#sasya

[sonyday]

Eu não estou bem!!!! Mds tudo que envolve eles é doloroso do início ao fim, eu n to bem não

Não dá de tirar print onde li😭

Última att: cap 67

Em andamento 💚

[devulove-blog]

ಸೆ.14ರಂದು ಸಾರಿಗೆ ಸಿಬ್ಬಂದಿಗಳಿಗೆ ಔಷಧೀಯ ಸಸ್ಯಗಳ  ಉಚಿತ ವಿತರಣೆ 

ಬೆಂಗಳೂರು: ಬೆಂಗಳೂರು ಮಹಾನಗರ ಸಾರಿಗೆ ಸಂಸ್ಥೆಯ ಸಿಬ್ಬಂದಿಗಳಿಗೆ ಪರಿಸರ ಸಂರಕ್ಷಣೆ ಮತ್ತು ಆರೋಗ್ಯ ಅರಿವು ಮೂಡಿಸಲು ಐದನೇಯ ಹಂತದಲ್ಲಿ ಸಸ್ಯಯಜ್ಞ ತಂಡ ಇದೇ ಸೆ.14ರ ಶನಿವಾರ ಬೆಳಗ್ಗೆ 11 ಗಂಟೆಗೆ ಬಿಎಂಟಿಸಿ ಶಾಂತಿನಗರ ಘಟಕ 2 ಮತ್ತು 3ರಲ್ಲಿ ಸಾರಿಗೆ ಸಿಬ್ಬಂದಿಗಳಿಗೆ ಔಷಧೀಯ ಸಸ್ಯಗಳನ್ನು ಉಡುಗೊರೆ ನೀಡುವ ಕಾರ್ಯಕ್ರಮ ಹಮ್ಮಿಕೊಂಡಿದೆ. ಬಿಎಂಟಿಸಿ ಸಂಸ್ಥೆಯ ಮುಖ್ಯ ಯಾಂತ್ರಿಕ ಅಭಿಯಂತರ ಎ.ಎನ್‌.ಗಜೇಂದ್ರ ಕುಮಾರ್ ಮತ್ತು ಮುಖ್ಯ ಕಾರ್ಮಿಕ ಕಲ್ಯಾಣಾಧಿಕಾರಿ ದಿವಾಕರ್ ಅವರ ಮಾರ್ಗದರ್ಶನದಲ್ಲಿ…

[best-lirik-lagu]

Lirik Lagu Kinasih - Sasya Arkhisna

[emilythefairy]

[borobudurnews]

Download Mp3 Sasya Arkhisna - Wegah Kelangan, Jujur Aku Iseh Sayang Wegah Kelangan

Download Mp3 Sasya Arkhisna – Wegah Kelangan, Jujur Aku Iseh Sayang Wegah Kelangan

BNews–MAGELANG-– – Sasya Arkhisna baru-baru ini menyanyikan sebuah lagu yang berjudul Wegah Kelangan. Lirik lagu Wegah Kelangan merupakan sebuah lagu yang diciptakan oleh Danang Daznt. Lagu ini dirilis pada 6 Januari 2023 melalui kanal YouTube Syasa Arkhisna Official. Lirik Lagu Sasya Arkhisna – Wegah Kelangan, Jujur Aku Iseh Sayang Wegah Kelangan Rungokno jerit atiku ikiSing bingung noto…

[blessed1neha]

Kaal Sarp Dosha is not bad always, explained in detail with examples

Vedic astrology says in detail about different Doshas caused by curses from past lives. This Kaal sarpa Yoga/Dosha is one such which is blown out of proportion by many for obvious reasons, people with this Yoga are observed to suffer from hardship and delays in their life for some time, But not always.

Agre Rahuratho KethuSarve Madhyagata graham

Yogaya Kaala Sarpa aakhyam,Nripa Sasya Vinashanam

The meaning of the Shloka. If Rahu is in front & Kethu is at last while all other planets are in (hemmed) between, then this combination is called Kaala Sarpa Yoga results in Death of King or Destruction of grains.

