#s1 e2 is easily one of my favourite episodes it’s so good

[arandomatlafan]

I still think about this scene sometimes

[cuntycassandra]

Breaking down Hunter and Omega’s relationship. Pt 2.

We’re back at it, here with the second post in this father-daughter-space-duo series! You guys responded to the first post better then I expected in all honesty! I didn’t think my insights were viewed as so important lmao. I don’t really think much introduction is needed here, the post itself is very self explanatory.

(Pasted paragraph: I would just like to add a disclaimer here. I am, in no way whatsoever, slating the other batchers for having differing relationships with Omega. I absolutely adore everything single one of the boys, and I think they all have wonderful and unique interrelations with her. Although I may point out these different approaches in comparison to Hunter’s, I am not stating these engages are wrong, just different is all!

I’m going to separate this into a little series- covering each episode in a separate post, which I’ll have tagged as the series progresses. Once I’ve tackled these two, as they’re my favourites, I’m going to move on to each individual Batcher and perhaps a few other dynamics such and Hunter and Crosshair, or Wrecker and Omega! Let me know what you guys would like to see!)

(Thank you to this weeks proof-reader: @treasureofmy-heart 💛)

Cut and Run: S1/E2

We kick off this episode with Hunter walking in on Echo inspecting Omega and Wrecker fast asleep on the floor. His face is very relaxed and he clearly finds it very sweet that her childlike curiosity has tired her out. His line, “ha, well this is a first,” while holding a strong gaze in Omega’s direction, suggests that she’s been exploring for quite some time, unleashing her endearing juvenile inquisition in the batchers presence. Hunter continues to claim she’s curious, using the same lighthearted tone he has always used in her regard, sparing the conversation in the medical wing on Kamino. This continues to confirm his gentle approach and concern towards the young clone.

When Echo confronts him over the situation at hand, it’s evident that Hunter hasn’t actually thought about what he’s going to do with Omega, yet by the look of quizzicality on his face. I personally took this as a sign that his initial thoughts were always “we’re going to lay low with her, look after her, while keeping everybody else safe.” It’s clear here that Echo has differing ideas that Hunter hadn’t even began to consider, and I think that’s what perplexes him in this moment. He needs to consider everybody.

The kid is up and awake! (Let the havoc commence aha.) Omega’s reaction to sunlight and dirt is definitely one of my favourite developmental moments of hers, it really sets in place that this little girl may have been an intelligent medical assistant, but she lacks experience, and still needs a guiding hand to help her through this new world she’s never endured before. I’d like to point out that it is, in fact, Hunter who stops to watch Omega’s reactions, and his FACE when she’s playing in the dirt! I’ve never seen such a parental smile on a man so stoic! I feel like I’m repeating myself a lot, but he is so endeared by her! She’s a breath of fresh air in Hunter’s very toxically routined life, and I love that for both of them. When they finally reach Cut’s land, Hunter is the one to pull her back, despite the fact she had to run between Echo and Tech to get to him. And upon Suu and Cut’s arrival, I actually didn’t realise that Omega creeps behind Hunter, most likely because these are strangers she doesn’t know and she feels she needs the protection. This confirms a clear bond between them has already began to flesh out.

There isn’t too much to say about the introduction and inhibitor chip discussion, as Omega spends a decent amount of that time exploring Cut and Suu’s house, but I will just say that it’s a nice touch that she ends up back at Hunter’s side when her part of the conversation is needed, she always seems physically drawn to him. Which brings me to my next point. Upon Shaeeah and Jek’s arrival, Omega once again creeps behind Hunter out of fear, only deciding to approach when formally addressed to do so. *Sigh*, and when Shaeeah pulls Omega out to play, and she halts to ask for Hunter’s permission, which is clearly given through a series of comforting smiles, is a plain indication of a trusted child-parental relationship. I must admit, Hunter’s face is pretty hilarious when everybody practically calls him out on his parental role- it’s just “why are you all staring at me..?” Because you’re acting like a dad, my dude.

