#sandip ray

[colours-inthedark]

Had randomly picked up this book from the library and loved reading it!

[famouslook1987]

शहरी पीएचसी मण्डुआडीह को लगातार तीसरी बार कायाकल्प अवार्ड

अनुशासन व संयुक्त प्रयासों से ही मिलती है बड़ी सफलता-सीएमओ वाराणसी, 27 मार्च 2023 – शहरी प्राथमिक स्वास्थ्य केन्द्र मण्डुआडीह को लगातार तीसरी बार “कायाकल्प अवार्ड” प्राप्त हुआ है। सोमवार को मण्डुआडीह पीएचसी पर आयोजित समारोह में मुख्य चिकित्सा अधिकारी डा. संदीप चौधरी ने कहा कि लगन, ईमानदारी और अनुशासन से किया गया संयुक्त प्रयास ही बड़ी सफलता दिलाता है। उन्होंने कहा कि इस स्वास्थ्य केन्द्र के सभी…

[byneddiedingo]

Swatilekha Sengupta in The Home and the World (Satyajit Ray, 1984)

Cast: Soumitra Chatterjee, Victor Banerjee, Swatilekha Sengupta, Gopa Aich, Jennifer, Kendal, Manoj Mitra, Bimala Chatterjee, Indrapramit Roy. Screenplay: Satyajit Ray, based on a novel by Rabindranath Tagore. Cinematography: Sumendru Roy. Production design: Athoke Bose. Film editing: Dulal Dutta. Music: Satyajit Ray. 

Revolutions are mounted in the name of human betterment, but humanists -- those who try to act upon their belief in the potential of all human beings -- make lousy revolutionaries. That seems to be the message of Satyajit Ray's The Home and the World, an adaptation of a novel by Rabindranath Tagore that Ray had wanted to film almost his entire career. He finally overcame the obstacles to its filming in the last years of his life, but paid the price of two severe heart attacks while making it. He supervised its completion by his son, Sandip Ray. While it's rich in images and performances, the film does seem a little slow in telling its complex story. Satyajit Ray, who also wrote the screenplay, resorts occasionally to voiceovers, often a sign of uncertainty on the part of a filmmaker about whether his story is getting clearly told. The film begins with Bimala (Swatilekha Sengupta), the wife of the wealthy Nikhilesh Choudhury (Victor Banerjee), being tutored in English style and manners by Miss Gilby (Jennifer Kendal). Specifically, Bimala is learning an English parlor song, "Long, Long Ago." But Nikhil, who is a nascent liberal reformer, wonders why Bimala should be learning a foreign song. He becomes determined to free her from the strictures imposed on Indian women: Among other things, she's confined to only part of their large house -- women are forbidden to enter the part where he entertains guests. So when his friend Sandip (Soumitra Chatterjee), a spokesman for Swadeshi, the revolutionary movement protesting British rule, comes to stay in that part of the house, Nikhil takes Bimala down the corridor that connects the two parts -- shocking Bimala's widowed sister-in-law (Gopa Aich), who lives a life of idle complaining about her lot -- and introduces her to Sandip. It's an electric moment. Suddenly, not only her home but also the world of politics is opened to Bimala. Eventually, Sandip and Nikhil will have to clash, not just over Bimala but also over Swadeshi's program to have the country boycott foreign goods and learn to rely only on India-produced merchandise. The year is 1907, when the British mandated a partition of Bengal into separate Hindu and Muslim regions, and the religious separation only adds fuel to the economic conflict. Nikhil is in favor of Swadeshi up to a point, but as a man who owns a largely Muslim-run market, he also knows that eliminating foreign goods will hurt the poor, who can't afford the higher-priced Indian items. Bimala becomes the film's focal point for the division between Sandip's fervor and Nikhil's idealism, with tragic results. The three central performances are superb, and the color cinematography of Soumendu Roy and production design by Ashoke Bose are handsome, but the merger of history and romantic fiction is uneasy, with occasionally sketchy results on both counts.

