her hard work pays off. When you are watching this film, you see Jackie Kennedy, not Natalie Portman. Whereas this biographical drama could have leaned on other historical figures and really tapped into the utter tragedy of President John F. Kennedy’s assassination, director Pablo Larrain lets Jackie stand on her own and carry the film. Mica Levi’s score really surprised me and deserves some award nods. “Intro” is entrancingly eerie and haunting, sticking with you even after the film is over. As the award-winning musical Hamilton teaches us, history is all about who lives, who dies, and who tells our story. Jackie focuses on Jackie Kennedy’s intense dedication and foresight in the midst of tragedy to shape the way JFK’s story is told and how he will be remembered in history.

#12: The Founder

Set aside a few bucks for a milkshake and a burger after this film. Just trust me on that. The Founder tells the story of Ray Kroc and the establishment of the McDonald’s fast food empire. I did not know the history of McDonald’s, so this film was not only entertaining, but educational for me. Michael Keaton fully embraces the role of Kroc, taking on his (to borrow another line from Hamilton) “never satisfied” attitude on life. As he bullies his way to the top, we also see the tragic downfall of the endearing Richard and Maurice McDonald, played by Nick Offerman and John Carroll Lynch, whose portrayal of the brothers turns out to be the film’s strongest feature. As Matt Zoller Seitz from RogerEbert.com puts it, “[The Founder] is an ad that becomes a warning before circling around and becoming another, darker kind of advertisement, and one of the most intriguing and surprising things about The Founder is that, in the end, it seems vaguely ashamed of itself for letting this happen.”

#11: Moana

2016 was the year of the animated film, and we have hit the first one on my list. With Moana, Disney continues to showcase its amazing progress in animation; the islands and the water in Moana look so life-like. Moana brings viewers a welcome surprise in that there is absolutely no romance in this film, taking it a step further than even Frozen. Moana is all about ancestry, culture, family, and finding your calling in life. It is also extremely touching; do not be surprised if you find yourself unconsciously crying throughout the film. Lin-Manuel Miranda, the genius creator of Hamilton, and Opetaia Foa’i come together to create an incredible soundtrack full of soaring, vibrant songs like “We Know the Way” or Moana’s (Auli’i Cravalho) anthem “How Far I’ll Go.” Jermaine Clement’s “Shiny” is one of the best villain songs Disney has produced in a long time, and “You’re Welcome” perfectly embodies the character of Maui as well as his voice actor, Dwayne “The Rock” Johnson. For all that it does well, Moana can afford to have a very, very basic plot, but if it would have improved on that front, it may have found itself higher on my list.

#10: Arrival

Director Denis Villeneuve delivers another critically-acclaimed film with Arrival. Based on Ted Chiang’s short story “Story of Your Life,” this science fiction film explores the untouched aspects of the genre, choosing to investigate communication instead of destruction. In the film, the spacecraft of extraterrestrials known as heptapods appear scattered across different parts of Earth. Renowned linguist Louise Banks, played by Amy Adams, is called upon to attempt to communicate with the heptapods by learning how to read and write their language alongside physicist Ian Donnelly, played by Jeremy Renner. The cinematography by Bradford Young is truly breathtaking throughout the film. Combined with Johann Johannsson’s beautiful, otherworldly score (see “First Encounter” and “Heptapod B”) and subtle “show don’t tell” acting, this cinematography creates heart-pounding, white knuckle suspense that keeps you on the edge of your seat.

I was totally onboard with this film until the last ten or fifteen minutes. A certain plot twist is revealed that I can see as one that splits the audience in half on the matter, and the quality of the dialogue goes way downhill all of a sudden. By no means did it ruin the film for me, but it just made me love it a little less. As long as you do not go into this film expecting Independence Day-style science fiction action and are ready to put your thinking cap on, you should enjoy the experience.

#9: Patriots Day

Peter Berg and Mark Wahlberg were busy in 2016! After producing Deepwater Horizon, they return to produce a film about another disaster in recent American history, the 2013 Boston Marathon bombing. Some may question if this film is too soon, but rest assured that it treats its source material with respect. While Mark Wahlberg is usually the standout actor in Peter Berg’s recent films, everyone shines in Patriots Day. J.K. Simmons, John Goodman, and Kevin Bacon are all great, and I was left wishing they had taken even a little more screen time from Wahlberg. On a dramatic level, this thriller leaves you at the edge of your seat. I could feel the suspense and anticipation throughout my sold-out theater, and I could hear the sobs and sniffling of many.

