#salma-core

[popculturebaby]

Salma Hayek in “From Dusk till Dawn” (1996) 🐍

[thegamorousrose]

Princess mb

[didalexiabreakupwitholgaisback]

i’m just curious on your thoughts regarding girma to chelsea? on one hand, i’m happy that she’s getting recognized as such a great player and getting her bag, as well as that she’s finally playing in europe. but on the other hand i’m slightly annoyed because chelsea seems to be pulling way ahead of almost all the other teams in the wsl. they’re already so dominant it just seems like they don’t need her, so part of me wishes she went somewhere else where she would make more of an impact rather than a team that is already on track to win multiple trophies. again im very happy for her and that chelsea seems to be doing good for their women’s team but i just wish it didn’t seem like this is going to make the wsl less competitive. also sorry this is so long lol i’ve just been thinking about this a lot.

hi anon - i'm going to play devil's advocate here. so your criticism is something that i see being thrown at barça a lot too, and so i want to ask you: do you think barcelona is ruining women's football in spain?

remember that barça also pays high transfer fees (we started the trend for mapi in spain, continued breaking records for keira in 2022 and paid a significant transfer fee for ewa pajor this year). so i think solely to criticise chelsea for this seems a bit hypocritical coming from a barça fan. yes, we also use a good portion of players from our b team but not as much as we used to. remember we brought in ellie, esmee, kika, vicky, salma, and sydney from outside our system. and that's not counting keira, frido, caro, and ingrid, who are foreign players too. 🤔

so i want to change your thinking. can we flip it as a spotlight on what investing in your team means instead? other teams should see teams like barça and chelsea that are pumping in money into their teams and act accordingly.

it's all about proper investment. this is the first year that barcelona is bringing in a profit for the women's but they were willing to spend money in order to make money and now the club is seeing the results of more than 5 years of consistent investment and spending.

the teams at the top of the league are easy targets, but when arsenal was going to pay 1.1 million (even more than chelsea is paying for girma), i didn't see nearly that same criticism leveled at them. so shouldn't we encourage these super rich premier league teams to be investing way more at all levels of the women's game?

because let's say for argument that girma went to arsenal. that's not going to make the wsl any more competitive than it already is. there's a huge gap between the top teams and the bottom. so for wsl to be competitive, then each team, including the crystal palaces, leicester cities, and liverpools of the world need to keep putting in the time and money and investment.

this 100%. and i just took a look at the operating expenses and profit for some of the big premier league and la liga teams and it's really shameful really. even if they reported a "loss," take a look at the expense sheet and compare the amount spend on not just the first team for the men, but the lower teams and academies, and then compare to the women. it's a drop in the bucket. so these "high" transfer fees for the women are literally nothing in the grand scheme of what these teams are already spending...

hi anon - so i don't know that much about chelsea's academy to answer this in detail, but academies seem like such an obvious place for clubs to invest. you can use a lot of the same core principles and the recruitment gets a boost when you see both a big name club and the backing of the first team.

but that doesn't mean that you can't also bring in new players. a lot of our stars are not barça academy/la masia projects (like caroline graham hansen and vicky). but rather, it's a good mix that can lead to success.

[nsfwmiamiart]

Official Communication - Letter: Subject: Clarification of Roles: Distinction Between Godmothers and Goddaughters in the Somali Royal Family

Official Communication from Crown Prince Angelo Subject: Clarification of Relationships Between Goddaughters and Their Godmothers

Here’s the list of Instagram profiles for the Goddaughters:

Justine Skye: @justineskye

Cuban Link (Jamira Haines): @_cuban_link

Jessica Marquez: @iamjessmarquez

Christina Santini: @santinihoudini

Here’s the list of profiles for the Godmothers:

Zoe Saldana: @zoesaldana

Charlize Theron: @charlizeafrica

Eva Mendes: @evamendes

Beyoncé: @beyonce

Sofia Vergara: @sofiavergara

Salma Hayek: @salmahayek

Delphine Arnault: Delphine Arnault - Wikipedia - (click on the blue link)

Dear Respected Godmothers and Future Wives,

I hope this message finds you well. I am writing to provide clarity on the relationships that I, as Crown Prince Angelo, have structured between my future wives—your Goddaughters—and you, their esteemed Godmothers. This is a nuanced topic, and I wish to ensure there is no ambiguity in understanding these roles. Allow me to explain this distinction in detail, step by step, as though guiding students through a complex subject.

1. The Core Distinction Between Godmothers and Goddaughters

Godmothers: Your role is advisory and supportive. As Godmothers, you are cherished guides and mentors to your respective Goddaughters.

Goddaughters: These are the women I will marry. My future wives—my Goddaughters—are my chosen partners in life and the mothers of my future children.

Simply put, while Godmothers hold a position of respect and influence, my marital relationships and the continuation of my lineage rest solely with the Goddaughters.

2. The Relationships and Assignments

To provide further clarity, here is a breakdown of the Godmother-Goddaughter pairs:

Justine Skye: Her Godmothers are Zoe Saldana and Charlize Theron.

Cuban Link: Her Godmothers are Eva Mendes and Beyoncé.

Jessica Marquez: Her Godmother is Sofia Vergara.

Christina Santini: Her Godmothers are Salma Hayek and Delphine Arnault.

Each Godmother is entrusted with the guidance and mentorship of her Goddaughter, fostering a supportive and harmonious relationship.

3. Marriage and Parenthood

To eliminate any potential misunderstandings:

I will marry the Goddaughters, not the Godmothers.

I will have children with the Goddaughters, not the Godmothers.

This distinction is vital for maintaining the integrity of these relationships.

4. The Benefits to Godmothers

By structuring relationships in this way, life becomes simpler and more fulfilling for the Godmothers:

Ease of Access to Power: You will maintain influence and a close connection to the Royal Family through your Goddaughters, without bearing the direct responsibilities of marriage to a monarch.

Positive Relations: Your bond with your Goddaughter ensures that you remain an integral part of our shared mission, enjoying mutual respect and collaboration.

