bounth

[hollywood-sadcore]

Everything passes.

[try-to]

sam gregg, riccardo maria chiacchio

[grfn-btbtas]

[guy60660]

Sam Gregg | AnOther

[thecommaconstellation]

[thebunniesgrim]

Fuck Romeo and Juliette

I want what these bitches have <3

[pumpkin-baboo]

The chances of Tim Heidecker appearing on Dropout Tv are low, but never zero

[rawrbarks]

Big calm guy with hat x tiny gremlin with knives is a ship that can never goes wrong

[samwinchesterihardlyknowher]

Hello Tumblnation. I am Casey. 17 and Awesome... Please let us lock arms and be friends and walk together on winding roads. I like Life is Strange... Gregg Araki... music! Lately The Teeth and Syd Matters and Death Cab for Cutie. Always The Cure. I saw them in concert but a pole was kind of blocking my View. Also vampires. Lestat I think of you often. Okay. Goodbye.

[wefashionablyfutile]

✨🌟 Just knew I had to make a Sammy style file for this Dion Kitson x Greggs collab ✨ so here ya go ✨ shout out to @theborders who knew this one was coming 😆✨🐰

[eileenguy]

Dear diary, what a day. I swear I've never been so depressed, miserable, and lonely in my entire life. It's like I know there's got to be somebody out there somewhere... just one person in this huge, horrible, unhappy universe who can hold me in their arms and tell me everything is going to be okay. And how long do I have to wait before that person shows up. I feel like I'm sinking deeper and deeper into quicksand... watching everyone around me die a slow, agonizing, death. It's like we all know way down in our souls that our generation is going to witness the end of everything. You can see it in our eyes. It's in mine, look. I'm doomed. I'm only 18 years-old and I'm totally doomed.

sam winchester as a gregg araki character

[robotpussy]

GREGG ARAKI + ZENDAYA STYLISH ACTION MOVIE WHENNNNNNNNN

"TS [Thora Siemsen]: Who is someone you want to cast that you haven’t worked with yet?

GA [Gregg Araki]: Off the top of my head, I love Zendaya, I think she’s amazing. She’s so cool and so beautiful and so stylish, such a movie star of the moment. I wish that she would do a movie where she’s wearing crazy outfits, being an assassin. I don’t really want to see her as a recovering drug addict wearing sweatshirts and no make-up or whatever. Every red carpet she’s on, she’s fucking fabulous. I want her to be fabulous in a movie. She should be doing kung-fu, jumping off mopeds over bridges."

[philiponmycracker]

#mood

[krispyweiss]

Little Feat with Los Lobos at PNC Pavilion, Cincinnati, Ohio, June 18, 2024

When writing about a two-band gig, journalistic norms dictate leading with the headliner. But where Little Feat and Los Lobos are concerned, such guidelines are bunk.

For on June 18 at Cincinnati’s PNC Pavilion, support act Lobos, a band with its core quartet in place for 51 years, was the brightest star on a stage shared with the recently reconstituted Feat, with original keyboardist and onstage traffic cop Bill Payne; Dixie Chicken-era members Sam Clayton (percussion) and Kenny Gradney (bass); Let it Roll arrival Fred Tackett on guitar, mandolin and trumpet; and new additions Tony Leone on drums and Paul Barrere vocals and Scott Sharrard on guitar and Lowell George vocals.

What the fans who filled some one-third of the venue’s 4,000 seats received in return for braving the outdoor sauna was an hour from one of America’s longest-running and stable bands - horn/keyboard man Steve Berlin joined in 1982 - and 90 minutes from the world’s-best Little Feat tribute act with members of Los Lobos sitting in on multiple cuts.

It was still near 90 degrees when Los Lobos wrapped at 9 p.m., yet the fans dancing to the Grateful Dead’s “Bertha,” which morphed out of “Not Fade Away,” rewarded the group with a standing ovation. And Cesar Rosas (guitar, percussion, vocals), Conrad Lozano (bass), Louie Pérez (guitar, jaraña, drums), David Hidalgo (guitar, accordion, vocals), Berlin and touring drummer Alfredo Ortiz earned the accolades with a career- and-genre-spanning set bridging decades, cultures and influences.

The sextet opened with “Flat Top Box” and “Love Special Delivery” from 2021’s covers album, Native Sons, songs that featured Berlin’s baritone saxophone underscoring the 1950s vibe. Hidalgo’s Hendrixian guitar solo on the latter added trippy color to the song Rosas typically calls “LSD.”

It was off to the stratosphere from there with Lozano, who spent the gig seated on his amp, and Ortiz signaling a deep-pocketed “Dream in Blue” with an extended sax solo from Berlin. Rosas was on maracas and Pérez on jaraña for “Maricela,” instrumentation that would be reprised later on “Chuco’s Cumbia.”

Jazz was the hallmark of a 10-minute plea for peace on “The Neighborhood;” blues and a dedication to John Lee Hooker on “Don’t Worry Baby;” and the band looked to the East (“Kiko and the Lavender Moon��) and South (“Georgia Slop”) when Hidalgo strapped on a squeezebox and Pérez retuned temporarily to his original spot behind the kit.

Though Lobos’ opening set was necessarily truncated, Berlin, Hidalgo and Rosas had more stage time to come, as each sat in during Feat’s performance, bookended with “Fat Man in the Bathtub” and “Feats Don’t Fail Me Now.” Harmonica blower Michael LoBue also appeared for “Mellow Down Easy” (with Hidalgo) and “Long Distance Call” (Rosas) from Sam’s Place, the band’s 2024 blues covers album with Clayton on lead vocals.

These songs, Payne’s “Oh Atlanta,” and 1988’s “Hate to Lose Your Lovin’” sounded like the band that recorded them, as Sharrard (Gregg Allman Band) is more adept at channeling Craig Fuller than George.

Other tracks from Feat’s golden era were less successful. “Willin’” featured a mandolin solo and was akin to John Mayer singing “Ripple” for Dead & Company; Leone (Chris Robinson Botherhood) didn’t quite capture the essence of “Old Folks Boogie;” and “Dixie Chicken” - outfitted with trumpet, bass and synth solos - lost its momentum in the gratuitous showcases.

But “Cold, Cold, Cold,” “A Apolitical Blues,” “Spanish Moon” and “Skin it Back” - the latter two with Berlin reading charts from a piece of paper taped to a mic stand and honking on a baritone sax - almost sounded like Little Feat. Not quite. But almost.

In the end, Los Lobos met the absurdly high expectations that come with being the best live band in America on any given night, while Little Feat exceeded the more-modest hopes for a group of veterans and ringers.

Grade card: Little Feat with Los Lobos at PNC Pavilion - 6/18/24 - B/A

6/19/24

[vinniechengyt]

Both gay and do crimes

plus their big guys with hats and ties!

[lostinaflashforward]

SNOWPIERCER - Recensione 4x06 "Bell the Cat" e 4x07 "A Moth to a Flame"

Snowpiercer sta per concludersi e in questi due episodi succede davvero di tutto, fra colpi di scena, morti a sorpresa e un pericolo sempre crescente...

RECENSIONE 4x06/07