#roshan kurichiyanil

[graphicpolicy]

The first ever Brawlhalla graphic novel arrives in June 2025

The first ever Brawlhalla graphic novel arrives in June 2025 #comics #graphicnovel #brawlhalla

Dark Horse Comics and Ubisoft present the first ever Brawlhalla graphic novel, Brawlhalla Tales: Nix. With a community of more than 100 million players, a selection of more than 60 playable characters battling in the halls of Valhalla and the possibility to engage in casual or competitive matches, Brawlhalla has made a name for itself among free-to-play fighting games. Brawhalla Tales:…

[geekcavepodcast]

"Brawlhalla" Graphic Novel Announced

Dark Horse Comics and Ubisoft have teamed up on a Brawlhalla graphic novel. Brawlhalla Tales: Nix is written by Matt Woomer, drawn by R.J. Jost, colored by Roshan Kurichiyanil, and lettered by Lucas Gattoni.

:Nix, a freelance angel of death and the finest reaper of the Underworld, misses her mark at the hands of a rogue Valkyrie – and she never misses! She travels across the nine realms to Valhalla to reclaim her bounty, but the afterworld is not as she expected. Nix discovers strange enemies, stranger friends, and tougher fights than she ever imagined. Now begrudgingly teamed up with an unlikely partner, Nix will need to win Odin’s tournament of heroes if she wants to keep her job and, more importantly, her soul." (Dark Horse)

Brawlhalla Tales: Nix goes on sale on June 17, 2025.

(Image via Dark Horse - Cover of Brawlhalla Tales: Nix)

[marshmyers]

Atala thought she was saving the world — but in hunting down the great beasts, she wound up dooming it.

Betrayed by her lord, Kurrn, and left for dead, she awakes in a dark world overrun by nightmares with a single mission on her mind: revenge.

But before avenging Kurrn, she must deal with the devastation left in his wake - beginning with a tribe of vicious werewolves menacing one of the last human settlements. As she confronts the bestial Howler and comes to terms with her past, Atala must unlock a deep and ancient power inside herself to survive, much less triumph.

A thrilling new dark fantasy graphic novel from the minds of Rich Douek and Gavin Smith, with Nicholas Burgdorf, Roshan Kurichiyanil, and Justin Birch.

PREORDER FOR DECEMBER 17, 2024, SHIP DATE

[tastebuds1]

Giga: The Complete Series Paperback – June 27, 2023 by Alex Paknadel (Author), Adrian F. Wassel (Editor), John Lê (Illustrator), Roshan "Rosh" Kurichiyanil (Colorist), & 1 more Ever since their world-shattering war ended, the slumbering mecha called 'Giga' have been both gods and habitats for the surviving humans. Then disgraced engineer Evan Calhoun discovers a murdered Giga, and the very fabric of society starts unraveling around him.

A GIANT MECH MURDER MYSTERY.

Nobody knows why the skyscraper-sized mechs known as ‘Giga’ fought their bitter, centuries’ long war. All they know is that when the fighting finally stopped, the dormant Giga became humanity’s new habitat and new gods in one. When disgraced engineer Evan Calhoun finds an apparently murdered Giga, his society and the fascistic tech-centered religious order that controls it are rapidly thrown into chaos.. From writer Alex Paknadel (Friendo, Turncoat, Incursion) and rising star John Le comes another Vault & White Noise partnership about what happens after the mechs stop fighting.

Collects the complete five-issue series.

For fans of Neon Genesis Evangelion, Ultra Mega, and the Department of Truth

"A well-thought-out sci-fi series…." -- AV Club

"A world where people take shelter in the rotting husks of giant mechs - smart, fun, beautiful stuff." -- Scott Snyder (Batman, American Vampire, Justice League, Wytches)

"I read GIGA the other day and fell desperately in love with the world they build, and was desperate to spend more time in it and explore. You do NOT want to miss it." -- James Tynion IV (Something is Killing the Children, House of Slaughter, Department of Truth)

[gameforestdach]