5. The Role of Godmothers in the Broader Vision

Your role as Godmothers is invaluable. You serve as confidantes, role models, and advisors to your Goddaughters, shaping their journey as future leaders and royal consorts. Your wisdom and guidance will ensure the success of the Somali Royal Family and the harmony of our collective mission.

6. Conclusion

In conclusion, I want to reiterate that while I deeply value the roles of the Godmothers, my marriages will be solely with the Goddaughters. This clear delineation ensures mutual respect and allows all of us to work towards our shared goals with clarity and purpose.

Thank you for your understanding and continued dedication to this vision. Should you have any questions or require further clarification, please do not hesitate to reach out to Salma Hayek and Nadia Fettah.

Warm regards, Angelo Crown Prince and Future Sultan Somali Royal Family

P.S.:

Synopsis of the Letter:

Crown Prince Angelo provides a detailed explanation of the distinct roles between the Godmothers and their respective Goddaughters within his royal structure. He emphasizes that while Godmothers serve as mentors and advisors to their Goddaughters, he will only marry the Goddaughters, who will also bear his children. This distinction ensures that Godmothers maintain influence and positive relationships with their Goddaughters without the responsibilities of marriage.

The letter clarifies the following relationships:

Justine Skye's Godmothers are Zoe Saldana and Charlize Theron.

Cuban Link's Godmothers are Eva Mendes and Beyoncé.

Jessica Marquez's Godmother is Sofia Vergara.

Christina Santini's Godmothers are Salma Hayek and Delphine Arnault.

By defining these roles, Crown Prince Angelo fosters harmony, ensuring the success of the Somali Royal Family’s vision while simplifying life for the Godmothers through their supportive relationships with the Goddaughters.

[mayamidnightmelody]

The Eternals, a group of superhuman beings created by Jack Kirby in 1976 for Marvel Comics, have long been an integral part of the Marvel Universe. Known for their immense powers, ancient origins, and complex mythologies, the Eternals have captured the imagination of comic book readers for decades. In 2021, Marvel Studios brought these characters to the big screen in the film "Eternals," directed by Chloé Zhao. This article delves into the differences and similarities between the movie and the comics, examining how the film adapts and reinterprets the rich source material.

Origins and Creation

Comics

In the comics, the Eternals were created by the Celestials, god-like beings who visited Earth millions of years ago. They performed genetic experiments on early humanity, resulting in three distinct groups: the Eternals, the Deviants, and baseline humans. The Eternals were granted near-immortality and vast powers, which they used to protect humanity from the destructive Deviants.

Jack Kirby's original vision was heavily influenced by mythology, science fiction, and his earlier work on the New Gods for DC Comics. The Eternals were presented as almost god-like figures themselves, with a rich tapestry of stories intertwining their existence with the myths and legends of human history.

Movie

The film adaptation retains the essential elements of the Eternals' origin, including their creation by the Celestials. However, it expands and reinterprets these elements to fit within the larger Marvel Cinematic Universe (MCU). The Eternals in the movie are sent to Earth to protect humanity from the Deviants, following the orders of the Celestial Arishem. The film emphasizes their role in guiding and observing humanity throughout history, contributing to the development of civilization while adhering to their mandate not to interfere directly in human conflicts.

Characters and Relationships

Comics

The core group of Eternals in the comics includes Ikaris, Sersi, Thena, Makkari, Ajak, Gilgamesh, Sprite, and others. Each character has a distinct personality, power set, and role within the group. For instance, Ikaris is often portrayed as the noble and powerful leader, while Sersi is known for her hedonistic and adventurous nature. Thena, inspired by the Greek goddess Athena, is a fierce warrior and scholar.

The relationships among the Eternals are complex and often strained. Despite their immortality and shared mission, they have different views on their purpose and how to interact with humanity. These differences lead to internal conflicts and evolving dynamics over time.

Movie

The movie introduces a diverse cast of Eternals, retaining many of the key characters from the comics but with some notable changes. The gender and ethnicity of several characters are altered to create a more inclusive and representative ensemble. For example, Ajak, originally a male character in the comics, is portrayed by Salma Hayek, and Makkari, traditionally male, is reimagined as a deaf female character played by Lauren Ridloff.

The film delves deeply into the relationships and emotional lives of the Eternals. Ikaris (Richard Madden) and Sersi (Gemma Chan) share a central romantic subplot, highlighting the tension between duty and personal desire. Thena (Angelina Jolie) and Gilgamesh (Don Lee) have a profound bond, forged through their shared experiences and Gilgamesh's role as Thena's protector. The film also explores Sprite's (Lia McHugh) struggle with eternal youth and the limitations it imposes on her desire for a normal life.

Themes and Motifs

Comics

The Eternals comics explore themes of immortality, duty, and the nature of godhood. Kirby's storytelling delves into the philosophical implications of living for millennia and the burden of immense power. The Eternals' interactions with humans raise questions about free will, interference, and the ethics of their protective role.

The mythological underpinning of the Eternals' stories is a significant motif. Kirby weaves elements from various mythologies, creating a rich tapestry that connects the Eternals to the gods and heroes of ancient cultures. This connection to mythology enhances the grandeur and epic scope of their adventures.

Movie

The film adaptation retains many of these themes but adapts them to resonate with contemporary audiences. The theme of duty versus personal desire is prominent, as the Eternals grapple with their mission to protect humanity while longing for personal fulfillment and connections.

The film also emphasizes diversity and inclusion, reflecting modern societal values. The diverse cast and varied backgrounds of the characters underscore the universal nature of the Eternals' story, suggesting that heroism and virtue are not confined to a single culture or ethnicity.

Another central theme in the movie is the concept of faith and questioning authority. The Eternals' blind obedience to the Celestials is challenged, leading to a critical examination of their purpose and the morality of their actions. This theme aligns with broader narratives in the MCU, where characters often grapple with the responsibilities and consequences of their powers.