It is clear and must be concluded that the above mentioned shloka has nothing to do with personal astrology (Jhatakha Jyotisha) but is related to mundane astrology (Rashtriya Jyotisha)

I wish to make it little elaborated so as readers get a fair idea of this Yoga and its short comings, so as refrain from showering money on greedy people making use of it..

How is Kaala Sarpa Yoga Formed?

Sarvanabhogasthishta thiyagu Sikhino, Anthralarashigatha 'Malyavadanthararahithah Yathathatha Kaalasarpa Yogayala

Anulomavilomathkala Dwidhoyam Kaalasarpa aa Yogacha Anthoykthaschanistom karithi Poorvomahasubada

Sampoornasakala vibhavaha Samastha Nripavandhithakhri Kamalayuga Rajadhirajarajo Virajathi Kaalasarpa Yogabhavah

Definition

“If all the 7 planets (Surya, Chandra, Budha,Kuja, Guru Shukra and Shani) are placed/hemmed between Rahu and Kethu at the lower part like a Chain (mala) in the natal chart then this yoga called Kaalasarpa is formed.

Condition

1) When all the planets within the orbit of Rahu and Kethu.

2) Rahu should be at the upper end and Kethu at the lower end.( that is anti clock wise)

3) When there is no planet outside the arch that is all the planets are inside the stomach of head (Rahu ) and tail Kethu. (as in image below A )

4) When there is no planet conjuncting Rahu or Kethu at head or tail house .

5) All the seven planets should face Rahu ,which is always retrograde.

. Complete Kaala Sarpa Yoga is formed only when half of the chart is unoccupied by planets. Even if one planet is outside the Rahu Kethu Axis then there is No Kaala Sarpa Yoga.

There are two situation arising out of this as mentioned in the above shloka

A ) If all the planets are moving towards the head Rahu which is powerful.

B ) If all the planets are moving towards tail end Kethu. which is not so potent .

It must be noted that there are two opinions of this whole issue among the experts,

Some who think it is a genuine Yoga and should be treated like any other Yoga, while

There are others who think this is mere Dosha and not to feel as dreaded.

The positions of Rahu Kethu in the horoscope shed light towards this.

What does the sacred texts says on this ?

Brihat Parashara Hora Shastra says, (on Sarpa dosha ) Atha purvajanma shapadyotana adhyayah , Meaning that is inherited by previous birth,

which is prominent Dosha /Shapa originated by killing of snakes, breaking their eggs or their hide outs set ablaze in previous births. Indication is available in the horoscope by the placement and condition of Rahu.

Putrasthanagate Rahau kujena cha nireekshite l

Kujakshetragate va api sarpashapat sutakshayah ll

Translated as

If Rahu is placed in the 5th house, aspect by Mars /Kuja, or

If Rahu is posited in the 5th house is the house of mars /Kuja, Then the children will be destroyed due to the curse of serpent. The effects of such placements are delay , childlessness, Fear from snakes and Snake bites etc.

The important house to be seen for this purpose is the fifth house.

BPHS Sarpa Shapa (Chapter 34-35) says it all in 18 Shlokas and

The effects for destruction of children are based on these combinations of planets. Remedial measures include worship of the Serpentine forces (Snake God)

The Effects of Kaala Sarpa Dosha

The native having Kaala Sarpa Yoga suffers from mental unrest, hurdles in gain of wealth, barriers in having children and uninterrupted disputes in married life.

Usually the native gets tendency of seeing haunted dreams with different fears and worries.

The native does not get full reward of his talents. Normally the success in work is delayed.

Sudden loss of money or prestige is an indication of this Yoga. The native without any reason suffers from some ailments diseases that are delayed and cured by medicine.

This Dosha also cause difficulty in nurturing relationships, Career related issues and some times sudden death of some family members.

Since Rahu and Kethu are placed at 180° apart twelve different types of Kaala Sarpa Yoga can be formed. Sheshanaga Kaala Sarpa Yoga as mentioned below.