Okay! Down to Cut and Hunter’s discussion. It’s a nice touch that Hunter is the first one outside to watch Omega play, swiftly followed by Cut, who, rightfully so, questions her existence. Although instead of explaining Omega’s origin (and by that I just mean that she’s a medical assistant clone from Kamino), he states that it doesn’t matter what the Kaminoans created her for, because she’s with them now, and to be with them she doesn’t need a purpose, she’s just a kid and should be allowed to act like one. Cut goes ahead to tease him over the ins and outs of raising a child, but to Hunter it was a no-brainer, Kamino wasn’t safe, so she was coming with them, as I’ve said previously, he saw NO negotiations. And as Cut says, “I (you) have to do what’s best for them.” This adds sentiment to the narrative of Hunter’s commanding role within the squad and Omega specifically.

So I’m shifting ahead slightly to the ball incident, and I have a LOT to say about this scene. First of all, it’s clearly evident that Hunter is the first to leave the house, along with Cut and Suu following closely behind. Associating this trio together is purposeful on the animators part in my opinion, they intentionally exclusively had Hunter leave with the other parents in the situation, isolating him specifically with that role in Omega’s life. When he finally reaches her, we see the protective hand come straight out to guard her against the Nexu, a typical trait they’ve established between them.

Now we move on to the confrontation. This is the first time Hunter raises his voice at Omega, and immediately she turns herself away from him, curling into her shoulder and making herself small. Omega is going through a lot of emotions right here, she’s afraid, anxious, and she’s being forced to deal with the fact that for the first time, Hunter is mad at her, for something she didn’t even intend to do wrong. Whereas from Hunter’s perspective, he hasn’t acknowledged she’s already in a bit of a state, and instead feels the need to immediately lecture her for her mistakes….although this lasts all but thirty seconds. Upon Cut’s attempts to diffuse the situation by having him pull Hunter away and reiterating that “she’s (Omegas) not a soldier”, his face immediately softens, he forgot for a moment, but now he realises and instantly the features are set in a regretful frown, he clearly feels awful and misrepresented. Hunter continues to observe Cut’s behaviour as he comforts Omega, who seems to take to the attention like a kicked puppy, lip trembling, eyes shaky, shoulders hunched, and I honestly think as Cut carries her away- is the exact moment Hunter realises he isn’t good enough for Omega. (I’ll further out on this in a moment)

I only want to briefly touch upon Omega’s gunners nest scene because I don’t think it has too much impact on her relationship with Hunter, however I would like to address the symbolism. I personally see the removal of her headpiece and the addition of her bangs as a new beginning, attaining the contrasting yellow light of Salucemi in comparison to Kamino, where she would’ve been given her jewel. Considering the episode’s outcome, Omega is no longer the tightly held, quivering little girl from Kamino, and instead she brings a slight unruliness to her aura, a little cheeky, definitely her brother’s sister. Still a sweetheart of course, but with a matter of confidence and boisterous behaviour to her. She seems to bounce out of her sadness quite easily here, as she seems suddenly awkward- yet curious- over Tech’s plan later on.

Furthering out into my previous point about Hunter believing Omega deserved much better in comparison to what he could provide: his conversation with Suu. “Protecting them is what we do.” The realisation on his face when she says this, it’s so…raw, something he’s taking time to comprehend. He heeds her words because he knows she and Cut are experienced in this field, they are better suited for Omega than he and the boys are, he believes he isn’t good enough for her, and this is projected when he insists ‘Mega leave with the family of four. Although Suu questions his sincerity, and he does indeed dodge the straightforward answer, this is what Hunter anticipates is best for Omega. He’s putting her needs above his happiness, no matter the heartache.

Moving along slightly, as Omega and Hunter spend a short period of time away from each other during the ship impoundment, I briefly wanted to touch upon the tone of Hunter’s voice when he learns Omega is on route to their position…by herself in a heavily armed spaceport. His eyes widen in a moment of fear, his voice is suddenly strained, he is struck with another raw emotion, something he frankly can’t obtain right now, and it’s let out in a minor threat towards his brothers- “if something happens to her-“ a clearly indication of worry.

