#salman khan fight award show

[i-am-kind-of-lost]

Oh btw

I showed my brother your Animal wala review since he just watched the film and hated it and he called you 'the G' (he's younger than me)

Thought you'd like to know lol

The generation gap between your brother and me who is I am guessing is 14-16 wala age group, oh my god. 'The G' 😭😭😭. I will always review shitty movies for you little man. 🙏🏼🙏🏼🙏🏼

It is such bad movie, so slow, so boring, horribly edited, bad background music which is so inconsistent, second half is 90 minutes long and nothing happens, horrible fight scenes that have delusions of Oldboy. The main issue, is that the movie is not selling itself like Jawan, or the Salman Khan movies, this is supposed to be deeper, more 'real' but he kills 300 people singlehandedly, and there are no consequences. And people in this country thing that being able to cry and show anger is peak acting. Waiting for him to win Best Actor at national awards, not that they mean anything.

[salmankhanholics]

★ Why Salman Khan's Dabangg 3 is for fans, not critics!

December 18, 2019 

Bollywood superstar Salman Khan chats with City Times about what fans can expect from his latest film, how he handles criticism and why he enjoys such a mass appeal

For years, his success has defied all odds. Naysayers may question it, but if you happen to be a die-hard Salman Khan fan (is there any other type?), you need no validation. That's the aura of Salman Khan.

When we met the Bollywood superstar in November for his Dabangg: The Tour Reloaded show in Dubai, the actor told us something that probably explains his widespread success in an industry which is fickle when it comes to placing actors on a pedestal.

"We can make the best movies ever but if they (fans) may not like it, then there's no point - it is a bad movie at that point. No matter what the critics say, if you make a bad film, and fans like it then it is the best film ever!" he explained.

That sentiment, is key to understanding the phenomenon called Salman Khan. Having debuted as lead in Sooraj Barjatya's romantic family drama Maine Pyar Kiya in 1989, Khan may have taken time to find his comfort zone in blockbuster action films, but once he found it, he has stayed put. He is not known to experiment much with genres or try his hand at roles, outside his comfort zone. "I'm not looking for awards," he told us, "only rewards, when fans leave the theatre fulfilled."

Over the years, it has only been proved over and over again, that where Salman Khan puts his money, that is where the money flows. Be it Ready, Ek Tha Tiger, Kick, Sultan, Bajrangi Baijhan or his last release Bharat, there is a certain formula that Khan is adept at handling and averse to straying from.

When it comes to a Salman Khan movie, fans don't go to the cinema to watch a character, but rather to gawk at the superstar shining through his on-screen persona.

Back with a bang

The Dabangg movies have minted money for the makers ever since the first one was released in 2010 and introduced us to the swashbuckling, quirky Inspector Chulbul Pandey. Two years later, Khan was back with Dabangg 2, which made more noise at the box office. Seven years and umpteen movies later, the hit-making machine is back with Dabangg 3, with his ever supportive leading lady Sonakshi Sinha, and the added attraction of debutant Saiee Manjrekar (filmmaker/actor Mahesh Majrekar's daughter).

Now Khan, of course, has a reputation for introducing the maximum number of new faces to the industry - be it his Dabangg lead star Sonakshi Sinha, Daisy Shah, Zareen Khan or Sneha Ullal among many others.

The actor admitted to us that it is "very scary" to launch new faces. He confessed that there is the pressure of ensuring "so many new faces should be known faces and recognised and have the longest career..."

But at the same time he stated confidently that, "I have no fear where Saiee (Manjrekar) is concerned or Sonakshi from her first movie to now." "And we are there all the time. For all the people we have launched. in some form or the other...

"We'd never leave the people who we have introduced. Like the way Sooraj Barjatya's has never left me," he continued. Keeping it fresh

Just like its predecessors, Dabangg 3 has all the ingredients for a typical masala movie - item number, catchy dialogues, a Southern Nemesis in the form of Kichcha Sudeep and of course, Salman Khan. Does Khan ever get bored of doing the same old thing again? Not if you go by his career track. During the concert when we asked him how he keeps his energy levels constantly high, his response was insightful and probably applicable to his approach to movies in a career spanning over 30 odd years. "When your hobby turns into your profession, you have all the enthusiasm for it."

Excerpts from a conversation with Salman Khan over the phone ahead of the release of Dabangg 3 in UAE theatres on Thursday, December 19.

Why did you feel the need to come out with Dabangg 3? Was it the success of the franchise, the demand from your fans or did you just get attached to Chulbul Pandey?

When both the films have done so well, why would I not make a sequel? (laughs) Both films had done well and there was a huge demand by the time with people asking; 'When is Dabangg coming?' 'When is Dabangg coming?' We already had the script in mind like how we made Dabangg. But I was stuck with Tiger Zinda Hai and Bharat and some other films which released, so I couldn't give Dabangg time earlier. As soon as I got a window I did Dabangg 3. Dabangg 3 seems to be a masala entertainer much like the first two movies. What is this one's USP though?

It is a lot bigger, a lot larger. Chulbul is more mature, he is more dignified . he is full of quirks, sharing all the right things; he's just a lot larger than what he used to be.

And it is not just a masala movie - its got more hues, it is about good and bad, about nobility, about family values; what's the situation in some people's lives. It deals with dowry, it deals with positivity against negativity...

It deals with a lot of these things - kidnapping, prostitution... The first movie had (handled the theme of) polio; the second one had LIC Policy... You have a unique dancing style. And you make your 'Item Boy' debut with Munna Badnam Hua in this film. Do you enjoy dancing?

(Pause) Yeah, at times, especially when you are getting praised for it and you are getting appreciated for it, I love it!

You enjoy enormous mass appeal, and you can do no wrong in the eyes of your fans. To what do you attribute this appeal?

I attribute this to the eyes of my fans. And then to me! Because they see it that he (Salman) is not doing any wrong. How do you respond to critics? Do you read reviews once your films come out?

Critics? I don't react to them at all. They write good or bad, I don't react. I have just done my hard work, that too, to the best of my ability. If they appreciate it, great. And if they think it is not up to the mark, that's fine. As long as my fans go watch the films, people go enjoy the films, and like it and the numbers are good, I'm fine. My critic is the box office. If my fans don't want to go see my film, then they are my critics. I'm making these movies for them (fans) not for these critics. What can audience expect from newbie Saiee Manjrekar who is making her Bollywood debut with Dabangg 3?

The audience can expect a very big star from her. The industry will have a new A-grade, very talented leading lady. What about Sonakshi Sinha? How do you rate her considering you have acted together in all the Dabangg movies?

When we first saw her for Dabangg she was very talented even then. She has grown ten fold (since then). What kind of actor are you on sets? Are you a director's actor or do you like to improvise?

I improvise but depending on the director. I will not change anything just for the heck of changing it. Like if I feel a fight scene could go wrong, then I would give an alternative to that scene. How do you plan to celebrate the success of Dabangg 3?

I'm just going to spend time at home. There is a newborn (probably referencing sister Arpita's new baby) coming to the house... And I'd thank God.

[lunaathorne]

Out of curiosity can I ask WHY some sectors of Bollywood tumblr don’t like Katrina Kaif? She seems cool so I’m just wondering

This needs to be answered in some detail and I shall do so. You’ve woken the dragon.

I’m assuming you are new to Bollywood; in which case: here’s the rundown- Katrina Kaif is an Indo-British actress, one of Bollywood’s most easily recognisable faces, highest paid actresses and one with a higher success ratio than many contemporaries. She is hailed as one of the most beautiful, if not the most beautiful Bollywood actress of the still active crop.Why do people hate her? To answer that, I’ll divide the people who are against Katrina into some broad categories:

1. “She is beautiful but that’s it”

There are many who feel Katrina represents the Eurocentric standards of beauty with her fair complexion and British accent (I quote from one of her own films “Silky hair, milky skin- she’s like a walking-talking vanilla ice cream”). In most of her films, it is her aesthetic than her acting abilities that is celebrated because- there can be no other way to put this- she is absolutely, ridiculously beautiful. Fitoor, where Katrina played Estella Havisham was like a two hour photoshoot of Kat, a sort of tribute to her beauty where the cameraman seemed to be enamored by her (reportedly, although it is a rumour, Rekha, the original choice for Miss Havisham, walked out because she felt Katrina was looking too beautiful, overshadowing her…..sounds ridiculous but the fact that such a rumour should spread shows the public image of Katrina’s presentation in films, as the art rather than the artist). Shobaa De called her “as beautiful as an English rose…and just as dull”.

Why is this bothering? Well, there are thousands of amazing, dark skinned aspiring Indian actresses who are still shamed for their complexion and denied major movie roles. Where Katrina is held as the ideal of beauty, people like Radhika Apte and Huma Qureshi are treated looks-wise with some disdain.  It’s an Ashara Dayne- Elia Martell case.What is ironical is that in no way is this Katrina’s fault. What people twist into her flaw is really a revelation of our sick mentality where till this day we worship peachy complexions and turn our noses down on anything less than porcelain-pale. Also, pretty much all our so-called “desi” stars have endorsed fairness creams, often through advertisements that target dark people as pitiful creatures. So, as Abhay Deol rightly called them out, it’s not the biracial Katrina herself per se, but the societal standards that have brought about this sad state of affairs.

2. “She piggybanks on others”

Ah, a classic. Since her debutante days, Katrina did largely minor roles in male-dominated films (mostly Salman or Akshay) the mindset is that she has attained her success because of them. To an extent I agree that Salman did serve as her godfather for her earlier career but??? to reduce her to Salman’s charity project is unfair, unjust and demeaning. And Katrina cannot win, no matter what she does. She was great in Namastey London? Well, she was just playing herself. (How criminal that an Indo-Brit should play an Indo-Brit. Tsk. The times.) She was great in New York? Well, Kabir Khan is her sugar daddy, we been knew. She was great in Raajneeti/ZNMD? But it was a multi-starrer! Tiger Zinda Hai? Ah, she finally scored a hit with a meaty role but….it was SALMAN BHAI who helped her! 

While almost every actress or actor has had a godfather of some sort, Katrina faces the brunt of it because she has scored so many hits, nay, blockbusters.  Instead of appreciating how she holds her own beside them, everything she does is a direct result of their godly manna. Her success is parried down to the Khans, long after she has become her own woman. Cruelly, when she does embark on brave projects with strong roles, the audience roll their eyes and ignore it- refer to when I went to watch Phantom (counter-terrorism drama, one of Kat’s best) at the theatre and one guy, I swear, remarked “it’d be more fun if she took off her clothes”. Also refer to Fitoor where one person, who was clearly unaware of either Great Expectations or the character of Estella, said that Katrina is acting stone-cold towards the hero cause she can’t act at all.

This, coupled with the Barbie doll image, has led to Katrina being projected as a sweet but altogether passive person. She doesn’t do “fiery roles” of empowering acts. She serves Sansa instead of Daenerys. And we all know how that goes. Fun fact: Katrina now is nothing less than the Diana Prince of Bollywood, an action queen through and through and her recent project TZH had her snatch wigs, purses and weaves away from Salman Bhai’s altar. BBC London mentioned her to be the best part of the film, as did most critics. Her role in MBKD had been cited  as one of the most interesting female  roles of 2011. Meanwhile Bollywood Tumblr “sHe cAN onLY dANCe”. 

3.“she is a diva with attitude”

Apparently people have had some bad experiences with Kat who is known to be very private and guarded. Recently a woman in Vancouver insulted her and told her to improve her attitude. There are also several anonymous users on Quora who posted that she is rude at the airport. I have not personally met her but I was lucky enough to interact with some fans who did and they all assured me she was graceful and kind. I do not know if she is rude at airports or in the gym or whatnot; what I do know is that almost all her co-stars said that she is a sheer delight to work with. What I do know is that she provided food and water to paps who were waiting outside her house in the hot sun. What I do know is that I visited a publishing house because I was lucky enough to win some merch signed by her and one of the journalists there, a friend of mine, said that Katrina is one of the most polite stars she’d ever met, dignified, cheerful, guarded yet friendly. In an industry where female stars are thrown into a veritable fighting pit since their debut, she is close to almost all the leading actresses and has an excellent rapport with them. She gets along famously well with every co-star, not easy when you have worked with such a wide variety of them. Just see her Instagram, it’s mostly Kat hyping everybody else.

4. “RANPIKA BROKE UP CAUSE OF HER!” “SALMAN BHAI, LITERAL HUMAN ANGEL WAS DEVASTATED BECAUSE SHE DIDN’T STAY WITH HIM!” “SHE DOESN’T DESERVE SALMAN!” “SHE DOESN’T DESERVE ANYBODY!”

Scum of the Earth. Please do ignore if the anti arguments fall along this line. They are usually the type of stans who lick the star’s shoes clean with their own drooble if needed, act as if they have been privy witness to every detail of their fave’s life, do not understand toxic relationships, calling them ‘cute bantering’, and like to slut shame women for a pastime, while ignoring abusers and criminals at the same time.

5. “She’s undeserving of the success she enjoys, cause she is a pathetic actress”

A very interesting segment of antis had risen during the time Katrina won the prestigious Smita Patil award for her contribution to cinema. Their self-righteous claim was that there were a thousand other deserving actresses who should have won. They fail to see that Katrina’s hard work and investment has paid off, and thus they reduce her to her male colleagues, her beauty, her sex appeal. These antis are of the overall same degree and type as those who still believe Kristen Stewart is a bad actress. Y'know, the ones who sigh in faux-piety and go “he/she’s cancelled” about 50 times a day. These are the ones without perspective, who do not see the point of growth and influence. By that logic, anybody with diligence who lacks a natural-born ability should be a useless liability in society. They should be undeserving appendages, rather than people who deserve credit for their efforts. I quote from one of my Twitter posts I made a while back:

“Katrina didn’t get daunted by obstacles.This babe dared to step into an industry speaking a completely foreign tongue, as Chinese would be to us, & made it on her own. She accepted the challenge & owned it. ….(She) has worked her skin off to achieve the superstardom she enjoys today. The results are that she was the only female star to be mentioned in the National Award winning film Filmistaan, and she enjoys monumental popularity among the younger demographic.“ 

There is a reason Marilyn Monroe, Suchitra Sen are remembered despite them not being the best ability wise. A star is not just born out of talent. A star is also born out of the ability to captivate the minds of the audience, by charm, by persona or elsewise. This is no small feat but  Kat can do that. I do not mean to compare her to  these iconic women, but am making  an analogy. She has screen presence. She is a star. Like it or not, she shines very, very bright. Is it her fault that she is successful? Beautiful? Hardworking? That directors come to her with scripts? What is she supposed to do, reject them? Well boohoo, I have news for you.

