#robert schlesinger

[babsi-and-stella]

Robert Mapplethorpe, Paris 1971 by Peter Schlesinger.

[guy60660]

Robert Mapplethorpe | Peter Schlesinger | AnOther

[hayaomiyazaki]

Dirk Bogarde as Robert Gold DARLING (1965) dir. John Schlesinger

[sebinwhite]

Britta Roeske at the Greentech Festival in Berlin (15th June 2023) with some random dude sitting on her left 🧢

📸  Robert Schlesinger

[endlich-allein]

Paul at the Velodrome, Berlin, during the WBO boxing world championship at super middleweight, 03-05-2014 © Robert Schlesinger

[srencbey]

On October 8, 1976, "Marathon Man" was released.

William Goldman was paid a reported $450,000-500,000 (depending on the source) for the film rights to his novel and to do a screenplay, before the novel had been published.

"The book reads like the movie-movie of all time," said producer Robert Evans. "I regard it as a cheap investment because you don't often find books that translate into film. This is the best thing I've read since 'The Godfather' (1972). It could go all, all the way – if we don't foul it up in the making."

Laurence Olivier was cast early on in the role of Dr. Christian Szell. However he had health problems, and at one stage, it was uncertain whether he would be able to do the film. Richard Widmark auditioned for the part, but Olivier eventually recovered and was able to participate in filming.

"Marathon Man" is famous in acting circles for an often quoted exchange between Hoffman and Olivier concerning a perceived difference in their approaches to acting. In the usual telling of the story Hoffman, a proponent of method acting, prepared for a scene where his character had been awake for three days by doing the same himself. When told of this, Olivier suggested, "Why don't you just try acting?" In an interview on Inside the Actors Studio, Hoffman said that this exchange had been distorted: he had been up all night at the Studio 54 nightclub for personal rather than professional reasons and Olivier, who understood this, was joking.

Director John Schlesinger said that "Marathon Man" was successful not only because it had elements of escapism, but also because the audience easily identified with Hoffman's character Babe Levy. Schlesinger said that he "is definitely someone that you can root for. The film is about his survival in a grim and hostile world. In our present age of anxiety we can all identify with characters who are not trying to get ahead but simply to survive." (Wikipedia)

[ptbf2002]

Warner Bros. Pictures Animation Logo With Bugs Bunny (Cinemascope)

Looney Tunes Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Harman-Ising Productions, Leon Schlesinger Productions, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Bugs Bunny Belongs To Ben Hardaway, Cal Dalton, Charles Thorson, Tex Avery, Chuck Jones, Bob Givens, Robert McKimson, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[lesbiancassius]

Hey June! I was wondering, what medias/books would you recommend for a person wanting to get into the ancient greek classics? The Iliad/Odyssey/Aeneid stories fascinate me, but as there are so many versions and translations and retellings, I don't really know where to start. How did you get into them?

hey anon! I feel mildly underqualified to answer this as I actually haven’t read the Iliad or Odyssey or all of the Aeneid but I will do my best (i’m working on it! promise! iliad is up next and i’m gonna read it and i’m gonna go crazyinsane)

firstly you should totally read the original texts. remember that they aren’t The One True Story, they’re just written-down versions of wobbly cultural stories that change from person to person. and you don’t have to read them before reading retellings or adaptation but it’s good to read them fairly close together. just read what you wanna read. the bit of the Aeneid I read was translated by Robert Fagles, and I’ve heard Emily Wilson’s Odyssey is good. my friend Theo @fifthlydoyoudream recommends E. V. Rieu’s Argonautica translation, if you wanna read that. poetry in translation has decent translations of most plays i’ve tried to find, and that’s nice because it’s online and super accessible.

the way I first got into the greek classics was reading Anne Carson’s An Oresteia, which is Agamemnon, Elektra, and Orestes. it’s a really great intro because Anne Carson’s translations are just fantastic & it’s one play from each of the three big greek tragedy-writers & it’s a pretty well-contained story so you don’t need much context - you could read Iphigenia at Aulis first but that’s not really necessary. (confusingly there is also The Oresteia, which is different). if you can find an Anne Carson translation of a play you should totally read that one. that’s my rule of thumb. I always recommend Antigone too - it’s also fairly self-contained and it makes me crazyinsane. Anne Carson has two translations, they’re both good - Antigonick is better if you have a little context beforehand in my opinion. also Oedipus the King/Oedipus Rex is good.

tbh what i recommend is just following characters or stories that you like and seeing where that gets you. like i’m having a pretty intense house of atreus moment atm but i still barely know who penelope is because i haven’t read the odyssey. who is penthesilea? still do not know. but don’t get overwhelmed by the amount of stuff out there!! it can be a little scary but wikipedia is your friend and also you do not have to know everything.

and some adaptations/retellings:

Lavinia by Ursula K. le Guin is an adaptation/retelling of the Aeneid from Lavinia’s point of view and it is very very good.

