#saree petticoat

[womenindia]

Knowing how to choose the right petticoat for a saree

In the rich tapestry of Indian culture, the saree holds a special place, symbolizing elegance, tradition, and grace. Draping a saree isn't just about wrapping fabric around oneself; it's an art form, a timeless expression of femininity and sophistication. While choosing the perfect saree is crucial, what often gets overlooked is the importance of the foundation garment - the saree petticoat. Often relegated to the background, the right petticoat can make all the difference in achieving that flawless saree drape.

Indian saree petticoats are more than just a supporting garment; they play a vital role in ensuring the saree drapes beautifully and enhances your silhouette. From the fabric to the fit, here's how mastering the art of saree draping begins with selecting the right petticoat.

Understanding the Role of a Saree Petticoat

Before delving into the nuances of selecting the perfect petticoat, it's essential to understand its role in saree draping. A petticoat provides the foundation for the saree, lending it structure and shape. It acts as a base onto which the saree fabric is draped and tucked, ensuring a smooth and graceful fall. Moreover, the petticoat holds the pleats in place, preventing them from slipping and maintaining the saree's elegance throughout the day.

Choosing the Right Fabric

One of the critical factors to consider when selecting a saree petticoat is the fabric. While cotton petticoats are popular for their breathability and comfort, silk petticoats are preferred for their luxurious feel and smooth texture. Depending on the saree fabric and occasion, you may opt for a petticoat that complements the saree material.

For instance, if you're wearing a silk saree, a silk petticoat would be the ideal choice as it ensures the saree drapes seamlessly without any creases or wrinkles. On the other hand, if you're donning a lightweight chiffon or georgette saree, a cotton petticoat would provide the necessary grip for the fabric to hold its shape.

Ensuring the Right Fit

The fit of the petticoat is paramount in achieving a flattering saree drape. A well-fitted petticoat not only accentuates your curves but also provides the necessary support for the saree to fall gracefully. When selecting a petticoat, ensure that it sits snugly at your waist without being too tight or too loose.

Additionally, consider the length of the petticoat, which ideally matches the length of your saree. A petticoat that is too long can cause the saree to drag on the floor, while a shorter petticoat may result in an awkward drape. Aim for a length that allows the saree to skim the floor gracefully, with just a hint of the petticoat peeking through.

Exploring Design Options

While functionality is paramount, saree petticoats also offer an opportunity to experiment with different designs and styles. From basic solid colors to intricate embellishments and lace detailing, there's a myriad of options to choose from based on your personal preference and saree style.

Opt for a neutral-colored petticoat like white or beige for versatility, or add a pop of color with vibrant hues like red or royal blue to complement your saree's palette. Embroidered or printed petticoats can also add a touch of glamour to your ensemble, especially for festive occasions or weddings.

Maintaining Care and Comfort

Lastly, caring for your saree petticoats is essential to ensure longevity and comfort. Always wash them gently by hand or on a delicate cycle to preserve the fabric and prevent any damage. Hang them to dry in a well-ventilated area away from direct sunlight to avoid shrinking or fading.

Additionally, consider investing in multiple petticoats in different colors and fabrics to cater to various saree styles and occasions. This allows you to mix and match effortlessly, ensuring you always have the perfect foundation for your saree ensemble.

For quality saree petticoats that enhance your saree experience, explore the exquisite collection at Women India, where tradition meets innovation.

In conclusion, mastering the art of saree draping begins with selecting the right petticoat. Indian saree petticoats not only provide the necessary support and structure but also contribute to the overall aesthetic of your ensemble. By paying attention to factors such as fabric, fit, design, and maintenance, you can elevate your saree game and exude confidence and poise with every drape. So the next time you adorn a saree, remember that the perfect petticoat is the secret to mastering this timeless art form.

[rasbharii]

Indian women in incomplete without a saree.

[thecdtales]

Lady Superstar |CH.05|

S Y N O P S I S   Top Film Star Ranjith is going through a rough patch in his career and looking for a comeback. Ranjith’s wife Aishwarya narrates a script with a challenging role for him. What twists and turns does that movie and life have in store for him? CHAPTER | 05 |   Aishwarya gets a surprising offer from Manish. Shooting begins and Ranjith’s feminine look gets leaked online sparking…

[iambydollyjain]

Plus Size Petticoat for Saree

Explore the perfect fit with our plus size petticoat for saree, designed to offer maximum comfort and a seamless drape. Crafted with premium fabric and an adjustable waistband, these plus size petticoats ensure the right support and style for every saree look. Check out the entire range of plus size petticoat for saree at https://www.iamstore.in/categories/shop-now

[shenayafashionsurat]

Enhance Your Collection: Wholesale Petticoats for Retailers - A Buying Guide

Petticoats are an essential component of a woman's wardrobe, providing the necessary foundation for a well-fitted and graceful silhouette. As a retailer, stocking a wide range of wholesale petticoats can enhance your collection and cater to the diverse needs of your customers. 