Besides, and this is what is most hilarious, Katrina is actually one of the most unproblematic stars of Bollywood, especially amusing when you look at the sheer number of the haters. She went to this talk show and there was this bitchy Never-Have-I-Ever segment of strip and tell where you’d have to roast your colleagues and Katrina chose to start taking off accessories and shoes instead of dragging her co-stars! Problematic! Toxic! Awful!

”……A very important thing that most overlook is that Katrina has on notable occasions spoken up for body positivity & freedom of identity. Her role in Bombay Talkies had her encourage a gender fluid person to accept himself & speak up on transsexuality…..(she ) has always remained supportive of her female colleagues, promoting their films on her own social media, praising them at every opportunity. Feminism. Done right.“

In summary, if you’re looking to criticise, you’ll find flaws in everybody, each and every Bollywood star. Mostly Katrina Kaif but also many others. She has her haters, they are vicious. But, on a better note, it doesn’t affect her. I raise you this superior bit of tea I found from this one cinephile’s Twitter thread:

I may have gotten too passionate and written too much. Forgive me. But also, you have my answer.

[pyotra]

Even the privilege to remain casteless is only made available to Savarnas. Which is why in spite of all the half-baked things that TM Krishna says, writes and does, he is going to be thrust on us as a revolutionary. Whenever one remarks something critical about TM Krishna's 'radical' initiatives, it is always met with responses that claim "But hey, he is at least doing something. So we can't completely reject him!" or the even more boring, "Do you know how many Brahmins hate him for the radical things he is doing?" (A big yawn.)

There is a glaring irony in any Brahmin trying to become an anti-caste revolutionary. If TM Krishna or any other Brahmin has to be regarded as an anti-caste revolutionary, then their contribution should weaken the caste structure, in at least the domain they are working. Which means that the Brahmin-Savarnas who have accumulated privileges over centuries should lose some of it. And those who never had any privileges, gain some. This must be achieved through a structural change and not through any philanthropic activity. Just a bare minimal requirement, right? So going by this basic principle, I am sure we can agree that the Brahmin revolutionary too (being part of the caste structure) should lose some of his/her privileges in the process. (Yes only, no?) But what has TM Krishna's supposedly 'radical' initiatives led to?

1. He wins the Magsaysay award. The same year, Bezwada Wilson too wins the award. Wilson has been fighting to end manual scavenging for over 30 years. On the other hand, TM Krishna lived most of his life as a very privileged Iyengar. And suddenly discovered 'Caste' on one lazy summer morning. 'The Hindu' when publishing the news about the Magsaysay award winners allots a huge chunk of the first page to Krishna and a small box news for Wilson.This directly reveals how the caste structure works. TM Krishna's pointless, patronizing but well-publicized events allowed him to reap a huge benefit here. But Wilson's 30 plus years of work put him behind the new Iyenger kid on the block. (Obviously!)

2. TM Krishna quits the December music season citing reasons, which include the domination of the Carnatic music scene by a single community. Ahem! The same community he belongs to, that is. As someone who has drawn all possible benefits out of the season by being part of the community, he decides to quit it one day. Did it make him lose his privileges? Not one bit. In fact, he has already sucked all the privileges out of the December music season and become some sort of a star singer. By quitting the season, he actually becomes an even more sought after singer. And basic economics tells us that when you lower the supply, the demand automatically goes up. Which in this case would naturally translate to an increase in ticket prices for his concerts. By making the decision to quit the season, he has become a bigger star, who is commercially better off. He is no more one among the several singers of the crowded season. But someone you can only access exclusively. (Smart move, right?)

3. Every now and then, TM Krishna works with lower caste singers, musicians or art forms. And if you cared to notice (am sure, you have), we hardly get to see any of their names or faces. The only name that is repeatedly pushed down our throat is TM Krishna's. All his generosity in willing to work with art forms or artists from oppressed communities has not done anything significant to them. And it can't too. But on the other hand, it has made him some sort of a benevolent and revolutionary cultural icon. Which further increases his market value as a Carnatic singer. In the crowded Carnatic market scene, TM Krishna has been able to stand out by stepping on the shoulders of these nameless, faceless artists. It was alleged that there was a tough competition for the top spot between TM Krishna and another Carnatic singer Sanjay Subrahmanyan, an Iyer - leading to some sort of an intra-agraharam tussle. But with the kind of posturing Krishna has been doing the last few years, he has been able to easily overshadow Sanjay Subrahmanyam. (Is Iyengar the new 'higher'?)

4. There is a direct commercial value in artists indulging in socially woke activities. When actor Salman Khan drunk drove and killed people sleeping on the pavement, he was advised to start the 'Being Human' brand. Tamil actor Surya and his family members make emotional appeals about their Agaram Foundation. Another Tamil actor Kamal Hassan peddled atheism and Periyar to appeal to the Dravidian audience when his competitor Rajinikant was doing better with the masses. Actor Aamir Khan confirmed his progressiveness by repeatedly sobbing on his show Satyamev Jayate. The thing is, in highly competitive environments, artists can never become huge stars by just minding their own business. They have to create goodwill karma and build a cult around it. And the return on investment in such activities is freakingly huge and translates to better business. We don't know and will never know if anyone really got benefitted through the 'Being Human' initiative. But it has made Salman a bigger brand than he already was. Similarly, TM Krishna has only become a bigger brand through all his philanthropic initiatives.(Whatte wow!)

So where were we? Yeah. We kind of agreed that if TM Krishna's radical initiatives are worthwhile, then it should leave him with fewer privileges than where he started. But is that what is happening? Not at all. He is rather becoming a bigger star and only accumulating more and more privileges. And by amassing these privileges, will he be strengthening the caste system or weakening it? (Tell me, please!)

By wallowing in a series of photo-op friendly initiatives, TM Krishna is only robbing the voice of several Dalit-Bahujan activists who have been working in the anti-caste space for decades but will never be heard. In a caste society, for any real revolution to happen, the Brahmin should learn to shut up. Or in TM Krishna's case, he can also use the ancestral property (polite term for caste property) he has inherited to create a new Music Sabha and ban Brahmins from it. Doing anything else is just the equivalent of loud farting. And we all might have to just close our noses for a while.

[aishwaryaaraiii]

why is salman problematic?

DISCLAIMER: This ask contains trigger warnings and content dealing with domestic assault/abusive relationships and signs of abuse so please proceed with caution.

If I answer this, I would only get more pissed. Now, my dear friend @rangeelas sent me a link, and I will be using them for reference. First things first, if you are familiar with Aishwarya’s and Salman’s famous relationship, let me show you this photo and I will tell you the backstory behind it. This is just one of the many problematic aspects of Salman and his misgnostic and sexist ways

Now this photo? It’s definitely terrifying. In fact, this photo is from Filmfare 2002 Awards. And here’s a little backstory [you can read the full story of their relationship and how abusive Salman really was, and why her father hated Salman from the beginning and rightfully so] 

Salman Khan is one of the three famous Khans (Shahrukh/Aamir) and unlike his colleagues he cannot act. He’s been in the industry for the past 25 years and has been unable to break out of a role other than innocent, well-doer, action hero. The industry continues to defend his actions.He has joked that “If he cannot play a good man in real life, he can at least play it onscreen.” (Actual quote!)How he has managed to survive?By creating a charity (Being Human) and his amazing PR manager Reshma Shetty who turned him into a saint. The industry continues to turn a blind eye to his antics and his cult continue to worship him (yes literally!) and threatens anyone who says anything negative about him.

A sample of his shitty behavior, there’s a lot more but here’s what I’ve gathered:AISHWARYA RAI 

Salman Khan has been known to abuse almost all his girlfriends. Katrina’s relationship with Salman is very complicated (one that would take another novel to write but it really stems from her deeply rooted issues with a lack of a father figure as she never really had a stable father figure during major parts of her childhood). 

Anyways…….back to the story here.

Aishwarya Rai and Salman Khan started dating during the filming of Hum Dil De Chuke Sanam. They would go on to date for two years from 1999 to 2001.  However things went downhill, Salman would go on to create a ruckus by banging on her door demanding to be let in or he’d commit suicide, he kept this up till 3am until she let him in. Aishwarya’s father decided to file a police report on her behalf.Salman later said in an interview that she wasn’t returning his love, and that he was forced to turn violent.“If you won’t fight, that means there is no love between you, I will not fight with an outsider; when we fight, it is all because of our love,” he maintained stoically. He showed up drunk on the sets of her films Kuch Naa Kaho & Chalte Chalte and threatened Shahrukh Khan (who he suspected was having an affair with Ash) Shahrukh would go on to kick Ash out of the film and the rest of the films the duo had signed together.“In fact anyone who protested on Aishwarya’s behalf was labelled a traitor and given the Khan-damn treatment. The brutality and violence reached aflash -point for Aishwarya when she told him she couldn’t take him—and them (the violence and brutality) –any longer.

“No to Salman?? Nahinchalega, boss! (Not gonna happen, boss) Thereafter he began to hound the lady like a man possessed (which he has confessed to being). He monitored every move she made, and parked his vehicle outside her building daring her to step out. For an awards function, Aishwarya had to drive out crouching in the backseat of her car so that her jealous admirer wouldn’t espy her as she broke the ‘house arrest’ treaty. Salman landed up at the awards function to humiliate the lady in every way possible. Not a single soul intervened at the function. They watched mutely or pretended not to see as Salman threatened, heckled and jeered the lady.”

Aishwarya Rai dared to do write an open letter to the press of her abuse:

“After we broke up, he would call me and talk rubbish. He also suspected me of having affairs with my co-stars. I was linked up with everyone, from Abhishekh Bachchan to Shah Rukh Khan. There were times when Salman got physical with me, luckily without leaving any marks. And I would go to work as if nothing had happened.”

KATRINA KAIF

In 2012 a report came out that and Salman Khan beat (his ex) Katrina Kaif whilst they were filming for Ek Tha Tiger. The reason being she was wearing “figure-hugging/cleavage-revealing dress that showed too much skin”Katrina’s “friend” would go on to deny this report.However, when Salman Khan was asked about the incident about how he “got into a screaming match and allegedly tried to attack actor and then girlfriend Katrina Kaif with a stick on a movie set because he didn’t like her costume, Salman said: “It (the blouse) didn’t fit properly, and would have taken away from the beauty of the scene. Eat what you like, and wear what others like. It is as simple as that.”Salman Khan has also been accused of slapping Katrina Kaif at least on three separate occasions.Recently, there was an incident with the interviewer who witnessed Salman’s problematic behavior, and this is what he/she had to say {This was NOT the first time this happened]

You can read the rest of how and why Salman is just as bad as Johnny Depp but much much worse. Source:

[importantlovecolor]

Chandramukhi Serial Full Story

Chandramukhi Serial Full Story Episode

Chandramukhi Serial Full Story Zee Tv

Watch FIR tv serial full episodes videos online! FIR, a Tv show aired on SAB Tv is a comedy show with amusing & entertaining comedy and is being broadcast Monday to Friday – Hindishows.com. The plot of 'Chandramukhi' revolves around a woman who suffers from a mental disorder affecting a family and a psychiatrist who risks his life to save hers. Readmore 03 /6 'Santosh Subramaniam' - 2008.

Chandra Mukhi is a 1993 Hindi-language Indian feature film directed by Debaloy Dey starring Sridevi, Salman Khan, Mohnish Behl and Pran in lead roles. Chandra Mukhi Film poster Directed byDebaloy Dey Produced byBubby Kent Written byAnwar Khan Story bySalman Khan StarringSridevi Salman Khan Pran Gulshan Grover Mohnish Behl Puneet Issar Music byAnand-Milind Edited byMukhtar Ahmed Release date 22 October 1993 Running time 152 minutes CountryIndia LanguageHindi.

Chandramukhi is one of the pivotal characters in the 1917 Bengali novel Devdas by Sarat Chandra Chattopadhyay. Her character was inspired by the Hindu mystical singer Meera, who devoted her life to Lord Krishna; similarly Chandramukhi devoted her life to Devdas.

ChandramukhiDevdas characterCreated bySarat Chandra ChattopadhyayPortrayed byChandrabati Devi Vyjayanthimala Madhuri Dixit Kalki Koechlin Anwara For more 'Performers'In-universe informationAliasChandrikaNicknameLeniRaceIndian peopleGenderFemaleOccupationTawaif CourtesanSpouseDevdas MukherjeeReligionHindu

Chandramukhi is one of the pivotal characters in the 1917 Bengali novelDevdas by Sarat Chandra Chattopadhyay. Her character was inspired by the Hindumystical singer Meera, who devoted her life to Lord Krishna; similarly Chandramukhi devoted her life to Devdas.[1] Chandramukhi is portrayed as a hooker with a heart of gold in the novel and its film adaptations.[2] Chandramukhi means 'moon faced' or 'as beautiful as the moon' in Sanskrit.[3]

In the novel[edit]

Chandramukhi is a courtesan who lives in Calcutta also known as Kolkata. She is considered the most beautiful and richest prostitute in the area of Chitpur.[4] She is first introduced to Devdas by Chunnilal, who returns to Calcutta heartbroken after the marriage of Parvathi 'Paro'. Devdas, disgusted over Chandramukhi's profession insults her and leaves her kotha. Chandramukhi, impressed by Devdas's attitude, later falls in love with him after realizing his steadfast love for Paro. She leaves her profession for Devdas and convinces him to marry her; he, however, has to reluctantly reject her offer as he has devoted his life to Paro. In return, Chandramukhi does not force him to be with her but waits patiently for him. Subsequently, she also moves to Ashthajhari village, where she lives in a muddy house located at the bank of a river and helps the needy. After some struggle, she meets with Devdas again, who now accepts her love.