Luis Alfaro’s Greek Trilogy are play adaptations of Oedipus Rex, Elektra, and Medea set in modern-day LA with a Latino cast and it is so fucking good it makes me want to bite glass and explode. you can find oedipus el rey by googling but the other ones might be a bit more annoying to find

Iphigenia and the Furies (on Taurian Land) by Ho Ka Kei is a good deconstruction of the colonialist nature of Iphigenia among the Taurians, and it is also absurdly hilarious, so I recommend. I read it before I read the play it adapts and I was fine but it is good to have context.

i’m having an iphigenia moment anyway i also recommend Iphigenia at Zero by Lisa Schlesinger if you get into iphigenia’s story.

I’m like 15 pages in to Cassandra by Christa Wolf and I am thoroughly enjoying it so far

Antigone directed by Sophie Deraspe is a great French Canadian adaptation of Antigone in the modern day I really like it

and who would i be if i didn’t recommend max @goose-books‘s godsong, aka the aeneid (among other things) with lesbians

also. note on adaptation - a lot of adaptations i have read flatten the morality of these plays into good and bad. i think that’s dumb. let them be shitty, adaptations!

ok thats all good luck brave soldier o7

[deadpresidents]

HERBERT HOOVER •An Uncommon Man: The Triumph of Herbert Hoover by Richard Norton Smith (BOOK) •Herbert Hoover: A Biography by Eugene Lyons (BOOK) •Herbert Hoover in the White House: The Ordeal of the Presidency by Charles Rappleye (BOOK | KINDLE) •Hoover: An Extraordinary Life in Extraordinary Times by Kenneth Whyte (BOOK | KINDLE | AUDIO)

FRANKLIN D. ROOSEVELT •Franklin and Winston: An Intimate Portrait of an Epic Friendship by Jon Meacham (BOOK | KINDLE | AUDIO) •No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II by Doris Kearns Goodwin (BOOK | KINDLE | AUDIO) •Traitor To His Class: The Privileged Life and Radical Presidency of Franklin Delano Roosevelt by H.W. Brands (BOOK | KINDLE | AUDIO) •Franklin Delano Roosevelt: Champion of Freedom by Conrad Black (BOOK | KINDLE) •Franklin D. Roosevelt: A Political Life by Robert Dallek (BOOK | KINDLE | AUDIO)

HARRY S. TRUMAN •Truman by David McCullough (BOOK | KINDLE | AUDIO) •1948: Harry Truman's Improbable Victory and the Year That Transformed America by David Pietrusza (BOOK | KINDLE | AUDIO) •Plain Speaking: An Oral Biography of Harry S. Truman by Merle Miller (BOOK | KINDLE | AUDIO) •Off the Record: The Private Papers of Harry S. Truman by Harry S. Truman, Edited by Robert H. Ferrell (BOOK) •Harry S. Truman by Margaret Truman (BOOK)

DWIGHT D. EISENHOWER •Eisenhower by Geoffrey Perret (BOOK | KINDLE | AUDIO) •Eisenhower, Volume I: Soldier, General of the Army, President-Elect, 1890-1952 by Stephen E. Ambrose (BOOK | KINDLE) •Eisenhower, Volume II: The President by Stephen E. Ambrose (BOOK | KINDLE) •The Supreme Commander: The War Years of Dwight D. Eisenhower by Stephen E. Ambrose (BOOK | KINDLE | AUDIO) •Eisenhower in War and Peace by Jean Edward Smith (BOOK | KINDLE | AUDIO)

JOHN F. KENNEDY •An Unfinished Life: John F. Kennedy, 1917-1963 by Robert Dallek (BOOK | KINDLE | AUDIO) •A Thousand Days: John F. Kennedy in the White House by Arthur M. Schlesinger Jr. (BOOK | KINDLE) •Incomparable Grace: JFK in the Presidency by Mark K. Updegrove (BOOK | KINDLE | AUDIO) •JFK: Coming of Age in the American Century, 1917-1956 by Fredrik Logevall (BOOK | KINDLE | AUDIO) •Reclaiming History: The Assassination of President John F. Kennedy by Vincent Bugliosi (BOOK | KINDLE | AUDIO)