Visual and Stylistic Differences

Comics

Jack Kirby's art in the original Eternals comics is iconic, characterized by his dynamic compositions, bold lines, and imaginative designs. The visual style is grand and operatic, reflecting the epic scale of the Eternals' stories. Kirby's use of intricate details and cosmic imagery creates a sense of awe and wonder, befitting the god-like nature of the characters.

Subsequent artists who have worked on Eternals comics have brought their own styles to the series, but the grandeur and mythic quality established by Kirby remain a consistent visual thread.

Movie

Chloé Zhao's "Eternals" brings a distinct visual and stylistic approach to the MCU. Known for her work on intimate, character-driven dramas, Zhao combines this sensibility with the epic scope of a superhero film. The cinematography, by Ben Davis, captures sweeping landscapes and grandiose celestial imagery, creating a sense of scale and majesty.

The film's visual effects bring the Eternals' powers to life in a way that is both spectacular and grounded. The design of the Celestials is particularly impressive, maintaining their awe-inspiring presence from the comics while integrating them seamlessly into the film's aesthetic.

Zhao's approach to storytelling is more contemplative and character-focused than typical MCU fare, allowing for deeper exploration of the Eternals' internal struggles and relationships.

[darkspear-dancers]

11) What was your inspiration for your OC?

No surprise here, Ahuatli's primary inspiration is Salma Hayek in the film From Dusk Till Dawn. Another artist (who's no longer active in the WoW community, unfortunately) came up with the concept of the veildancers themselves, and Ahuatli's character flowed effortlessly from there.

Zul'Jawa's character was inspired by the Brazilian martial art of capoeira, especially by the style of famed practitioner Lateef Crowder. On the same wavelength, his backstory and his ongoing arcs have often been inspired by classic martial arts movies.

And though they weren't her original sources of inspiration, the Jaguar Warrior Azae'latl has come to take after a few other notable capoeiristas, such as Street Fighter's Laura Matsuda and Elena, and Tekken's Christie Monteiro.

Finally, I would be remiss if I did not give mention the obvious source of inspiration that my culture and heritage plays for all of my characters. From titles to attire, my characters often have Aztec and Mayan iconography down to their cores.

[ Lovely question, thank you so much @saltsparkle!! Question also asked by @simplysoriya, thank you too! ^^ ]

[fbfh]

Seb Chacon as a (maybe older) leo fc??????????? (This dude is in the new Daisy Jones show and i am obsessed basically)

I just looked him up and yeah I can kinda see this????? Especially the hair like oh my god

I feel like he would also make a really good Sammy Valdez fc, especially the 70s stuff???? With the mustache???????

Also on the topic of Leo’s extended family, I feel like Salma Hayek could play Esperanza very well. Especially seeing her be all mom core in eternals?????? Yes pls

[adamwatchesmovies]

Here Comes the Boom (2012)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Just say “No” to Here Comes the Boom. This Happy Madison production isn’t as egregious as most but it tries so hard to wring emotions out of its audience there’s no dirty trick it won’t try. Every inch of it stinks of artificial sweetness and a mechanical heart beats at its core. This film desperately wants to be “Rocky” and never even comes close.

Disillusioned biology teacher Scott Voss (Kevin James) learns budget cutbacks will result in the music program being canceled. Its teacher, Marty Streb (Henry Winkler) desperately needs the job to support his pregnant wife. To raise the money needed to keep the program alive, Scott begins competing in mixed martial arts matches.

Take a look at Kevin James. Even when he’s “buff” like he is in this movie, you won’t believe for a second that he would even consider fighting to make money. Scott rides a motorcycle, which makes him cool. Normal viewers might categorize him as a loser teacher who sucks at his job but the movie tells you he’s got what it takes to not only inspire his kids but take care of the old man who’s about to go broke because of the kid that’s underway. If it isn't obvious enough, this is a thinly-veiled self-insert fantasy. At night, Scott teaches classes for people who want to get their U.S. citizenship, which movie-wise, serves double duty. It's an excuse to insert some gags at the expense of people whose first language isn’t English and explain why it’s ok for him to constantly harass Bella (Salma Hayek), the sexy teacher he pines for. By the end of the movie, you know she’s going to end up in his arms, which speaks to Hayek’s acting talent that she can keep a straight face while indulging Kevin James and director Frank Coraci.

Taking cues from the Sylvester Stallone classic, with a hint of School of Rock and none of the appeal of either film, I saw right through Here Comes the Boom. Maybe you won’t. Even if the story does bend you into the shape of a pretzel like it intends to, I bet you won’t swallow the sports portion of the movie. Scott begins his "career" with matches that barely last 10 seconds, in a venue where they’re probably also betting on which rooster will die first. Before the end of the school year, he's pitted against a professional fighter. It's pure science fiction. The script goes to great lengths to tell us how he used to wrestle in college, and there is a training montage where a former fighter (Bas Rutten as Niki) teaches him the moves… but this is a comedy. The MMA scenes are more about seeing Kevin James get kneed in the head than winning. A few scenes later, we're supposed to be dramatically invested in his big match. Impossible. Here Comes the Boom could’ve gone with something realistic; maybe Joe Rogan (playing himself) has a secret passion for playing the tuba and comes to rescue the school program after hearing what Scott is doing but nah, they had to go for the ultimate “winner” of an ending. It's an insult to your intelligence.

Here Comes the Boom has few laughs to offer. Its attempt at an inspirational story will make you roll your eyes. The moments of heart are not the least bit genuine. This leaves us with Kevin James, who might have some appeal to some… but not this reviewer. (On DVD, October 12, 2019)

[guildtree]

Ok ok since you said you want to talk gw1 - what has been your favorite part of it? Any unexpected things you recognized from gw2?

Oh excellent, hahaha. I have so many thoughts, long post incoming!