This next point absolutely breaks my heart, the poor dears, both of them. Upon Omega’s arrival, Hunter is left to explain his forced proposal that she should leave Salucemi with Cut and Suu. As usual he completes his little ritual of taking her shoulders and crouching to her level, although this time he can’t quite look her in the eyes, a clear sign of regret and guilt, because he doesn’t want to give her away, he knows deep down she belongs with them, but he doesn’t believe he has what it takes to raise and protect her. The way Omega’s eyes crumple really catches me here, she’s being left, again… All this kid has ever known her entire life has either been abandonment, abuse or isolation, and she’s being passed on to strangers by the only people she’s ever been able to trust, and not only is it clearly breaking her heart, but she’s taking it personally, she thinks she’s at fault, much like Hunter does. Her line: “but, I want to stay with you.” compressed with the quivering tone and her precious accent really aides her desperation here, it conveys her in an adequate and very precise way.

Starting a brief new point to split these up slightly: I bring us to the continuous glances shared between them. Omega consistently looks over her shoulder to Hunter, she doesn’t want her eyes to leave him for one moment, she’s savouring his face, his details, for the very last time. And equally, Hunter is letting go of something he doesn’t want to leave behind, he likes the kid, to the point where his own self depreciation and doubt have been forced ahead in order to protect her, he can’t risk anything at this point. I’d also like to quickly mention how beautifully Omega’s eyes are animated, they intel so much, those precious little doe irises hold such story to them.

Moving on to a little jump cut enduring the batch’s escape and Omega’s return: Hunter’s tone of voice when addressing Wrecker is so pained, and his facials match it perfectly “she’s not com-“ it’s almost as though he’s biting back the urge to sprint headfirst into the gunfire if only to catch up to the little clone before it’s too late.

However, seeing as she’s managed to find her own way back that wouldn’t be exactly necessary. I think it’s a nice point that Hunter is the one to rush to Omega’s aide after she is grabbed by the trooper (flowing a brief flash of concern crossing his face), although Wrecker might’ve been closer, it’s a nice hint to their subtle closer bond. He, once again, crouches to her level although an unnecessary step in the situation, and I see this as another nod to their familiarised dependancy.

Finally, my last point for this episode, is their final conversation within the last few minutes. It’s faint, but the fact that the other batchers are all busying themselves in the cockpit, leaving Omega and Hunter to chat privately, is a very distinct use of separation. It also should be noted that Omega is the one to approach Hunter, this shows a decent level of not only maturity on her part, but trust between them as family, she trusts both him and herself enough to advance on a delicate situation, we even see her hesitate slightly, before pushing forward with a slip of confidence, and that takes a lot of gut from a little kid. She stands her ground, but with compliment. She very much reminds me of Hunter himself in the brig, assertive yet respectful. And speaking of Hunter, his face is just absolutely guilt-ridden when talking to her, because he too made the mistake of attempting to give her away, no matter how much good he thought it would do them both. While Omega is admitting she has a lot to learn in regards to safety and tactility, Hunter is suggesting he has a lot to learn about raising a child and providing the necessary care for her. It’s a brave moment for both of them, to be honest and open, and yet its received extremely well on both ends.

“If this is where you want to be…then this is where you’ll stay.” The admiration in his voice, the admiration in her eyes! They absolutely adore one another, and it melts my heart every time it’s displayed!

I hope you liked my analysis of Hunter and Omega’s relationship in episode two of The Bad Batch! Of course, I’d love to discuss these two with anybody who might be interested, so please feel free to drop me an ask or a DM, and if you’re captivated enough I’d totally recommend looking out for my future posts on the topic!

As always, much love to our ‘Megs and Hunter, thank you for reading! 💛

Part One: Aftermath

[jalebi-weds-bluetooth]

10 Times Arnav Singh Raizada Crossed The Line (Part 1)

Arnav Singh Raizada is our perfect, tortured Mills & Boons hero. Sometimes it’s unfortunate when recent shows have aped his behavior and not the layered characterization that he had. However, sometimes (according to my own opinion) I felt that his character might have crossed the line. 

It’s moments where no explanations justify his behavior. 