[filmparaden]

Trouble Every Day (Claire Denis, 2001)

Wings Of Desire (Wim Wenders, 1987)

Sympathy For The Devil (Jean-Luc Godard, 1968)

Dekalog (Krzysztof Kieslowski, 1989)

Russian Ark (Aleksandr Sokurov, 2002)

Tale Of Tales (Yuriy Norshteyn, 1979)

Time Regained (Raoul Ruiz, 1999)

Aguirre, der Zorn Gottes (Werner Herzog, 1972)

Grey Gardens (Albert & David Maysles, Ellen Hovde, Muffie Meyer; 1975)

One From The Heart (Francis Ford Coppola, 1981)

Man With A Movie Camera (Dziga Vertov, 1929)

Dogville (Lars von Trier, 2003)

Sombre (Philippe Grandrieux, 1998)

Cul-de-sac (Roman Polanski, 1966)

Brown Bunny (Vincent Gallo, 2003)

Le feu follet (Louis Malle, 1963)

The Swimmer (Frank Perry, 1968)

A Special Day (Ettore Scola, 1977)

La maman et la putain (Jean Eustache, 1973)

The Battle Of Algiers (Gillo Pontecorvo, 1966)

The Big Lebowski (Joel & Ethan Coen, 1998)

Touch Of Evil (Orson Welles, 1958)

Playtime (Jacques Tati, 1967)

The Long Goodbye (Robert Altman, 1973)

Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

Rashomon (Akira Kurosawa, 1950)

Eternal Sunshine Of The Spotless Mind (Michel Gondry, 2004)

A Summer's Tale (Eric Rohmer,1996)

The Turin Horse (Béla Tarr, Ágnes Hranitzky; 2011)

Baby Doll (Elia Kazan, 1956)

Daisies (Vera Chytilová, 1966)

Unsere Afrikareise (Peter Kubelka, 1966)

Thérèse (Alain Cavalier, 1986)

La jetée (Chris Marker, 1962)

Le gamin au vélo (Jean-Pierre & Luc Dardenne, 2011)

Les 400 coups (François Truffaut, 1959)

The Piano (Jane Campion, 1993)

I'm Not There (Todd Haynes, 2007)

Killer Of Sheep (Charles Burnett, 1978)

The Piano Teacher (Michael Haneke, 2001)

Dead Man (Jim Jarmusch, 1995)

The Women (George Cukor, 1939)

Pickpocket (Robert Bresson, 1959)

Paper Moon (Peter Bogdanovich, 1973)

Don't Look Back (D.A. Pennebaker, 1967)

Little Fugitive (Ray Ashley, Morris Engel, Ruth Orkin; 1953)

Midnight Cowboy (John Schlesinger, 1969)

The Night Of The Hunter (Charles Laughton, 1955)

The Ice Storm (Ang Lee, 1997)

Man On The Moon (Milos Forman, 1999)

Eyes Wide Shut (Stanley Kubrick, 1999)

Enter The Void (Gaspar Noé, 2009)

Snatch (Guy Ritchie, 2000)

The New Land (Jan Troell, 1972) 

Los olvidados (Luis Buñuel, 1950)

Border Radio (Allison Anders, Dean Lent, Kurt Voss; 1987)

Vertigo (Alfred Hitchcock, 1958)

The Adventures Of Prince Achmed (Lotte Reiniger, 1926)

Les triplettes de Belleville (Sylvain Chomet, 2003)

Brief Encounter (David Lean, 1945)

Gare du Nord (Jean Rouch, 1965; segment of Paris vu par... )

Vagabond (Agnès Varda, 1985)

Slap Shot (George Roy Hill, 1977)

Le sang d'un poète (Jean Cocteau, 1932)

Breathless (Jim McBride, 1983)

Stop Making Sense (Jonathan Demme, 1984)

Upstream Color (Shane Carruth, 2013)

Saturday Night And Sunday Morning (Karel Reisz, 1960)

Gadjo dilo (Tony Gatlif, 1997)

Rebel Without A Cause (Nicholas Ray, 1955)

A.K.A. Serial Killer (Masao Adachi, 1969)