In this detailed buying guide for petticoats, we will explore the importance of petticoats, discuss the different types available in the market, highlight key factors to consider when purchasing wholesale petticoats from a Surat petticoat manufacturer, and provide insights on how to make the most of this valuable addition to your inventory.

The Importance of Saree Fitted Petticoat:

Petticoats play a vital role in enhancing the overall look and comfort of various garments, especially ethnic and traditional outfits. Here are some reasons why petticoats are a must-have for every woman:

Shape and Structure: 

Petticoats add volume and shape to skirts, dresses, and sarees, creating a flattering and feminine silhouette. They provide structure to the outer garment, ensuring it drapes elegantly and falls gracefully.

Modesty and Coverage: 

Modern petticoat provides an additional layer underneath sheer or lightweight fabrics, ensuring modesty and preventing see-through situations. They offer coverage and prevent the garment from clinging to the body.

Comfort and Ease of Movement: 

Petticoats made from lightweight and breathable fabrics like cotton or satin allow for easy movement and prevent garments from sticking to the skin. They offer comfort, especially during warmer seasons or in regions with hot climates.

Types of Wholesale Petticoats:

When it comes to stocking wholesale petticoats from any wholesaler of fancy petticoat in Surat, offering a variety of types can help cater to different customer preferences and outfit requirements. Here are some popular types of petticoats that you can consider adding to your collection:

A-Line Petticoats:

A-Line petticoats are versatile and suitable for various styles of skirts, dresses, and sarees. They have a flared A-line shape that adds volume and structure to the garment, creating a flattering silhouette.

Mermaid Petticoats:

A Mermaid petticoat is a fitted petticoat designed specifically for enhancing the shape and volume of mermaid-style skirts and gowns. They feature a fitted top and a flared bottom that mimics the silhouette of a mermaid tail.

Layered Petticoats:

Layered petticoats are perfect for creating a dramatic effect and adding extra volume to ball gowns, ethnic wear, or costumes. They consist of multiple tiers or layers of fabric that create a full and voluminous look.

Hoop Petticoats:

Hoop petticoats have a structured framework of hoops or wires that give the garment a voluminous shape. They are often used for bridal gowns or historical costumes, where a pronounced and structured silhouette is desired.

Tulle Petticoats:

Tulle petticoats are made from lightweight and sheer tulle fabric. They provide a soft and fluffy look, adding volume to skirts and dresses without weighing them down. Tulle petticoats are popular for creating a romantic and ethereal appeal.

Ball Gown Petticoats:

Ball gown petticoats are specifically designed to complement ball gowns or dresses with a full and voluminous skirt. They are often made from layers of tulle or organza fabric to create a majestic and grand appearance.

Crinoline Petticoats:

Crinoline petticoats are made from stiff and structured fabrics like horsehair or stiff netting. They are used to give skirts a defined and puffed-out shape, commonly seen in vintage-inspired or retro-style dresses.

By offering a diverse range of wholesale plain petticoat in Surat that includes these different types, you can cater to a wide range of customers and their specific outfit needs. Whether it's for bridal wear, formal occasions, or everyday use, having a variety of petticoats in your collection ensures that customers can find the right style and fit to enhance their garments and create the desired look.

Factors to Consider When Purchasing Wholesale Petticoats:

To ensure customer satisfaction and maximize sales, keep the following factors in mind while selecting wholesale petticoats for retailers:

Fabric Quality: Choose petticoats made from high-quality fabrics that are comfortable, durable, and have good draping properties. Fabrics like cotton, satin, or tulle are popular choices.

Size and Length Options: Offer petticoats in different sizes and adjustable lengths to accommodate varying body shapes and garment lengths.

Elastic Waistbands: Look for petticoats with elastic waistbands for a comfortable and flexible fit that can easily accommodate different waist sizes.

Color Variations: Consider stocking petticoats in various colors to match the wide range of outfits your customers may wear.

