#roadies bold audition

[luiscagreen]

Be Bold And Honest

[harrisonarchive]

George Harrison, Friar Park, circa 1990; photo by Terry O'Neill.

George's jukebox at Kinfauns has been explored by the Harrison Archive (and is available as a playlist here), thanks in large part to an article about it, published in the Record Mirror's 1 January 1966 issue.

George's jukeboxes at Friar Park, however, are a little more obscure. The following playlist of songs featured on the jukeboxes and mentioned in some way from 1970 onward is an approximate one only, based on doing some digging into print interviews, audio interviews, and written pieces by family and friends. (The tracks include information previously posted on the Harrison Archive. For - hopefully - easier navigation, I've also bolded the artists -- and tracks known for certain to have been either on the jukeboxes or George's favorites.)

"Stardust" (instrumental) - Hoagy Carmichael "Our son, Dhani, and I, like George’s friends, were spoiled by his rich and loving presence: from the morning wake-up call, which could have been (depending on our location and mood) a morning raga, a Vedic chant, a Mozart concerto, Cab Calloway’s ‘Bugle Call Rag,’ or Hoagy’s earliest instrument version of ‘Stardust'..." - Olivia Harrison [read more]

"Can’t Help Myself (Sugar Pie Honey Bunch)" - The Four Tops "Rescue Me" - Fontella Bass

These tracks receive shoutouts in George's "This Song" (and the Four Tops were Sixties favorites, too, appearing on his Kinfauns jukebox).

"Between the Devil and the Deep Blue Sea" - Cab Calloway Clearly a favorite by one of his favorite artists, covered by George for Jools Holland's TV show, and also released on his posthumous album Brainwashed.

"When I'm Cleaning Windows" - George Formby "September In The Rain" - Dinah Washington "Dizzy Fingers" - Zez Confrey

George was a member of the George Formby Society (and attended conventions with Olivia and Dhani), and became friends with another attendee, Ray Bernard, who recalled the latter two of the above songs as some of George's favorites. (The Beatles also covered "September In The Rain" for their Decca audition; I'm not sure if George preferred Dinah Washington's version to any other, but its release year is closest to when the Fabs covered it, hence the inclusion on the playlist.)

"A Shine On Your Shoes" - Fred Astaire

Covered by George in a home video shared by the Harrison Family in the Guitar Collection app and the deluxe limited edition of Living In The Material World (and, on 1 February 2020, by Olivia on her Instagram, where she explained that George was playing a Danny Ferrington Keoki ukulele).

"True Love" - Bing Crosby & Grace Kelly

George covered this song as well, for his 1976 album Thirty-Three & 1/3. As Olivia recalled on Dark Horse Radion in 2018: "We'd been watching ‪Bing Crosby‬ and Grace Kelly, watching that movie ['High Society'], and they do a duet, and just that little harmony thing they do, because she wasn’t known as really a singer; he’d play and then we'd sing it." [read more]

"Roll Over Beethoven" - Chuck Berry

A longtime favorite, George covered this with The Beatles, during his 1991 Japan tour, and during his 1992 Natural Law Party concert, where it became the last song he played live onstage at a concert in his lifetime. As George said, "there hasn’t been any rock & roll better than that." [read more]

"Hong Kong Blues" - Hoagy Carmichael

Hoagy Carmichael was a favorite of George's, and he covered this song for his 1981 album Somewhere In England.