Trotz der Verzögerung des mit Spannung erwarteten Skull and Bones Key Videospiels durch Ubisoft ist ein Spin-Off-Comicbuch zur Vorbestellung erhältlich. Skull and Bones: Savage Storm ist die erste Ausgabe eines Spin-Offs von Dark Horse Comics und wird gemeinsam von John Jackson Miller und James Mishler geschrieben. Die Zeichnungen stammen von Christian Rosado, die Farben von Roshan Kurichiyanil und das Cover von Pius Bak. Es bietet einen Einblick in die Welt des Spiels, mit viel Piraten-Action und Abenteuer. Gesichtswahrung im Angesicht der Verzögerung Ubisofts Skull and Bones hat sich zwar verzögert, aber mit diesem neuen Comic kann man trotzdem einen Vorgeschmack auf das Spiel bekommen. Folgt @jschedeen auf Twitter für weitere Informationen zur Veröffentlichung und schaut euch die Vorbestellung der digitalen Version auf Amazon für ein Hardcover-Kunstbuch, The Art of Skull and Bones, an. Skull and Bones: Savage Storm Erste Ausgabe des Spin-Offs von Dark Horse Comics Schädel und Knochen: Savage Storm ist die erste Ausgabe der Comic-Spin-off-Serie. Diese Ausgabe, die von John Jackson Miller und James Mishler gemeinsam geschrieben wurde, bietet einen Einblick in die Welt von Skull and Bones und jede Menge Piraten-Action und Abenteuer. Die Zeichnungen stammen von Christian Rosado, die Farben von Roshan Kurichiyanil und das Cover von Pius Bak. Die digitale Version des Comics kann auf Amazon vorbestellt werden [https://www.amazon.com/Skull-Bones-Savage-Storm-1-ebook/dp/B0BDT89TSY/?tag=igndeals14-20]. Mitverfasst von John Jackson Miller und James Mishlers Skull and Bones: Savage Storm wird von John Jackson Miller, einem erfahrenen Comic- und Star Wars-Autor, und James Mishler, einem langjährigen Comic-Autor, gemeinsam geschrieben. Gemeinsam erschaffen sie eine Comic-Geschichte, die den Spielern hilft, die Welt von Skull and Bones zu verstehen und zu schätzen. Gebundenes Artbook jetzt auf Amazon vorbestellen Neben der ersten Ausgabe des Skull and Bones-Comics können sich die Fans auch auf ein Hardcover-Artbook freuen. The Art of Skull and Bones ist ein vollfarbiges Hardcover-Buch, das die Kunst und den Einfallsreichtum zeigt, die in die Entwicklung dieses mit Spannung erwarteten Spiels eingeflossen sind. Es enthält Konzeptzeichnungen und Einblicke hinter die Kulissen des Entwicklerteams. Das Buch enthält außerdem Farbzeichnungen von Roshan Kurichiyanil und ein Titelbild von Pius Bak. Hier könnt ihr das Buch finden. Was ist Skull and Bones? Skull and Bones ist ein kommendes Videospiel von Ubisoft, das sich mit dem Thema Piraten beschäftigt. Wann soll Skull and Bones veröffentlicht werden? Die Veröffentlichung von Skull and Bones wurde verschoben, aber es gibt immer noch eine Möglichkeit, einen Vorgeschmack auf das Spiel zu bekommen - Skull and Bones: Savage Storm. Wer ist der Autor des Spin-offs? Das Spin-Off wird von John Jackson Miller und James Mishler geschrieben, die Zeichnungen stammen von Christian Rosado, die Farben von Roshan Kurichiyanil und das Cover von Pius Bak. Wo kann ich das Spin-Off-Buch vorbestellen? Die digitale Version des Spin-Offs kann auf Amazon für ein Hardcover-Kunstbuch, The Art of Skull and Bones, vorbestellt werden.

[comicbookfx]

SHUFFFFF SKKRRT SKRT BREEP BRAP BRAP BREEP BREEP-BREEP BREEPBREEEEEEEP KRA-BLOOOM PHWSH PSSHHH TUMPH

James Bond #1 L: Ariana Maher A: Eric Gapstur C: Roshan Kurichiyanil & Rebecca Nalty W: Vita Ayala & Danny Lore

[oosteven-universe]