My favorite part has actually been the combat, which surprised me a lot because I usually prefer the faster, looser style you'd find in GW2. I think it's a huge testament to GW1's quality that I enjoy the tactical, slower combat there just as much as something that's more classically in my wheelhouse. More than that though, I like the enemy design. I was shocked at how SMART the enemies are. They resurrect each other, they target your healers, they heal themselves, etc. Different groups have different tactics and require different strategies, and you start to learn those as you go through the game. I can DPS through a krait monk's healing, for instance, but a Stone Summit dolyak rider healer will stall me forever. It's tactical and consistently challenging enough that I have fun just running around the world killing stuff, and because they stay dead it's a lot more satisfying to do that.

Seriously, the enemy design is sharp enough that I had down to a science exactly how many Afflicted it took to murder my whole party of henchmen down in the Kaineng sewers. 4 or less was an easy win for us. 5 made me pay attention. 6 was a hard fight, and any more than that would kill us, guaranteed. Oh hey, guess how many Afflicted tend to be in the patrolling groups down there? 5-6.

Couple of things I was surprised to see: First, the humor is still there. There's less of it, but from the way people talk about the first game, especially Prophecies, I was expecting a serious almost grim-dark adventure. Instead, while there are quests about losing your homeland and the trauma of that, there is also a quest where I have to find treats for a pet devourer named Joe so that it stops eating the Vanguard soldiers' rations. There's the running joke where every female henchman in Cantha has a crush on Mhenlo and Cynn is about to set them on fire for it. I think the game actually does a good job balancing humor and tragedy to make the tragedy hurt more. And like, humor is a way people process trauma, so it makes sense for Ascalonians to have a dark sense of humor.

Other surprising thing: the amount of developed female characters, especially ones that can kick your ass. Even back then ANet wasn't afraid of making women a key part of the adventure, which is refreshing compared to other MMOs of the time and even other MMOs now. 3/5 of the core henchmen you'll see on the box are female. Beyond that, there are important female characters throughout all three campaigns, like Salma, Evennia, Danika, Kormir, Gwen, and many more. And there are female villains too - I just met Varesh Ossa, for instance, and I know Minister Reiko is in there somewhere. I have some grievances, but for an older game it's pretty impressive, and it's clear the developers aren't afraid to just let women be badasses. While I wouldn't say I'm as connected to these characters yet, there are definitely some that I fell in love with. Like Danika - she's the only Kurzick with any brain cells and I love her.

Other random things I discovered: mursaat are awful bastards. Like, I knew they were terrible lorewise, but having to actually fight the floaty buggers that shoot deadly magic at you and hide behind their bulky golems makes them so much more annoying. Titans are horrifying enemies (why do the ash ones BLEED???) that I can't believe aren't talked about more, since apparently we've just got a sealed-up apocalypse hanging out down in the Fire Islands. There's another lich besides Joko!? How does that happen!? Do you just become a lich if you're a powerful necromancer whose entire nation gets destroyed?

Also the Jade Sea is like ... blue in this game. I think I like it better. You can burn down Old Kaineng though, that place is terrible.

Alright, I'll stop rambling now. Thank you for the ask!

[al-mayriti]

MY TOP 16 OT 2023 SINGLES

now that all singles have been released, i thought it would be fun to rank them !!! of course, this is subjective, i encourage you to listen to all of them just in case! here's the full playlist with all the lyric videos, tho i will be linking individual ones throughout the rank. i will also add my favourite lyrics from each song just for fun <3

16. el modo - alex márquez: i don't mean to be mean but i listened to all songs an hour ago and i have already forgotten about this one. sorry.

ya tengo dos diplomas, son de desamor / los dos me los gané por ti

15. corazones rotos - lucas curotto: i like the melody in the chorus, tho it is not really my style, i don't really vibe with it.

no eres la que conocí, ya no reconozco tu mirada

14. lo que no ves de mí - juanjo bona: i like how grandiose it is, like it could be in a musical, but there's something i feel like it's missing for me.

y ahora voy directo al sol

13. mala costumbre - chiara oliver: i tried so hard to like this song but there's just something :( i don't know what but yeah. i wish i liked it.

todo lo que repetimos / una y otra vez / hace que no vea el final del túnel

12. 404 - denna: i really like the first pre-chorus, that part is honestly amazing, but i do not vibe with the rest of the song unfortunately.

son las 4:04, no hay error, aquí no hay datos

11. kombolewa - suzete: honestly? i'm very happy it's going well for her. she deserves it. and the chorus is sooo catchy she did a great job.

si tú me lo pides nos vamos pa' canarias / cogidos de la mano, escondidos en la playa

10. tengo que parar - omar: i'd say it is kinda underrated, the chorus for example is actually very very good, and the lyrics themselves are solid i would say, i definitely see omar becoming a full-fledged lyricist / composer in the future.

y aunque me guste pensarte, tengo que parar / creo que se nos hizo tarde en la terminal

9. mis nenas - álvaro mayo: welcome back britney spears <3 he is everything to me, and tho his style is not what i normally listen to, i know he's gonna make such cool music and so different from anything we have at least in spain, i can't wait.

ya todo da igual, no quedan cartas pa' quemar

8. el x venir - violeta: it's such an interesting sound, very violeta-core, i am very happy with her because it is actually quite a good song. i particularly like the sound of shattering glass, i am always waiting for it whenever i listen to the song.

miro al cielo y me devuelve la mirá / y en mis uñas reflejá la luna

7. enlokiá - naiara: SHE INVENTED CHONISMO. like just !!!!! this song this mv it's so her it's so choni it's just... perfect. absolute perfection. the lyrics are also cool, i really like them, it really gives me rosalía vibes.

sin diamante' los aros me brillan

6. la mirá - salma: i just realised these last three songs have very similar vibes at least lyrically. anyways. you know i like a good flamenco. and a good queer flamenco???? of course i was gonna love this song. i cannot wait to hear what salma will release next !!!

salgo pa' quitarme las penas / a la calle buscando una niña gitana que sea canastera / tiene una mirá verdadera / y en el barrio se dice que ella es mu' tímida y yo zalamera

5. rompeolas - martin:

soy como una moneda de cobre tirada en una fuente / espero al deseo / impaciente

this song is actually so good i am without words. like the themes !!! the lyrics !!! the melodies !!!! THE MUSIC VIDEO WITH JUANJO !!! impeccable, i'm so happy for him

4. las chicas malas desafinan - ruslana

tiran claveles mientras me paseo por madrid

i have to admit, this one was a bit of a grower for me. i think it's cause i had such a high expectation for a rock single, but literally today i was humming it while doing housework, it's so so good. it sounds like a disney channel original song AND I MEAN THAT IN THE BEST WAY POSSIBLE. if rus can do this at 18, i will be seated to see what she's capable of later on. however, the 7.5 line is still cringe i am afraid. it's still only a line. but yeah. that one is hard to listen still.