The King Of Comedy (Martin Scorsese, 1982)

The Hours (Stephen Daldry, 2002)

In A Lonely Place (Nicholas Ray, 1950)

The Honeymoon Killers (Leonard Kastle, 1969)

Meshes Of The Afternoon (Maya Deren, 1943)

When We Were Kings (Leon Gast, 1996)

Broadway Danny Rose (Woody Allen, 1984)

A Woman Under The Influence (John Cassavetes, 1974)

To The Wonder (Terrence Malick, 2012)

Beavis And Butt-head Do America (Mike Judge, 1996)

Araya (Margot Benacerraf, 1959)

Kes (Ken Loach, 1969)

Skammen (Ingmar Bergman, 1968)

Duel (Steven Spielberg, 1971)

The Bridges Of Madison County (Clint Eastwood, 1995)

The Man Who Fell To Earth (Nicolas Roeg, 1976)

Roma città aperta (Roberto Rossellini, 1945)

Diva (Jean-Jacques Beineix, 1981)

Limite (Mario Peixoto, 1931)

The Fountain (Darren Aronofsky, 2006)

La cérémonie (Claude Chabrol, 1995)

The Draughtman's Contract (Peter Greenaway, 1982)

Amour fou (Jessica Hausner, 2014)

Happiness (Todd Solondz, 1998)

Hausu (Nobuhiko Obayashi, 1977)

Before The Devil Knows You're Dead (Sidney Lumet, 2007)

Gomorra (Matteo Garrone, 2008)

The Full Monty (Peter Cattaneo, 1997)

Låt den rätte komma in (Tomas Alfredson, 2008)

[gimmeshelter]

4, 5, 6, 7, 21, 28 :3

4. a black and white film

this is really hard because there are so many black and white movies. i'm going to say the connection (shirley clarke, 1961) because i watched it recently and i thought it was extremely good

5. an animated film

obviously i have to say akira (katsuhiro otomo, 1988) just for the shoutout but i also want to recommend some less known stuff sooo i really recommend tekkonkinkreet (michael arias, 2006) and street of crocodiles (the brothers quay, 1986)

6. a film released before 1970

again there are so many of these. check out midnight cowboy (john schlesinger, 1969) movie of all time. i want to say a film that's not american too so hmm early summer (yasujiro ozu, 1951) and mamma roma (pier paolo pasolini, 1962)

7. a film in your native language

two of my favourite french films are diary of a country priest (robert bresson, 1951) and donkey skin (jacques demy, 1970)!

21. a film with a great needle drop/soundtrack/score

well most martin scorsese films of course. but i will say nowhere (gregg araki, 1997) because i love this film and i knew literally every song on the soundtrack when i first watched it that was so special to me <3

28. a film that is a part of a series/franchise

hm. i'm really not a franchise guy so can i say the sam raimi evil dead movies they're really pretty well-known already but if you haven't seen them please do they're great

[dreaminginthedeepsouth]

Joseph Esposito: J. Robert Oppenheimer, the brilliant scientist and “Father of the Atomic Bomb,” was born on this day in 1904. Oppie, as he was known to his friends, was a complex man: he was arrogant, charismatic, and personally and politically naïve. He lost his security clearance in 1954 as he was embroiled in the McCarthyism of the period.

While conservative Republican leaders saw Oppenheimer as a questionable character, if not worse, American intellectuals supported him and saw the security hearing that investigated his security worthiness as a witch hunt and whitewash

Columnists Joe and Stewart Alsop, for example, wrote an indictment of the proceedings, "We Accuse!"--harkening back to to Emile Zola's ringing defense of Alfred Dreyfus in 1898--for Harper's. They concluded by saying of the removal of the scientist's clearance: "This act did not disgrace Robert Oppenheimer: it dishonored and disgraced the high traditions of American freedom."

Oppenheimer was a guest at the Nobel dinner at the White House in 1962. Although he was worthy to be in the same gathering as these Nobel laureates, some of whom also worked with him on the Manhattan Project, he was clearly the most controversial. President Kennedy’s invitation to the dinner was part of an effort to publicly rehabilitate the scientist. He would later select him for the prestigious Fermi Award. Oppenheimer died in 1967.

A year before Oppenheimer died, Arthur Schlesinger wrote to him: "You have faced more terrible things than most men in this terrible age, and you have provided all of us with an example of moral courage, purpose and discipline--you probably are not aware of the meaning your life has had for my generation." It was a great pleasure to talk about Oppenheimer and President Kennedy at the Historical Society of Princeton a few years ago. Oppenheimer had been director of the Institute of Advanced Study at Princeton and a resident of the town.

