#rotem sivan

[exitstageleft-pursuedbyabear]

OG Harvey girlies who saw the Too Sweet edits and went "you don't understand him at all"

May present you:

[favemusiclessons]

THE 12 Pentatonic SECRETS (guitar must have)

Clickbaity title, but interesting...

[askgardenerwoods]

miss what is Your opinion on the castaways backyardigan song

" Aye! It’s not like songs are rare? But, the real special ones are a treat, like the one ye gave. It sure is a motivator with the Doctor. Hehe- even a shipwright like me can enjoy the tune. "

" Now get a move on! ! "

[ajgae]

also here's some of his music, i really enjoy what he creates. not just a great teacher but also a great musician

this goes out to anyone who is a guitar player, or even for other musicians i think, i highly recommend Rotem Sivan's youtube channel. absolute incredible teacher, super chill videos from which you can really learn a lot if you take the time. great philosophy when it comes to learning and making music. he is a professional jazz player in New York but also has a classical composition degree but most of all isn't annoying about jazz and makes it really accessible and also all the info is applicable to other genres. check him out!!

[doyourememberrocknrollradio]

In Walked Bud - Rotem Sivan Trio / Thelonious Monk

[deborahdeshoftim5779]

Rephael Ariel Guri | Reuven Heinik | Reuven Weisman | Revaya Mansouri | Ricardo David Lischov | Rinat Even | Rinat Hodaya Zagdon | Rivka Ben Horin | Robert Shaulov | Roi Idan | Roi Popplewell | Roie Monder | Roland Sultan | Romi Brandt Eliyahu | Ron Binyamin | Ron Shemer | Ron Weinberg | Ron Yehudai | Ronen Ditchman | Ronen Engel | Roni Petrovski | Roni Polvanov | Roni Shitrit | Ronit Hodaya Zagadon | Ronit Sultan | Ronnie Levi | Rosa Yedgarov | Rotem Neiman | Rotem Rahel Levi | Rudy Skrzewski | Ruth (Rutti) Akuni | Ruth Hodaya Peretz | Sagi Zak | Sagiv Beilin Ben Zvi | Sahar Ashuan | Sahar Baruch | Said (David) Moshe | Sakda Surakhai | Saksit Khotmee | Samer Fuad El-Talalka | Sami Keidar | Sammi Jarjawi | San Amnon Yakobov | Sapir Bilmas | Saryut Penkitwanitcharon | Sattawat Phiaaia | Savyon Chen Kipper | Savyon Chen Kipper | Rotem Kalderon | Sefi Yossef Gennis | Segev Israel Kishner | Segev Shushan | Semion Abdilemov | Seriyut Pankitwanitchirnm | Seta Homsorn | Shachaf Kreif | Shachar Gal Kadman | Shachar Siman Tov | Shahak Yossef Madar | Shahar Ben Naim | Shahar Gal | Shahar Gindi | Shahar Mansour | Shahr Mattias | Shai Regev | Shai Shalev | Shai Shalom Elior Mutzafi | Shaked Habani | Shalev Gal | Shalev Madmoni | Shalom Abudi | Shani Ben Ami | Shani Gabai | Shani Kupervaser | Shani Nicol Louk | Sharif Suad | Sharon Goradny | Sharon Hirsch Uzan | Sharon Refai | Sharona Shmunis Harel | Shaun Davitashvili | Shenhav Ya’akov Gerfi | Shifra Noy | Shimon (Shimi) Hayat | Shimon Hiat | Shir Hanna Georgie | Shir Yaron | Shira Ayalon | Shiran Ganon | Shiraz Brodash | Shiraz-Shiran Yashmireni | Shlomi Davidovitch | Shlomi Mattias | Shlomi Molko | Shlomo (Shlomi) Sividia | Shlomo Elfasi | Shlomo Eliyahu Elsheikh | Shmil Abasov | Shmuel Shmulik Weiss | Shoham Lia Turgeman | Shoham Ya’akov Gerfi | Shon Deutshvili | Shoshana Brosh | Shoshana Karasanti | Shraga Hassid | Shulamit Merenstein | Shuval Ya’akov | Sigal Itah | Sigal Levi | Simon Vigdergauz | Sindi Flash | Sivan Alkavetz | Sivan Sharhabani | Sofia Popov | Solomon Aliagoyev | Somchai Sayang | Somkhoun Pansa-Ard | Sonthaya Oakkharasri | Sophia Bongart | Srithat Kawao | Stav Barazani

These are the names of just a few of the victims of October 7, those murdered by the horde of Nazi savages from Gaza, or those kidnapped and imprisoned within that moral sewer.