In the film[edit]

Chandrabati Devi as Chandramukhi and Pramathesh Barua as Devdas in the 1935 Bengali filmDevdas

In most of the film adaptations of Devdas, the story of Chandramukhi is similar to the novel. Ibm lotus notes mac. However, in most of the films her humanitarian work in helping the needy is not depicted. Unlike in the novel, a scene in which Chandramukhi and Parvathi meet was added in Bimal Roy's 1955 version when Paro, played by Suchitra Sen riding in a human rickshaw, comes across Chandramukhi, played by Vyjayanthimala, who just stares at Paro without a single word being exchanged between them.[5] The meeting scene of Paro and Chandramukhi in the 1955 version was still regarded as one of the memorable scene in Bollywood with the background music adding the impact to the scene.[6] In the 2002 version, the director, Sanjay Leela Bhansali, extended the interaction between Paro and Chandramukhi, also showing them dancing together to the hit song 'Dola Re Dola'.[7]

Performers[edit]

YearTitleEssayed byLanguageOther castNotesDevdasParo1928DevdasNiharbala / Miss ParulSilentPhani SharmaTarakbala1935DevdasChandrabati DeviBengaliP.C. BaruaJamuna Baruah1936DevdasT. R. RajakumariHindiK.L. SaigalJamuna Baruah1937DevdasMohiniAssamesePhani SharmaZubeida1953DevadasuLalithaTelugu, TamilAkkineni Nageswara RaoSavitri–1955DevdasVyjayanthimalaHindiDilip KumarSuchitra Sen1955Good Bye My LoverMolly LimMalayS. Roomai NoorChang Lai LaiMalaysian film; also known as Selamat Tinggal, Kekasihku[8]1965DevdasNayyar SultanaUrduHabib TaalishShamim AraPakistani film1974DevadasuJayanthiTeluguGhattamaneni KrishnaVijaya Nirmala1979DevdasSupriya ChoudhuryBengaliSoumitra ChatterjeeSumitra Mukherjeealso known as Debdas1982DevdasAnwaraBengaliBulbul AhmedKabori SarwarBangladeshi film1989DevadasRamya KrishnanMalayalamVenu NagavallyParvathy2002DevdasIndrani HalderBengaliPrasenjit ChatterjeeArpita Pal2002DevdasMadhuri DixitHindiShah Rukh KhanAishwarya Rai2009Dev.DKalki KoechlinHindiAbhay DeolMahi GillA modern-day take on Devdas2010DevdasMeeraUrduNadeem ShahZara ShaikhPakistani film2013DevdasMoushumiBengaliShakib KhanApu BiswasBangladeshi film2017DeviShataf FigarBengaliPaoli DamShubh Mukherjeemodern-day take on Devdas genderbent versions of characters2017 – presentDev DDSanjay SuriHindiAsheema VardaanAkhil Kapoorweb series modern-day take on Devdas genderbent versions of characters2018Daas DevAditi Rao HydariHindiRahul BhattRicha Chaddamodern-day take on Devdas

Social impact[edit]

Chandramukhi is one of the first characters in an Indian novel to deal with prostitution.[9] She was often depicted as a prostitute with a heart of gold.[10] The character of Chandramukhi had paved the way for other portrayals of prostitutes in films like Sadhna, Pyaasa and Pakeezah.[11] Actresses such as Nargis, Suraiya and Bina Rai refused to enact the role of a prostitute in the 1955 film of Devdas, which later went to Vyjayanthimala.[12]

Legacy[edit]

Chandramukhi was well-received in India by critics. In 2006, Rediff listed Chandramukhi in their list of 'Bollywood's Best Tawaif'.[13]Nikhat Kazmi of The Times of India also ranked Chandramukhi at #5 in his list 'Tart with a heart', saying that 'The egotistical Paro may have given her boy friend the goby, but self-sacricficing Chandramukhi was willing to put everything on hold — her livelihood too — for her lover'.[14]

Chandramukhi Serial Full Story Episode

Awards[edit]

Riverbed nightmare pathfinder. There are many actresses who have portrayed Chandramukhi in film adaptations of Devdas. The first notable award was won by Vyjayanthimala in 1956 when she won the Filmfare Awards, known as Bollywood's Oscar,[15] in the Supporting Actress category. However, she was also the first person to decline the award, as she thought that her role was not a supporting one but was of equal importance and parallel to that of Parvathy in the 1955 version.[16] Other actresses who played Chandramukhi in Hindi versions of the novel have also won this award.[13]

The following are awards and nominations received by actresses who have played the role of Chandramukhi in film:

YearFilmNomineeAwardResultNoteRef.1957DevdasVyjayanthimalaFilmfare Award for Best Supporting ActressWonShe refused to accept the award as she thought that Chandramukhi and Parvathi were parallel roles and not a main and a supporting role[17] [18] [19] [20] [21]2002DevdasMadhuri DixitFilmfare Award for Best Supporting ActressScreen Award for Best Supporting ActressZee Cine Award for Best Actor – FemaleNominatedIIFA Award for Best Actress2010Dev.DKalki KoechlinFilmfare Award for Best Supporting ActressWonStardust Award for Breakthrough Performance – FemaleNominated2013DevdasMoushumiBangladesh National Film Award for Best ActressWonMeril-Prothom Alo Award for Best Film Actress (people’s choice)Nom[22]

See also[edit]

Chandramukhi (2005) Tamil film

References[edit]

^Guha, Srejara (2002). Devdas: a novel. Penguin Books. p. 9. ISBN978-0-14-302926-7. Retrieved 17 February 2012.

^Vidya Pradhan (21 Jan 2008). 'Heart of gold, speckled with sin'. The Hindu. Retrieved 16 Feb 2012.

^Ghose, Anindita (August 2006). 'Of Names of Women in Hindi Cinema: An Exploration in Semantics'(PDF). e-Social Sciences. p. 11. Archived from the original(PDF) on 2011-04-10. Retrieved 16 Feb 2012. Madhuri Dixit in ‘Devdas’ (2002) is Chandramukhi which means ‘moon faced’.

^Shubha Tiwari (2005). Indian fiction in English translation. New Delhi Atlantic Publication. p. 151. ISBN978-81-269-0450-1. Retrieved 2012-02-16.

^Corey K. Creekmur (13 December 2001). 'The Devdas Phenomenon'. University of Iowa. Archived from the original on 13 January 2012. Retrieved 18 February 2012.

^Vijay Lokapally (20 February 2009). 'Devdas (1955)'. The Hindu. Retrieved 7 March 2012.

^'Fighting Queens'. Outlook (magazine). 13 December 2001. Retrieved 18 February 2012.

^Allan Koay (2 Apr 2007). 'A new era'. The Star (Malaysia). Archived from the original on 2012-07-11. Retrieved 22 Feb 2012.

^Lindsay J. Proudfoot, M. M. Roche (2005). (Dis)placing empire: renegotiating British colonial geographies. Ashgate Publishing Limited. p. 160. ISBN0-7546-4213-5. Retrieved 18 February 2012.

^Sumita S. Chakravarty (1993). National identity in Indian popular cinema, 1947-1987. Harward Academic Publication. p. 271. ISBN978-0-292-71156-3. Retrieved 18 February 2012.

^Meghnad Desai (2004). Nehru's hero Dilip Kumar in the life of India. Lotus Collection, Roli Books. p. 95. ISBN978-81-7436-311-4. Retrieved 18 February 2012.

^Lata Khubchandani (5 Jul 2002). ''I did not approve of Vyjayanthimala as Chandramukhi''. Rediff. Retrieved 18 Feb 2012.

^ abDinesh Raheja (30 Oct 2006). 'Bollywood's top tawaifs'. Rediff. Retrieved 18 Feb 2012.

^Nikhat Kazmi (16 January 2006). 'Tart with a heart'. The Times of India. Retrieved 20 March 2011.

^Mishra, Vijay, Bollywood Cinema: A Critical Genealogy(PDF), Victoria University of Wellington, p. 9, archived from the original(PDF) on 2012-09-24, retrieved 2012-02-18

^Sheela Bhatt (22 Jun 2012). 'A star spangled evening'. Mumbai, Maharashtra: Rediff. Retrieved 18 Feb 2012.

^'Vyjayanthimala'. Upperstall. Retrieved 16 Feb 2012.

^'The Winners – 1956'. Indiatimes. Archived from the original on 2012-07-14. Retrieved 2012-02-16.

^Subhash K. Jha (2003-02-22). 'Shah Rukh, Ash, Ajay Devgan's rich haul'. Rediff. Retrieved 2012-02-16.

^Raymond Ronamai. 'The winners of the 55th Filmfare Awards are..'Oneindia.in. Retrieved 2012-02-16.

^Bollywood Hungama News Network (2010-01-16). 'Nominations for Max Stardust Awards 2010'. Bollywood Hungama. Retrieved 2012-02-16.[permanent dead link]

^'মেরিল—প্রথম আলো পুরস্কার ২০১৩' [Meril Prothom Alo Award, 2013]. Prothom Alo (in Bengali). April 17, 2014.

External links[edit]

Chandramukhi on IMDb

Chandramukhi Serial Full Story Zee Tv

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Chandramukhi_(character)&oldid=992321596'

Chandra MukhiDirected byDebaloy DeyProduced byBubby KentWritten byAnwar KhanStory bySalman KhanStarringSridevi Salman Khan Pran Gulshan Grover Mohnish Behl Puneet IssarMusic byAnand-MilindEdited byMukhtar Ahmed

Release date

Running time

152 minutesCountryIndiaLanguageHindi

Chandra Mukhi is a 1993Hindi-languageIndianfeature filmdirected by Debaloy Dey starring Sridevi, Salman Khan, Mohnish Behl and Pran in lead roles.[1][2][3][4][5]

Summary[edit]

Chandra Mukhi tells the story of Chandra Mukhi (Sridevi), a princess of a heavenly kingdom, who comes down to earth in search of her lost magical leaf. A boy named Raja (Salman Khan) gets the same magical leaf and the adventure starts.

Cast[edit]

Sri Devi as Chandra Mukhi

Salman Khan as Raja Rai

Pran as Rai (Raja's grandfather)

Gulshan Grover as Madan (Raja's Uncle)

Mohnish Behl as Tony

Puneet Issar as Zhola

Tinnu Anand as Santala

Kunika as Lily

Maya Alagh as Chandra Mukhi's mom

Asha Sachdev as Kamini Rai

Tej Sapru as Ghunga

Shiva Rindani as Bob

Avtaar Gill as Yakeemo

Rana Jung Bahadur as Ved

Kim Yashpal as special appearance in song (deleted song)

Soundtrack[edit]

No.TitleSinger(s)Length1.'Aa Paas Aa To Zara'S. P. Balasubrahmanyam, Kavita Krishnamurthy05:022.'Tune Pakdi Kalai'Renu Mukherjee04:033.'Chha Raha Hai Pyaar Ka Nasha'Kumar Sanu, Alisha Chinai06:554.'Maine Pilayee Ke Tune Pilayee'S. P. Balasubrahmanyam04:175.'Mere Honthon Pe Ek Kahani'Anand (Anand-Milind, Kavita Krishnamurthy08:396.'Tere Dil Ki Baat Main Janoo'Kumar Sanu, Alka Yagnik05:207.'Teri Hi Aarzoo Hai'S. P. Balasubrahmanyam, Kavita Krishnamurthy05:548.'Ding dong bell Ding dong bell Apna hai Main' (Deleted song)

References[edit]

^'Salman Khan's films you might have missed watching'. The Times of India. Retrieved 9 July 2020.

^'rediff.com: Sridevi-Salman Khan, Shah Rukh Khan'. Rediff.com. Retrieved 9 July 2020.

^Poonacha, Sahitya P (15 April 2020). 'What made Salman Khan fear Sridevi alone [Throwback]'. International Business Times, India Edition. Retrieved 9 July 2020.

^'Watch: When Salman Khan Introduced Sridevi as 'The Ultimate Superstar''. News18. 28 February 2018. Retrieved 9 July 2020.

^Bhatnagar, Rohit (2 December 2016). 'Salman Khan to cast Sridevi?'. The Asian Age. Retrieved 9 July 2020.

External links[edit]

Chandra Mukhi on IMDb

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Chandra_Mukhi&oldid=990186770'

[bigyack-com]

Bigg Boss 13: Salman Khan scolds Sidharth Shulka but clip removed from episode, angry Twitter reacts - tv

TV actors Rashami Desai and Sidharth Shukla, who have been engaged in ugly fights for past few days inside Bigg Boss 13 house, were in for some reality check when host Salman Khan chided them on Saturday and Sunday. Fresh reports claim that Salman was extremely upset with the way Sidharth behaved during the fights and scolded him for it. However, these portions were edited out of the final episode that aired over the weekend. A Pinkvilla report suggested that the creative team of Bigg Boss intervened when Salman began scolding Sidharth. He was stopped midway and after some discussion with Salman, they left the stage. Spotboye also reported similar developments from the show’s sets. News Nation also reported the intervention, wondering whether the portion will be aired.Also read: National Film Awards 2019 Live updates: Vicky Kaushal, Ayushmann Khurrana to be honoured, Amitabh Bachchan bows outDuring Sunday’s episode, Salman asked Sidharth what he meant by ‘aisi ladki (such a girl)’ a word he used while fighting with Rashami. Sidharth said he simply meant ‘Rashami Desai jaisi’. Rashami was agitated and she angrily retorted ‘Aisi yaane kaisi (What kind of a girl am I)?’ Salman also agreed that the usage was not as innocent and simple as Sidharth had insisted it was. Rashami kept crying and fighting and even infuriated Salman in the process. He asked her not to be stuck on the usage, explaining that Sidharth made it clear that he meant nothing bad. Salman asked Rashami to ‘let it go’. “When you know that there is dirt in a box, why do you go and open it,” Salman asked Rashami. Sidharth got quite defensive on hearing this and kept asking Salman if ‘dirt box’ comment was for him. Sidharth claimed the rival gang would tease him as dirt box for the rest of the week.Twitter was furious at the entire situation. “#RashamiDesai directly said to Salman ‘Sir app ko mai janthi hu aur app muh thodh dogye agar ase koyi kisi bhi ladki ko bole’ (Sir, I know you, and you will smash the face of someone who behaves with a girl like this) @ColorsTV ka script ka kya hoga? (What will happen to the script of Colors TV) I have strong feeling Salman bashed Shukla and that’s why colors team called him in corner,” wrote one Bigg Boss fan. #RashamiDesai directly said to Salman " Sir app ko mai janthi hu aur app muh thodh dogye agar ase koyi kisi bhi ladki ko bole"@ColorsTV ka script ka kya hoga?I have strong feeling Salman bashed Shukla and that's why colors team called him in corner#BiggBoss13— Vaishnav nambiar (@Vaishnavnambii) December 21, 2019 “#SidharthShukla is now saying ‘mere ghar me bhi maa behene hai,bahar mujhe repercussions jhelne padenge (Even I have a mother and sister, I may have to face the repercussions once I step out).’ I am 22 & I love my parents & I can swear on my PARENTS that Sidharth had said ‘#RashamiDesai aisi ladki hai,mene usko ghar pe LENA BAND kiya’ (Rashami Desai is this type of a girl, I have stopped taking her inside my house) in a bad sense,” tweeted another. “So apparently @TheRashamiDesai standing up for herself is playing WOMAN card..ladkiyo ka bolna isnt acceptable to our society aaj b or ye dikh gya #RashamiDesai #WeRespectRashamiDesai Sherni Rashami Desai,” one Rashami fan tweeted.A fan “Teri jaisi ko maine ghar me lena band kar diya hai”, listening this I feel like questioning myself what kind of cheap show I am watching. Can just imagine what it’s meaning can be!!! Rashami throwing tea is NOTHING in front of this. #BB13 #BiggBoss13 #RashamiDesai.” Follow @htshowbiz for more Read the full article

[starfriday]

HAPPY BIRTHDAY BIG BROTHER!