"Barnacle Bill the Sailor" - Hoagy Carmichael

A favorite, associated with George by Dhani, and mentioned by Olivia. "He would go up at parties to the DJ and say, ‘I’ve got something really amazing.’ ‘Cause he was who he was, they would listen to him, and then everyone would just be bummed out, it would clear the dance floor. And then he’d come back later - ‘I’ve got something else’ - and he’d put it on again. You know, he would just do this until the DJ was like [exasperated]." - Dhani Harrison, la minute rock, Rolling Stone France, 28 Nov 2017 [read more]

"Midnight Special" - Leadbelly "I'm So Lonesome I Could Cry" - Hank Williams "The Great Pretender" - The Platters "Words Of Love" - Buddy Holly

The songs themselves might not be George's favorites or jukebox selections -- as yet, I haven't found any mention of actual song titles, so these are just personal choices -- but the artist were mentioned by George and Olivia; and "Words Of Love" was obviously a favorite, having been covered by The Beatles, and, according to Mark Lewisohn's Complete Beatles Chronicle research, initially having been sung by George and John.

"The Ying Tong Song" - The Goons "I'm Walking Backwards For Christmas" - The Goons

Both these tracks were mentioned by Olivia as having been on the Friar Park jukeboxes in December 1974.

"The Lumberjack Song" - Monty Python "Spam Song" - Monty Python "Layla" - Eric Clapton

These tracks were mentioned by Eric Idle as having been on George's jukeboxes at Friar Park. "The Lumberjack Song" was of course also performed at the Concert for George.

"Heartbreak Hotel" - Elvis Presley

Eric Idle also recalled early Elvis being on the jukeboxes; and of course, George named the song as his first musical root.

"Blue Suede Shoes" - Carl Perkins "The Bells of Rhymney" - The Byrds

These two Perkins and Byrds songs were mentioned as favorite songs by George in the March 1997 issue of Guitar World.

"Mauna Loa" - Gabby Pahinui

Another artist loved by George, although again, this track choice is just a haphazard personal one, since there doesn't seem to be any public mention of which of Pahinui's songs were George's preferred ones.

"Ooo Baby Baby" - The Miracles "I'll Try Something New" - The Miracles

George absolutely loved The Miracles, and Smokey Robinson specifically, collecting their records, and writing songs in honor of Smokey ("Ooh Baby (You Know That I Love You) -- a nod to the first of the two Miracles tracks listed here -- on the 1975 album Extra Texture, and "Pure Smokey" on the 1976 album Thirty-Three & 1/3). As Olivia has recalled: "We used to sit around singing a lot of Smokey Robinson songs. That kind of sealed our relationship, I think. [George] said, 'You're the only person I've ever known who sang the high note at the end of "I'll Try Something New."'"

“Back On The Chain Gang” - The Pretenders “Brothers In Arms” - Dire Straits “Cold Day In Hell” - Gary Moore

The three tracks by The Pretenders, Dire Straits and Gary Moore were mentioned as favorites by George in the March 1997 issue of Guitar World.

"Long Tall Sally" - Little Richard

George was a Little Richard all his life, as various comments over the years show.

"Tandoori Chicken" - Ronnie Spector "I Am Missing You" - Lakshmi Shankar "Rebel Music" (live) - Bob Marley & The Wailers

Put down on tape during the "Try Some, Buy Some" sessions, "Tandoori Chicken" was an improvised song, as George recalled: "a 12-bar thing done on the spot with Mal our roadie and Joe the chauffeur." For Dark Horse Records, and featuring Lakshmi Shankar, one of [George's] favorite singers," another song for this playlist is "I Am Missing You." The Marley track was chosen from the setlist of the three 1975 Roxy show attended by George and Olivia, recalled by George as "the best thing I've seen in ten years. [...] I could watch The Wailers all night."

"The Rain Song" - Led Zeppelin "Don't Talk (Put Your Head On My Shoulder)" - The Beach Boys

"The Rain Song" was written in response to a comment made by George, and subsequently made it on one of the two jukeboxes. The Beach Boys song was on the jukeboxes, and -- like "The Rain Song" -- played at the wedding of Dhani and Sola, as reported by Vogue in 2012.