Read Our Blog: Trendy and Stylish: Explore the Latest Women's Wholesale Clothing Collection at Shenaya Fashion

Making the Most of Wholesale Petticoats:

To market and sell wholesale petticoats effectively, consider the following strategies from the best petticoat suppliers for retailers:

- Display: Showcase the petticoats prominently in your store, displaying them alongside relevant garments to help customers visualize the complete outfit.

- Sizing Assistance: Provide size guides and assistance to help customers select the right petticoat size for their body measurements and intended use.

- Cross Promotion: Encourage customers to purchase petticoats alongside complementary garments, such as sarees, skirts, or dresses, to complete the look.

- Online Presence: Optimize your website and online store with relevant keywords, descriptions, and high-quality images of your wholesale petticoat collection to attract online shoppers.

Thus, it is crucial to get the ideal collection of wholesale petticoats from the Shenaya Fashion online store, which leads among the top petticoat manufacturers for retailers.

Shop the Wholesale Petticoats from Shenaya Fashion Online Store:

Shenaya Fashion is a renowned online store based in Surat that specializes in manufacturing high-quality wholesale petticoats. With a focus on providing high-quality products and a wide range of options, Shenaya Fashion has established itself as a trusted destination for retailers looking to stock up on petticoats.  A wholesale saree petticoat at best price is an essential addition to any retailer's inventory, offering customers the foundation they need for well-fitting and graceful outfits. Remember, the right wholesale petticoats can not only provide comfort and structure but also elevate the overall appearance and confidence of your customers.

Look At Our Other Collections: 

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[pseudoquiddity]

Here's my little piece on (P1) Utopianism and orientalism/Utopian co-opting of (other) cultures (and some broadly Asian fun facts):

What's always struck me is the undercurrent of Asian aesthetic influence in P1 and one obvious reason for why it's there at all is the fact that they're bordering Mongolia and China. Many Eurasian nomads are artistically influenced by regional, cultural styles in the middle east, India, China, etc. that central and southern Asian area. But since the Kin's artistic aesthetic (in P1) reflect a utilitarianism use of leather and, broadly speaking, the Earth, where this influence appears most is with the Utopians.

Take Eva Yan, for example! I've only heard her clothes described as "strange," but the style is very reminiscent of a certain kind of dress ...

She's wearing something close to an Indian petticoat and blouse, but she's missing the saree. It might actually be what's around her neck. Indian blouses typically end above the stomach and are either long-sleeved (like what Eva's wearing) or go to the elbows. It even looks like the material might be the same, which would be silk. It seems to me that Eva Yan is doing in P1 what she's doing in P2; she's taking all of her favorite parts of a certain culture's dress and outfitting it to her tastes. Indian clothes are designed to be breathable, but Eva uses that design to look alluring. I would say that the Stamatins do the same thing in their own way; The Broken Heart's interior design and opium pipes evoke the Western-exported idea of Asian drug dens and they name their dead colleague Farkhad, based off the Persian story of Khosrow and Shirin, whether he was Persian, in the area or not - we wouldn't know.

Maria(and Eva?)'s occasional use of the honorific en-Daniil is reflective of this, too. "en" is short for "encik" and is a Malaysian convention. The reason why it's "en-Daniil" and not "en-Dankovsky" is because Malaysian names are structured like "Razak bin Osman," where the "bin" means "son of." It would be odd to call someone "Mister son of Osman," so it's either "en-Razak" or "en-Razak bin Osman."

Off the top of my head, those are the most explicit examples ... and, obviously, the Utopians all use the Kin's culture and aesthetics, too, and incorporate whatever about it interests them into their lifestyles. That aside (or not), as for why the Utopians specifically do this --- it may really be because they live in Asia. Personally, I interpret this as a very individualistic case of orientalism that expresses how Utopians seek out aesthetic beauty and concepts they find both appealing and "other" --- whether this is natural-law-breaking ideas or other cultures. I think this is a very cherry-picked kind of admiration.

[fever4theflavor69]

She came into my room as usual. But just about five minutes after I had gone in. I had pulled down my shorts and just lay down on the bed nude when I heard the click. I immediately closed my eyes.

She slowly closed the door and gently latched it. She came and sat near me. She kept looking at my face and decided that I had fallen asleep. She did not care as long as I was pretending. She held my cock gently with her left hand and, with two fingers of the right hand, peeled down my foreskin.

Then wetting her fingers with her saliva, she started slowly rubbing my cockhead with her fingers. The sensation was exquisite, and I was quietly enjoying it. I decided too that today I must bring this out into the open.