~The Format That Changed TV Forever In India And Across The Globe Turns 20!~

Mumbai, 16th September 2019: Big Brother, (aka Bigg Boss in India) - the original reality format - celebrates its landmark 20th birthday today.  On the 16th September 1999, nine Housemates moved in a purpose-built house in the Netherlands, equipped with 24 cameras and no contact with the outside world to be watched 24/ 7 by Big Brother. A cultural phenomenon was born, and the TV revolution aired its first ever episode that night on Dutch Broadcaster Veronica, part of RTL.

Since its launch, Big Brother has taken the world by storm, with 471 series of 28,391 episodes commissioned in 60 markets and airing pan regionally in 80 since its launch. 7,153 housemates from around the globe have spent 35, 143 days in the house and there have been 5, 035 evictions.

Twenty years since its worldwide debut, Big Brother is enjoying one of its best years yet and is constantly being renewed internationally with 22 productions in 18 markets confirmed to air in 2019.

In India Bigg Boss has conquered audiences, in Hindi, Kannada, Bangla, Telugu, Marathi, Tamil and Malayalam. With 30 seasons under its belt Globally Endemol Shine India is the only one in history of the franchise who has produced the Big Brother format (Bigg Boss) in multiple languages for different broadcasters. Bigg Boss has now been produced in India in 7 languages and today produces more than 600 episodes in a 365-day calendar year.

With huge stars such as Salman Khan, Kamala Hassan, Nagarjuna, Mohanlal, Mahesh Manjrekar and Sudeep as hosts, an interesting mix of contestants and an amazing creative and production team, the show continues to garner huge TRPs and driving in viewers every season.

Talking about the completion of 20 years of Big Brother globally, Abhishek Rege, CEO, Endemol Shine India said, “Big Brother is undoubtedly the most popular non-scripted show across the globe entertaining viewers from all strata of society. In India too, the show has been well received and has garnered a huge fan following.  The ongoing appreciation for the franchise across the globe and in India, no matter the language, is testament to the effort of the creative and production teams at Endemol Shine globally and our understanding of geographies and of local audiences.”

Engaging audiences with interactivity

Big Brother is more interactive and immersive than ever, whether it be viewer polls, making decisions for tasks or else the weekly evictions which are the bedrock of many global schedules. Big Brother stands out in the way it engages the audience to be part of the show, and earlier this year saw 202 million votes cast in Brazil in a single eviction.

Innovating with technology

Big Brother has always thrived on changes in the tech and TV landscape and fans have more access to the show’s content than ever before, whether it be watching episodes on YouTube in Spain where the series had a dual strategy to produce the programme for linear and online or streaming on a broadcaster’s SVOD or AVOD platform in markets like the US, Canada and Finland.

The show is innovating with tech within productions too. Big Brother Poland was the first version of the reality hit to be filmed in a real-life existing house. This has been followed by the recent relaunch in Finland, where the house was located in the heart of Helsinki in REDI shopping mall.  These new types of productions are only possible because of advanced technology and state of the art cameras which allow the show to be produced in innovative ways. It also furthers the creative freedom for the producers with fully connected houses enabling access to rooms to be limited or to give housemates certain privileges such as access to the fridge or even the coffee machine. Existing locations also have created a truly authentic environment for relationships to develop.

Sustainability

And the format is rolling our green initiatives too, in Germany the production team of VIP series saved an estimated 12,000 coffee cups after switching to reusable bamboo cups and all groceries for the House were sourced locally.

In Finland, the new house will be made with recycled materials and with water scarcity a significant issue in India, the production has installed waste water recycling, as well as placing water restrictions for housemates and one of the regional versions even features an empty swimming pool to make a point about the limits.

None of us know what the next twenty years will bring, but one thing for sure, the world is watching.

Big Brother in numbers

1. 7,153 people have entered the Big Brother house of which 517 were from Bigg Boss India so far)

2. There have been 5,035 evictions of which 372 were in Bigg Boss India so far

3. 28,391 episodes of Big Brother have aired globally of which 2942 were in Bigg Boss India

4. Over 35,143 days have been spent in the house of which 2908 were in Bigg Boss India

5. There have been 471 series to date, making 471 Big Brother winners 30 of which were in India  

6. 3,000 people applied via telephone for the first ever series in the Netherlands

7. There were 24 cameras in the original Big Brother house in the Netherlands. The most recent version in Finland has 51, whereas in Italy they shoot with an astounding 100+ cameras. India used 89 cameras in the BB Hindi S12

8. The oldest housemate to enter the Big Brother house is Lionel Blair who at 85 joined Celebrity Big Brother in the UK. 75-year-old Jerry MacDonald who came third in the US series 10 in 2008

9. Julie Chen Moonves is the longest serving Big Brother host, having presided over the US show for 19 years since its launch in 2000

10. 1 baby has been born in the Big Brother house; this took place in the Netherlands in 2005

11. The longest uninterrupted television broadcast of Big Brother lasted 8, 763 hours from 2nd March 2004- 1st March 2005 in Germany

12. A record 202 million votes were cast in one eviction in Brazil in March this year.  These second highest being Bigg Boss Tamil with 19, 59, 37, 000 votes

13. 7 versions of Big Boss in 7 different regional languages (Marathi, Tamil, Bengali Telugu, Hindi, Kannada, Malayalam) have aired in India.

14. Big Brother has 62.5 million digital followers.

15. There have been 7.3 billion lifetime video views

16. 59 couples met in the House.

17. 5 marriages have taken place within the House of which 2 were from Bigg Boss India

18. 12 children have been born from Big Brother romances.

19. Since launch Big Brother has been commissioned in 60 countries, some of which aired pan-regionally taking the show to 80 countries.

20. An estimated 12,000 single use coffee cups were saved when the production of Big Brother VIP in Germany switched to reusable bamboo cups.

Endemol Shine Group

Endemol Shine Group creates world class content that entertains and enthrals billions of people around the world.

We are the world’s largest independent producer, operating on a unique local and global axis with 120 production labels across 23 markets and unrivalled creative, production, distribution and commercial capabilities.

With over 75 major awards under our belt, we bring our stories and brands to life through TV production, digital content, live experiences, gaming, merchandising and much more. We also boast a rich archive of more than 4,300 registered formats and a catalogue of over 55,000 hours of scripted and non-scripted programming which we distribute through Endemol Shine International.

Global hits include non-scripted superbrands MasterChef and Big Brother, globally-loved favourites Deal or No Deal, Your Face Sounds Familiar, Operacion Triunfo, Money Drop, Hunted, The Island, and many more. And we continue to innovate with the likes of Big Bounce Battle, Family Food Fight and All Together Now, the world’s fastest travelling new format of 2018. Online sensations Mr Bean and Simon’s Cat meanwhile lead our digital brand portfolio alongside MasterChef, with over 2.7 billion monthly views and growing.

Our vibrant drama portfolio includes scripted superbrands Peaky Blinders and Black Mirror, as well as Humans, Grantchester and Tin Star, all of which have aired in 100 or more markets. Endemol Shine Group is also behind some of the most popular World scripted titles domestically and internationally including Bron (Sweden/Denmark), Dark (Germany), Nevsu (Israel), El Vato (Mexico), La Catedral del Mar (Spain) and The Oldenheim Twelve (Netherlands).

In 2018, Endemol Shine Group had 700 productions on air across 270 platforms and channels, and we travelled more formats than any of our peers.

[pinkvilla]

Bhagyashree reveals her love story in this trending post: Yash ji told me I was foolish but I loved being foolish

Bhagyashree did something that not many stars dared to do. She quit the glamorous acting profession when she was at the peak of her career. That's right, Bhagyashree did not care for the stupendous success that came her way with the Salman Khanstarrer Maine Pyar Kiya. She gave it all up for a blissful married life. But was it all worth it?

Bhagyashree reveals all, almost 3 decades later. 

Recommended Read:  IIFA Awards 2017: Salman Khan croons Main Hoon Hero Tera; Katrina Kaif shows off her killer dance moves

This is Bhagyashree's post that is taking the viral world by storm:

We went to school together — he was the naughtiest kid in class and I was always the class monitor. We would fight all the time and the rest of the class would have a blast! We were like Yin and Yang — the more we fought, the more it became clear that we couldn’t be apart. We never dated though…he never even told me how he felt until the last day of school. He said, ‘I have to tell you something’ and then for one week he kept trying to say it but would always back out. Finally, I went upto him and said, ‘look, just say it…I’m sure the answer will be positive’ and that’s when he told me he liked me. I come from a very conservative family, so even after that while we were in college, we would barely meet or talk on the phone. When I told my parents about him, they thought we were too young to decide something like this, and I believed as well that if he really loved me, we should be apart for sometime — he should explore, know that I’m the one and then we could be together. So we did break up when he went away to the US to study, and that’s when I signed Maine Pyaar Kiya. Before signing the film, while he was still in the States I went and met his parents to ask them if they were okay with me getting into films…we weren’t even together at that point, but I guess somewhere I knew that we would in the future. They said that they had no problems…and I began shooting. When he came back home during the course of the shooting we both knew that we wanted to be together, but my parents still wouldn’t allow us to meet or speak on the phone…so I decided to speak to them. I told tell them that seeing him made me happy, that I couldn't be without him, but they were still adamantly against our relationship. I knew then that there wasn’t any other way. 

I called him up after this conversation and asked him, ‘are you sure of yourself, of us? This is the deciding day…either I’d be in his life forever or not at all.’ I said, ‘I’m leaving my house now, if you love me come and pick me up’ and within 15 minutes he was under my house. We had a small ceremony at a temple — his parents, Salman, Sooraj ji, a few of our friends attended and that’s how we go married.There after, Maine Pyaar Kiya went on to become such a big hit, but I was a woman so in love with my husband and my son Abhimanyu who was born soon after that I said no to every offer I got. I have absolutely no regrets though, I look at my life, my family now and I feel so proud. Yash Ji always said, ‘you’re a foolish girl’ and oh yes, I loved being foolish! Very often, people say ‘giving up such a bright career’ is backward, but I disagree. I respect and admire career women who can juggle both, but I took the decision of being a full invested home maker…and believe me, that’s a thankless job. But it’s all worth it when you see your children growing up into fine human beings. Just like I played a role in a movie, the role of a mother was a part of my life…but is not defined by it. Today, I’m into fitness, nutrition, traveling and if another movie comes along— I’ll do it all over again. I don’t like that either you’re a ‘working woman’ or a ‘stay at home mom’ — why can’t women be 10 different things…why can’t we keep exploring and with every phase, discover a new passion? From actress, to mom, to giving exams on nutrition at this age, I’ve loved every feather on my hat…and there will be plenty more to add to it!”

[india-today-yahoopartner-blog]

Khans, step aside: 2017 is Akshay Kumar 2.0's year

There's an unspoken understanding that a man should always listen to his biwi if he has to do things right. Twinkle Khanna, in the latest season of Koffee With Karan, said that she gave an ultimatum to her husband Akshay Kumar that if Akshay did not do "sensible films", she would not have a second chid with him.

Clearly, Akshay Kumar took that threat to heart because not only was the couple's second child Nitara born in 2012, but thereafter, Akshay's films showed a marked improvement in quality. Where once there was a phase when Akshay would star in films like Thank You, Joker, Khiladi 786 and Boss, today, Akshay Kumar has both commercial success AND critical acclaim because of films like Special 26, Holiday, Baby, Airlift and Rustom.

ALSO WATCH: Akshay Kumar's angry, emotional message on Bengaluru molestation

OPINION: How Akshay Kumar survives in a Khan's world

ALSO WATCH: Can Akshay beat Salman to be Bollywood's No.1 star in 2017?

Akshay was always perfect as the righteous, macho hero with great flair for comic timing. He has played the upright man's man from the beginning of his career in films like Mohra, Main Khiladi Tu Anari and Elaan. Later on, he found his funnybones (no pun intended) with the Priyadarshan comedies (Hera Pheri, Garam Masala) and the occasional Mujhse Shaadi Karogi.

But as Akshay's stardom and fan following grew in stature, the actor began to take up films that combined the histrionics of '80s maar-dhaar waale films and the abysmal sense of humour that South-potboilers have. Hence, you had something Rowdy Rathore directed by Prabhu Deva, which worked at the box office, no doubt about that but after two decades in the industry, was minor commercial success all that Akshay was looking forward to in his career? Wasn't he good enough for tracing the heights that his contemporaries Aamir, Shah Rukh and Salman had? Wasn't he as adventurous as the younger kids like Ranbir Kapoor and Varun Dhawan who were showing considerable bravery in doing projects like Barfi! and Badlapur?