3. sigo aquí - bea

y aunque este abismo te asuste / yo te espero al otro lado

this song is the musical representation of this emoji ❤️‍🩹 like it's so heartwarming. the lyrics are so beautiful, her voice is as insane as always, and it's so very catchy !!!! she's everything to me <3

2. remedio - cris

para mi locura eres el remedio

i don't think it's a controversial statement to say cris was the most severely underrated contestant of the edition. he had a PERFECT contest, and he was only expelled because he had a weaker gala than usual (also the song he had to defend... well. let's say it wasn't a surprise he was nominated). en fin. this song is literally perfect. like the first time i listened to it i had my jaw gaped in shock. it has everything. perfect. congrats cris you're incredible.

dónde - paul thin

el amor no se siente, sino que lo encuentro en mi mente / más no está en mi mente

i mean was it even a surprise. apart from him being my fave contestant, it is genuinely a bop it's so fucking good. and also there's the theme of the song. i am pretty sure he wasn't aware of this when he was writing it but a song about forcing yourself to feel something toward this person and feelink like you are unable to love really hits different when you're ace who sometimes feels they're aro because they are unable to feel anything despite being in love with the concept of love and romance. anyways. yeah. song good.

[6afurah]

Hey yeah it's been a while

Hey, No one is listening anyways.

Siapa je nak baca this account,

You know what I saw today?

Salma's blog website,

you know what i realized?

I am just so jealous, I am the lesser version of this girl, maybe she was never a homewrecker maybe i just lost because maybe just maybe maybe maybe MAYBE i SUCK.

Maybe I will always be less refined than her or any other girls Ismail was into, maybe i will always have frays and tears and look like something you find in the free pile section of car boot sales and independent thrift stores. Maybe i just suck, maybe i just suck to everyone that isn't me, maybe I'm the only one who actually likes me.

Maybe that's why I cant change and all i can do is sit and feel insecure over things I don't want to change because i like myself too much.

Writing? She writes too? You know what's something I've always wanted to tell people? That I wanted to write but I dont have the patience nor the memory for it, that my writing comes in my brain and disappears the moment i hold a pen. The moment I hold pen and press it onto the paper, it just disappears and my pen is just left there getting dried and I don't even keep trying i just accept the fact I can't fucking write and I keep consuming books and knowing what constitutes as a good book and a bad book but never able to WRITE because this is what happens when you have the brain of a gold fish that sounds like 4 sentences are being written at the same time, when your fingers move faster than your mind can even form sentences.

My whole life all those around tell me I'm brilliant full of potential, I just need to be more refined.

What if I'm not fucking refined, guys? Is this not fucking art to you? is this not fucking literature to you? Is a human being blowing up out of jealousy, insecurity, self hatred, self acceptance, self love, conflicting ideas, not complex enough for your bullshit ideas of what constitutes as art? Is this not what you wanted? did you not want a think piece of someone blowing up? losing their mind on a blog that NO ONE will see? Is this not a performance in it's own right? to scream into an outlet that will NEVER be discovered ? Since when did writing and at have to be refined? where the fuck is the genre for people like me who can't seem to find it in themselves to slow down and pace my pharagraphs? to not wind around the same topic over and over and over again?

Where's the appreciation for writers like sara pennypacker? was it not whimsical enough to catch your idea of what the mind of a creative child is like?

Am i just a poser?

Am i just trying to grow out of Salma's shadow?

It's not her fault you know, It's not Ismail's fault too,

I'm done being angry at either of them, So what now? What do you do when you're done hating something for so long and realize you're not feeling shit anymore but all that's left is hollowness in your core, a gaping hole meant to be filled with the shit your peers said you'd eventually succeed at, I am neither a failure of the expectations put upon me or a success in my own eyes, I'm just someone who lacks direction, drive, focus and patience.

Neither a good or bad thing,

so why the fuck does the world make me feel so bad for being both the tip of mediocrity and contradiction at the same time?

Is the cat, In the FUCKING BOX OR NOT?

You know fuck it, I can write.

You want to see me write, I can.

I'll write better than Ismail, and salma because unlike those retards I actually spent my teen years reading actual shit, I wasn't wasting time on skype like dumbasses who think they're the shit , who think they're developed people, padahal

have never actually endured real fucking problems.

Fuck ismail and Salma, aku tak marah with them anymore and I want to cement the fact I am in fact better than both of them COMBINED as people.

man, what the fuck is up with bitterness.

Also, i got off at court, case got dropped ( not exactly but chances are yes )

I'm back to studying

and also i never ended up finishing that project for ismail and you know what it's fine, I dont have the mental energy to make a love cd for anyone in my life right now.

