#roman comes to see him

[anxiousgaypanicking]

[only a request if you want]

Magician Janus.

Magician Janus being hired to perform his acts, and needing a volunteer for a hypnosis performance (was thinking Roman but can be another side too :3)

Then, before he snaps him out of the trance, whispering in his ear,

“Once I’m done, you’ll meet me outside, won’t you?”

“Good boy.”

THIS IS SO HOT!!!!!

roman who loves being the center of attention. logan insists such magician tricks are rigged, but roman volunteers anyway, and is gleeful when he's selected.

he's called gorgeous as he steps up on stage, with janus quipping that the reason magicians assistants always wear such pretty, sparkling, showy leotards and dresses are to compliment their already beautiful figures. what a shame roman isnt in such an outfit.

but anyway, he's here to be hypnotized, isnt he? and so, in front of a decent sized crowd, janus walks roman through a nice, slow, strong trance, before having roman play his part on stage. janus has him do stereotypical stuff, bawking like a chicken, biting into an onion while fully believing it is and tastes like an apple, before holding his fingers in front of romans face, preparing to snap him out of it.

but not before making sure he'll get a pretty boy outside his dressing room after the show

[dirtytransmasc]

I'll never not believe that Davos is the one who fell first and harder. that he wasn't the one getting his heart truly broken. the one fighting for Aaron's love and attention and aching when he is denied. the one longing for Aeron and having to reckon with the fact that he can never truly have him, there's too much keeping them apart.

sure, Aeron has his own feelings, his own longing, his dread.

but you can see it in their faces, it's Davos's heart that's a mess, his soul that is aching, while Aeron is more confused and unsure of his own feelings and where they lie in the mess that is feuds and war and blood and kin.

Davos is angry but full of bitter, rage filled acceptance. Aeron is scared, confused, and stuck between acceptance and denial. and it's breaking me.

[canisalbus]

To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?

Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.

[vanityangel]

then. now. forever.

[beanghostprincess]

Actually thinking more about Reiju's only sin being a woman and... Going into more depth, I know that logically/canonically she's smart and empathetic enough to not want to be in her brothers' place. She doesn't want to be an heir/ successor or follow the family's footsteps at all. She knows they're bad. She sees herself as such, too, unable to change/be different like Sanji was. She doesn't think she can bring her mother's kindness to this world the way Sanji does, so she sticks to what she knows, whether it is to protect Sanji too or to accept her fate.

BUT (and bear with me for a second here, I know I have been watching too much Succession lately) we also do know that during her childhood she didn't do anything to help Sanji from the abuse. She watched it happen because that was the way things went there and because she knew what would happen to her if she did. Of course, she ends up helping him escape and taking care of him but-- I'm just thinking, for a tiny little moment, about how she's actually the oldest.

She should be the heir. She should be the person everybody views Ichiji as. She should be considered the most responsible. The smartest. The strongest one. The one who should take the throne. And she doesn't even want it now, but what about back then? What about when she did have some little, tiny faith/hopes for her family and what they did? She sought approval and naively thought "my father is going to offer me the place I rightfully deserve, right?" blindly seeking acceptance like all of them did.

But no, because she might be the oldest but Ichiji is a man. She might be the strongest, the smartest, the most reliable... But she is not a man. And I believe there must have been a time when she expected her destiny to be something more, and once she realized she was just a woman in their eyes... Well, we know what happened.

I just keep finding similarities between The Vinsmokes (OP) and The Roys (Succession) and perhaps my headcanon of Reiju being similar to Shiv has gone a bit too far. But the scene where Shiv is like "This is real?" when Logan promises she'll be the CEO and he goes "This is real. Remember this. The slant of light" for it to be a lie later is something I fear could have happened with Reiju and Judge if Oda had given us more content,,,,

[sforzesco]

spartacus and crassus :)

this is actually a rejected panel from a much longer comic I’ve been fucking around with on and off for awhile- I had plans to do a long form spartacus comic for a long time, I just keep missing the last book on my research list in second hand stores 😔 I always have money when the last copy sells out aughhh

anyway! I might call crassus my girl in the group chat, but I’ve actually spent more years wishing that spartacus got to run crassus through on his sword and then read the fate of rome out of his entrails. ALAS. on that note, isn’t it kind of interesting how spartacus’ funeral games for crixus turn roman order upside down and feel like both a foundational sacrifice and a curse? isn’t it kind of fun how crassus will not die in rome, and neither will pompey, who came in like a vulture to take credit for crassus’ work? (it’s VERY fun)

Plutarch, Crassus

[sandersontheside]

contrary to what you may think “I Won’t Say I’m In Love” from Hercules is not the Disney love song for prinxiety. the titular track from Beauty and the Beast is. not only because the lyrics hit:

“barely even friends/then somebody bends/unexpectedly/just a little change/small to say the least/both a little scared/neither one prepared”

“bittersweet and strange/finding you can change/learning you were wrong”

but also because Virgil is initially perceived by the other sides as a villain, as monstrous, and his arc is all about acceptance both from them and from himself, learning both to love and to be loved. Just like Adam/Beast. and because Roman is Belle coded—head in the clouds and obsessed with stories, craving adventure and desperately looking for something more than this provincial life. you get it.

[thebatmqn]

I’m not lying when I say I fully believe this is going to be these three’s dynamic post-series finale.

[eastern-lights]

I have just resolved to apply for a master's programme in Latin language and Medieval Studies after I'm done with English Philology and I have not felt this at peace with my future in a looong time.

[noomyguts]

half way through the vampire armand, and he loves love and god and family and the world, like can't emphasis enough how his love for others is repeated to be the direct connection to his humanity

hope nothing bad happens to rock the foundations of his very being

[maddragonfruit]

I can kind of see where season one Roman was coming from, like on the strongly disliking Virgil front

[welcometoteyvat]

if anyone makes fun of his canto name it's on sight btw <3

[grinchwrapsupreme]

[introspectivememories]

cannot stop thinking about lupa and juno's reactions to jason's death. god did juno feel it when he died? did she hear his string get cut? did she wail loud enough that all of olympus heard it? what was it like realizing the boy she loved like a son was dead? was was it like watching his father not even shed a tear? was she the one to tell lupa? and on lupa's end, how angry do you think she was? this is her pup. her youngest pup. he was so young when he first started, when juno first gave him to her? he learned how to roughhouse with her packmates. he learned to fly with her! did she snap at juno? did she scream and curse and blame juno? did she howl mournfully?

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.