#sam prekop

[ensalada-de-lengua-de-pajaritos]

[trevlad-sounds]

Kinetic Tombola Dawn

17.01.2025

Cate Brooks – Con Brillo – 00:00 Sam Prekop – Step and Stair – 05:07 Surkid – Overburden – 09:04 Listening Center – Complete Projection – 11:45 Cate Brooks – Kinetic Metals – 19:21 Luke Sanger – Origins Study II – 21:48 Surkid – When There Is No One Left to Follow – 25:49 Drum & Lace – Felt – 29:24 Surkid – This Fragile – 32:37 Ludwig van Beethoven, Jay Chakravorty – Piano Sonata No. 14 in C-Sharp Minor, Op. 27 ‘Moonlight Sonata’- I. Adagio sostenuto (Arr. for Modular & Analogue Synths) – 35:20 Swansither – Alien Tombola – 39:37 Swansither – Interstice – 44:45 Erik Satie, Jay Chakravorty – Gymnopédie No. 1 (Arr. for Modular & Analogue Synths) – 49:27 Jeremiah Chiu – ElectroComp 101 – 52:12 Jonathan Fitoussi – Edream, Pt. 6 – 53:18 Listening Center – Shifts One – 55:58 Johnny Woods – Coimimechd – 01:03:04 Listening Center – Shifts Three – 01:06:01 Elin Piel – Gården – 01:10:13 Suzanne Ciani, Jonathan Fitoussi – Coral Reef – 01:14:10 Swansither – Ruletka – 01:18:07 Surkid – Ascend – 01:23:09 The Eyes and the Mistoids – Future 1950s – 01:26:08 Wavefiler – Near the Thistle – 01:29:05 Mogo – Transcend As A Vanishing Point – 01:33:24 Virusmoto – ᚲᚨᛊᛏᛁᛜ ᚲᛁᚱᚲᛚᛖ – 01:39:36 Clystre – 12 pm Midnight – 01:43:45 Glinca – Mirrorbird – 01:47:34 Jonathan Fitoussi – Edream, Pt. 1 – 01:53:32 Zonderwerk – MachineKamer – 01:55:12 Pocket Pavilions – Decagons – 01:59:01 Swansither – Swansither – 01:59:37 Johnny Woods – To The Dawn – 02:06:54 Anna Wall – è finita – 02:11:26 Anagrams – Song in Six – 02:17:01 Johnny Woods – The Ring – 02:20:20 Cate Brooks – Log on Log – 02:23:49 Gabriel Fauré, Jay Chakravorty – Requiem in D Minor, Op. 48- VII. In Paradisum (Arr. for Modular & Analogue Synths) – 02:26:12 Clystre – 15 Inches of Snow – 02:29:34 Clystre – Arpichelago – 02:32:40 Andrew Ostler – Hecataea – 02:36:03

[ninaport]

Sam Prekopの『In Away』は日本盤のみCD化され、配信もBandcampのみという限定的なフォーマットでリリースされた。創作順は分からないが、サウンド的には『Comma』からの流れに沿っていて、本人の中では習作的な側面が強いのかもしれない。しかし、ひっそりとした佇まいと鮮烈な水のよう���印象を与えるこの電子音楽は、��り多くの人々がアクセスできるメディアでも聴ければ良いのにと思ってしまう。

[radiophd]

sam prekop -- dot eye

[musicollage]

The Sea And Cake — The Fawn. 1997 : Thrill Jockey.

[ support the artist ★ buy me a coffee ]

[ireallylikealbumart]

Sons Of [2022] - Sam Prekop / John McEntire

[wildoute]

[laszonasabisales]

Sam Prekop and John McEntire - Sons of

[longformeditions]

LE069 Sam Prekop Spelling

Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesisers are inventive, delicate, and always bear his signature sense of melody. 

Artist notes: Listening like a photographer waiting on the light. Walking in a straight line, still meandering. It’s a wonder we get anywhere and so it goes on, just like we had hoped. One moment after another, catching up and loosing speed, keeping pace, waiting on the light. As it gets darker the sound is longer, heavier, there is less time, but it’s worth waiting for.

[mywifeleftme]

143: Shrimp Boat // Duende

Duende Shrimp Boat 1992, Bar/None

Though today pretty well unknown outside Chicagoland’s plaid belt, in their day Shrimp Boat were a vital part of the root system that would produce seminal post-rock (Tortoise), weirdo Americana (Wilco, Califone), and whatever you want to call the Sea and Cake. (Trouser Press offers, as usual, a useful overview.) In retrospect, Duende sounds quite modest compared to the landmarks this scene would produce over the next few years, but their shambling, improvisational-sounding takes on various flavours of ethnic folk music offer both simple, tuneful pleasures and musicological interest for those tuned into the way the players find each other in space. Singer Sam Prekop (later of the Sea and Cake) sings in a post-Violent Femmes/Meat Puppets indie guy whine, and if none of the free-associative lyrics are particularly memorable (save for peanut butter-on-the-brain rhymes like “Van Buren” with “urine”) his sloshing cadences nicely match the band’s unpredictable lurching and weaving. You almost certainly lose something only being able to hear them; live, the members of the band would frequently switch instruments, and the thrill of hearing them successfully mash up an Appalachian-sounding banjo melody with jazzy sax would be enhanced quite a bit by watching the encounter seem to develop organically before your eyes in some smoky loft. Still, Duende is a breezy, well-textured listen that rewards your focus, even as it affably wanders.