James Bond #003

James Bond #003 Dynamite Entertainment 2019 Written by Vita Ayala & Danny Lore Illustrated by Erica D'Urso & Marco Renna Coloured by Roshan Kurichiyanil Lettered by Ariana Maher     Bond is in over his head. What started as a “punishment” assignment has expanded into a world of international crime that Bond can’t wrap his mind around. Will 007 accept that the mission is too big for one spy, and seek assistance…or will pride be his downfall?     Well I have to say that I have been enjoying this a whole hell of a lot more than I had anticipated and honestly I had/have high expectations for this to begin with. The opening here is fantastic as we get to see more about our Miss Keys and her past. It is interesting to me to see how the events of her past shaped the woman she's become and how the expectations of her father were what led her to be where she is now. I don't know though if expectations is right or if it's more like measuring up to her old man. Either or it goes a long way into showing us the decisions and lifestyle choices that she has made. Also while she's still this cold hearted bitch with an attitude, which doesn't make her a stone cold killer by the way, we can appreciate her more.     This is so extremely well written and it has so many wonderful layers to it that we as the reader want to explore. What they manage to do is pull us into the story in some very different ways then we are used to. So that they can do this with such panache just goes to show that when you've got some mad writing skills nothing can slow ya down, not even a man with a licence to kill. I will say that with Keys demanding to be a part of this and bringing Reese well it seems to me that everything went tits-up in a real hurry. That however is more than half the fun if I am going to be honest.     The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is laid down extremely well. I like that there are holes in the story and there are times when we wonder what the heck is going on because that is what garners the interest and makes us keep coming back. The character development is fantastic and the way we get to see the characters grow and evolve through the situations and circumstances they encounter. Also there is superb dichotomy in the personalities of James and Brandy that only gets sharper and more into focus the more time they spend in each other's company. When we factor in the pacing and how we are taken through the story it all works together to create this smart, intelligent and interesting ebb & flow.     I really like the interiors here as well. The linework is marvellous and while I get this familiar feeling as in influences behind the style of the linework it still manages to stand on its own. I do wish we'd get to see the gowns, yes a nice fashion show, and some variation in tuxedos but it is what it is. I do wish we would see backgrounds being utilised more often, in this setting it would've been phenomenal to see something, anything. The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling. The colour work we see is really well rendered. The way we see the light sources, how the various hues and tones within the colour create the shading, highlights and shadow work is so on point. ​     I think that what this story showcases mare than anything else is that James Bond needs to work alone. The man does not play well with others and honestly someone in his position should be forced to. Civilians can never understand, other agents have agenda's so yeah this is a solitary occupations. Look I am still thinking about what they wrote here and that doesn't seem to be stopping anytime soon.

[thecomicon]

A New Start For MI6's Finest With James Bond #1

A New Start For MI6’s Finest With James Bond #1

Mild Spoilers Ahead

We watch James Bond getting chased out of a bedroom by an ambassador for bedding his wife. After this intro, we join Keys and Reese, a pair of insurance claim investigators who specialize in high-end Renaissance paintings. In this particular case, a Rothko painting owned by a Mr. Davies has been stolen and replaced in a museum, and Keys and Reese are in charge of figuring out…

[eddycurrents]

For the week of 29 April 2019

Quick Bits:

Angel #0 spins out of Buffy the Vampire Slayer #4 (the ending events of which are presented again at the beginning here), giving us a flashback of Angel in Los Angeles and a case involving a werewolf. The tone here from Bryan Edward Hill, Gleb Melnikov, Gabriel Cassata, and Ed Dukeshire is bleaker than the Buffy series, but it’s fitting.

| Published by BOOM! Studios

Barbarella/Dejah Thoris #3 is a whole lot of flirting. Gorgeous artwork from  Germán García and Addison Duke with some impressive lettering from Crank!

| Published by Dynamite

Batman #70 wakes up from its “Knightmares” for the first part of “The Fall and the Fallen” by Tom King, Mikel Janín, Jorge Fornés, Jordie Bellaire, and Clayton Cowles. It throws down a gauntlet of Bats’ rogues as he fights to escape Arkham Asylum.

| Published by DC Comics

Batman/Teenage Mutant Ninja Turtles III #1 is the first of these series that I’ve picked up, so I didn’t initially clue in that this wasn’t necessarily how this crossover had played out previously, but this first issue features a world of the two properties mashed-up in a combined reality. It’s an interesting start from James Tynion IV, Freddie E. Williams II, Kevin Eastman, Jeremy Colwell, and Tom Napolitano with some gorgeous artwork.

| Published by DC Comics & IDW

Black Hammer ‘45 #3 features a guest-spot for a young Abraham Slam, who seems to rub the Black Hammer Squadron the wrong way through trying to follow through with ideals and principles. It’s an interesting underlining of whatever potentially grey area operation the squad is on, as Jeff Lemire, Ray Fawkes, Matt Kindt, Sharlene Kindt, and Marie Enger continue to let that plot point simmer.

| Published by Dark Horse

Champions #5 is a tie-in to War of the Realms and also serves as a bit of glue to hold together different parts of the event, building upon things across different areas of the Marvel universe. It also gives us a very heartfelt reunion of Ms. Marvel and Cyclops, wonderfully told by Jim Zub, Juanan Ramírez, Marcio Menyz, and Clayton Cowles.

| Published by Marvel

DC’s Year of the Villain Special #1 gives a trio of teasers, two largely for the two sides of the Justice League/Legion of Doom stuff that has been going on, providing a backbone for the Year of the Villain event, and the third for Brian Michael Bendis’ brainchild of Event Leviathan, which unfortunately feels kind of out of place with the rest of it. As though the two separate stories are competing for resources, rather than being part of a cohesive whole. That said, all of the teasers do their job fairly well, piquing interest in what’s to come.