I am looking forward to the "Oppenheimer" movie (directed by Christopher Nolan), which will be released in July.

The photo here is of Oppenheimer with his famous slouch hat and Lt. Gen. Leslie Groves, the overall head of the Manhattan Project. It was taken at the Trinity atomic site in 1945 and it is in the public domain.

[Scott Horton]

[byneddiedingo]

Charles Denner and Yves Montand in Z (Costa-Gavras, 1969)

Cast: Jean-Louis Trintignant, Yves Montand, Irene Papas, Pierre Dux, Jacques Perrin, Charles Denner, François Périer, Georges Géret, Bernard Fresson, Marcel Bozzuffi, Julien Guiomar, Magali Noël. Screenplay: Jorge Semprún, based on a novel by Vassiliis Vassilikos. Cinematography: Raoul Coutard. Production design: Jacques D’Ovidio. Film editing: Françoise Bonnot. Music: Mikis Theodorakis. 

Costa-Gavras's great political thriller, Z,  was an unsettling film to watch in 1969, the year after Robert Kennedy and Martin Luther King Jr. were assassinated, the police clashed with demonstrators at the Democratic convention in Chicago, and Richard Nixon was elected president. What makes it unsettling in today's political climate is the way the film shows the destructive collaboration of ideologues, buffoons, and thugs. It's an often grimly funny movie, particularly in the portrayal of the general in charge of the police, who as played by Pierre Dux is both ideologue and buffoon. There is buffoonery also among the thugs, and Costa-Gavras has fun mocking the conspirators who, once they angrily leave the room in which they've been indicted, each try to open a locked door. But we mock them in vain. For while the efforts of the prosecutor played beautifully by Jean-Louis Trintignant are heroic and Costa-Gavras and screenwriter Jorge Semprún make us expect justice to prevail, it doesn't. The story is that of the assassination of Greek opposition politician Grigoris Lambrakis in 1963 and the subsequent investigation that brought a glimmer of hope to the country only to be squelched by the military coup of 1967. However, the film is set in no specific country -- it was filmed in Algeria -- and only an opening "disclaimer" that parodies the usual assertion about any resemblance to persons living or dead dares to say that the resemblances in the film are entirely intentional. Costa-Gavras and Semprún were political exiles from, respectively, Greece and Spain. The composer Mikis Theodorakis had been arrested and his music was banned in Greece; he gave Costa-Gavras permission to use existing compositions for the film score. But the decision to set the film in no particular place only strengthened its ability to reach out and make its story meaningful beyond a specific place and time. Although Yves Montand and Irene Papas get top billing as the assassinated politician and his wife, Montand's role is comparatively small and Papas's is virtually a cameo. The movie is mostly carried by Trintignant and by Jacques Perrin, one of its producers who also plays a very aggressive investigative journalist, and a capable supporting cast. It won Oscars as the best foreign-language film and for Françoise Bonnot's film editing. It was also nominated in the best picture category, and picked up nominations for best director and best adapted screenplay, but lost in those categories to Midnight Cowboy and its director, John Schlesinger, and screenwriter, Waldo Salt.

[driverloversbr]

Os filmes que Adam Driver acha que todos deveriam assistir.

Com seu rosto distinto, voz profunda característica e vasto alcance como ator, não é surpresa que  Adam Driver  tenha se tornado o superastro global como o conhecemos hoje. Sua primeira aparição nas telas importantes foi em 2012, como o adorável Adam Sackler na série de sucesso de Lena Dunham,  Girls . Pouco mais de uma década depois, Driver trabalhou com nomes como Martin Scorsese e Ridley Scott, interpretou o vilão Kylo Ren na nova  trilogia Star Wars  e encerrará 2023 com um papel principal na  cinebiografia Ferrari de Michael Mann  .

No entanto, você precisa de mais do que habilidades de atuação impecáveis ​​para chegar onde Driver está. É preciso ser um verdadeiro cinéfilo para escolher papéis tão consistentemente interessantes e procurar cineastas tão talentosos e singulares. Não é surpreendente, então, que uma olhada na lista de filmes recomendados por Driver revele um homem que aprecia o cinema tanto olhando para uma tela quanto atuando nela.