I did not feel that this film delved into exploitative thriller territory, but I cannot speak for the people of Boston and those who experienced the tragedy firsthand. The Boston Globe’s Ty Burr, however, can. He says in his review, “It’s professionally made, slickly heartfelt, and is offered up as an act of civic healing. At best, it’s unnecessary. At worst, it’s vaguely insulting.” Again, having only experienced the bombing thousands of miles away from television news media reports, I have to disagree with Burr’s assertion that this film is unnecessary. It is genuinely moving on an emotional level, and it reinforces the ideas that good always wins and that Americans will stand united in the face of terrorism.

#8: Captain America: Civil War

Captain America: Civil War is essentially Avengers 2.5. Following the success of Captain America: The Winter Soldier, the Russo brothers return to direct Civil War. Everything since the first Iron Man has been building up to this film. Although it does indeed have its flaws, the good far outweighs the bad here. While it is labeled as a Captain America film, the Russo brothers smartly give Robert Downey, Jr. plenty to work with in his role as Tony Stark/Iron Man. This may be, in fact, the best Downey, Jr. has been in the Marvel franchise since the first Iron Man. Surprisingly filled with emotional depth, the character development in Civil War is outstanding considering the cornucopia of characters in the film. Not only does the film continue to develop its veteran playmakers, but it also does a great job introducing brand new characters to the universe. Another positive of this film is that it imposes real, lasting consequences on the actions of our heroes. Bygones are not bygones by the end of this film. In the end, Civil War delivers on its promise of pitting Avenger against Avenger. Although punches are obviously being pulled in the airport battle, it is still an entertaining sequence that showcases each individual character. Now can we please stop focusing on Bucky moving forward with Captain America?

#7: Kubo and the Two Strings

Darn you, McConaissance! If it were not for Matthew McConaughey, this film may have ended up higher on my list. McConaughey is by no means bad in his role, but he just seems out of place in this film. Aside from that, it is hard to find any serious faults with this film without getting overly nitpicky. Kubo and the Two Strings is an aesthetically beautiful work of art with its 3D stop-motion. The voice acting is some of the best of the year: Art Parkinson as the adventurous and imaginative Kubo, Charlize Theron as the sickly but loving mother of Kubo and the grumpy but protective Monkey, Rooney Mara as the creepy Sisters, and Ralph Fiennes as Raiden the sinister Moon King all fully embrace their roles and add layers upon layers to the characters with the simplest of voice inflections. The score is also top notch, transporting you directly into the story. Kubo and the Two Strings is an adventure filled with humor, darkness, love, melancholy, and inspiration that completely absorbs its viewers.

#6: Zootopia

It was practically a toss-up between Kubo and the Two Strings and Zootopia, but Zootopia won out in the end because of its thoughtful, timely themes of discrimination and social stereotypes and how well the film handles them. The voice acting is on point, with such talent as Ginnifer Goodwin, Jason Bateman, J.K. Simmons, Idris Elba, and Alan Tudyk. The animation is gorgeous, and the sprawling urban Zootopia is fleshed out and full of character. Whereas Moana has a very simple plot, Zootopia offers a couple of unexpected twists. The stereotypes that the animals fit into work perfectly, and the film really makes you care about its main characters. Full of humor and Easter eggs, this film celebrating diversity will make you want to go back for repeat viewings, all the while perpetually humming Shakira’s “Try Everything.”

#5: Sing Street

Sing Street was a huge surprise for me. It was nowhere on my radar of films to see. I just happened to come across it while scrolling through Netflix, and boy am I glad I decided to watch it! At its core, Sing Street is about a teenage boy who starts a band to impress a girl and get her to like him. “Eh, seen it before,” you say? Maybe, but not as well done as this. Set in Dublin in the 1980s, this film is a feel-good musical comedy-drama where every single song is outstanding with a charismatic Irish cast and huge heart that is not only about getting the girl, but also friendship, brotherhood, and pursuing dreams. Sing Street knows what it wants to be and embraces it without turning into a musical fantasy, leaving viewers full of irresistible optimism and humming its catchy tunes while looking up Duran Duran songs at the end of the film.

