#rnanlvnch
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I have a problem with writing dialogue and that is I write too much of it, in other words my dialogues are too long. How do i make them seem long and good and important without it lasting through 20,pages? Also, how do i say, rather than show, some of the dialogues,but in a way my readers dont feel like they missed out?
cleverly asked:
hi! been following for a year or so and i’m so grateful for this blog. you’ve helped me and others out a ton. i find that when i write, my first draft is very dialogue-heavy. when i go back and edit it’s mostly to fill in the spaces between spoken word, but i always feel like i don’t have enough detail for others to see what i see. what are some ways i can improve on adding more detail? i’ve been practicing by journaling/freewriting, but this style doesn’t really find its way into my WIP. thx!
secretkeeper007 asked:
Hello! I’m writing a novel and I feel like I have a lot of dialogue. Is that okay? (It’s in 1st person POV).
Wow, a lot of synchronicity here!
Nothing makes me close a page of fanfic faster than Wall O’Dialogue. And it’s not just fanfic: I have actually photocopied pages from a professionally edited and published book so that I could go through and write down (it was a library book) who was talking.
Thank you all for realizing it’s an issue and looking to deal with it.
Relentless dialogue is just as frustrating to your readers as an unparagraphed wall of text or reams of irrelevant infodump.
tl;dr: You don’t have to kill your darlings. You do, however, have to stuff a sock in them sometimes.
Dialogue should be like any other part of your story – essential to plot and characterization.
If you’re writing a story in novel format, you don’t want it dominated by dialogue. That’s called a screenplay. But you’re writing a narrative; you’re struggling with things like plot and point of view. Too much dialogue can mean too little action.
Then again, your characters reveal themselves to the reader through conversation. And you might just need to slow the action down for a minute, so you have them talk. How do you sort it all out?
Ask yourself: Is it necessary?
Your first task: Make sure your dialogue is advancing the story or revealing character. If it’s not necessary, cut it out. Save the file … it might be useful later, but remove it from your working draft.
Next: Break up the dialogue you still need if you haven’t already. Your four main tools for breaking up (necessary) dialogue are:
1. dialogue tags: he said, she asked, they replied. Be specific, use the character’s name if you have to, try to avoid fancy words like “he articulated.”
2. action beats: “I’m not going,” he said, dropping the book on the floor; or
Xander tossed the book on the bed. “I’m not going.”
3. inner monologue: “I don’t care what you think,” Tamsyn said.
Juno was tired of her bullshit. She knew T cared. Juno was tired of her own anger. This was no way to have a relationship. But T wasn’t in a place to listen, and Juno had no other way to explain it.
“OK, if that’s how you feel, I’ve got nothing else,” Juno said as she turned to leave.
Inner monologue is an excellent device for replacing dialogue that you cut out. Instead of having your characters go back and forth, put the reactions into the inner, real-time thoughts and reactions of your POV character. Sometimes, what your character does NOT say out loud is far more revealing and interesting.
4. actual action: Nothing wrong with interrupting your blathering lovelies with plot- or character-revealing action. Someone bursts into the room with news … something is happening on the TV news that’s relevant … one of your characters gets a phone call or text that is disturbing, etc…
Underwriting/Under-describing
Another reason we resort to too much dialogue is that we are covering for a lack of description, also known as underwriting. We don’t want to insult our readers by being obvious, because part of the fun of reading is connecting the dots. It’s up to you, the writer, to make sure there are just enough dots.
Don’t jump to conclusions without presenting the evidence first. Nobody changes their life simply because of one conversation – although one conversation can spark a series of interim changes that will have life-altering and story-altering effects.
Maybe you need to do more research on the setting. Maybe you need to interview your characters to find out more about them – do a questionnaire or other character building exercises.
Ask your beta readers what they think is lacking. Remember, your first draft is going to need work, so don’t get too bogged down trying to make everything perfect on the first pass.
You can find more help here. An author shares her struggles with description here.
More resources
There are additional tips in these articles here and here.
If you want to learn good dialogue, read good dialogue, as recommended here and here.
– Aliya, currently feeling your pain with a dialogue-heavy section of her fanfic
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hey, can i ask how you colour gifs? for example, you made the wonder woman's cape pink and the rest blue, how did you do it? i've tried those colour maps/packs, but they mostly do not fit my gifs very well, what do i do? what did you do? i have just started the gif-ing business yesterday to be frank lol >.
to change the colors i use selective color!! i don’t really know how to explain it but like if you wanna change blue to pink you go to the cyan/blue part of selective color and change it up and i keep adding more selective color layers to get it to the color i want it. once it starts getting more pink you end up changing the magenta part of the selective color instead of cyan/blue. idk if this makes sense but i hope so. good luck!!
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PURPLE, SCARLET, BLUSH, FUCHSIA, BURGUNDY
PURPLE = i don’t talk to you but i really love your blog.
SCARLET = you have influenced my decision/thoughts on something.
BLUSH = seeing you on my dash makes my day a little better.
FUCHSIA = your blog content is gold
BURGUNDY = i get excited when i see posts from you
♡ ♡ ♡
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hey, can you tell me where this is from? /post/163747578275/charleshunna-i-want-to-be-alive-again-not-in
I have no idea, since there isn’t an actual link there.
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Saved urls
I have a bunch of saved urls i might never use (but who knows) so if you’re interested in them (i might just give it away) or would like to trade: ask or message me. it would be cool if you could like/reblog this
please don’t ask for an url if you’re not planing on using it, i’m not letting it go just for you to save it and never use it
Check them out here or keep reading
urls in bold are my faves and i’ll only trade them for another really good url or i plan on using them, crossed out are taken, italics✨ are not up for trade
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i totally do know what you mean, thank you!! ^^
no problem!!
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