Please remember this is all my crazy opinion so feel free to add your own in notes! Oh and don’t worry, a similar list is coming for Khushi as well as they’re truly made for each other. After all, aren’t they our favorite ‘will-they-won’t-they’ idiots?

Tearing the dori.

Arnav Singh Raizada does not apologize.

Blasting at Khushi for pranking, PRANKING him.

Telling Khushi her anklet, their almost kiss & she, does not matter.

Arnav Hypocrite Raizada - forcing an engaged Khushi to confess her feelings when he’s unable to do so.

Reminding Khushi of her broken engagement cause he can’t handle jealousy.

Manipulating & frightening Khushi with Akash & Payal’s divorce papers.

Telling Khushi he ‘faked’ his sickness to get rid of the ‘Swami’ tag.

Refusing to believe Khushi’s version of events.

Becoming Khushi’s landlord and blackmailing her (emotionally and financially) to get her to come back home.

Bonus

Telling Khushi that she does not have the brains, courage nor talent to face the real world.  

#1 “Badtameezi toh maine abhi shuru bhi nahi ki.” (S1, E2)

“I haven’t even started misbehaving.”

First Reaction: No Arnav bitwa, no. That dialogue never has and never will make sense.

What’s wrong with it: 

Almost everything. First of all when someone is in a position to abuse his/her/their position of power and authority, they don’t get to make rules on what counts as misbehavior. Secondly, just because one hasn’t sexually harassed a person does not mean one’s harassment hasn’t been “bad enough”. 

Arnav’s behavior crossed the line the minute you tell Khushi that she and her sister are the kind of women who can easily get another man - and none of us are kids here to know what the thinly veiled insult meant to Khushi & Payal’s character. 

What makes this entire situation problematic is that he accuses her with certainty based on assumptions and Khushi, really, has not warranted any sort of behavior from his end - she actually makes a compelling argument. This kind of a situation, unfortunately, keeps happening in the future where Arnav accuses her based on half truths/assumptions.

Of course there’s a part of me that always wonders what idiots as staff does Arnav have because they; (1) let a newbie go on the ramp (can’t imagine that happening at a Sabyasachi / Manish Malhotra fashion show), (2) are incompetent enough to not be able to procure and verify any information about Khushi.

Track Rewrite: 

First of all, this is perhaps the only terrible moment that I want to leave untouched. It’s perfect. It sounds ludicrous but this level of animosity was required to create a hatred the two had for each other until love and lust suddenly stormed into their thoughts. 

Khushi looks perfectly devastated and Arnav’s anger rises because his fashion show in Lucknow (out of all cities) has been ruined. The less can be said about recent shows where there’s very little logic to the hatred shared between characters.

It establishes that Arnav has been very aware, right from the start, how beautiful Khushi is. And not just the delicate beauty like Payal, but the beauty that can make one lose their path, their calm, their temper and tempt them out of their stupor. 

It’s this opinion that he forms about Khushi that he subconsciously carries for the longest time - (it’s what makes it easier for him to believe Shyam’s version of events because this assumption of a tempting, young, poor woman out to seduce the rich never really leaves his mind).

Head-canon: 

This was the only time Aman Mathur took a vacation. Poor Arnav, he really needed efficient staff. 

Public Service Announcement: 

Ladies and gentlemen, this does not mean that hate, pain and misbehavior is necessary for love to bloom. No, love does not have a template and this is a love story that happens despite the hate, not because of it. 

Also, just so you know that Khushi - or any person - is not responsible for the things that happen to them. If a person’s self respect, dignity or agency is threatened - you go ahead and bash the attacker and not blame the person! *phew*

#2 “Arnav Singh Raizada kabhi kisise maafi nahi maangta.” (S2, E19)

“Arnav Singh Raizada does not apologize to anyone.”

First Reaction: Screw you Raizada! How dare you? Buaji - throw your infamous damned belan over his head! Raizada, do you realise you’re saying this while standing on someone else’s property?