#4: Hell or High Water

I could not say it any more eloquently than Mason Walker did, so I will just start by leaving what he said about this film, all thanks to the exemplary cinematography of Giles Nuttgens: “Plenty of films pretend to take place in small-town Texas, but many of those versions resemble my home state about as much as the ‘barbecue’ joint I visited in New York resembled barbecue. But this wild Neo-Western gets it right. Here is a rural Texas I recognize, where the Aggie Game’s always on, the Shiner is within arm’s reach, and the customers and wait staff play out their familiar interactions like a social-norms square-dance.” In reality, the filming took place in New Mexico, but that is close enough so we will give it a pass, right?

Hell or High Water follows two brothers, played by Chris Pine and Ben Foster, who carry out a series of bank robberies to save their family ranch, all the while being hunted by two Texas Rangers, played by Jeff Bridges and Gil Birmingham. Foregoing mindless gunfights, Hell or High Water stuns with its complex characters and well-paced narrative. Director David Mackenzie deftly mixes scenes dripping with suspense with scenes full of lighthearted Texan humor. Taylor Sheridan’s screenplay includes some brilliantly written dialogue that especially comes through during the final scene of the film on the porch. The stupendous acting, particularly by Jeff Bridges as the Texas Ranger on the brink of retirement, brings it all together in this heartfelt heist film.

#3: Hacksaw Ridge

This was another toss-up between Hell or High Water and Hacksaw Ridge, but Andrew Garfield’s Oscar-worthy acting helped Hacksaw Ridge edge it out. Hacksaw Ridge is based on the true story of Garfield’s Desmond Doss, the first conscientious objector to be awarded the Medal of Honor. With Hacksaw Ridge, Mel Gibson makes a triumphant return to the director’s chair for the first time since 2006 when he released Apocalypto. Gibson boldly and fearlessly tackles this film on the level of both a large scale war drama as well as a concentrated character study. Like few other directors can do, Gibson seamlessly transitions from some of the most graphically violent scenes you will ever see on screen to endearingly tender, touching emotional scenes.

Before we get to Garfield, Vince Vaughn deserves his own round of applause. When people think of Vaughn, they probably think of films like Wedding Crashers or Dodgeball: A True Underdog Story. In Hacksaw Ridge, Vaughn proves he can handle a serious dramatic role when he is dialed in. Hugo Weaving also delivers a great performance as Doss’ father, a troubled World War I veteran. In the end, though, this is far and away Garfield’s film. From playing a comic book hero to a real life hero, Garfield’s career sure has blossomed. With Doss’ story, Garfield has such wealth of inspiration to draw from. From his simple life growing up in Virginia to the cacophony of war while serving as a combat medic at Hacksaw Ridge, Garfield plays every scene perfectly. At the beginning of the film, you might wonder if Garfield’s southern accent is going to detract from the film, but he is so committed to it that it ends up working.

Doss’ steadfast Seventh-day Adventist faith is certainly present in the film, but it never gets preachy or hits you over the head with it. It is actually very important that it was included because it was such a central part of who Doss was. Gibson does go a tad overboard with the religious imagery, especially with the themes of baptism and ascension, but that is a central part of Gibson’s trademarked directorial style. Hacksaw Ridge is an inspiring war film whose main character never even picks up a rifle, much less fires one, offering a different way to envision courage.

#2: The Edge of Seventeen

Never have I ever seen a more accurate portrayal of life as a high schooler. I will flat out say it: this film blew me away. I remember walking out of the theater so happy and extremely proud of everyone involved with the film. For her directorial debut, Kelly Fremon Craig hits it out of the park. Do not pass this film up as just another coming-of-age dramedy because it is so much more than that. This film will have you laughing, this film will have you crying, this film will have you cringing at the all-too-relatable awkwardness, and sometimes this film will have you doing all three at the same time. In short, it touches on every single emotion, but never in a sappy or undeserved way. Craig not only directed the film, but she also produced and wrote it. The sharp dialogue sounds exactly like something that would come from the mouth of a high schooler in 2016.