[ccandd96]

This brand-new book is the perfect thing to pick up to cap off summer! Scars Publications just released the Down in the Dirt‘s May-August 2024 issue collection book “A Library of Collaboration”! This 422-page volume is a great way to stock up on issues if you didn’t buy all of the issues making this a GREAT deal! A listing of all the contributors and titles is available at Scars online, and authors are also listed in the description now online through Amazon throughout the U.S. and Canada. They can also be ordered in the U.K., all of Europe, and even Japan and Australia!

https://www.amazon.com/dp/B0DBDBH1HK

https://scars.tv/2024May-August-issue-collection-book/A_Library_of_Collaboration.htm

The contributors to this book (of writing and art) include A.R. Williams, Alan Ford, Alexandra Dark, Angela Carrozza, Anthony Thomas Voglino, April Fikstad, April Goodwin, Bill Tope, Binod Dawadi, Brenda Mox, Brian Beatty, Brian Connelly, Cailey Tin, Cameron D. Alexander, Camille Akers, Chitralekha Hore, Christopher Strople, Ciara M. Blecka, Clarence Allan Ebert, Clive Aaron Gill, Corey Smith, Corey Villas, Daniel de Culla, David J Tate, David Sapp, David Sowards, Debra Wilson Frank, Devin Sparkman, Dick Yaeger, Donald Reed Greenwood, Dorthy LaVern McCarthy, Doug Hawley, Douglas Young, Dr. Adyasha Acharya, Drew Marshall, DS Maolalai, Duane Anderson, Edward Michael O’Durr Supranowicz, Eleanor Leonne Bennett, Elena Botts, Eric Brown, Erik Priedkalns, George Beckerman, Gil Hoy, Greg Beckman, Hannah Ferris, Hasan Chaudhry, Helen Bird, Holly Day, Isabel G. de Diego, J. Ray Paradiso, Jackie Bayless, Jake C. Elliott, James Bates, James Nelli, Janet Kuypers, Jerry Guarino, Joan Mach, John F. McMullen, John Farquhar Young, John Grey, John Riebow, John Zedolik, Joy Myers, June Wolfman, Justine Fleming, Kassan Jahmal Kassim, Katarina Pavicic-Ivelja, Ken Weiss, Kris Green, Kyle Hemmings, Kyle Trenka, L. Sydney Abel, Latoya Kidd, Laura Bota, Lee Hammerschmidt, Madelyne Timmons, Mark Pearce, Mark Wolters, Marvin Reif, Matthew McAyeal, Megan Mealor, Michael Gigandet, Mike Rader, Mykyta Ryzhykh, Norm Hudson, Oleksandr Gorpynich, Olivia G. Benson, Olivier Schopfer, Paul Stansbury, R.T. Castleberry, Raha.M, ReLand, Richard K. Williams, Ronald Hernandez, Roseann Bauer, Rowan Tate, Roy N. Mason, Rykard Plaque, Salvatore Folisi, Sandip Saha, Sarah Das Gupta, Scott Taylor, Sean Meggeson, Shawn McMichael, Shontay Luna, Simon Kaeppeli, Steevie Karnes, Sterling Warner, Steven Grogan, Susie Gharib, Terry Sanville, Tom Ball, Toney Dimos, Tony Covatta, Vern Fein, and Westley Heine.

https://www.facebook.com/janetkuypers/posts/pfbid02X79WiLxMhVQRAjyUJdASt2iJ2LHeLrvTuYK2i1RmvSVzDMBcK7cPwCQbxzY67dkwl

[orthotv]

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[shininglightofthehorizon]

"Chitranatya O Onanyo" a screen play book released to commemorate the 103rd Birth Anniversary of Legendary Filmmaker Satyajit Ray at his residence

After the screening of the restored print of the 1974 adventure classic, The Golden Fortress or Sonar Kella on 1st May 2024 at Nandan 1,  presided over by director Sandip Ray and the cast of the film including Ashok Mukhopadhyay, Siddhartha Chatterjee, Kushal Chakraborty and Santanu Bagchi, the scene intimately shifted to the iconic British architectural Ray House at 1/1 Bishop Lefroy Road, where…

[lacasadelospoliglotas]

From our perspective at La Casa de los Políglotas, under the esteemed guidance of our founder, Mr. Subhojit Roy, we are thrilled to share that our sir recently received an invitation from Ray House to commemorate Satyajit Ray's 104th birth anniversary. In preparation, our sir crafted a mixed media masterpiece capturing Ray's iconic directing pose. Mr. Sandip Ray, the son of the legendary filmmaker and a popular director in his own right, graciously praised the artwork, saying 'দারুন হয়েছে কাজটা'.