Damn right, he was. Akshay just was not ready, for whatever reason. But now, he is.

After a humble cameo in what Twinkle would call a 'sensible' film, OMG-Oh My God!, Akshay starred in Neeraj Pandey's tight, gripping crime-caper Special 26. Note that, Akshay was not doing anything different in Special 26 terms of acting; he was still playing an upright professional (albeit, in the world of conning people), but this time, he had with him a no-nonsense writer-director and a bunch of good actors who gave their best and simultaneously accentuated Akshay's core strengths as an actor. As a result, Special 26 was not only a hit but people sat up and took notice of Akshay as an actor, not just a performer.

The Neeraj Pandey-Akshay Kumar team went on to produce Baby in 2015 and Rustom in 2016 - two films which used Akshay's full potential as an intense, action-oriented actor - which further propelled Khiladi Kumar to a new phase of super-stardom that he had never tasted in his career.

Now, having understood his full capability as an actor and star, Akshay has joined hands with the best filmmakers in town to produce (what looks on paper like) films with great potential.

First up in 2017, there is Akshay Kumar's Jolly LLB 2, directed by Subhash Kapoor, where Akshay plays a bufoonish lawyer who soon enough grows a conscience and fights it out inside the courtroom against a rich lawyer played by National Award-winning actor Annu Kapoor. This is the kind of film nobody in his right mind would have expected Akshay to be in in his Khiladi 786 days.

Next up, is the tri-lingual film 2.0, where Akshay plays a villainous ornithologist who locks horns with Rajinikanth, no less. This film would provide Akshay with a much-needed pan-Indian following in addition to being a good showcase for Akshay's potential to play theatrically evil villains.

Then, there are the two social dramas, Toilet - Ek Prem Katha and Padman. While R Balki's (Cheeni Kum, Paa) Padman will feature Akshay play Arunachalam Muruganantham, the man who devoted his life to making low-cost sanitary napkins for India's rural women. Meanwhile, Toilet - Ek Prem Katha is touted to be a social satire revolving around Prime Minister Narendra Modi's Swachh Bharat Abhiyan.

It was Aamir Khan who showed the potential of cinema where one could marry star status with good, earnest storytelling to make progressive but commercial cinema for one and all. Now, Akshay Kumar is taking that road to produce some quality films. In fact, there is also Akshay's Crack with Neeraj Pandey and the sports drama Gold with Talaash director Reema Kagti in the pipeline.

If Akshay's experimentation with films work out this year - and it is most likely that they would - we will have a new megastar in our midst, in addition to the Khans - someone more than his Khiladi image, an Akshay Kumar 2.0.

(The writer tweets as @devarsighosh.)

[salmankhanholics]

★ 11 Years Of Wanted EXCLUSIVE: “Shah Rukh Khan was not offered Wanted. Salman was the ONE and ONLY choice”.-Boney Kapoor!

Sep 18, 2020

The experience of watching a commercial, masala film in cinemas today is incomplete if audiences are not reacting with claps and whistles. This practice, once exclusive to single screens, has also crept into swanky multiplexes. And this trend’s new avatar was born thanks to a film released exactly 11 years ago, named Wanted. It starred Salman Khan and Ayesha Takia in leading roles and were supported by Vinod Khanna, Mahesh Manjrekar, Prakash Raj, Manoj Pahwa, Mehek Chahal, Inder Kumar and Aseem Merchant. It was the official remake of the Telugu flick Pokiri (2006). Prabhudheva first made its remake in Tamil and then also helmed the Hindi version. The film was about a cop who goes undercover as a ruthless gangster and finishes off two notorious gangs and their masters in Mumbai.

Wanted was a huge hit. It revived the career of Salman Khan and brought him back to the big league. Till today, he’s following the ‘Wanted’ formula of making mass-friendly, action entertainers (and with him doing away with his shirt in the final fight). And audiences are not complaining. Even for the industry, Wanted was godsend. It was released at a time when the industry was reeling due to recession, aftermath of the multiplex-producers strike and back-to-back flops. It made the Bollywood fraternity realize the importance of kind of cinema and how audiences are ready to lap it up. Thus began the era of new-age masala flicks and it thrives even today.

On this joyous occasion, Bollywood Hungama spoke to its producer Boney Kapoor, who made Wanted as a joint venture with Sahara One Motion Pictures. The veteran filmmaker shared some exciting trivia about the film’s making, casting, reception and a lot more, which is sure to surprise and thrill the movie buff in you!

1. A trivia on the popular website IMDb states that Shah Rukh Khan was the original choice and that he refused, citing that no one can play this role better than Mahesh Babu, the lead actor in the original film.

Boney Kapoor however rubbishes this rumour, “Shah Rukh Khan was not offered Wanted. Salman was the one and only choice. I remember he was shooting for Partner (2007) and I had asked him to see the original film made in Telugu. He had cancelled the plan twice. Meanwhile, the Tamil film was to release and then it would have further led to a scramble for rights. Hence, I insisted Salman that he come and watch. He agreed. Post the shoot, he saw the film at midnight at Dimple Theatre. He loved it and did thumbs up to me and walked towards his car.”

2. It is now known that Ileana D'Cruz, the actress opposite Mahesh Babu in Pokiri, refused Wanted as she had her exams coming up then. Boney Kapoor says, “Yes, Ileana was in close contention. We also thought of Genelia Deshmukh. There were also two top actresses who were interested but I had to politely say no to them since I wanted an actress who had never worked with Salman before. This is because of this crucial scene in the second half after Salman fights the goons in the train. This is where the girl says, ‘I don’t know if you are a good or a bad person, but the fact is that I love you.’ We needed someone who was in awe of Salman and hence, looked for a new face.”

3. Prakash Raj, a familiar face in Bollywood today, was reintroduced in Bollywood with Wanted. Boney, at this, reveals, “Prakash Raj was on standby as we were trying to cast an actor from Mumbai. However, we couldn’t find one. Also, he was a part of the original film and thus it made sense to cast him. Incidentally, his first film in Hindi was also with us – Shakti - The Power (2002).

4. Wanted took over two years to be made and released. “We shot the film for around 200 days and Salman shot for nearly 168 days. We started the shoot somewhere in August 2007,” said the producer.

5. Wanted songs, by Sajid-Wajid, are a hit even today and one of the songs that were widely promoted was 'Love Me Love Me'. However, the version we saw in the film was shot later. Boney Kapoor tells, “We shot 'Love Me Love Me' in Bangkok but then we decided to reshoot it. We filmed it in Surve Farms near Mumbai.” Even 'Le Le Maza Le'was shot in the same location.

6. All the songs of the film were shot in a grand fashion and Boney Kapoor left no unturned to make them look visually stunning. He tells, “We spent Rs. 1 crore on the Salman Khan song, 'Most Wanted Track'.”

7. Wanted began on a chilling note showing the villain Ghani Bhai (Prakash Raj) as a ruthless gangster enjoying a wrestling match and killing off his gang member, when he learns that he was deceiving him. Boney shares a great trivia, “The intro scene of Prakash Raj was shot much later, in Thailand. This is because we realized we needed a powerful scene to introduce his character as Hindi cinema audiences were not aware of him.”

8. There was another addition in the Hindi version, “The scene where Prakash Raj’s character realizes he’s in a ship in the middle of nowhere was not there in the original. Initially, we wanted to shoot it on a dysfunctional oil rig and we tried to do so in India. But due to security reasons, we were not allowed. We then tried in other countries but it couldn’t happen. Finally, we shot it in a shop near Bangkok, Thailand.”

9. The film’s title also underwent a change. Says Boney Kapoor, “Earlier, the title was Wanted - Dead And Alive. It was unusual because the popular term is 'Wanted - Dead Or Alive'. But we were keen on this particular title as the gangsters wanted Radhe dead while the cops wanted him alive. Once you see the film, you realize why that is so. However, then we decided to settle for just Wanted. This title was with Gaffar Bhai Nadiadwala and he was kind enough to give it to us”. This explains why the Hera Pheri(2000) producer has been thanked in the end credits.

10. Wanted began the trend of having Eid releases for Salman Khan. Barring 2013 and 2020 (the latter due to the lockdown), Salman has had a release on this festival every year from 2009 to 2019. What’s not known is that Wanted was to arrive in April 2009. The multiplex strike pushed it ahead, just like most films. Then, Wanted was to hit screens on July 3 and it was also to clash with Dulha Mil Gaya (2010), which featured Shah Rukh Khan in a supporting role. Then it was moved to August 7. Later it got a release on September 18, 2 days before Ramzan Eid. Boney Kapoor however adds to this trivia, “We tried to bring the film on Diwali 2008. But Salman’s Yuvvraaj (2008) and Heroes (2008) was to be released then and hence, we pushed it to April 2009. This is when the multiplex strike was going on and this led to further delay. Eventually we settled for Eid.”

11. One of the most heart-breaking developments was the Central Board of Film Certification (CBFC) awarding it with an ‘A’ certificate. Several industry insiders, trade and even audiences were left shocked since the film had violence but it was not too gory either. There were fears that it might restrict the film’s appeal. Even Salman in many interviews expressed his disagreement with Wanted’s ‘A’ rating. Boney explains, “Censors had become strict because of some mishap then. The original Telugu version had got ‘A’. But the Tamil one was awarded ‘U/A’ and we expected the same for Wanted as well. Had Wanted got a U/A, it would have done 25-40% more business. Less than a year ago, Censors had given Ghajini (2008) a U/A certificate as well”. Ghajini, starring Aamir Khan, was also a remake and had excessive violence, just like Wanted.

12. The audiences enjoyed not just the performances, music, action and humour but also the film’s dialogues, written wittily by Shiraz Ahmed. 'Ek baar jo maine commitment kar di, toh main apne aap ki bhi nahi sunta' is one of Salman’s most popular dialogues of his career. Boney Kapoor tells, “The one-liners of Wanted started a trend and were redone in various other films. Such one-liners have always been a hallmark of my films whether it’s 'Mogambo Khush Hua' from Mr India (1987) or 'Be Positive' from No Entry (2005).”

13. Once Wanted was out, reports soon started pouring of how viewers have gone berserk. The management of Mumbai’s Ankur cinema had to paint a ‘Housefull’ board because they didn’t have one. Theatres in South Mumbai like Liberty and New Empire had to meanwhile dig out the ‘Housefull’ board from their storage rooms as they had not used those for a long time! In Paras cinema in Jaipur, the cops had to request the theatre management to sell 200 tickets less to keep the audience in control. In the biggest theatre in Hubli, Karnataka, almost 5,000 people gathered outside to buy tickets. Manoj Desai, executive director of G7 Multiplex in Mumbai, popularly called as Gaiety-Galaxy cinema complex, had summed up the madness in one sentence, “Wanted has got the film industry and also the single screen cinemas out of the ICU.” Gaiety-Galaxy is like a barometer for the industry and the response there made it clear for Boney Kapoor that Wanted is a hit. “The response in Gaiety Galaxy was unbelievable,” he says.

14. Wanted, surprisingly, did very well even in multiplexes. Boney Kapoor agrees and adds, “Wanted was critically rated very well too. Even The Times Of India gave 4 stars!”

15. Wanted added another feather in its cap, as shared by Boney, “The trend of repeat runs was very common at one point but had died down in the new millennium. However, Wanted was an exception. Even after a year, it used to be played in many centres. It used to not do huge business but nevertheless, it used to get decent footfalls.”

16. Salman Khan’s career got a new lease of life after Wanted. His fan following was already huge but it got bigger after this flick. Boney Kapoor states, “Post the release, the Wanted team including me and Salman went to Kolkata for a football match. However, Salman couldn’t enter the ground. Such was the craze.”

A lot of films’ anniversaries are celebrated nowadays and many of these at times seem unnecessary. However, Wanted deserves to be feted as it was the first step in making our industry bigger and better. Today, most of the films in the Rs. 200 and Rs. 300 crore club belong to the action masala genre. Hence, Wanted is responsible for opening the eyes of the producers that such films are not dead, as believed then by many, and that they’ll always have an audience. Boney Kapoor signs off by saying, “Wanted epitomizes that real Hindi cinema, if made well and with ample amount of masala, can never fail.”

[aupshora]

Salman Khan and his never ending controversies!

Salman Khan is one of the most powerful superstars of India, not only that, he is probably the most controversial actor of Bollywood. As Salman aka Bhai, always finds himself in between a controversy. In this blog post, you will know the top 5 controversies of Salman khan.

Love affair with Aishwarya Rai

In the late 1990’s, Salman Khan and Aishwarya Rai was said to be madly in love with each other, but after a while Salman started showing his toxic traits, for instance, he would abuse the actress verbally and and physically. Apparently, the actor once reached her residence and banished the door late at night, he also created havoc on the sets of Aish’s movie. Aish was replaced from the superhit film “Chalte Chalte” because of Salman. This couple ended their relationship in a very ugly way!

Hit and run case

Salman was charged with hit-and-run after his car allegedly crashed into a bakery in Mumbai, killing one and wounding four. He was driving the car and was way too drunk. He was cleared of criminal charges by the Bombay High Court, but he was later convicted by a trial court.

Salman’s fight with Vivek Oberoi

Salman Khan was furious when he learnt that Aishwarya has moved on and started dating her co-star Vivek Oberoi from the movie “kyun, ho gaya na”. In a press conference, Vivek claimed that Salman Khan has been threatening him of ruining his career and life. Even after all these years, Aish is married to Abhishekh Bacchan, yet Salman can not get over that fight with Vivek. Vivek apologised to him in the Film Fare awards but bhai clearly never accepted his apology.

'Sultan' promotions, an insensitive comment was made

When asked to explain his filming schedule, the actor allegedly stated that he 'felt like a raped woman' when he walked out of the ring. This ignited a heated controversy, with women's rights activists and the general public condemning the inappropriate comparison.

Fight with Shah Rukh Khan

Salman and Shah Rukh were like brothers. They were very close to each other until the big, ugly fight that took place in 2008 at Katrina Kaif’s birthday celebration. According to the reports, SRK said something that provoked Salman and that’s when the argument started and the rumor says that they both got violent. After that party, Salman and SRK did not talk to each other for years. There was, however, a brief reconciliation during Baba Siddiqui's Iftar feast in 2013.