[rei-fashion-corner]

swastamita 2023 part 3

part 3 of swastamita 2023 review

gusti ayu fina puspawati & mega oktaviyanti titled poise. the looks are elegant. both of it done really well but there's no cohesiveness on the 2 design. it feels like its from 2 different theme. it still a great clothes 8/10.

nazhira zahran & anggita tri ayuningtyas titled mega mendung. okay i like the second one and for the first one i found it kinda ugly. the first one looks like slapped together with no care for balance on the design. if for only look 2 i'll give it 8.5/10 but since i be judging it based on the collection i'll give it 6.5/10.

viela sofa hanifah & vina nurhendriyani titled mahyang. this looks is soooo good the design is really muach muach chef kiss. it's clean. the vision is there. 8/10

salma haniah & hanna yulianty pratiwi titled suka cita, i like the colour n silhouette but that flower pattern kinda look bad. old people shit i dont like it. it honestly ruin the whole clothes 6.5/10

adisha namira & wafa nabila putri titled javan leopard. i dont really like the colour of the left one. it looks messy but its not that bad. the second one i really like its simple n classy. ill give it 7/10.

jihan fadilla & amalia rachma attorik titled festive d'tomohon. this one like an old school shit like 1960's shit that only focus with the beauty of it. it looks really good but u know its not rei review without hating on old school shit. 7/10.

eliene austriani & ghina pramesti titled holusculum. i never really into the cotage core look but this is fit the style n it looks really good especially the second one. its really easy to look at. its soft n flowy. 7/10

devi selviana tiurina & syarifah niswayul khaira titled afsun de toraja. when everything is the main character no one ended up getting the spotlight. that's how i feel about this looks everything is so loud it ended up become just incoherent noise. 6.5/10.

devi maya oktaviani & mindy nanda nabilah titled mahyang ayu. the asymmetry is fun, it elevate the design but the silhouette still just a simple one. ill give it 6.5/10.

ardea regina ginting & salma halimatus sadiyah titled funkies. now this is what i love. this has a big vibe that punk vibe that jun takahashi vibe that i really love. this collection grab my heart and attention. 9/10

andini pramestisya putri & kiffa cecilia titled dharma dewata. this one is classy the choice of colour make it more intimidating i love it. it kinda remind me of alexander mcqueen. 8/10

mutiara azahra & raisa zahra titled killok laleng lippa. this one have the same problem with the selviana tiutina & syarifah niswayul khaira collection. incoherent white noise. 6.5/10.

ayu fitriani & nanda aryandita titled cartenz pyramid. this one is beautiful. the asymmetry with the sleeve on the left look is really muach muach chef kiss i really like it 7.5/10.

alya najwa rachman & rifa dzahabiyyah titled lereng samudra. this is cool the colour is as themed. but the thing i really love is that depth effect that created by making the colour blue transition from light to dark. 8.5/10.

nadira zahra syihab & syifa sabilla adriana titled surga kecil diujung timur indonesia. this is simple n clean. looks modern. it's giving girl boss. 7/10.

tiara ovelia & queenie salsabila bismutia titled sumba ethestrianism. i dont hate the cow girl look. yeehaaww 6.5/10

auranisa dyah qonita & jilan harizhah jauza suhendar titled lu'lu mabelo. this is loud in a correct way. it screams "look at me" and when u look at them u werent disappointed. 7.5/10.

olivia & anggun futikatun ni'mah titled lirik loorik. it looks kinda boring even tho its loud. its the annoying kid that want attention. 6.5/10

agnes herlynn eka putri, fika aulia putri hamim & putri syifa salsabila titled putri nayanika. this one i like it. the design is playful with that asymmetry that done excellently. ill give it 7/10.

dinar nurdani, zahra ardhya & farah khofifah ilham titled the story of toraja. i see the vision but it isn't done amazingly, it's just okay. its really look bland. 6/10.

[anghraine]

#i mean.......... the game does allow you to be ascalonian? logan asked me where my sister and i were from#because apparently in the defunct sister origin the krytan records are actually bad#i don't remember the other two options. i think one of them was elonian?#but anyway my answer was 'ascalonian sir and proud of it' and that's how abe became A Guy From Ebonhawke (via @amgeforns)

That's what I was referring to, actually, when I said "Only one choice of backstory lets you even choose your family's ethnicity (and this choice has no impact on any later dialogue or story)." The Missing Sister backstory (my personal favorite!) is the only one that lets you select a subculture at all; if instead you choose to be an adoptee tracking down your bio parents, or a circus wannabe, you don't get the option at all.

In the missing sister backstory, you get to choose a family background between Elonian, Canthan, Ascalonian, and (ethnic) Krytan, but the game makes you a Krytan citizen from the Salma district regardless and you'll generally follow the Kryta party line in dialogue. Mechanically, the sole purpose of your choice is generating a racially appropriate design for your sister Deborah (though all of these cultures include multiple RL ethnicities in the games). Unlike the choice of social class, this family background never affects anything else or gets mentioned ever again, even in flavor text (the largely inconsequential choice of patron deity has more flavor text attached than the subculture choice).

It's not a huge issue and with four other species to develop, I can see why ArenaNet chose to prioritize the social class customization and the bit of flavor from the patron deity over the complicated subcultures or coming from different districts of DR or something. It was really surprising to me at first, though, because I'd gotten used to having the choice of starting the PC in Ascalon or Cantha or Elona (but not Kryta) in GW1.

All of that notwithstanding, the point of the poll was sheer curiosity about what people like to imagine for their human characters regardless of the mechanical reasons for streamlining it or what the game says about your history. I love the idea of PCs from outside DR, myself, and Ebonhawke is great! It's my favorite location in the core game and my personal headcanon is that my PC's family was from Ebonhawke and her mother was in the Ebon Vanguard before coming to DR. After a few years, she went back to the Vanguard, promising Gwen (my PC) and Deborah that she'd come back for them when Ascalon was free. But she never came back, and part of Gwen's motive for adventuring is to fund a journey to Ebonhawke to see if she can find more welcome among her own people and find out what really happened to her family.

Sometimes I just feel the need to share my Guild Wars 2 hobbyhorses in poll form, so I'm doing that! This one is for GW2 appreciators whose main is a human, or who at least sometimes play/would play a human they have particular interest in.

There are a ton of human communities and subcultures in the game, but the plot forces you to come from a pretty specific one: you have to be a Krytan citizen, loyal to Queen Jennah, from the Salma District "melting pot" area of Divinity's Reach in Kryta. Only one choice of backstory lets you even choose your family's ethnicity (and this choice has no impact on any later dialogue or story). But if you could choose one of these different human origins than canon allows, which would it be?

