#sanam re songs | Explore Tumblr posts and blogs

aashiqeddiediaz · 2 years ago

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BUDDIE + desi playlist (pt. 1)

(for @oneawkwardcookie @midnightseddie @captain-hen)

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image description under the cut:

[Image ID: six rectangular gifs of Eddie Diaz and Evan Buckley from 9-1-1, desaturated of all colors except their skin, with an emphasis on the shadows. Each gif is made of a Spotify layout of a South Asian song, and has the album name at the top. The song name is written around the middle, a green heart at the end of that line, and underneath is the artist name. Below the play buttons is "Buddie's Airpods." At the bottom of the gif is a gray box for lyrics, and they are written alternatively in white text for the original lyric, and blue text for the English translation:

GIF 1: Buck watching Eddie with amusement as Eddie turns his head to look up at him in 6.04 as they listen to the forest ranger's conversation. Eddie scoffs out a laugh, looking away as Buck looks up towards the ranger. The album name is Jannat, the song name is Jannat, and the artist line reads, "Ezu; Harshdeep Kaur."

The original Punjabi lyrics read, "Kal mahi di akhan naal akhan char ho gaiyan, othe jannat de dekh darwaze aaya main, dekh jannat de darwaze aaya main." The English translation reads, "Yesterday, I looked into the eyes of my beloved, and it was as if i was at the doorway of heaven, look, i've come to the doorway of heaven."

GIF 2: Eddie watching Buck, Christopher and Denny fondly before ducking his head on a smile in 3.10 blended with Buck smiling widely at Eddie reuniting with Christopher in 4.14. The album name is Ik Lamha, the song name is Ik Lamha and the artist line reads, "Azaan Sami Khan."

The original Urdu reads, "Dil savarta hai tere khayalon se, jagmagata hai tere ujaalo se, raqs karta hai dil tujhpe marta hua." The English translation reads, "My heart is adorned by thoughts of you, it is illuminated by your light, my heart dances as it pines for you."

GIF 3: Buck's gaze dropping away from Eddie after their kitchen conversation like it's painful to look at him, blended with an exhaustedly-smiling Eddie telling Buck that he needs to move on because Eddie has in 5.11. The album name is Sanam Teri Kasam, the song name is Sanam Teri Kasam and the artist line reads, "Ankit Tiwari; Palak Muchhal."

The original Urdu reads, "Tere bin naamumkin, apna guzaara hai, har dua mein maine, tujhko hi maanga hai, tera jaana jaise koi baddua." The English translation reads, "without you it is impossible for me to live on, in every prayer I have asked for only you, you leaving is like a curse."

GIF 4: Eddie laying on the pavement after being shot in 4.13, his hand stretching out towards Buck, blended with Buck with a blood-soaked face, breathly harshly as he watches Eddie's eyes flutter closed. The album name is Marjaavaan, the song name is Tum Hi Aana (Sad Version) and the artist line reads, "Jubin Nautiyal."

The original Urdu reads, "Khatam hogi nahi mitke, kahani yeh kabhi jaana, kahin aisa na ho jaaye, bina deedar main marjaavaan." The English translation reads, "This story won't end upon being erased, my love, may it not happen that, i die without laying eyes on you one last time."

GIF 5: Eddie saying "Almost" in 2.18 in response to things getting back to normal, blended with Buck telling Carla that "the team feels off without Eddie" in 4.14. The album name is Guru, the song name is Tere Bina and the artist line reads, "AR Rahman; Chinmayi; Murtaza Khan; Qadir Khan."

The original lyrics read, "Tere bina beswaadi beswaadi ratiyan, o sajna, rookhi re o rookhi re, kaature kaate kate na, o hum dum bin tere kya jeena." The English translation reads, "without you the nights are tasteless, o beloved, they are dry and withered, they don't pass by, o beloved, without you, what is life."

GIF 6: Eddie tersely telling Buck that "You're 100%. Lawsuit proved that, right?" before walking away, blended with Buck watching Eddie leave as his lips flatten into a sad expression. The album name is Malang - Unleash The Madness, the song name is Phir Na Milen Kabhi and the artist line reads, "Ankit Tiwari."

The original Urdu reads, "Chalte chalte karta salaam aakhri, rab se ab toh maangoon bas dua yahi, hum phir na milen kabhi." The English translation reads, "I give my final goodbye while walking away, now the only prayer I ask from God is that, may we never meet again."