To know more, check out - PinkVilla

All the pictures are collected from Google.

[legendaryreviewfestival]

Khesari Lal Yadav Biography – Age, Height, Weight, Family And Wife Bio ---- Khesari Lal Yadav was born on 6th March 1986 in Chhapra, Bihar, India. Khesari Lal Yadav is a Bhojpuri Performing Actor, Model, and Singer. Khesari Lal Yadav is recognized as the superhit singer, producer, stage artist, and live performer. He becomes part of the media industry at a quite early age of his life. Khesari Lal Yadav’s success leap forward was initially originated from his Bhojpuri Album Collection “Maal Bhetai Mela Me”. At that point, Khesari Lal Yadav began Media Career as Bhojpuri Singer and associated with Bhojpuri Television and Film Industry. Image source- Instagram/Khesari Yadav Khesari Lal Yadav popular Album Songs are Saiyan Aaiba Ki Na Aaiba, “Piyawa Gaye Re Hamar Saudi Re Bhauji,  Lehnga me Meeter, Saiya Arab Gayle Na, and Pyar Mange Lungi Bichake”. In 2012, Khesari Lal Yadav has begun his acting profession by performing in the hit Bhojpuri Movie Saajan Chale Sasural. As a result of the motion picture “Saajan Chale Sasural”, Khesari Lal Yadav turned into a rising Bhojpuri film star in early 2012. Khesari Lal Yadav is a folk vocalist, and additionally a dancer in Bhojpuri film industry. Khesari Lal Yadav is especially prominent in Bihar, Uttar Pradesh, Jharkhand. this was the defining moment of Khesari Lal Yadav life. Up till now, Khesari Lal Yadav has partaken in excess of 100 famous collections. Khesari Lal Yadav likewise sings Bolbam bhajan, Devi bhakti geet, Chaita, Fagua, Lok geet, and Romantic melodic Tunes. Khesari Lal Yadav is outstanding amongst other playback artists of Bhojpuri film industry. For the most part, Khesari Lal Yadav sings melodic songs for the movies in which Khesari becomes a prominent performing artist. Khesari Lal Yadav Biography – Age, Height, Weight, Family And Wife Khesari Lal Yadav sings in his native language Bhojpuri. In 2016, Khesari Lal Yadav was granted with the honorary award of Best Popular Actor at the Bhojpuri Film Awards. Khesari Lal Yadav likewise received the renowned Dadasaheb Phalke Academy Award. In 2017, Khesari Lal Yadav was garnered with the UP Ratan Award in the notorious exhibition. Khesari Lal Yadav has participated in more than 24 Bhojpuri Movies. Khesari’s most loved on-screen actresses accomplice with whom he mostly collaborated are Rani Mukherjee, and Kajal Raghawani. birthday-  3 July 1986 Nationality – Indian Age –  33 Years,(in 2020) Born Country – India Born In – Siwan Bihar Famous As – Actor and Singer salary – 10-30lakh/film Height – 5 feet 7 inches Wife – Chanda Devi Family – Father –  Mangru Lal Yadav Mother –  Not know Siblings –  Not Known More about Khesari lala yadav. Khesari Lal Yadav is a very famous singer and actor. He was born on 3 July 1986 in Siwan Bihar. It used to sing an only Bhojpuri song in earlier times but in 2012, he got a job in a Bhojpuri film “Sajan Chale Sasural” and the film was very super hit. Also, the songs of this film were also hit. hey were born in a poor family, so they did not get a chance to read more. And he started working since childhood to support his family. In 2006, he was married to Chanda Devi. When they were married they were a common man. Due to the poor condition of his home, he came to Delhi with his wife in search of a job. He sold “Litti Chokha” in Okhla, Delhi for a very long time, and he lived there. The result of such a struggle is that he is one of the very well known actors of Bhojpuri. He has so far given so many super hit movies – Sajan Chale Sasural, Sangharsh, Mai Sehra Bandh Ke Aaunga, Jila Champaran, Mehandi Laga Ke Rakhna … etc Physical stats and more Height (approx.) in centimeters –  170 cm in meters –  1.70 m in feet inches – 5’7″ Weight (approx.) in kilogram – 75 Kg in pounds – 167 Ibs Body Measurement (Approx.) Chest – 42 inches Waist – 33 inches Biceps – 15 inch Eye Colour Brown Hair Colour Black khesari Lal Yadav Family His father’s name is Mangru Lal Yadav. Which is a Farmer. And their mother is a housewife. He never talked about his brother and sister in media. Father Mangru Lal Yadav Mother Not Known Siblings Not Known Khesari Lal Yadav wife and Children He is married. His wife’s name is Chanda Devi. He has two sons named Yugraj Yadav, Rishab Yadav and his a daughter. Whose name is Kriti Yadav. Marital Status Married Girlfriend Kajal Raghwani Wife Chanda Devi Favorite Things Favorite Book Not Known Favorite Food Liti Chokha, Khichdi, Sattu Favorite Cricketer Virat Kohli, M.S Dhoni, Rohit Sharma Favorite Actor Salman Khan Favorite Actress Madhuri Dixit Favorite Colour Red, blue, black Favorite Politician Atal Bihari Vajpayee Dinesh Lal Yadav(Nirahua) Biography – Age, Height, Weight, Wife, Family Unknown facts about Khesari Lal Yadav He has also got dance and sing a song at the weddings of people in his struggle time. Also sold “Litti Chokha” in Delhi as well. Once his father drove them out of the house to steal 10 rupees. He had worked for a while in BSF but he left it to start his album. He started his career with the 2012 film “Sajan Chale Sasural”. He got Dadasaheb Phalke Award and UP Ratan award in 2017. And got the Bhojpuri film award for best popular actor in 2016. He is a fitness lover that goes to the GYM every day. When these were small children, they used to participate in the Mahabharata and Ramayana in the village and used to sing and act as well. When he started his album, he left his job. And, unlucky, their album flopped. He has also gone to The Kapil Sharma Show with his Bhojpuri team. Khesari Lal, in an interview about the Pulwama attack, challenged the terrorists that if you do not like humanity and peace then come and fight in the battlefield. Stop poisoning back like a coward. This song is his most super hit song. Khesari Lal Yadav Education Qualification: Not Available School: Not Available College: Not Available Khesari Lal Yadav Career Profession: Actor, Singer Debut TV Series/Movie: Film: Sajan Chale Sasural (Bhojpuri, 2011) Album: Maal Bhetai Mela Me (Bhojpuri) Salary: Not Available Net Worth: Not Available Post name - Khesari Lal Yadav Biography – Age, Height, Weight, Family And Wife Tags - Khesari Lal Yadav Biography – Age, Height, Weight, Family And Wife

http://www.uplucknow.in/2020/08/Khesari-Lal-Yadav-Biography-Age-Height-Weight-Family-And-Wife.html

[mrhotmaster]

Best Hindi Movies You Can Watch On Amazon Prime Video (July 2020)

The best Hindi motion pictures on Amazon Prime Video are substantially more different than those on our Netflix list, with more than two dozen titles — over 33% of the ones beneath — having a place with the previous century. Any semblance of Amitabh Bachchan, Hrishikesh Mukherjee, Guru Dutt, Dilip Kumar, and Rajesh Khanna adds to that. Not at all like Netflix however, there are still no firsts here. Amazon has made only one Hindi film (Ritesh Batra's Photograph) until this point in time. It expanded that as of late with a couple of pandemic-driven acquisitions, however nothing essential up 'til now. Its contemporary assortment despite everything draws from different studios, including any semblance of Yash Raj, Excel, Viacom18, T-Series, Eros, and Reliance.

To pick the best Hindi-language motion pictures on Amazon Prime Video, we depended on Rotten Tomatoes and IMDb evaluations, and different pundits surveys, to make a waitlist. The last two were favored in light of the fact that RT doesn't give a total portrayal of audits for Indian movies. Also, we utilized our publication judgment to include or expel a couple. This rundown will be refreshed once like clockwork if there are any commendable augmentations or if a few films are expelled from the administration, so bookmark this page and continue checking in. Here are the best Hindi movies as of now accessible on Amazon Prime Video in India, arranged in order.

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3 Idiots (2009)

In this parody of the Indian training framework's social weights, two companions describe their school days and how their third tragically deceased musketeer (Aamir Khan) motivated them to think inventively and autonomously in an intense traditionalist world. Co-composed and coordinated by Rajkumar Hirani, who stands charged in the #MeToo development.

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Agneepath (1990)

Amitabh Bachchan packed away his first National Award (for best entertainer) with this activity show that follows a kid who, after the passing of his dad and the endeavored assault of his mom by a hoodlum, transforms into a criminal himself as a grown-up (Bachchan) to get vengeance. Has a little job for Alok Nath, who stands charged in the #MeToo development. Likewise, mercifully disregard the 2012 revamp that is on Amazon too.

Amal (2007)

After the nominal helpless Delhi, auto-cart driver (Rupinder Nagra) is named as the sole inheritor by a neighborhood erratic very rich person (Naseeruddin Shah) not long before his demise, the last's avaricious family get their hands grimy to guarantee the agent of the will can't find Amal before the 30-day cutoff time. Highlight debut for essayist chief Richie Mehta.

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Amar Prem (1972)

Sharmila Tagore and Rajesh Khanna star in this redo of the 1970 Bengali film Nishi Padma, about a lady (Tagore) who is sold into prostitution in then-Calcutta after she's relinquished by her significant other, and finds another group of sorts in a desolate representative (Khanna) and the neighbor's child. Noted for its music — by R.D. Burman — its prosecution of white-collar class deception, and the sympathetic but tragic treatment of female torment and prostitution.

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Andaz Apna (1994)

Two good-for-nothings (Aamir Khan and Salman Khan) who have a place with working-class families strive for the expressions of love of a beneficiary, and incidentally, become her defenders from a nearby hoodlum in Rajkumar Santoshi's faction parody top choice. Karisma Kapoor, Raveena Tandon additionally star. Associated with its exchanges that have entered mainstream society, and the Bollywood meta-humor fueled by Govinda and Juhi Chawla.

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Angoor (1982)

About 10 years and a half after the principal endeavor — in 1968's Do Dooni Char — failed in the cinema world, Gulzar additionally took on directorial obligations for this change, that is, at last, dependent on Shakespeare's play, The Comedy of Errors. With both Sanjeev Kumar and Deven Verma in double jobs, it's the tale of two sets of twins who were isolated in adolescence adrift and afterward are brought together in adulthood, causing alarm and significantly more.

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Ankhon Dekhi (2014)

After an enlightening encounter including his little girl's marriage, a man in his late 50s (Sanjay Mishra) settle that he will have a hard time believing anything he can't see, which normally prompts some sensational inconveniences. Coordinated by Rajat Kapoor, who admitted to various rape, badgering, and unfortunate behavior claims leveled against him during the #MeToo development.

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Ankur (1974)

In author chief Shyam Benegal's full-length directorial debut, a kid craving Dalit lady (Shabana Azmi) wedded to a hard of hearing quiet alcoholic potter is tempted by the town proprietor's child (Anant Nag), which causes individual and cultural issues. Noted for Azmi's presentation, and a positive correlation with crafted by Satyajit Ray.

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Chak De! India (2007)

Alienated and denounced by the press and open, a previous Muslim men's hockey chief (Shah Rukh Khan) plans to vindicate himself by training the unpolished Indian ladies' hockey group to greatness. Lauded for its investigation of strict bias, ethnic partiality, women's liberation, and sexism, however, its story sticks to sports-film shows and platitudes. Motivated by the genuine group's success at the 2002 Commonwealth Games.

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Chalti Ka Naam Gaadi (1958)

The Kumar siblings — Kishore, Ashok, and Anoop — star in executive Satyen Bose's notable romantic comedy, which follows three men (the Kumars) with a repugnance for ladies, whose life changes after two of them become hopelessly enamored. Madhubala co-stars. Normally, Kishore sang on the soundtrack too, which gave us pearls, for example, "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka".

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Chashme Buddoor (1981)

Essayist executive Sai Paranjpye followed up her National Award-winning introduction include with this pal romantic comedy, wherein two companions attempt to separate a third's maturing relationship with another young lady in school in the wake of neglecting to charm her themselves. Commended for its turn on Bollywood shows, by either overturning them or sending them up.

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Chhoti Si Baat (1976)

This change of the 1960 British film School for Scoundrels moves the story to then-Bombay, where a submissive youngster (Amol Palekar) goes to life-mentor Colonel (Ashok Kumar) to fight a smooth, striking man for the expressions of love of a lady. Amitabh Bachchan, Dharmendra, and Hema Malini appear as themselves. Basu Chatterjee coordinates.

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Chupke (1975)

Hrishikesh Mukherjee changes the Bengali film Chhadmabeshi, about a recently married spouse (Dharmendra) who chooses to pull tricks on his better half's (Sharmila Tagore) as far as anyone knows savvy brother by marriage. Amitabh and Jaya Bachchan likewise star.

Darr (1993)

Shah Rukh Khan plays a stalker who likes his school colleague (Juhi Chawla) and tortures her, her family, and her sweetheart (Sunny Deol) for three hours in this sentimental spine chiller from Yash Chopra, presently thought to be probably the best film.

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A Death in the Gunj (2016)

In Konkona Sen Sharma's full-length directorial debut, a timid and delicate Indian understudy (Vikrant Massey) follows through on a substantial cost for his tenderness, while on an excursion with his vain family members and family companions. Ranvir Shorey, Kalki Koechlin star nearby.

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Devdas (1955)

In what is viewed as extraordinary compared to other Hindi-language films, time, an affluent Bengali landowner's child (Dilip Kumar) transforms into a discouraged alcoholic after his family censures their nose at marriage with his youth darling (Suchitra Sen), which drives him towards a prostitute (Chandramukhi). Bimal Roy coordinates what is an adjustment of Sharat Chandra Chattopadhyay's 1917 eponymous novel.

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Dil Chahta Hai (2001)

Farhan Akhtar's directorial debut around three indivisible cherished companions (Aamir Khan, Saif Ali Khan, and Akshaye Khanna) whose fiercely unique way to deal with connections makes a strain on their fellowship stays a faction top pick. Preity Zinta, Dimple Kapadia co-star. Applauded for its blend of cleverness and earnestness, and conveying a Gen-X film for Gen-Xers.