| Published by DC Comics

DCeased #1 is basically DC’s answer to Marvel Zombies by way of Stephen King’s Cell, but it’s damn entertaining work from Tom Taylor, Trevor Hairsine, James Harren, Stefano Gaudiano, Rain Beredo, and Saida Temofonte. The set-up for the series with Darkseid meddling with the Anti-Life Equation and winding up with something worse is perfect.

| Published by DC Comics

Deathstroke #43 is kind of the conclusion to “The Terminus Agenda”, on paper at least. There’s still an epilogue over in the next issue of Teen Titans and the final page of this one sets up something huge going forward.

| Published by DC Comics

Descendent #1 begins another new conspiracy thriller, building off a child abduction and a “truther”, from Stephanie Phillips, Evgeniy Bornyakov, Lauren Affe, and Troy Peteri. It’s a bit of a slow build, working to develop the characters nicely, but there’s an intriguing mystery here.

| Published by AfterShock

Doctor Who: The Thirteenth Doctor #7 continues the hunt for the Stilean Flesh Eaters as the Doctor and the team cross paths with some familiar faces. Gorgeous layouts and art here from Roberta Ingranata, Enrica Eren Angiolini, and Viviana Spinelli.

| Published by Titan

Eclipse #15 reaches a boiling point in this penultimate issue. Zack Kaplan, Giovanni Timpano, Flavio Dispenza, and Troy Peteri have at least partially turned this arc upside down, causing us to have some serious questions about the morality of either side in the conflict. It adds a great depth to the characters’ actions and makes me unsure as to what exactly I’d like to see in the finale.

| Published by Image / Top Cow

Elephantmen 2261: The Pentalion Job #1 begins a new digital original mini-series from Richard Starkings and Axel Medellin. Burba sees himself released from prison early, only to be set up to do a new enormous heist. Starkings builds this one greatly out of what’s come before in the series and the art from Medellin is gorgeous.

| Published by Comicraft

Fallen World #1 is a very welcome return to the future of the Valiant universe, spinning out of the changes made to the world in 4001 AD and War Mother, with Dan Abnett, Adam Pollina, Ulises Arreola, and Jeff Powell weaving gold out of the fallen threads of the fallen New Japan. You needn’t have read anything prior to this, Abnett does a wonderful job filling in necessary details of the world and the characters. The art from Pollina is probably the best I have ever seen from him, there’s detail, grace, and expressiveness that has leapt so far beyond even the beautiful work he’s done before. He and Arreola make this a damn impressive book to look at. Highly recommended.

| Published by Valiant

Giant Days #50 features a cricket match, including an explanation of the game that makes more sense than I’ve ever seen it explained before. John Allison, Max Sarin, Whitney Cogar, and Jim Campbell deliver another hilarious issue, with one hell of a final page.

| Published by Boom Entertainment / BOOM! Box

The Girl in the Bay #4 is the end to this mini from JM DeMatteis, Corin Howell, James Devlin, and Clem Robins. It answers what happened in order to create two Kathy Santoris, and her murderer’s deal, but it maintains the weirdness set from the beginning.

| Published by Dark Horse / Berger Books

Gogor #1 is an entertaining start to this fantasy series from Ken Garing. The set up for the Domus taking over is interesting, as is the introduction of the seemingly Hulk-like saviour in the titular character. Gorgeous artwork throughout.

| Published by Image

Green Lantern #7 is a standout issue in an already astounding run, as Hal Jordan and a friend he finds in Pengowirr try to escape from Hal’s dying power ring. Great twists and turns throughout from Grant Morrison, Liam Sharp, and Tom Orzechowski. The layouts for many of the pages, playing with the shape of the Green Lantern symbol are very impressive.

| Published by DC Comics

Harley Quinn #61 is the first of this series I’ve picked up, due to Otto Schmidt taking over regular art duties, and I quite like this. This is the first part of “Role Players” from Sam Humphries, Schmidt, and Dave Sharpe, porting Quinn off to an alternate realm steeped in Dungeons & Dragons fantasy tropes. It’s pretty entertaining, with great art from Schmidt.

| Published by DC Comics

Hashtag: Danger #1 is another entertaining addition to the second wave of Ahoy’s comics, with Tom Peyer and Chris Giarrusso’s humorous take on the Challengers of the Unknown formula graduated from back-up to series. It’s rounded out with the usual back-up strip, text piece, and prose.

| Published by Ahoy

Justice League #23 has one hell of a gut punch for an ending (granted, it’s a little undercut by the DC’s Year of the Villain Special, but how could we expect something like that to remain anyway?). Absolutely stunning artwork from Jorge Jimenez and Alejandro Sánchez who only seem to outdo themselves with each subsequent issue.

