#sara kestelman
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Sara Kestelman's performance as Kreia in KOTOR 2 really is a huge part of why the game is so memorable. She plunges into the character; she played Lady Macbeth and my god you can feel that energy.
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#movies#polls#lisztomania#70s movies#ken russell#roger daltrey#sara kestelman#paul nicholas#ringo starr#rick wakeman#requested#have you seen this movie poll
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"Lisztomania" (1975) - Ken Russell
Films I've watched in 2024 (52/?)
Nothing I could say here would adequately describe this film, except maybe saying it feels like a very mid-70s Ken Russell fever dream. (Which I suppose it actually is...)
Full film on Archive.org
#films watched in 2024#Lisztomania#Roger Daltrey#Sara Kestelman#Paul Nicholas#Fiona Lewis#Ringo Starr#Rick Wakeman#Franz Liszt#Ken Russell#musical
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Kreia in Star Wars: Knights of the Old Republic 2 voiced by Sara Kestelman
#kreia#kotor#kotor 2#sw#star wars#Sara Kestelman#fem#english#british accent#god... kreia... KREIA....#darth traya#i love her#no lie kreia and sara kestelmans performance makes the game so much more emotional#gosh... anyways
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Zardoz, Italian lobby card (fotobusta), 1974
#submission#Zardoz#John Boorman#Sara Kestelman#Sean Connery#Lobby Cards#Lobby Card#Fotobusta#Fotobuste
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Sara Kestelman as Fräulein Schneider tearing into 'What Would You Do?' from Cabaret.
She won an Olivier for this and like... correct.
#sara kestelman#cabaret#there's so MUCH in this song that really digs into why she did what she did#the balance of 'grown tired like me/who hurries to bed when day is done'#she loves Schultz so much but she still does not understand the enormity of what he offered her#because she's become so accustomed to her life alone#the partnership... he says he'll catch her and she still doesn't fully believe it#and then 'suppose you're one frightened voice/being told what the choice must be'#the Nazis know her name and know who she was sleeping with!#she's right to be scared!#she doesn't think she has a choice!#but she has more of a choice than Schultz#SHE HAS MORE OF A CHOICE THAN SCHULTZ#Youtube
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Yesterday's Movies wishes Zardoz would end.
Zardoz. 20th Century Fox 1974 View On WordPress
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Zardoz (1974)
Anyone with a passing interest in bad movies has heard of Zardoz. At the very least, they’ve seen screenshots of Sean Connery in his… iconic wardrobe. The sad truth is this film is neither good nor so-bad-it’s-good. It’s got plenty of jaw-dropping moments and some iconic lines but for the most part, this is some pretentious, dull nonsense.
By 2293, civilization has broken down. Mankind is separated into two clans: the Brutals, who rape and murder anyone in their path as part of their worship of their god, Zardoz… and their victims. Or so Zardoz's disciples have been taught. When Zed (Sean Connery) stows away inside Zardoz’s giant stone head, he learns his deity is fake; part of an experiment by a more advanced, hidden civilization of humans called the Eternals.
The film begins with the Zardoz’s pilot (sporting the fakest goatee and moustache I’ve ever seen) breaking the fourth wall and talking to the audience directly, basically giving away chunks of the plot in the process. There’s nothing else like it anywhere, leading me to believe it was hastily written and added late in the production - perhaps to lead audiences into believing this is a comedy. It strongly resembles the narration of Plan 9 from Outer Space but this film wishes it was entertaining as Ed Wood’s best-known film.
There are small nuggets of inspiration in this film produced, written and directed by John Boorman - whose second-best known work is probably The Exorcist II: The Heretic (yikes!) . The Eternals live forever. Incarceration would be meaningless so how do you punish those who misbehave? You force them to age. They won’t die no matter how many months or years they’re given but living forever as an old man sure would suck. Other concepts like the whole “fake deity” thing have been done before but hold much potential. Otherwise… anything “good” about this movie is simply amusing because of how awful it is.
Chants of “The gun is good, the penis is bad”. Pompous immortals blithering on and on about the nature of things. Sean Connery in an embarassing outfit being dragged around sets as we explore the would-be fascinating world that spawned two diametrically opposed civilizations. Immortals becoming confused about sex and reproduction. That’s what you have to look forward to if you pop Zardoz into your player. Granted, some of these I’ll treasure for a long time and will mentally revisit for a laugh. The film as a whole? I'd never want revisit again. This sci-fi… drama? Adventure? Is boring. You sit there, waiting for the story to play out the way you expect it to - and it does - up until the ending, which throws a curveball at you by making absolutely no sense. It’s infuriating because you know if you sat down with the director’s commentary and listened to what he had to say, you wouldn’t even get an explanation - comically loopy or not - he’d just say nothing up until the credits begin rolling and then blurt out “yeah I think that pretty much speaks for itself”.