And…

Why do I find it hot that Khushi opens the door to an impatient Arnav who’s dressed as dark as the sky, his temper matching the thunder in the background while they lock eyes? *i need help* when I watched this show for the first time I totally expected another scene like this would occur where Arnav asks her back or confesses his love. Yeah I trusted him enough to make another mistake where Khushi’s left home and he needs to get her back.

What’s wrong with it: 

The things he said to her before he came to her house. The insults he levied on her are based on an accusation which is baseless. We get to know that until Akash’s public proposal to Payal that Arnav never bothered on learning the truth about what happened that night. 

Hence it reveals another trait that Arnav never double checks his assumption until he’s faced with a confronting reality. But, in the length of time he’s gotten to know Khushi until that point - the things he tells her is way out of line. 

And when he reaches her home, slapping that money on her table and insulting her in front of her family… yeah it’s difficult to watch that. Especially after all the Rabba Ve’s they’ve had and his difficulty & helplessness on learning that this same woman was going to leave for Lucknow forever.

Track Rewrite: 

Arnav’s anger is really a projection of his frustration on himself for hurting Anjali and a terrible act of him confirming to himself that money can get him everything - even his sister’s happiness, which he attributes to his ability to get Khushi back into the house using money because he only knows the language of money. 

So my problem isn’t much with him… it’s with Khushi’s inaction. This is one of my least favourite scenes in the show because once Khushi stops (mostly) retaliating to Arnav from this point - she never really retaliates ever again. It’s like they kill that intellectual and mature aspect of Khushi who really knew how to debate (ah, don’t I love the resignation scene and her moment with Lavanya, Sim & Pam in the office).

Of course, Arnav and Khushi argue bucket lots in the future but from this moment on they really amp up Khushi’s silent crying and reduce her logical arguments to her emotions. Hence, if there’s anything I would have changed then I would always give Khushi the final word - the logical final word because who doesn’t like a solid rebuttal.

Quick note; Arnav does amend from saying “women like you” to “people like you”. So there’s a shift from his belief of her being a gold digger (and hence, lack of character) to a middle class greedy person (like his uncle).

Head-canon: 

I believe she doesn’t give Arnav a chance to gloat that he got her back with his money. Hence, the following exchange takes place in my head…

--

Arnav: “Mujhe pata tha tum paise ke liye kuch bhi karogi.”

Khushi: “Hum aap se ek baat kahe? Aap ghalat hai.”

Arnav: “No, main tum jaiso ko achi tarah se jaanta hai.”

Khushi: “Haan, shayad aap hum jaiso ko jaante hai. Par humein nahi. Aur rahi baat humara yaha aake kaam karne ka, toh humein nahi lagta ki humein kisi ko bhi safai deni ki zaroorat hai. Khaas kar ki aapko.”

- -

Arnav: “I knew you’d do anything for money,”

Khushi: “You know what? You’re wrong.”

Arnav: “I’m not. I know people like you.”

Khushi: “You may know people like me, but not me. And as far as me choosing to work here, I don’t find it necessary to give anyone any explanation. Especially you.”

--

Public Service Announcement/Crazy thought: 

The old 500 rupee notes are banned post demonetization. So don’t use those notes.

Check out my crazy version of this episode. 

#3 “Di isse sorry bolne ki koi zaruri nahi hai. Yeh aapki naukar hai.” (S3, E1/E2)

“Di you don’t have to apologise to her. She’s your servant.”

First Reaction: Oh no you didn’t… you didn’t!

What’s wrong with it: 

I think it gets on my nerves how rude he is and that he constantly measures her to her financial and societal status. And all of this is because she pranked him. Like she literally put sugar crystals in his petrol tank, changed his phone ringtone to a silly item number and put juice in his shoes. And he responds to that with some pretty damaging words. He literally tells her that lying and cheating is in her blood. 

Yikes! Flashback time Arnav - when she just alluded how he would feel if his sister’s marriage broke he tore her strings, and he legit just insulted her parents. All because she played some childish pranks. 

I have to say Khushi does put up a good fight, for most of it, and I love Anjali trying her best to intervene but yes… the way Arnav just flares up here - he crosses quite a few lines (hence I am not at all sorry when Khushi flings the hot tea on him, sorry I’m a sadist). I think his continuous push to show his authority, superiority over her is not really healthy. 