On October 6, all of these people were alive and minding their own business. They were living their own lives. Islamic terrorists from Gaza took that all away from them, leaving a permanent scar on their communities and the entire nation of Israel.

More names will be coming up soon.

[tsupertsundere]

Photo, with audio accompaniment. @chadhunkler again DJing

[parkerbombshell]

Rules Free Radio Jan 23 2023

Tuesdays 2pm - 5pm  EST Rules Free Radio With Steve  Caplan bombshellradio.com On the next Rules Free Radio with Steve Caplan, we’ll hear a few of the latest January releases including The Vaccine, Bill Ryder-Jones, Green Day, Mary Halvorson, Rotem Sivan, and Cat Cork. Other recent releases by The Coral, The National, Film School, Jonathan Wilson, and GracieHorse. In the second hour, we’ll get into some Funk and Afro-beat including Ghost Note, James Brown, Soulive, Snarky Puppy, The Clash, The Untouchables, Chopteeth Afrofunk Big Band, Johnny Clegg & Savuka, Sons of Kemet, and others. Classics and currents by Harry Nilsson, Father John Misty, Chris Whitley, Dar Williams, Pat DiNizio, Cowboy Junkies, The Byrds, Jules Shear, Colin Blunstone, Spirit, Paul McCartney, Patsy Cline, Chris Issak, and more. The Vaccines - Sometimes, I Swear East Village - Back Between Places The Orchids - Didn't We Love You Bill Ryder-Jones - If Tomorrow Starts Without Me The Coral - That's Where She Belongs Film School - Baby The National - Turn Off The House Rotem Sivan - Luc Jonathan Wilson - Ridin' in a Jag Harry Nilsson - Without Her Father John Misty - Kiss Me (I Loved You) Patsy Cline - I Love You So Much It Hurts Paul McCartney - Man We Was Lonely Green Day - Dilemma Mary Halvorson - Desiderata Mandrassi & Zollinger - Rhythm And Sound n.3 Ghost Note - Swagism Breakestra -  Getcho Soul Togetha James Brown - Get On Up (I Feel Like Being A) Sex Machine Soulive - Tabasco Snarky Puppy - Coney Bear Backbeat Underground w Nneka Lyn - Cramp Your Style The Untouchables - Freak In The Streets The Clash - Overpowered By Funk Chopteeth Afrofunk Big Band - Questions of Our Day Johnny Clegg & Savuka - Cruel Crazy Beautiful World Vusi Mahlasela, Norman Zulu and Jive Connection - Abantu Abangana Buso Sons of Kemet - Think of Home Cowboy Junkies - Ooh Las Vegas Chris Whitley - Kick The Stones Kenny Knight - Baby's Back Chris Isaak - I See You Everywhere The Black Canyon Gang - Lonesome City GracieHorse - If You’re Gonna Walk That Straight Line Son, It’s Only Gonna Hurt The Byrds - Everybody's Been Burned Spirit - Taurus Cat Cork - Are We Alone The Moon Loungers - Starman Colin Blunstone - Caroline Goodbye Colin Hay - Don't Let The Sun Catch You Crying Dar Williams -The Beauty Of The Rain Pat DiNizio - If The Sun Doesn't Sun Jules Shear - The Sun Ain't Gonna Shine Anymore Read the full article

[xnmldv]

Qualia - Mindful Workout from Dmitry Khmelnitsky on Vimeo.

The Qualia project takes us on a workout journey through a sensual body experience. When pushing boundaries and reaching our limits, we discover our deepest senses, revealed only for fleeting moments. Our main creative goal was to emphasize the transition from group workouts to the breakthrough into each participant's personal world. We sought to maintain a constant juxtaposition between light and dark, group and individual, calmness and intensity, clean limbo, and wild nature, bringing viewers closer to the Qualia experience.

Coral Friedman, the founder of Qualia, believes that workouts should be interesting, exciting, and meaningful. The training routine combines sound and cardio in a mirrorless, candlelit space that leads to mindfulness.