"Signed, Sealed, Delivered, I'm Yours" - Stevie Wonder "Telephone Line" - Electric Light Orchestra "Come On In My Kitchen" - Robert Johnson "When The Levee Breaks" - Memphis Minnie

All four of these artists were mentioned as favorites by George in a 1976 interview. (The titles are arbitrary choices, since the interviewer didn't ask George for any further details. However, Johnson's "Come On In My Kitchen" was covered by George and band during rehearsals for the Concert for Bangladesh.)

"Maria Elena" - Ry Cooder "Concert in B (live in 1963) - Andrés Segovia

Two artists mentioned frequently by George as being favorites (Segovia first in 1963 -- hence the choice of a live piece from that year -- and up through the 1990s). The Cooder track was specifically mentioned by Olivia in the June 2018 issue of Songlines.

"Piano Concert No. 21" - Wolfgang Amadeus Mozart

Olivia mentioned a Mozart concerto as being something George would play in the mornings as they were starting the day, so this is another random choice of a concerto.

"The Weight" - The Band

The atmosphere of the song inspired the Harrisong "All Things Must Pass," as George recalled in 1987 -- he also named it as a song he admired in that same interview. In a 1974 interview with Capital Radio, George deemed The Band "the best band I've ever seen."

"Farther On Down The Road (You Will Accompany Me)" - Jesse Ed Davis

A Harrisong was given to Jesse by George, and recorded by Jesse before it was released by George himself (but since "Sue Me, Sue You Blues," the song in question, is already on a collaborations playlist....); this Davis selection (written by Jesse and Taj Mahal) was covered live by George and Eric Clapton in December 1978.

"Isn't It A Pity" (cover) - Nina Simone "Backwater Blues" - Big Bill Broonzy "Changes" - Bix 'n' Bing

Nina Simone's cover of the Harrisong "Isn't It A Pity" in turn influenced the mood of another Harrisong; and Dhani recalled listening to Simone, Big Bill Broonzy (who is name-checked in the Harrisong "Wreck Of The Hesperus") and Bix 'n' Bing together with his dad (these tracks are once more personal choices).

"April Kisses" - Eddie Lang

The first song on this playlist, "Stardust," was "one of [George's] favorite songs," as Olivia has recalled; she also named Eddie Lang (though she didn't mention a specific title).

"Kalimankou Denkou" - Le Mystere des voix bulgares

George enthused about this Bulgarian choir in numerous interviews, and introduced this particular song during his interview on Rockline in February 1988.

"Taxes On The Farmer Feeds Us All" - Ry Cooder

"Later, after a lasagna dinner in his ornately paneled kitchen with his wife Olivia, their son Dhani (just home from his school year at Brown University in the States), and Olivia’s sister, Linda, Harrison takes his visitor upstairs to his Friar Park Studio. Picking up a nearby National dobro from the vast array of vintage guitars hanging from the walls, Harrison slips a glass bottleneck on his finger as he seats himself to strum 'The Farmer Is The Man Who Feeds Us All,' the traditional tune of 1860s America made famous in the 1920s by Fiddlin’ John Carson and later popularized on Ry Cooder’s 1971 'Into The Purple Valley” album as 'Taxes On The Farmer Feeds Us All.' 'That’s where I first heard the tune,”'says Harrison of Cooder’s interpretation, before he begins to sing: 'The farmer is the man, the farmer is the man/Buys on credit until the fall/Then they take him by the hand/And they lead him from his land/And the merchant he’s the man who gets it all.'" (Billboard, 19 Jun 1999)

"God's Own Drunk" - Lord Buckley

This particular Buckley piece was mentioned by George in a 1979 radio interview promoting his eponymous album, and the song "If You Believe": "Pray, give up, and it all recedes away from you. I don’t know if you… you must have heard Lord Buckley, you know, well, there is a thing he did called 'God’s Own Drunk.' I think it was that. Anyway, it was one of Lord Buckley’s things and he was talking about love. He said: 'Love is like a beautiful garden, you know, when you use it it spreads, but when you don’t -- it recedes.' And it’s true. It’s really that in its simplest form." [read more]

"Free Fallin'" - Tom Petty

As Dhani has said, he can remember "getting advance copies sent to my dad from Tom. He’d be like, 'You want to hear Tom’s new stuff?' And it would be the first time anyone’s heard 'Free Fallin'." (Premier Guitar, Jan 2018)

"Let It Be Me" - The Everly Brothers

Covered by George in a demo version after seeing the Everly Brothers in concert (George's cover appears on Early Takes Vol. 1).