Dil Se.. (1998)

Shah Rukh Khan plays a radio columnist who falls for a baffling progressive (Manisha Koirala) in this third and last portion of author chief Mani Ratnam's topical set of three that delineated a romantic tale against a political scenery. Here, it's the revolt of Northeast India. Likewise known for A.R. Rahman's work, particularly the title track and "Chaiyya".

Dilwale Dulhania Le Jayenge (1995)

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Shah Rukh Khan and Kajol's characters become hopelessly enamored during an outing to Europe with their companions in this now notorious film — which is as yet playing more than two decades later in a solitary screen Mumbai theater, however not during the pandemic — yet face obstacles as the lady's preservationist father has guaranteed her hand in union with another person.

Dosti (1964)

A harmonica player with a physical incapacity and a savvy road artist who's outwardly debilitated initiate a relationship and bolster each other through life in this highly contrasting show from Chalti Ka Naam Gaadi executive Satyen Bose. Pundits considered it a tribute to the triumph of the human soul, one that holds up five decades later.

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Dum Laga Ke Haisha (2015)

A videotape storekeeper and an RSS volunteer (Ayushmann Khurrana) consents to wed a hefty estimated instructor in-preparing (Bhumi Pednekar) under tension from his family, and afterward maintains a strategic distance from her altogether to the point of separation. In any case, after a court request commands them to attempt to rescue their marriage, the two start to imagine each other's perspective, before choosing to participate in a piggyback race. Won a National Film Award.

Firaaq (2008)

Naseeruddin Shah, Nawazuddin Siddiqui, Inaamulhaq, Paresh Rawal, and Deepti Naval are a piece of a group cast for author chief Nandita Das' directorial debut, which takes a gander at the fallout of the 2002 Gujarat massacre over the financial layers. Won two National Film Awards and a few others on the celebration circuit.

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Gangaajal (2003)

Ajay Devgn plays a senior director of police who's introduced in an invented Bihar region invade by wrongdoing and defilement — one of the lowlifes shares his name with degenerate and sentenced Lalu Prasad Yadav's brother by marriage — and pledges to revive the broken police power. Prakash Jha composes and coordinates.

Packs of Wasseypur (2012)

Propelled by the 2008 Tamil film Subramaniapuram, Anurag Kashyap creates a criminal epic — separated into two sections attributable to its five-hour-in addition to runtime — that mixes governmental issues, retribution, and sentiment as it takes a gander at the force battles between three wrongdoing families in and around the Jharkhand city of Dhanbad, the focal point of the coal mafia. Manoj Bajpayee, Nawazuddin Siddiqui, Huma Qureshi star.

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Gol Maal (1979)

A contracted bookkeeper (Amol Palekar), with a talent for singing and acting, falls where it counts the bunny opening in the wake of deceiving his manager that he has a twin, in this Hrishikesh Mukherjee satire. Gave us the melody "Aane Wala Pal Jaane Wala Hai". Mukherjee transforms a droll figure of speech into something increasingly important, utilizing Bollywood's adoration for twin characters to feature the urgency of the white-collar class during the 1970s.

Ravine Boy (2019)

A hopeful, youthful road rapper (Ranveer Singh) from the ghettos of Mumbai decides to understand his fantasy while managing the entanglements that emerge out of his own life and the financial layers to which he has a place. Zoya Akhtar coordinates, and Alia Bhatt stars close by. The film has a few similitudes to Eminem-starrer 8 Mile, runs near a banality, and co-picks the way of life, however, the soundtrack is significantly more specifically incredible.

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Hera Pheri (2000)

Jobless and battling with cash, a proprietor and his two inhabitants (Paresh Rawal, Akshay Kumar, and Sunil Shetty) chance on a payment call and plan to gather the payoff for themselves in this revamp of the 1989 Malayalam film Ramji Rao Speaking.

Hindi Medium (2017)

A Chandni Chowk, Delhi-based couple (Irrfan Khan and Saba Qamar) battle to get their five-year-old little girl acknowledged into an English-medium school, as they harbor yearnings of guiding her into the "first-class" layers of Indian culture. Khan and Qamar were commended for their exhibitions, however, the film was scrutinized for its slips up in the third demonstration.

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I Am Kalam (2010)

Nila Madhab Panda's component directorial debut is the narrative of a shrewd and devastated kid (Harsh Mayar), who becomes friends with the child of a once honorable family, and is enlivened by the life of India's late President A. P. J. Abdul Kalam — whose family was additionally poor in his youth — to seek after an instruction. Mayar won a National Award.

Ishqiya (2010)

Naseeruddin Shah, Vidya Balan, and Arshad Warsi star in this provincial Uttar Pradesh-set dark satire that follows two goons (Shah and Warsi) who choose to look for asylum with a neighborhood hoodlum subsequent to messing up an occupation, yet experience his widow (Balan) rather, who allures them for her ruses. Abhishek Chaubey (Udta Punjab) composes and coordinates.

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Jaane Bhi Do Yaaro (1983)

In this parody of governmental issues, administration, and the media, two picture takers (Naseeruddin Shah and Ravi Baswani) unintentionally catch a homicide while attempting to uncover the rich. A Mahabharata performance in the third demonstration is an eminent feature.

Poke We Met (2007)

Shahid Kapoor and Kareena Kapoor (irrelevant) star in this sentimental show from author chief Imtiaz Ali — ostensibly his best work yet — in which an affluent and discouraged Mumbai industrialist (Shahid) capriciously loads up a train and meets a bubbly, garrulous lady (Kareena), who drives him to go with her back home to Punjab.

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Kaagaz Ke Phool (1959)

Master Dutt coordinated and featured in what is viewed as probably the best movie ever, about an acclaimed executive (Dutt) who throws an obscure lady (Waheeda Rehman) in his next film, and the restricting directions of their vocations subsequently. Intensely suggestive of A Star Is Born, initially made in 1937 and afterward as a melodic in 1954, which itself is a revamp of 1932's What Price Hollywood?.

Kaala Patthar (1979)

In view of the 1975 Chasnala mining calamity, a disfavored Navy chief turned-coal digger (Amitabh Bachchan), the specialist in-control (Shashi Kapoor), and a got away from furnished burglar (Shatrughan Sinha) working at the mine become impossible legends after cost-slicing prompts a fiasco on the mine. Yash Chopra coordinates, off a Salim-Javed content.

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Kapoor and Sons (2016)

After their granddad (Rishi Kapoor) endures a heart failure, two antagonized siblings come back to their youth home where they should manage a few all the more family issues. Alia Bhatt, Ratna Pathak Shah likewise star. Noted for being a cutting edge age family dramatization and a stage forward for LGBTQ portrayal, however, it's sensational toward the end and depends a lot on work.

Lage Raho Munna Bhai (2006)

In this spin-off of the 2003 unique (likewise on the rundown), the eponymous Mumbai hidden world wear (Sanjay Dutt) begins to live by the lessons of Mahatma Gandhi to intrigue a radio racer (Vidya Balan) he's stricken with. Noted for its capacity to offset the message with amusement, even as some felt it impaired Gandhism. Co-composed and coordinated by Rajkumar Hirani, who stands blamed in the #MeToo development.

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Lakshya (2004)

Farhan Akhtar followed Dil Chahta Hai with this (overlong) transitioning sentimental war dramatization about a capricious and flighty youthful Delhi man (Hrithik Roshan) who joins the Indian Army — the film was set against a fictionalized adaptation of the 1999 Kargil War — to make his family and close ones glad for him. Amitabh Bachchan, Preity Zinta co-star.

The Legend of Bhagat Singh (2002)

Ajay Devgn plays the nominal communist progressive and political dissident in author executive Rajkumar Santoshi's biopic, which follows Singh — and later his partners, Shivaram Rajguru, Sukhdev Thapar, and Chandra Shekhar Azad — from the Jallianwala Bagh slaughter to the shelling of Parliament House, which would inevitably prompt their passing by hanging (with the exception of Azad's). Pundits, by and large, adulated it, however, some didn't care for its treatment of Gandhi.

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Lipstick Under My Burkha (2016)

Denied a discharge for a half year by India's control board, this dark satire focuses on four ladies (Ratna Pathak Shah, and Konkona Sen Sharma among them) in modest community India who set out on an excursion to find opportunity and satisfaction in a moderate society.

Manorama Six Feet Under (2007)

Abhay Deol drives the cast of this neo-noir spine chiller that transparently recognizes its Chinatown motivation, as it follows an open works architect and novice investigator (Deol) who is paid by a pastor's better half to gather proof of her significant other's issue, unconscious that he's being utilized as a pawn in a bigger connivance. Lauded by pundits, however, crowds neglected to value it.

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Maqbool (2004)

Vishal Bhardwaj commenced what might turn into his Shakespeare set of three with this adjustment of Macbeth set in the Mumbai hidden world, featuring Irrfan Khan in the tangled nominal job, Tabu in the job of the goal-oriented Lady Macbeth, Pankaj Kapur as the ruler, and Om Puri and Naseeruddin Shah in the sexual orientation flipped jobs of the Weird Sisters.

Masoom (1983)

Shekhar Kapur's directorial debut was an uncredited adjustment of Erich Segal's 1983 novel "Man, Woman, and Child", in which the delighted existence of a family is disturbed after a vagrant kid — conceived of the spouse's (Naseeruddin Shah) undertaking with another lady — comes to live with them. It's a genuine tragedy, mind you, and dangerous in a couple of spots.

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Mughal-e-Azam (1960)

A sixteenth-century Mughal sovereign (Dilip Kumar) conflicts with his dad, Emperor Akbar (Prithviraj), after he begins to look all starry eyed at a court artist (Madhubala) in this epic dramatization, which remains as an achievement in Indian film and is called by some as the best Hindi film at any point made. Noted for its magnificence, particularly a melodic piece set in an imitation of the Lahore Fort's Sheesh Mahal. Addressed for its chronicled exactness and inventive freedoms somewhere else. Amazon has the 2004 carefully shaded adaptation.

Munna Bhai M.B.B.S. (2003)

After his folks discover he has been claiming to be a specialist, an amiable Mumbai hidden world wear (Sanjay Dutt) attempts to make up for himself by joining up with a clinical school, where his sympathy reviews against the tyrant dignitary (Boman Irani). Co-composed and coordinated by Rajkumar Hirani, who stands blamed in the #MeToo development.

Nadiya Ke Paar (1982)

Mostly dependent on Keshav Prasad Mishra's tale Kobhar Ki Shart, and better known for its unmistakably melodic 1994 redo Hum Aapke Hain Koun..!, this sentimental dramatization is the narrative of a wedded man and lady and the unlawful sentiment that blooms between their kin.

Naya Daur (1957)

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In executive maker B.R. Chopra's most popular and most financially effective film, a tonga — a sort of pony carriage — driver (Dilip Kumar) turns into a banner kid for the situation of a town that is experiencing industrialization, as he's tested to an unimaginable race against the very thing that compromises their work: a transport. Gave us the tune "Yeh Desh Hai Veer".

Newton (2017)

Victor of the National Award for best Hindi film, in which Rajkummar Rao stars as an administration representative who attempts to run a free and reasonable political race in the Naxal-controlled clash ridden wildernesses of India. Contrasted well with Jaane Bhi Do Yaaro — additionally on this rundown — for its political parody wealth. Likewise lauded for being both disappointing and cheerful.

Padosan (1968)

Sunil Dutt, Saira Banu, Mehmood, and Kishore Kumar star in this revamp of the 1952 Bengali film Pasher Bari, about a youngster (Dutt) who begins to look all starry eyed at his new neighbor (Banu) and afterward enrolls the assistance of his artist entertainer companion (Kumar) to charm her away from her music educator (Mehmood).

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Dried (2016)

Set in a fictionalized northwest Indian town, the narrative of a female group of four: a battling widow for a large portion of her life, her dear companion (Radhika Apte) derided for her barrenness and manhandled by her alcoholic spouse, an artist (Surveen Chawla) who performs for men around evening time, and a youngster lady of the hour. Author executive Leena Yadav carries subtlety to their systematized issues and authenticity to their private talk.

Parinda (1989)

Jackie Shroff, Nana Patekar, Anil Kapoor, Madhuri Dixit, and Anupam Kher star in this wrongdoing dramatization that discovers two siblings (Shroff and Kapoor) got on the contrary sides of a pack war after one's chief (Patekar) orders the demise of the other's companion. Vidhu Vinod Chopra coordinates. Patekar stands charged in the #MeToo development.

Phas Gaye Re Obama (2010)

Before the lawful parody movie arrangement Jolly LLB, essayist chief Subhash Kapoor made this post-2008 money related emergency sarcastic satire about a downturn hit Indian-American businessperson (Rajat Kapoor) who gets back to auction tribal property in Uttar Pradesh however is captured by downturn hit goons. Both Kapoors stand blamed in the #MeToo development; Rajat has apologized.

Pinjar (2003)

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Given Amrita Pritam's Punjabi epic of a similar name and set in the years when the Partition, a Hindu lady (Urmila Matondkar) comes back to her Muslim hijacker (Manoj Bajpayee) after she's repudiated by her family after getting away. Won a National Award. Lauded for Bajpayee's work and its cinematography; blamed for its screenplay, pacing, and three-hour runtime.

Poorna (2017)

Rahul Bose coordinated and featured in this obvious story of Malavath Poorna (Aditi Inamdar), a 13-year-old young lady from an ancestral Telugu-talking family, who turned into the most youthful Indian and the most youthful lady on the planet to climb Mount Everest. Incidental data: shot in the very Telangana town that Poorna experienced childhood in. Noted for its genuineness and authenticity, and the exhibitions of Bose and Inamdar.

Pyaasa (1957)

Master Dutt coordinated and featured in this great set in then-Calcutta which follows a battling, anguished writer named Vijay (Dutt) who can't get acknowledgment for his work until he meets Gulab (Waheeda Rehman), a whore with a kind nature.