And that last Rabba Ve (although the tune is beautiful) which is evoked by her tears, and previously evoked by the impressions of his fingers around her wrist, gives a very wrong message to the public.

Track Rewrite: 

I never, ever want to change their essential characteristic. I’m pretty satisfied when he’s literally burned after he’s burned her with his words. Karma always gets him...

But, I really wouldn’t mind a strong, confident, and angry “ENOUGH” from Khushi as well. Or even a quiet, deadly, whisper of an “enough” that would stop his nonsensical tirade. It’s important for him to know when he’s crossed the line, before Khushi starts crying.

Really, it wouldn’t hurt if he was taken aback by her burst of anger or the threat of anger instead of tears (remember the Guesthouse incident… he was turned on by her fury, and then he simmered down and felt guilty - that’s a good cycle to follow when there’s an argument. No, not always the turn on side but the ability to give both the parties anger).

Because of late there seems to be an obsession of male heroes getting the ability to insult their “soulmates” and then stopping because of her tears and then never following it up with an apology. There’s a lot of context in the case of Arnav and Khushi… but I always relish when he’s flabbergasted and silenced by her retaliated anger more than anything else (cue, the resignation scene again).

Head-canon:

Arnav: “Di you don’t have to apologise to her, she’s your servant-”

Khushi: “-enough.” / or / “ENOUGH!”

Arnav and Anjali stand, silenced by Khushi’s anger.

Khushi (to Arnav): “Do yourself and your status a favour. Don’t open your mouth. Especially in front of me. I may fall before your eyes, but you dig yourself a grave.”

Khushi walks away, leaving Arnav stunned.

---

Arnav: “Di isse sorry bolne ki koi zaruri nahi hai. Yeh aapki naukar hai-”

Khushi: “-bas.” / or / “BAS!”

Arnav and Anjali stand, silenced by Khushi’s anger.

Khushi (to Arnav): “Aap apne aap aur apne aukaad pe ek ehsaan kijiye. Apna muh mat kholiye. Khaas karke humare saamne. Shayad hum aapke nazro main gir jaate hai, par aap toh khai khodke apne aap ko giraate hai.”

Khushi walks away, leaving Arnav stunned.

--

Too harsh? Too unlike Khushi? Sorry, I’ve been watching that scene on repeat way too many times and I may have vented out a bit - it gets crazier when I list out Khushi’s antics!

Public Service Announcement: 

Don’t break laptops or play pranks on people who might explode on you. Also, don’t waste mango juice on pranks - it’s delicious consumed. Probably that’s why Arnav was angry - one, he cannot drink mango juice due to his diabetes, and two, she wasted it on shoes!

#4 “Mere liye uss baat ki, ya tumhari, koi ehmiyat nahi hai.” (S3, E40)

“For me, that [the almost kiss], or you, don’t mean a thing to me.”

First Reaction: YES THAT’S WHY YOU KEEP ON THINKING ABOUT IT! LIKE OF COURSE BABUA ALWAYS SAYS THE TRUTH AND SAYS THE THINGS HE MEANS. LIKE OF COURSE YOU DID NOT INITIATE THE KISS OR PRESERVE HER ANKLET IN THE KHUSHI SHRINE OF YOURS! What the fu-dge Babua, literally?

What’s wrong with it:

Actually nothing. I just want to mentally slap him, that’s it. This needs to happen. Because honestly at this point of their relationship if this hadn’t happened - if they had kissed, chosen to break up with their partners (more like Khushi absolutely refusing to get engaged and even end up giving an ultimatum to her family) - then they would technically end up together and the most unhealthy point of their relationship.

Arnav is not at all ready for marriage but he would say yes because it’s the only way Khushi would be with him? Khushi, although in love with Arnav, still really has no actual reach to his depth and emotions. 

And really all her fantasies of Arnav are really fantasies, she loves him for what he evokes in her more than what he truly is. He is unable to get her out of his system. It would be a bad place to begin a relationship.