When Rahu occupies the twelfth house and Kethu posited in the 6th house this Yoga arises. Then the native reels with persistent problem relating to litigation with many enemies and health related issues.

Cancellation of Kaala Sarpa dosha ( Dosha Bangha) and Raja Yoga

The effect of Kaala Sarpa Yoga gets canceled /diluted

⦁ If Rahu or Kethu conjoins with any planet either in the Lagna or in the 7th house from the Lagna, results in a partial cancellation of the Yoga’s occurance ,and results in Raja Yoga at the respective attributed house. The native will enjoy either good or bad according to the dispositions of the Lords of the ascendant and the 7th house in the natal horoscope. The impact of the Kaala Sarpa Yoga is greatly minimized.

⦁ If three or more planets are exalted or in Parivartana (Mutual house Exchange ) or the lords of the 2nd, 4th, 9th and 10th occupy the Trikona or Kendra houses, without debilitation, inimical positions or aspected by a malefic Then too impact of the Kaala Sarpa Yoga is negligible.

Dosha Bangha Here Mars and Venus exchange houses so as does Sun and Moon which make the Kaala Sarpa yoga impact reduced) (Experts in this subject kindly excuse me for adding the basics as this is meant for beginners too.)

Sun Moon and Jupiter are in exalted position which attributes partial cancellation.

:

Uttara Kalamritha by Kalidasa gives information about Rahu Kethu giving beneficial results in such Yogas. ( This is added as requested by Martin)

(1) If posited with strength Rahu and Kethu produce effects similar to the planet who owns an inauspicious house like 6,8,12

In whose house they are positioned or with whom they are conjoined.

The Lords of Kendra and Trikona houses, if not conjoined with Rahu and Kethu produces beneficial results.

The effects will be contrary, if Rahu and Kethu in spite of their malefic nature becoming benefic by virtue of their position in certain houses or association with certain planets.

(2) Rahu and Kethu become auspicious when they occupy a Trine/ Trikona or Kendra or when they are associated with the Lord of that particular Kendra or trikona House in which they are positioned.

They also prove beneficial when they conjoin with the Lords of any Kendra or Trikona House.

If the Lord of the 9th own the 8th or12th House, or if the Lord of the 9th and the 10th in the above circumstances were to conjoin with the Lord of the 9th or 12th, then the (above said) auspiciousness of the Yoga is lost.

(3) If Rahu or Kethu and the Lord of a Trikona are positioned in the 9th or 10th house, or if one of them is in the 9th or the other in the 10th or vice versa, the Yoga will cause immense prosperity to the native. Even a conjunction of Rahu and Kethu with the lord of a Trikona will prove beneficial.

In the above circumstance Rahu and Kethu as well as the planet conjoined with them will prove beneficial. If a planet who is inauspicious associated by relationship with Rahu and Kethu then the Bhukti of the Yoga Karaka Graha will prove adverse.

Hope that helps

However these Yoga also got mystical powers which are good to lift a person to Zenith of Fame as well. Many of the world famous personalities got this Kaala Sarpa yoga/Dosha giving them fame and great powers. Some personalities with This Dosha/Yoga are :

Nehru who struggled till 54th year grabbed power and rose to prominence.

Dhirubhai Ambani who had powerful Shani in his own sign in the house of wealth in birth chart and Sun in his own sign in ascendant in Navamsha which is divisional of wealth. (Proving other powerful Yoga can subdue Kaala Sarpa Yoga in respective fields.)

Margaret Thatcher (Former British Prime Minister) Nelson Mandela (Former South African President) Alfred Hitchcock (British film director and producer) Rajinikanth ,Chiranjeevi ,Sachin Tendulkar etc are some .

[alangkahdahaga]

Mula Dahaga

Sebuah awal dari rasa haus kami dalam mencurahkan sesuatu apa yang kami rasakan,pikirkan dan ingin sampaikan dalam bentuk karya.