She again spat into her right palm. She enveloped the ball of my cockhead in her palms and started playing around with it. She started pumping my heavy balls with her left palm. She was not looking at my face but was concentrating on my cock.

The pallu of her saree had fallen off, and I could see her beautiful breasts heaving inside her blouse. I sensed that her attention was totally on my groin area. So I opened my eyes and watched, enjoying the situation.

She slowly started building up speed and started stroking me with both hands. I was throbbing now and felt I would cum. She, too, must have sensed the throbbing. She pointed the cock right at her mouth and opened her mouth wide. I shot. That was the best orgasm of my life ever.

I kept on shooting, rope after rope after rope of thick milky semen. She kept taking it into her mouth spurt after spurt. She seemed to have gone wild. I suddenly grabbed her hair and dragged her face down to my face. I cupped her lips with mine.

Her mouth still contained a lot of my semen, which she let drip into my mouth. I rolled it around in my tongue and pushed it back into her mouth. She spat it back into my mouth again with her saliva. This continued for some time.

We tasted each other’s lips and tongues and mouths. I dragged her on top of me. She opened her large black eyes and looked into my eyes.

Then she devoured my lips again. She started chewing on them and sliding her slippery tongue inside my mouth, licking my tongue. She then got up and took off her saree languidly.

I could not believe it was happening here in my room this afternoon in broad daylight. My virginity was about to go away. My mother was stripping nude before me in the bright light. She took off her blouse and snapped open her bra.

Her breasts were perfect. Like the breasts of young girls, I used to watch porn movies with honey brown inch long hard raisin-like nipples. She untied the knot of her petticoat and let it fall to the ground, and stepped out of it. She was wearing a simple white linen panty.

“Take this off, Sunny,” she said. I got up and sat at her feet and pulled her panty down her legs. She lifted her feet and let me take off the panty. I looked up and saw the cunt that I came out of for the first time. It was so cute that I was drawn to kiss it.

It was covered by light soft silky hair, but the lips were visible and very wet. It was opening and closing in excitement, much like the mouth of a fish gasping for air. It was dark red inside. I could not control myself and applied my lips to it and started licking.

I inserted my tongue inside it as much as I could. I could only get the tip of my tongue inside, and I wondered how I could come out of it so many years ago. I was consumed by an overwhelming love for the place where I, as a sperm, fertilized an egg deep inside her.

After some time, she delicately pushed my head away. She lay down on my bed and gestured for me to get on top of her. I did. She spread her legs slightly, and I placed my legs in between her legs. She held my rock-hard cock and inserted it into her cunt. I helped by pushing.

With each push, it went a little mor e in till it was snugly housed inside. Our bellies were touching each other. We rested that way for some time while I sucked her long nipples. She said, “Pull it out till just the tip is inside, and then push it in all the way.” I did.

I must have pushed hard the first time because I felt her cunt very tight. But it was so slippery that I dived in. I continued this movement for what seemed an eternity. She shuddered and turned a deep pink on her face and breasts in between, once many times.

From what I had read, I understood that she was orgasming. I was happy to be pleasuring my mother thus. Nothing mattered to either of us. We never talked. Naturally, I went past the edge and spewed a whole lot of semen deep inside her womb, not even caring if I impregnated her.

She did not care either, for nothing else mattered. We lay spent for a long time, my now limp cock soaking in her juices inside her cunt.

Oh how I have missed asks like this

[zeherili-ankhein]

A big part of Calcutta's aesthetic appeal is the dominant colonial influence. If we take that away, what are we left with?

Then we are left with Kalikshetra or Kalikata, the land of Maa Kali.

And lots of mishti and pujo and folk paintings and culture

Oh and definitely no beautiful buildings to look at :( and no cutlet, chop, fish kobiraji, bharer cha or ledekeni 😞 and definitely a totally different daily cuisine as there won't be any big famine to alter the food habits of people

Edit: and yeah no blouse or petticoat for women to wear, so the clothing would also be very different for both men and women as colonial period influenced the clothing too. And the modern way of wear saree would also not be there, so it would be like the original bengali atpoure style or the historically accurate one.

Most probably the Kolkata we know today won't even exist as Kolkata's popularity or significance came from the colonial period and the merchants. Not even during the Bengal Sultanate was Kolkata very much important. So it would mostly be a forest village area idk... Never thought like that

Also Calcutta is a shit basic name so drop that maybe??