Shot on Arriflex 16 S/B using Kodak Vision 3 250D

Team Director: Dmitry Khmelnitsky @xnmldv at @talnathantalents Executive Producer: Coral Friedman @___coralfriedman Assistant Director: Rona Cohen @ronanza DP: Dmitry Khmelnitsky @xnmldv Producer: Rona Cohen @ronanza Gaffer: Joe Magal @joe_magal Assistant Camera: Rafael Nativ @rafael.nativ Stylist: Amit Friedman @amitfrdmn Colorist: Ilya Marcus @ilyamarcus at @talnathantalents

Performance by Noa Cohen Erner @noa_ce Sivan Chriqui @van_chriqui Rotem Blutstein @rotemblut Amit Friedman @amitfrdmn Lior Samuelson @lior_samuelson Neta Kestin @netakestin Shmuel Halfon @shmuel.halfon

[nofatclips-home]

Castaways (from The Backyardigans) covered by Adam Neely (featuring Martina DaSilva and Rotem Sivan)

[mothfishing]

6 for the 4 songs ask game?

6. 4 songs you would recommend to anyone

hmmm my own personal approach to recommending music to people depends on what i know of that person's preferences! so i'll just rec four songs from different genres:

wave bounce by chon

living dead and undecided by pretentious moi?

matcha by rotem sivan (feat. kamilah, adam neely)

swamp by mid-air thief

4. (in your opinion) 4 best songs of all time

TOUGH...my own preferences change constantly. i looked on a listening stat website and these are my top 4 tracks of all time so take that:

hole by bent knee

your tree by anjimile

more spell on you by eddie johns

there's no "i" in time by ttng

[sarcasticmudkip]

Castaways (ft. Martina DaSilva and Rotem Sivan)

Uhhhhhhhhhhhhhhhhhhhhhh no I won’t apologize for liking this tiktok craze because it bops

[favemusiclessons]

How the PROS use the PENTATONIC SCALE

We've all been there. The pentatonic addiction. Let's get out of that rut and spice up the pentatonics via this simple step-by-step plan! It's the trick all the pros use!

[liveguitarsolos]

Rotem Sivan playing guitar solo work fretless guitar 🎸🏞️👊

[sinceileftyoublog]

Live Picks: 9/12

Jon Hopkins; Photo by Steve Gullick

BY JORDAN MAINZER

Two shows previewed tonight--contemporary IDM masters and psych/funk/soul wizards.

Jon Hopkins & Daniel Avery, Thalia Hall

Jon Hopkins’ Singularity begins and ends on same note. It’s inspired by meditation, trance, nature, and psychedelics. Yes, I had the same reaction when I first heard that: “You’re talking about the new Gas album, right?” Thankfully, Hopkins, a mastermind of his own, is different. He’s more mathematical and intentional and, despite his live performance, less embracing of chaos in his compositions. Sure, he uses non-traditional electronic and dance music elements--live piano, field recordings--but bends and twists them into something at once introspective and club-ready. The title track and “Feel First Life” introduce their respective halves with, yes, a note, before Hopkins lays out his aesthetic arsenal, often over a canvas of arpeggio riffs. Yet, to hear the album as even merely two halves robs it of its continuity. While it’s cyclical due to its beginning and end, it flows unbelievably naturally whether the transitions are initially predictable (the bells of “Neon Pattern Drum” to the muted notes of “Everything Connected”) or shocking (the chopped beat and flighty vocals of “Emerald Rush” to the foremost droning ambiance of “Neon”). 

I don’t see how Hopkins could perform these tracks live without playing them start to finish, but if anybody could twist and turn what seemed perfect into something entirely different that seems equally perfect, it’s him. Plus, how could he not play a couple from his previous excellent album, 2013′s breakout Immunity?

From “Feel First Life” to “First Life”. Daniel Avery’s not just similar to Hopkins in that Song for Alpha, the visual album and Drone Logic follow-up he released earlier this year, has a song remarkably similar to one on Singularity. Tonight at Thalia Hall, he plans to play from doors opening until Hopkins’ first note in an attempt to emulate the continuity of a true acid house rave. (Hopkins returned the favor and recently remixed Alpha track “Glitter”). Recently, Avery’s released an EP, Projector, and a 50-minute ambient work called “Visible Gravity” that’s an informal preview of his sets opening for Hopkins. Later this year, he’ll tour with Nine Inch Nails, but for now, see him at his most adventurous and experimental.

White Denim, House of Blues

When I first heard that White Denim’s new album Performance would return to the weird along the lines of my favorite album of theirs (2009′s Fits), I became excited. With the addition of NRBQ drummer Conrad Choucroun and keyboardist Michael Hunter to the already potent lineup of vocalist/guitarist James Petralli and vocalist/bassist Steve Terebecki, the band had the potential for some truly far out instrumentals. The first song released from the album wasn’t really out there, but it was great--“Magazin” struts with attitude and soulful vocals from Petralli, who increasingly sounds like Dan Auerbach. “It Might Get Dark” is similarly slick, radio-ready based on an old riff the band didn’t know what to do with that’s obviously been refined for maximum catch. 