| Published by DC Comics

Marvel Team-Up #2 continues the team-up between Ms. Marvel and Spider-Man in this Freaky Friday take from Eve L. Ewing, Joey Vasquez, Felipe Sobreiro, and Clayton Cowles. Interesting exploration of Peter and Kamala as they navigate aspects of each other’s lives.

| Published by Marvel

Meet the Skrulls #4 unveils what was a the heart of Project Blossom as fractures continue to develop between the Warner family. Great twists and turns from Robbie Thompson, Niko Henrichon, Laurent Grossat, and Travis Lanham as the series winds up for its conclusion.

| Published by Marvel

Nobody is in Control #1 features some very dense storytelling from Patrick Kindlon, Paul Tucker, and Wallace Ryan in this debut issue that goes down a rabbit hole of conspiracy theories and seemingly random information. It reminds me a bit of the structure of Steve Seagle and Kelley Jones’ Crusades from Vertigo ages ago, but with a more likeable protagonist and a decidedly different narrative.  

| Published by Black Mask

The Punisher #11 is the explosive conclusion to “War in Bagalia” from Matthew Rosenberg, Szymon Kudranski, Antonio Fabela, and Cory Petit. When I say “conclusion”, though, I only mean it’s the end of the arc, it doesn’t really conclude anything with Jigsaw or Zemo. Great art from Kudranski and Fabela.

| Published by Marvel

Red Sonja #4 delves a bit more into Sonja’s past and training, seeding something interesting, while the first assault after being resupplied takes place. Mark Russell, Mirko Colak, Bob Q, Dearbhla Kelly, and Hassan Otsmane-Elhaou are continuing to tell an engrossing, thought-provoking story with this series.

| Published by Dynamite

Savage Avengers #1 is a good debut from Gerry Duggan, Mike Deodato Jr., Frank Martin, and Travis Lanham. It spins out of Avengers: No Road Home, but only inasmuch as depositing Conan in the Savage Land. We’re getting a bit of a gathering of the team here as an ancient cult tries to summon a bloodthirsty deity from a planet past Pluto.

| Published by Marvel

The Six Million Dollar Man #3 is another hilarious issue from Christopher Hastings, David Hahn, Roshan Kurichiyanil, and Ariana Maher. The comedy of errors increases as Steve tries to recharge himself through acting as a lightning rod. Just wonderful stuff.

| Published by Dynamite

Spider-Gwen: Ghost Spider #8 sees Seanan McGuire continue to absolutely nail the character development and interpersonal interactions between the characters in a compelling and intriguing way that hooks you well on their drama, even amidst all of the action, mystery, and excitement. Also, the art from Takeshi Miyazawa and Ian Herring remains incredible.

| Published by Marvel

Star Wars: Age of Rebellion - Han Solo #1 gives us a sweet smuggling run set between A New Hope and Empire Strikes Back as Han and Chewie are still carving out what their place happens to be in this world, from Greg Pak, Chris Sprouse, Karl Story, Tamra Bonvillain, and Travis Lanham.

| Published by Marvel

Transformers #4 maintains the slowburn for this story arc, delivering a bit more information, a Cyclonus that might be insane, and Brainstorm’s funeral. Also, I’d swear that the story is hinting that the newly forged Transformer is the murderer, but that may just be me putting together dots that don’t actually align. It’s really nice to see art here from Sara Pitre-Durocher and Andrew Griffith as they join Angel Hernandez this issue.

| Published by IDW

Volition #5 throws a boatload of betrayals and twists at us as Amber and Hale continue to try to track down their creator...and her dog. Ryan Parrott, Marco Itri, Leonardo Paciarotti, and Marshall Dillon are very nicely raising the tension levels in this issue.

| Published by AfterShock

The War of the Realms #3 sees Jason Aaron, Russell Dauterman, Matthew Wilson, and Joe Sabino continue to juggle the massive amount of characters and threads going into this event (even if some of the tie-in mini-series don’t seem to line up with the main event book itself). Gorgeous art from Dauterman and Wilson.

| Published by Marvel

The War of the Realms: Strikeforce - The Dark Elf Realm #1 is a one shot from Bryan Hill, Leinil Francis Yu, Gerry Alanguilan, Matt Hollingsworth, and Joe Sabino further exploring the team of Freyja, the Punisher, She-Hulk, Blade, and Ghost Rider before they ride off to Svartalfheim in War of the Realms #3. Some interesting character explorations and the nightmare of thousands of fluffy kittens.