So although nothing is wrong with this scene and it’s like a bitter pill that needs to be swallowed, I still want to say he crossed a line by reinstating that she means nothing to him even though he led her on the entire foreplay of a Diwali. And like… wow, he’s asking what he means to her after he just declared that he’s going to get engaged to his longtime girlfriend who is also now Khushi’s closest friend? Like why… why would Khushi tell you what you mean to her?

Track Rewrite: 

I would rewrite Buaji’s pressure on Khushi. It’s regressive, painful and terrible to watch. I know it’s necessary… and if not rewrite this scene then I would just add a scene in the future where Buaji truly apologises for ruining her dearest Sanka Devi’s life. She owed this at least and it would be nice to see elders recognize their own mistakes at times.

Head-canon: 

Lavanya is in a happy relationship with NK <3.

Public Service Announcement: 

If you have a difficulty in saying what you want to say, enroll in Jalebi Teaches Feelz Expression classes.

#5 “I hope tumhe koi farak nahi padta.” (S4, E8 - S4, E14)

“I hope it means nothing to you / I hope it doesn’t affect you / I hope it doesn’t make a difference to you.” It = me, Arnav, our relationship (or whatever it is).

First Reaction: wherefore art thou asking questions yond thee cannot answ'r?

What’s wrong with it: 

This is where Arnav’s moralities really turn grey. Over here any affection, concern or committment to Lavanya is literally forgotten. Almost possessed, Arnav has three goals; 

(1) Make Khushi admit what he himself cannot admit - that he, them, everything matters to her (2) Prove to Khushi she won’t find a better match than him, that he’s her equal and he’s the only one who can provide for her and give her everything she desires (3) Make her breakup with her undesirable and unworthy fiance (he hasn’t met him but he just knows that her fiance does not deserve Khushi and I have to agree with Arnav, he’s right) and probably end up getting engaged with him.

The epic part of the Raizada plan is - he doesn’t have an idea what would happen if Khushi actually gives a farak. It’s not that Arnav is right or justified, he just stands the way he has always been - in all his fifty thousands shades of grey (not I’m not a fan of that book, pleej no).

Track Rewrite: 

A bit more time for Arnav, Lavanya, his apology and their break up. I love it that he does it instantly, but I also wish he spent more time talking to Lavanya. Just some more Arnav/Lavanya scenes, we really never got to see more of their friendship and her understanding.  

As far as everything else, Khushi’s inner battles and silence is really amazing - it’s what gives her dignity and it’s her self preservation. Arnav is redeemed by the fact that he genuinely is Khushi’s soulmate and he can feel her distress and is the only one who accurately senses that Khushi might have been pressured to agree to this marriage. Who knows Khushi cannot live in a loveless marriage. It’s something he can now guarantee, after a whirlwind of denial.

Although his actions are dubious, he’s the only one who senses the lack of joy and passion. So, rather terribly, he tries to put it across that he can fulfill her needs.

This comes to a halt when Payal refuses Akash in the first proposal. It sheds light on his earlier mistake and he realises that he has been wrong about Khushi all along (so he does not bring up her financial/societal status in insults post the event because Khushi really did end up in fashion show by mistake and more than that - her sister’s marriage did break because of him - not until the hate marriage).

And he realises his error with Lavanya that brings him out of this “I need to possess Khushi” phase.  

So I liked that we saw the ugliest side of their love, the irrational jealousy and demand of possession. And I love that Khushi did not budge in, no matter how much it hurt.

Head-canon: 

Lavanya knew all about it. Hence, she never holds Khushi responsible and instead guides Arnav to making better decisions. 

Also, Khushi went through a similar, crazed phase. Except we never see it because Khushi grows increasingly quiet when her heart is suffering. She uses words to express and choses silence when she does not want to acknowledge.

Public Service Announcement: 

Remember, it’s a good thing that they show us the unhealthy and healthy phase of a relationship between two people who love each other. This phase was decidedly toxic between Arnav and Khushi - when love is jealous, causes pain, is insensitive, is madness - see the signs and don’t go in deep when it’s at this phase. Every love has its time to mature and grow. Thank you for coming to my TED talk.

Read Part 2