(also I think i totally butchered the answer as you wanted to know about what would happen without the aesthetic, but I guess these all counts as you'd need to remove the colonizers too if you are removing the aesthetic)

[murdockbarnes]

saree not saree

pairing: lily evans x desi fem!reader

summary: helping lily put on a saree for the first time.

wordcount: 672 words

warnings: 18+ minors do not interact. SEXUAL TENSION!! they're gay your honour!!!, pining, fluff, awkwardness

A/N: this thought popped into my head and would not let me sleep. reader is desi and there is no mention of which country so as to be more inclusive.

any feedback would be greatly appreciated. have a great day!

*not edited, all mistakes are mine*

it took lily little convincing to attend your family function with you. cultural food, cultural clothes, and a sleepover with her best friend rolled into one? count her in!

but as much as she loved sarees (especially seeing you in them), she would need all your help and then some to be able to wear it properly.

with your own saree done, you look over and see lily holding hers.

"here, let me help." you said, stepping closer to lily.

"oh yes, please thank god," she said with a chuckle. you smiled back in response, taking hold of the saree now. you see her petticoat is much too lose to be able to the saree and tell her it needs to be more snug.

"may i?" you ask, gesturing to the petticoat, and she nods.

you take the string to tighten the petticoat, untying it and praying your bent head hides how warm your cheeks have gotten. as you work on retying it to a snugger fit, your knuckles brush the soft skin of lily's skin, and you miss the way her breath hitches and her cheeks redden.

you tuck one end of the saree into the petticoat, trying to use the very tips of your fingers to do so while still making sure it's secure enough. when you finish pleating and tuck it in, your fingers sliding between lily's skin and petticoat, just below her belly button, you see her breath hitch and goosebumps rise all over her skin. you finally look up, now eyelevel with her heaving chest, and your eyes slowly pan over to her face as red as her hair.

her eyes are wide, filled with... panic? and if you weren't concerned about her and hypervigilant of the slightest of her motions, you would have missed the quick glance at your lips.

with your hands still around her hips, gently tracing the edge of the petticoat, and therefore her skin, you rise to your full height. you two are close enough to feel each other's breaths, and you can practically taste the sweets she had earlier. still looking into her wide eyes, you take the saree and drape it over her shoulder, pinching the fabric in the small space between your bodies to adjust it over her chest, careful not to touch. lily hopes you fail to notice the fresh wave of goosebumps, but you do.

with careful hands, you tuck a loose strand of hair behind her ear, fingers coming back to cradle lily's jaw.

"tell me to stop, lily," you breathe out in a whisper, lips inches from hers, "tell me to stop if you don't want this."

she glances back down at your lips. "i don't want you to."

and before you can react, you feel her fingers wrap around the back of your neck and her lips on yours. it's soft at first, slow and sweet, but it slowly grows in urgency as her fingers tangle in your hair, trailing over your shoulders and chest to finally rest low on your back. you can do nothing but go with the flow, hands in lily's hair, surprised because you hadn't thought she had kissed a girl before. out of breath, you both slowly break apart, foreheads still together.

"not bad for my first time kissing a girl, huh?" lily says a bit breathlessly. she feels warm all over her body, heart thudding against her chest. but simultaneously, there's a comforting feeling, like warm honey coating her from head to toe. it's a heady feeling, she won't lie.

"hmm, maybe you could do with some practice, though," you joke, giving her a quick peck or two. "we have to go now though, or we'll be late and all the sweets will be gone."

"after all, we have all the time in the world to figure it out." lily's smile bright as she says so. she takes your hand out the door, and she'll follow it just about anywhere.

after all, what's better than a best friend?

[ramayantika]

–✦– 𝙂𝙤𝙙𝙙𝙚𝙨𝙨𝙚𝙨, 𝙍𝙞𝙨𝙝𝙞𝙠𝙖𝙨 𝙖𝙣𝙙 𝙒𝙤𝙢𝙚𝙣 –✦–

Usha Lakshmi Gargi Ratri Saraswati

Rati

(@krishna-sahacharini had figured it out 💖)

Amidst my box of pink, peach and nude shades of lipsticks, the bold red lip colour stands out. It appears as if it wants to mock me. 'You purchased me from Ladies Corner two months and I am still sitting in your box with an unbroken seal. Are you afraid of a colour?'

I have worn red sarees, red frocks and even red tops. I have red clips and rubber bands, heck even red sandals, but the prospect of applying red lipstick scares me. It makes me nervous. I have heard this boy tell me that you look gently and dainty in pink and peach shades like a fairy. The other day while coming back from college, I heard an aunty comment on a girl, saying, "God, did you see that bold red shade on her lips. It looks so improper. Girls should wear light shades that makes them look graceful."