The warm hospitality extended during the celebration was deeply appreciated, and we are grateful for the support in promoting our artwork. Additionally, we extend our gratitude to G.M. Abu Bakar, a dear journalist friend of our sir, for providing the top photo courtesy.

It has been an honour for us at La Casa de los Políglotas to pay tribute to such cinematic legends. 🎨🎬

[kharisubas40972]

Satyajit Ray’s son Sandip Ray’s Hatyapuri starring Indraneil Sengupta, Abhijeet Guha and Ayush Das premieres on ZEE5 : Bollywood News

ZEE5 announced the world digital premiere of the Bengali film Hatyapuri. After the roaring success of Projapati, Boudi Canteen and Shrimati, the platform is bringing forth another content-driven, critically acclaimed film. Directed by Sandip Ray (son of Satyajit Ray), Hatyapuri is one of the many memorable Feluda stories written by Satyajit Ray. It is now being recreated by Sandip with a…

[colours-inthedark]

"This earth of ours now. What is it but a ball? So are the planets, all of them, Jupiter, Mars, Mercury, Venus, Saturn. They spin around the sun and the moon spins around the earth. But they never bump into each other. Think of it. Is there a bigger juggling act than that?..."

- PHATIK CHAND

novel by SATYAJIT RAY

[suchananewsblog]

Throwback: Satyajit Ray’s tryst with Bollywood as revealed by his son Sandip Ray | Hindi Movie News - Times of India

There is a myth about Satyajit Ray that he was not keen to work with Mumbai’s stars and actors. This is not true at all. On his birth anniversary we look back at his tryst with Hindi cinema and its stars. Shedding light on the mighty Ray’s fondness for Bollywood his son Sandip Ray says, “Maybe people presume my father was wary of Bollywood because he made only two Hindi films Sadgati for…

[whatsonmedia]

Film Friday: 5 selected Movies this week!