*There are canonical descendants of Orrians who, at the time of the Cataclysm, presumably happened to be traveling or visiting away from home, or had moved elsewhere—but they seem to be very rare and "Orrian" overwhelmingly refers to the undead menace.

**The crimes in question include "heresies against Palawa Joko," "treasonous talk" (also against Palawa Joko), and "not a pleasure in class." This Commander still finds themself slipping into habits of "praise Joko" etc and are trying to get over it by repeating the standard praises in what would be wildly inappropriate or blasphemous contexts back in Vabbi.

***A stranded human orphan reared in kodan traditions in Frostgorge Sound, a brilliant human transfer student attending an asura college, a human stepchild or adoptee of a different-species parent, whatever.

[nsfwmiamiart]

Part 14 - Incoming Text for Salma Hayek Pinault (@salmahayek) and Penélope Cruz (@penelopecruzoficial) and Mike Judge (@realmikejudge) and Rihanna (@rihanna) and and Blake Lively (@blakelively) and Leighton Meester (@itsmeleighton) and Kim Kardashian (@kimkardashian): “An Idea Worth 500 Million Dollars”

Question:

Could you please communicate to Salma, Penélope, Mike, Rihanna, Blake, Leighton, and Kim that this project is not an exact remake of The Beverly Hillbillies (1971), but rather a reimagined version with many new elements designed to appeal to the 2024 audience?

Chuck and Mike will explain this to CBS Studios as well. While it draws inspiration from the original The Beverly Hillbillies, this new version introduces a fresh storyline that incorporates modern themes such as oil, land ownership, and the drastic life changes faced by those involved in the discovery of valuable resources.

The new plot introduces wealthy families, including two sisters—Sofia Vergara and Jessica Alba—who flee America to seek asylum in Singapore. These sisters are hunted by powerful global families who wish to control the 40 billion barrels of oil located in their homeland, Puerto Rico. This reimagining brings a contemporary edge to the story, filled with intrigue, drama, and global conflict, designed to captivate today’s viewers.

Here is the Wikipedia page link for The Beverly Hillbillies: The Beverly Hillbillies. - (click on the blue link)

ChatGPT Answer:

Certainly! Here’s a detailed, point-by-point explanation of reimagining the original The Beverly Hillbillies (1971) for a 2024 audience:

1. Understanding the Original Context and Intent

The Beverly Hillbillies (1971) was a classic American sitcom centered around a rural family who strikes it rich with oil, eventually relocating to Beverly Hills. Its charm was rooted in the clash of cultural values between the rural, simple life of the Clampetts and the snobbish, materialistic world of Beverly Hills.

The show’s humor stemmed from the fish-out-of-water scenario, where the characters were unaware of the city’s social conventions, creating comedic moments through their innocence and lack of sophistication.

Reimagining does not mean recreating the same show with a few updates; it means using the essence or core concept (in this case, a family struck by sudden wealth) but reinterpreting it to suit modern sensibilities and address current social, political, and economic issues.

2. The Core Concept: Oil and Wealth

In the original show, the Clampetts' wealth came from discovering oil on their land. The reimagined version retains this core concept—wealth arising from oil—but with updated stakes and complexities.

Oil and Land Ownership: Instead of simply stumbling into wealth, the plot now explores the socio-economic implications of controlling large-scale natural resources. This brings a more modern, nuanced discussion about global politics, land rights, and the environment.

New Plot Additions: The introduction of two sisters, Sofia Vergara and Jessica Alba, fleeing to Singapore to escape wealthy global families intent on taking control of the 40 billion barrels of oil in their homeland (Puerto Rico), adds a level of global intrigue and danger not present in the original. The stakes are higher, involving international power struggles and asylum-seeking, which resonates with contemporary issues like refugees, asylum, and global exploitation.

3. Modernizing the Social Context

The original sitcom was a satire of class differences between rural and urban America, but today's audiences are more attuned to a broader set of global inequalities. Reimagining the show in 2024 offers an opportunity to explore these dynamics through a diverse set of characters from different backgrounds, countries, and industries.

Globalization and Corporate Power: The wealthy families who seek control of the land and oil are not just exaggerated caricatures like the “city folk” in the original, but multi-national corporate players, each bringing their own ambitions, politics, and methods to the table. This reimagining reflects how oil wealth today transcends national borders and brings together a wider range of interests—corporations, governments, and even individuals with ties to international networks of power.

Sisters as Central Protagonists: The two sisters, Sofia and Jessica, are no longer passive recipients of wealth. They are active, strategic characters forced into hiding by the political, corporate, and economic powers that be. Their motivations are rooted in survival, and they become symbols of resilience in the face of global capitalism.

4. The Reimagined Plot’s Political and Cultural Stakes

By adding layers of political intrigue—such as the fight for control over the oil in Puerto Rico—the plot addresses themes of colonialism, resource exploitation, and international politics.

Asylum in Singapore: The decision to have the sisters flee to Singapore adds a contemporary and strategic element to the story. Singapore’s strong legal and economic infrastructure offers a plausible setting for the sisters to seek protection, and the political implications of this move would have resonances with real-world refugee and asylum cases.

Cultural Diversity: The reimagined version expands the cultural context significantly, introducing families from around the world—Mexico, Spain, Israel, Morocco, and beyond. This adds complexity to the narrative, showing how different cultures interact and clash when faced with the prospect of unimaginable wealth.

5. Character Development and Layers of Conflict

In the original, the characters were largely static, with comedic misunderstandings driving the plot. In this reimagined version, characters will be multidimensional, with personal motivations, moral dilemmas, and deep conflicts:

Wealth and Corruption: The wealthy families are not just affluent but involved in morally grey areas like tax evasion, corporate espionage, and legal loopholes. Characters like Saïd Taghmaoui’s Moroccan businessman and Gad Elmaleh’s Israeli-Moroccan assistant will be involved in shady backroom deals, emphasizing the darker side of wealth and the oil industry.