Ao longo dos anos, Driver citou certos filmes ou performances que ressoaram profundamente nele. Olhando para a sua própria filmografia, algumas destas escolhas fazem sentido – podem até ser consideradas influentes no seu trabalho. Outras opções simplesmente ilustram os gostos de um homem que deseja relaxar e fugir para outro mundo. De qualquer forma, para os fãs de Driver ou apenas do cinema em geral, é uma coleção de filmes que vale a pena prestar atenção.

O mais notável em sua lista é o incrível drama familiar,  Kramer vs. Kramer, de 1979 . Estrelado por  Dustin Hoffman como executivo de publicidade e Meryl Streep como sua esposa , o filme de Robert Brenton pinta um retrato sincero e marcante de uma família em crise que examina as consequências do colapso do casamento. Quando Joanna de Streep, deprimida e entediada por ser uma dona de casa, decide deixar Ted de Hoffman e seu filho Billy, Ted é forçado a aprender como ser um pai mais atencioso.

Quando Joanna retorna, no entanto, e exige a custódia de Billy, uma terrível batalha legal começa, que ilumina os papéis de gênero e os direitos do pai e, em última análise, deixa você questionando se alguém saiu vitorioso. Além de ser um dos melhores filmes da década de 1970, os paralelos com o trabalho do próprio Driver são claros – seu filme de 2019,  Marriage Story , coestrelado por Scarlett Johansson e dirigido por Noah Baumbach, usa as influências de  Kramer vs.  manga.

Em outra parte de sua lista estão vários filmes do maestro independente John Cassavetes, cujas representações cruas e confusas da vida inspiraram a todos, de Scorsese a Ben Wishaw. Não muito diferente  de Kramer vs. Kramer , o filme de 1968 de Cassavetes,  Faces,  segue um jovem casal após o anúncio do marido de que deseja o divórcio.

A Noite de Abertura de 1977  , por outro lado, explora a psique fraturada de um ator de teatro brilhantemente interpretado pela esposa do diretor, Gena Rowlands, após um incidente traumatizante com um fã. Clássicos mais certificados, como  Eraserhead , de David Lynch, e Taxi Driver e Goodfellas  , de Scorsese  ,  fazem parte da lista, assim como os veículos  Total Recall  e  Predator , de Arnold Schwarzenegger – o que pode explicar a recente aparição de Driver no thriller de ficção científica de ação  65 .

Segue os filmes favoritos de Adam Driver:

Pessoas comuns (Robert Redford, 1980)

Clube da Luta (David Fincher, 1999)

Rechamada Total (Paul Verhoeven, 1990)

Predador (John McTiernan, 1987)

Quem tem medo de Virginia Woolf? (Mike Nichols, 1966)

Arma letal (Richard Donner, 1987)

Abaixo da lei (Jim Jarmusch, 1986)

Motorista de Táxi (Martin Scorsese, 1976)

Italiano-Americano (Martin Scorsese, 1974)

O Milagroso (Arthur Penn, 1962)

Cowboy da Meia-Noite (John Schlesinger, 1969)

Os sapatos vermelhos (Michael Powell, 1948)

Ser ou Não Ser (Ernst Lubitsch, 1942)

Idade de Consentimento (Michael Powell, 1969)

A Fortaleza Oculta (Akira Kurosawa, 1958)

Rostos (John Cassavetes, 1968)

Noite de abertura (John Cassavetes, 1977)

Alice não mora mais aqui (Martin Scorsese, 1974)

A conexão francesa (William Friedkin, 1971)

Os 400 Golpes (François Truffaut, 1959)

A Última Valsa (Martin Scorsese, 1978)

Café e Cigarros (Jim Jarmusch, 2003)

Você pode contar comigo (Kenneth Lonergan, 2000)

Apagador (David Lynch, 1977)

Os Bons Companheiros (Martin Scorsese, 1990)

O Rei da Comédia (Martin Scorsese, 1982)

Arsênico e renda velha (Frank Capra, 1944)

Ruas Malvadas (Martin Scorsese, 1973)

Cassino (Martin Scorsese, 1995)

E aí já assistiu algum deles? Conta pra gente!