"Clair de Lune" (cover) - Isao Tomita

One of George's favorites, as Olivia has recalled.

"México Lindo y Querido" - Jorge Negrete

Negrete was mentioned as a favorite by George, and Olivia recalled Negrete being on George's jukebox.

"Bugle Call Rag" - Cab Calloway

Recalled by Olivia in her introduction for Harrison, and as George's school wakeup call for Dhani.

"Cool River" - Maria Muldaur "Fear Of Flying" - Charlie Dore

Two more specific songs mentioned or covered by George.

"Sweet Leilani" - Bing Crosby

Mentioned as a favorite of George's by Tom Petty, and by Olivia.

"Every Grain Of Sand" - Bob Dylan

Named as one of George's favorite songs in his June 1999 Billboard interview: "I mean, you tell me one person other than Bob Dylan who has a moral message in a tune that's improved upon Bob's words in his song 'Every Grain of Sand.'"

"Kaliyuga Varadan" & "Ragam Tanam Pallavi" & "Gajavadhana" - U. Srinivas

One of George's favorite artists, as he, Dhani and Olivia have recalled; these three particular tracks were singled out by Olivia in the June 2018 issue of Songlines.

"Raga - Manj Khamaj" - Ravi Shankar "Guru Bandana (Prayer)" - Ali Akbar Khan "Abhogi" - Hariprasad Chaurasia "Kafi Holi (Spring Festival Of Color)" - Ravi Shankar "Enna Thavam" - Papanasam Sivan "Thumri - Mishra Tilang Raga - Addha Taal" - Sultan Khan "You And Me" - Zakir Hussain "Raga Chayya Nat" - Kala Ramnath

The eight selections above are mentioned by Olivia in the June 2018 issue of Songlines.

“México” - Mariachi Sol de Mexico

In 1998, George commissioned José Hernández - founder of Mariachi Sol de México - to translate and arrange the Harrisong "Dark Sweet Lady" in Spanish, as a special version for Olivia. While that recording is understandably a private one, mariachi music seems to have been a favorite of the Harrison family and the Arias family, as it's mentioned as having been played at family events held in California. And: "Last year I brought over a mariachi orchestra [Mariachi Sol de México] and we had a private concert at Friar Park because I got tired of waiting 30 years for someone else to do it. It was my way to let my friends experience that music – which was what George was always trying to do. He wanted people to understand and be moved by the music that he loved." - Olivia Harrison, Songlines, Jun 2018

"Last Thoughts On Woody Guthrie" - Bob Dylan "Bhoop Ghara" - Hariprasad Chaurasia, Shivkumar Sharma, Brij Bhushan Kabra

"George used to always say that if ever you are not feeling right, you should listen to Bob Dylan's 'Last Thoughts on Woody Guthrie' and 'Call of the Valley.'" (Olivia Harrison) This track from "Call Of The Valley" was mentioned by Olivia in the June 2018 issue of Songlines: "[it was] something George had on our juke box. We played it as a remedy in our home if you were feeling a certain way. Kabra was one of George’' heroes as a slide guitarist, up there with Ry Cooder."

"Sarve Shaam" - Ravi Shankar

From the 1997 album Chants of India (produced by George), the song was also performed at the Concert for George, and was clearly very special to George, as Olivia remembers: "At the end of his life George said to me that all he could listen to was 'Sarve Shaam.' After all the sounds and sights and tastes you experience over a lifetime, it came down to the purity of 'Sarve Shaam.'"