/end ID]

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zeherili-ankhein · 7 months ago

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So.... I said fuck it and made a playlist of Bollywood songs dedicated* to Jily for all the desi jily fans out there

James and Lily but make them Desi – Pootatu on Spotify

The songs I have included

Zoobi Doobi – Sonu Nigam, Shreya Ghoshal

Gulabi Aankhen – SANAM

Lutt Putt Gaya – Arijit Singh

Tumhe Jo Maine Dekha – Abhijeet, Shreya Ghoshal

Tere Naina – Shankar Mahadevan, Shreya Ghoshal

Achha Lagta Hai – Mohit Chauhan, Shreya Ghoshal

Pretty Woman – Shankar Mahadevan

O'Meri Laila – Atif Aslam, Jyotica Tangri

Naina Da Kya Kasoor – Amit Trivedi

Haule Haule – Sukhwinder Singh

Manwa Lage – Arijit Singh, Shreya Ghoshal

Tu Jaane Na – Atif Aslam

Titli – Chinmayi, Gopi Sundar

Jab Se Tere Naina – Monty Sharma, Shaan

Wo Ladki Hai Kahan – Shaan, Kavita Krishnamurthy

Apna Bana Le – Sachin-Jigar, Arijit Singh

Ghorey Pe Sawaar – Sireesha Bhagavatula

Dagabaaz Re – Rahat Fateh Ali Khan, Shreya

Some Bengali songs I also added just because I wanted to

Rimjhim E Dharate – Shaan, Shreya Ghoshal

Mor Bhabonare – Saptarshi Mukherjee, Sahana Bajpei

Sajani – Nilayan Chatterjee

Tomar Pichu Charbo Na – Nahid Hasan

I dunno why I typed every song out like wtf is wrong with me?? Anyways I might add more songs in the future idk

*all the songs doesn't relate to Jily but those songs gives me the vibes of Jily

@foreignink lol

#james and lily but make them desi #jily #james x lily #james potter #desi james potter #lily evans #lily evans potter #harry potter #desi happy potter fans #desi jily fans #if the marauders were desi #desiblr #desi tumblr #desi teen #desi tag

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theinfinitedivides · 1 year ago

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listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw

5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली र�� जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)

favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service

3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)

favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)

3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)

favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly

2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius

favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc

and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through

and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights

favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway

after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip

'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier

'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that

'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place

'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good

'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that

anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk

#film: ponniyin selvan ii #ponniyin selvan ii #ponniyin selvan: ii #ps:2 #ponniyin selvan #veera raja veera #jayam ravi #sobhita dhulipala #mani ratnam #a.r. rahman #kollywood #tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera #and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung #writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt #look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had #sitting in my drafts for weeks (the language analysis that is)!!!#it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi #like the list for that is upside down. dare i say inverted almost #i might do something for it as well in this same format idk but #doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line)#pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite #you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too #the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube #this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead

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crazybluetiger · 1 year ago

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Shamelessly stuck in 2016 and it's not even funny anymore.

All the songs i like, all the movies i wanna watch are from that year and honestly?

So am i

fuck being trendy, i still wanna live like ten year old me grooving to sanam re

#desi shit posting #being desi #desi tumblr #just desi things #desi teen #desiblr #desi humor #desi culture #desi academia #desi tag #desi memes

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masterpromotional · 8 months ago

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Hua Hain Aaj Pehli Baar FULL VIDEO - SANAM RE - Pulkit Samrat, Urvashi Rautela - Divya Khosla Kumar

song lyrics "Sanam Re (Title Song)" (from "Sanam Re" soundtrack)

Bheegi bheegi sadkon pe main Tera intezaar karun Dheere dheere dil ki zameen ko Tere hi naam karun Khudko main yoon kho doon Ke phir na kabhi paaun Haule haule zindagi ko Ab tere hawaale karun

Sanam re, sanam re Tu mera sanam hua re Sanam re, sanam re Tu mera sanam hua re

Karam re, karam re Tera mujhpe karam hua re Sanam re, sanam re Tu mera sanam hua re

Tere kareeb jo hone laga hoon To toote saare bharam re

Sanam re, sanam re Tu mera sanam hua re Sanam re, sanam re Tu mera sanam hua re

Baadalon ki tarah hi toh Tune mujhpe saaya kiya hai Baarishon ki tarah hi toh Tune khushiyon se bhigaya hai Aandhiyon ki tarah hi toh Tune hosh ko udaaya hai Mera muqaddar savaraa hai yoon Naya savera jo laaya hai tu Tere sang hi bitaane hain mujhko Mere saare janam re

Sanam re, sanam re (sanam re..) Tu mera sanam hua re Sanam re, sanam re (sanam re..) Tu mera sanam hua re

Karam re, karam re (karam re..) Tera mujhpe karam hua re Sanam re, sanam re (sanam re..) Tu mera sanam hua re

Mere sanam re mera hua re Tera karam re mujhpe hua ye

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natures-marvel · 1 year ago

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Hi worstie~ For the music ask: 4, 9, 16, 30 💜

Worstie!! Hiya, hi!

So, for the music asks (and apologizes for being late because i am getting 0 break rn 😭) :

4:A song that reminds you of someone you would rather forget about

That has to be Sanam Re title track because it reminds me of my first crush in a bad way 😬

Not forget the person, but the memories of it, tbh

9:A song that makes you happy

Right now, its Fight Song by Rachel and Move your Body by Sia

16:One of your favorite classical songs

Okay, ill admit I am not a fan of classical music but i do like listening to Beethoven's music in piano format too soothe me down.