But I remember applying the same red shade on my lips after borrowing her lipstick. She was reading a book then and I was trying out her lipstick. The colour suited me so well! For the first time, I got goosebumps when I saw my lips in red. It felt as empowering, liberating, bold as well as beautiful. My friend was observing my reaction and cheered, "You must wear red colour too you know. The shades you wear look pretty, but red has that charm which no other shade has." I blush and mutter a thank you. That evening I bought a red lipstick for myself.

Never wore it after I purchased it though. I always make excuses to myself. I carry a gentle, sweet, cotton candy persona so red isn't suitable.

Like always, I pick my light pink lipstick to retain my natural colour. I look at the black saree with golden borders carefully placed on the bed and then at my reflection in the mirror. Open tousled hair, black blouse, white petticoat and golden jhumke dangling down my ears. I bring the pink lipstick near my lips when suddenly the mirror turns black.

Gasping, I touch the mirror. I pinch myself to ensure if I am active or dreaming. The slight pain tells me I am actively experiencing this. My heart paces in panic. This feels like a scene from a horror movie and for a moment I brace myself to prepare for a ghostly attack when the black fades away only to reveal a lady dressed in dark red robes. Her outfit reminds me of sculptures of dancers, apsaras and goddesses from ancient Indian temples and paintings.

Her skin is as fair as milk. Well drawn arched eyebrows between which a red circular dot called bindu is carefully applied. Deep kohl highlights her beautiful pair of eyes. On her neck, I see a nuptial chain and a couple of jewelled necklaces reaching below her bosom. A thick strip of deep red cloth is tied around her chest. On her waist, I see a loosely tied waist chain and her hips sport a jingling hip belt. She wears a dhoti styled draped cloth which reaches till the knees to cover the lower half of the body. There was a specific name to it which I had read in a book. Sadly, I can't recall the name anymore.

I stare at her matchless beauty. She gracefully steps outside the mirror and stands behind me. Her thin fingers gently place themselves on my shoulders, and she whispers in my ear. "Did you recognize me?"

Stuttering, I try to form an answer. "Apsara Menaka?" She looks like a sculpture reborn alive from a temple after all!

The woman chuckles and taps my cheek with her index finger. "I am the Goddess of Love, my darling."

My lips part in shock. I gaze at the reflection of the woman beside me. "Rati...." I murmur.

"Absolutely correct! Thankfully, you remember me. Many women don't -- atleast not in today's generation."

Hundreds of question circle my mind regarding why is the Love goddess here in my room on a random Saturday afternoon when I am to leave for an outing in an hour.

"My my, did you forget about the lady in red from your visions? I am here for that only," I hear the goddess say.

She snaps her fingers and the lady in red appears on my mirror. Her face looks eerily similar to mine. I hear Devi Rati again. "Do not look away from the mirror until the lady in red disappears."

The woman looks mesmerizing. She doesn't have the perfect zero figure like models do. I see her belly rolls and love handles. There are a few stretch marks on the side of her waist where a thin chain lies. But God, the confidence on her face and eyes makes me shiver. Her eyes makes me want to get lost. This was the woman, I wanted to be and not someone who pinched at her love handles and looked up hundred ways of removing stretch marks from my hips and thighs while fretting over my slight double chin and non existent jawline.

Devi Rati speaks again. "Look at her, love. Her bold red dress stands for the feminine energy she carries within herself. Do not confuse her sensuality with lust. Her eyes are bright and playful. She needs no man no woman to tell her how gorgeous she looks or how modest she has to look. She saw you look at the 'flaws' of her form, but she is beyond flaws and perfections of the flesh. She knows the trivial nature of beauty. It only lasts until the age of youthfulness runs. But does that mean one should not appreciate beauty? Should one not wear good clothes and adorn themselves?

"They should and everyone has the right to feel good about themselves. Do not cover or hide yourself. If you love a colour, a dress or a jewel, wear it. If the world has to judge you, they would just do it for a minute and forget about you in the next minute." She picks the red lipstick from my box. "Your life is too short to be spent in worry if a boy or that old woman down the lane will call you bold for wearing a simple red shade."

She gently applies the lipstick on my lips. Her eyes meet mine and what she says next gives me goosebumps once again. "When they tell you to cover yourself on their narrowed understanding of modesty and culture, remind them about me, Rati, the goddess of Love and Beauty. Remind them of the goddesses and their sculptures from the same temples they love to visit. Remind them of apsaras and beautiful maidens who were clever, wise, knowledgeable and beautiful. Remind them of the same golden ancient culture that looked upon the female form, every female body as divine and everlasting."