| Published by Marvel

Young Justice #5 is huge, potentially exponentially huge, as it seems to pull at the fraying threads of the New 52 and Rebirth to hearken back to the pre-Flashpoint DCU. Brian Michael Bendis, John Timms, Kris Anka, Doc Shaner, Gabe Eltaeb, and Wes Abbott may be playing with fire but it’s a very welcome warmth. Bring marshmallows.

| Published by DC Comics / Wonder Comics

Other Highlights: Amazing Spider-Man #20.HU, Battlestar Galactica: Twilight Command #2, Beasts of Burden: The Presence of Others #1, Black AF: Devil’s Dye #3, Devil Within #4, The Dreaming #9, Elvira: Mistress of the Dark #5, Female Furies #4, From Hell: Master Edition #5, Goosebumps: Horrors of the Witch House #1, Grumble #6, Hillbilly: Red-Eyed Witchery From Beyond #4, Jim Henson’s Beneath the Dark Crystal #9, Marvel Action: Avengers #4, Marvel Action: Spider-Man #3, Outcast #41, Paper Girls #28, Self/Made #6, Star Wars #65, Star Wars Adventures: Flight of the Falcon, TMNT: Urban Legends #12, Under the Moon: A Catwoman Tale

Recommended Collections: Aliens: Dust to Dust, Amazing Spider-Man - Volume 3, Art of War of the Realms, Bloodborne - Volume 2: Healing Thirst, Bone Parish - Volume 1, Doctor Strange - Volume 2: Remittance, GI Joe: A Real American Hero - Silent Option, House Amok - Volume 1, Killmonger, Man Without Fear, Midas, Mighty Morphin Power Rangers - Volume 8, Olivia Twist: Honor Among Thieves, Princeless - Volume 7: Find Yourself, The Quantum Age, The Silencer - Volume 2: Helliday Road, Star Trek: The Next Generation - Terra Incognita, Stranger Things - Volume 1: The Other Side, Takio, TMNT - Volume 21: Battle Lines, Wonder Woman & Justice League Dark: Witching Hour, The Wrong Earth - Volume 1

d. emerson eddy would like to remind you that it’s Free Comic Book Day. Get out there and free some comics from the shackles of oppression. May the fourth be with you.

[graphicpolicy]

Dark Horse presents Skull and Bones: Savage Storm #1

Dark Horse presents Skull and Bones: Savage Storm #1 #comics #comicbooks #skullandbones #ubisoft

Dark Horse Comics is teaming up with Ubisoft for an all new adventure! Skull and Bones: Savage Storm #1 brings you into the gritty and immersive world of Ubisoft’s upcoming pirate game. The series features a daring tale of shipwrecks, survival and a battle for supremacy! Skull and Bones: Savage Storm  is co-written by John Jackson Miller and James Mishler with art by Christian Rosada and color by…

[geekcavepodcast]

“Skull and Bones” Gets Comic Book Series

Dark Horse Comics and Ubisoft have paired up on a Skull and Bones comic book series. Skull and Bones: Savage Storm hails from writers John Jackson Miller and James Mishler, artist Christian Rosada, and colorist Roshan Kurichiyanil.

“A merchant vessel on the high seas is besieged by a vicious crew of pirates, but the fighting is interrupted by a devastating typhoon. When the storm crashes in, it leaves predator and prey stranded on an island somewhere in the Indian Ocean. Discover the mysteries and danger that will betide them all.”

Skull and Bones: Savage Storm #1, featuring a cover by Pius Bak, goes on sale on November 21, 2022.

(Image via Dark Horse - Pius Bak Cover of Skull and Bones: Savage Storm #1)

[dynamitecomics]

Tweeted

Yes! It’s free. A super fun book I did last year with the most amazing guys https://t.co/3yiCHLXmL4

— Roshan Kurichiyanil (ROSH) Comic Book Colorist. (@artofroshan) March 25, 2020

[rabbittstewcomics]

Episode 224

Top 100

Comic Reviews:

New Years Evil by Corinna Bechko, Gabriel Hardman, Matt Hollingsworth, Kenny Porter, Ramon Villalobos, Tamra Bonvillain, Phillip Kennedy Johnson, Sumit Kumar, Romulo Fajardo Jr, Jim Krieg, Ana Murillo, Hi-Fi, Dan Watters, Alessandro Vitti, Adriano Lucas, Ram V, Anthony Spay, Jon Sibal, Christos Gage, Karl Mostert, Luis Guerrero, Dave Wielgus, Cian Tomey, Dave McCaig, Kurt Busiek, Dale Eaglesham, Michael Atiyeh, Vita Ayala, Elena Casagrande, Jordie Bellaire