Entrevista traduzida por Driver Lovers BR

Joe Williams

SÁBADO, 21 DE OUTUBRO DE 2023, 16H05 BST

[eahostudiogallery]

Basic B&W Photos

Robert Mapplethorpe - Lilies

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Jennifer Schlesinger - Object Diaspora #1

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Gjon Mili - Picasso Drawing with Light, 1949 

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Michel Lipchitz - Kuwait, 1991

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Mahdiyeh Afshar Bakeshloo

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Irving Penn - Issey Miyake

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Dimitris Harisiadis - Evia, 1962

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Daniel Anderson 

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Christer Strömholm - Another Wall

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George Krause - The Cool Sweet Cake, Philadelphia, 1959

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Oscar Bailey - Untitled

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Csilla Klenyánszki

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Mendoza - Argentina

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Ruth Bernhard - Skull & Rosary, 1945

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Walker Evans - Bedroom, shrimp fisherman’s house, Biloxi

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Louise Michel

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[hillside-dangler]

Born To Kill COMPLETE SERIES 2005-2016

“Going back to the age-old Nature vs Nurture debate, a good way to think about it is that genetics provide an individual with a spectrum and the individual’s environment, developmental and otherwise, determines where you lie on it. A predisposition may lie dormant for eternity, but feed it a stressful environment and increased risk factors such as malnourishment and trauma, and it will manifest. Clinical facts must be tempered with ethical concerns when applying science to society.” Source

)c(

Season 1

S01E01 Fred West

S01E02 Harold Shipman

S01E03 Jeffrey Dahmer

S01E04 Myra Hindley

S01E05 The Washington Snipers

S01E06 Ivan Milat

)c(

Season 2

S02E01 Ted Bundy

S02E02 Charles Starkweather

S02E03 John Wayne Gacy

S02E04 Aileen Wuornos

S02E05 Richard Chase

S02E06 Albert DeSalvo

)c(

Season 3

S03E01 Gary Ridgway

S03E02 Edmund Kemper

S03E03 Richard Ramirez

S03E04 Donald Gaskins

S03E05 David Berkowitz

S03E06 Dennis Nilsen

)c(

Season 4

S04E01 Charles Manson

S04E02 Dennis Rader

S04E03 Beverly Allitt

S04E04 Hillside Stranglers (Kenneth Bianchi and Angelo Buono)

S04E05 Colin Ireland

S04E06 Herbert Mullin

)c(

Season 5

S05E01 Peter Sutcliffe

S05E02 Donald Nielson

S05E03 Patrick Mackay

S05E04 John Linley Frazier

S05E05 Cary Stayner

S05E06 The Briley Brothers

S05E07 Hadden Clark

S05E08 Paul Bernardo and Karla Homolka

S05E09 Thor Christiansen

S05E10 Dale Hausner and Samuel Dieteman

S05E11 Wesley Shermantine and Loren Herzog

S05E12 Douglas Clark and Carol Bundy

)c(

Season 6

SE06E01 Robert Napper

SE06E02 John Duffy and David Mulcahy

SE06E03 Gerald and Charlene Gallego

SE06E04 Levi Bellfield

SE06E05 Tony Costa

SE06E06 Richard Cottingham

SE06E07 Cleophus Prince Jr.

SE06E08 Sean Gillis

SE06E09 Timothy Wilson Spencer

SE06E10 David Alan Gore and Fred Waterfield

SE06E11 David Carpenter

SE06E12 Bobby Joe Long

)c(

Season 7

SE07E01 Peter Moore

SE07E02 Trevor Hardy

SE07E03 William Suff

SE07E04 Charles Albright

SE07E05 Allan Legere

SE07E06 Robert Reldan

)c(

Born to Kill/Class of Evil 2017

Season 1

SE01E01 Peter Tobin

SE01E02 Altemio Sanchez

SE01E03 Alton Coleman and Debra Brown

SE01E04 Stephen Griffiths

SE01E05 Graham Young

SE01E06 Joanna Dennehy

)c(

Killing Spree 2014

Season 1

SE01E01 Suffolk Strangler

SE01E02 Terror in Paradise

SE01E03 Northumbria Rampage

SE01E04 The Miami Murders

SE01E05 Horror at the Mall

SE01E06 Columbine Massacre

)c(

Season 2

SE01E01 The Hungerford Massacre

SE01E02 Soho Nail Bomber

SE01E03 New York Knifings

SE01E04 Revenge Cop Killer

SE01E05 The Family Slayer

SE01E06 Woman On The Rampage

)c(

Criminal psychologists: Louis B Schlesinger, Helen Morrison, Katherine Ramsland, David Wilson and Robert Ressler.

Narrator: Christoper Slade

TwoFour productions