If you’re morbidly curious, you could sit own with Zardoz the one time. Even then, it’d be mostly for bragging rights. Nothing about this movie is endearing and even when I found a redeeming aspect, none of this story is salvageable. Trust me. I gave you a summary and picked out the choice bits to discuss. Surrounding them is a whole lot of nothing. (On DVD, September 20, 2019)
#Zardoz#movies#films#movie reviews#film reviews#John Boorman#Sean Connery#Charlotte Rampling#Sara Kestelman#John Alderton#1974 movies#1974 films
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COISAS QUE VOCÊ NÃO SABIA SOBRE ZARDOZ, DE 1974
#zardoz#sean connery#1974#lord of the rings#jrr tolkien#John Boorman#charlotte rampling#diamonds are forever#007#james bond#Sara Kestelman#highlander#sally anne newton
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Exile's and Kreia's conversation at the Jedi Enclave after killing the Jedi Order is. Godly. (this is a long one)
Kreia: "Is it as you expected?"
Exile: "You said all that is left of the Jedi will be here."
K: "Yes, and that is why this place is empty."
E: "But where is the order? And the rest of the Jedi?"
K: "Your actions have crippled the Order, perhaps destroyed them."
E: "Then I have wiped them out."
K: "No...perhaps...it is difficult to say. For every Jedi slain, for every Sith slain, another rises. But the Order is wounded, yes."
E: "Why have you brought me here?"
K: "Because there is something we must discuss. The destruction of the Order, the Masters, it was not an end in itself. I did not expect them to still live, their presence was...knowledge I did not possess. But now this has been corrected, and now the sides of this conflict are as I had thought them to be. There are no more unknowns. And what you have done - it is not enough."
E: "What do you mean?"
K: "Although I did not expect them to still live, I had hoped you would learn something from the Jedi Masters as they fell before you. Not just of battle, but of yourself...and the force."
E: "What was I supposed to learn?"
K: "I must know if killing them, if revenge brought you any measure of satisfaction. If seeing them dead has settled the disquiet within you."
E: "Why do you wish to know?"
K: "Because it matters to me, in a way that never mattered to the Jedi, to the Council when they cast you out. You must understand - I did not wish the Jedi dead. Defeated...perhaps. I merely wished them to see that they and their teachings were wrong. That one could not truly understand the Force simply by adhering to the Jedi Code. All I have ever trained have been failures to them, students who went to fight the Mandalorians, who fell to the dark side, who abandoned their training. To see one that had the strength to best them, that is a moment I will not forget. Yet, it has not been as satisfying as I had hoped. To best them in battle is one thing. To defeat them without striking a blow - that was my hope. Regardless...it had to be done. To have such powerful Jedi still live, still felt in the Force even on such worlds as they had chosen, was a threat to be ended."
E: "What do you mean?"
K: "Let us return to my question. If by killing these Jedi, if you gained any measure of peace."
E: "Yes, but there is still other opponents - it is not enough to kill Jedi, when the Sith remain."
K: "It is as I thought. You have failed me. Completely, and utterly. I have taught you to hear the force again, shown you the contrast, and yet you do not understand. This is what you have wrought. Countless murderers, slayers, assassins, born of war that has as always, has taught the wrong lesson. You showed them life without the Force - and instead of showing them truth, power, all you showed them was how the galaxy may die. You are responsible for all of this. Even now, events spiral towards destruction, and there is nothing that can be done because you refuse to listen, to understand. You have seen the effects you have on those close to you, heard the echoes scream across dead planets, and watched as your strength has grown. Yet it is for nothing. To have the Jedi Masters brought low by such a failure, there is no victory in that. You have not heard a thing I have taught, and for all I have said, you have never learned to listen. Vrook was right to come here, though he did not recognize the connection until too late. This place will hide you from the Sith for a time - enough to do what must be done. You were my last hope, the only one who could change what is to come. And now you have left me nothing. I shall teach you no longer. Our bond remains, but that is all. Stay here and die, apprentice, among the wreckage of all that remains of the Jedi. It is a fitting grave until the Sith come to end you...to end everything. And as you lie here, I pray you will listen...and finally awaken."
Kreia (telepathically): "Vrook was right to come here, though he did not realize the connection until too late. All life is connected by the force. You have felt it in your companions, your choices affecting theirs, their actions mirroring yours. Imagine such incidents, spreading outwards. From the smallest of actions, the smallest of cruelties and kindnesses, great tragedies are made. The wounds inside people, the wounds suffered by planets...both cause echoes, heard and felt through the Force. And these echoes build, and all that can hear them shall become deafened...or die. Choose the right moment, create the right echo, and then all shall be destroyed. And there are those that feed on such deaths. And when no life is left, they shall consume themselves. You have taught them to bond with others, and then feed on that bond. What you have brought is the death of all who can feel the force. It is your gift to the galaxy, exile. And unless you hear it and silence the echo you have caused, then every living thing, everywhere, that is touched by the Force...will die."
woah. that was a lot. but i'm most interested in Kreia's final spoken paragraph ("It is as I thought. [...] I pray you will listen...and finally awaken.")
There are so many absolute bangers in this paragraph.
- "It is as I thought. You have failed me. Completely and utterly."