As it turns out, really, almost none of the album is strange, nor does it reach the chilled out rock of an album like 2013′s Corsicana Lemonade. Instead, you’ve got the usual upbeat strummers (“Backseat Driver” and “Good News”), limber jazz (“Sky Beaming”), and swaggering funk (“Double Death”). Of the tracks that instrumentally stand out, the dissonant, start-stopping “Fine Slime” and slinky “Moves On” (Hunter’s arpeggio keyboards shine here) highlight an album that mostly coasts along.

Thankfully, live, the band is a formidable beast, and they should jam even their more straightforward new songs into shape, all to match the highlights from the rest of their pretty good discography.

NYC-via-Israel jazz guitarist and composer Rotem Sivan opens.

[dermontag]

Die Münchner Kammerspiele haben sich etwas ganz Besonderes ausgedacht. Ihre Produktion „Like Lovers Do (Memoiren der Medusa)“ kommt mit einer Triggerwarnung zum Theatertreffen. „Der Text enthält Schilderungen so sexualisierten Gewalthandlungen, die belastend und retraumatisierend wirken können.“ Denn das Stück dreht sich tatsächlich um sexualisierte Gewalt, und die Sprache ist drastisch. Aber eher Porno als Protest. Und so funktioniert die Warnung nach altbewährtem Muster – als Verlockung. Die folgende Sendung ist für Jugendliche unter 16 Jahren nicht geeignet, wie es im Fernsehen immer schön heißt. Na, dann schauen wir uns das doch mal an. Orakel mit Planschbecken Schnell stellt sich heraus, dass hier ein anderer Warnhinweis angesagt wäre. Vorsicht Verharmlosung! Die trashige, parodistische Art und Weise, wie die fünf Performer über harten Sex, Vergewaltigung und wilde Rachefantasien plappern, mag für manche Menschen befreiend wirken. Andere stößt es ab. Weil der Entertainment-Ton verniedlicht und ablenkt. Grundsätzlich stellt sich natürlich auch die Frage, was das mit dem Theater, mit der Kunst macht, wenn das Publikum – warum nicht auch bei antiken Tragödien – vorab eine Information, einen Disclaimer bekommt. Und dann machen sie sich auch noch im Stück darüber lustig – Triggerwarnungen würden sich nun mal gut verkaufen. Eklig! Riesige aufblasbare Phallus-Objekte (die nachher natürlich in sich zusammenfallen) stehen auf der Bühne, ein Orakel mit Planschbecken und rotem Wasser in der Mitte. Die Klamotten der Medusen liegen zwischen „Rocky Horror Show“ und der Enterprise. Ja, eine Utopie: Aus abgeschnittenen Penissen entsteht ein „Nährboden für neue Narrative und Umgangsweisen“ (Programmzettel). Sieg über das Patriarchat? Noch ein Hinweis: Die Tänze dieser Space-Vögel sind peinlich, und um den Text besser zu verstehen, braucht man die englischen Obertitel. Nur wenn die feste, klare Stimme von Wiebke Puls aus dem Off zu hören ist, ändert sich die Stimmung. Plötzlich kommt mit dieser Schauspielerin eine Schärfe durch, die auf der Show-Bühne gleich wieder abgeschüttelt wird. Sivan Ben Yishais Text schreit nach einer anderen Umsetzung. Er wird über weite Strecken von Pinar Karabuluts Regie dementiert. Kann es sein, dass die Münchner Kammerspiele nicht bemerken, wie sexualisierte Gewalt gegen Frauen und auch gegen Männer in dieser Inszenierung Stück heruntergespielt wird? Ist es fahrlässig und naiv, was sie hüpfend aufführen, oder ziemlich clever und spekulativ? Die Einladung zum Theatertreffen nach Berlin scheint den Kammerspielen Recht zu geben. Andererseits stärkt die Erfahrung mit der diesjährigen Auswahl nicht unbedingt das Vertrauen in die Urteilskraft und Geschmackssicherheit der Jury. Was bei „Like Lovers Do“ anfangs an Peter Handkes „Publikumsbeschimpfung“ erinnert, endet in einer Publikumsumarmung. Jubel und Gejaule im Parkett, das Festspielhaus feiert offensichtlich einen Sieg über das Patriarchat und sein Theater.