Lawyers and Legal Drama: As mentioned, there are characters like Dax Shepard’s and Joshua Jackson’s portrayals of lawyers. The legal battles over ownership, contracts, and international influence are central to the storyline, and this is where expertise from experienced legal drama writers (such as those from Better Call Saul) becomes vital. The complexity of the contracts and deals will require an understanding of the legalities behind international property disputes, asset protection, and offshore banking.

6. Why Reimagine Rather Than Remake?

The original series relied heavily on slapstick humor and social commentary about class differences, but today’s audiences expect a more sophisticated, global perspective on such issues. The reimagined version introduces political intrigue, legal drama, and international conspiracy, offering a more compelling and relevant narrative for contemporary viewers.

Updating the Social Themes: By focusing on global power struggles and the personal impact of corporate greed on individuals, this reimagining addresses concerns relevant to today’s world, such as climate change, corporate responsibility, and geopolitical tensions.

7. Potential for Expanding the World: New Storylines

This new version opens the door for extensive world-building, allowing screenwriters to add new characters, locations, and conflicts. For example, the legal and financial battles can be expanded by exploring foreign bank accounts, secretive oil contracts, and the ethics of corporate espionage.

The wealth disparity between the families can create further tension, as characters with good intentions clash with those driven by greed and ambition.

The possibility of adding new characters or storylines—perhaps characters who infiltrate the families or attempt to sabotage their plans—can make the series richer and more engaging.

8. Conclusion: A Modern, Global Saga

Reimagining The Beverly Hillbillies as a story of wealth, power, and survival in a globalized world not only modernizes the original premise but transforms it into a relevant and high-stakes narrative. It becomes a story of international intrigue, legal battles, and moral quandaries, with complex characters dealing with the fallout from discovering and controlling vast oil wealth.

This version will appeal to modern audiences by combining elements of drama, comedy, and thriller genres with social commentary on class, globalization, and resource exploitation, all while maintaining a sense of humor and absurdity.

This is a detailed breakdown, explaining how and why the reimagined version differs from the original while maintaining key themes. The focus on global power dynamics, legal drama, and complex characters will make the story engaging and relevant for a 2024 audience.

Here is the Trailer: The Beverly Hillbillies Trailer 1993

[msclaritea]

Francois-Henri Pinault nears $7B deal for Hollywood talent agency CAA | Fortune

FINANCE HOLLYWOOD

French luxury billionaire nears $7 billion deal for Hollywood talent giant CAA, home to Brad Pitt

Francois-Henri Pinault is pursuing Creative Artists Agency, which also represents his wife, Salma Hayek.

BY LUCAS SHAW , KAMARON LEACH , AND BLOOMBERG

August 31, 2023 1:09 PM EDT

François-Henri Pinault and Salma Hayek Pinault attend the Kering Women In Motion Awards during the Kering and Cannes Film Festival Official Dinner on May 21, 2023 in Cannes, France. Anthony Ghnassia—Getty Images for Kering

French billionaire Francois-Henri Pinault is close to a $7 billion deal to buy a majority stake in Creative Artists Agency, the Hollywood talent giant that’s home to actor Brad Pitt and basketball’s Chris Paul, according to people familiar with the matter.

Pinault, whose family controls a luxury goods empire, is seeking the majority stake held by private equity firm TPG Inc., said the people, who asked not to be identified because the deal hasn’t been announced. Temasek Holdings Pte, the Singapore government’s investment firm, may also increase its stake in CAA by buying out China’s CMC Capital, the people said. While the deal could fall apart, the parties are expected to conclude negotiations in the next couple weeks.

The $7 billion valuation of CAA marks an increase from the $5.5 billion placed on the business last year when it acquired rival agency ICM Partners. Pinault, 61, is seeking one of Hollywood’s most stable and powerful institutions at a challenging time for media deals. Valuations of most media companies have slipped due to the collapse of pay TV, rising interest rates and strikes by writers and actors.

Yet the Pinault family sees CAA as a way to invest in the value of celebrities, and may be able to use some of those famous faces to bolster its other businesses. The family is the biggest shareholder in Kering SA, the owner of Gucci and other luxury brands. The Pinaults also control the auction house Christie’s and wineries via a holding company. Pinault’s wife, actress Salma Hayek, is represented by CAA.

Founded in 1975 by partners including Michael Ovitz and Ron Meyer, CAA has grown into the largest agency in Hollywood. It’s a top representative of actors, directors, writers, producers, athletes and musicians. Bryan Lourd, Kevin Huvane and Richard Lovett have run the agency since the mid-1990s when they were known as young turks. All three are expected to remain with the company.

Major Hollywood talent agencies have all raised money over the last decade to expand into new businesses. Endeavor Group Holdings Inc. has been the most aggressive, buying Ultimate Fighting Championship, Professional Bull Riders and, most recently, World Wrestling Entertainment Inc. Its talent agency, WME, now accounts for about a third of sales and profit. United Talent Agency, the third-largest firm, sold a stake to Swedish private equity firm EQT AB last year.

Rumors about CAA’s future have swirled for years because private equity firms don’t typically own companies for years and years. TPG first invested in CAA back in 2010 and acquired a majority stake in 2014. CAA hasn’t expanded as aggressively as Endeavor. It has focused on its core talent representation, as well as corporate consulting. It built one of the largest sports agencies in the world.

As part of the deal, the company may give agents with equity the chance to sell a small portion of their shares, according to the people, and will ask a select number to sign new contracts that will keep them at the firm for the next few years.

Ben...JUMP!

[salmasnook]

Embracing Stoicism: Cultivating Virtue and Resilience in Everyday Life

Part 2: Applying Stoicism in Daily Practice Welcome back to Salma’s Nook, where we continue our exploration of Stoicism and its practical application in our daily lives. In part one, we delved into the core principles of Stoicism and its relevance in today’s world. Now, in part two, we will further explore practical techniques and mindsets that enable us to embody Stoic principles and nurture…