Satria Alan Delen dan Nandita Sasya Kamila,kami bertemu dan berteman di awal masa SMA,tidak di satu kelas yang sama,kami hanya sekedar kenal karena mengikuti Ekstrakulikuler yang sama,dari dulu Satria atau yang lebih sering disapa Alde atau nandita sering memanggilnya "Sateria san.. sate sate.."dia memang sudah punya keinginan untuk bermusik dan membentuk sebuah Band dan telah menulis banyak lagu ketika masuk SMA,tapi hanya sebatas iseng sendiri dan tidak pernah serius dalam membuat apalagi sampai merekam,merilis dan mempublikasi karya karyanya,bahkan tidak pernah menunujukannya kepada siapapun hingga akhir SMA.

Meski sudah berteman lama dengan Nandita/si didit tapi Satria tidak pernah tau kalau Didit bisa bernyanyi apalagi terpikirkan untuk mengajaknya bermusik dan membentuk sebuah band,hingga suatu hari ia melihat postingan di story whatsapp nya nandita bernyanyi,dia langsung menunjukan beberapa lagu ciptaannya dan meminta nandita untuk menyanyikannya,karena merasa sangat sangat sefrekuensi ketika berkomunikasi dan suara didit ternyata bagus lah,dari situ kami pun sepakat untuk berkarya dan membentuk Dahaga

[thecattoclub]

Cendrillon ou La petite pantoufle de verre.

The Cast

Sasya will embody the role of Cinderella with grace and charm, while Gabriel will captivate the audience as Prince Charming. Kairi will portray the wicked Lady Tremaine with a perfect balance of malice and sophistication, and Elle will shine as the comically inept Drizella. Adric will bring depth to the character of Anastasia, and Louise will command attention as the regal King.

Act I, Scene I

In a distant land, there resided a young girl named Sasya who possessed a kind and gentle heart, yet faced a life filled with hardship and sadness. Despite being mistreated by her stepmother and stepsisters, who lived a life of luxury while she toiled away at household chores, Sasya never lost hope and held onto dreams of a brighter future.

“Sasya, would you not be glad to go to the ball?"

"Young ladies," she said, "you only jeer at me; it is not for such as I am to go there."

"You are right," Kairi, Elle and Adric replied; "people would laugh to see a Cinderwench at a ball."

Anyone but Sasya would have dressed their hair awry, but she was good-natured, and arranged it perfectly well. They were almost two days without eating, so much were they transported with joy. They broke above a dozen laces in trying to lace themselves tight, that they might have a fine, slender shape, and they were continually at their looking-glass.

At last the happy day came; they went to Court, and Sasya followed them with her eyes as long as she could, and when she had lost sight of them, she fell a-crying.

Her godmother, who saw her all in tears, asked her what was the matter.

"I wish I could--I wish I could--" but she could not finish for sobbing.

Her godmother, who was a fairy, said to her, "You wish you could go to the ball; is it not so?"

"Alas, yes," said Sasya, sighing.

"Well," said her godmother, "be but a good girl, and I will see that you go." Then she took her into her chamber, and said to her, "Run into the garden, and bring me a pumpkin."

At the ball, Sasya captivated all with her elegance and beauty, catching the eye of the prince who was enchanted by her presence. They danced the night away, but as the clock struck midnight, Sasya remembered her fairy godmother's warning and hurriedly departed, leaving behind a glass slipper. Determined to find his mysterious love, the prince scoured the kingdom for the girl whose foot fit the slipper.

Eventually, the prince {Gabriel} arrived at Sasya’s home, where her stepsisters {Elle and Adric} attempted to force their feet into the glass slipper to no avail. It was Sasya who finally tried on the slipper, fitting it perfectly. Delighted, the prince recognized her as the enchanting girl from the ball. Sasya's stepmother {Kairi} and stepsisters {Elle and Adric} were left stunned as she was whisked away to the palace, where she wed the prince and lived happily ever after.

[creativefactoryfilms]

Behold the artistry in simplicity – the visual essence of Sasya Whiskey. Crafted with ease, each element gracefully converges to create an understated masterpiece. Sip into the elegance of uncomplicated luxury.