WhatsOn editorial Rufaiath has selected this week’s top movies for you. Watching movies is the finest way to utilize time, especially when the weekend is just around the corner. Holidays require some downtime, so if there’s a movie on the side, why not watch it? Without further ado, let’s look at the films on the list. 1. The big 4 Just like an action movie-” With the characters in The Big four freely referencing action films and inventory ephemera just like the slow-motion badass walk, the slow-motion slide throughout a ground at the same time as capturing at henchmen, and the slow-movement gear-up scene, it feels best to be a viewer and observe together with their shorthand. The Big four does will be inclined to drag – its setup is clunky, it spends an excessive amount of time on extensively comedic fights that border on slapstick, and in the long run, it gives a sequel tease in preference to a fulfilling decision to why the whole lot is exploding. It’s additionally beneficial that the actors right here manage a way to make all of this entertaining. How lots cowl does a grass and bamboo seashore hut actually offer from computerized guns fire? Their assailants discover the difficult way.   https://youtu.be/sQQJEiESrK0 2. Bardo: False Chronicle of a Handful of Truths Directed and co-written by Alejandro González Iñárritu, Bardo, False Chronicle of a Handful of Truths centers on a Mexican journalist who, like Iñárritu, noticed his profession flourish in America. On the verge of accepting a primary award for his work, Silverio (Daniel Giménez Cacho) returns to Mexico and displays his profession, lifestyle choices, and which he suits in his fatherland and his followed home. As Iñárritu has earned Oscar acclaim with films like Babel, Birdman, and The Revenant, the evaluation is clear. But his inner battle of identification performs out in a slippery and surreal adventure this is identical elements captivating and frustrating. https://youtu.be/lCQimQfDuTs 3. Cirkus Cirkus is in an exceptional vein than each different Rohit Shetty movie, in extra approaches than one. Instead of vehicles flying all over, humans do the flying here. After the tempo quickens, we're added to the grownup variations of the brothers. Ranveer Singh performs the twins known as Roy, one primarily based totally in Ooty and the alternative in Bangalore. The former runs a circus with his "brother", Joy (Varun Sharma, additionally in a double role). Shetty treats the circus scenes as his playground, seeking to supply his signature flare to the stunts and tricks. The movie is peppered with self-references to a couple of different Rohit Shetty movies like Singham however Cirkus eventually ends with a redeemable Golmaal reference, placing a stop to my misery. https://youtu.be/EkzD0d0yFdM 4. Hatyapuri With Hatyapuri, Sandip Ray brings us the latest Feluda cast, with Indraneil Sengupta, Abhijit Guha, and Ayush Das as Feluda, Jatayu, and Topshe respectively. Sandip Ray’s new Feluda in Hatyapuri is cutting-edge – like his different films. Feluda can force and Jatayu’s well-known ambassador is changed with the aid of using a cutting-edge hatchback. Though the shadeation remained the same. The movie keeps the favor of the unique tale. Those who’s conscious will recognize that that is a tale of greed. A historic manuscript is stolen from an aged collector. Feluda unearths a useless frame too. Unlike Sandip’s different Feluda, Hatyapuri doesn’t motel to an excessive amount of motion and thrill. Instead, Feluda’s ‘magajastra’ allows him to resolve the case. The mysterious construction proper at the ocean seaside is haunting. Now that it's far back, the younger Feluda enthusiasts are flocking to the theatres. Hatyapuri will now no longer disappoint them. The new Feluda is wise and speeding and his enthusiasts will love him.  https://youtu.be/ZnLrAQfn-YM 5. Everything, Everywhere, All At Once An insanely enjoyable, absurd, hilarious, profound, ridiculous, satirical, reverential, emotional, exuberantly weird & brilliantly clever, love-crammed film. Like the Coen Brothers on magic mushrooms reminiscent of Asian film-making, whilst satirizing the Marvel universe, Tarantino, & an entire buffet of Oriental cinematic tropes, it sucks you in for a wild rollercoaster journey of film references & existential questions. The tale is each a touching own circle of relatives drama, delusion exploration of change lives, & philosophical argument among existential despair & Buddhist acceptance, wrapped up in a sci-fi-comedy-Wong Kar-Wei-Kubrick-Zhang-Chan tribute, with a cute LGBTQ subplot combined into its multilayered message. Utterly bizarre, gloriously acted, tearfully joyful, thought-provoking, lovely cinema this is so appropriate you immediately need to peer at it again, and again, and again. https://youtu.be/wxN1T1uxQ2g Read the full article

[tehbaittagoat]

[shininglightofthehorizon]

Kolata International Film Festival 2023: French Filmmaker Aurelia Mengin's Film Scarlet Blue introduces new narrative content bordering on mystical side of reality

Kolkata International Film Festival 2023, hosted by the Department of Information and Cultural Affairs, Government of West Bengal, was inaugurated by the honourable CM, Sri Mamamta Banerjee along host of stars including Bollywood heartthrob Salman Khan, Sonakshi and Satrungna Sinha with Sourav Gangul, former India Cricket Captain, with Sandip Ray, Anjan Dutta and Other Tollywood big names…

[newsyaari]

Satyajit Ray’s Director Son Sandip to Convey Feluda, Professor Shanku in Identical Movie Sandip Ray directorial poster Legendary filmmaker Satyajit Ray's son Sandip has decided to bring the maestro's immortal characters 'Feluda' and 'Professor Shanku' in one film, albeit in two parts.

[hoichoitv]

Shotoborsher Satyajit

Any discussion on cinema, especially Indian cinema, will remain incomplete unless you mention a maverick of a filmmaker, the legendary director Satyajit Ray- one of the very few Indian filmmakers to win an Academy Award (Oscar). Ray's works always came with a new lesson for aspiring filmmakers. He made 36 movies in a career spanning 37 years. Every film is distinguishable in its way, and that it is almost impossible to pick one over the other. On his 100th birth anniversary, as the Oscar-winning filmmaker, writer, and illustrator stands tall as an eternal Bengali icon. Us at hoichoi pay tribute to the Renaissance man of Bengali cinema and his creations through Shotoborshe Satyajit, a unique collection of films directed by him and his writings later adapted into movies. Here are the 11 iconic films featured in this series.