Raazi (2018)

In light of the genuine occasions delineated in Harinder Sikka's 2008 novel "Calling Sehmat", Alia Bhatt stars as a covert Kashmiri RAW operator who weds into a Pakistani military family upon her dad's solicitation, to keep an eye on the neighbor before and during the 1971 Indo-Pak War. Meghna Gulzar composes and coordinates. A few pundits thought that it was impossible, while most were in commendation of Bhatt's work.

Sadma (1983)

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Balu Mahendra revamped his own 1982 Tamil film Moondram Pirai with Kamal Haasan, Sridevi, and Silk Smitha repeating their jobs from the first. It's the account of a young lady (Sridevi) with retrograde amnesia who relapses to a youngster's psychological state and winds up in a house of ill-repute, where she's protected by a desolate teacher (Haasan).

Sahib Bibi Aur Ghulam (1962)

In view of Bimal Mitra's comparatively named 1953 Bengali tale and set throughout the fall of British Raj feudalism, low maintenance hireling (Guru Dutt) builds up a nearby, dispassionate bond with the overlooked, forlorn spouse (Meena Kumari) of a blue-blood (Rehman). Waheeda Rehman — no connection — additionally stars. Pundits called it serious and applauded the exhibitions, screenplay, and cinematography.

Sholay (1975)

Very few movies have a degree of conspicuousness in well known Indian culture — because of exchanges, characters, and scenes — that is appreciated by this fine case of "Curry Western", which mixes genuine components with crafted by Akira Kurosawa and Sergio Leone. It's likewise a great case of a "masala film", one that befuddles different kinds, however, its droll endeavors are most ineffective. Amitabh Bachchan, Dharmendra, Hema Malini, Sanjeev Kumar, and Jaya Bhaduri (presently Bachchan) star.

Siddharth (2013)

After a helpless Delhi man's (Rajesh Tailang) 12-year-old child disappears while away on work many kilometers away in Punjab, he sets out the nation over to discover him, dreading he's been dealt. Second element for executive Richie Mehta. Avoids presenting simple answers, and rather gives a dynamite take a gander at "the monstrous reality" of kid work and snatching.

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Talaash (2012)

Aamir Khan, Rani Mukerji, and Kareena Kapoor lead the cast of this mental wrongdoing spine chiller, in which a cop (Khan) must go up against his past to tackle a prominent homicide, which includes a sex laborer (Kapoor) and his lamenting spouse (Mukerji). Co-composed by Zoya Akhtar and Reema Kagti, likewise executive. To a great extent lauded, however, some think it attempts to do excessively.

Thappad (2020)

A housewife's (Taapsee Pannu) impeccable wedded life winds up in pieces after her significant other slaps her during a gathering at their home, which causes her inquiry and re-to assess her life. Anubhav Sinha coordinates. Adulated for tending to aggressive behavior at home, a point routinely brushed far from anyone's regular field of vision in male-centric India, however, some questioned the "simple arrangements" it advertised.

Titli (2014)

Set in the barren wasteland of Delhi's underbelly, the most youthful individual from a rough vehicle jacking fellowship attempts to get away from his privately-owned company and finds a startling comrade in his new spouse, picked for him by his wild siblings. Ranvir Shorey co-stars. Highlight debut for author chief Kanu Behl, whose work was tremendously commended, for its character-driven nature and implanting it with trust in spite of the dim background. Equals were attracted to Asghar Farhadi's movies.

Caught (2016)

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Rajkummar Rao stars as a call community representative who inadvertently secures himself a skyscraper condo without food, water, and power in this endurance spine chiller from Vikramaditya Motwane. To a great extent commended, however, a few pundits felt the consolidated abilities of Rao and Motwane should have conveyed more.

Tumbbad (2018)

While searching for a mystery treasure in a town in the twentieth century Maharashtra, a man and his child face the outcomes of building a sanctuary for an incredible evil spirit who shouldn't be revered in this mental blood and gore movie.

Revolting (2014)

In this spine-chiller from author chief Anurag Kashyap, a battling on-screen character (Rahul Bhat) and a police officer (Ronit Roy) search for a missing 10-year-old young lady: their little girl and step-little girl, separately. Named as one of Kashyap's best by many, however, some disagreed with its routineness, heaviness, and unmerited bits of knowledge.

Veer-Zaara (2004)

Yash Chopra's penultimate directorial adventure — running more than three hours — is about the nominal star-crossed sweethearts, an Indian Air Force pilot (Shah Rukh Khan) and a Pakistani government official's girl (Preity Zinta), whose story is related in flashback to a Pakistani legal counselor (Rani Mukerji) by the detained pilot following 22 years. Praised for its secularist and women's activist topics, and its depiction of Indo-Pak relations.

Zindagi Na Milegi Dobara (2011)

Hrithik Roshan, Farhan Akhtar, and Abhay Deol star as three beloved companions who set off on a single guy trip across Spain, which turns into a chance to recuperate past injuries, battle their most exceedingly awful apprehensions, and begin to look all starry eyed at life. Zoya Akhtar coordinates, as Katrina Kaif and Kalki Koechlin co-star. Called new, wonderful, and tastefully satisfying — it feels like an advert for Spain on occasion; blamed for its pacing, runtime, and created nature.

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Here the story behind Salman Khan's 'War of Words' with Arijit Singh and Mithoon!

Here the story behind Salman Khan’s ‘War of Words’ with Arijit Singh and Mithoon!

#flashback Friday: It is known that fights happen in Bollywood. Sometimes, celebs try to make sure that he does not get out in public. However, there are times when fights are right in front of people and nothing can be done to hide them. One such quarrel also took place between Salman Khan and Mithun and Arijit Singh.

A few years ago Salman Khan hosted an award show. Singer-musician Mitoon won…

[cvrnewsdirectindia]

Shahid Kapoor on Mira Rajput’s debut: ‘She has all her life to figure out so many things for herself’ | bollywood

It’s not every day that your film makes close to Rs 280 crores, that too, only in India. Especially, for Shahid Kapoor, the experience is absolutely new, or as he says, “it’s a virgin territory for me.” But along with bouquets for Kabir Singh, came brickbats as well, for his “faulty character”. “But there is a certain section of people, who had propaganda of sorts that they talked about,” he says. We catch up with the actor for a freewheeling chat about the criticism, success, being a family man and more. Excerpts:

Kabir Singh is the biggest hit of the year so far. Has the feeling finally sunk in?

Yes! Weirdly, the first thing that I sensed was a feeling of being relaxed. And then, I also felt very emotional and undeserving of such numbers because it’s not as if I worked five times harder on this film and still, it’s making much more money. God has been very kind, and I’m very thankful to people. It has changed something inside me as far as my relationship with audiences is concerned. Now, more than anyone else, I want to work for them — be it my own reasons, family or my belief in cinema. I feel like keep giving them films which they’ll really enjoy. I don’t want to let them down.

Shahid Kapoor seen with his wife Mira Rajput in Mumbai on Aug 24, 2019. ( IANS )

At the same, the film and your ‘flawed’ character has been criticised by a section of people. Does that still bother you?

You know, it’s strange that no one questioned Shah Rukh Khan’s character from Baazigar (1993) when he loved both the sisters at the same time. I feel we’re coming of age with the kind of films we’re making, and our cinema is coming closer to reality, but with Kabir Singh, I saw an opposite kind of reaction. I found it a little hypocritical and surprising too since the character that Leonardo DiCaprio played in The Wolf of Wall Street (2013) — who I feel had a lot more issues than Kabir — is celebrated and applauded. And the same people are dissing Kabir Singh. Interestingly, people — at mass level — loved both the films.

As award season kick start, do you expect nominations or winning awards in the wake of all the talks?

Let’ see. We have seen that the audience has matured and has come of age. Now, we will see if other people have also grown up or they are still prejudiced. Time will tell. One thing’s for sure: the kind of love Kabir Singh has got can’t be disputed, and the film is driven by the character. So the writing is on the wall. Beyond that, nothing is in my control.

There’s a lot of mystery around your next film. Why haven’t you signed anything new?

My life is maintaining a mystery with me (laughs). I am dying to tell everyone what I’ll do next as it’s the best time to announce it. I was trying to find a film even before Kabir Singh released as I don’t like to sit at home. But I just didn’t like anything enough. Now, a lot of things have started coming so, I’ve to go through everything. Also, it took me a month or so to absorb everything, and understand what it means. After all, pehli baar hua hai. But there are things that I have liked. Hopefully, we will soon make an announcement.

  It has been four years since you got married [to Delhi girl, Mira Rajput]. And you put it beautifully in an interview that ‘even though it’s just been four years, a large part of who I am has been formed since the day we got married…’

It’s like a wild horse that used to be free in the wild. But for four years, he has been domesticated. So, my self-image has completely changed. I’m a domesticated horse now (laughs). On a serious note, your sense of identity becomes different before marriage as compared to when you have children and wife to come back home to. Then, it’s not just ‘you’ anymore, but more about ‘us.’ I think once you get there, then it’s difficult to get back to ‘you’ in terms of how you even think about life. Your thoughts and decision make a transition from ‘I, me and myself’ to ‘us’. I think that’s a big change.

Of late, there’s a lot of curiosity about whether Mira will get into showbiz or not. You take?

Wherever, whatever, however – that’s completely her decision. We got married and within first year, we had our first baby and then two years later, we had another one. So, right now, it’s difficult for her to give her time completely to anything else rather to herself. I can see how dedicated she is as a mother, and she is completely consumed by that. But she is just 25. In another year or so, she would have taken care of an extremely important, big part [giving all the attention to the babies]. She has all her life to figure out so many things for herself. Then she can do what she wants to.

You have tasted a blockbuster hit such as Kabir Singh after being an actor for 15 years. Do you think it will change the course of your career?

Just the fact that it happened, has already changed the course. The platform has been provided to me. Now, if I take this great opportunity and screw it up, then that’s my fault. But I will try not to (laughs). The opportunity has been given. Also, I strongly feel there’s never a wrong time for the right thing. Whenever it comes, it’s the right time.

Coming to all the criticism that Kabir Singh received, would all the talks make you think twice about taking up a similar character in the future?

Not really! Today, I feel liberated. Now, I know my relationship is with the audience. And if they got it, that matters the most. Everything else is just noise. It gives you clarity ke main yeh films kiske liye bana raha hoon. To me, the most exciting part about cinema is to play all kinds of characters. I was never obsessed with being this perfect man whom every woman wants. I’m here to play characters, good and bad, to be loved or hated for the traits of the characters. It’s just so difficult to make people hate you. And the fact that Kabir was hated in some parts, I take it as a compliment as it means I possibly did a good job with it.

Why do you think all the criticism has been unfounded?

For me, it’s a fundamental thing. You can’t impose your personal morality on a character, as he/she has its own morality. If I say that only a certain kind of film should and shouldn’t be made or watched, then I am saying that the entire country knows less than me. Then, you’re putting yourself on a pedestal. And it’s like living in a bubble of being intellectually superior. That bubble burst with Kabir Singh as people were like, ‘I am an adult and I will decide what I like.’ Just because they love a film, doesn’t mean they like the bad behaviour of a character. In the ’70s, when Mr [Amitabh] Bachchan played the angry young man, did people start shooting the cops? No, people don’t do that.

What’s your personal take on your character?

Did I like the way Kabir behaved in certain parts of the film? Not at all! But an actor’s job is to play a character without being afraid. It’s a coming-of-age of cinema wherein you have to show things the way they are. If there’s a problem in the society, what’s the first thing that you need to do? You must acknowledge that there is a problem and then address it. The job of films is to mirror life and show what happens and what can happen. If people today are saying that this kind of behaviour against a woman is unacceptable, it’s great that Kabir Singh has fuelled such a conversation.

Also read: War box office collection day 4: Hrithik Roshan-Tiger Shroff film collects Rs 124 cr, beats Salman Khan’s Bharat

There has also been chatter about your part being misogynist…

Yes, there were people who said that, ‘Kabir is a misogynist.’ But for me, he was badly-behaved across the board, starting with his grandmother. If he was very nice to men and badly behaved with women, then I’d have agreed that he is misogynistic. But his prejudice is not on the basis of gender since he has an anger management problem. He just loses control. So, that term was very propaganda-ish. I didn’t see any relevance in it. People, who watched the film from a neutral point of view, understood it. But those who came in with prejudice, didn’t see it in totality.

Recently, I came across a scene of Raj Kapoor and Nargis where they are having a very passionate fight. And I was like, ‘something like this got made at that time?’ So, I was very surprised that in today’s times, when people are watching Sanju, in which he puts a commode cover around his wife’s neck as a mangalsutra , why is everyone attacking only this film. It felt a bit strange. But I am happy to hear from people that they didn’t like the film. No issues! But it’s unacceptable that you tell other people not to like this film or that this film can’t be made.

In spite of everything, right now, how do you feel?

I really believe a lot in destiny. A lot of people say, ‘oh, you waited 15 years for a hit this size,’ but maybe, if I hadn’t waited for so long for this, I wouldn’t truly appreciate and respect it. Honestly, I feel failures make you a man. Even boys can do well when success is under their feet but when that carpet of success get pulled away, only the men can stand up and survive. The boys get knocked out. So, I feel all the failures that I have seen have made me who I am today. I am very thankful for the fact that it took so long for success to come my way, as I know it could have never happened.

Talking about fatherhood [with kids, Misha and Zain], what has it done to you?

You forget yourself to a large degree since you are so much in love with your kids, and just observing how they grow every day. It’s so fascinating and beautiful that you feel very satisfied. Nahi to life mein it’s like, ‘mujhe yeh karna hai, mujhe woh karna hai.’ Also, when kids are young, they are available to you. So, I would want to spend as much time as possible with them because I know after a point, they won’t have time for me, even if I have all the time for them. So, sitting at home after Kabir Singh was possibly a good thing as I got time for my children.

Rumours are floating around that you have increased your price…

There’s always something floating around (laughs). I have to sign a film first for any kind of price conversation to happen. But the fact of the matter is that obviously, my price will change, simply because it’s [the industry] driven by commerce. But let me sign a film before you start assuming.

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First Published: Oct 06, 2019 11:26 IST

from CVR News Direct https://cvrnewsdirect.com/shahid-kapoor-on-mira-rajputs-debut-she-has-all-her-life-to-figure-out-so-many-things-for-herself-bollywood/