Listen on... YouTube | Spotify

[gallaghercest]

REPOST: Evidence #1 - Noel’s Sexuality

Hello! So, I’m reposting this 2017 post because Tumblr deleted it.

Enjoy!

— x — x — x —

Good evening, class! It’s been a long time but I’m back. It took so long because I needed plenty of time to arrange everything correctly, because tonight we’ll have a long post. And I’m back with such a polemic subject to talk about. That’s right: Noel Gallagher’s sexuality. Pretty much a taboo in the whole fandom.

I actually realised this should have been my first post here, since it’s focused much more on the 80s, but, well, it’s all said and done now, so just pretend you read this post first, ok?

Before starting I know that there will probably be someone/some people who will go “but jULIA YOU CAN’T TALK ABOUT THIS, IT’S NONE OF YOUR BUSINESS, IT’S TOO PERSONAL, YOU KNOW NOTHING ABOUT NOEL AND HIS GAYNESS AA A A A A A A”

And I’ll tell you what, kids: I’d rather walk I HAVE the right to talk about this, I’m his fan, I have the evidences, I’ve done researches, essays, everything you can imagine, and my conclusion is: it’s not my fault if he prefers to stay inside the closet LG x

So, take your seats and here we go!

Disclaimer: this is a bunch of evidences I made by myself, based in conversations I had with my friends and months of analysis, suffering, nights of insomnia and tears. Don’t know if everything is veridical, but at least, it’s a way that I found to “light” up our way and try to find some proper fucking answers to this stuff.

Well, I bet lots of you have already wondered (at least once in your lifetimes) about Noel’s sexuality, because, honestly, it’s something really confusing if you stop to think about it. The guy fucking hooked up with his brother, that’s already a good point to start. But I’ll try to list all the evidences on a chronological order.

1-) This Charming Man

This one is more like a deduction but ok. Yes, the famous Smiths’ song always had an important role on Noel’s life. It was the first song he learned to play on guitar. It was his main inspiration to become a musician as soon he saw The Smiths playing it on Top Of The Pops in 1983.

But, a 16 year old Noel who hated school and all type of book obviously didn’t understand the references and the lyrics meaning of any song as a 21 year old Noel could.

There’s a quote from Noel, which I think it’s from the NGHFB era already – but it might be from the late Oasis years, who knows – which I couldn’t find now, but I promise I’ll try my best to find it. If you know it, you can send it to me, too. The point is that, basically, Noel was asked by the interviewer why would he play the same fucking songs in every single gig.

Noel answered that, when he attended his first Smiths’ gig, which I’m sure it was in late 80s, he wanted them to play This Charming Man SO SO SO SO SO MUCH, and they had played it on their last gig, or on the last week’s gig, something like this, so Noel was really hopeful about it. The point is: they didn’t play it on the gig that Noel attended, and he got pretty much traumatised over that. So, he claims he plays the same songs every single gig because of that happening.

But, now, I ask you: As I said, this song was always important to him. But, as he grew old, he might have understood the lyrics more – This Charming Man’s lyrics clearly talks about homosexuality and an affair between a guy from working class and a guy from an upper class, you can read more about it on Genius, I guess. And now that he was older, maybe he identified more with the song in general.

He said once that as soon as he heard This Charming Man, everything made sense, even though he didn’t know any literature references and stuff like that – so he admitted that he didn’t get the lyrics at first. And this is important because I’m not telling you he had homosexual tendencies since he was born, it came after years and years.

2-) “Effeminate Phase” AKA Manchester Mauler

In the Definitely Maybe DVD, when talking about the “Give me gin and tonic” bit from Supersonic with Mark Coyle (11:30), Noel mentions that he must have been going through one of his – ONE OF, IT MEANS HE HAD LOTS OF – ‘effeminate phases’ to be drinking gin and tonic at that time.