The goddess makes me stand up and removes her hip belt and ties it around mine. "Do not let them dim your shine. This powerful red shade intimidates many. This power, this divinity and beauty is your reminder that we reside in you. Your body is a temple for the divine Shakti. You are the legacy of us Goddesses, queens and maidens who carried wisdom and power equally. Do not let them take away or make you hide this powerful radiance from your mind, heart, body and soul."

Rati snaps her fingers once again and the mirror shows my reflection. I am dressed in the same red saree, bold dark kohl lined eyes, red lipstick, jingling anklets and roses in my hair just like the lady in red from my dreams. She winks and says, "I not only make two people fall in love, my love. I also teach how to fall in love and admire oneself."

"Thank you, Rati..." My eyes well up with tears. It's not because I look so pretty. It's because for finally acknowledging my identity, my power and my connection with these divine women and Goddesses who have looked after me and every woman on earth. I promise myself that I shall let no one especially a man to take away my strength and pride for me, not when I carry the power of the Goddesses in my bones.

"Now now, i would hate to see that kajal drip down your eyes."

I laugh and wave at the goddess. Time to show the world sakhis!

******** ***** ****** ******** ****** ***********

Look, I am really excited for this. For a while before writing about Sarawati, I thought maybe I shouldn't write Rati because I was afraid if I would do justice to her.

But as every piece of art that I do is inspired and dedicated to the gods. Nothing of it is mine, somehow the Goddesses made me do it skskkanskakasmsmsmsks so here I am. Mein jaa rahi nahane ab :)

Tagging all of you because I want all of you to read this 🤧: @inexhaustible-sources-of-magic @tumhari-bhairavi @sanskari-kanya @krishna-sahacharini @krishna-priyatama @mere-heera @morally-gayy @shut-up-rabert @arachneofthoughts @thegleamingmoon @flowerheadkiller @ketchup-jar-ka @kaal-naagin

[womenindia]

Mastering the Art with the Right Saree Petticoat

Unlock the secrets to achieving a flawless saree drape! Often overlooked, the saree petticoat plays a vital role in creating a stunning and sophisticated saree look. Our guide dives deep into the world of saree petticoats, exploring how the right fabric, fit, and petticoat type can work wonders for your silhouette. Learn how to choose the perfect petticoat to complement your saree fabric, whether it's a luxurious silk or a breezy chiffon. Discover how the right petticoat ensures the saree drapes smoothly and gracefully, eliminating wrinkles and creating a polished look that lasts all day. With the right foundation in place, you'll be well on your way to mastering the art of saree draping and radiating elegance with every step. https://www.womenindia.com/collections/petticoat

[hunterartemis]

The Kate Sharmas in Real Life : Indian women in 19th Century Attire

As an Austenite, I find Bridgerton an abomination, from the costume to plotline. However, like many people I found the 2nd season a bit tolerable especially the storytelling. Simone Ashley who was Kate Sharma (it’s rather pronounced as “sher-ma”) reminded me someone, especially someone dressed in western clothes in colonial India.

It is a preconceived notion by many that Indian people, especially women did not wore western clothes until it was post 1960s, but it is not true. The most fundamental garment, a blouse for saree was a Victorian addition. The eastern Indian women often worn saree as a single garment, and in ancient times, Saree or “akhanda vastra” (undivided cloth) was worn with a “kanchuki” underneath, or an Indian version of Bandeau. Blouse, in its modern form was then called a Chemise (semij, as the local vernacular called it). It came as in late 19th century, and the trendsetters were Upper class Bengali women. Rabindranath Tagore mentions how modern yet scandalising it was for a woman to wear a “Semij” in his numerous novels, especially in Chokher Bali .The picture below is of Princess Sudhira of Cooch Behar wearing what can be deemed as the earliest Indo-Western Fusion fashion in 1900s (she was known to have some good european wardrobe)

You might be thinking, Indo-Western garment is not anything near to the empire line Regency costume! yes, it is not. But before you at me, behold this historical photograph.

She is Maharani Suniti Devi, Queen of the Princely state of Cooch Behar, North Bengal. This shot was taken at 1902. I Know I am 100 years too late but during the 1813 Indian royals were busy from saving their states from the British Subsidiary Alliances, and Artisans were getting crushed by the flooding capitalists as the Monopoly of the East Indian Company was abolished by the 1813 Charter Act--- long story short, they didn’t wear the western garments that early. I picked her photo specifically because Simone Ashley, as Kate Sharma reminded me of her. Tall, slim, thin mouth, bright eyes, voluminous hair and dark skin. 