The acting is terrific all around. Hayden Szeto masterfully emulates myself in high school as Erwin Kim. Woody Harrelson nails it in his role as a high school teacher and confidant. Kyra Sedgwick expertly assumes the challenges of being a mother to teenage children. Blake Jenner surprises with his subtle acting as Darian. Last but certainly not least, Hailee Steinfeld proves she is the real deal as 17-year-old Nadine, the film’s main character. Perhaps even more impressive than her line delivery is Steinfeld’s ability to act with her body language doing most of the heavy lifting. The Edge of Seventeen forgoes the teen tropes from John Hughes movies in favor of fully developed, three-dimensional characters who emotionally grow right before our very eyes. It has its hilarious moments, but it is not afraid to heavily tap into reality and maturely handle the really serious situations that teens may face today. Male or female, young people and parents alike will be able to relate to this film on a deeply personal level.

#1: La La Land

I never considered musicals to be one of my favorite genres, which makes it all the more noteworthy that La La Land lands at the top of my list for 2016. I was beyond impressed with director Damien Chazelle’s work with 2014’s Whiplash, a film about the destructive cost of single-mindedly pursuing one’s dream. La La Land adopts a much more positive spin on this message as it follows Mia, an aspiring actress played by Emma Stone trying to make it in Hollywood, and Sebastian, a jazz pianist played by Ryan Gosling with the dream of reviving jazz and opening up his own jazz club. The impressively stunning opening scene of the film, which I won’t spoil here, had me smiling from ear to ear, and I could feel the entire theater straining from holding back their rapturous applause.

From that opening scene on, Linus Sandgren’s cinematography prowess is on full display, allowing the camera to become just as much a part of the choreography as the actors on screen. Ryan Gosling and Emma Stone’s chemistry is unrivaled by anything else you will see on screen from 2016, making the relationship between their characters feel real and honest, and their dedication to their roles is palatable. The set design and costumes, two aspects of films that do not get paid nearly enough attention, are remarkable in La La Land. The vibrant colors and the smog-less skyline of Los Angeles create fantastical imagery that fit in with the grand dreams of the film’s two main characters. Chazelle’s writing is composed of snappy dialogue that is full of heart and honesty.

I sometimes find that the song and dance part of musicals distract from the plot of the film, but, credit to Chazelle’s writing and Justin Hurwitz’s music, La La Land’s musical numbers work as a cohesive unit with the plot and even elevate it. Hurwitz’s music is impressive instrumentally and dazzling with its creative, insightful, and thought-provoking lyrics. Hurwitz’s ability to shift gears throughout the film is praiseworthy. One moment, he is powering through the upbeat “Another Day of Sun.” The next he is revving it up again for the equally catchy “Someone in the Crowd,” but even within that song he slows things down to a point where the audience can soak it all in before picking the pace right back up. “Mia & Sebastian’s Theme” and “Planetarium” take the audience on a whimsical adventure. “Herman’s Habit” is jazz at its finest. In “A Lovely Night,” Hurwitz channels classic Hollywood duet material. With “Audition (The Fools Who Dream),” Hurwitz and Stone make you wish you had a box of Kleenex handy. As the film approaches its bittersweet ending, Hurwitz flawlessly sums the entire film up musically in “Epilogue.” La La Land is a technical masterpiece, and its record seven Golden Globe wins prove it. Thank goodness Whiplash succeeded so that Chazelle could bring us this powerfully intimate masterwork.

  I think it is important that I list all of the films I can remember seeing with a 2016 release date (37 in total) so that you have an idea of what the competition was like.

 ·         Jane Got a Gun

·         Deadpool

·         Zootopia

·         Midnight Special

·         Batman v. Superman: Dawn of Justice

·         Captain America: Civil War

·         The Jungle Book

·         X-Men: Apocalypse

·         The Lobster

·         Alice Through the Looking Glass

·         Neighbors 2: Sorority Rising

·         Finding Dory

·         Star Trek Beyond

·         Suicide Squad

·         Kubo and the Two Strings

·         Hell or High Water

·         Sully

·         The Magnificent Seven

·         Deepwater Horizon

·         Miss Peregrine’s Home for Peculiar Children

·         The Accountant

·         Doctor Strange

·         Hacksaw Ridge

·         Arrival

·         Fantastic Beasts and Where to Find Them

·         Sing Street

·         The Edge of Seventeen

·         Manchester by the Sea

·         Moana

·         Jackie

·         La La Land

·         Rogue One: A Star Wars Story

·         Hidden Figures

·         The Founder

·         Patriots Day

·         A Monster Calls

·         Silence