He even joked once in an interview with Zane Lowe that when Peggy asked him why did he kept in his room 24/7 playing guitar, he answered, joking, “because I’m gay” :’))))))))))))

And now, the thing that I guess it’s the most iconic thing about Noel’s sexuality: if you search on Google “Is Noel Gallagher gay?” you will find an anonymous answer (that actually was answered by The WikiAnswers Community™), which goes:

“Definitely! He’s known as the Manchester Mauler. A refrerence to his brutal homosexual appetite durring his youth in Manchester, England.”

And in case you’re wondering “what the fuck does Mauler mean?”, Urban Dictionary will help you:

(I censored it because maybe Tumblr would block it again if I didn’t)

Let me tell you: this is my favourite piece of information of the entire Oasis history. It doesn’t come from any reliable source but the point is: I don’t doubt it. It’s the truth to me.

3-) Clint Boon

This is probably the most important evidence – so important that it’s why I’ve chosen it to illustrate the post. Noel’s years as a roadie were, obviously, wild.

Everything started when he auditioned to be the new singer of Inspiral Carpets. As we all know, he wasn’t accepted, but he was asked to be a roadie, in case he was interested. I don’t want to be pretentious but I have lots of friends who think that the job was only offered to him because Clint was already interested, BUT ANYWAY.

It’s common to see lots of photos of Clint and Noel together, we all know. And very suspicious photos, in fact. Some of them are not even with Clint, for example. The one where Noel is almost kissing a guy with a hand on his **** is actually Graham. And you can tell it because Graham’s hair was shorter than Clint’s (it’s the third photo of the collage above)

Noel was already asked by this photo on an interview and he was BOLD ENOUGH to deny the kiss:

“Interviewer: There’s a quite famous photo of you snogging Clint [Boon] from The lnspiral Carpets.

Noel: Oh no, that was Graham [Lambert, Inspirals guitarist]. Yeah. We weren’t actually kissing, though.

I: It looked like you were.

N: Yeah, yeah, it did look like it. But I can assure you.”

Anyway, the point is, we know Noel can assure they weren’t kissing because the only guy he would kiss was Clint. Ok, seriously now: we know that Noel used to take suspicious photos with his friends, while they drank and did drugs.

You can even see Noel shotgunning – the act of blowing weed or simply cigarette’s smoke on another person’s, usually your partner’s, mouth, and maybe even kissing – on the 4th and 5th photo from the beginning of the post. Notice that both photos were taken at the same night (their clothes are the same) and with the same guy.

Ah, and we have the matching haircuts as well. Thing we saw happening to Liam and Noel too (1997, 1999…)

(please don’t ever let this photo die)

Well. My point here is not the photos, not even the haircuts at all. It’s Clint. The amount of photos/footage we have of Noel with Clint is much more significant than the ones we have with the rest of the band. For example, Noel’s not seen in bed with any other member than Clint.

Actually, I have more things to talk of Clint, but I’ll leave it to another post.

And more: on the book “Carpet Burns: Life with Inspiral Carpets”, by Tom Hingley, the lead singer, contains a quote where Clint claims that Noel taught him another use for the airplane tables (thanks, Mat, for the useful info!). Another use. If you know what I mean.

But the most extraordinary thing is that, coincidence or not, there’s a Inspiral’s song, called Dragging me Down, written by Clint, released on 1992 – when Noel was already gone and in Oasis –, that strangely makes references to planes, travels, sky and flying. Behold:

Now, it’s up to you to patch things together.

AND DON’T YOU GET ME TO TALK ABOUT THIS:

4-) Random Noel’s quotes through the years

This one is probably the more common and easy-to-find evidence. I’ll just give the examples I recall now, but if you have more in mind, feel free to share it so I can add it to this post!

I don’t know what happened to Noel in the ‘Russell Brand 6Music show’ on 2006, because somehow he said a lot of things there.