It is not that there are no dark skin rulers in India, and there were no royal women who donned western clothes--there are: in Fact the Daughter of Daleep Singh, the last Sikh Emperor and the Maharani of Kapurthala, both were photographed in Late Edwardian costumes in the beginning of 20th century. My pick is specially Suniti Devi because she exudes a classic ethnic Bengali beauty. I am emphasising on the fact Bengali because in Indian pop-culture Bengali women are portrayed as docile soft shy beings venerated for their big eyes and pliant beauty. However here you can see that this women is anything but. She is properly clothed in Late Victorian gown. From the prim contours of the waist it is clear that she is wearing proper undergarments like longline corset; light bustle as it was fashionable at that time and the correct petticoat. Loose but well arranged Gibson curls define her thick Bengali waves at the front of the head. The entire thing does not come off as costume-like, she looks like she was made for wearing it: she was not obviously corset trained because Indians often prefer loose fitted clothing and yet she does not look least bit out of place in that dress. 

Despite everything western in that dress from the Gibson hair to the black passmentary lace detaiiing on the white skirt, there is a distinct Indianness that graces the outfit. A long trail of English tulle is draped across the chest, as to emulate the shoulder drape of the saree: in India, a gentleman’s daughter is required to cover her chest with the drape of saree or a light scarf with Salwar. She didn’t need to; she was a Maharani, she could go without it, but she chose to drape it anyway. she also wears bangles in both hands, again a Custom by Bengali women who think a girl should not leave her wrists empty, because it symbolises widowhood. It was unlikely for a Victorian or Edwardian woman to wear bangles in both hands, especially without gloves-- but she did it anyway.

This distinct Indianness with western outfit is the exact essence which Kate replicated in the Wedding Scene

[sewlastcentury]

1810s morning dress complete! Complete coincidence that I am looking off to my right in all of these images, oops. 

I used Fig Leaf Patterns’ Regency Morning Dress pattern; the whole thing is unlined and made out of about 4.5 yards of a lovely vintage semi-sheer wool saree. I also made new stays (Redthreaded), chemise, a half-bodied petticoat, and a chemisette with ruff for this. Oh, and the shoes! 😎 I followed Nicole Rudolph’s great regency shoe video tutorial.

Overall I’m decently happy - my favorite part is honestly the chemisette, as it’s ridiculous and I love it. However, I’d mocked up the dress bodice but neglected to check the armscyes, and they’re *huge*; along with the baggy sleeves, it creates a lot of bulk up at my shoulders and upper arms that just doesn’t look flattering. (I also had some issues with the very filmy wool that resulted in not making the underbust tight enough.) The next time I pull this out to wear I’ll probably narrow the sleeves, and if I used the pattern again I’d narrow the armscyes a great deal as well. *I did cut off about half the fabric in the CB of the bodice back, as even with this length there was more than enough gathering going on. 

I’m gonna call this about 92% handsewn - long skirt seams and the skirt gathering stitches were done on machine and the rest I did by hand. 

[iambydollyjain]

Plus Size Petticoat for Saree

Buy dress petticoat online, plus size petticoat for saree, shapewear petticoat online at I AM. Made of 100% Azo free premium fabric ‘Cotton Lycra’, the plus size petticoat for saree is extremely comfortable to wear. Designed and stitched for the unfettered and the bold, browse and buy plus size petticoat for saree from I AM collection at https://www.iamstore.in/categories/shop-now

[4uru]

List of things im going to do after exams:

(Making a list so i dont kill myself, and have smth to look foreward to)

Learn how to wear saree in the pre british colonization way (without blouse or petticoat)

Write one shots and fanfics

Learn how to draw backgrounds (this is a dangerous one bc thinking about this makes me want to die)

Eat fried cauliflower

I ran out of things-

[afrofeministe]

A saree (or sari) is a women's garment from the Indian subcontinent that consists of an unstitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a shawl, sometimes baring a part of the midriff.

It is form of ethnic wear in Bangladesh, India, Pakistan, Sri Lanka and Nepal. The saree is worn with a fitted bodice also called a choli (ravike or kuppasa in southern India, and cholo in Nepal) and a petticoat called ghagra, parkar, or ul-pavadai / Photo saree-types-lifestyleasia.com