Infected: Deathbringer by Zoe Quinn, Brent Peeples, Arif Prianto

Batman 84

Batwoman/Supergirl: World's Finest Giant

Annihilation: Scourge - FF by Christos Gage, Diego Olortegui, Scott Hanna, Cam Smith, Juan Vlasco, Erick Arciniega

Annihilation: Scourge - Nova by Matt Rosenberg, Ibraim Roberson, Carlos Lopez

Conan: Serpent War by Jim Zub, Vanesa Del Rey, Scot Eaton, Scott Hanna, Jean-Francois Beaulieu, Frank D'Armata

Ghost Rider 2099 by Ed Brisson, Damian Couceiro, Dono Sanchez-Almara

Thor: The Worthy by Walt Simonson, Tom DeFalco, Ron Frenz, Kathryn Immonen, Mike Hawkthorne, Sal Buscema, Keith Williams, Tom Reilly

Venom 2099 by Jody Houser, Geraldo Borges, Francesco Mobili, Rachelle Rosenberg

James Bond 1 by Vita Ayala, Danny Lore, Eric Gapstur, Roshan Kurichiyanil, Rebecca Nalty

20XX 1 by Lauren Keely, Jonathan Luna

Butcher of Paris 1 by Stephanie Phillips, Dean Kotz, Jason Wordie

Kill Whitey Donovan 1 by Sydney Duncan, Natalie Barahona

Angela De La Muerte 1 by Salvador Sanz

MMPR/TMNT 1 by Ryan Parrott, Simone Di Meo, Baiamonte

Over the Ropes 1 by Jay Sandlin, Antonello Cosentino, Segala, Birch

Stabbity Ever After: Wonderland by Richard Rivera, Ryan Kincaid

Vampironica: New Blood 1 by Michael Moreci, Frank Tieri, Matt Herms, Audrey Mok, Jack Morelli

Additional Reviews: Goosebumps: Download & Die, Unfollow, Criminal UK

News: White Knight v3, return of Jar Jar, Locke & Key release, date, Dracula air date, Strange Academy, Green Lantern Earth One 2, Hellions, Prince Anders Disney+, Outer Darkness/Chew crossover

Trailers: Bond, Black Widow, Mulan, Wonder Woman '84

Comics Countdown, 04 Dec 2019:

Die 10 by Kieron Gillen, Stephanie Hans

Batman Universe 6 by Brian Michael Bendis, Nick Derington, Dave Stewart

X-Men 3 by Jonathan Hickman, Leinil Francis Yu, Rain Beredo, Sunny Gho

Deathstroke 50 by Christopher Priest, Carlos Pagulayan, Fernando Pasarin, Oclair Albert, Danny Miki, Jason Paz, Norm Rapmund, Jeromy Cox

Daredevil 14 by Chip Zdarsky, Marco Checchetto, Francesco Mobili, Nolan Woodard

Ghosted in L.A. 6 by Sina Grace, Siobhan Keenan, Cathy Le

Green Lantern: Blackstars 2 by Grant Morrison, Xermanico, Steve Oliff

Marauders 3 by Gerry Duggan, Michele Bandini, Elisabetta D'Amico, Federico Blee

New Year's Evil

Harley Quinn 68 by Sam Humphries, Sami Basri, Hi-Fi

Check out this episode!

[comicbookfx]

WHIRRRRRRRRR WHIRRRRRRRRR WHIRRRRRRRRR WHIRRRRRRRRR WHIRRRRRRRRR WHIRRRRRRRRR POP

James Bond #4 L: Ariana Maher A: Erica D'Urso C: Roshan Kurichiyanil W: Vita Ayala & Danny Lore

[oosteven-universe]