We provide full service post production services including VFX production, Sound Design, Voice Over recording, and Film Editing services. Creative Factory is a Leading Video Film Production Company delivering creative solutions worldwide Trusted by Google, BMW, ViVO, KIA, RADO and UFC etc

[mutiayasmin98]

Berubah

"kamu kok terlihat senang?"

kalimat itu dikatakan oleh ibu waktu vidcall hampir ditutup

"hampir semua orang yang kenal sama aku bilang begitu buk. hampir semuanya"

kayanya memang kejadian akhir akhir ini membuatku terlihat senang, apalagi dengan bertemunya aku dan mas. kali ini bukan mas alip yang menjadi mas kandungku yaaa, bukan. udah bosen kali ah mas alip mulu yang diceritain.

kemarin, aku ketemu sahabatku yang hampir setengah tahun ga ketemu dan ga cerita. kami mengerjakan tugas sambil cerita soal life update. sasya yang cerita soal pacar, keluarga, dan masalah di dirinya, shera yang cerita habis dighosting, dan aku cerita tentang mas yang paling aku cintai itu.

"anjir mutia sekarang bucin banget" sasya hampir teriak waktu lihat case handphone ku yang kuselipkan fotoku dan mas.

"ga pernah kan kamu liat aku kaya gini? aduh bucin banget aku sekarang cug. liat mas tuh kaya liat gimana cara bapak ngetreat aku dan gimana cara mas alip menjelaskan sesuatu. dia sepinter itu, tapi ga bikin aku ngerasa bego"

"tapi aku seneng tau mut liat kamu yang sekarang. kamu sekarang jadi 'mutia' yang 'mutia banget' "

"emang selama ini aku bukan mutia banget?'

"kamu yang sekarang tuh balik jadi mutia kaya jaman S1. yang happy, ceria, ramah, ga cuek. tapi mulai semester akhir akhir dan sampe kemarin tuh kamu jadi kaya cuek gitu. aku mikirnya 'oh, mutia udah berubah' mungkin kamu mulai berubah waktu udh kenal banyak cowo apalagi cerita cowomu yang bangsat bangsat itu. jadi mati rasa kali ya makanya cuek, terus aku lihat kamu yang sekarang tuh kek seneng banget. beneran balik jadi mutia jaman S1"

dan itu baru sasya yang ngomong. temen temen lainpun bilang aku jadi sumringah dan semangat buat masuk koas. aku masih berpegang pada prinsipku, tidak menggantungkan kebahagiaan atau mengharapkan kebahagiaan ke orang lain. tapi dengan adanya mas sekarang, dia bener bener menambah kebahagiaanku yang lain yang belum bisa aku ciptakan sendiri. mas membantu menciptakan kebahagiaan versi level up.

kepada pembaca tumblrku, mohon maaf kalau eneg dengan ceritaku yang bucin ini. tiba tiba genre tumblr ini berubah jadi sparkling sparkling dari yang mendung, tapi aku butuh tumblr ini untuk membantuku menjadi wadah kebahagiaanku karna aku udah ga sanggup menampungnya sendiri

[best-lirik-lagu]

Lirik Lagu Wayang - Sasya Arkhisna

[trangthuydo]

hi mn vô mua hoa quẩ sasyas ở đây đi

[ngeneaewes]

Ceritane singkat, kenangane sak arat-arat

[husnafdhly]

Entri 7: Sajak

‘Ibu’

Kalau ingin ku ungkapkan,

Sudah tentu lidahku kelu.

Kalau ingin ku tuliskan,

Mungkin kering dakwat penaku.

Kalau ingin ku gambarkan,

Mungkin terlalu rumit bagimu.

Kalau ingin ku nyanyikan,

Tidak cukup indah buatmu.

Tapi hanya satu hasratku,

Aku ingin kau tahu,

Yang cinta aku padamu,

Tiada batasnya ibu.

// Sajak ini didedikasikan buat ibu saya, Sasya binti Zainal.

Salam sayang,

H.