Noel insisted that if he was gay, he’d be the biggest gay in the world, saying “I would be gayer than Freddie Mercury”, and then, Russell suggested that the 3AM girls might be interested in Noel suddenly getting in touch with his gay side, to which Noel replied:

“In a manner of speaking, I may have done already.”

Bingo!

And there’s that one from 1 Leicester Square, also being interviewed by Russell Brand, where they even talk a little about Noel’s years as a roadie, and Noel later says he was “very in touch” with his “effeminate side” (again!) and that Noel was a girl’s name¿? Russell says Liam has a “sexualised arrogance” and I confess I’m really like ?¿?¿where did you get it, son?¿?¿? because I really do think it’s something Noel thinks at the deep heart, not something Russell Brand could say, actually.

And again, there’s another quote, from another Russell Brand BBC2 show from 29th July 2008: “I like a few women but I like men an awful lot more.” He even continues and say “I call myself straight, but I’m GAY!”. “If I went to call myself bisexual, it would be equally, if not more misleaded (?), I’m not undecided or bi-curious either” Then, Noel asks “Matt, can you come up with a new word for people who are mostly straight but a little gay or mostly gay but a little straight?” and Russell comes up with the brilliant answer: “Oasis.”

It actually surprises and triggers me how nearly every time Noel and Russell meet, they end up talking about that subject… really weird, innit? Does Russell know of something? We might never know… *suspense intensifies*

And, now, going out of the Russell Brand show, we have the beautiful quote of Noel for a German TV interview on February 2009, which I’ll give me the luxury to copy down here:

“Q: So tonight you’re on stage with your brother.

N: Unfortunately, yes.

Q: Unfortunately. You don’t like each other very much.

N: No.

Q: Is there anything you like about your brother? Anything?

N. There’s lots of things I like about his personality, but he doesn’t like me.

Q: Do you know why?

N: Uuuhm…

Q: Have you ever talked to him about it?

N: I don’t know. You’d have to speak to him. But I know he doesn’t like me. He insults me all the time.

Q: But you like him.

N: There’s certain aspects of him that I like.

Q: What kind of aspects?

N: He wears crazy shoes.

Q: Ah. Anything else?

N: He has crazy hair.

Q: And what’s that got to do with his personality?

N: They’re just things I find attractive in men.”

Fine.

6-) This.

Ok, now I have two destinations: either people will kill me or support me. I don’t want to, I don’t know, ruin Noel’s perfect-marriage-husband reputation or whatsoever; actually, I don’t want to ruin Noel’s marriage lolololol but the point is: it’s in the internet, so it’s free, right? And my job here is exposing. So, that’s what I’m gonna do.

Well, one day I was doing my daily research with my friends, seeking for evidences of Noel’s bisexuality, and I bumped up into this:

But then I thought, “c'mon, the guy (who I censored the username for legal reasons) could be tripping”, but then me and my big-stalker-KGB-ass did a research on the lad’s profile, and, in the same weekend he tweeted that, he really was at Glasto, in 2014:

And the point is that, Noel wasn’t playing Glastonbury then, but he ATTENDED Glastonbury; he was at backstage, as you can see here:

Maybe the guy is crazy? Yes! Do I think he is actually crazy? No! Simply because, as I said, I don’t doubt anything, I know Noel and his capacity. The only difference between Noel and Liam is that Noel is a perfect secrefreak.

7-) Oasis fans are noticing it

If you think I made up all this bullshit, think again. It’s more and more common you see, not only the more dedicated fan accounts talking about it, but more grown-up fans talking about it too – I mean: it’s common to see not only the fan girls talking of it, but 30 year old blokes talking too. So, something must be quite right in all of this, right?

That’s it, guys, thank you so much for reading, I really consider this post my ultimate masterpiece, so I hope you enjoyed it! Feel free to reblog, it helps me a lot, send a message or whatever, I’ll love to read it, see you on the next post!