 Pather Panchali

One of the greatest classics of Indian cinema, released in 1955, this Satyajit Ray film was produced by the Government of West Bengal. Based on Bibhutibhushan Bandhopadhyay's 1929 Bengali novel of the same name. With this movie, Satyajit Ray made his directorial debut. The film features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi. The story of a young boy, Apu, and his sister, Durga, and their life in a small village of Bengal. Pather Panchali is a turning point in Indian cinema, with its poetic scenes managing to capture literature into filmmaking. The film won eleven international prizes, including the coveted Academy Award, and was among the films that pioneered the parallel cinema movement.

 Hirak Rajar Deshe

A film that echoes the legacy of Satyajit Ray and his nature of challenging conventional customs. A children's movie filled with magic and music that also served as a robust satire to the oppression of state and ruling powers. Ray depicted societal issues in a subtle way, covered by humour without destroying its seriousness or sanctity. Featuring legendary actors like Soumitra Chatterjee, Utpal Dutt, Rabi Ghosh, this film is loved throughout the ages and remains an evergreen classic.

 Aparajito

The second part of The Apu Trilogy, directed by Satyajit Ray. The film starts with Apu moving to Varanasi with his family and chronicles Apu's life from childhood to adolescence in college, right up to his mother's death, when he is left all alone. The film features Pinaki Sen, Smaran Ghosal, Kanu Banerjee, Karuna Banerjee, Ramani Ranjan, Charu Prkash, Subodh Ganguly. The film won the Bodil Award for Best non-European Film of the Year in Denmark in 1967, along with other accolades.

 Abhijan

One of Satyajit Ray's cult classics. Adapted from the novel Abhijan by Tarashankar Bandhopadhyay. This film features the evils in society and the abstract helplessness of its inhabitants. Starring Gyanesh Mukherjee, Rabi Ghosh, and Soumitra Chatterjee, Abhijan is a story of a taxi driver's attempt of reinventing his life and his eventual surrender to the evils in society. The protagonist Narasingh (played by Soumitra Chatterjee) was a direct influence on the character of the cynical cab driver, Travis Bickle (played by Robert De Niro) in Martin Scorsese's film Taxi Diver. Scorsese himself has credited Satyajit Ray as an influence on his work.

 Jalsaghar

The fourth of Ray's feature films, Jalsaghar starring Bengali acting icons like Chhabi Biswas, Padma Devi, and Kali Sarkar, depicts the end days of a decadent Bengali landlord and his efforts to uphold his family prestige while facing economic adversity. Jalsaghar went on to win the Presidential Award for best film in New Delhi and played a significant role in establishing Ray's international reputation as a director.

 Chiriakhana

Based on the story by Saradindu Bandopadhyay, Chiriakhana explores the investigation of detective Byomkesh Bakshi. Starring the legendary Uttam Kumar as Byomkesh, it is a rare opportunity of witnessing the work of two luminaries of Bengali cinema in a single cinematic experience.

 Professor Shanku O El Dorado

Satyajit Ray, the filmmaker, makes way for Satyajit Ray, the science fiction writer. Helmed by his son Sandip Ray, the film tells the tale of Professor Shanku, a charismatic scientist, and his adventures. The film manages to capture the essence of the professor, loved by readers through ages.

 Gorosthane Sabdhan

The genius that is Satyajit Ray was not only limited to film making and science fiction writing. He was equally adept in writing crime thrillers and detective stories. As the creator of the fictional Bengali detective Feluda, Ray's writing prowess is second to none. Gorosthane Sabdhan is a thriller that revolves around the mystery of a lost artefact and Feluda's deductive abilities that help discover it.

 Ashani Sanket

Another iconic film that has the impact of an epic without seeming to mean to, The film is set in a village in the Indian province of Bengal during the Second World War and examines the effect of the Great Famine of 1943 on the rural areas of Bengal. Ray successfully shows the human scale of a cataclysmic event that killed many. The film won many accolades at the Berlin International Film Festival, and Ray won the award of the best music director at the National Film Festival.

 Goopy Bagha Phire Elo

The sequel to Hirak Rajar Deshe, directed by Sandip Ray. The film continues with the adventures of Goopy and Bagha after they receive their powers from the king of ghosts.

 Royal Bengal Rahasya

Another fan favourite movie, based on the immensely popular Feluda series written by Satyajit Ray. The story involves Feluda, as he investigates the case of a man-eating tiger.