(the line that i read and immediately my jaw dropped to the floor btw)
It is well known in the game what Kreia's intentions are--don't kill force sensitives, kill the Force. She says in an earlier paragraph, "For every Jedi slain, for every Sith slain, another rises."
We did not do as she wanted--not even close. not only did countless Jedi and Sith die at our hands during the Mandalorian Wars, but even more died in the time it takes to complete the story of the game. Countless Sith assassins, soldiers, lords, Jedi Masters, and more all died at our hands. We merely transferred the power into another persons hands.
This line also plays heavily into the Lord of Betrayal title she has, cause...i mean woah. In the Sion battle, you have options to try to convince him that Kreia (Darth Treya) won't ever see his potential as he does--not as strength in the Force, but as weakness for using it. and the same is happening here.
"You showed them life without the Force - and instead of showing them truth, power, all you showed them was how the galaxy may die."
is an exact example of her repeated ideals. It's what we get during the Sion/Exile battle now here.
Also, reading
"To see one that had the strength to best them, that is a moment I will not forget." and then "To have the Jedi Masters brought low by such a failure, there is no victory in that."
was an absolute punch to the gut.
#kotor 2#kotor ii#kotor#star wars#kreia kotor#kreia#holy shit#the writing in this game makes me so happy every day#thank you Sara Kestelman for voicing Kreia so beautifully#i am forever in your debt#a life debt one might say?#(dont)
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The History of Tom Jones: A Foundling - BBC One - November 9, 1997 - December 7, 1997
Historical (5 episodes)
Running Time: 60 minutes
Stars:
John Sessions as Henry Fielding
Benjamin Whitrow as Squire Allworthy
Brian Blessed as Squire Western
Max Beesley as Tom Jones
Samantha Morton as Sophia Western
Frances de la Tour as Aunt Western
Ron Cook as Mr Partridge
Richard Ridings as Reverend Thwackum
Christopher Fulford as Mr. Square
Michael Cronin as Dr. Blifil
Sylvester McCoy as Mr Dowling
James D'Arcy as Blifil
Peter Capaldi as Lord Fellamar
Michelle Fairley as Mrs Fitzpatrick
Lindsay Duncan as Lady Bellaston
Kathy Burke as Honour
Brian Pettifer as Parson Supple
Camille Coduri as Jenny Jones
Celia Imrie as Mrs. Miller
Kelly Reilly as Nancy Miller
Matt Bardock as Jack Nightingale
Sara Kestelman as Mrs. Wilkins
Tessa Peake-Jones as Bridget Allworthy
Doreene Blackstock as Abigail
Richard O'Callaghan as Mr. Fitzpatrick
Roger Lloyd Pack as Anderson
Brian Hibbard as George Seagrim
Con O'Neill as Captain Blifil
Rachel Scorgie as Molly Seagrim
Jane Danson as Betty Seagrim
Alexei Sayle as Puppeteer
Neil Dudgeon as Puppeteer's Assistant
Paul Barber as Adderley
Julian Firth as Northerton
Rupert Holliday-Evans as Lord Connaught
Amy Marston as Susan
Norman Lovett as Mr. Follett
June Whitfield as Mrs. Whitfield
Tim Healy as Mr. Nightingale Sr.
#The History of Tom Jones: A Foundling#TV#BBC One#1997#1990's#Historical#John Sessions#Benjamin Whitrow#Brian Blessed#Max Beesley#Samantha Morton
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yeah i'll join too why not
if your character is static *points at the warrior of light* that beast should be voiced else they're nothing but a camera with legs and a weapon. if anything it could force them to exist a bit outside the "you are now killing, you have stopped killing to listen to these guys talk, they stopped now go back to killing" cycle. yeah they managed in shb. it didn't repeat itself.
swtor would be half of what little it is without its 14/16 excellent voice acting. tbh if kotor stays a small game it could benefit from (strong) voice actors for revan and the exile. someone who could go toe to toe with sara kestelman. i'm ok either way.
dragon age should not be voiced and it made a huge mistake at giving hawke and the inquisitor a voice. i still love jo wyatt and harry hadden-paton. same with fallout. i do not love the voice acting there.
pillars of eternity managed to improve the silent hero formula with dispositions in deadfire. great job A+.
vtmb is perfect as it is.
#i'm like a 4 in the voice acting scale (made up)#basically it all depends on a bunch of variables that show how important this process is#and i do like voiced protagonists
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Zardoz (1974)
John Boorman directs Sean Connery, Charlotte Rampling and Sara Kestelman in this sci-fi fantasy where a brutal warrior hides in a flying stone head to discover how the secret society who control his people live. Another folly. This one from before my time. Infamous for Big Tam strutting around the Irish countryside in a bandolier, […] Zardoz (1974)
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Zardoz (1974)
Director: John Boorman Starring: Sean Connery, Charlotte Rampling, Sara Kestelman In the late 23rd century, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity’s achievements. If you’re a Sean Connery fan, you have to see ‘Zardoz’ – not for the film; for him!! This meaty hunk of a man with his lean body and hairy chest is wearing…
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Morning, Mrs Winnicka.
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