James Bond #002

James Bond #002 Dynamite Entertainment 2019 Written by Vita Ayala & Danny Lore Illustrated by Eric Gapstur Coloured by Roshan Kurichiyanil Lettered by Hassan Otsmane-Elhaou     A fake is only the beginning…James Bond is forced into a world he doesn’t understand. Counterfeits, smuggling, following impossible trails to invisible villains. Can he learn to trust others for help, or will the mission leave him behind?     I am totally digging the way that this is being told. I love James, well the book and the comic book version of James Bond. I feel there are so many more angles and perspectives that can be encompassed through this medium of storytelling that you just cannot do in film and television. To see this particular story where last issues cock-up is now coming into play as something neither James nor Brandy foresaw coming. I like it though it has all the right elements of creativity and imagination in play that keep the reader on their toes. They really have done an amazing job with the writing here and incorporating such an intricate web of lies and thievery so that neither Brandy nor James is going to be in their element throughout this. Though I would've suspected nothing was outside James' purview.     The story & plot development that we see here is laid down extremely well thanks to how we see the sequence of events unfold as well as how the reader learns information. They have utilised an interesting mix in who we see revealing what and when so that while we never have the bigger picture we do see how some threads are exposed. I like it, it wets the appetite beautifully for what's still to come and it still builds tension and intrigue throughout the book. The character development is pretty darn marvellous as well. While we see James as we know him, for the most part, we get new characters whom we've never seen before so there's a whole world to explore and it is fantastic. Plus the way that we see all of these very different and very strong personalities interact with one another is pretty enjoyable. The pacing takes us through the pages revealing the twists and turns along the way all of which works together to create such a great ebb & flow to the book.     The sheer amount of creativity and imagination that comes out of they're minds is really something to be celebrated and it's why, I for one, keep coming back for their storytelling. Also I like the idea behind the story as well as the execution of the layers within in.     The interiors here are absolutely delightful. There is this really impressive blend of minimalist and tastefully full of backgrounds. So the mix of linework and colour work is done is so superbly as they work so perfectly together. The utilisation of the page layouts and how we see the angles and perspective in the panels show this marvellous eye for storytelling. The composition inside the panels and how we see depth perception, scale and that sense of size and scope to the book is extremely nice to see. I love seeing the attention to detail in the characters faces and facial expressions along with the body language as it really does enhance the characterisation. The colour work is nicely rendered as we see so many varying techniques in play here. ​     The way that this progresses and how we see certain skill sets come to light as well how being so damn stubborn and insubordinate is going to ruin a mission. Just when I thought James had earned his respect and they would listen to him, well Brandy who apparently can't listen to anyone. I am thoroughly enjoying the entire dynamic we see and continue to see it go places it was never meant to go. These are the reasons why James Bond will never go out of style.  

[oosteven-universe]

Ian Fleming’s James Bond #001

Ian Fleming's James Bond #001 Dynamite Entertainment 2019 Written by Vita Ayala & Danny Lore Illustrated by Eric Gapstur Coloured by Roshan Kurichiyanil & Rebecca Nalty Lettered by Ariana Harkins     A fresh take on the world’s greatest secret agent. When a priceless piece of art is found to be fake, investigations lead down a rabbit hole of international crime and corruption. But what the hell does James Bond know about the world of art forgery?     I am always up for a new take and version of James Bond. After all with each new actor portraying him in film we get a new take so it's only natural that it happen here as well. We open up here with a very classic James encounter and it literally starts thing off with a bang. It grabs the readers' attention, piques their curiosity and draws them in to see if we get to know what that scenario actually took place.     The main story starts off with a very modern day rant in a sue happy culture. While I get it, it's now and current, it's just a shame that we have this culture now and it has seeped into the books we read. Entitlement due to money and these Nouveau Riche are the worst of the lot. Regardless it does set things up for an interesting encounter here with this guy and the introduction of a pair of characters who show a lot of promise! The idea behind them is interesting and I have no idea if they actually represent a real company or not but at this stage their partnership is something makes complete sense to me and I look forward to seeing how their role in all this continues to play out.    The way that we see the story & plot development through the sequence of events that unfold as well as how the reader learns information is superbly done. The way we see the events and how they flow through the book is smart and intelligently done so that we see the thinking process and it isn't just one jump to the next in thinking it's deduction and logic and that is exciting to me. The character development is fantastic as we see these new characters and get this great sense of who they are and what they can do. The personalities we see are so very well presented and it's really a joy to meet these folks. The pacing here is good and strong and follows the sequence of events nicely so that the ebb & flow that is created and the twists and turns we see keep the reader fascinated.     I like the interiors here. The linework and how we see it utilised with the varying weights to bring out this attention to detail is really nice to see. Also special shout out to whomever did the paintings in this one because what we see at the Dayton Keene Museum did an absolutely amazing job with them. Now I have to say the faces, facial expressions and body language are magnificently rendered and really show off this attitude and further the characterisation in ways that can only be done visually. The utilisation of the page layouts and how we see the angles and perspective in the panels show a really solid, strong eye for storytelling. I will say this more often than not, I would like to see more backgrounds being utilised throughout. Too many blank spaces for me since when we do see them they really enhance the moments and bring a great sense of size and scope to the book. The colour work here is delightful. I like the shading and the highlights that we see here. Some absolutely great colour choices as well and there are those moments where the gradation of hues and tones are in play that I think are amazing, when they break into the apartment for example. ​     I am down for this, ante up, all in you name it and I am there. This has me all kinds of excited by the new characters and whatever role James will end up playing in all this. I love the unexpected and I love when risks are taken and this is the perfect opportunity to do just that. These folks have gone out and done something new and different with the character and I couldn't be any happier to be reading this title. Intelligently written and delightfully illustrated this is the beginning of a James Bond run you need to be a part of!