143/365

[theam-cjsw]

The AM: January 27, 2025

Your guide to a good morning: start off cosmic, with electronic experiments and soul-jazz explorations for the new new age. Let things come into focus through patient post-rock crescendos. Then the day begins with psych-pop, indie rock, and other eclectic jams. If it's working, don't change the formula.

Listening links and track listing are below. Hope you enjoy it, and see you again in February.

Hour One:

Music Travel III Memory Pearl, featuring Sam Prekop and Mortiz Fasbender • Cosmic-Astral

Pillar IV - Mantra Major Force Moon Apple • Pillar IV

Heart of the Ocean Dissolve in Sepia • And Also

Modul Vier III Prepared • Module

Hot Mic Peace Flag Ensemble • Everything Is Possible

Oh My Actual Days Alabaster DePlume • A Blade Because A Blade Is Whole

Steps Justin Walter • Bird Higher Than Cloud

Something About Us Wayne Patrick Garrett • Marine Life

Cold, Cold Night Yasu Cub • Cold, cold night

A Celebration with Genever Applesauce Tears • Balcony Confidential

Moog Rich Aucoin • Synthetic: Season 3

Hour Two:

Cocoon Avi C. Engel • Nocturne (Soundtrack for an Invisible Film)

Margate Sands Minor Conflict • Parallels EP

Orange of the Westering Sun The Innocence Mission • Midwinter Swimmer

Moving Home Human Pyramids • Thank You

Mombassadorf Ellis Island Sound • Divisions

Nuevo Bell Orchestre • Recording a Tape the Colour of the Light

Throw It on a Fire Bell Orchestre • Recording a Tape the Colour of the Light

Horses in the Sky Thee Silver Mt. Zion Memorial Orchestra & Tra La La La Band • Horses in the Sky

Pale Vegan Hip Pain Mogwai • The Bad Fire

Hour Three:

Je Reste Laura Cahen • De l’autre côté

Früh Feed LA • Feed LA

I Am the Occupation Mary Ocher • Your Guide to Revolution

Au Commencement Omertà • Collection particulière

Where Did You Go Robert Ascroft • Echo Still Remains

All I Need Blackwater Holylight • Single

Nature Bluffing • Nature EP

Farsh Cliché Toupee • Endlessly Continuous

Let the Moon Get Into It Soft Location • Diamonds and Gems

Stirrings MALLED • Eye Heards

Salvation Holy Void • All Will Be Revealed In Time

[trevlad-sounds]

Kaleidoscope Palm Fever 16.12.2024

Bono / Burattini – The Ballroom – 00:00 Gribbles – Starlight – 03:21 Lorenzo Montanà – Screen 007 – 07:21 The Odd Pattern – Every Cloud Is Black – 14:27 Pulselovers – In the Marsh – 17:09 Retep Folo – Galena – 20:24 Cate Brooks – Blue Chip Fever – 22:23 Makoto – Kaleidoscope – 25:20 Pabellón Sintético – 500 metros – 31:40 Four Tet – Three Drums – 34:58 Sam Prekop – Palm – 42:10 Yves Malone – Isolated, They Flee Towards the Dark – 43:36 Ogle – Alienation – 47:59 gribbles – Mind The Cat – 49:15

[remainingsilent]

"The Kiss" de the biz - The Sea and Cake

No quiero ser una de esas, pero creo saber que el genio de Sam Prekop es el motor detrás de la agilidad musical de The Sea and Cake.

Amo este álbum, pero creo que tal vez la canción que más amo es The Kiss. Empieza sonando como un proyecto abandonado de The Doors; Luego entra lo que creo que es un pedal de reverb con el attack bastante medio pero a la vez persistente, será echo? Los dos siempre me confunden.

Siento que es una canción con una dualidad deliciosa, otro ejemplo de la tensión y el release. El principio suena como un conflicto por resolver, un enredo. Ya para cuando cae el cambio, es una ola suavecita de colores infinitos y una prueba de que el jazz y el rock pueden ser mejores amigos.

En lo que escribía esto me dieron muchas ganas de comprarme este álbum en cd, este y Nassau, The Fawn y One Bedroom; mis tres álbumes favoritos de la banda.

QUE VIVA EL MAR Y EL PASTEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!