30:A song that reminds you of yourself

Boss Bitch by Doja Cat 😏

#asks #thanks worstie!!#thank you for being patient #and sorry for being late 🥺

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backtodecember-taylorsversion · 1 year ago

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🎶✨️ When you get this, share 5 songs you have been listening to recently. Then, send this ask to 10 of your favorite bloggers✨️🎶

Thanks for sending this to me,Alyssa🥰🌸

5 songs i've been recently listening:

Moment in the sun by sunflower bean

betty by taylor

Welcome to new york by ts

Paper rings by taylor

Why am i like this? By orla gartland (this is the most listened one ig)

Bonus: some songs of superache by conan gray and sanam re

Take caree💙🌟

#asks #<3

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my-music-1460 · 7 days ago

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The Evolution of Mithoon: From 'Woh Lamhe' to Iconic Composer

The name Mithoon has become synonymous with soul-stirring music in the Indian music industry. Known for his ability to weave magic through melodies, Mithoon’s journey from his early days with Woh Lamhe to becoming one of Bollywood's most iconic composers is nothing short of inspiring. He represents a rare breed of artists who blend classical influences with modern sounds to create timeless tracks. With his innate ability to evoke deep emotions, Mithoon has carved a niche for himself in Bollywood, leaving a legacy that continues to grow. This article delves into the evolution of Mithoon, exploring his milestones, challenges, and the artistic vision that has made him a household name in India and beyond.

1. Early Days: Setting the Foundation

Mithoon Sharma, often referred to simply as Mithoon, was born into a family deeply rooted in music. His father, Naresh Sharma, is a renowned arranger and musician who worked on numerous Bollywood projects. Growing up surrounded by music, Mithoon’s talent was evident from an early age.

His first major breakthrough came when he re-created the iconic track "Woh Lamhe" from the movie Zeher in 2005. This song not only marked his debut as a composer but also showcased his talent for crafting emotionally resonant music. While many debutants struggle to make a mark, Mithoon’s work stood out for its depth and originality, instantly earning him recognition.

2. The Road to Stardom: Breakthrough Moments

Mithoon's big leap came with his original compositions for Anwar in 2007, particularly the hauntingly beautiful "Maula Mere Maula" and "Tose Naina." These tracks cemented his position as a composer who could touch hearts. His signature style—layered melodies, meaningful lyrics, and powerful vocals—began to emerge.

In 2013, Mithoon reached the pinnacle of success with "Tum Hi Ho" from Aashiqui 2. This song not only became a global sensation but also redefined romantic music in Bollywood. "Tum Hi Ho" won several awards, including the Filmfare Award for Best Music Director, and became a cultural phenomenon. With this track, Mithoon proved that he wasn’t just a composer but a storyteller who could narrate emotions through his music.

3. Versatility: Expanding Horizons

Mithoon’s music isn't confined to one genre. Over the years, he has shown versatility by exploring various themes and styles. From romantic ballads like "Sanam Re" to motivational tracks such as "Baarish" from Half Girlfriend, Mithoon’s ability to adapt to the emotional requirements of a story has been remarkable.

He also ventured into collaborations, working with acclaimed singers like Arijit Singh, Shreya Ghoshal, and Jubin Nautiyal. His songs often become the emotional backbone of films, elevating the narrative with his compositions.

4. Challenges and Artistic Growth

No journey to greatness is without its challenges, and Mithoon’s path was no exception. Early on, he was often compared to established composers, and there was pressure to conform to industry trends. However, Mithoon remained steadfast in his artistic vision. He avoided the trap of creating generic party anthems and instead focused on building a unique identity.

In interviews, Mithoon has often spoken about the importance of staying authentic and not letting commercial success dictate creativity. This commitment to his craft has not only earned him critical acclaim but also a loyal fanbase that values quality over quantity.

5. Experimentation and New Ventures

In recent years, Mithoon has ventured into experimental projects. Whether it’s blending Indian classical elements with electronic beats or collaborating with international artists, Mithoon continues to push boundaries. His work in films like Shershaah and Kabir Singh highlights his ability to evolve while staying true to his roots.

Beyond Bollywood, Mithoon has also explored independent music. His collaborations with global streaming platforms have helped introduce his music to an international audience, broadening his appeal.

6. The Legacy of Mithoon

Today, Mithoon stands as a pillar of the Indian music industry. His songs are not just compositions but experiences that resonate with listeners of all ages. By prioritizing quality over quantity, he has ensured that his work remains timeless. Mithoon’s journey from re-creating tracks like "Woh Lamhe" to composing chartbusters like "Tum Hi Ho" is a testament to his growth as an artist.

Conclusion

The story of Mithoon is one of perseverance, passion, and relentless dedication to his craft. From his humble beginnings with Woh Lamhe to becoming a composer of iconic stature, Mithoon has redefined Bollywood music with his soulful creations. His ability to blend heartfelt lyrics, powerful melodies, and versatile styles has set him apart in an industry driven by trends. As we look forward to more masterpieces from this musical genius, one thing is certain—Mithoon’s legacy will continue to inspire and enthrall music lovers for generations to come.

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